#with crusaders treating muslim bodies as more than filth (nourishment) lol
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Intensive historical writing follows “a crisis in national affairs” that alienates a people from its past (...) If invasion of the domus produces a disorder that requires one kind of cultural work, extraterritorial invasion—the invasion of foreign lands—requires another: especially when that foreign invasion also renders the invaders foreign to themselves, and denatured, by their own unrecognizable and self-transformative performance. (...) It is commonplace, of course, to find cultural enemies depicted as giants—or cannibals—in the literatures of many nations and eras, especially in narratives of territorial invasion, conquest, and settlement. It takes a crisis of subtle alienation, however, to produce oneself as a giant of monstrous proportions, requiring the intervention of a cultural savior [king Arthur] plucked from the distant past (an older, intact representative of cultural identity) to rescue the contemporary past, and, with giant heroism defeating gigantic horror, restore proportionate dimensions, and thus secure the possession of a right-sized future.
Geraldine Heng, Empire of Magic: medieval romance and the politics of cultural fantasy
#scratch the prev tags on this post i remembered that the goal was not coming to terms with crusaders comitting atrocities but#with crusaders treating muslim bodies as more than filth (nourishment) lol#this part can stay tho –>#now i'm wondering if ww1 would've been as big a shock if the victorian/enlightenment eras hadn't been moving towards like.#humanism? cleanliness? civilizedness? IN THEORY#like idk i doubt a medieval person would've been that shocked by the facial/bodily disfiguration. maybe by the big booms#mari reads#geraldine heng
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