#wish there was no mcu bullshit

[grawkenn]

[winteriron-trash]

rdj the (whitewashed) electric boogaloo

This is a reminder to everyone who's excited about RDJ's casting as Doctor Doom that this casting is whitewashing. Victor Von Doom is a Romani character and has been a Romani character since his introduction in the 1960s. (Fantastic Four Annual #2 [1964]) Not only that, but his Roma identity and the persecution he and his family faced due to it is integral to his character, it is what forms his identity. (Books of Doom by Ed Brubaker) Even if on the off chance this casting is meant to not be Victor but instead be some variant of Tony or whomever else becoming Doctor Doom, it is damaging to the character to rob him of that important cultural background. Doctor Doom does not exist without that history. Fans have been pushing hard to cast Doom as a Romani actor for years, especially since the MCU has whitewashed other Romani characters. (Wanda, Pietro, etc) This casting is not a celebration moment, it's fucking heartbreaking that the MCU repeatedly ignores the important and nuanced cultural backstories of characters.

I know I can't change anybody's mind on whether or not you want to be excited about RDJ's return to the MCU. But I do think at the very least you should be mad that the MCU is baiting us all and destroying nuanced and interesting characters for the sake of self-referential easter eggs and nostalgia bait. Because that's what it is. Feel how you'd like to feel about RDJ's return, but personally, this is soul-sucking. I had such a deep love for the MCU as a teenager, it was obviously something incredibly formative to me, especially Tony Stark. This isn't recreating what I fell in love with the MCU for. This is turning a well-planned and artistic storyline of adaptations into cheap cash grabs and fan service. Because, I think we're past the point of being able to call the MCU an adaptation of anything. They can use existing characters' names and powers, but to say they're being properly adapted is laughable.

This is not an adaptation of Doctor Doom. This is RDJ the Electric Boogaloo because Marvel's fear of losing the interest of dedicated MCU fans overrides their willingness to tell stories that are genuine to the characters. I don't know what there is to be excited about that. The MCU has lost its authenticity and aside from a few projects, feels heartless. Every movie is a copy of a copy. This announcement isn't something celebratory, it feels like a death knell of a cinematic universe that's so desperate to cling to relevancy it's resorting to nostalgia for a character/actor who hasn't even been dead for a decade. We're not getting anything new, we're just rinsing and repeating the same song and dance.

I get it. I love Tony Stark, his death destroyed me and I to this day, rue the ending he got in Endgame. It misunderstood his arc and it robbed him of a satisfying conclusion. But the solution to that isn't dragging the corpse out of the grave five years later to whitewash an existing character with rich and interesting nuance, just to forcibly tie his existence in the MCU to Tony. Whether he is a variant or not. Why would you want someone else's fave's legacy to be destroyed simply so your fave's legacy can go on? Hell, if we were really all so hellbent on the return of RDJ and/or Tony to the MCU, we have the multiverse for a reason. There were other ways to do it that didn't whitewash and ruin someone else. This just. Isn't something to be happy about.

[autumnrory]

godddd i will just never get the appeal of bucky/sam to me it is the equivalent of putting like. jim and dwight in a romantic relationship which I’m sure a lot of people do but STILL at least there’s more substance there

[rootspiral]

Agatha All Along deep dive: episode 1 part 4

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4][5] ep6 [1][2][3] ep7 [1][2][3][4][5][6] ep8 [1][2][3][4][5][6][7])

well, well, well, if it isn't the consequences of my own actions

do you think it took Rio a long time to choose her revenge dress? did she agonize over every detail? I picture her process like, okay I need an outfit that says fuck you (threatening) but also fuck you (horny) and fuck me (very horny) and then circle all the way back to FUCK YOU THOUGH (VERY threatening)

as to why Rio goes from super soft to *that* - I see it as the equivalent of the TV trope where someone almost dies and their loved one is very concerned, but as soon as there's no danger they slap them around the head and call them a fucking idiot. this is Rio's WELCOME HOME, CHEATER moment (Agatha has been kiiiind of been cheating death, lbr)

this is the best way rio could choose to approach agatha too, and not only because it lets her express all that pent up anger. what would be the alternative? sit Agatha down and have a honest chat? Rio knows her too well, she knows it would be simply too much. Agatha *is* more comfortable with big bombastic scenes, with violence that is a lot like foreplay. Rio is looking out for her right now, she is making it as easier for Agatha as she can, while also not letting her get away with her bullshit any longer.

one little sentence, so many ways to read it

only physically. she's not letting you in. not anymore. you'll have to save her from herself kicking and screaming. dear god she's actually honestly crying. this is a WHOLE fucking deal. and it's also the first time she sees Rio while knowing WHO rio is. she's feeling all the feelings

girls. GIRLS. how am I supposed to take decent screenshots if you keep flinging each other at walls. keep STILL! (look at the furniture btw, isn't it a bit curved? I think they're still using a fisheye lens. reality is still shifting. almost as if we're in the presence of an otherworldly being)

oh the metaphor of it. sometimes you just have to reach out and connect, even if you get hurt in the process.

BECAUSE SHE'S BEEN SHIELDING FOR SO LONG TO HIDE FROM PAIN. OH MY GOD. did a 2000s emo kid write this

every other MCU fight wishes it were this perfect storm of hot and emotionally devastating

Rio cannot physically kill Agatha, it's not allowed, she's only the collector. So what is she trying to do, exactly? Has Agatha really been cheating death for so long that Rio has no choice but to bring her in? Or is she not here to collect at all and this is just her way to get back at her ex (and possibly win her back)? I adore both options, they're tragic in different ways.

time to bullshit! time to bolt! time to get to that escape route! this is what Agatha does best. anything but face the truth

funny how agatha usually has no problem looking undignified. it's almost like this is not the point at all. so let's review: wanda has stripped agatha of the powers that have been keeping her hidden from rio. rio comes over to confront her - and not kill her, she wouldn't be allowed anyway. she does it in a way that agatha would find less scary than having a mature convo. still, agatha has to face things she's been escaping for so long and it's simply too horrifying, too overwhelming. the fact that she's joking around so much (while her future conversations with rio will be sad, soft, dramatic) tells you just how scared and how miserable she is. She's begging rio to stop, because even fighting and flirting, which is their comfort zone, is proving too much. And what does rio do? She listens and goes away. only temporary, she won't let her off the hook now that she has found her. but she's still willing to go at Agatha's pace.

aubrey plaza I would die for your evil little face

can I just say that agatha trying to flirt right now is devastating? she is at the end of her rope. she does NOT want rio to stay, doesn't trust herself around her in so many ways. but she knows how much rio wants her and just... she tries to manipulate her with flirting. it's a desperate gamble, completely undignified, completely in character for agatha. she offers herself to rio, but only physically. when what they had was infinitely more than that, it was beautiful, it was sacred.

and rio... forgives her. she laughs another one of her little soft laughs and lowers the blade. plaza is so good here, the way she says "okay, agatha," is a perfect blend of resentment and tenderness. she knows agatha better than anyone ever had or ever will. she knows why she does everything she does. and she follows her lead. one last time.

agatha's relief. she's trembling, deflated but still on her guard. she looks completely traumatized. the masterpiece that this scene is: you feel smart when you realize that they're flirting rather than fighting. when it finally dawns on you the real weight of their encounter... it's too late.

"by the way there's a bunch of scary witches after you and I totally want them to kill you, that's why I'm telling you exactly who they are and when they're coming"

agatha tries with all her might to believe that rio is heartless. because anger is easier than sadness.

we're leaning, we're leaning, we're leaning!

rio licking agatha's wound to heal it perfectly encapsulates her feelings: anger, horniness, and infinite tenderness. what a power move. rio was the one in control this whole scene, and it wrecked agatha.

"te veo" (I'm gonna go scream in a pillow)

she's gone, honey, she's gone. breathe.

Billy walking on the two of them having sex would have been less awkward than this

she was a BIT preoccupied, kid

and episode 1 is in the bag!

next stop: IT'S LILIA TIME

go to episode 2 part 1

[pro-anomalocaris]

Darcy/Steve Rogers was also fun. I also enjoyed Steve/Bucky/Darcy for the joy of the "two badasses and a normie" ship dynamic. Saw a few Darcy/Natasha fics that were good, too.

...the "ummmm where is all the f/f" folks realize that a massive chunk of it is that the lady characters are straight up just not given as much screen time, characterization, or character Moments, yeah????? the appeal for a LOT of fic writers is "premade dolls i can move around without thinking about characterization or background" and... when a character doesn't have characterization or background..... that makes it a BIT hard. yell at the show's writers and not the ficcers, maybe. punch UP, not down.

see also: it's easier to write a relationship with premade substance, like a friendship with established moments and huge amounts of screentime—like m/m ships or m/f often have and f/f ships do not. again, blame the show's writers!! tell THEM you would like to see better character moments, but POLITELY, and not in this god awful entitled way you've been telling ficcers!

--

Weeeell... I do think this can be remedied by consciously choosing different media. A lot of the best genres and mediums for heavily female casts and relationships between women don't appeal to me for various reasons, but those works are still out there.

I don't think criticisms like "You ought to like X" are valid.

I do think people who say "If you're so sure you want X, why is your entire media diet Y?" have a point.

[darsynia]

Adversarial 1/? (Bucky/Mechanic!Reader)

MCU MASTERLIST | RO ROLL MASTERLIST | gif by @dailybuckybarnes

Summary: The textbooks all say that finding your soulmate feels like figuring out your place in the world, something you’ve always thought was utter bullshit, but--

…but your soulmate has a mechanical arm

Word Count/Warnings: 4,000 | explicit sex

As 2/7 of my birthday fics for @ronearoundblindly, adVERsarial is a Soulmate AU 'enemies to lovers' with a brash, outspoken f!reader. Stay tuned for more, and feel free to drop a comment if you'd like to be on the tag list!

Excerpt:

“Are you the lead mechanic? Stark said I could find them here.”

“I am, and I’ll be honest, I’m more than a little bummed out that those aren’t the words written all over my mitt, here,” you tell Captain America, holding up your (grime-covered, unreadable) left hand.

A ripple of… something tugs his eyebrow upward for a few seconds, and he smiles politely. “I get that a lot.”

You feel the burn of triumph in your chest and move in for the killing blow. “Oh really? I wish you’d kept a list, Rogers, because I’d love to meet more female mechanics.”

Adversarial

Your soulmate can go straight to hell.

First of all, your Words are written on your fucking hand, and it almost takes up the whole thing! Who the fuck thought that was okay?

Schools don’t let you cover your hands, did your jerkface soulmate ever think of that? No? Classic.

Oh, and then there are the bullies. So. Many. Bullies. Telling the new kids to come up and say the words to greet you was predictable, but exploiting teachers’ inherent laziness-- ‘but Mrs. DoNothing, I was just reading the words off her hand!’ --was icing on the shit sundae.

You graduated from that hellhole, moved as far away as possible, and got a job that would cover you in gunk so you wouldn’t have to think about your Words every single day.

Now it’s seven years later and your boss asks you to come along on his fancy-ass job at the Avenger Hideout in upstate New York. You’re sure you’ll be kicked to the curb when you meet Stark himself, though. The man is snark incarnate, and you can rarely pass up an opportunity to mouth off.

“‘Sit down and shut up if you want to stay alive,’” he quotes, right after the handshake. The smug look on his face is warranted, because working with the Avengers is one of the few times your soulmate words apply to regular life.

“Yeah I’ll stay standing if it’s all the same to you,” you smile, with too many teeth and everything. You usually choose something more spicy, but you really want this job. Besides, Stark’s soulmark words are well known, so you don’t have to speak to history here.

“As long as you keep your death wish to yourself like everyone else in the asylum, we’re cool. Welcome aboard.”

The Avengers Compound is pretty sweet, actually, and your coworkers don’t seem like the typical stooges. It takes almost a month to persuade them that you really do enjoy the dirtiest, toughest jobs, and after that everything is smooth, filthy sailing. It’s always a good day if you end it needing a long, hot shower and half a bottle of degreasing soap.

There’s an iPad mounted within floor-view for people to text you if they need something. It doubles as your personal DJ, so when the sound cuts out, you slide your ass out from underneath the Quinjet you were servicing to find a pair of boots standing next to it. As you rise gracefully (read: clamber) to your feet, their owner speaks.

“Are you the lead mechanic? Stark said I could find them here.”

“I am, and I’ll be honest, I’m more than a little bummed out that those aren’t the words written all over my mitt, here,” you tell Captain America, holding up your (grime-covered, unreadable) left hand.

A ripple of… something tugs his eyebrow upward for a few seconds, and he smiles politely. “I get that a lot.”

You feel the burn of triumph in your chest and move in for the killing blow. “Oh really? I wish you’d kept a list, Rogers, because I’d love to meet more female mechanics.”

Until this point, he’d been holding himself like the soldier that he is, with the same stiff courtesy you’d seen from his rare television appearances. That all falls away, now. Rogers clears his throat, hitting his fisted hand on his chest as though knocking loose his initial impression of you, then extends that hand out for you to shake.

Your eyebrows skyrocket at just how much grease he’ll end up with if he goes through it, but Captain America’s outstretched hand doesn’t waver.

It’s time for you to knock loose your first impression. You give him a respectful nod and grasp his hand firmly. The grip slips as you shake, but you don’t offer any apology, and Rogers doesn’t seem to need one, not even when there’s a squishing sound as you both disengage. You take pity on the man and snag him a blue towel from your workbench.

“So, what do you need that Stark couldn’t Lord it down here and ask for himself?”

The towel is doing nothing. “We’ve got a mission coming up that will involve some repair work mid-way. Refugee camp in the middle of a regional conflict, with aggressors who like to send self-destructive drones to ruin our day. Army thinks it’s cheaper if it’s us, and not them.” He gestures towards your large tool bag. “We’d like to get in, get fixed back up, and get out in a hurry, and Stark says you’re the…” he pauses.

“Say it.”

“‘Gremlin’ for the job,” he says, apologetically offering back the newly-soiled towel with his still-soiled hand.

“Sounds about right. Have his Jeeves give me the details, yeah?” You start whistling as you scooch back down to finish up the job you’d been working on when Rogers had come in. It takes a not-inconsiderable amount of time for him to walk back out, and you count that as a win.

They were… not kidding about the danger of the mission.

The trip out had been unpleasant as hell, gaining you some unwanted on-the-job experience with what it’s like being motion-sick under fire. As expected, the vehicle is hit by two diligent little destructo-bots, but you take care of the first one handily. Getting the second off and its damage mitigated is made more difficult by the urgency in the comms.

The team is on the way with the refugees in tow, and they want to take off as soon as they get back. Doing that with unknown damage is a terrible idea.

“All right, you heat-seeking little bot-barnacle, you ARE coming off, even if I have to pry off a panel of the ship to do it!” you snap, five minutes later. You're bluffing, since can’t even tell if the damned thing’s done any damage or if the sum total of its effect is ‘skewering the hull and sitting there smug as hell about it.’ The team is getting closer and closer, and the pounding of your heart is so loud you can hear it like a drumbeat in your ears.

They turn out to be footfalls, not your heartbeat.

A metal hand appears out of utterly nowhere and grabs the attack drone, ripping it out of the hull and throwing it with enough force to send it a half mile away. You’re left with your mouth hanging open as the owner of the hand (the arm. It’s an arm, and it’s the most gorgeous piece of machinery you’ve ever, ever seen) turns to face you. He’s wearing tactical gear and a sour expression, and every one of your blood vessels have converted themselves to gasoline at the very sight of him.

“That’s quite an arm you’ve got, soldier,” you quip.

His face twists into fierce fury as he points to the ramp leading into the Quinjet. “Sit down and shut up if you want to stay alive.”

For once in your life, you do what you’re told without complaint or combativeness. The phrase ‘internal combustion’ has never been so apt. The textbooks all say that finding your soulmate feels like figuring out your place in the world, something you’ve always thought was utter bullshit, but--

…but your soulmate has a mechanical arm.

The rest of the team shows up mere seconds later, and from there you’re caught up in the whirlwind of weight balancing, choosing what to ditch to fit every last person in the vehicle. For a few crazy minutes, it seems your grouchy soulmate might be left behind to fend for himself (you have no idea who he is, but you’re completely certain this man could wipe out the entire platoon that Rogers says is heading their way), but you and Stark figure out an overspeed hack that can work for just long enough to get somewhere safe.

You’re too busy keeping your ride in the air to think about anything else, and once you’re all back on solid ground, disembarking is a madhouse. You and Stark are the last two off the thing. He flips up his helmet and gives you one of his thousand-watt smiles.

“Great job today. Forgot to tell you Barnes was with us for this one.”

“Barnes?” you ask, distractedly running your calloused fingers over the rift where the perfect man had pulled out the drone. It looks like a patch might work, rather than having to get a piece machined. 

“James 'Bucky' Barnes. The Vodka Popsicle?” Stark comes over and makes a show of frowning at the way you’re just shrugging. “See, if you were fun, you’d be pretending you have no idea so you can milk me of all the good nicknames.”

The soulmate thing is burning a fuse in the back of your mind, and you don’t have enough left in your tank to banter. “I really don’t know, Motor Mouth. I just kept my head down and did my job.”

You smack the hull of the Quinjet and start toward the elevator bank, secretly pleased with your own stupid nickname. ‘Barnes’ sounds familiar, but you can’t place the name.

“Come on, CS, you had to have seen his arm!”

This stops you in your tracks so quickly you can almost hear the record scratch sound. Right at that moment, you realize where you heard the name Bucky Barnes: in your high school history class! This has to be fake, some stupid Superhero hazing or something.

You spin on your heel, about to accuse Stark of only remembering the name because he had a hot teacher that day, but at the very last minute you remember his father was a WWII war hero. Fine, you can go with 'snark overload' instead. “Friend of your dad’s, then? What happened? Time machine?”

“Fascist Russian trauma, actually,” he says, herding you into the elevator. “JARVIS, can you take over? I need to fly home to the Missus.”

“Wait, Stark--” He’s in the air before you can finish objecting.

One enlightening elevator ride later, you make your way to your workshop in a trance. This whole thing is a coincidence. It has to be. The man has gone through hell, vanquished hell, joined its army only to claw his way out... and his reward is what?

You?

“Took you long enough,” a voice says from the darkest corner of the space. You don’t have to guess who it is. There’s only one person it could be.

“That’s funny as hell in context, you know that?” Shit. Even to your own ears, you sound defensive. “Look,” you rush to add. “I picked this job to keep my Words to myself as much as possible, and I’ll keep doing that. I don’t want anything from you.”

You’re lying. You want a look at his arm like you want coffee in the morning, like you want air in your lungs after a brutal run. If he were anyone else you’d be planning a charm offensive, and you’re not what most people would describe as charming.

“One problem,” Barnes says, stepping out of the shadows with his flesh hand outstretched toward you. It’s so cinematic you forget he’s basically danger incarnate-- and then he makes contact.

Pleasure sizzles up from his grip on your wrist, skin to skin, soul to soul. It’s mind-numbing in the same way as the aftermath of an orgasm, so similar that you stumble a little bit when he lets go only seconds later. You’ve only read about Sensitivity or seen it depicted in movies, and neither did the full glory of it justice.

“Holy fuck,” you whisper. 

He doesn’t look affected at all. “Yeah. One hell of a weakness.” 

You go from shaken to pissed faster than the Quinjet hits cruise speed. “Get the fuck out, then! My workshop is invite only.”

“Is that right?” Barnes asks, insultingly unphased. Your arms are crossed, and he just glares right into your eyes and taps one perfectly articulated metal finger on the newly silver Words on your hand. “Stark’s AI updated our medical files. If you’re unconscious, this gets me into your hospital room. That’s invitation enough.”

Fucking great. “Well, either knock me out or fuck off, then, Barnes. I have work left to do.” Your gut is twisted metal right now, jagged and raw from disappointment and desperation. This man is a legend, a warrior with a marvel of machinery for an arm and a past that would make the devil blush. He doesn't want you, and he shouldn’t, he shouldn’t. With misery staining your heart black as old oil, you stalk over to the nearest workbench before he can tell how upset you are. 

“It’s not personal,” he says flatly.

Soulmate words are as personal as it gets, which means he’s saying it to fire you up. You won’t rise to the bait. Most people are uncomfortable with silence, but you use it as a weapon. The minutes tick by as you clean off the work table, with no other sound than the clink of metal on metal and the slide of heavy tools on the hard, solid surface. 

Soon, all that’s left is a bucket half full of sand. At least this is simple and easy to understand; a cheap, abundant material used for friction, stability, and sometimes even a mold to pour hot metal into. As you burn away your fury with your impossible soulmate staring silent holes into your back, you wonder whether you’re half as valuable to him as this.

“Look. I don’t want or need--”

You shove the bucket off the side of the work table and spin around, your next words practically exploding out of your chest. “You think I don’t know that? I get it. I’m nobody. Neither of us want--” He’s advancing on you and you hop up onto the surface of the workbench, primed to kick, scratch, and scream if he tries to melt your brain again with your goddamned soulmate connection. 

“Jesus. Just-- stay inside, will you?”

With those cryptic words, Bucky Barnes walks out.

You’re speechless, and the worst part is how much your body is craving the glorious, drugging feeling of his touch on your skin.

JARVIS calls out your name just as you force yourself to assess the sand mess you’ve tantrumed everywhere. Your ‘what?’ is as short and annoyed as you can make it.

I thought you ought to know that Sergeant Barnes spent his time after leaving the Quinjet checking on your safety. He requested I adjust the camera angle to more fully catch the doorway to your room, requested the visitor logs--

“Which you denied, yes? Yes?” you snap, gripping the broom handle like it’s your soulmate’s neck.

Of course. Despite his assertion, mutual consent is required for such things, barring a formal, legal relationship.

“For the record, it’s bullshit that it took until 1973 for that.”

I heartily agree. As I was saying, Sgt. Barnes took it upon himself to--

“Blah blah safety, you win the award for meddling, JARVIS, but what I really need from you is a magical ability to clean up this mess.”

Deepest apologies, but there is a purpose to this endeavor. The door to your suite did not meet Sgt. Barnes expectations, regarding your safety on-site.

“What the hell are you-- Wait.” You drop the broom and head out, speaking angrily up at the ceiling as you stalk down the hallway. “Tell me there’s still a door there, JARVIS.”

I’m afraid I cannot.

“Yeah, you should be afraid!” you hiss. “Tell me where he is or I’ll take a blowtorch to the wiring in the server room.”

Stark’s damned AI doesn’t even have the grace to sound concerned. 

I see why some say you have a fiery temper. Sgt. Barnes is in one of the basement sparring rooms. Shall I arrange for an elevator?

“I’ll walk, thanks.”

The bank of exercise rooms is open to everyone on campus, and the doors only close when there’s someone in there. That makes it easy to figure out where to knock.

The door swings open, and your mouth runs dry.

Barnes is sweaty, wearing only a black tank and tight pants, and the harsh hallway light glistens on the metal of his arm. You’re completely certain that touching it will feel just as good as the skin-to-skin contact earlier. You drift forward, captivated, and the door shuts behind you. The clicking sound brings you back to furious reality.

Through gritted teeth, you say, “You. Owe. Me. A. Door.”

He scoffs silently, looking you up and down as if gauging how little effort he’d have to expend against you in a fight. “Stark owes you a door. I just proved that.”

“What the fuck gives you the right--”

Barnes interrupts not with words, but with quick, jerky movements at his waist, unbuckling, unzipping, and shoving. He slaps the flat of his palm against the Words on his bare thigh and says, “This. Every single woman I came in contact with was in danger. You’re not secure here.” He strips the pants off completely and throws them into the corner of the room before advancing on you, somehow just as menacing in briefs and a tank. “Not until we get this out of our systems.”

He’s lithe as a cat, and you’re only able to stumble back a few inches and scrunch your eyes shut before he encircles your wrist with one hand. 

The cool metal is soothing despite being inexorable. You suck in a surprised breath and open your eyes just in time to watch the clever shit that is your soulmate dip his head to kiss you.

The pleasure is sudden and devastating. Your heart seizes up, stutters, and starts sending napalm through your veins as he walks you back against the wall and presses the full length of his body against yours. If each touch is a contact high, these kisses are full-throttle erotic warfare, with your brain offline and your hindbrain keening. You 'fight back' with everything you have, fingernails scratching at the back of his neck, teeth grazing his inner lip, all with your Words pulsing encouragement on the back of your hand.

If you’re not careful, this soulmate bond will acid-etch the narcotic joy of this moment right into your heart.

As if he can hear your thoughts, Barnes lets out a deep groan and pulls back to look you directly in the eyes. “This is a strategy, not a relationship.”

You’re touch-drunk, but you’re not in love. “Look, Deathsquad, I only want you for your arm.”

Barnes’ smile is like the sun coming up, damn him. “Fuck me enough to get past Sensitivity and I’ll let you have a whole afternoon with it.” As if to emphasize how much you’d both enjoy that plan, he slides his flesh hand past your waistband and grabs your ass, holding you steady for the twist of his hips.

Your smarts are offline, your lungs are at half capacity, your cunt is criminally empty, and you fully understand how people end up falling for stranger soulmates, if this is what Sensitivity does to a person. 

“Fine,” you snap, hoping to hell you sound less needy than you feel.

The two of you glare at each other for a charged second, and then there’s a race to strip the rest of your clothes off. Not even sixty whole seconds later you’re kneeling on a thick floor mat, more nervous and excited than you’ve ever been in your life, damn him. Barnes comes up behind to set a warm, drugging hand on your hip, and then it’s bliss, sexual rapture from the very first thrust.

“Fuck, that’s insane,” he rasps into your ear, his right hand coming down hard on the mat beside you as he curls over and into you. “Perfect,” Barnes breathes, the word almost a whine, like he’d tried to hold it back and couldn’t. 

You’re almost at white-out, already seconds away from the kind of orgasm that rearranges a girl’s blood chemistry, but you can’t let this one go. Arching your back and leaning to the side, you rock your hips in a cadence that unbalances the two of you just enough to force him to brace with his left, instead. You’re moaning insult-adjacent nonsense syllables now, but you gather enough willpower to clutch his metal hand with your marked one.

“Now it’s perfect,” you grit out.

Barnes’ sexy chuckle in your ear sends you into a black-out orgasm for the ages.

You wake up alone, which feels like a statement, but you notice when you roll over that you’re not sticky. The clothes you’d torn off and thrown in wild abandon are folded next to you, too. You scramble to put them on, stepping curiously into the shared adjoining bathroom to find a wet washcloth draped over the towel rack and a sticky note marked with a large B on the mirror.

“Don’t get sentimental on me, asshole,” you mutter as you snatch it off.

Crankshaft:  Don’t get sentimental on me.  Wednesday at 4? B

The words are printed, even the B, meaning that while you laid there naked and insensate, he’d gone and printed something out instead of just waking you up. On top of that outrage, someone’s told him your nickname, which for some stupid reason feels more intimate than anything that just happened. It’s something that’s just yours, not influenced by stupid-ass destiny genetics, and if he tries to use it verbally, you’ll… you’ll… You sigh. There’s not one thing you can do to influence this guy, except possibly make him angry that you exist at all.

One big Sensitivity-struck security risk, that’s what you are.

You’re about to crumple up the note when you see it’s got something else hand drawn on the back, a sequence of numbers and letters in a jagged sort of rectangle. The shape looks familiar, but you’re sated and stupid after however long without caffeine. You gather up your things and make the walk of shame back to your apartment, realizing when you’re almost there that the fucking door is probably still missing.

It’s not. There’s already a brand-new door there, and on it is another sticky note. This one’s just the hand drawn shape and accompanying symbols. You snatch it up and go inside, vindictively locking the door with both locks until you remember Barnes’ whole thing about safety.

With a sour feeling in your stomach from doing exactly what he’d want you to, you lay both notes down to examine the shapes, finally sketching them out on a third piece of paper.

The numbers and letters work out to be a room and floor number, probably for his rooms here at the compound

Combined, the shapes look just like the plating for his metal arm

You refuse to be taken in by this, even if it is right up your alley.

“JARVIS?”

At your service, Miss.

“Will you locate a small, neutral space for a… meeting between myself and Sgt. Barnes tomorrow at four, and let both of us know the location once you’re finished?” There’s no way in hell you’re doing anything that even hints at girlfriend behavior with this guy, so no bedrooms. What’s between you is literally just biology, nothing more.

If you insist.

“I do. And don’t use my nickname with him. He doesn’t deserve it.”

The singing in your veins makes a good opposing argument, but that’s just biology again, and you won’t be swayed by it. The only thing you’ll be swayed by is his marvel of arm engineering. Everything else is just window dressing to help get you through the absurd pleasure-bond shit that comes with soulmate biology.

You skip dinner and go to bed early, dreaming all night of the purr of Barnes’ muscles over and against you, the gravel-drag of his stubble on your skin, and the hum of an engine starting to rev.

to be continued...

[nocek]

I'm late to the party and I'm quite sure it's already been done so I feel stupid redrawing a meme buuuuuut... at the second seance that's all that was running around my head during Miguel's exposition dump scene knowing how it escalates :D

Well that and thoughts of: nice scientific theory you have here. Truthfully based on factual evidence. Except, you've filtered those facts through your biased/ traumatized perception so yeah... this is why your science papers need to be peer reviewed.

Also a reason why you need to cooperate with art people who would tell you canon is not about events, they can change. It's about overarching narrative.

And I can't wait for the next movie (may it take as much time as it needs) to somehow swinging eating a cake and having it too. Because i love the repeating pattern of two/repetition in this movie. It's so small but it works so well at building up the next one. After noticing that I actually think that the surprise reveal at the end makes sense while previously I was annoyed we've like got nice ending with Gwen and then like 5 extra minutes of next movie that was kinda annoying.

Oh and speaking of annoying. I salute this movie for making fun of main mcu. Because sure the reference was kinda forced and barely salvaged by added joke of they should revoke doctor Strange's license buuuut.... It made me wish for Steve's ending fix it because seriously. He is pulling exactly the same bullshit Miguel did. Like seriously.

Besides idea of pissed off Miguel dragging Steve back to universe 19999 is amusing af (because I too am still pissed off about it)

Oh and to end my blabbling with genuine question. Do I remember correctly that the Syd Mead-esque Nueva York we've seen had a number like 700 something? Three digit one anyway. Does that mean that the happy family universe went like through incursion with 2099 one and that's why it got destroyed? Or both got destroyed?

[gloriousburden]

I miss when it was still exciting to go see a marvel movie. Now, I just feel dread every time something is announced or is in the theaters. it seems like the more possibilities they get (such as introducing new characters, new storylines, the whole multiverse bullshit) the movies become more garbage. It really was better when the movies were just about the Avengers versus Loki. The Avengers versus new bad guy. The Avengers versus each other. Asgardian shenanigans. Captain America versus Hydra shenanigans. Black Panther. Doctor Strange. GOTG even though I’m not necessarily a huge fan.

Honestly, I can’t even remember liking any of the movies/series that came out… and I saw most of them. The MCU is so over and it’s so saddening to me. It used to be so much fun. Some of the What If episodes were kind of fun, but everything else… 😞 I wish the Avengers could’ve been forever. Endgame is the evil that keeps on giving. It never stopped.

Obviously, the MCU has always had its mistakes and flops. But… it wasn’t every single project back to back. Possibly the only thing that’s remained consistent is their love of whitewashing, butchering, and nerfing characters. None of that changed.

[logansgaar]

I wish more fics let Peter be an asshole, let him lose his temper and be a hostile hissing cat more often, let him be a BITCH, because his temper in the comics is something that's really been missing from all three of his live action adaptions. The closest was maybe Peter 3 getting a little high on power and bullying Flash back, but also not really (also bully Maguire/Venom Peter, which obviously was not meant to be true to him, I'm talking about Peter's actual Inner Bitch, not symbiote induced bitchiness.)

Modern Peter is very sweet and kind, but come on please he's also got the capacity to be such a cunt and I think after the MCU fandom has babied him so hard with the Ir0nd@d bullshit, still treating him like he's his 14-year-old Civil War self rather than the 22-year-old he is by now in the MCU's timeline (5 year Snap time removed ofc), it'll be so welcome. He's lost his entire family, he's died and come back, he's kicked Thanos in the face, come this close to murdering someone, and he's had everyone who ever knew him forget him...

Let Peter be a bitter adult in your post-NWH fics, he's capable of nuance being both a hopeful soul with willpower so strong it's considered a superpower while also being a complete bitch when the situation calls for it or just when he's fucking sick of people's shit. Let him act like a delightfully mean bitch once in a while, and not just in unrealistic anti-Team Cap power fantasy fics.

Please, please, please stop writing Peter like he's still 14 unless your fic is actually set in CACW or Homecoming, the man will be like 24-25 by the time Spider-Man 4 comes out.

[zagreus]

ngl this new era of colorful, over-the-top, maximalist, dumb-as-rocks-comics-bullshit marvel movies has won me back over a TINY bit just on the grounds of how hard they are to be cynical about in the moment.

genuinely enjoyed The Marvels when i went in expecting to derisively laugh at and maybe switch it off halfway through (Kamala Khan is such a delight). Quantumania is more fun than it has any right to be. the Loki miniseries was unironically pretty solid. like, they're not producing high art or anything here but they've started to capture the sort of really fun and unhinged energy that i wish the mcu had taken on years ago, like they've finally shaken off the weird faux-mature self-consciousness about being superhero movies and started embracing the batshit insane logic of the medium. idk. i'm not gonna give them my bread money but i'm glad the circus is at least remembering what fun is supposed to be like again

[insufferableprotagonistpoll]

Semi Finals

Propaganda why Tony Stark is insufferable:

Super long, sorry lol

Thinking about how in Homecoming when Peter accidentally caused that boat to get split in half because the Vulture’s gun exploded and Tony was acting like as if Peter was completely in the wrong for going there just because he did it without his permission. He was acting like as if Peter was out of line and “disobeyed him”, trying to act like his father. And then I remember how in CACW he’s the one who scouted Peter in the first place just because he saw he might be useful against a personal squabble between him and Captain America despite knowing that he was a kid and he’s just now acknowledging how dangerous it is because Peter “acted on his own”

Completely hijacking Peter’s superhero story and trying to control his every move (Training wheels protocol and baby monitor thing he put in the suit), acting like Peter should’ve known that Tony would send someone in despite the fact that he’d been ignoring him for 2 months since Civil War and not keeping him updated on anything!!

How the hell is peter supposed to know Tony is going to listen to him when he treats him like a kid instead of a superhero when it’s convenient for him? And when Tony loses his temper after Peter says he’s 15 not 14 like “the adult is talking” bitch he could literally flatten you without your suit!!!

I guess in a way he is acting like a father but like the absentee kind. He’s more like a sperm donor father trying to act like he has any rights over Peter’s life smh.

It’s not that reprimanding Peter for the situation is bad, but the way he makes it seem as if Peter is irredeemable as if Tony wasn't a literal weapons dealer lmfao. He could’ve said what was the truth about it without completely invalidating him saying shit like “no thanks to you” after Peter asked if everyone is okay when it’s literally thanks to Peter finding a lead on those guys in the first place that they were even noticed and it’s not like the FBI being there could’ve in no way caused a similar situation.

And then near the end of the movie when he’s getting crushed by the building rubble screaming and crying for someone to help him where the fuck is Tony?? That scene just proved that he never needed Tony’s suit in the first place to be Spider-Man since he had to use 100% his own strength to lift it off of him. I know he would’ve found the motivation even if Tony hadn’t been involved in the first place to give him the suit, take it away from him and have the words “if you’re nothing without the suit you shouldn’t have it“ echo in his head. Why did Tony even take the suit away? Like as if he expects Peter to stop being spoderman without it??? Holy fuck. This is why you don’t make it out of endgame /j /srs.

When Tony took this suit away from Peter he was like “God I sound like my dad“ shouldn’t that be a red flag to him? Wasn’t he literally just saying that he wished his dad was better than he was?? Lmfao

Tony is so annoying. When they first meet he straight up bullies Peter into fighting for his personal bullshit, insults and objectifies Aunt May in front of him, spits into his trashcan and is in general being pushy af. He blackmails Peter when he doesn’t wanna come to Germany with him AND HE DOESNT EVEN EXPLAIN WHY HE WANTS HIM TO COME. Uncomfortable vibes lol.

Tony being the one to tell peter “if Captain America wanted to hurt you he would’ve” when Peter was trying to state his case, yet HE’S also the one who put Peter in harms way when he didn’t even want to go with him???

Telling Peter that he should stick to being a “friendly neighborhood Spider-Man” (stealing his thing once again) when that’s what Peter _was_ doing before Tony took him out of his zone and filled his head with grander things to be apart of….bitch? Die. Ohh waaaait (jkjk) but yeah

There’s the usual “he’s a war criminal who only felt bad about it when he realized his weapons were killing white Americans as well as Arab people” reason, and also he’s just super annoying. You had to be there for the original Avengers shitty dialogue a la “we have a Hulk” that had Tumblr in a vicious chokehold. Also he was supposed to FINALLY go away after destroying all his suits in Iron Man 3 but he just… didn’t! Which is bullshit.

Portrayed as a hero because? He chose to no longer mass produce war weapons and bombs after suffering the consequences. Huge hypocrite. Doesn't care about anyone but himself. Will backstab people if they believe in human rights when it's inconvenient to him. Seen as a hero while he's the personification of privileged people saying they're not privileged

Tony is so annoying. When they first meet he straight up bullies Peter into fighting for his personal bullshit, insults and objectifies Aunt May in front of him, spits into his trashcan and is in general being pushy af. He blackmails Peter when he doesn’t wanna come to Germany with him AND HE DOESNT EVEN EXPLAIN WHY HE WANTS HIM TO COME. Uncomfortable vibes lol.

Tony being the one to tell peter “if Captain America wanted to hurt you he would’ve” when Peter was trying to state his case, yet HE’S also the one who put Peter in harms way when he didn’t even want to go with him???

Telling Peter that he should stick to being a “friendly neighborhood Spider-Man” (stealing his thing once again) when that’s what Peter _was_ doing before Tony took him out of his zone and filled his head with grander things to be apart of….bitch? Die. Ohh waaaait (jkjk) but yeah

She’s a hypocrite who is ready to restrict the freedom of others when they make one mistake, but when he makes a mistake he figures he’s able to handle himself

Propaganda why Evan Hansen is insufferable:

just. oh my god. i cant put it into words. hes horrible im sure the rest of the world can find better ways to explain it than me

he lies to a grieving family about having been their dead son’s best friend. he does a bunch of patently awful things to either keep up this lie or benefit from it. he is portrayed as the good guy oh poor little guy he just has anxiety THE ENTIRE TIME

Lying creep

Lies about having been friends with a suicide victim so he can get in the pants of said victim's sister. The narrative excuses it and gives Evan no consequences for his actions because he's uwu anxious sadboi. What more is there to say? Other than the fact Ben Platt looked far too old to play a teenage boy so the film version is downright disturbing.

[wiphur]

My Husband 2

Fandom: MCU

Pairing: Loki x Husband! Reader

Pronouns: he/him

Warnings: angst to not angst but not fluff either? cliff hanger ending,

Word Count: 1.4k

part one

a/n: another upload from my old account

The elevator ride was tense, to say the least. The prince refused to look at his brother-in-law and Thor didn’t know what to say. Nothing, is what he hoped he would say. He didn’t want to hear a word of his bullshit. To his dismay, he spoke again when the elevator stopped.

“This is the floor.” Thor stepped out of the elevator. “Please, Y/N-”

“Do not refer to me as that. You have lost the right.”

He slumped slightly, nodding uncomfortably. “My lord, please. He is not the man you married.” 

“Yes, he is.” He responded, venom filling his words. With a hard sigh, he walked him into a room. Well, room was an understatement. It was huge, the size of a house. It was bare, the walls a shade of black, as well as any other surface. The only thing of any difference was a large, glass ball in the center of the room. A voice drifted from the circle. 

“Stark, I presume. Were you not supposed to provide me with care when I needed it? It took you too long. Get better at servicing me.” It was his voice. Y/N paused in his steps before he even saw him. He was behind Thor, his bulking figure was hiding him. His eyes filled with tears. That was Loki's voice. The one he thought he would never hear again. He spoke again, “Oh? Dear brother, what a surprise.” His voice didn’t sound too happy to see Thor.

The prince peaked out at Loki, who wasn't paying enough attention to see or sense him standing there. He looked… like Loki. His hair was longer than he liked it to be, and it wasn’t clean or neat like always he kept it. He was in a pair of rags, rather than the royal clothes he had seen him in last. He was in awe. Even in a state like this, he was the most handsome person he had ever known.

“Loki.” Thor nodded. “I have brought you a visitor.” He stepped out fully, walking closer to the ball.

Loki’s eyes widened and he went up to the glass. “My love?” He murmured. When he reached the glass, he slid down the front with him, their hands hovering over the other’s through the glass. Tears gathered in his eyes. “Shh, my love, what’s wrong? We’re together again. You’re here.”

He smiled slightly, “He told me you were dead.” Loki paused, his eyes lighting with a horrifying anger.

“Who did?”

“Your brother.”

Loki’s gaze turned towards his brother. “Well? Is this true?” Thor nodded sullenly. Loki scoffed, “Is there a reason you decided to break my husband’s heart? To tell him that I was dead?”

Without a word, Thor looked to the ground. Y/N shook his head, gaining his love’s attention back as he slid back against the floor. “My love, I was so scared. I thought I would never see you again. I thought-”

“Shh, it's okay. I’m right here.” Oh, how Loki wished he could touch him, hold him and make him feel him. “Are you safe? Hurt? How did you get here?”

“The Bifrost. I’m okay, just a little bruised from the landing.” He hadn’t noticed it before then, but a soft aching was in his rib area. He didn’t care. “Are you okay? I- I’m afraid that you-”

“I’m okay. Just locked in here.” He said quietly. “These buffoons couldn't hurt me if they tried.” He laughed slightly. “There’s that beautiful laugh.”

Being wrapped in their little bubble, the couple barely noticed when Thor gestured at the cameras. However, they did notice when a swarm of SHIELD agents barged into the room, lining the edge of the room. 

“What-?” Before a full sentence could even be let out, Thor rushed forward and clamped something onto Y/N’s leg. His eyes narrowed and he stood up, ready to attack his brother-in-law. Before he could, though, Thor nodded to an agent.

His eyes whipped around to look at the agent. His lips blew into a tube, sending an arrow directly into his neck. 

“NO- Leave him alone!” Loki yelled, staring at him with panic. “Thor, what are you doing?!”

Thor looked apologetic as dizziness fell over Y/N, “I- I told you not to come here, my lord.” He muttered before walking over. The last thing he saw before his vision went black was Thor reaching over to pick him up.

Before he could see, he could hear. Specifically, he could hear the shouts of his husband. He sounded so far, yet also right beside him. His mind was cloudy as he tried to decipher the shouts.

“I swear, brother, if you hurt him in any way! Why isn’t he waking up?”

“Brother, it's simply a human poison. Whilst it would kill a human, it will only cause an Asgardian to pass out.”

Loki nearly growled, “And how do you know that? Have you tried it yourself before giving it to my husband?”

“Easy there, Reindeer Games,” The semi-familiar voice of Tony Stark replied. He tried to force his eyelids open, but he didn’t have any strength. He noticed then that he couldn’t move at all. He could only hear, and think. It was odd. “He’ll be fine. More than fine, really, if he just answers a few of our questions. He’ll be free to mosey on back to Asgard.” He snickered, “I mean, unless he wants to stay with me.” There was a bang, presumably Loki slamming the cage he was trapped in.

“Don’t you dare.” He hissed. 

“Or what? You’re gonna kill me? Well guess what, you don’t have your magic. And you’re in a cage. Looks like I can do whatever I want.”

Loki remained quiet, probably seething at this point, as Thor spoke up, ignoring his friend’s banter. “Lord  Y/N will be fine, I assure you, brother. I would never hurt him-”

“Then why is he lying in a cot over there? Hm? No fancy comeback for that one, eh? No words to reassure me that he’ll be fine? You poisoned him, Thor. That was clearly you hurting him.” He could feel now, the cold, thin mattress below him. The only thing yet to return was his sight, but he would not give that valuable intel away.

Thor made a small noise, “On the contrary, brother! Human poison would not hurt an Asgardian like him!” He was quiet for a moment before continuing, almost quietly, “Do you really think I would hurt him?”

The silence was overbearing until Tony cleared his throat, “Right, now that that’s taken care of!” He clapped his hands. “What are we going to do with him?”

“Absolutely nothing! Don’t you dare put one of your filthy hands on him!” His shouts did nothing to deter the people in the room, evidently, as someone walked over and picked him up.

“We’d better lock him in a similar cage.” Barton was in the room too; it seems he was the one who lifted him. “If what you said about her was true, then we need to keep him here.” He tried to open his eyes, but he felt too weak. 

“Thor, if you have any respect for me or my husband at all, you would tell them to put him down!” His shouting seemed to do nothing as he was carried, presumably out of the room, as he grew quieter.

He tried to map out the turns they took in his head, making a mental map of where Loki was being kept. Thoughts of revenge twisted in his head. While he knew it was dangerous in his mind, he was prepared to do anything to return to his husband. And that meant unleashing his power if it came down to it, which he hadn’t used in centuries.

A small whoosh! was heard as a door opened. He was quickly placed on a rather uncomfortable table. He tried again to open his eyes once he heard someone leaving the room. This time, he was able to open his eyes, ever so slightly. The bright lights caused them to slam shut again and again, forcing themselves to get used to the blinding rays. 

He was finally able to look around. Carefully, the prince sat up. His eyes trailed around the room. It looked like a science lab. This was probably not a good place for him, an alien, to be. As quickly as he was put in the room, he left. His hands twitched with power as he summoned his magic. It could be ruinous for this planet, but anything for him.

Two guards were stationed outside of the lab. Immediately, they raised their guns to shoot. A blinding (f/c) mist fell from his hands. The mist circled around the soldiers, slowly, before closing in on them. He laughed slightly, refreshed now that he was using his power again. 

He turned to walk away, now, leaving two skeletons in his wait.

[poppetsisters]

Now that my rage over the Doomcasting has simmered down, I just wanna gush over the Fantastic Four comi con stuff.

I'm not joking, when I heard that Michael Giacchino was doing the score, I SCREAMED. Not only is he famous for scoring The Incredibles, but he also did Speed Racer from 2008 which, if you haven't heard that score, it is one of the best scores for any film I've seen.

The period accurate footage is such a treat. I figured Matt Shakman's work on Wandavision was going to be indicative of what the Fantastic Four was gonna look like and yet it looks even better. I was nervous that Shakman's lack of feature film experience was gonna be a detriment, but his decades of work on TV gives him amazing instincts for character dynamics, which is one of the most important assets when making a Fantastic Four movie.

A lot of what we saw is pre-vis and may not actually be in the movie, but the retro-future vibe of the movie is perfect. The fact that MCU Fantastic Four is taking place in its own separate pocket away from all the bullshit really helps me feel excited for this movie. For once, the disconnectedness is something I'm EXCITED about, go figure.

Again, because it's pre-vis, not a whole lot of glimpses at The Thing's rocky form, in fact none of the powers were shown off for understandable reasons. I have no worries that The Thing is going to look good. As bad as Fant4stic was, The Thing looked pretty good in that film. Korg also never looked outright bad to me either, and they're probably gonna put more effort into how he looks anyway. Sue's powers are probably gonna be represented well seeing as invisibility is a really easy power to do VFX for. Fire graphics have come a long way as well, and that concept art makes me thing they may take a very stylised approach to his flame effects. Reed however is the one I'm really worried about. The only time stretch powers looked good was The Incredibles 1 and 2, but those were both stylised 3D animated filma. Live action has a much higher bar to clear with a heavy risk of uncanny valley Pedro Pascal. If you can make that man look bad, then you know you fucked up.

The Fantasticar is nice. We had the Dodge in Rise of Silver Surfer and the Bathtub in Deadpool and Wolverine, and though I like the Silver Surfer one (despite the shameless product placement) I get that they wanted a car that looked like a mid-century man's idea of what a flying car looks like. The only think is that I wish it could split apart into four sections, it doesn't look like it can do that. Oh well.

The spacesuits look good, the colours are exactly what I imagined they'd be on the concept art, but I'm waiting for the proper super suits to be shown off. Hopefully they have less interlocking parts and resemble the slightly thick and comfy spandex we saw in the concept art.

It looks like Pedro is keeping the moustache, which normally I'm not a fan of Reed with facial hair, but I also think it gives Reed a sorta Howard Hughes look that helps him blend in with the aesthetics of the world. The grey around the temples is good though, and it seems like he's also doing a transatlantic accent which frankly is very surprising.

I thought that Ebon wasn't doing an accent until I rewatched him during an interview. He appears to be toning down his natural tendency to draw out his A's and E's. It was only two lines of dialogue so I don't know, but what is very apparent is that he's not going for the outrageous brooklyn accent The Thing is legendary for in the comics, but something a little more subtle and believable.

Vanessa Kirby and Joseph Quinn are both different flavors of British, and though Joseph only says one word, it's pretty clear both are foregoing their natural accents. That said, Vanessa's choice of, what I can only guess is a slight mid-western accent, is very interesting. I was not expecting that choice.

They added a subtitle to the movie. Fantastic 4: First Steps. I think they didn't need to add a subtitle, but since they did. I'll just give it a cursory analysis. I think you can derive FOUR meanings from the title: First Steps calls to mind humanity's first steps on the Moon, fitting for a space age tale. First Steps also feels like a good title for their first adventure. First Steps works metatextually as their first steps into the MCU (which isn't technically true with those two cameos in MoM and D&W), but the most important theory I have for First Steps is in relation to a baby's first steps. I think that Franklin is going to be in this movie as a major plot point. Serving what purpose, I'm not sure.

To finish things off, we only get a look at Galactus through a window, so not much I can comment on in terms of appearance, but I'm very happy that it's an actual dude and not shadows within a cosmic cloud. He looks very imposing and I hope we get more perspective shots like that to sell how big this guy is.

[lucianalight]

I wish the show drops the "self defense makes you evil" bullshit, but the interviews aren't giving me much hope. Seems she's still portrayed as a murderer for defending her life. 🙄

I haven't watched any interviews yet but yeah it's mcu so I'm not holding my breath. I would be surprised if she gets the same sympathy as for example Regina in ouat. That would be the best case imo because the bar with mcu is really low.

[eldritchmint]

ok i had so many things i thought about this movie and i was itching to write this

first off, im loving the dynamic already, i loved how miserable and awkward eddie looked the whole movie

i didn't care much for the b story of area 55, im treating this movie as a romantic comedy as always

i fucking loved venom horse, and at the end sequence i loved all the other venomized animals (thank god my mom let me stayed to see the credits, probably helped by the fact that some people also stayed)

also was venom on ozempic or smth bc he was skinny asf, the dance sequence with ms. chen was amazing

i was internally screaming at the tom cruise mission impossible and rain man references, i tried to appear normal lol

that ending kinda broke me, cause i really stayed to see some miracle like in venom 1 where venom is alive, but its just that fuck head knull's monologue?? like when i heard maroon 5 started playing i groaned out loud, but the memory sequence was nice

venom sacrificing himself and tenderly placing that door on eddie to protect him, i was fucking sobbing internally

the highlight of my experience was this kid 2 seats next to me babbling to his mother about venom and i was surprisingly not annoyed, he also cried when he thought venom and eddie died from the explosion and his grandmother had to reassured him that eddie is not dead. "tuh tengok, si eddie belum mati kok" i literally felt for that kid. he also cheered and clapped when venom sliced the monster's neck with the helicopter blades, this is my first experience with someone clapping in the cinema

i really wished there was some bullshit miracle like eddie technically 'died' so one of them like 'died' and make the codeks disappeared, but no, venom actually died. fuck me

someone please tell me there's like a sequel in the works or something because i will actually kill myself if venom actually dies and leaving eddie alone forever without railing him to the ground atleast once

also minus points bc anne and dan wasn't there

ANOTHER THING, why did martin's family go alllll the way to area 51 just to see aliens and ask if eddie believes in aliens or not?? Are they not in the same universe as the mcu?? Where all of that crazy shit that has been happening FOR YEARS??? DOES THE NEW YORK ALIEN INVASION RING A BELL????

[moontheoretist]

Civil War as an Autistic Showdown

I just realized that me relating to Steve when it comes to my past awful behavior and beliefs that he also displays in the movies is a direct result of autistic traits. More specifically, the so-called “strong autistic sense of justice” that isn’t a “sense of justice” per se, but in essence it’s an idea of “what we perceive as justice” or “what we perceive as unfair” which can be on point or can be completely screwed into very bad direction.

I was taking the idea that Steve is autistic under consideration all along, but now, when I noticed several autistic people talking about our sense of justice not meaning we are always right or morally good, gave me the confidence that I wasn’t wrong in my approach to that trait. I used to be a bigoted person. I used to be an abuser who didn’t even know they were abusing people, because abuse was so normal to me due to my family giving me an idea that abuse is care that it was just hard to notice that me trying to police other people out of “care” in order to make them fit better with the society and struggle less was just abuse. I also had an inflated ego and sense of myself. From one side I saw myself as humble and mediocre, but from the other side I saw myself as someone who was very close to being perfect and working for becoming the perfectly good person.

Spoiler: I wasn’t. And I can see the same behavior in Steve. That’s why I’m so critical of him. Because I went through all this bullshit before, and I know that he isn’t right, that he needs to change. The issue is that to snap out of it is not so easy. People just telling you that what you do is bad when you strongly believe that what you do is just, will simply mean that you will dismiss everybody until the time your brain is ready to accept that you were doing wrong all along.

And that can take years without any strong wake-up call like the one Tony got in Iron Man 1. Tony went years doing bad things and either not realizing or not caring that he did bad things, because as far as he knew he was doing something just and fair as it was what his father and Obadiah taught him. That making weapons and selling them is just because it protects the country and its soldiers (Rhodey being a military man himself and his belief that they need Tony’s weapons only reinforced it), and it doesn’t matter what anybody else says.

Tony was lucky to get the wake-up call, even thought what happened to him was horrific, and I wouldn’t wish it on my worst enemy. Still, he needed that wake-up call. He needed to shift the paradigm and realize that he was in the wrong. Steve also needs that, but despite many opportunities in the MCU, Steve never actually got a proper wake-up call. Fall of SHIELD was one of those opportunities, but for reasons established before in the First Avenger, instead of waking him up, it only radicalized him more and convinced him more that what he believes was right and that everything else is wrong. The Civil War arc was another moment like this. After what happened in Leipzig (Rhodey’s injury) and in Siberia, he should have realized that what he believes is not entirely right, but MCU never allows him to. Then another opportunity was Infinity War just after Avengers lost to Thanos and realized how truly hopeless they all were, and once again he doesn’t realize that he was in the wrong, because after Endgame he comes back to his past, which to him is a safe space, where he is always right, nobody except Peggy or Bucky challenges him and even when Peggy does, she is always on his side, while Bucky is no longer there to be a pain in his ass (not to mention that MCU abandoned Bucky’s initial role as pushback to Steve’s idiocy from the first scenes of the First Avenger and made him into another yes man). So yeah, I guess we can see Civil War as a War between two autistic men, from which only one realized that their “sense of justice” was screwed.

That this trait isn’t some magical superpower to spot bullshit.

That it can be as good as it can be bad.