#wind does a thing

[windalchemist001]

Current thoughts on everyone here

TWISTED WONDERLAND

NPC LOVE / HATE

[windalchemist001]

The first two are meant to be @ventique18 yuusonia and @cancerdust96 Catherine as gargoyles. because I thought if I was a gargoyle from the show would malleus think I'm neat or interesting? But than I wonder how their ocs would look. And I'll color it one of these days

Also maybe because of grim but I sort of gave ventique's yuu a more cat like. And I feel like the soft looks of a feathery cat would work for her yuu

While dust's oc i is more humanoid with very little off just a point ear here small horns and her wings. Also gave her the wings with the little grab hands that are used to close the wings like a cape around them.

And than their is mine, while I like to make myself pretty let's be honest I'm not. So my gargoyle self wouldn't be pretty either. But I'm not butt ugly so I used some of the more none human looks with larger horns the non human ears and more bat like wings and a tail. And I don't have the grab hands I have the hooks to keep the wings close.

Also I think we are more grotesque rather than gargoyles but oh well.

[chiangyorange]

the chain but on a scale of who says hooray yippee and wahoo

is this anything.

[poorly-drawn-mdzs]

Not beating the allegations.

[First] Prev <–-> Next

[windalchemist001]

So I smell gross *hates coffee* sort of wish I got a better smelling scent but what can I girl do? But the words sound about right

@cancerdust96 @jadeybirds @o-rbin

i made a quiz: what does your soul smell like? (friendship/ relationship compatibility in the results!)

[windalchemist001]

Currently doing a trace to start off and hopefully will be able to do a actually redraw of it in my shit style but at least with the trace I got an idea of what I can do but I decided I needed something with both birthday boys

[littlelightfish]

He cares very much about his elemental just look at this man

He raised this bubble monster since it was a baby and worries about her getting mixed with other water things... Dad behaviour...

It's like he asks her to come out to fight.

He can't ask her that, he alredy sent her to battle. Is it either them or the quimera and he knows it damn well, that's why he looks at Marcille with something close to pity. He can't ask the undine to stop. He needs, they all need, the monster to be dead.

And then his baby droplet gets obliterated by this monster. He's not recovering up emotionally from this anytime soon. He freezes a few seconds in absolute shock.

"I even find it cute now". His baby is dead. It's gotta be something akin to adopt a stray cat since baby and then he gets run over. He starts tearing up. Look at this man's poor face, he's destroyed.

Here he's mourning the loss of his undine possibly, all sad faced. He is, at the end, the only one that lost someone there (many died but revived, and Falin doesnt count because she's alive). Either that or he managed to, somehow, save a bit of her and put it on the bottle and it's feeling sorry for his elemental or saying sorry.

[rendevok]

favorite thing ♡

the inspo:

aaaaand some inner dialogue for your viewing pleasure:

[windalchemist001]

This was the last picture in my roll so does it mean I'll be in a threesome? I mean I can't complain >w>;

@cancerdust96 @o-rbin @jadeybirds

^tagged by @soctherapy but the post was getting too long

this isnt a win for me.......

Tags!: @rae-unbeloved @lil-gae-disaster @fictionalcharactergraveyard @livelaughlovelams @alexanderhamiltonhasafatass

[articskele]

(Source) I swear this scene is made of magic

[serpentface]

how do you come up with the ways cultures in your setting stylize people/animals/the world in general in their artwork, i.e. jewlery, rock carvings, statues, etc? Each culture in your world seems to have a very unique "art style" and I love it a lot - makes them seem that much more 'real'. This is something I struggle with a lot in my own worldbuilding and I'd love to pick your brain if possible 😁

I think a starting point is to have a research process based in the material realities of the culture you're designing for. Ask yourself questions like:

Where do they live? What's the climate/ecosystem(s) they are based in? What geographic features are present/absent?

What is their main subsistence method? (hunter gatherer, seasonal pastoralist, nomadic pastoralist, settled agriculturalist, a mix, etc)

What access to broader trade networks do they have and to whom? Are there foreign materials that will be easily accessible in trade and common in use, or valuable trade materials used sparingly in limited capacities?

Etc

And then do some research based on the answers, in order to get a sense of what materials they would have routine access to (ie dyes, metal, textiles, etc) and other possible variables that would shape how the art is made and what it's used for. This is just a foundational step and won't likely play much into designing a Style.

If you narrow these questions down very specifically, (ie in the context of the Korya post- grassland based mounted nomads, pastoralist and hunter-gatherer subsistence, access to wider trade networks and metals), you can direct your research to specific real world instances that fit this general idea. This is not to lift culturally specific concepts from the real world and slap them into your own setting, but to notice commonalities this lifestyle enforces - (ie in the previous example- mounted nomadic peoples are highly mobile and need to easily carry their wealth (often on clothing and tack) therefore small, elaborate decorative artwork that can easily be carried from place to place is a very likely feature)

For the details of the art itself, I come up with loose 'style guides' (usually just in my head) and go from there.

Here's some example questions for forming a style (some are more baseline than others)

Are geometric patterns favored? Organic patterns? Representative patterns (flowers, animals, stars, etc)? Abstract patterns?

Is there favored material(s)? Beads, bone, clay, metals, stones, etc.

When depicting people/animals, is realism favored? Heavy stylization? The emotional impression of an animal? Are key features accentuated?

How perspective typically executed? Does art attempt to capture 3d depth? Does it favor showing the whole body in 2 dimensions (ie much of Ancient Egyptian art, with the body shown in a mix of profile and forward facing perspective so all key attributes are shown)? Will limbs overlap? Are bodies shown static? In motion?

Does artwork of people attempt to beautify them? Does it favor the culture's conception of the ideal body?

Are there common visual motifs? Important symbols? Key subject matters?

What is the art used for? Are its functions aesthetic, tutelary, spiritual, magical? (Will often exist in combination, or have different examples for each purpose)

Who is represented? Is there interest in everyday people? Does art focus on glorifying warriors, heroes, kings?

Are there conventions for representing important figures? (IE gods/kings/etc being depicted larger than culturally lesser subjects)

Is there visual shorthand to depict objects/concepts that are difficult to execute with clarity (the sun, moon, water), or are invisible (wind, the soul), or have no physical component (speech)?

Etc

Deciding on answers to any of these questions will at least give you a unique baseline, and you can fill in the rest of the gaps and specify a style further until it is distinct. Many of these questions are not mutually exclusive, both in the sense of elements being combined (patterns with both geometric and organic elements) or a culture having multiple visual styles (3d art objects having unique features, religious artwork having its own conventions, etc).

Also when you're getting in depth, you should have cultural syncretism in mind. Cultures that routinely interact (whether this interaction is exchange or exploitation) inevitably exchange ideas, which can be especially visible in art. Doing research on how this synthesizing of ideas works in practice is very helpful- what is adopted or left out from an external influence, what is retained from an internal influence, what is unique to this synthesis, AND WHY. (I find Greco-Buddhist art really interesting, that's one of many such examples)

Looking at real world examples that fit your parameters can be helpful (ie if I've decided on geometric patterns in my 'style guide', I'll look at actual geometric patterns). And I strongly encourage trying to actually LEARN about what you're seeing. All art exists in a context, and having an understanding of how the context shapes art, how art does and doesn't relate to broader aspects of a society, etc, can help you when synthesizing your own.

[windalchemist001]

Glad my paranoid self will at least keep myself alive someone how

pov: you’re in a horror movie

1. create your own look here

2. find out what role you are here

I kind of love the result I got :)

no pressure tags: @foodiewithdahoodie @queereldritch @elhaspowers @gothbower @ohfallingdisco @josephandjamie @josephfakingquinn @johnsimms @cuethemulti @can-of-pringles @loki-is-my-kink-awakening @nebulousfishgills @mimisempai @thelostsisters @lokisgoodgirl @cultofsheep @onesmainbitch @jcbbby @whumpzone @catboysienna @lussiane333 @erdarielthewhumper @abitofboth @galactic-magick @llywenn @chaos-monkeyy @highwarlockofphilly (only if you feel like playing, no pressure or anything 🥰)

if I didn’t tag you and you’d love to join, please don’t hesitate to do so. I’d love to see the results you got. everybody is welcome!

[piromina]

OVERANALYSIS OF THE BURNING SPICE UPDATE TRAILER BECAUSE YOU KNOW I HAVE TO

we open up like this. pretty ominous words ... and you wonder which one is the demon and which is the god. burning spice and golden cheese seem to be very similar, possibly the most parallels that one could draw from the ancients and their respective beasts.

And then we get this shot. Obviously it's showing the soul jam, but there are also some things behind it. One resembles a snake ... APOPHIS ANYONE? this has THE most Egyptian mythology symbolism ever. if golden cheese represents ra, which makes one hundred percent sense considering her kingdom and wealth and radiance and all that, and the fact that she resembles a falcon, then the snake on this wall HAS to represent apophis. it can't not. heck, in some versions of the story apophis was A FORMER SUN GOD. like crk def knows what they're doing.

there's also this tiger character ... nutmeg tiger I'm pretty sure? something like that. they seem to be under the influence of burning spice, as well as all the creatures around them. they seem to be at a higher "position" than all these other guys, though. maybe a willing host?

and there is this. this is really interesting. the fact that Golden Cheese is the one to say this is very intriguing. as far as we knew, the ancients had no knowledge that the beasts even existed until pure vanilla's trip. he wrote the letter to dark cacao, and it was all "you won't believe this - but the place called BEAST-yeast has BEASTS in it!!!" and dark cacao was equally surprised. they didn't know. they thought they were the first ever wielders of the soul jam. but golden cheese ... seems to know a bit more than she lets on to the rest of the group. and a bit more than us. what the heck is the spice swarm?

also, the return (and release) of smoked cheese!! man I missed this guy. he seems to be working with golden cheese in this shot, but then what was his little deal at the end of the first teaser about? it does make sense, though, that he would try to at least be against burning spice - his entire goal is to get the soul jam because he thinks the current wielders aren't worthy - but to me it seems like he might have his own third side in this battle. he'll probably convince both sides he's working with them, knowing this dude. he wants the power of abundance and destruction, a second half he knew nothing about, the ability to make a change in the kingdoms and the lives of everyone in them.

and these two images are probably the most interesting of them all. they seem to be part of some sort of ancient papyrus or prophecy or something like that. golden cheese is yelling about the "great destroyer." could it be possible he was some sort of legend in their kingdom, a prophecy just waiting to unfold? could golden cheese have known about this threat since the beginning? could the beasts' corruption have been inevitable from the start, written in the stars ... and could the witches have known about it?

[d4rk-x-w0lf-17]

Wind: I don't really remember much about my parents, they died when I was little. I can't recall what they looked like but whenever I try to remember what my dad looked like, all I can see is Time.

- elsewhere -

Four: Are you crying?

Time, very clearly holding back tears: NO.

[some-pers0n]

I might be poking at a bear here but I kinda really dislike the "all or nothing" attitude the WoF fandom has. This character is evil the worst piece of garbage imaginable or is secretly a great character and you're just a fool for thinking otherwise. It's ridiculous at times

Like I recall the stuff with Secretkeeper a while back. Now, call me crazy, but I don't think she's some horrifically abusive and neglectful parent. She did the best that she could. Was it great? No, but she was trying to keep her daughter safe in a hostile world that she was terrified would reject or, worse, hunt her. Her leaving Moon alone for days was bad, yes, but she wanted to keep Moon free from the horrors of the volcano. She loved Moon and clearly took care of her a lot. You can't just look at a character and paint them as being a "horrible abusive POS" for something that, let's be real here, is much more forgivable and understandable than anything Coral, Scarlet, Diamond, Cobra, Jerboa, or Kestrel did