#william anderson coffin

[oncanvas]

Central Park and the Plaza, William Anderson Coffin, 1917-18

Oil on canvas 24 ¼ x 29 ¼ in. (61.6 x 74.3 cm) Smithsonian American Art Museum, Washington, DC, USA

[docrotten]

TO THE DEVIL… A DAUGHTER (1976) – Episode 214 – Decades Of Horror 1970s

“It is not heresy … and I will not recant!” But if you don’t recant, you can’t have any pudding. Join your faithful Grue Crew – Doc Rotten, Bill Mulligan, Chad Hunt, and Jeff Mohr along with guest host Gregory Crosby – as they take a trip to Hammer-land for To the Devil… a Daughter (1976), the last horror film from the original incarnation of Hammer.

Decades of Horror 1970s Episode 214 – To the Devil… a Daughter (1976)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine

Decades of Horror 1970s is partnering with the WICKED HORROR TV CHANNEL (https://wickedhorrortv.com/) which now includes video episodes of the podcast and is available on Roku, AppleTV, Amazon FireTV, AndroidTV, and its online website across all OTT platforms, as well as mobile, tablet, and desktop.

An American occult novelist battles to save the soul of a young girl from a group of Satanists – led by an excommunicated priest – who plan on using her as the representative of the Devil on Earth.

  Directed by: Peter Sykes

Writing Credits: Christopher Wicking (screenplay by) (as Chris Wicking); John Peacock (adaptation); Dennis Wheatley (from the novel by); Gerald Vaughan-Hughes (additional material) (uncredited)

Produced by: Roy Skeggs (producer)

Music by: Paul Glass

Cinematography by: David Watkin (director of photography)

Special Effects by: Les Bowie

Selected Cast:

Richard Widmark as John Verney

Christopher Lee as Father Michael Raynor

Honor Blackman as Anna Fountain

Denholm Elliott as Henry Beddows

Michael Goodliffe as George de Grass

Nastassja Kinski as Catherine Beddows

Eva Maria Meineke as Eveline de Grass

Anthony Valentine as David Kennedy

Derek Francis as Bishop

Izabella Telezynska as Margaret (as Isabella Telezynska)

Constantine Gregory as Kollde (as Constantin de Goguel)

Anna Bentinck as Isabel

Irene Prador as German Matron

Brian Wilde as Black Room Attendant

Petra Peters as Sister Helle

William Ridoutt as Airport Porter

Howard Goorney as Critic

Frances de la Tour as Salvation Army Major

Zoe Hendry as 1st Girl

Lindy Benson as 2nd Girl

Jo Peters as 3rd Girl

Bobby Sparrow as 4th Girl

Ed Devereaux as Reporter (uncredited)

Bill Horsley as Curator (uncredited)

Juba Kennerley as Man Entering Art Gallery (uncredited)

Alan Meacham as Guest at Book Launch (uncredited)

Peter Sykes as Man at Airport (uncredited)

It’s time to explore the final Hammer Horror film of the 1970s, To the Devil… a Daughter (1976). [Note: The mystery comedy film The Lady Vanishes (1979) would drop and… vanish… in 1979.] To the Devil… a Daughter has the reputation of putting the final nail into Hammer’s filmmaking coffin. The quality and success of Hammer productions spiraled throughout the decade as the landscape of horror films changed – especially after The Exorcist (1973). Surprisingly, the film is much better than how the Grue Crew remembers it and how its reputation proceeds it. That is, up until its abrupt and head-scratching ending and that strange devil puppet. If you know, you know. Check out what the Grue Crew thinks of the film directed by Peter Sykes and featuring Christopher Lee, Richard Widmark, and Nastassja Kinski.

At the time of this writing, To the Devil… a Daughter is available to stream from Peacock and PlutoTV as well as various PPV from Amazon and Fandango At Home. To the Devil… a Daughter is also available on physical media as a Blu-ray from SCREAM Factory.

Gruesome Magazine’s Decades of Horror 1970s is part of the Decades of Horror two-week rotation with The Classic Era and the 1980s. In two weeks, the next episode, chosen by Jeff, will be Don’t Be Afraid of the Dark (1973), an ABC Movie of the Week starring Kim Darby, Jim Hutton, William Demarest, and Barbara Anderson. Grue Believer Lone Wolf suggested this flick. Woot!

We want to hear from you – the coolest, grooviest fans: comment on the site or email the Decades of Horror 1970s podcast hosts at feedback@gruesomemagazine.com.

Check out this episode!

[lboogie1906]

Samuel “Sambo” Anderson (c. 1745 - February 20, 1845) was one of the enslaved people on George Washington’s plantation, Mount Vernon. His early history is unclear but what is known is he was from what is now the West African nation of Guinea. He claimed to have been part of a royal family in the region before his capture and enslavement. Washington purchased him sometime in the late 1750s and put him to work at Mount Vernon.

While living enslaved at Mount Vernon, he worked as a carpenter. He helped build and repair plows, carts, wheels, door and window frames, livestock pens, fishing boats, and even coffins. He and other skilled craftsmen built the storehouses, barns, and overseer’s houses at Washington’s plantation. The wooden mantle on the Mount Vernon mansion’s dining room fireplace was designed by Bernard Sears, an English craftsman in 1775, he and other enslaved craftsmen built the structure. The work he and other skilled craftsmen ensured that Mount Vernon was self-sufficient.

He earned enough money to purchase and free some of his still enslaved family members including his daughter Charity, his grandchildren William and Eliza, and Eliza’s children James, William, and John. In the 1830s, he and his grandson William, along with 12 other former enslaved and their descendants, returned to Mount Vernon to help with the construction of the new tomb for George Washington. He remained at Mount Vernon. #africanhistory365 #africanexcellence

[worldsandemanations]

Central Park and the Plaza, William Anderson Coffin, 1917-18

[twittercomfrnklin2001-blog]

House on Haunted Hill

The guests are given miniature coffins containing pistols. The hostess hangs herself part way through the festivities. There’s an acid vat in the wine cellar. And a plastic skeleton flies over the audience at a key moment. If nothing else, William Castle’s HOUSE ON HAUNTED HILL (1959, Shudder, Prime, AMC+, Tubi, YouTube) proves the man sure knew how to throw a party. After his first gimmick film, MACABRE (1958), made back almost ten times its cost, Castle realized the real money was in the teen market, so he and writer Robb White made HOUSE ON HAUNTED HILL. Its combination of carnival tricks, Vincent Price and the wonder of Emergo (the flying skeleton trick) brought in more than ten times its cost and set Castle on the road to more gimmick-laden horror films that were camp before Susan Sontag ever used the term. His two films with Price (1959’s THE TINGLER is the other) are probably the best of the bunch, even if HOUSE has some big plot holes and a pretty dreadful damsel in distress.

Price stars as an eccentric millionaire who rents a haunted house (Frank Lloyd Wright’s Ennis House on the outside, a Hollywood Victorian monstrosity on the inside, and no, they don’t look like the same house) and invites four strangers (or so he thinks) and the house’s owner (Elisha Cook, Jr.) to spend the night. If they survive, they each get $10,000, but when strange things start happening, particularly to cash-strapped secretary Carolyn Craig, that begins to seem a pretty big “if.” Although at first reluctant to take part, Price’s greedy wife (Carol Ohmart) starts visiting Craig and handsome test pilot Richard Long to sow the seeds of fear and distrust.

Yes, the film is arrant nonsense. But it’s so much fun only a curmudgeon would care. Price is surprisingly subdued, while Ohmart, originally marketed as “the female Marlon Brando,” is just delicious trading zingers with him. The most fun in the cast, however, is Cook. He keeps popping up with predictions of doom as he gets progressively drunker. Poor Craig is pretty awful; she’s whiny and her terror seems forced (Long deserved some kind of award for keeping a straight face during their scenes). But that actually adds to the camp element. You also get Alan Marshall as a cheesy British psychiatrist who keeps talking about “hysteeria,” Robert Mitchum’s sister, Julie, as a newswoman and Leona Anderson as the blind caretaker who keeps turning up to give Craig something to suffer by.

[ulkaralakbarova]

When a bumbling New Yorker is dumped by his activist girlfriend, he travels to a tiny Latin American nation and becomes involved in its latest rebellion. Credits: TheMovieDb. Film Cast: Fielding Mellish: Woody Allen Nancy: Louise Lasser General Emilio M. Vargas: Carlos Montalbán Yolanda: Nati Abascal Esposito: Jacobo Morales Luis: Miguel Ángel Suárez Diaz: René Enríquez Arroyo: Jack Axelrod Himself: Howard Cosell Mrs. Ruth Mellish: Charlotte Rae Dr. Al Mellish: Stanley Ackerman J. Edgar Hoover: Dorothi Fox Paul: Eddie Barth Semple: Conrad Bain British Ambassador: Baron De Beer Man On Cross: Allen Garfield Himself: Roger Grimsby Himself: Don Dunphy Priest: Dan Frazer Dr. Feigen: Martha Greenhouse Man Tortured: Axel Anderson Perez: El Tigre Pérez Judge: Arthur Hughes Prosecutor: John Braden Policeman: Ted Chapman Sharon: Dagne Crane Douglas: Nicholas Saunders The Interpreter: Eulogio Peraza Senator: Norman Evans FBI Man #1: Bob O’Connell FBI Man #2: Robert Dudley Norma: Marilyn Hengst FBI Security: Ed Crowley FBI Security: Beeson Carroll Snake Bite Lady: Princess Fatosh Cigarette Commercial Man: Dick Callinan Patient in Operating Room: Hy Anzell Subway Thug #1 (uncredited): Sylvester Stallone Woman in Hotel Lobby Cheering Honeymoon (uncredited): Mary Jo Catlett …: Tino García Sanchez: David Ortiz Angleró Film Crew: Screenplay: Woody Allen Screenplay: Mickey Rose Producer: Axel Anderson Producer: Antonio Encarnacion Producer: Jack Grossberg Executive Producer: Charles H. Joffe Producer: Manolo Villamil Executive Producer: Jack Rollins Original Music Composer: Marvin Hamlisch Director of Photography: Andrew M. Costikyan Editor: Ron Kalish Associate Producer: Ralph Rosenblum Production Design: Ed Wittstein Orchestrator: Ralph Burns Music Supervisor: Felix Giglio Sound Effects Editor: John Strauss Unit Production Manager: Morton Gorowitz Production Secretary: Noni Rock Producer’s Assistant: Henry Polonsky First Assistant Director: Fred T. Gallo Script Supervisor: Barbara Robinson Location Manager: William Eustace Casting: Vicky Hernández Transportation Captain: Richard Augustine Transportation Captain: Harry J. Leavey Unit Publicist: Samuel D. Berns Title Designer: Norman Gorbaty Set Decoration: Herbert F. Mulligan Special Effects: Don B. Courtney Gaffer: Robert A. Hudecek Key Grip: Michael Mahony Property Master: Connie Brink Costume Design: Gene Coffin Wardrobe Supervisor: Martin Gaiptman Makeup Artist: Guy Del Russo Sound: Nathan Boxer Sound: James Sabat Sound Re-Recording Mixer: Al Gramaglia Assistant Editor: Susan Behr Still Photographer: Jack Stager Movie Reviews:

[myfairynuffstuff]

William Anderson Coffin (1855 - 1925) - Early Moonrise. 1888. Oil on canvas.

[angelic-lambs-artwork]

You've been visited by the random OC question fairy! :D ~☆ You are absolutely not a bother, btw! If you'd ever like another question, please let me know! 💖

Does your character miss anyone? Why do they miss this person? What would they be willing to do in order to see them again?

THANK YOU SO MUCH FOR YOUR QUESTION AAAAAA :D !! <33

I love rambling on about my stories,,

They can be very dark though :((

I do have happyish ones though I swear

i go off on a long ramble I'm super sorry, it's a long post 

My story, The Sickness features my character called Adam Williams, who used to work as a doctor in the only hospital around his area and He was married to a woman called Sarah Anderson, who was a nurse working alongside him, after they were married they had a son who was called Tommy Williams.

But things started to go south when he was born...

TW/CW: mentions of child death, hospital mention, funerals, abusive behaviours(hitting/shouting), vomit, asphyxiation 

Sarah started to become jealous of Tommy because of how Adam seemed to spend time with him a lot and not want to do anything risky anymore that they used to do together like drinking, etc.

Because Sarah was a drug addict and had a lot of dangerous addictions, she could also be very verbally abusive to Adam.

After her jealously for her child becomes too much she sets up a plan and spikes his morning drink and cereal, afterwards Tommy went to school after the drink and became very ill, vomiting up and passing out in school.

Adam immediately being there when he heard the news and checked up on him while Sarah listened in behind the door as they told him, he may not make it and Adam was distraught, crying over Tommy while he tried to help him as best as he could think off

While Sarah was laughing all the way down the halls.

After days and days of trying to save his son and skipping sleep, food and water, Sarah stepped in and talked to him privately she started to tell him to just “give up on him” as “he is already far gone”, Adam was inraged and just threw his wedding ring off, walking away from her but Sarah didn't like this one bit. 

Sneaking into Tommy's room and unplugged his life support, grabbing his pillow and started to smother him in it, only pulling away when he went limp.

When the plug was pulled, the loud beeping started and doctors, nurses rushed into the room, some froze when they saw Sarah standing over him with the plug and pillow in hand, as Tommy was dead.

Adam rushed in as everyone was frozen and he screamed out, rushing over to Tommy and trying to bring him back instead of focusing on Sarah, which made her angrier and she started to scream at him,

 “why don't you like me?”

 “why is it always about Tommy?”

 “Don't you love me?”

“What about me?”

“Don't I matter?” 

Suddenly everything started to go in slow motion for Adam, everything went so slowly and he felt so light, everything felt so far away and he didn't realise that he was wrapping his hands around Sarah's throat,

 throwing her down and choking her against the floor Everything was flashing different colours in his eyes and he couldn't recognise anything he couldn't feel anything, he could only squeeze harder until something he couldn't see stopped writhing,

  He could hear faint sirens but he didn't pay any mind to it, only squeezing harder until he snapped out of it and let go of his grasp on her neck when he was violently shoved onto the ground by a police officer, as his vision shifted back to normal he was shaking violently and they were putting Sarah in handcuffs before they tried to put Adam in handcuffs but the other doctors reasoned with the officers that it was self-defence and that they all just witnessed her murder there child, the police officers didn't believe them all at first, there's no way a mother would do that to her own child, right? But after they reviewed the security footage with Adam and the other doctors, they put her in for murder for 10 years Adam was arrested for assault but was let go due to bail from his doctor friends, Adam was standing in the graveyard, in all black watching as a tiny coffin was dropped into the wet dirt and he couldn't stop the tears rushing down his face, he couldn't stop shaking. He was the only one who attended the funeral, all of Sarah's family blaming him for everything and cutting all contact, even his own sister who was best friends with Sarah, all of them accusing him of abusing her and forcing her into it. The only one who was there was the pastor, who stayed with him even after the funeral had ended, but Adam didn't care about anything He just lost his own son, he couldn't breathe or think, all he felt was the pain. He was completely alone now, not for very long, he thought what if he could be brought back to life? that thought sparked him into life slightly, doing extensive research online about it he thought he was crazy but he had to try he needed his son back And back would his son be just not in the way he wanted.

He dug him back up, carefully taking his body back to his home before he thought it was too risky to do it here, so he moved to the abandoned bunker he bought years ago but had promptly forgotten about,

he took his son there and prepped the whole bunker up,

even making him his own room.

He wired him up and started to shock him, after a minute there wasn't anything, Adam was getting more upset the less he reacted but he froze when he heard a tiny voice call out to him, 

“papa...?”

Adam whipped around and started to hold the cold boy's cheeks, tearing onto them as he smiled for the first time in days, he was overjoyed but froze again,

It didn't come from his body.

He backed away and he noticed the teddy bear cuddled on the boys chest moving slightly or trying too, it looked up at him and it smiled happily, waving its arms in the air at him and trying to crawl to the frozen Adam

“Papa!”

He said he would do anything for him, his son was back and he was going to stay for good now. 

[simena]

WILLIAM ANDERSON COFFIN - MOONRISE IN MAY

[hemic-hokuto]

#Inkwolftober, day o.o7 - The Villager -  Miyuji Shaun

Inspirated by The Mandolin Player by William Anderson Coffin!

[lboogie1906]

Samuel “Sambo” Anderson (c. 1750 - February 20, 1845) was one of the enslaved people on George Washington’s plantation, Mount Vernon. His early history is unclear but what is known is he was from what is now the West African nation of Guinea. He claimed to have been part of a royal family in the region before his capture and enslavement. Washington purchased him sometime in the late 1750s and quickly put him to work at Mount Vernon.

While living enslaved at Mount Vernon, he worked as a carpenter. He helped build and repair plows, carts, wheels, door and window frames, livestock pens, fishing boats, and even coffins. He and other skilled craftsmen built the storehouses, barns, and overseer’s houses at Washington’s plantation. The wooden mantle on the Mount Vernon mansion’s dining room fireplace was designed by Bernard Sears, an English craftsman in 1775, he and other enslaved craftsmen built the structure. The work he and other skilled craftsmen ensured that Mount Vernon was self-sufficient.

He earned enough money to purchase and free some of his still enslaved family members including his daughter Charity, his grandchildren William and Eliza, and Eliza’s children James, William, and John. In the 1830s, he and his grandson William, along with 12 other former slaves and their descendants, returned to Mount Vernon to help with the construction of the new tomb for George Washington. He remained at Mount Vernon. #africanhistory365 #africanexcellence

[acidblob]

look at that woman’s face in the foreground. does she look like she’s having a good saturday night? (william anderson coffin. saturday night in august - eighth avenue)

[brielleinstitutehq]

Audrey Williams is a 43 year old TUTOR at Brielle Institute. She has undiagnosed PTSD and she looks a lot like Gillian Anderson.

MAYBE THEY’RE HIDING

Working as a homicide detective definitely came with its fair share of challenges. Seeing dead bodies nearly every day and truly being exposed to the evils people are capable of would be likely to take a mental toll on anyone, and Audrey Williams was no exception. Perhaps the only person who kept her sane throughout all of the madness was her colleague, Melissa Everett. The two of them met in the academy and stuck by each other’s side since. They both would do their best detective work when they were working together on the case as well. Seven years ago, the two of them started a new case and were trying to find the man who was targeting and killing runaway youth. It was that case that their roles flipped. During the case, Audrey was the one to keep Melissa in check. Audrey saw that her partner was becoming extremely wrapped up in this case. She would stay in the office extremely late, trying to find any missing links that they might have looked over. Often times she wouldn’t have gone home until midnight or even past midnight.

WE HOPE THEY ARE PLAYING A GAME

One morning, after nearly a year since they’ve started the case, Audrey found another link that could help them solve the case. She hurried over to Melissa’s house to tell her, but there was no answer when she rang the doorbell. She didn’t think much of it, in fact she was actually relieved. Melissa must have been sleeping, right? Something she probably desperately needed. Audrey let herself in with the spare key she had for the house after a few more tries with the doorbell. However, when she walked in the front door, she was greeted by her friend’s body lying on the cold ground with the same wounds that were found on the victims from their case. After dialing 911, she frantically reported what she was seeing, and police cars came to the crime scene nearly instantaneously. Audrey stayed outside as the other detectives investigated the crime scene, and helped the other officers keep passing civilians from entering the crime scene. Somehow one civilian snuck past the officers and nearly got into the house. However, Audrey stopped him just in time, and it was only after she frantically pulled him away to keep him from seeing the horrific sight when she realized it was Melissa’s ten year old son.

BUT THIS IS REALLY HAPPENING

After finding the body, Audrey began to unravel. The horrible sights and crimes she was exposed to every day at work were hard to deal with, but this was the nail in the coffin. She became hypervigilant, always being alert for any possible threats or dangers. Everything around her, no matter how seemingly insignificant, was reminding her of Melissa and what she saw. She also hardly got any sleep since that morning, and the times she did manage to get to sleep, she was rewarded with extreme and terrifying nightmares revolving the incident. Audrey had to escape. She had to get away from the constant reminders. She had to forget. Frustrated, the woman walked away from the police force and went back to school. She wasn’t sure exactly what she wanted to do, but she knew she didn’t want to do anything revolving murder or detective work… After a bit of thought, she decided she wanted to teach- more specifically teach kids. After working a few years to get her degree, she became a teaching aide in a public school. However, it wasn’t nearly as fulfilling as she thought it would be. She couldn’t get to know any of the kids. She barely could talk to any of them. When she saw a job offering for a tutor at Brielle Institution, however, she knew that was what she wanted to do. She could work with kids and teach them one on one, or at least in a lot smaller groups than in public school. Besides it was these kids who needed schooling and help the most, right? Little did she know, however, that one of the patients was a direct reminder of the trauma she had been trying to ignore for the past six years.

CONNECTIONS: Ex-Colleague to Leo Everett’s mother

Fortunately, Audrey is OPEN!

[tigermike]

⚡⚡Oglala Chief Long Wolf (Shunkmanitu Hanska) and family

Oglala Chief Long Wolf (Shunkmanitu Hanska) had been historically forgotten for about a hundred years, before in 1997 his name was mentioned in several newspaper articles. He died in 1892 as a member of “Buffalo Bill´s” Wild West show in London, England and had been buried there, but in the 1990s his descendants managed to get his remains re-buried at his home on the Pine Ridge reservation.

Long Wolf´s name first was recorded in 1870, when he was part of the delegation led by Red Cloud to Washington, probably a member of the Bad Face contingent.

In his earlier days he must have been in many battles, because it was later noted that his body was scarred by many wounds he received. Hence while he later was with William Cody´s Wild West show he was called “Lame Warrior” : “He was an Indian chief called Shug-a-man-a ´o-Haska or Long Wolf, nicknamed by the tribe of Ogalallas, Lame Warrior.“ (according to Dr. Maitland Coffin, 1892)

The Birmingham Daily Post stated in 1892: “Long Wolf is an “old-time warrior”, with a great record, which served him in good stead as a conciliator of the rebels.”

Some sources state that he was in the Battle at the Little Bighorn as well.

He started as a performer in the Buffalo Bill troupe as early as 1886 and continued to work for Cody until his death in 1892. At least in 1886 he took his family along, his wife Wants, his daughter Lizzie and two younger children.

Although he worked for white men, he continued to keep his traditions as a Lakota Indian. There is a short note, possibly by New York photographer D.H. Anderson or a fellow member of the Wild West show, on Long Wolf in 1886:

“When indians were sent back to reservation at end of season civilian clothes were given to all indians. This chief took the clothes but would not wear them or allow any of his family to wear them. He rolled all the clothes up in a blanket and went home as a real indian. Chief Long Wolf had very little to say to any of the Indians and could not speak English. This was in fall of 1886.”

(hand-written on back of a photo card by David H. Anderson, photographer of New York)

He already was acknowledged as a chief among the Wild West performers in 1886, alongside American Horse and Rocky Bear. Although later Lakotas like No Neck and Rocky Bear were more often cited as leaders of the show Indians, there are other sources that say that Long Wolf was the leading man of the Lakotas with Cody.

When he was not on tour with the show, he was a prominent man on the Pine Ridge reservation, being mentioned as a leading member in the Indian Police service.

According to Sam Maddra´s excellent book “Hostiles?: The Lakota Ghost Dance and Buffalo Bill´s Wild West” (Oklahoma Press) he had been admitted to the West London Hospital on 5 June 1892. He died there six days later, 59 years of age, on June 11th. While some sources say he caught a serious fever or of pneumonia , Maddra´s cites he died “due partly to old age, and partly to trouble caused by his numerous old wounds received in battle”.

He was buried in West Brompton Cemetery on June 13, 1892.

[rye-views]

Terminator 3: Rise of the Machines (2003) dir. Jonathan Mostow 7.3/10

How many kind of machines will we make?

John gives me Zedd vibes.

What are the odds that John went into that animal hospital and she worked there?

Memorable Quotes: “You are terminated.”

Spoiler: [About Judgement Day not happening, so John Connor grows up and lives off the grid. He has nightmares. A T-X appears naked inside a store and comes out to a woman in a car. It steals her clothes and car. She is able to infiltrate the system to locate her targets. Kate Brewster is shopping with her fiancé, Scott Mason, as she gets a call from her dad Robert, an US Air Force general. He learns of a virus spreading through the machines. A Terminator is sent naked too in the desert as he’s supposed to be protecting Katherine Brewster and John Connor. John breaks into an animal hospital for some medication until he knocks out from it. The Terminator steals clothes from a bar. The T-X kills Jose Barrera, a fast food worker. It then goes to a house to kill Elizabeth and William Anderson. It’s to kill those who work with John in the future. Kate goes to work at the animal hospital for an emergency. She gets put at gunpoint by John as he wakes up. She manages to take his paintball gun away and trap him in a cage. She then tends to a customer’s cat. She comes back to John and says Mike Kripke’s basement and he doesn’t understand. She says she knows him and they went to middle school together until he disappeared. The T-X kills the customer and then licks the blood to identify the person. She licks a bandage on the floor to identify it as John Connor’s. Kate tries escaping in her truck, but the T-X attacks her. She’s saved by the Terminator crashing into the T-X with a truck. The Terminator traps Kate in the truck of her car and goes to John Connor. John confirms that it’s friendly and drives the truck away as the Terminator stays to fight the T-X. The cops come and manage the scene as they try to help the Terminator and the T-X infiltrates cop cars. All the phone lines are down as Kate tries to get help since Skynet is taking over. John learns that Kate is in the back, but continues to drive. The T-X can control machines and sends empty cop cars and trucks to pursue John and Kate. John crashes into a guy and drives away. The Terminator pursues with a cop bike. The Terminator gets to John as they escape the T-X. John tries to have him remember that they used to know each other. The Terminator clarifies that it was a different Terminator. John learns that they only postponed Judgement Day rather than stop it. The Terminator throws away one of his broken fuel cells and it causes a massive explosion. He then robs a gas station store with some snacks while the worker calls the police. John is put in the back of the car with Kate. She talks of how he might be a gang member now and how he’s been trouble. John tries to have the Terminator explain who he is and what’s happening. Detectives talk with Scott about the kidnapping of Kate and he agrees to help. The Terminator takes Kate and John to a mausoleum to find the coffin of Sarah Connor. John talks of not knowing where she was buried after she died from leukemia. The coffin reveals a bunch of weapons and they learn that she was cremated and scattered in the sea. Her will wanted these weapons here. Kate gets a gun and shoots the Terminator. She learns that he’s not human. Cops surround the place and Kate runs to them. She’s tended to by Dr. Silberman and he mentions making things up and needing therapy for years after. The Terminator and John escape and John wants to know why Kate is important since the Terminator wants to save her. The Terminator talks of how she will become his wife and through her, he will contact the rest of the military to form the Resistance. Kate sees Scott and runs to him until he shapeshifts into the T-X. She gets picked up by The Terminator and John and learns that Scott is dead. They fight the T-X as she pursues them, but they get her away as she ruins their car. John consoles Kate. They then learn that the T-X is to kill Robert, because he’s the program director for the Cyber Research Systems, autonomous weapons division aka what Skynet is under. John understands that Robert is the key behind shutting down Skynet. They want to head to Robert to stop

the infiltration of Skynet, but the Terminator’s only mission is to protect them. He says that judgement day will happen before they get in a clear zone if they head to Robert. John aims a gun at himself and the Terminator measures the odds of him actually pulling the trigger. They learn that this Terminator was sent back by Kate, so he only listens to her, so she commands them to go. They move forward and talk about how John dies and that’s why Kate had to sent a Terminator back. They learn that he dies because of a terminator that looks like this Terminator infiltrated through his emotional bond to it from childhood. Robert learns of the country being open to attack because of the virus. John and Kate talk about not being each other’s type and she talks about him being her first kiss in Mike’s basement. Robert is ordered by the Chairman of the Joint Chiefs of Staff to set up Skynet so that it can destroy the virus. Robert doesn’t believe it’ll be okay since Skynet will run things afterwards, but they confirm that Robert runs Skynet. The T-X infiltrates the station and sets up the robots to work. Robert presses the button to start up Skynet and the virus is cleared, but all systems shut down. Robert sees Kate arrive and sees another Kate warn him. The Terminator shoots the T-X mimicking Kate after she hurts Robert. The machines start killing everyone. Robert reveals the access codes to Kate and John and tells them to get to Crystal peak. The Terminator explains what it is and they all believe it to be the system core, so they have to go there to stop it all. They take Robert’s plane after he dies. The Terminator fights their way through. The Terminator ends up getting destroyed by the T-X and she messes with his system. She then goes after John and Kate. They power up a magnetic field and the T-X gets stuck in it, but she manages to get herself out as they escape. The Terminator wakes up and tells them to go without him since his system is going to stop them. John talks to him and convinces him that his mission and reason to exist is to protect him. The Terminator tries to stop his own movements and shuts himself down. John and Kate get to Crystal Peak and use the access codes to get in. The T-X is right on their tail and is stopped by the Terminator crashing into her with a helicopter. He holds up the bunker door for them as they get through. The T-X pursues and the Terminator crushes the door on both of them with the fuel cell exploding. Kate and John get further in and discover that his place isn’t Skynet. It’s a fallout shelter for VIP’s and no one else knows to come here. They realize that there was never a way to stop Skynet. They are able to talk on the radio and contact other important people with him in charge. Judgement Day happens.]

[bm-american-art]

Saturday Night in August -- Eighth Avenue, William Anderson Coffin, ca. 1900, Brooklyn Museum: American Art

Size: 16 1/8 x 26 in. (41 x 66 cm) Medium: Oil on canvas

https://www.brooklynmuseum.org/opencollection/objects/1517