#will this introduce a new character within my fanworks? more than possible

[ask-but-beware-the-consequences]

Early Access!

In case you wonder, no this won't be a Nickels fanart, this won't be about any ship.

[bladekindeyewear]

Andrew has a post over here (or rather, “a message Hussie sent to the Perfectly Generic Podcast”) detailing his thoughts on the Epilogues, how he thought people would feel about them, and why he made them the way he did.  Interesting read-- here are my thoughts as I was reading:

Wakraya -Today at 4:34 PM

Pst pst :3 We just got a statement from Hussie on the Epilogues if you ever feel ready to check that out

BlastYoBoots -Today at 5:00 PM

ooh

yeah if there's a link?

Wakraya -Today at 5:01 PM

https://www.reddit.com/r/homestuck/comments/cuywff/the_homestuck_epilogues_bridges_and_offramps_new/

BlastYoBoots -Today at 5:02 PM

yeah I was like "there's a HARDCOVER version?!??" trying to google what you described

Wakraya -Today at 5:02 PM

Oh yeah it just got announced recently, and this is what Hussie said about it, sent to the PGP people just a bit ago

BlastYoBoots -Today at 5:03 PM

collapsing the bubble, yeah... he understood all this pretty well

readin further

"it's heavily implied to be a piece of bridge-media"  --definitely, so why... there couldn't possibly be a follow-up, could there? ...

"Our continued attention is the very property which incites new problems," -- yeah, I definitely understood that as a theme of the Epilogues... but it also felt like a slap in the face to everyone invested in those characters for that exact reason, and torturing us like that should give way to SOME kind of more settling payoff to offset it, right? right andrew?.....

"But "implied" is all it was. There was no immediate announcement for followup content, and I'm not announcing anything here yet either. More time was always going to be necessary to figure out what to do next, including what form it takes, the timing, and all those questions." --okay yeah that's... SANE.  That's MORE sane than the follow-up to Homestuck it seemed to be implying, the creation half to the destruction half.  Because as much as it seemed to be implying that with those ending sections, I really couldn't imagine a continuation to such a ridiculously saturated story as FEASIBLE; you couldn't possibly loop in anyone who wasn't into the first body of work in the first place.  But... then why leave so many of the characters in such dire straits, unsatisfied, their happiness jeopardized even after the lesson was imparted about how our looking in damaged things?

"For now I think it was alright to just let things simmer for a while, and give people an extended period of time to meditate on the meaning of the epilogues and why they involved the choices they did. But regardless of anyone's conclusions about it, I can at least confirm that it WAS designed to feel like a bridge piece since its conception."  ...I'm not, uh.  ENTIRELY.  sure. that Andrew understands.  how paralyzingly invested we are in some of these characters.  :neutral_face:

"Is it this way because an epilogue SHOULD be this way? No. It is this way because I thought that was the most suitable role for an epilogue to play in the context of the weird piece of media Homestuck has always been."  Fair... but that was the impression the end of Homestuck gave us in the first place, right?  Art and message over our feelings.  That's been the strength AND curse of Andrew's work.  His relentless artistic integrity.  He's going to give the message he wants to give even if it kills us.  :c

this mulling over how he played with "Intermission" is fun, spelling it all out and how eagerly he wanted to play with and subvert those tropes...

Wakraya -Today at 5:14 PM

Oh, keep going

You're going to like the end I feel

BlastYoBoots -Today at 5:15 PM

yeah all this is gonna go up on my blog if you let me

Wakraya -Today at 5:15 PM

Absolutely! :p

BlastYoBoots -Today at 5:16 PM

"So now the label "epilogue" has been toyed with in a similar way, and also in a manner which exposes an apparent flaw with the label. Or actually, just by using the label "epilogue" at all, it seems the story is admitting to an apparent flaw." --So how were those who DID interpret the ending of Homestuck as not addressing stuff that needed to be addressed supposed to interpret it, though?  Those who needed a more explicit explanation of why Andrew was seeming to "toss aside" so much of what they cared about as stuff that "didn't matter"?

He knew those people existed... hence the outcry!

you can't deliver a message to those people with a mocking thrust, you've gotta be, hm... more delicate about it? IF, that is, you feel an obligation to those people in the first place

and I was never sure whether Andrew DOES....?

hmmmmmn

"It's already an unhinged implementation of the label before you even read it, which means it's probably time to get nervous about whether it satisfies your expectations about what the content existing under such a label should provide."  Yes, you knew people were gonna get super nervous even before they cracked open the cover... and then you DELIVERED, rather intentionally, on some of their worst fears.....?

"My feeling is, there's almost no choice but to turn the conventional ideas associated with epilogues completely inside-out, because of the inherent contradictions involved with crossing the post-canon threshold and revealing that which was not meant to be known."  Yes, and I understood Andrew was trying for that.  But... um....... what about satisfaction?  You gonna give us ANY comfort after that's been dealt with, that lesson imparted?  Why throw all our feelings by the wayside after you've communicated that overall lesson?

"By deploying it as mock-fanfiction, and including other authors, I'm making an overt gesture that is beginning to diminish my relevance as the sole authority on the direction this story takes, what should be regarded as canon, and even introducing some ambiguity into your understanding of what canon means as the torch is being passed into a realm governed by fan desires." --Yes, I've read that really good tumblr post I won't bother linking  (EDIT: because I can’t find it, or where I commented on it, it was probably in discord; could someone link that to me? the one that talked about how this epilogue posed as Fanfiction and took on those trappings but could never BE that, and how it was their opinion ((though not mine FYI)) that Andrew didnt understand that?) that expresses how the author's intervention into this "territory" ruins the effect that this sort of work is supposed to have, and how it can't be judged as similar, but given the stuff that Andrew was TRYING to get across -- the sort of, "freeing fanwork from the vestiges of canon" stuff and the other lessons he's alluding to in this very Reddit post -- he didn't have much choice in terms of presentation framework.  Could it have been presented more elegantly, less fanon-hijacky?  Sure, he ain't perfect... Could it have more explicitly endorsed other interpretations of so-called canon as more valid than this, or AS valid?  Absolutely, but he's never been one to spell things out for us so plainly... Ah, but could it have ended in a way to give those of us so nervous about the work more SATISFACTION, less grief?  THAT is an entirely DIFFERENT matter that I hope he answers as this post goes forward.... readin readin'.......

"If the epilogues really prove to be the bridge media they were designed to feel like, then I expect this trend to continue. The fanfiction format is effectively a call to action, for another generation of creators to imagine different outcomes, to submit their own work within the universe, to extend what happens beyond the epilogues, or to pave over them with their own ideas."  True, but... gosh darn, Andrew, you coulda been more explicit with that.  Especially with the potential pave-over-ability of it all.  Expressing that a lot more explicitly would have gone to help smooth over a bunch of that one tumblr post I mentioned's concerns. :T

"It's also an opportunity for people to discuss any of the difficult content critically, and for fandom in general to continue developing the tools for processing the negative emotions art can generate."  Yeah, I... have to admit, I'm not as good at dealing with negative content in media as I should be.  And that's definitely part of what is making the fanbase feel stabbed in the heart, yeah, but..... again, it feels kind of as if Andrew does NOT understand how irrationally attached so much of the fanbase is to these characters and how irrationally overinvested in their happiness, and all of this feels kind of callous.  :frowning:

Wakraya -Today at 5:27 PM

He's very aware of how powerfully a lot of people feel about it, with all he's gone through with the Fandom. He really is just like this isn't he?

BlastYoBoots -Today at 5:27 PM

"fandom is something which can develop better skills as well. Skills like critical discussion, dealing constructively with negative feelings resulting from the media they consume, interacting with each other in more meaningful ways, and trying to understand different points of view outside of the factions within fandom that can become very hardened over time."  Hmn!  That's...... true, yeah, but wow did you take a HAMMER to it instead of a scalpel

yeah

Andrew's always just

well it's like I said isn't it?

He's got that artistic vision, and even though he knows he's in an interaction with the fandom and shapes things to it by the design of the story, he is N O T compromising that artistic vision

even if it feels like a punch to the gut to us

immersion therapy :frowning:

not sure I can say whether that's right or wrong!  only that it hurt XD

Wakraya -Today at 5:29 PM

X3

It hurts, but he does understand.

Perhaps precisely because he understands, he pushes us to our limits

He doesn't matter if he loses part of his audience in the process- He wants to showcase a message.

Painful as it may be, that's kind of admirable in a stubborn way.

And when he delivers happiness, he does it in spades

BlastYoBoots -Today at 5:30 PM

yeah, he never cared about losing support because he said what he felt was necessary

Wakraya -Today at 5:30 PM

And if it is something actually like

Problematic

He does backpedal and fix things up

BlastYoBoots -Today at 5:31 PM

"But I don't see why it can't be an objective to try to improve fandom, just as creators can improve their work."  --and he was DEFINITELY, DEFINITELY trying to improve the way members of the fandom treated a WHOLE BUNCH of different affectations of the Homestuck fanfiction in the community.  that was something kind of admirable and insane throughout the epilogues... on the deeper scale, how he used the Roxy arc in Candy to at the end put the reader to task with "HEY!!! How do you know this wasn't how Roxy would canonically act in this situation? You don't know the inside of her head! ALL SORTS of stuff is valid!  You can't use those reasons to point at certain fanfiction and call it BAD."  And I do love that.  With a more insane surface example, the dog dick stuff. Jesus.  XD

"So now I'm looking to all of you on the matter of where to go next." --oh SHIT.  :X

Well, there's a problem.  XD

fuck, you can't just ASK us what we want XDDD

"Wherever the most conscientious and invested members of fandom want to drive this universe, as well as the standards by which we engage with media in general, that will be the direction I follow."  mother FUCK

well, now the pressure's on.  god help us all XD

time to post this

[toaarcan]

Scourge the Hedgehog: The Bad Fanfic Apotheosis

Y’all are gonna hate me for this one.

This is something of a followup to my previous post, Fiona Fox: Depth vs. Prominence, and inspired directly by the discussion I had with a friend in the comments section of the DA upload of it.

Part 1: Fanfic vs. Canon- Genesis of the Recolour Elements of the Archie Sonic the Hedgehog comic have long been compared to a bad fanfiction, particularly the parts of the story written by Ken Penders, though other writers like Bollers, Chacon, and Flynn have drawn that label too. I'm one of the people that's done it, and that's largely because I hold fanfic and official material to very different standards. There are certain things you can do in fanfic that you can't do in official material, especially with franchises like Sonic, and especially with more niche parts of said franchise, like a comic series. Of course, there are also certain things you can do in both, but you probably shouldn't. And Scourge is one of them. What exactly the process behind Scourge's creation was is something that's been debated. For a lot of people, he's considered to be a parody of the then-rampant "Sonic Recolour" fad, wherein fans would take screenshots of Sonic X, and other official artwork, and then edit it in Microsoft Paint, or another similar program, to create their own characters and stories. Now, this was long decried by other fans, myself included, as incredibly lacking in creativity and originality. It also had an "Ew, cringe" reaction, due to the often-shoddy editing, text-to-speech voices, and usually some top-tier mid-2000s Nu Metal for the music. These days, it's much easier to look back and say "These were mostly made by kids who were just having fun, and it's completely harmless", and it becomes apparent that a lot of the people that were making fun of them and criticising them were grown men, at which point you kinda realise that this "internet fad" was basically just bullying a bunch of children for not being up to the creative standards of some adults. Everybody was looking for the next Chris-Chan, but Chris-Chan is a near-unique entity, as only one other person alive has ever managed to combine that sheer void of talent with a monumentally repulsive personality, and that person is Ken Penders. But Sonichu is the least interesting thing about Chris, and Chris became the laughingstock that he is because of his inability to avoid posting his entire life on the Internet, which was something of a rarity in those halcyon days before the rise of modern social media. Sonichu was a gateway to the actually interesting content also on his channels, whereas these recolour-creators didn't have anything like that, just endless Windows Movie Maker slideshows. And, like, Chris was in his 20s when he became the Internet's punching bag for the first time, and while he's a horrible person, so were the people that dedicated their time and effort to trolling him- His story is fascinating, but it has no heroes. And into this collective cocktail of grown men shitting on preteens, so Ian Flynn introduced Scourge the Hedgehog. Is Scourge a parody of Sonic recolours? I sincerely hope not. The reason for that is twofold, and I'll discuss how his portrayal generally doesn't seem to be mocking those tropes further down the page, but the second issue with the idea that he is a parody is best explained by Sir Terry.

Parody can never punch down, and as a then-24 year old man writing official canon for a franchise, mocking a bunch of 10 year olds on the Internet for making bad stories would definitely be punching down. And, as I said, nothing about the way Scourge is written is in any way poking fun at the tropes of these fancharacters and stories. It's pretty much all played completely straight. So not only do I hope Ian wasn't trying to mock these fancharacters, but there's also little reason to believe that he actually was.   He's not a parody, he is a send-up. And on the one hand, it's kinda nice to throw a bone to those kids. But on the other hand... is Scourge really the character you want to represent your part of the fandom in official material? A cruel, violent, abusive, vicious monster that spends his time palling around with a girlfriend that the writer reforged to be the most unlikable character in the entire comic? Yeah, can't say that's what I'd want if I were one of those people, but he seems to be popular enough, so maybe I'm in the minority there. But now we get to the meat of the problem. You see, the way Scourge is written is one of those things that you can do in fanfic, but you shouldn't do in canon. Part 2: What is a Mary-Sue? The term "Mary-Sue" gets thrown around a lot these days. It's gradually lost all meaning, and has slowly become a term for "Female character that I don't like," mainly used by whiny, easily-offended Broflake Youtubers, who get all pissy that Star Wars films aren't specifically catering to them, to the point that you only have to make a girl be good at something in a movie and these pissbabies lose their shit. I liked Episode VII and VIII more than I, II, or VI, get fucked. But what, then, is a Mary-Sue? And why is it relevant to Scourge? The answer to that first question is a lot more complicated than it might seem. Not just because there are now several different varieties of the trope, but also because the trope itself evolved as it began to be applied to non-fanworks, and additionally because the name itself is somewhat non-indicative. A male Mary-Sue can exist, though these are normally referred to as "Marty-Stue" or "Gary-Stue", or more cynically "The Protagonist". Check out the average Batman comic these days and you'll see what I mean. Originally, the term applied only to a self-insert character in a fanfic, that was an overly-idealised version of the author, dramatically overpowered, hugely popular, normally dating whichever member of the cast the author wanted to bone, or sometimes multiple partners at the same time, along with a few other traits. It's actually pre-Internet term, originating in a Star Trek fanzine when "Mary-Sue" was created as a parody of other fans' similar characters. Over time, the trope evolved to the point that, while the "author avatar" feature is still a pretty big indicator, it's not really necessary. So while there are probably plenty of people out there who want to be Batman, not every character that is a Mary-Sue is someone for the author to project themselves onto, and not every author avatar is a Mary-Sue. Generally, the important features of a Mary-Sue are now: 1) Receives a great deal of favouritism from the author 2) More powerful than the rest of the cast, often to the point of absurdity 3) Faces zero consequences for their actions. 4) Liked by characters that have no reason to do so 5) In a relationship with a character that has no reason to date them, previous relationships be damned. 6) Most importantly, the story will bend over backwards to give them easy wins, even in situations where they logically should struggle. You're probably starting to get where I'm going with this, and if you're not... Part 3: Creator's Pet Scourge is a Creator's Pet. He gets shown a fair bit of favouritism from Ian Flynn, primarily the guise of how much focus he gets. Scourge is the most prolific villain in Ian's run, aside from Eggman himself. While other, better villains like Mogul and Naugus were being imprisoned repeatedly until one retired and the other became a dog, and a huge chunk of the comic's remaining antagonists were being subsumed into the Eggman Empire, Scourge was only moving up, not only being the villain of Ian's first two issues on the book, but continuing to make sporadic appearances for the next twenty issues, before appearing as the new leader of the Destructix under Finitevus in the Enerjak Reborn arc, followed swiftly by a stint as the Big Bad in Bold New Moebius. Does he actually deserve this level of importance? You be the judge, but personally, I don't think so. Even within those stories, Scourge gets special treatment, the biggest and most obvious being Metal Scourge. Now, personally, I think Metal Scourge was a better character than Scourge himself, but the fact that, of all people, Scourge got a Metal counterpart before anyone else, including Knuckles, who had such a counterpart in the games for over a decade by that point.  Especially since, well... Metal and Mettle is a fun story, but it doesn't really do anything for Bold New Moebius as a whole, does it? It's basically pure filler, only really serving to add another dead Metal Sonic to Ian's list and stall the plot out for a bit longer. And, of course, the most clear indicator of Scourge's favouritism is that he was he first Archie character to receive his own Sonic Universe arc, and the only one to do so without needing two or three SEGA characters also making up the rest of the lead cast. "Lockdown" isn't a particularly good story, but its existence speaks to not just the insane popularity that such an unworthy character received, but also Archie's willingness to indulge that. Sonic Universe was largely intended to tell stories revolving around the members of the SEGA cast that, for whatever reason, weren't able to regularly appear in the main book. This... frequently got broken, with Sonic, Tails, Sally, Bunnie, Antoine, and Amy all taking centre-stage in the book before obvious candidates like the Chaotix got a look in, some of them twice over, but Scourge was the only time they were willing to try a story based entirely around one of their characters, and they gave it to the already extremely prominent Scourge. It's pretty clear that Ian loved using this character, and did so as much as possible. YMMV on whether that's good or not. Part 4: Scourge OP plz nerf Let's be real, he's overpowered as fuck. Now, overpowered characters aren't necessarily bad, but it's significantly harder to write an OP character than an on-average one, and Scourge didn't work out so well. From the moment he turns green, he's basically unstoppable. The one time he actually seems to remotely struggle is actually in 161, where he looks ever-so-slightly winded after curbstomping Sonic and Shadow at the same time. From then on, while he does start to slowly even out with Sonic, he also continues to utterly demolish basically everyone else, especially his easy conquest of Moebius. It's been suggested that conquering Moebius should be easy, because the big threats are all good, kind people there, but that somewhat ignores that there are anti-versions of the heroes kicking about too. All the (Mostly) benevolent rulers of the Primeverse should be tyrannical despots there, and there are excessively powerful entities like the Anti-versions of Merlin and the Guardians, not to mention whatever horrors Anti-Gerald would've unleashed on the world, and that's without the Suppression Squad themselves. While the comic has generally treated Sonic as being able to stomp the entire rest of the FF, well, who says it has to be a fight? Why the fuck doesn't Patch just poison him? I mean, the obvious answer is "Because then Bold New Moebius won't have a main villain", and sometimes contractual villain immortality has to be a thing, but a good writer should be able to avoid putting the characters in that position. Following on from that, Scourge gets to fight basically the entire FF and Suppression Squad at the same time, (Sonic and Amy are absent and Fiona is on his side), and he's winning until Sonic shows up. Then directly after that is the hedgehog brawl, and despite Sonic managing to get everyone against Scourge, he easily manages to escape and break out his Super form. Even after spending his time in the No-Zone completely powerless, Scourge manages to break out the moment he gets his powers back, despite the prison being full of characters who should be equally or more powerful than him, and the police force that caught them all, basically unchallenged. Scourge never faces an actual challenge in the comic. He never struggles, and the one time he actually loses? Ian makes up some new lore on the spot, which is contradictory to SEGA lore from the same year, and then uses that to have Sonic trick Scourge into depowering himself. Not only does Scourge never struggle with anything, but he also never actually loses a fight. Part 5: When will you learn, that your actions have consequences?! Probably never, because Scourge's actions never have consequences. Throughout his entire run, Scourge gets to go wherever he wants, do what he wants, with or to whomever he wants, and he never has to deal with the fallout of the decisions he makes. Absorbs the energy of a matter world into his antimatter body? He's better than fine, it only made him stronger. Turns up in Knothole with his secret girlfriend's hated arch rival by his side? Never mentioned again. Blows Fiona's connection to him, costing Finitevus' operation a potential spy in Knothole, where Knuckles is? Not even considered a factor. Ditches Finitevus to go and make Moebius into an egopolis? Finitevus isn't bothered, and supports Fiona's efforts to rescue him later down the line after than plan backfired on him. Blinds Patch in one eye out of jealousy/spite? The guy that poisoned Armand and Max, took a torch to Antoine's personal life, took advantage of Sally's frayed mental state, emotionally damaged Bunnie, and tried to assassinate Elias to get what he wanted lets him get away with it. Openly announces that he's going to destroy both worlds? Conveniently does it when he's alone with Sonic so nobody can tell Fiona what she's letting herself in for. He eventually does get sent to jail, but he breaks out with ease the next time he turns up. Because, y'know, that's just what we want to see. Villains never having to deal with karma. Part 6: What does anyone see in him? Scourge doesn't quite get the "everyone loves him" treatment, but he still gets a whole lot more respect than he's ever earned. Both Sonic and Zobotnik are portrayed arbitrarily deciding that maybe there's a shred of good in this monster, and this is the part where I stress that he's abusive again. Maybe if I repeat that enough it'll sink in. Despite knowing full-well the sort of person Scourge is, Sonic's response to Scourge's crappy cribbing of the "One Bad Day" speech is to try and turn it around and claim that Scourge only needs a tiny bit of decency to be a good person, and this is outright untrue, and given what we see of Scourge later, I'm frankly disgusted that Ian tried to pull this with a character he'll pretty much unambiguously portray as an abuser. Zobotnik's case is even more baffling. We're introduced to the guy in the Lockdown arc, and it's implied that he's effectively a tyrannical warden, ruling over the No-Zone with an iron fist, taking an almost sadistic delight in punishing the inmates. But yet, for whatever reason, he decides that it's a good idea to try and rehabilitate Scourge, for no adequately established reason. Even on the other side of the morality line, we have Finitevus, who apparently respects Scourge enough to not just make him leader of the Destructix during the Enerjak Reborn arc, despite him very clearly not being a leader, and not being liked by any of his comrades except Fiona, but then when he promptly ditches the whole plan toward the end, Finitevus apparently decides that he not only wants to get him back, but is willing to go to great lengths and risk losing the only team of mercenaries dumb enough to work for a guy who is quite open about his intentions to "purify the world with Chaos fire" in order to do it. And speaking of, the most egregious case of this comes again in Lockdown, where the Destructix all end up siding with Scourge. Across the second half of the arc, Scourge learns his new team's backstories, and despite them clearly showing traits and beliefs that should make them respect him less, this somehow works in his favour, and he manages to wrest leadership of the team from Fiona. Especially galling is that it appears that Fiona loses their respect early on because of her faith in Scourge, who to them, looks pathetic, but then they end up supporting him anyway, despite doing nothing to earn it. But wait, one's missing... Looks like it's that time again. Part 7: Oh right, he's an abuser. It's time to talk about Fiona. Fiona's heel turn is really, really effective at selling you on the idea that Fiona is a vile, cruel, and selfish person. It's a dramatic, "big bang" moment that, in basically a single panel, got an entire fandom to hate a character. Now for some it was more of a "Love to hate" thing, but there are plenty of people out there who just really hate Fiona for this single moment. And when you're introducing a new major villain, maybe that's what you want to accomplish. What it doesn't do, however, is sell you on her motives for taking that course of action. Fiona, for the rest of her existence, mainly antagonises Sally, whom she has no worthwhile connection to on either side of her turn, other than being the evil  Sally to Scourge's Evil Sonic, and stands around or clings to Scourge's arm, looking smug about her abusive relationship. And yes, it is abusive, verbal abuse is still abuse, and the implications that he's physically abusive are present too. I know this is something that Scourge's fans don't really want to accept, but it's true, and we're going to get into that later. For now, what matters is that this character's run as a villain mainly consists of: Fiona: "Hey Sugar-Queen, look at how much my boyfriend yells at me and insults me, and probably beats me when he's angry. I make smart decisions and you suck." We never come to understand why this character, who is so motivated by her belief that everyone will eventually double-cross her that she has decided to start lashing out at people before they can turn on her, is willing to put her faith 100% in someone so repeatedly deceptive that he first approached her by pretending to be someone else. Like, in terms of bad first impressions, that's up there with arriving at a job interview in full clown regalia. The comic makes no effort to show why these characters like each other. Scourge allegedly likes her because she chooses to turn evil and join him, rather than being born evil, but this clashes with not only the fact that Fiona is a genuinely good person before this, who makes a solid effort to stay loyal to her friends first, and is lured into villainy by him, but also the fact that she blames everyone but herself for her current situation, but especially with the fact that all of the foreshadowing for Fiona turning evil consists of people not trusting her because she has a shady history. Scourge claims to appreciate that Fiona is a good person that chooses to be evil, but the narrative has a clear message of "If you started evil, it doesn't matter if you try to become good, you will always revert to type." Which isn't exactly a good message, Ian. In return, all we get from Fiona's side is that Scourge "has no expectations of her and just wants to have fun", which clashes entirely with how we see them interact in subsequent arcs, where Fiona frequently looks disturbed or apprehensive, or just bored, while Scourge yells at her and threatens her for not meeting his standards. Seriously, why do people ship this? But okay, okay. Scourge is a good liar, and Fiona's established paranoia and history do make her vulnerable to manipulators like him, so maybe she falls for his lies and gets taken for a ride. That could happen, sure. Doesn't really explain why she becomes a horrendous person all of a sudden, but whatever. Maybe he convinced her to do it as a sort of hazing, and a means of ensuring she couldn't go back. That fits with his abusive nature (You might also notice that this the explanation I used in Revival). But why does she stay? And why does she refuse every out she's given? Why, after everything that pulled her to his side has turned out to be bullshit, does she remain devoted to him? Now, you can argue that due to the abuse and the manipulation she's suffered, she believes she has to stay with him, and that's a fair shout, but her appearance in Journey to the East is kind of a stumbling block for that theory, because we're shown a Fiona who is fully capable of functioning without him, and even after making efforts to establish herself... the next time we see her she's gone back for him. And now... well, it's time to talk about that "A" word I've been bringing up a lot in this section. Scourge is abusive. I've frequently referenced that he verbally abuses Fiona every time she displeases him across the book, but the most telling scene is this one from Issue 190.

"You do not want to be sent back with me." Translation: "If I get sent back, and you're sent back too, I'm going to beat the shit out of you." Fiona (With her invisible left arm) isn't excluded from this threat. Fiona isn't surprised by this threat either. Nor does she not take the threat seriously. She looks like she's expecting to be struck. He beats her. And please, nobody say that "he's just angry", that's apologism. Now, I dunno if this was in the script, or if Fiona's face was something Yardley did on his own, but given that this arc ends with Super Scourge announcing his intention to destroy both Mobius and Moebius, simply because he can, regardless of the collateral, I'm willing to bet that this relationship wasn't a happy, stable one. But, unfortunately, this element was never made clear enough. Now, your mileage may vary on whether you think Sonic the Hedgehog comics are the appropriate place to discuss abusive relationships or not, but we've got one now, and Ian dropped the ball. This wasn't a Joker/Harley, where the pairing was clearly abusive but also sold DC/Warner millions of dollars worth of merch, this wasn't a RWBY, where Adam took three years to show up and had already won a huge number of fans from his admittedly cool design and powers, so people already liked him before they even knew what his personality was like. Ian had full control over this, no merch to worry about, and Scourge's prolific appearances gave him plenty of opportunity to make it clear that this was an ugly, repulsive thing that Fiona needed to get out of ASAP. And he didn't. Because panels like this, and all the yelling, clearly weren't enough for the fandom. No, you point this detail out to them and they'll make excuses, try to pretend it didn't happen, or just get offended, or worst of all, outright say they don't care and still ship it. We have fanartists who became real official artists creating stories where this garbage-fire pairing is used for sad feels, not because Fiona got stuck in a relationship with a controlling, violent monster, but because oh no they really loved each other and now Fiona's dead isn't it tragic don't you feel sorry for Scourge? No. No I don't. I feel sorry for the thousands of teenagers who support an abusive relationship because Ian was too cowardly to make it clear that the relationship in question was just that. Now, do I think that Ian is an intentional abuse apologist? No. Do I think he wimped out of taking the necessary steps to make it clear that this was bad because he didn't want people to dislike his shitty pet villain? Oh yeah, I do. Scourge's reputation was more important to Flynn than appropriately and sensitively portraying a destructive, damaging relationship between a woman and her monstrous partner. Well, I say "Woman", let's not forget that Fiona was meant to be sixteen, and realistically if you take her timeline into account she's more likely to be about fourteen. Real fucking classy. Part 8: Effort? What effort? So, now we get to our final criteria. And frankly, it's the easiest one to cover. From the moment, Scourge turns green, his life becomes a cakewalk. Everything he ever wants is handed to him with zero actual struggle on his part. Wants to be stronger than Sonic? He is. Zero side-effects to using a Chaos energy form from a mirror universe, or having a Super transformation interrupted, he just seemingly gets to be half-Super forever. Wants another leg-up on Sonic? Here's Fiona, sans personality. Sonic says he's just a lame ripoff of himself? He conquered a planet in a week, look at how cool he is. Also his team all roll over and make him their leader even though they hate him and they could easily kill him. He gets to walk through the entire FF/Squad teamup, and the Hedgehog teamup, and then when he gets to the No-Zone, Zobotnik, who has kept far smarter and more dangerous characters locked up for decades arbitrarily decides to reform him and gets completely suckered by him. The Destructix fully throw in with him, despite him never actually earning their respect. He never loses a fight where he wasn't depowered first. You know what the irony of this is? Ian has a character whom he is contractually obligated to never have lose for longer than an issue or two. And honestly, he wasn't awful at disguising that. Sonic gets a few wins that feel too easy, but for the most part, the issues with this rule mainly manifest in Sonic's limp responses to the tragedies happening around him, and a sprinkling of minor failures and pyrrhic victories ensure that the rule looks more like shoddy writing in a few places unless you're explicitly told about it. And even then, he still manages to make it look like Sonic struggles to attain those victories, that he has to actually put his back into it every time. He is challenged. Scourge isn't allowed to be challenged. That's the irony. Ian has a protagonist who he is not allowed to have lose, and Sonic still manages to be avoid looking like a boring invincible hero, while Scourge just never faces anything that can actually pose a threat to him. Powerful opponents crumple before him. Characters' personalities and development shift to suit his needs. The plot warps to benefit him. Because heaven forbid Scourge actually have to work for his wins. Who needs stakes when you can have the writer on your side! Part 9: In summation... I think you should've all twigged where this is going by now, so let's wrap up. 1) Does Scourge receive a great deal of favouritism from the author? Yes. 2) Is Scourge more powerful than the rest of the cast, often to the point of absurdity? Yes. 3) Does Scourge face zero consequences for his actions? Yes. 4) Is Scourge liked or respected by characters that have no reason to do so? Yes. 5) Is Scourge in a relationship with a character that has no reason to date him? Yes. 6) Most importantly, does the story will bend over backwards to give Scourge easy wins, even in situations where he logically should struggle? Yes. According to these criteria, Scourge the Hedgehog is almost a textbook example of a Mary-Sue. Which is probably why something as disgusting as him got away with so much. I guess, then, that his role in Revival, and a lot of the stuff before that, is the unfortunate reality of a Mary-Sue who suddenly has to deal with the fact that they're no longer getting that special treatment from the writer. That now their actions have consequences, that now the universe doesn't shape itself to their desires.

[asphy7]

GUESS WHAT! I THINK SCREAMING AT KIDS IS UNPRODUCTIVE AND DISGUSTING

Hey I went through that stage of fetishizing gay relationships and giggling with my friends over them sweet yaoi lemons when I was fifteen. 

I hit 19 and finally learnt that it wasn’t supportive of LGBT rights at all. But there was still this part of my that got a kick out of writing and drawing gay content because OHMYGOD TWO BOYS KISSING. I’m 23 now, and it was only just at the end of last year that I was able to cross a bridge in self discovery. And I’ll admit, there’s still this part of me that leaps at the chance to create gay fanworks.  I’m trying to better myself as a person and as a creator to support the LGBT community with what I create. To support a community I recently found I was a part of.  And not just that but I want to create positive works for people of colour or different cultures and religions. But my characters are usually cis and white. Because I’m still learning. I don’t want to say or do something offensive by creating trans work, or by having a character that is of a different culture and then doing something that is seriously offensive or completely and utterly wrong.  I get why everyone doesn’t like ‘yaoi/yuri” and the typical fetishistic content within the hype of the people that like that stuff.  Honestly if I came across someone my age who thought that reading doujinshi makes them an LGBT ally, I’d smack their face inside out.  But how is a 15 year old to know better? You are literally not helping ANYONE by tearing down these youths who maybe like me had absolutely ZERO idea that boys could like boys and girls could like girls until my friend came over for a sleepover and introduced my to some poorly written Hetalia porn she’d written for me.  I had that piece of paper crumpled up in my pillow for years, not because I read it every night to get off on it. I was 14! I had no body hair and still had puppy fat and wore training bras.  That really terrible piece of paper opened up new doors, windows and blew holes in walls for me.  Ofcourse my life was a thriller movie after that, hiding all my writing and drawing from my homophobic mother. My life went from dreaming about getting married and having kids to dreaming about creating.  I wanted to be a writer! An artist! I wanted to make stuff that people like me could get excited over and ship my characters and squeel about in the middle of the night with their friends.  One day, one of my “normal friends’ saw what I was drawing, mind you this was YEARS later. I was 17. And the thing is this is to the day my best friend.  I was drawing fanart for Black Butler or something like that with whatever I shipped at the time hard core making out with bad anatomy and too many limbs. I was so ashamed that I’d let my friend see it. But heck, he thought it was great. Said I was an awesome artist.  Soon I had a whole group of friends that loved what I did even if they didn’t get it. And with that group I met more and more people who were part of the community I fetishised.  It really did help me understand some things about what it was exactly that I was doing.  Fast forward a few years, my mate’s family has taken me in, after more arguments with an abusive homophobic mother. They help my find help for my mental health. They help me get set up with a proper computer to  support my artwork.  A couple of months before christmas I thought I was inlove with my best friend. I AM!!!! I consider him a soul mate even though sometimes we fight and we’re both really talented at overthinking little things. I still love this man with all my being.  But I learned something about myself. I’m gay. I AM A LESBIAN.  And after draining a couple of vodka spiked juices, I decided I’d tell an amazing woman that I’d felt connected to since I first saw her art that I had a crush on her the size of Jupiter.  And goddamn guys I’m so gay and inlove and I wanna cry and laugh and scream all at once. I love her so  much.  But do I want to be a part of the community???  I just sit here seeing a bunch of adults screaming at 13 year olds and the like for liking pictures of boys kissing and getting maybe a little carried away with it. BUT SO WHAT!!!!  Maybe they’re like me. Maybe they’re just now discovering something that could mean alot more to them throughout their life than they could possible imagine.  It could inspire them to create, to support other creators. It could lead to their own path of self discovery, to hopefully not be disowned by their parents like I was, to find love.  Or you know, maybe they won’t, because those who were offended by how they act now, couldn’t be the bigger person and just explain why it was offensive. OR HEY MAYBE... Just let the kids be. Maybe like me, they’ll find their own way, fumbling without ANY guidance, and just making a plethora of friends along the way.  I get why its offensive. I get why people are upset. But everyone goes through their phases.  My mom used to mock me openly and angrily in public for the way I ran when I was a kid. Now I consider myself allergic to excersize and you know I can’t believe I’m wearing shorts without six layers of tights underneath to try to stop my thighs from wobbling. 

Congrats on screaming and laughing at kids who could grow up and might have created that content everyone complains about not having.  No one is born with an understanding of how things work. It’s hard enough learning on your own. Maybe make the journey something they’ll look back on fondly, shake their head, smile and say geez I can’t beleive I used to be into that. 

BE THE BETTER PERSON NOW SO THEY CAN BE BETTER THAN YOU IN THE FUTURE

[dragimalsdaydreams]

here it is, the payoff of a year’s worth of work! or an on-off year, at least– this was hardly a constant project. also, sorry this is so big! I’d recommend right click>view image to see this better

also this desc is super freakin long, so for anyone interested, the rest of my commentary is under the cut

it kills me that I wasn’t able to finish this for last year’s 4/13– I wanted so badly to dedicate this to Homestuck’s finale, but I grossly underestimated how much time I needed (just a couple weeks before the anniversary, Ashley? really??). despite this, I’m glad I was able to finish this piece without having to worry abt a time crunch

I’ve EASILY devoted more time and effort into this piece than ANY other piece of art in my life (and that includes full muscle/skeletal diagrams I’ve drawn for past Eclypse refs). it’s funny, I actually “started” this piece in 2012, when I first drew the rough sketch of my idea (obviously Alpha kids and Beforan trolls didn’t exist then, so I was planning to do a kinda “pre-game/post-game” symmetry haha LITTLE DID I KNOW). even at that time, I wanted to contribute something special to the HS fandom– something I’d never attempted for any other fandom then or since. however, I could tell my skill wasn’t developed enough to produce a decent piece (nor did I have the motivation to start a monster like this..), so I tucked that sketch away, hoping I’d return to it someday. I still don’t think I’m at a high enough skill level to give this tribute what it truly deserves (colors... are my death...), but I admit I’m oddly proud of this final product? it’s more than I could have accomplished in the past, that’s for sure (it’s so weird to see how much I’ve improved even comparing the basal sketch stages)

(and, as is tradition for me apparently, here are the other tributes I’ve done for past anniversaries: 2013, 2014, 2015, 2016)

sorry for sounding a lil’ sappy here (tho I’m sappy every 4/13 lmao), but Homestuck is so incredibly important to me. no other fandom has come CLOSE to what Homestuck has given me in terms of absurd (often sometimes embarrassing) shenanigans, close-knit fan communities, incredible fanworks, and countless other fandom elements. not to say that other media/fandoms haven’t contributed to my life in significant ways, or that other fandoms aren’t as good, but the HS fandom experience was (and is) so…. unique. there are certain events and situations that could only be experienced within Homestuck’s format, and would be difficult– if not impossible– to replicate in other types of media (or even other webcomics). and beyond that, I’ve dedicated such a significant amount of love and attention to this comic that no other fandoms in my life can rly compare

most fandoms fade over time and slip away from interest, but there are those golden few that clamp onto your heart and don’t let go. Homestuck is one of the few fandoms I can say with reasonable confidence I’ll always cherish, and I just want to thank Hussie and all the incredible artists, animators, musicians, programmers, etc. that have directly contributed to the experience. I think I speak for most when I say my feelings abt the end of HS were…. mixed, at best. but even the negative aspects do little to dampen my love for Homestuck as a whole– this story is just too MASSIVE to let one little ending ruin it! not to say the ending (or any of the comic) is beyond criticism, but the criticism doesn’t ruin the last several years of this fandom experience for me. if anything, that finale left me with a sense that this story isn’t truly over– that there are more loose ends to be tied and further plots unraveled. I’m not sure if that should be considered a good thing (once again, mixed feelings), but at least it works in the context of the upcoming game, haha. either way, reading-- and watching and playing-- Homestuck has been an incredible journey thus far, and I eagerly await the future Hiveswap will bring~

past all that SAPPY COMMENTARY, my main goal w/ this piece was to represent every single Homestuck character (as well as a few significant symbols/references in the comic). considering the nature of Homestuck’s ridiculous timeline, however, this is kind of impossible. thus, I gave myself a few rules for who was and wasn’t included:

- no duplicates. considering there are at least 8 versions of everyone, I absolutely needed this rule. there are obviously a few exceptions (such as Calliope/Callie Ohpeee, Caliborn/Lord English, etc.), though I felt I was justified in including their doubles. this rule honestly kills me a little because I REALLY wanted to include certain duplicates like Bro, Mom, and the Ancestors, but I couldn’t b/c of the next rule–

- if I include some of a group, I must include ALL of the group; IE- “symmetric” representation of all characters. if I were to include the Alternian Ancestors, I would feel obligated to include the Beforan Ancestors too, but there aren’t any canon designs for them, so that would be impossible. similarly, if I were to include the Beta (human, non-Dad) guardians, I’d feel the need to include the Alpha guardians too, who honestly felt less like “unique” characters to me than the Beta guardians did compared to their Alpha kid counterparts (though this could just be due to the fact that we were introduced to the Alphas as adults before the Alpha kids themselves). and even if I were to draw all the kid’s duplicate guardians, that would make me feel obligated to do all the troll’s Ancestors which, again, just wouldn’t work. this is also the reason why none of the Denizens were included, b/c we’ve only got a few of their canon designs (tho I’m considering including their underlings in the future, but I’m not 100% sold on the idea b/c, again, not all underlings are known)

- no “poly-characters”. essentially, no sprites. this prolly falls under “no duplicates”, though I personally consider characters like Davepetasprite^2, Jaspersprite, and even Davesprite unique characters in their own right. it’s just that sprites open up a whole new world of 100+ character possibilities, and I had to draw the line somewhere

- represent each character as their “essential” self. I tried to go for versions of each character that gave the "truest” impression of that character, if that makes sense? for example, I drew Terezi blind and Vriska w/ her robo-arm and blind eye b/c I feel these aspects are essential elements of their characters. Aradia, on the other hand, I drew pre-death, even though this doesn’t necessarily match the “timeline” for Terezi and Vriska’s injuries, b/c I feel that pre-death Aradia represents the “essential Aradia”

- keep overall “character themes” similar across the board. this could also be described by a few sub-points such as: “no god tiers,” “no dream selves,” and, “no alchemized outfits,” among others. I thought it would look oddly off-balance if, say, only some trolls were god-tier, or only one set of kids was wearing alchemized outfits rather than their original outfits. ~in general~ this resulted in drawing most characters as they first appeared in the comic, though there were obviously some exceptions. to return to Aradia’s example, I honestly think that godtier Aradia is the MOST “essential” Aradia of all of them, but the need to adhere to the “pre-game” theme of the rest of the beta trolls overrode that rule, so pre-death Aradia works just as well

[kissfanxing-blog]

➳ buddy system information/instructions

-----

Hey everyone! Before we get started, we here at kissfanxing would like to thank everyone that’s claimed prompts/self prompted so far! We’re excited to see so many people enthusiastic about kissfanxing round 3, and we really cannot thank all of you enough for participating. If you have yet to sign-up for kissfanxing, be sure to check our our claiming instructions to see how you can join in on the fun!

Now, onto the fun stuff…

-----

New to kissfanxing this year, the mods are happy to introduce the buddy system as a part of our 2017-2018 round! You’ve probably seen heard bits and pieces regarding the buddy system throughout the info posts and emails that we’ve been sending out, but the time has come to provide full info on what exactly the buddy system is, what it entails, and how to join if you’re interested!

➵ So, what is the buddy system?

The buddy system is a way to connect kissfanxing participants with the mods to help ease some of the stress/pressure (stressure?) that comes with the creative process. Buddy system participants will have the opportunity to be paired up with one of the four kissfanxing mods (pinky, bubbles, bucky, egghead) to act as sort of a “mentor” throughout the kissfanxing journey.

➵ What is the purpose of the buddy system?

Our goal in introducing the buddy system is so that participants/potential participants don’t let the daunting nature of writing/drawing/creating work deter them from joining kissfanxing. As writers ourselves, we know how stressful creating fanwork can be, so that’s why we created the buddy system to provide support in any way we can. We’re hoping that the installation of the buddy system helps put first time participants at ease, as well as draw in people interested in joining kissfanxing but don’t know where to start with navigating fests. And even if this isn’t your first time doing kissfanxing, you’re still welcome to join in on the buddy system.

Overall, the buddy system fits in well with this year’s theme of “spreading the love” - we’re hoping that this way, everyone, whether new or old, will feel welcomed into the fanxing community.

➵ How does the buddy system work?

Once participants are assigned to their designated “squad” (my squad is with me, we’re the cream de la cre-me), they will be asked to make a Discord account (discordapp.com) so they can be added to the kissfanxing server and their specific “squad leader” (mod) channel (i.e. #pinky, #bubbles, #bucky, #egghead).

Think of Discord like a series of customized chatrooms. The kissfanxing server is open to all of our participants on Discord, while the individual mod channels are private to the mod and the members of their squad. From there, private chats can be opened between (groups of) people, and there are other channels that participants can join/be added to, all of which is outlined in the Discord guide that will be sent out.

Most of the communication between the mods and their squad members will (preferably) take place through Discord. Buddy system participants will be emailed a guide to Discord (written by our fellow mod bucky), and these instructions are also posted on the general kissfanxing server. If, for any reason, a participant is unable to use Discord, we are willing to make accommodations (see below). Please don’t let Discord deter you from signing up from the buddy system. The buddy system is fluid because we want to make work for everyone; as such, we’d be willing to offer assistance in any way that we can.

From there, the buddy system becomes pretty flexible. The role of the squad leader is to act as a companion throughout the kissfanxing journey, which can take many forms - being a beta, an advice-giver, an idea-bouncer, etc. It can really be anything the participant wants. The primary goal is just to provide a method of support whenever a participant needs it, as the mods are aware of how taxing it can be to produce fanwork. Additionally, the participant can choose to communicate with other members of their squad via the squad channel, as well as other kissfanxing participants via our general server! We’re really aiming to create a network of support for those who need or want it, and we hope participating in the buddy system will ultimately be a rewarding experience for everyone.

➵ How do I choose the mod that’s right for me?

Mod profiles will be posted below this section of the info post so that you can become better acquainted with the mods. As each of the four mods generally specialize in different genres/areas, we hope that, after reading those, you can choose the mod(s) that would be the best fit for you.

While we try to honor all requests as best as we can, please note that “squad” designation is ultimately up to the mods’ discretion; we want to try to make the numbers as even as possible across the four mods so that no mod has an unbalanced load of participants to be responsible for. As a result, we encourage you to list more than one mod that you’d be comfortable being paired up with on the sign-up form.

➵ This all sounds great! How do I join the buddy system?

You can start by checking out the mod profiles listed below this part of the info post so you can see which mods would be the best fit for you. After that, fill out the the buddy system sign-up form with all of the appropriate details. You will receive a confirmation email within a few days with further information regarding the squad you’ve been placed into and detailed instructions on how to sign up for Discord and be added to the kissfanxing server. From there, you will be added into a specific channel for your squad leader, and you can be added into other channels from there as well.

➵ Some final notes:

➺ There is no closing deadline to join the buddy system. Buddy system signups will be open all the way up to the submission deadline of February 7th, and participants can join at any point up until then.

➺ It is possible to join the buddy system/the kissfanxing Discord without being paired up with a specific mod - just let us know in the appropriate section on the form, and we can help you get set up with being added to the general kissfanxing server.

➺ The buddy system is entirely optional, you can still participate in kissfanxing without participating in the buddy system. However, it should be mentioned that those not participating in the buddy system will have to fill out a check-in form in early January - the idea is that buddy system participants are in somewhat constant contact with the mods, therefore forgoing the need for a formal check-in. (So, if you wanna kill two birds with one stone, all the more reason to sign up for the buddy system!)

➺ The mods reserve the right to remove anyone from any Discord server/channel at any time for any reason.

➺ The use of Discord is not mandatory to be a part of the buddy system. Though, for organizational purposes, we would prefer having everyone on the Discord server, we are willing to make accommodations for those who cannot access/figure out Discord (ex. through Twitter DMs, Tumblr, KKT/Line/WeChat, etc.) Again, please don’t let Discord deter you from signing up for the buddy system; we’re here to help you, not confuse you further.

Now, onto the mod profiles…

-----

➳ mod profiles:

(Timezones have been listed to better assist you in choosing a mod that will be able to cater to your needs whenever you need them, because we all know how annoying timezone gaps can be…)

➵ mod pinky [line]

{ao3: buttercream | lj: yeolis | twt: @zhangchans}

specialties: fluff, slow burn, enemies to lovers, friends to lovers, abo, wolf au, vampire au...

timezone: gmt-3

availability (scale of 1-10, 10 being most available): 6

mod blurb: “Hey yo bros, I'm line. I love writing and encouraging my bros to write. Many writers need reassurance, so that's my job!”

➵ mod bubbles [kira]

{ao3/aff: soapbubblesoul | lj: light_kira1 | twt: @soyifab}

specialties: fluff, canon au , non-human fanxing (hybrid, alien, dragon, etc.), college au, fantasy, sci-fi, domestic au, abo, world building, established relationships, smut, helping people develop plot through asking stupid questions, characterisations, long fics, mpreg, unrequited love / pining, angst with happy ending / hurt-comfort

timezone: gmt+1

availability (scale of 1-10, 10 being most available): 7

mod blurb: “Honestly, my twitter description says it all: Constantly having too many Fanxing feels, constantly crying over my WIP folder. I used to be able to write really short oneshots but somehow these days all my fics either grow completely out of control and end up as long fics or start as long fic WIPs either way. I really like helping people develop their fics or get through issues they run into! It constantly amazes me what great ideas people have.”

➵ mod bucky [lo]

{ao3/aff: theflyjar | twt: @yifantasiae}

specialties: angst, long fics, character death, ! unhappy ! endings !, anything that can make a reader cry, age gaps, mafia au, mama au, smut, kinks (including bdsm related content), trigger prompts, sci-fi, fantasy and supernatural, abo, military aus, long distance relationships, mental health, psychological aus, art / design / aesthetics, beta-ing / plotting. some fluff, too.

timezone: gmt+0

availability (scale of 1-10, 10 being most available): 7-10 (it's dependent on the day)

mod blurb: “i’m a writer whose fics always grow and mutate as i write them, and sometimes an artist (though, not for the fandom) who can never finish their work. but i always have time to encourage and help others with what they're doing!”

➵ mod egghead [shar]

{ao3/aff/lj: thatgoodgood (reloadeds) | twt: @sonjjits}

specialties: comedy, crack, humor, fluff, romance, smut, happy endings, occasionally some messed up stuff/angst, canon!au, college/school!aus, domestic!au, established relationship, ot12 banter, extreme betaing, helping come up with ideas, plotting, characterizations, short to medium sized fics

timezone: gmt-6

availability (scale of 1-10, 10 being most available): 7.5

mod blurb: “hey everyone, I’m the one that’s been writing most of these posts and spamming your inboxes with excessively verbose emails, so hopefully that’s reflective enough of my writing abilities. jk. I’m really good at coming up with ideas that I never find the time to write and supporting others when it comes to the fic writing process (ex. fleshing out plots, characters, asking too many questions). apparently I go really hard on editing people’s writing to the point where I’ve made people cry, but I’m sure that one time was a fluke and I promise to be nice. I think.”

-----

buddy system sign-up form