#will never get tired of Holmes' referring to watson as “my boy” like please
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Basically Holmes' way of saying "at least you tried" (but I still think it's cute he's telling Watson he's proud of him) (oh my god these two)
#ill never get tired of them#watson is LEARNING okay my boy's doing great#also#will never get tired of Holmes' referring to watson as “my boy” like please#😭🙌#Sherlock holmes#Sherlock#holmes#acd holmes#acd books#freaking out about acd canon#acd sherlock#acd sherlock holmes#acd sh#sh#acd Watson#johnlock#acd johnlock
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Hi! So I’m rewatching TAB atm and it’s giving me feeeels. Do you have recs for after the get off the plane where John deals with Sherlock and specifically his overdose? I wish we��d had a part 2 where the show went into it, but I’m hoping you can give me some amazing fanfic instead! And Johnlock as friends is good as well as slash!
HI NONNY!!!
AHHHH I love TAB SO MUCH. It’s my favourite Sherlock Ep, and I wish I had more fics related to it :( I don’t have anything new since then, but all these fics are from my S3 / TAB / S4 [FIX IT] Fics list from last March, but because I love y’all, I’ll separate it on its own because it’s pretty far down and hidden, and I know other people would like to read some separate, so here you are!
And friends, if y’all have any TABlock, PLEASE give them to me!! I need more!!
THE ABOMINABLE BRIDE (TABlock) (APR. 2020)
See also:
S3 / TAB / S4 [FIX IT] Fics (March 2019)
Victorianlock
ACD Canon
The Two of Us Against the World by slashscribe (T, 1,617 w., 1 Ch. || Post-TAB, Implied/Referenced Drug Use, Drug Addiction, Anxious Sherlock, Angsty Fluff) – John is there to take care of Sherlock as he comes down from his overdose in The Abominable Bride. Set immediately after the tarmac, back in 221B.
Loudly Unspoken by Mount_Seleya (M, 1,871 w., 1 Ch. || Post-TAB, Love Confessions, Vulnerable Sherlock, Frottage) – John confronts Sherlock about the words he left unsaid on the tarmac. Set immediately after TAB.
Stay by sussexbound (M, 2,067 w., 1 Ch. || Post TAB, Suicidal Ideation Mention, Implied / Referenced Drug Use, Kissing, Love Confessions, Frottage, Coming in Pants) – “Why? Why did you do it? Hmm…?” He takes a deep breath, waits, lets it out again. “Look at me.” There’s no denying him when he takes this tone. “Why did you kill him? Hmm…? For her? After…” A muscle twitches in the corner of John’s eye, and he clamps his jaw down tightly, swallows and sniffs a little before continuing. “For her? After everything she’s done?” “For you.” Before he can even stop himself. Just like that.
Journal of Truths by Goddess_of_the_Night (T, 2,317 w., 1 Ch. || Post-HLV / TAB, Pining, Idiots in Love, Love Confessions, Love Letters, Declarations of Love) – When John escorts Sherlock back to Baker Street from the tarmac, he discovers a journal that Sherlock has kept secret...that he has kept secrets in.
Green Carnation by glenien (T, 2,616 w., 1 Ch. || Sherlock’s Mind Palace, Meta-Fic, Angst and Fluff, Communication, Post-TAB) – John takes Sherlock home. Part 1 of It’s No Longer Eighteen Ninety-Five
The Trial of Sherlock Holmes by jenna221b (G, 3,015 w. across 3 works || TAB!lock, Metafic / TJLC, Victorian AU / 1895, Christmas, Sherlock’s Mind Palace, Oscar Wilde) – Scripts based on speculation that Sherlock will be put on trial in The Abominable Bride to parallel the Oscar Wilde Trials of 1895.
I Love You (Is All That You Can't Say) by theSeventhStranger (T, 3,147 w., 1 Ch. || Post-TAB, Post-Tarmac Scene, Fix-It, Dev. Rel., Retrospective, Angst and Fluff) – “Sherlock. On the tarmac. I got the feeling that you were going to, um. To say something else.”
five times sherlock holmes lied to john watson (and one time he finally told the truth) by miss_frankenstein (G, 5,948 w., 1 Ch. || TAB Compliant || Homophobia, Pining Sherlock, Oscar Wilde Trials, Happy Ending) – Set in "The Abominable Bride" universe, this piece adopts a familiar format to chronicle Sherlock's quiet suffering in the wake of the 1895 Oscar Wilde trials and the particular way they affect his relationship with (and feelings for) John.
Drawstring by May_Shepard (E, 7,412 w., 1 Ch. || Friends to Lovers, UST/RST, Fluff and Smut, Post-TAB, John POV) – John is bothered by Sherlock’s slowly-falling jim-jams… as in hot and bothered and he is trying to deal with a sexy dishevelled Sherlock while also keeping his pining in check.
Never Been This Swept Away by estalita11 (T, 8,531 w., 1 Ch. || Post-TAB, Mary is Not Nice, Drug Use, First Kiss, Love Confessions) – Set immediately after TAB, Sherlock visits his brother to definitely not apologize about earlier and ends up finally learning a few things that would have been nice knowing about months ago. Mycroft never wants to deal with lovestruck idiots ever again.
Out of the Darkness by Irrevocably_Sherlocked (M, 12,165+ w., 2 Ch. || WIP || Death, Overdose, Heavy Angst, Whump, Mary is Not Nice, Post S3/TAB Compliant) – John Watson has long assumed Sherlock Holmes is immune to sentiment, “doesn’t feel things that way.” Sherlock, however, would do anything for the person he loves most in the world, including putting himself in danger while keeping John in the dark in hopes of keeping him safe. Tired of being left behind, John is running a strategy of his own. Unfortunately things do not go as planned for either of them. And as John lays bleeding, Sherlock finally allows himself to say the things he’s always meant to… This is the story of love, forgiveness and finally making right all the wrongs in these two men’s lives.
Wars We Fought, Things We're Not by blueink3 (M, 55,204 w., 10 Ch. || Post S3 / Post TAB, Parentlock, Fluff & Angst, Kidnapping, Whump, Post-TAB, UST/URT, 3G, Mild Peril, Slow Burn, Couple for a Case, Protective Mycroft, Infant Death Pre-Story, Friends to Lovers) – Five months after John's world has fallen apart, Mycroft sends the consulting detective and his doctor on a case that neither is prepared for.
The Adventure of the Silver Scars by tangledblue (NR [M], 142,458 w., 41 Ch. || S3 Fix-It, Post-HLV/ Post-TAB / Canon Compliant, Case Fic, No Baby, Angst, Humour, UST, Slow Burn, Angry John, Reconciliation, Not Nice Mary / Leaving Mary, Dependent Sherlock, Pining Sherlock, Caretaker John, Fist Fights, It’s An Experiment, Virgin Sherlock, Dancing, Drugging, John Whump, Pet Names, Sherlock’s Mind Palace, Scars) – It’s been thirteen months since Mary shot Sherlock and John finds he’s still pissed off about it. Sherlock had thought everything was settled: John and Mary, domestic bliss. But when John turns up at Baker Street with suitcases, the world’s only consulting detective might not be prepared for the consequences. A new case. Some old scores to settle. Certain danger. Concertos, waltzes, and whisky.
MARKED FOR LATER
Stay for Me by Itsallfine (M, 17,310 w., 7 Ch. || Post-TAB, Implied/Referenced Drug Use, Drug Withdrawal, Implied/Referenced Suicide, Hurt/Comfort, First Kiss/Time, Bed Sharing, Mental Health Issues, Not-Nice Mary, Divorce, Angst with Happy Ending, Parentlock) – 221B was packed into boxes and bins, and that was when John knew, really knew—Sherlock had planned to be gone forever.
Crimson Hymns by brilliantlyburning (E, 48,982 w., 9 Ch. || Post-S3/TAB, Angst, Hurt/Comfort, Emotional Hurt/Comfort, Drug Addiction, Unhealthy Coping Methods, Demisexual Sherlock, Boxing, Pining, Sensory Processing Issues, Drug Use, First Kiss / Time, BDSM, Mary is Not Good, Parentlock, Proposal, Happy Ending, Beekeeping, Violence, References to Addiction, Poetry) – He laid his head over John’s heart, eyes level with his silver-rough scar, and listened to the crimson hymns beating beneath the surface. He imagined flowers blooming in his own chest: veins weaving intricate patterns on petals of thin muscle engorged with blood, sinew for stems and tendons for roots—the flowers would be poppies, maybe (addictive) or foxglove (deadly yet useful)—twining gleaming blood-red around the porcelain bone of his ribs. In his mind’s eye the gruesome bouquet all tied together on the left side of his chest, the stems bound together in heartstrings and the flowers fed by the rhythmic contraction of ventricles. It’s yours, he imagined saying to John—from the vena cava to the mitral valve to the arteries it is yours.— Or, the Love Song of W. Sherlock S. Holmes.
NO! by Tildathings (M, 50,043 w., 36 Ch. || Homophobia, Bed Sharing, Military Uniforms, Past Abuse, Jealous John, Stalking, Violence, First Kiss/Time, Fluff, Pillow Talk, Coming Out, Sherlock’s Past, Shower, Cuddling, Grief and Sorrow, Hugs, Character Death) – Sherlock has been in a coma in over 8 months after he overdosed on the plane at TAB, during which time Mary and Rosie were killed by Vivian Norbury. This story starts 3 weeks after Sherlock has woken up. John is asking to move back to Baker Street.
The Summer Boy by khorazir (T, 94,706 w., 6 Ch. || Post S3/Post TAB/Alternate S4, Friends to Lovers, Flashbacks, Sussex, Bullying, 1980′s Kid Sherlock, Emotional Hurt/Comfort, Inexperienced Sherlock, Grief/Mourning, Pining Sherlock) – About half a year after the fateful events at Appledore, Sherlock and John embark on a private case in Sussex. For Sherlock, it’s a journey into his past, bringing up memories both happy and sad that he has locked away for almost thirty years. For John, it means coming to terms with the present – and a potential future with Sherlock. Part 1 of the The Summer Boy series
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Shut Up And Kiss Me [10/?] | Tom Hiddleston x reader
pairing: Tom Hiddleston x reader
style: part 10 of ?
wc: 2.8k
warnings: pining, halloween, bad references,
summary: You and Professor Hiddleston have been colleagues for many years now, and through those years the hatred for each other has only grown. Now, as a new school year starts, you’re being told that you have to share a classroom or a class. Neither are happy about the outcome, but knowing you’ll never come to an agreement, you let the class choose for you. Team-teaching is rare in 2019, but it is a lot harder to do when you can’t stand the person you’re doing it with.
A/N: so I have a part this week, but I think I might stop the weekly updates. A lot of things are going on at once and I’m not sure I can get out a part a week. I think I might be able to get out a story or an update of a story each week but I don’t think much more than that and I have so much other shit Im working on that I want so share with you guys. I let you know of my decicion, and i hope you enjoy the part ^_^
If you want to be tagged, please send an ASK ^_^
Previous | Series Masterlist | Part Eleven
Since Friday, Tom’s mind has been set on the kiss. It has been set on the kiss in the bar. The one in the shadows where no one could see them and his heart pounded in his chest. The one where afterwards, so certain that Y/N just wanted to because she wanted to have some recollection of it, he had stood up and walked away as if it meant nothing.
Even though it meant everything.
He can recall every minute of it. Every second of what happened before and after is drilled into his brain after countless reenactments.
The slight fear in her eyes as Benedict smiled and told Tom what he needed to do to jog her memory. The way she downed two shots in a matter of seconds and then shook her head a little as if it would get the taste away. The burn of his hand as she took his in hers, the touch scorching hot. The nervousness that floated in her beautiful eyes as she told him what was going on. The way his gut hurt when his lips met hers. The way his skin heated under her touch. The fireworks that erupted in every part of him, rooted in his stomach but exploded outwards into his veins.
He remembers it all. And it felt just as hurtful as the kiss during the play.
Tom got to kiss her twice, both times with the knowledge that, for her, it wasn’t something with feelings. It was something she had to do, and something she wanted to because she didn’t remember the first time.
---
As Tom rings the doorbell, he vows to kill Benedict when the night is over. Not only does he have to wear a costume, he said yes to going trick or treating with the kids. Kit and Hal will make fun of him, so will Benedict and Sophie.
At least, when the door opens and Y/N stands there in a costume, he feels better about it. She’s wearing a wine red, short dress with gears placed neatly around. The corset accentuates her waist, and the fingerless gloves makes her her arms look longer. Tom’s gaze stops at her legs, where she’s wearing kneehigh boots and flashing a lot of skin.
Tom’s heart drums in his chest and he has to tell himself not to stare. His gaze travels up again, which is when he notices the tophat. Gear-goggles placed neatly atop it, giving the steampunk vibe Tom supposes she’s going for.
“Didn’t know you were coming?” she says and lets him in. “Can’t say I’m surprised, though.”
“The same to you,” he replies, “Benedict didn’t mention it.”
Y/N smiles. “You won’t see much of me though. I’m going trick and treating with the boys.”
“I thought I was going trick or treating with the boys?”
Y/N’s brows crease. She doesn’t reply, only closes the door and walks into the living room. Moments later, Tom hears her annoyed tone as he follows after. She’s standing in front of Benedict, voice low but annoyed. “We agreed. We had an agreement.”
The older man shrugs with a smile. “I can’t recall that. When did we make this?”
Y/N gives Benedict a playful punch in the arm and glares at him. She moves from him, glare still set on Benedict, and sits down by Kit. With one last glance at the kid’s father, a glare Tom is very glad he’s not on the receiving end of, she smiles and turns to Kit.
“I honestly don’t understand how you can actually enjoy having her hate you,” says Benedict when Tom stops next to him.
Tom shrugs. “It’s not too bad.”
His best friend sends him a look.
He sighs. “It wasn’t that bad. Currently I wish things were slightly different.” Tom shakes his head. “When did you ask her to go trick or treating?”
“Saturday?”
“So, same time as you asked me?”
Benedict nods. “One adult per kid.”
Tom pats Benedicts back. “I think we’ll handle it.”
---
They walk down the street listening to Kit chatter. Tom holds Hal’s hand, the boy keeping himself a little ways from his brother’s constant talking. Y/N holds Kit’s hand, listening intently to the words the four year old says and smiling fondly at him. Something about the way she seems to beam whenever he does and replies to his talking as if the boy was her age, it makes a smile creep into Tom’s features.
He tries to push down the extra sense of fluttering in his gut, but it’s hard. He can feel the nerves shoot around, telling him that he needs to be alert and that every minute they spend together is a step further. Yet his mind contradicts this, showing every scenario where she doesn’t like him. There are many.
Yet, seeing her with Kit, he can’t keep his mind from going that way. It shows him pictures of what she would be like with her own kid. It shows him pictures of her smiling and laughing as she holds a baby. It shows him scenarios of dates they go on, or just sitting on the couch cuddling with a movie.
Tom takes a deep breath and diverts his attention back to the two kids running to ring the doorbell of a house. He stands next to Y/N as they watch the kids, racking his brain for some way to start a conversation.
“Did you remember to say thank you?” she asks as the two boys return. He lost his chance.
Kit nods and Hal shakes his head. Y/N smiles and shakes hers, too. “Remember to next house, okay?”
The boys nod, and Kit goes back to his chatter.
Most of the night continues like that. Whenever the kids go away and get some more candy, Tom racks his brain for a conversation starter, but whenever he’s close to one or about to ask her something, the boys return and Kit takes up her attention.
To be honest, Tom doesn’t really know what to do. There’s something he would like to say that he won’t ever say, and there’s something he would like to ignore or have go away as soon as possible. Those are the same things.
Even worse, during classes both on Tuesday and earlier Today, their students kept diverting the subject. They got to teach something, and then as it bordered territory, the students shot out with the questions they wanted to.
It is clear that the kiss during the play did nothing to stop the students from ‘shipping’ them. Rather it made the whole thing even worse. And it hasn’t made Tom’s life any easier.
The clock ticks away, and finally the words come from Y/N. “Okay, last house and then we make our way back, okay?”
Kit looks a little sad at that, but still nods. Hal nod furiously and decides not to join his brother to get some more candy. Instead he turns to Y/N and holds up his arms, clearly asking for her to carry him. With a sad smile, she does. The two year old lies his head down on her shoulder and, if Tom isn’t mistaken, closes his eyes.
“I bet Kit’s just as tired, he just doesn’t want to show it.” Y/N turns to Tom, the smile on her face turned to something less sad and more soft.
Tom nods. “Probably.”
God, he spends so much time trying to come up with a conversation starter and when she does first he can’t even make sure the conversation lasts? He’s an idiot.
Kit comes back with a smile on his face and hops right back into his chatter. Now he seems to include Tom in it. Though Tom only half listens, nodding at the right places and catching Y/N’s soft laughter whenever it slips. He smiles himself whenever her smile brightens. Her eyes sparkling, her lips parting showing off a set of white teeth, her cheeks a tint of red.
And as his eyes travels a little further he remembers that she’s barely wearing clothes. He takes in more of the little things. Like the slight red of her nose, the press of her lips together as if to keep her teeth from clattering, the way she shifts a little as she walks.
He steps around Kit, whos walks between you, and over to your other side. Shifting off his jacket he doesn’t say anything as he moves a sleeping Hal from your shoulder and places him in his own arm, handing you the jacket in the movement. Tom feels the wind on his arms as he’s taken off the warmth, but he also feels it in him that Y/N needs it more.
She gives him a smile and mouths thanks.
“I thought you don’t like each other?”
Kit’s voice startles both of them, and Y/N gives him an amused smile.
“Well, kiddo, sometimes, even if you don’t really like someone, you try to be a decent human being. And either way, we’re making it to friends now. I’d say we’ve gotten there, right?”
The smile and look she sends Tom when she turns her head to see him has his heart beat faster. He wants them to be friends, so of course he nods. But he would like them to, maybe at least try, be more. He makes a silent prayer of that happening in the future.
For now, he takes the friends. “Yes. It’s called making progress.”
---
They arrive back at Benedict’s around nine. Neither Sophie nor Benedict comments on the fact that Y/N has Tom’s jacket on, but if they believe he doesn’t see the look they give each other, then they are very wrong.
During the hours Y/N and Tom went trick or treating with the kids, the two parents have managed to change into costumes themselves. Benedict is dressed as Sherlock Holmes and Sophie as a female version of Watson (at least, that’s what Tom presumes based on the costume contents).
“Babysitters here?” asks Y/N as the two takes their coats.
“Came half an hour ago,” replies Benedict and hands her a coat as well. Something twists in her face for a second and she shrugs out of Tom’s jacket and hands it back to him, taking the coat Benedict hands her without hesitation. Tom supposes the one she puts on is hers.
“Then we’re ready to go, right?”
They nod and walk out into the cold evening air. A taxi waits on the curb and they all get in. Tom in the passenger seat in the front and the three others in the backseats. He finds himself happy with the choice seeing them crammed together. Yet something churns in his gut at the thought of being confined to a crammed space next to Y/N.
He needs to get out of his head.
The trip to the bar takes little time. It’s being rented by one of their mutual friends (work) that decided it was time for a coworker Halloween party.
Music floats in the air when they open the door inside. A bartender stands at the bar, or rather leans against the back. Only one person sits by the counter, but he isn’t ordering anything. There are some people on the dance floor, rocking out to Bohemian Rhapsody.
Tom looks to his friends, notes that Y/N mimes the words to the song and also makes a silent conversation with Benedict about where to go. They find Eddie in the bar, though Tom can’t guess as to who he is.
“Are you dressed as Newt Scamander?” asks Y/N, and when Eddie proudly nods and beams at her and continues the conversation by talking about Harry Potter and everything that has to do with it, Tom slides into a seat with a deep sigh.
He wishes he’d dressed easier. Even with the costume being easily recognizable in what era of time, that doesn’t mean anyone will notice he’s dressed as Hamlet. Apparently, Y/N doesn’t.
“Hey, guys,” says a voice. Tom takes his gaze of the chattering coworkers across from him to look up at the owner of the voice. He meets Emma’s gaze with a smile. Out of their many coworkers, Emma is one of his favorites. They don’t have that much time to talk, but she’s definitely has many ideas and interesting topics to talk about.
Y/N, seeing the younger girl, gets out of her seat and gives Emma a big hug. “It’s been too long since I saw you. How’s the project going?”
The sociology professor smiles and nods. “It’s really good. The students are engaged, I’m engaged and we’re making progress. A lot of progress. Wrote an article not long ago about equality that they posted actually.”
“I’m so happy for you.” Y/N gives her another hug and looks like she just met her number one celebrity. Tom can see why.
“Thank you.” Emma turns to everyone else. “So, I noticed you come in and I have some information about this ‘party’.” She uses air quotations around party. “The bathroom is up the stairs, the dance floor is where you see some dancing and the bar you’ve probably noticed. Fire escape routes are posted on the walls, but just for safety, it’s the door you came in and you can break through the windows. Also a fire escape on the second floor, so if you’re in the bathroom you can still get out. Other than that, there’s one free drink on me. Nothing over ten pounds. I hope you have fun and I love your costumes.”
Emma smiles at them all. Tom takes a minute to check her costume. A cloak of some sorts which hides a black sweater where small peeks of a white shirt pops out, with a red and yellow tie. She wears a skirt and her hair is curly and huge. Tom can’t pinpoint exactly who she’s being.
Y/N can, though. “I love yours, too. Hermione, right?”
“Knew you would get it.” She smiles. “Anyways, I hope you have fun and don’t hesitate to come talk to me through the evening. I brought some other friends and they don’t really know anyone so I’ll probably mostly be with them.”
“Your age, right?” asks Y/N.
Emma nods. “You wanna meet them? Pretty sure you’d get along.”
“If that’s what it takes to catch up with you, of course.” And then the two women walk away, making a detour by the bar before sitting down at a table with three other people.
Neither of the four left at the table say anything, until Sophie breaks the silence by asking anyone if they want to get something to drink. Tom volunteers to join her in getting the drinks.
“So,” says Sophie as they walk, her voice a little lower than for normal conversation. “What’s the deal with you and Y/N?”
Tom rolls his eyes. “There is none.”
“Are you sure? Because Benedict told me about the kiss and that she doesn’t remember it, but he said she wants to.”
He swallows the lump in his throat and ignores the feeling that floods his veins. “They both mentioned it, yes. But I don’t think that has anything to do with it.”
Sophie shrugs. “Seems like there’s more than one reason she wants to if you ask me, but what do I know?”
Tom nods. He shakes his head. “I don’t know, Sophie, but I can tell you that we are making progress into friends.”
She smiles at that. “Appreciate it. Especially thinking of Hal and Kit, they love both of you and after that day you babysat Kit asked questions I would rather avoid.”
“Oh, I’m so sorry.”
“Not your fault.” She waves it away, but Tom still feels a little guilty. He casts a glance Y/N’s way. Her head is thrown back in laughter, a big smile on her face and when she recovers she speaks with glee and enthusiasm. He only notices that when she teaches, mostly other than those times she seems grumpy.
He tries to ignore the stab to his gut, but it’s not easy. Either way, they’re becoming friends. He wants to be her friend. He’s always wanted to be her friend. Finally, he’s making progress.
It only took five years, some hate, and a push from their superiors.
It only took five years to glue the million pieces of his heart together. It’s still not whole, but it’s getting there.
Finally.
permanent tags:@devilbat @adefectivedetective @gamillian
tom tags: @inlovewith3 @bookgirlunicorn @mindlesschicca @justawriterinprogress @wolfsmom1 @loser-alert @satanskatze @timetravelingsociopathicwalker
tags: @plooffairy @just-the-hiddles @jennytwoshoes @lokissidehoe @fruitfly123 @princetale @scorpionchild81 @noplacelikehome77 @winterisakiller @lostsoldieronahill @nonsensicalobsessions @cherrygeek86 @louhpstuff @olyamoriarty @sunshinein17 @kthemarsian @kumikowi @secretcupcakekitty @buckygrantbarnes @josis-teacup @runawaygiirl @januarycalendargirl @funny-fangirl @kinghiddlestonanddixon @scorpiomindfuck @dr-kayleigh-dh @inmyworstlies @twhgirl @maah-chan @florencia93c @i-am-a-mes @o-deya @eyyyyyyyyyyyyyyyyyyyyyyyyyyy @cantaloupewatch @carpediem-spero @createdbyanintensenerd @beananacake @lysawayne @nightrose64 @bradfordbantams @feyre-thehighlady @thundermaximoff @lys-syl @beenthroughalot
#tom hiddleston#tom hiddleston x reader#tom hiddleston fanfic#tom hiddleston imagine#tom hiddleston fanfiction#imagine#fanfic#fanfiction#reader insert#marvel#loki#slowburn#professor hiddleston#college au#enemies to lovers
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So yall remember how I promised I was done with Sherlock like five years ago oh you do good because I made a word vomit about s4 click here or don’t because Idk how this happened I don’t have anything new to add it’s literally all the same crap that we have all seen already from mofftiss. Or at least was until the third episode because boy was that really fucked up or whaaaat??????????????
under the cut also spoilers or whatever. ↓ sorry mobile users :^)
I procrastinated 4 weeks watching the new eps. Yesterday I saw new cute fanart and was warmed and energized by my love for Sherlock Holmes *stops to wipe a tear* and found the willpower to sit through them. Initially I hoped that I’d be able to just enjoy the shittiness of it all. That I’d finally managed to break my emotional ties with this series (burning love for season 1 to deep disappointment in the rest) Still wrote a rant nobody asked for. And to the person who convinced me to finish this: fuck you this took me all night now im tired and feel stupid abt this but it’s too late to backpedal so fuck it.
EP 1:
And there went my fun bc the first episode ended up being so... bland. Plot was rushed and pointless. I laughed at one joke. The rest of them were so embarrassing, oh my god. The “lol sherlock is awkward” gag is so old and tired. And his characterization is all over the place. Like.... I don’t even know what to say. I’m not a film critic, I’m not here to say what I just said, I came here to laugh at stupid shit and be offended as a Holmes fan.
But I started a rant and so I shall do because the second half of the episode actually gave me two reasons: There is one thing that I judge harshly in every Holmes adaptation, and that is how they treat their Watson. And there’s one thing that really bothers me about this series, and that is Mary. All of her. This had both problems.
Summary: So Sherly is off the hook for shooting a guy in the face in the last episode bc he’s needed to solve shit for the government. He then proceeds to be a huge dick to everyone. The Watsons successfully have a baby and it’s small and cute and all. The three (four) of them go off to solve crimes but everyone keeps shitting on John and we get this really weird Mary x Sherlock episode. Then one of Mary’s ex-co-assassins turns up wanting to kill her because of some misunderstanding. That crap is solved (with guns) and we are again assured that her history as a secret killer agent is in no way a problem and everyone loves her unconditionally. Then at the conclusion of the case some more guns are involved and Mary jumps in front of a bullet to save Sherlock and kicks the bucket. rip.
I admit I’ve never had much interest in Mary in any adaptation. (Dumb personal preference. please I don’t wanna fight anyone over this, I do understand her importance.) Not because I think her a ship breaker or anything. I’m fine with her being involved. But she usually just kinda exists in the background. And ends up being disposed at some point This show tried to involve her properly but they made it so complicated. There’s no way to make her backstory fit comfortably into the setting. Not with John and Sherlock being more or less regular people. I don’t want to sympathize with her assassin ass. Again, my personal problem probably. But watching an episode centered around her was not fun.
I don’t mind them being a trio, but with this Mary the group is unbalanced. She’s too sassy and smart. Like having two Sherlocks. And considering what a charmer he is in this show...... brings us back to the problem I mentioned first. Which tbh existed before. Everyone’s really terrible towards John all the time! Still, after 4 seasons. I get that he’s supposed to be the normal dude who reacts to all the crazy shit happening around but.... He’s constantly being lied to, kidnapped, dismissed, manipulated and provoked into violence. My enjoyment of all things Holmes comes pretty much from the beautiful broship. But nooo, that’s too lame for this series, no homo.
I don’t wanna go too deep into that, it was talked about enough last season (“Is everyone I know a psychopath??”, “Why is everything always my fault??” & other Moffatty Stories). They do kinda try to convey how shitty this all is for John but it falls really flat. And that is so weird and frustrating because this show doesn’t actually suffer from a bad Watson like many others. They just don’t let him be a competent character. Meanwhile the person Sherlock is being besties with is Mary. Idk if they were trying to pander to the female audience or make her inevitable death sadder, but that was really weird.
I was happy to be rid of her in the end. Again, not in “hated the bitch” kinda way. That’s just the best course for the story to take. In that moment I had hope in the writers of this godforsaken mess. (Then her ghosting and becoming the fucking narrator later on ruined it.) It was dramatic and sad and all but they made that too all about Sherlock. And his angst. John’s been completely pushed aside?? And as rare as it is, I actually really like the single-dad-watson -trope. But you gotta let the man have some screen time
I just spent several paragraphs politely rambling when all I wanted to say was that Mary is terrible and I don’t like her and Sherlock is being a dick and I don’t like that either and the episode was boring
Time to list the good thing eyyyyy:
1. They gave John a new hairstyle for the season and it looks really good!
2. Yet another shitty dingy plastic skeleton in a serious crime drama. I 100% unironically love these to death no pun inteded
3. I was gonna write that I still actually really like Cucumberboy and he’s still very pretty but it took the episode 15 seconds for Sherlock’s personality to be too annoying for that to help lol
4. Yeah that’s all, it wasn’t great.
EP 2:
Now, looking at my summary you probably would not believe it, but God help me I had so much fun watching this one. Looking back, the plot is garbage. But how this was shot and acted out was exactly the kind of “so weird it’s funny” content I had been waiting for. I was in tears by the end if it. Most of it might have been late night hysteria I admit, but now afterwards it doesn’t matter. The episode is ridiculous, loud and energetic and idk how I’m gonna express that in a positive light the middle of a long ass complaint post. I’m not gonna say that this was the best episode off the three, I’ll just say I had the most fun watching it. Biggest minus points are for having to look at sherlock’s ginger teenstache through the entirety of it.
Summary: John is sad bc his wife is dead. And he keeps seeing and hearing Mary everywhere he goes. And we need her ghost to narrate the plot for us. But that’s not important. Because Sherlock is even sadder cos he feels responsible for her death. John wants nothing to do with him so Sherlock angsts alone, does a lot of unspecified drugs and spends the rest of the episode shouting at things coked off his tits. Then he makes a big show from trying prove that some rich famous old dude is a cereal serial killer, because the old bastard’s daughter visited Sherlock to tell him about her suspicions. But she was also sad and suicidal so they spent a lovely night walking out and talking about feelings. Or did they??????? *dun dun dunnn* Don’t do drugs, kids.�� Nobody believes him because he’s weird and high. Sherly is then convinced that he’s actually going mad, then tries to murder someone again, then gets beaten up by John again, then almost gets mudered again and somehow the bad guy still gets caught they get a happy ending from all of that.
And in the end it was ~all part of a plan~ bc mary told sherlo that if she were to die, he had to make himself as miserable as possible to guiltrip john into saving him to make him feel better about himself or some shit because we can’t have john having any control over his life now can we what the fuck.
Now, I understand that a drama about a super smart people like has to have some elaborate plotting going on that is all revealed in the end, but this show has a really fucked up obsession with it. Everything is according to plan, everything that is going to happen Sherlock already knew weeks ago. That really sucks the fun out of the story and makes the actions of all the other characters meaningless. Previous episode even had a whole thing about how predeterminism is bad, you are not listening to your own advice!
Yeah the original story of the Dying Detective was kinda fucked up. Culverton Smith (the shitty old dude) was some asshat who went around poisoning people. Holmes pretended that he became one of his victims and that was dying in order to get a confession from Smith. Then he lied to Watson about this all because reasons and used him as a just pawn in the plot. Not his finest moment, but in right hands has lots of potential as fuel for some angst. I don’t know why I’m bringing this up. It’s not like team mofftiss knew how to use any of that. Gotta say I’m not really feeling the canon references anyway. Either they are relevant to the plot, meaning they make the stupid twists even easier to guess, or they they are just awkwardly forced in “we just wanted someone to say this name, look at us we read the books” kinda of things ://
I took a lot of notes while watching this but now that I look at them I can’t really separate single things comment on. The show is trying too hard at everything it does and ends up being an all around fuck up. Middle of the night is also not the time for writing these, I’ve got nothing.
MMMMmmgood things listing!:
1. I really appreciate them hiring that one weird looking fucker to play Culverton! He keeps popping up in films and such and I’ve kinda wanted to see him play a holmes villain! He was fun!
2. Had some fun cinematography, especially for sherls’ deduction making pantomime
3. Sherlock’s a fun character to beat up and make cry ( ͡° ͜ʖ ͡°) ( ͡° ͜ʖ ͡°) ( ͡° ͜ʖ ͡°) ( ͡° ͜ʖ ͡°) ( ͡° ͜ʖ ͡°)
( ͡° ͜ʖ ͡°) ( ͡° ͜ʖ ͡°) ( ͡° ͜ʖ ͡°) ( ͡° ͜ʖ ͡°) ( ͡° ͜ʖ ͡°) ( ͡° ͜ʖ ͡°) ( ͡° ͜ʖ ͡°) ( ͡° ͜ʖ ͡°) ( ͡° ͜ʖ ͡°) ( ͡° ͜ʖ ͡°) ( ͡° ͜ʖ ͡°) ( ͡° ͜ʖ ͡°) ( ͡° ͜ʖ ͡°)
and no no no no no no please don’t bring irene back
.....oh good you just needed to mention her because no homo.
(actually I can’t leave my jab at that. because that wasn’t a suble no homo, that was sherly straight up gettin told straight dude to another -talk how he needs to get together with her specifically in order to be happy. and that was the most forced and desperate scene I’ve ever seen and I’m not gonna let that slide)
4. irene didnt do a comeback
EP:3
Summary:
*takes a deep breath*
Sherlock finds out he secretly has a younger sister who is a total psychopath (hi moffat). She looks like the creepy woman from The Ring and she’s locked in a super secret mental hospital slash prison in the middle of the sea because she did terrible things when she was a child and is supernaturally intelligent and super dangerous because she’s able to take control of anyone who talks with or gets too close to her. So she’s secretly in control of the whole facility of course. We had already seen her in several disguises in previous 2 episodes (I’m so bad at remembering faces, I fall for all twists where they have one actor play several roles) and Sherlock doesn’t remember her because he was so traumatized when she killed his beloved dog when they were little kids. We get some flashbacks about the Holmes siblings’ childhood and then the sister locks Sherlock, John and Mycroft in a Jigsaw kinda game / psychological experiment, which they have to pass by solving puzzles and killing several people. And it was all because she was so much smarter than everyone else in the goddamn universe so she was lonely and saaaaad.
........
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I... know this show was not supposed to be a crime drama anymore but.....
whaaaaaaaaaa...?
that was straight up a shitty horror flick. how.... did this happen....? who was it that was so salty that they didn’t get to work on Saw? I hope all the east wind references to the last Holmes story and the name of the episode actually mean that this show dies here because where do you fucking go from there? Like.... not to add to their charming mental institution plotline but that was absolute insanity.
2/10, have read better fuck or die fics before. with much less no homo. (I swear I didn’t even watch this shit in search of homo, this show has started overcompensating. hard.) spent half of this giggling madly like the 2nd episode and half barely looking at the screen out of secondhand embarrassment for the shitty “shoot me” “no shoot me” dialogue
(though: not gonna lie, really liked the reveal at the end when it turns out it wasn’t actually Sherlock’s dog the sister had fucked up, but lil six year old Victor Trevor )
(oh my god! Remember how people used to joke about the “old friend of mine” skull above the fireplace being Trevor??)
fucking hell
Oh yeah and of course no one important dies and then the whole thing ends with “All the sister needed was love and then everyone is friends again and it’s just like the good old times *coughseasononecough*. John and Sherlock are back to living together and now they are dads no homo tho and they gonna go and solve fun crimes and do detective shit again. A pretty violin cover of the theme song plays and we all ignore ghost mary’s terrible cheesy narration over it” all of which should have happened three episodes ago!!! this whole season was pointless.
#i dont fucking know this seemed like a good idea in the middle of the night#bbc sherlock#sherlock s4#the six thatchers#the lying detective#i dont wanna tag this the final problem. that's a canon title and I feel bad for it
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