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smokeybrand · 4 years ago

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He Gave Us The Signal

I’ve been giving Batman a lot of sh*t lately and feel like this gives the impression that i actually hate the character. I don’t. I actually really love Batman. His entire mythos is really the only thing i like about DC Comics. I find the way there heroes are represented to be unwieldy and too fantastical for me. I absolutely know how contradictory that sounds because, you know, comic books, but lets be honest; It’s a lot easier identifying with Spider-Man than it is Superman. Marvel characters, from the outset, were grounded in the real world. They were written like real people. I got into comics during the gritty Eighties so all of the comic companies were trying to reintroduce more grounded, grimy, fare. Indeed, my first Batman comic i ever read was the introduction of Killer Croc. The first Bat-book i ever purchased with my own money was The Killing Joke. That version of Bat,an is my batman and, while i have had a roller coaster relationship with the character over the last thirty years, dude remains one of my favorite characters to date. I just wanted to take some time and gush about what i love most in the Bat-verse. Just the comics though. If i included ancillary media like the cartoons, movies, or games, I'd end up writing an entire novel.

Cassandra Cain

I love Cass. Love her. I think she is the best addition to the Bat-Family, period. Aside from injected a bit of Asian representation into a mainstream comic with little to no fuss, her character is the most compelling one since Bruce, himself, to get that shine. Progeny of super-skilled assassin, David Cain, and one of, if not, THE best martial artist in all of DC, Lady Shiva, Cassandra is a one woman wrecking crew. She was hones as a living weapon since birth, for the sole purpose of brutalizing man. Cass is an AR-15 with legs. She is easily the best warrior, including Bruce, among the Bat-fam and yet, the most delicate. Watching Cassandra grow from a violent mute into the woman she was right before the New 52 was a pleasure. And then she was erased for half a decade. That sucked. However, her recent reintroduction as Orphan has been pretty chill. I like the relationship she has with Duke Thomas. I liked how she could feel compassion for someone like Clayface, even if no one else could see the same thing she could. I love Cassandra Cain, man. I loved her as the bet Batgirl. I loved her when she had her title snaked away and became Black Bat. I'm loving her as Orphan. I like what Cass has become so far. Here’s hoping they don’t f*ck her up going forward.

Knightfall

I actually really like Knightfall as a concept. I don’t much care for all of the other sh*t that goes on after the book, Azrael Batman was a mistake only redeemed by his White Knight revamp, but i tend to gravitate toward arcs where Bats is given the full-court press and Knightfall is one of the best. It also introduces Bane, a character i am rather indifferent to but still respect, as a proper force of nature. To this day, his breaking of the Bat has been a defining moment in the Bat-mythos, one that has lingering repercussions like The Killing Joke or No Man’s Land.

Damian Wayne

Damian took a few years to grow on me but i love the little dude. he’s like a mini version of his assault father and i love it. There is so much sass packed in that little kid, it’s ridiculous. That said, he is not to be taken lightly. Damian Wayne is child of Brice and Talia Al Ghul, through what can only be seen as a drugged rape at some point. We’ve seen this idea flirted with a few times, the first i can recall being Ibn Al Xu'ffasch from Alex Ross’ Kingdom Come. When i realized who that character was, i was shocked and intrigued. It felt like there was a ton of potential there and a proper missed opportunity for mainstream DC comics. A decade later, we were properly introduced to one of the best additions to the Bat-Family in decades. Not better than Cass, though. And, before you get at me about that super deepcut, questioning my Bat-cred and everything, yes, i am aware that, technically, a version of Damian exists in the main Bat-contnutity dating back to the Eighties. Son of the Bat is a thing that i acknowledge but that kid as never names and had no character so i prefer to think the 06 introduction is the real origin of Damian. Plus, kid got a pet cow. That sh*t is adorable.

Joker

I wanted to put Joker War here because that was the best Knightfall story I've read in years but then i hesitated because i realized how much i loved Endgame. And then A Death in the Family. And then The Three jokers. And then The War of Jokes and Riddles. And then Emperor Joker. and then White Knight. And then The Killing Joke. And then The Man Who Laughs. And the Mad Love. And so many more that escape me at the moment I'm writing this. I realized that it was Joker, himself, that i loved so much and for good reason. Joker is, quite literally, the best comic book antagonist of all time. He’s so malleable, evolving over the years with the times and trends, lending his distinct clown chaos to some of the best Bat-stories ever written. The ambiguity of his identity coupled with the fact that he knows Batman’s entire history is absolutely horrifying. The fact that he refuses to even assault Bruce on a civilian level because “it’s not fun” is absolutely contradictory and solidifies his position as pure, antagonistic, chaos for the Batman, alone. There is no Joke without the Bat and i love that dynamic so much. I love this character so much!

The Court of Owls

I really enjoyed this whole arc. Thomas Wayne Jr. The Talons. The whole clandestine cabal of elites, poisoning Gotham for their own gain. It tickles my tin hat sensibilities while being something that makes all of the sense for the cesspool that is Gotham City. The Court of Owls was easily one of the best narratives to come out of the overall abortion that was the New 52 and i appreciate Scot Snyder for bringing it to us. This narrative fleshes out a lot of underlying aspects of the mythos, gives a bit more agency to and intrigue to Dick, and allows for a myriad of potential stories where Batman is effectively pitted against Gotham, itself.

Jason Todd

I was never a he fan of Todd as Robin. At that point, it was just him and Dick, and Dick was a MUCH better character. In my opinion. I enjoyed his introduction, though. Snatching the rims of the Batmobile was kind of a brilliant way to differentiate him from goody-goody Grayson. If I was old enough to vote, I definitely would have voted to kill him way back when. Fast forward to his resurrection in Under the Red Hood, and I am hooked. His super edgy, Punisher-esque, vigilante justice is fantastic to see. Todd is understandably brutal, violent, and unforgiving. His solution to crime is a bullet between the eyes and that makes for the most interesting dynamic with his pops. More than that, outside of the Bat-family books, Todd is thriving. I love Red Hood and the Outlaws. The current run, not the original. Mostly his relationship with Artemis but I adore the big brother position he took with Bizarro, too. Jason Todd started out as a ridiculous replacement for a beloved Robin, got beaten with a crowbar then exploded, resurrected decades later to take on the mantle of the man who killed him, raved through Gotham on a one-man mission to destroy everything that was the Bat or Joke, and eventually settled into being the black-ops branch of the Bat-fam. I respect his growth as a character and I love his relation ship with Artemis to bits. That feels super right. That Trinity, the Dark Trinity, is my favorite and it absolutely has everything to do with Jason Todd's utter bad-assery. His new costume his sh*t, tho.

White Knight

I’ve literally wrote an entire essay, gushing about my love for this Elseworlds universe. You can search for that on this blog by looking up Bat Kino or White Knight to bring up my detailed fangasm if you’re curious but, in short, the White Knight universe is the best Bat-anything I've read in years. I really, really, liked Endgame but White Knight is so much more compelling a read, it’s hard not to give it the edge.

Harley Quinn

I’ve written in part about my love for Harley in my post about my disdain for Punchline. I love Harley, man. Watching her growth as a character has been a very real privilege. She’s been handled incredibly well by the writers at DC and watching her popularity grow over the years has been very refreshing. Harley always had the potential to be great. Her introduction in the Timmverse was one that sent ripples throughout the fandom so, when she was moved over to the comics, it made sense she’d be a hit. More than that, comic stories are free from the constraints of television censors and we saw an absolute evolution of Harleen over the next three decades. Harley went from being a lovesick whipping girl, locked in a violently abusive relationship with one of the worst psychopaths in all of DC, to a brilliant vigilante and trusted ally to the Bat-family I love that Harleen has found real love with Ivy, even if DC keeps shenaniganing that relationship. I love that she uses her PhD whenever she can. I love that she is one of the most complete, nuanced, and fun characters in the entirety of the Bat-fam. Harley Quinn is a real gem and one of the best things about modern Batman. Even is I do miss the old jester outfit.

There is, legitimately, SO much more I can reference because Batman has a very LONG history full of content to adore. Off the top of my head, Bat-Cat, Hush, Bluebird, We Are Robin, Year One, Damned, The Dark Knight Returns, The Long Halloween, Signal, Beyond, Gotham Girl, Thomas Wayne; It's like an embarrassment of riches. If I listed everything, I'd be here all day. Just Joker stuff, alone, is more than enough to fill several of these lists. I really, genuinely, love Batman which is why it's so seeing him written so poorly as of late. The climax to Joker War was excellent, I'll admit that, but the lingering issues with that OC Punchline chick taints that triumph for me a little bit. The idea of The Batman Who Laughs and the entirety of the Dark Multiverse is absolutely intriguing, but look what they did to my boy. They massacred my boy with all of this literal godhood nonsense. And don't even get me started on this Ghost Killer guy. I thought Clown Hunter was a little bit of a shark jump but this guy? Word? Batman is a great character with one of the best rouges galleries in comics (Spider-Man give him a run for his money) and one of the deepest, richest, histories to pull from. He is a character that has endured for eighty years and I know he's weather this panicked stunt writing as of late. I just have to remember the stuff I love and try to tolerate the rest. Even after taking the worst kind of hit, Batman always finds a way to stand back up.

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majingojira · 1 year ago

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Okay, I participate in a shared project that tracks crossovers across fiction, and weaves them into a somewhat corehernt universe. Everyone has their own take, but there are some rules we follow for it.

Anyway, Batman and Dresden have analogues in this Crossover Universe/Wold Newton Universe, though things are a bit different magically and thematically (IE: Real Time Aging, Crossover stories take precedent).

Here are my own takes on the more... magical of Batman's costumed criminal cadre.

Bane - Venom is a derivative of the chemical formula that created Mr. Hyde. It became a street drug for a time known as "Hyde 25."

Catwoman - This is one of my favorites. Thanks to the crossover story Batman/Tarzan: Claws of the Catwoman, we have a full story for this occult explaination for this rogue. The original Catwoman was a woman named Khefretari from the hidden city of Memnon in Africa. She was the high priest of Bast who went to America to recover stolen artifacts from her country. Thanks to another crossover, and my need to streamline things, her story screams only one thing: She is Wakanda. She was also the Black Panther of the 1930s before T'Chaka took the throne. Why did it go to him? Well, she married Bruce in the end, and thus abdicated her role for Wakanda having accomplished her task. Thus opening the path for T'Chaka, and then T'Challa, followed by Shurri.

Clayface - There have been several Clayfaces and they generally root towards a being known by as many names as shapes it can take. Changeling, Founder, Skrull, Rutan Host, Daemonite... Shapeshifting (and occasionally infecting) alien horrors. A particularly nasty one landed in the arctic near that time, and its remains lead to the creation of Plastic Man and Mr. Fantastic.

Joker - Probably a normal human, but... there are two occult possibilities. One that the Joker is a spiritual entity. Every time he 'dies', the entity simply takes over a new human host. Perhaps it's a spirit of place that lives in Gotham. But some may hold that it is but a mask of the Soul of the Outer Gods, Nyarlathotep.

Killer Croc - A descendant of the Serpent Men of Valusia, like Doctor Kurt Conners.

Man-Bat - An ancient vampire. Possibly Red Court but may also be of a more ancient lineage spoken of in The Silmarillion. In either case, he's less of a science experiment, and more of an occult monster.

The Penguin - He has several deformations -- in his hands, his eyes, and teeth, that can only be described as one thing: "The Innsmouth Look" -- Yeah, The Penguin is a Deep One. Or will be one eventually. It also allows him to just kinda always be around despite being published for decades. He's actually immortal.

Poison Ivy - Definitely a Dryad. It's just too perfect.

Ra's Al Ghul - Actually a pseudonym for a different Asian villain: Fu Manchu.

Solomon Grundy - A entity known as a Slasher, an undead killer that is notoriously difficult to put down. Similar to the monster that is Jason Voorhees -- though he is technically a variety of Deadite.

Scarface/The Ventriloquist - Most modern instances of Scarface showing up in Gotham can be attributed to notorious serial killer Charles Lee Ray, better known to the world as Chucky.

I think that covers the big names pretty well.

And yeah, it gets pretty weird. But that's crossover for ya!

AU crossover where Batman is from some sort of Malvora/other fear-eater offshoot of the white court (potentially descended from an undiscovered bastard?).

Very little else is different about him though…his fighting crime in a bat-suit to protect his city keeps him well fed enough.

Though it does raise the question of what some of his rogues would be like in a dresden files crossover. For example, Poison Ivy is definitely a dryad and Two-Face…perhaps a Denarian?

#Crossover Universe #Batman #The Dresden Files

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newshirtonlines-blog · 2 years ago

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We Had Some Good Time One Direction 1d shirt

The Arkham game We Had Some Good Time One Direction 1d shirt . series has been a fan favorite for over a decade now. The saga of stories following Batman did a fantastic job at bringing to life the world of the Dark Knight and adapting some of his biggest and obscure villains in the hero's rogue gallery. However, the upcoming game Gotham Knight will try and attempt the same thing—just without Bruce Wayne and his costumed alter ego in the picture. Made by WB Games Montreal, the developers who also created the offshoot installment of Batman: Arkham Origins, Gotham Knight takes place after the death of the Batman, which plunges Gotham into darkness. It'll be up to four of the Caped Crusader's protegees to protect the city. So who exactly will those four be? Well, players should expect Nightwing, Red Robin, Red Hood, and Batgirl—all of whom will be playable characters.We Had Some Good Time One Direction 1d shirt, hoodie, sweater, longsleeve and ladies t-shirt

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aion-rsa · 3 years ago

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Ed Asner: The Most Memorable Animated Roles From the TV Legend

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We lost a great one this weekend with Ed Asner. The lovably gruff actor died at 91. Asner was a prolific actor, not only having well over 400 credits to his name, but also still performing roles to the end. Sure, every obituary is going to talk up how well known he was for The Mary Tyler Moore Show and all that, but for many of us, he was a huge part of our childhoods.

Ed Asner did plenty of voice work. More than I can talk about here, but his deep, growly, and at times friendly voice lent itself well to a lot of cartoon characters. Not just the old man from Up, but lots of villains and supporting characters in superhero shows. He was also in FoodFight, but we don’t need to talk about FoodFight.

Here are our favorite animated characters that Ed Asner gave voice to…

Roland Daggett (Batman: The Animated Series)

It really says a lot about how high-quality Batman: The Animated Series was when they had Ed Asner doing a bang up job playing Roland Daggett and he was probably considered the least interesting recurring villain. Giving Batman his own Lex Luthor wasn’t as strong a dynamic as it should have been and other than being a side villain in the Clayface origin episodes, Daggett’s episodes don’t really stand out among the rest.

When you do watch one of those episodes and remember that Daggett exists, Asner’s charm definitely does some heavy lifting. He absolutely pulled whatever blood he could out of that stone.

Hoggish Greedly (Captain Planet and the Planeteers)

Ah, Captain Planet. Incredibly cheesy, but honestly way better than it really had any right to be. Asner played Hoggish Greedly, one of the various go-to villains on the show and one of the villains who was so on the nose that he’s made to look like a literal gross animal to drive the point home how evil he is. Greedly was half-pig/half-Trump, which led to Asner doing oink-based laughter that went on way too long. I’m sure that saved on the animation budget.

Asner’s Greedly also did a lot of yelling at his sidekick Rigger and that guy was voiced by John Ratzenberger. Forget all the pollution and trying to murder children and eco-Jesus. Being mean to Cliff Clavin is going too far!

Hudson (Gargoyles)

Third season excluded, Gargoyles was one of those shows that was so good that you can’t help but look back in wonder at how fortunate we were to have something so good. Asner was the team’s resident grizzled mentor character Hudson (who named himself that after thinking that naming a river is stupid as hell). He brought his A-game, plus a Scottish accent, but was a bit overshadowed by the team’s leader Goliath. Asner may have had a gravely voice, but he was a silver medalist to Keith David’s gold in that regard.

Despite being a battle-weary soul, Hudson always brought a weird sense of optimism to the show whenever he was around. He acted like living as long as he had was something to be celebrated and that he was lucky for it.

Mike Cosgrove (Freakazoid)

As the story goes, Asner was prepared to voice Sgt. Cosgrove with more pep and emotion, but when he blandly read through the lines to get them down first, others told him to just go with that. Cosgrove’s complete lack of enthusiasm in contrast to Freakazoid’s over-the-top behavior is what makes him so memorable and likeable. He was like the anti-straight man.

There’s a real Dadaist charm to Cosgrove, who is entirely competent (he once caused a Cthulhu-like being to back off via a threat to bust his lip), but really outlines the utter weirdness of Freakazoid’s world with his mild banter. It doesn’t matter how dire the situation is, if Cosgrove invites Freakazoid to some random distraction, it will almost always work. Then he’ll tell him something odd like how pigs are smarter than bears, but they can’t ride bikes. Then he’ll convince Freakazoid to get back to the plot and move on.

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This did lead to the biggest BS moment of the show, though. One time Freakazoid couldn’t go get a yogurt with Cosgrove, so Cosgrove asked the viewer if they wanted to join him, followed by reacting as if we said no. Don’t you put that evil on me, Steven Spielberg! I don’t appreciate the gaslighting and I know I’m not the only one.

Asner did get to reprise the role one last time in a recent episode of Teen Titans Go! that guest starred Freakazoid. Once again, he got distracted from a life-or-death situation because Cosgrove wanted to buy him a donut and then discuss the different types of donuts.

J. Jonah Jameson (Spider-Man: The Animated Series)

When it comes to Jameson, it’s all but unanimous that JK Simmons is THE portrayal. Even in terms of animation, people tend to think of Paul Kligman for nailing the character back in the 1960s. That said, Asner played him a different way and it worked. Asner’s Jameson wasn’t a motormouth with an inflated sense of importance. He was a gruff and, for lack of a better term, menacing boss who was a thorn in the side of Peter Parker’s two identities.

While he did come off as a jerk, they made sure to emphasize that he wasn’t a bad guy, just a grouch with an axe to grind. That made it all the better in the aftermath of Peter’s wedding when he revealed in secret that he paid for the whole thing, but didn’t want Peter to know he actually liked him.

Even though Asner was able to play Peter’s cantankerous quasi-father figure, he did get a brief shot at Peter’s more loving one in Spectacular Spider-Man. As Uncle Ben, Asner showed some real grizzled warmth that really stood out despite being a very short role.

Granny Goodness (Superman: The Animated Series)

I already mentioned Daggett earlier, but Asner has done his lion’s share of DC characters. The animated adaptation of All-Star Superman had him as Perry White, which is so obvious in retrospect that I can’t believe it took that long to do (Asner had also been considered for the role as far back as Richard Donner’s Superman: The Movie). He was also Hephaestus in an episode of Justice League Unlimited, which was overshadowed by the extremely inspired casting of the brothers from Wonder Years as Hawk and Dove.

Just as inspired was Asner as Granny Goodness. A cosmic evil in the form of a “loving” grandmother type is one of the most Jack Kirby of Jack Kirby ideas. Having Asner trying to use his menacing gravel voice for a female character is just so fun to check out, especially once you figure out it’s him. Granny didn’t get too much use, but I would love to see the footage of Asner in the booth trying to make it work.

Carl Fredricksen (Up)

While I can talk about Cosgrove and Jameson for days, Asner’s most famous role is that of Carl, the crotchety old man from Up. It helps that by the time we first hear Asner’s voice in the movie, we’ve already seen Carl through his whole life, including the heartbreaking tragedy that comes with it. It lets us know that underneath the harsh growling, there’s a sensitive man underneath and Asner’s performance opens up throughout.

Though again, he’s mean to John Ratzenberger and I can’t abide by that!

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Up is a great companion piece to A Goofy Movie, in how it hits differently for each generation. Much like how kids identify with Max while adults identify with Goofy, Up has Russell the scout and Carl. When Kevin the bird gets kidnapped, Russell can only scold Carl in disbelief for letting it happen. Carl, whose house and belongings were literally just on fire a moment ago, responds with the emotional and fed-up, “I DIDN’T ASK FOR ANY OF THIS!” which is probably my favorite Asner line read.

I’m really not looking forward to rewatching that movie. I love it, but it’s going to break me. Let’s see what else Disney+ has to offer… Oh, Dug has his own series of shorts! …Oh man.

Santa Claus (Various)

One of roles people these days remember Asner for is Santa Claus in Elf. That was neither the first time nor the last time Asner portrayed Jolly Old Saint Nick. He’s played the character various times in various projects. For some reason, Ed Asner just made for a fantastic Santa. It’s not like he was playing him the same way every time.

His performance in The Story of Santa Claus was your regular vanilla take. The version in Elf (which had an animated spinoff short, so it’s on-topic!) felt like a well-meaning but flawed take on the legend. Olive, the Other Reindeer added some real cynicism to Santa while Regular Show went even further to the point of absurdity. But yet no matter the version, Asner added warmth and wisdom to his portrayal of the seasonal gift-giver.

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Honestly, an Ed Asner Santa marathon isn’t the worst idea for this December. It’s a good way to remember such a beloved talent that I’m certainly going to miss.

The post Ed Asner: The Most Memorable Animated Roles From the TV Legend appeared first on Den of Geek.

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#aion-rsa #Den of Geek

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two-face-has-two-faces · 7 years ago

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Favorite Musicals of the Gotham Rogues

Harley Quinn: She loves all of them! Asking Harley to pick a favorite musical is like asking an owner of more than one dog to pick the one they love most. She can't do it.

Poison Ivy: the badass green girl has a soft spot for the badass green girl in Wicked. Is anyone surprised?

Catwoman: it's Cats, you know it's Cats, I know it's Cats, we ALL know it's Cats!

The Joker: he doesn't really like musicals, thinks they're fake- but he DOES love to watch performances by Cirque du Solei. Particularly when he sets the nets on fire Azula style and the death defying stunts become literal death defying stunts.

The Riddler: 'Spongebob the Musical is an underrated classic that will continue showing for all time, THAT is the height of it's genius' -Edward Nygma, after 3 drinks

Killer Croc: living in a sewer does not make for easy Musical watching, but someone once dropped a pristine copy of the Les Mis movie in stunning blue ray down a grate, so.....

The Penguin: as a man of Culture, he's required to enjoy the preforming arts. He's not really one for musicals, but he goes to see the Gotham City Ballet's production of the Nutcracker every year.

The Scarecrow: this boy has never seen a musical live, but one time Ed dragged him to the movie theatre to watch a special showing of Singin' in the rain and he rather enjoyed it.

Mr Freeze: He and Nora got to see the Producers live a long ass time ago, and they both agreed that it was fantastic. He hasn't seen anything since, however. For obvious reasons.

Two-Face: Four words: Phantom of the Opera. His least favorite musical ever. He wants to love it because the music is gorgeous, but he's highly disturbed by the Phantom's actions and eventual fate.

Bane: this dude fuckighn LOVEs Jesus Christ Superstar and you cannot convince me otherwise. Boy is like, Biggest Fan. He's got merch, can sing the whole thing, and he runs popular fanblog that's been acknowledged by the original cast.

Mad Hatter: All the Disney films. All of them.

Clayface: Did somebody say The Rocky Horror Picture Show? Because someone sure did and it's this dude right here. Back during the height of his acting career he fought tooth and nail to be casted in the movie version, but alas- it was not meant to be :(

Prompt by @nygmobbleblog ! Thank you for the idea, this one was unexpectedly difficult!

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about-faces · 7 years ago

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Huge digital DC sale at Amazon/Comixology!

Hey folks, Amazon.com is having a massive sale on DC Comics collections for Kindle/Comixology! Hundreds of new and classic collections alike are on sale for about $5 to $7.50!

Skimming through the list, in no real order, here are a bunch of Batman recs:

Tales of the Batman: Alan Brennert (HIGHEST POSSIBLE RECOMMENDATION)

Tales of the Batman: Len Wein (includes one of the very best Batman stories ever, The Untold Legend of the Batman)

Legends of the Dark Knight: Marshall Rogers (include most of the classic saga with the Laughing Fish and Hugo Strange, an all-time great run, plus the delightfully bizarre Batman: Dark Detective)

Legends of the Dark Knight: Norm Breyfogle.

Batman: Birth of the Demon. The origin of Ra’s is absolutely incredible.

Batman: No Man’s Land and Road to No Man’s Land (6 books in all)

Batman Arkham: The Riddler, a mixed bag collection of Eddie stories across the decades with a lot of gems.

Batman Arkham: The Scarecrow, same deal.

Batman Arkham: Poison Ivy, ditto.

Batman Arkham: Mister Freeze, ditto ditto.

Batman Arkham: Two-Face. I hate half of this collection, but for little over seven bucks, you get enough great and interesting stuff to make it worth the cost!

Batman Arkham: Killer Croc. There are some of my very favorite Waylon stories in here.

Batman Arkham: Clayface. A decent overview, but it doesn’t include the BIG one, “The Mud Pack,” while instead featuring the abysmal Gotham Knights four-part Clayface story by Lieberman. WTF?

Batman Arkham: Man-Bat. I don’t like Kirk or his family much, but I know a lot of you do, so here you go.

Batman Black and White, all four collections of short stories by a hugely diverse array of talent.

Batman: Prey. A masterpiece with an all-time great take on Hugo Strange.

Batman and Robin, vol. 5: The Big Burn (Harvey’s New 52 origin, still surprisingly great)

The Batman Adventures series and The Batman and Robin Adventures. Stories all set in the TAS universe, packed with some absolutely fantastic tales.

Batman: Long Shadows (Dick as Batman versus Two-Face. A deeply underappreciated story.)

Batman: Ego and Other Tails. A collection of Darwyn Cooke’s work, including perhaps the greatest Catwoman story ever told, Selina’s Big Score.

And since this list isn’t nearly long enough, here are some other, non-Batman favorites!

Alan Moore’s Swamp Thing run! I don’t know why this list puts Grant Morrison’s issues first, as they come way later. Start with Moore, or if you’re hardcore, go back to Wein and Wrightson’s original run!

John Constantine: Hellblazer, particularly Garth Ennis’ masterful Dangerous Habits

Suicide Squad by Ostrander and McDonnell. Accept no substitutes.

The Flash runs by Mark Waid and Geoff Johns (most people love the former, I love the latter, as it’s more rogue-centric)

Justice League International by Giffen/DeMatteis/Maguire! It gets even better over the next couple collections!

Wonder Woman by Greg Rucka

Supergirl: Cosmic Adventures in the 8th Grade. It’s a crime that this series got cancelled so early. Delightful all-ages fun.

This list could go on way longer but I should stop now. Happy hunting, folks! And if you do check out anything I’ve recommended here, please let me know what you think!

#dc comics #comic recommendations

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arkhamcitysirens · 7 years ago

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rate all the arkham boss battles??

if you want aggressively passionate ratings of anything to do with batman then you sure have come to the right place anon!!! i’m missing some sidequest battles and dlc stuff that i haven’t played but otherwise i’ve rated everything in my classic unnecessarily detailed fashion!!!

31. bane in asylum- stupid fight which would have been okay if it wasn’t just an introduction to the method you use in defeating every titan thug from here on out

30. titan joker in asylum- why does this absolutely amazing game build up to just the same stupid titan thug boss fight!!! i’ll never know and i’ll never be happy with this useless fight!!!

29. bane in origins- i remember this just being a really tough fight and not enjoyable, more of just a slog, especially since you have to fight him three times in this game and the first two times are lame

28. deathstroke in knight- total waste of my time AND deathstroke’s. why is he fighting in a tank if he’s the world’s greatest assassin? slade deserves better.

27. black mask in knight (as red hood)- this is the worst dlc of all time it’s so short and this boss fight is pathetic i don’t even wanna talk about it

26. killer croc in origins- i don’t even remember this fight so it must have just been super boring

25. poison ivy in asylum- THIS FUCKING BATTLE IS THE WORST it’s so damn difficult i hate it also i always have to play it on mute or with headphones in bc ivy’s making sex noises it’s not fun

24. poison ivy in city (as catwoman)- not really a boss but ugh i’m tired of fighting ivy’s lovesick goons whilst she blasts me with those annoying plant fireballs

23. firefly in knight- i feel like this is another fight that should have been better, like all the others in knight, it’s not bad but it could have been a fantastic boss battle and it just feels like rocksteady didn’t really try

22. albert king in knight- hhhhh idk i just don’t have much to say about this guy it’s not good or bad really although fighting with robin is cool

21. cloudburst tank in knight- boy sure wish there were actual bosses in arkham knight instead of just tank battles and regular hands-on fights. anyways this battle is alright i guess i’m just salty

20. arkham knight in knight- this fight is really disappointing because you don’t really fight the arkham knight himself after all that, you just fight his thugs and his sniper… it’s not necessarily bad it just should have been so much better

19. clayface in city- i’m just kind of indifferent, fighting another big monster just merges with the solomon grundy fight in my mind i’m not sure why

18. two face in city (as catwoman)- i like the method in this fight and directly fighting harvey is cool but it’s a really, really tough fight, i usually don’t have the energy to play it after finishing the regular city story mode

17. firefly in origins- i’m indifferent. i know everyone loves this battle and i guess it was implemented pretty well but i just don’t care for it

16. scarecrow in asylum- these battles freak me out, although i know most people love them. the game glitch trick is totally awesome but i far prefer the lead ups to the fights rather than the actual battles

15. man bat in knight- pretty easy and not really much of a fight, since you just have to land on him three times… although it comes with one of the best jumpscares in history lol

14. fake joker and his gang in city- this seems easy at first until you realize the hammer man is there, then the titan thug, plus all the guys with blades and shields, AND to top it all off the trains are moving AHHHHH it’s really fun for a little while until you get too pissed off to ever beat it

13. copperhead in origins- i like the premise of this fight a lot it’s a sick af idea and i liked fighting a character who doesn’t usually get much appreciation

12. two face in knight- stressful! tough! but fun! this is one of the only real indoor stealth areas in knight so i appreciate this fight a lot

11. nightwing in knight (as harley quinn)- this was the first arkham boss i ever faced! i like utilising harley’s skills here but it did seem a little odd to me that nightwing needed the gcpd’s help to beat harley (sidenote- she gets taken out in one punch in the main game but in her dlc she wrecks nightwing and half the gcpd???)

10. the joker and harley quinn (as batgirl)- very fun!!! i love seeing harley in the jester costume!!! it’s cool taking on regular thugs AND the real deal rogues at the same time!!! i like this one a lot it’s just not a Proper Boss i guess

9. solomon grundy- i didn’t like this battle at first but i played it again the other day and the explosive gel method is so cool i really like this fight

8. harley quinn in asylum- this doesn’t really count as a boss but idc the electric floor game is fun and asylum harley is super cute

7. deathstroke in origins- an example of how to do quick time events RIGHT… this battle is fantastic and almost the only thing i liked about origins except for tn-1 bane and troy baker

6. tn-1 bane in origins- god this one is so good… it’s so tense and freaky and exciting and i love it wow wow wow

5. excavator drill in knight- this fight is really, really good and it’s the perfect way to utilise the batmobile in a battle situation, but also i get stressed very easily so i’m very bad at it

4. mr. freeze in city- absolutely amazing boss battle, undoubtedly the best in the series, but i panic a lot playing this fight and it scares me a lot not being able to track freeze properly so!!! even though i know it’s the best it’s not my favourite because it freaks me the fuck out

3. the riddler in knight- oh god if you have the committment to unlock this battle like i did, you’ll know it feels fucking fantastic to finally punch edward in the face and totally wreck his mech after all you have to go through… this is a good boss because even though i love eddie he really, really deserved it

2. ra’s ah ghul in city- this one is AWESOME, the setting is so cool especially when you’re flashing between hallucinations and reality, and it’s not too hard so you can actually enjoy yourself instead of just constantly panicking while playing it

1. killer croc in asylum- favourite boss battle ever, i thought i’d hate it because i cope badly with scary things usually but this fight is so awesome… i love the atmosphere and the creeping about and the tension and i appreciate that it’s relatively easy but it’s easy to make mistakes when you’re under this much pressure

#Anonymous #anon #answered #at this point there's no point in ever apologising again for the fact i can't answer asks in less than 1k words #thanks anon <3

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renaroo · 7 years ago

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Wednesday Roundup 28.6.2017

First off, I’m going to pump myself up some because I just read an incredible number of comics within one day or so in order to get this review out on time and for once I actually managed it so hoora for me. Second off, holy crap a lot of my comics came out this week and I was kinda slammed and didn’t really realize it until it was happening and suddenly it was a whole lot of “uh oh” but that’s just me, my ridiculousness, and talking about sheer volume.

The real question here is, how did everything shape up this week? And if everything was good what was the best? And at this point do you all even trust my judgment to say what best is anymore lol

Guess there’s one way to find out!

DC’s Batman Beyond, Image’s Black Magick, DC’s Detective Comics, IDW’s Ghostbusters 101, Marvel’s Moon Girl and Devil Dinosaur, DC’s New Super-Man, Kodansha’s Princess Jellyfish, Image’s Saga, IDW’s Teenage Mutant Ninja Turtles, IDW’s Transformers: Lost Light, DC’s Wonder Woman

DC’s Batman Beyond (2016-present) #9 Dan Jurgens, Bernard Chang, Marcelo Maiolo

*long sobbing sighs are heard from the south of Alabama*

Okay, look. I have always prided myself on the fact that I’m not one of those comic fans that will buy just anything because my favorite characters showed up for three seconds one time in a splash page. I never consider myself someone who reads comics the way people read newspapers — just casually interested in the newest updates on this fictional world I follow at a distance. I come for the story and the characterizations and if they’re not there I won’t waste time and money. I mean there’s a lot of Dick Grayson comics I’ve flat-out ignored over the years and he’s one of my favorite fictional characters. Period!

But there’s… exceptions I can’t stop myself from.

Cassandra Cain, obviously. I make a point of owning everything with Cass in it. But the other is… I can’t avoid Batman Beyond. There is no part of me that can give up on Terry McGinnis, there’s a child in me who will always think of him first as Batman, who will always owe that cartoon for getting me even remotely interested in comics outside of Spider-Man and Teenage Mutant Ninja Turtles. I am a sucker for Terry McGinnis and I can’t help it.

which makes it suck that much more that he’s had basically no good comics featuring him since… 2008? 2009ish? And what’s decent ends up irritating me or making me have to turn against it because of the shit treatment other characters I like get.

Before it was Dick and Barbara I was up in arms for.

Now it’s Damian.

The more they try to retroactively shove the main DCU continuity into the DCAU Batman Beyond universe, the less sense it all makes and the more they have to warp characters we love. This Damian might as well have walked right off the pages of Batman and Son because he apparently has lacked all growth and humanity that Damian has achieved — has earned — in the last several years of comics, preboot and DEFINITELY post-New52 and Rebirth.

So that bears the question of what’s the point.

My “what ifs” from last issue of wondering if Damian is somehow controlled by his spinal implants again, that maybe Ra’s al Ghul took over his body the way DCAU Ra’s had Talia — those that I was fearful of now seem more respectful of his character than what seems to be the answer we have instead.

I have a feeling this conclusion is going to get me raging.

But because I am a sucker, because I am a ridiculous fangirl, I’m going to keep buying the things that hurt me. gdi Batman Beyond, can you be good again

Image’s Black Magick (2015-present) #6 Greg Rucka, Nicola Scott

Okay but like…

Goddamn there’s no comic like a Greg Rucka comic oh my god.

Alright so I’ve always been a fan of Rucka’s creator owned works and I think they’re easily some of his best works which, as a fan, is really saying something on my part, but I have been utterly amazed by how good Black Magick has been and how Rucka just has this incredibly unique way of making every issue feel complete even while it’s part of a longer storyline. Every issue counts and I feel that in this issue almost as pure as I’ve ever felt it before.

Greg Rucka: he just gets comics.

In all seriousness, this interesting take on how magick works and how Rowan’s life specifically has been affected by her introduction to her long lineage’s powers — especially in light of what we know about present day Rowan Black and how she has not lived up to her potential as a witch just yet — comes together so well here. And I say that as someone who doesn’t really like flashbacks all that much in storytelling.

That being said, I’m so glad that this storyline is all in flashback and doesn’t have us whipping back and forth across timelines because I’ve gotten a lot of flashback fatigue from comics and movies lately. This is a nice, solid ground to stand on if we’re going into backstory territory.

DC’s Detective Comics (2016-present) #959 James Tynion IV, Alvaro Martinez, Raul Fernandez, Brad Anderson

Alright, so I’m beginning to question about how the continuity of the various Bat titles are lining up anymore because, as we just went over a week? Two weeks ago? Bruce had just proposed to Selina. But now we’re getting some heavy flirtations with Zatanna here. Now, I’m all for threesomes and I actually multiship Bruce quite a bit and that includes shipping him with both Selina and with Zatanna, but this is kinda… stepping on the toes of whatever King’s doing. Which fine whatever. I’ll be honest, I’ve had a soft spot for longtime friendship and childhood crosshairs between Bruce and Zatanna thanks to how much I still just adore Paul Dini’s run on Detective Comics (1938-2011). So this pleases me almost despite myself.

That being said, there’s still a lot of unevenness in this story at the moment. Even with the cast diminishing through deaths and quitting and whatever, we have a lot of characters factoring in and out of the storylines from one to the next. It feels like we very barely have time to establish what everyone’s relationships are before we start hinting at even more shakeups. Are Jean Paul and Luke’s friendship going to be busted up after only a few issues of contact between them? Is Clayface considering taking up the doctor’s idea of a cure so soon after I still haven’t figured out why he’s even here? Is Tim’s not-death ever going to be brought up again before Bruce does something truly stupid?

And then there’s just that… looming threat of the summer event I just know is going to come up at some point.

There’s a lot of good in this issue, and I don’t want to knock it, it’s actually one of the more decent mid-story issues that Tynion’s produced so far. And I’ve been harping on him for that from the beginning so that’s saying something from me. And I thought the art this issue was actually very consistent and well done overall, even if I have to wonder how many times has everyone in the Batfamily stood in a perfect pose with a Batfan on them for the computer to scan and give a perfectly COOL holographic image of themselves. But that’s me being silly and questioning superhero world logic. A truly terrible road to go down.

A very interesting issue and I’m curious to see how the storyline with Bruce ties into the storyline about Jean Paul’s struggles with his religion and how his past has warped it. Not that… as a Catholic those… struggles ring true… or anything.

Anyway, seal of approval and waiting for the story to continue on!

DC’s Ghostbusters 101 (2017-present) #4 Erik Burnham, Dan Schoening, Luis Antonio Delgado

Alright, so IDW is just kicking ass with their properties this week and I honestly think that there’s nothing better to combat the absolute bile and grossness that was the internet fanboys of the Ghostbusters circles more than seeing just how amazing and interesting Burnham and Schoening have made this team up with all generations of Ghostbusters at once.

Erin and Holtzy definitely take the cake this issue and there’s a lot of fun, especially with how the Ghostbusters of different universes compare equipment, ghosts, and methodologies as they address one thing about the 2016 movie that actually did bother me quite a bit which was that the ladies just kept… dispersing ghosts and not capturing them where all incarnations before had made a point of the “conservation of ghost matter” or whatever before — establishing that ghosts would just reappear en masse if not absorbed and captured. The explanation was actually rather witty and made perfect sense with the narrative of the 2016 movie, actually.

One of my favorite aspects, though, has to be how many in-jokes they manage. Erin’s neuroses and figuring out how the various cameos in their universe fits into the original’s universe, the joke about Caddy Shack, and just so much more.

It was a really fun issue and I hope people are picking this up and giving it a chance, especially if you enjoyed the 2016 movie, and especially especially if you didn’t but are willing to see the potential that team had all along.

Marvel’s Moon Girls and Devil Dinosaurs (2015-present) #20 Brandon Montclare, Natacha Bustos, Tamra Bonvillian

It’s amazing that Marvel is ruining properties by turning them into evil Nazi stand-ins and warping everything good to come out of Marvel’s initial inception while, in the meantime, they have such good and pure creators making a story like Moon Girl and Devil Dinosaur who give us fantastic all-age stories with beautiful art, a lovable and flawed main heroine, and an honestly rather mature and disquieting storyline.

A kids comic where she learns she can’t save everyone. And it’s still poignant and beautiful. It’s still powerful and speaks on a child’s level.

But it sets up for the first time that Lunella, wonderful and smart and brave as she might be, is imperfect. She can’t save the world (or, in this case, the moon) by herself and she can’t always appreciate people’s feelings and their deserving of her empathy until she works on it. She’s been trying so hard to prove herself and show how good she is at everything, she’s allowed herself to stop thinking of everyone as her equal.

So much so that her replacement with an unfeeling robot only gets mild suspicions from her friends at school.

who hilariously know about Lunella’s super identity and her powers because fourth graders can’t keep secrets and i love that.

It’s just such a good story and it’s remarkable that we live in a time where Lunella Lafayette gets to be kids’ introduction to comic books.

DC’s New Super-Man (2016-present) Vol. 1: Made in China Gene Luen Yang, Viktor Bogdanovic, Richard Friend

Kong Kenan is the New Super-Man of China and he could not be more of a change from the status quo of the American superhero archetype of Superman if he tried! Now, that’s not completely fair, obviously there’s quite a bit of convention bending to the genre in this story right from the start, but honestly it felt from the start like a very honest look at just what superheroes would mean for the world outside of America once the Justice League appeared and changed everything. And why wouldn’t other countries be scrambling to make sure that they could compete with not just the rising threat of super villains, but with the potential firepower that would be superheroes representing and being beholden to other countries.

DC and Marvel both have made varying attempts to answer those questions themselves over the years, and Kenan doesn’t serve as the first Chinese superhero in the DCU, but this is definitely the first time I as a reader felt like I was reading an experience and perspective outside of my own. Usually there’s a lens or veneer to these attempts to expand superheroes outside of the US that’s pretty transparent — they’re either very rarely seen or explored and so lend themselves to vague understandings of other cultures (such as The Great Ten in the preboot) or they’re Americanized in some way, usually by having them join a team of characters that are from the American perspective (Bushido from Super Friends) or having them come to move to America and have the whole experience of being an immigrant or student work visa (Ryan Choi’s The Atom).

For me, it felt like New Super-Man is taking the very notable effort of examining a purely Chinese character and setting from that perspective and building off of the uniqueness inherently built in that, but also showing how Chinese people’s views of the West and of American superheroes would reflect in their own attempts to make a superhero for themselves. And why Kenan, while initially seeming to be unfit to be a Super-Man given a history of being rather haphazard and a bully, could actually bridge that gap and provide a really interesting story of learning what being a superhero means for a culture so different from America’s own.

At least, that’s my take on it. While I’m happy to boast about the fact that I’m from a family of immigrants in America myself, I’m still a product of the West and Europe, and I’m reading the New Super-Man with that perspective, and assumedly a lot of other readers are, too. So it’s hard for me to tell how accurate my takeaway is here.

I’m only fleetingly familiar with previous works by Gene Luen Yang, but I have to give him major props here. I’m more familiar with his work with the Avatar: The Last Airbender comics than I am with his more acclaimed work (American Born Chinese and Boxers & Saints) which I desperately need to fix, but I have no doubt in his abilities to portray characters which are good but fundamentally flawed. That was a trademark of his works that I have read, and he really brings that to life in New Super-Man with Kenan. He is a very flawed, very human character that relates to readers based on personality before the differences between America and China can even be brought up in the narrative. And that’s what really made this a fantastic read by the end.

I’m very interested to see where this story continues with Vol. 2 and hope that the reader base for this story grows along with Kenan’s character.

After all, right now the world could use a Flawed But Good Super-Man almost as much as it could use a Chinese Super-Man.

Kodansha’s Princess Jellyfish (2008-present) Chapter 82 Akiko Higashimura

I believe that it’s pretty obvious, the further we go along with my comics reading and these reviews, that I had a pretty large variety of comic tastes. And really that just has to be indicative of my feelings about narratives in general. There’s a lot of things I appreciate about media’s ability to tell stories, and good stories and good characters, for me, almost always trump genres at the end of the day.

And I have loved Princess Jellyfish since the 12 episode anime adaptation of the first arc aired back when I was in college and @red-dye-number-five and I squealingly watched it as it came out.

The series is very soothing for me to read and this chapter was no different in that way. I have no interest in fashion, but the story of this found-family of adult women blundering their way through the world of fashion to save their community and home speaks to me. I really hate love triangles, but the complexities of the relationships between Tuskimi, Shu, and Kuronosuke has made for some of the most interesting and fascinating dynamics I’ve seen in a romance drama. And while I don’t usually go for coming-out stories anymore, the difficulties and self doubt and guilt we see with Kuronosuke over and over again as he tries to find his personal comfort with his gender and sexuality is honestly heart wrenching and I’m fully invested with.

I enjoy this series so much and as usual we have another chapter that fully delivers on its continued promises. This isn’t a perfect series, but for me it is a bit of chicken soup in the middle of the difficulties of life.

Image’s Saga (2011-present) #44 Brian K. Vaughan, Fiona Staples

I think in twenty, thirty years, we’re going to look back and find that the generation of comics that have come about in the 2010s have changed the medium to a diverse haven of storytelling that comics hasn’t honestly enjoyed since the Comics Code and so on. And thank god for it because we get to read Saga as it’s being published and experience it as the true game changer that it is.

We are experiencing a storyline, from the perspective of a woman, who has to undergo a medical abortion, is being sent on a trial of Jobe for it because of the regressive tendencies and behaviors of her own people, and getting to see how much that burden is adding onto her own torment. We rarely get stories about abortion let alone ones where it’s from the woman’s prospective, is pro-abortion but also honest about its difficulties, and clearly shows avid anti-abortion rhetoric and laws as being crippling and more hurtful to those going through the ordeal than helpful.

It is… unfortunately very relevant to our times.

As is all of Saga’s storytelling. People see the nudity and violence and sex and gore every issue and what I love about Saga is that those things are so average, so unremarkable, that the actual mature content like addiction, prejudice, racism, homophobia, transphobia, infidelity, parenthood, and everything else in between is given the gravitas and exceptionalism it deserves outside of the seedy details that too often help the important points get lost in other lotted “mature” content.

In other words, there’s so much peeing on beds that we don’t lose track of the intrigue of money laundering and collusion as the real stories.

IDW’s Teenage Mutant Ninja Turtles (2011-present) #71 Kevin Eastman, Tom Waltz, Dave Wachter, Ronda Pattison

There’s not a whole lot to say about Teenage Mutant Ninja Turtles usually because, as with the best comics with the most consistent quality, they just are great and just should be read and there’s hardly much else I can say about why if you haven’t been sold on it already. It’s like me trying to explain to people why they should read Usagi Yojimbo. If you’re not reading it already I don’t know what I can say to make it understandable how much you need to read it.

That being said, this is a slow issue compared to TMNT’s usual action packed fare. And I think that’s for good reason. We need buffer time between stories, this is part one of a two-parter which provides just that, and it spends its entire time building on the lore and mythology of the world of TMNT as it has been realized by IDW. And it’s fascinating and complex and meaningful.

And of course as a mythology junkie I adored every second of it — learning about the Pantheon and the gods of this universe was fascinating and knowing how various previous canons of TMNT are being incorporated to provide it is amazing (I especially love Jagwar’s new self I’m in love). It was fascinating, as has been the amount of love Eastman and Waltz have shown TMNT overall.

It’s a good comic, a slow comic, but good. And I really enjoyed the read. Definitely something different added to today’s pretty sizable pot.

IDW’s Transformers: Lost Light (2016-present) #7 James Roberts, John Wycough, Jack Lawrence, Joana Lafuente

You know that vin diagram that’s things that are okay and then this over waaaaayyyyyy on the outside? Okay. Good. Because that’s what this issue is for me. Holy shit. My emotions have been played like a fiddle and I am sick and engrossed and devastated and uplifted and there are things that I cannot say or do or what. WHAT.

Okay so I wasn’t entirely sold on this recent storyline opening up the Lost Light, if I’m completely honest. I share a lot of the concerns I’ve seen other fans show with regards to just how much retconning of a pretty unforgivable past Megatron has been shown to have in canon prior to 2011 and how he’s being handled now. And this storyline in a lot of ways was both a redirection to what Transformers should always be about — the fighting of fascism — but also felt like we were going a step too far into the department of “see! Megatron wasn’t the REAL evil fascist, here’s what cartoonishly evil fascists REALLY look like” so as much as I enjoyed this story and as much as I really admire James Roberts’ writing in general, I was on the fence about what to feel about everything that had gone down.

Which made the fact that he took the time to dedicate an entire issue to the aftermath, gauging all the different reactions to the plots that had emerged, giving me a new lesbian couple and bypassing the gross route of having one remember and the other not, and then hammering in the Cygate romance to a conclusion I ABSOLUTELY DID NOT WANT OR NEED BUT AM TOTALLY INVESTED IN…. it’s not just cathartic. For the first time I genuinely feel like the sharpness, wit, depth of character, and real solid execution is back to the standards of what I still consider to be my favorite work of JRo’s which was MTMTE Season 1.

This was just… so much to take in, and so fast, and I swear not an inch of panel was wasted. I’m hoping that this means the pace is picked back up, the course is put back on track, and we return to what was making the characters so fantastic and loving and… oh yeah

TOTAL FRIDGE HORROR FOR THOSE OF US WITH CLAUSTROPHOBIA

I really liked this issue. It’s definitely my favorite of Lost Light so far and has me looking super forward to what happens next. Which is something I desperately needed since I learned Till All Are One, which has honestly been my favorite TF comic for the past year, is ending soon.

DC’s Wonder Woman (2016-present) #25 Greg Rucka, Bilquis Evely, Liam Sharp, Romulo Fajardo Jr.

I have been curious since the announcement of Rucka’s departure from the title just how he was going to pull together his past and present storylines, how things were going to end up. And I have been met with the answers which are large, satisfying, and a bit saddening in knowing that we’re quickly approaching the end.

The idea that, without the lasso, something is simply missing from Diana and her life feels like a great commentary on Wonder Woman herself, and what not only embracing her history and iconography means for the character but what it means for her personality itself. Without the lasso, without her faith, without the support of the Amazons at her back, Diana is shorter with her temper, more quick to anger, more brutal. And it’s not her, it the her that people have tried for decades to turn her into to suit their interpretation of what a Wonder Woman should be. And it’s concerning to the people who love her — here exemplified in Steve, Etta, Bruce, and Clark — and unhelpful to the enemies who require her sense of compassion and understanding, which is what nearly all of Diana’s enemies have been constructed to show — here Cheetah and Veronica Cale.

She’s simply not Wonder Woman without those things, and it’s such a relief to have a modern writer with the caliber of Greg Rucka portraying that in a deft and almost poetic way as it has been in this title and especially in this wrap up issue. It makes me happy to have the character of Wonder Woman brought back to herself on the terms of someone who has as much love and respect for her as Rucka does.

It was a good issue, and while I will be the first to say that this run hasn’t been perfect and that Rucka’s shown some genuine problems in his writing through it, I am sad to see it all coming toward its end.

So if I had to sum up this week’s comics as a whole I would just say that I was smacked with a whole lot of emotions all across the spectrum. But as I consider it tonight and really think about what has stuck with me the most in the aftermath of getting through them all, I really can’t understate how much Transformers: Lost Light threw me through about twenty different loops -- I mean the subplot of Cyclonus and Tailgate’s romance alone would earn that spot of just WOW but literally every character, every development, every scene blew me away this week and it really uplifted me to enjoy the read as much as I did again.

But that’s just my opinion. What are your thoughts? Agree? Disagree? Think I missed something this week I should’ve picked up? I’d love to hear from you on it.

Until then, here’s to another Wednesday full of comics!

#Rena Roundups #SPOILERS #Wednesday Spoilers #Princess Jellyfish #New Superman (2016 )#Wonder Woman (2016 )#Detective Comics (2016 )#Batman Beyond (2016 )#Transformers: Lost Light #Ghostbusters 101 #Moon Girl and Devil Dinosaur (2015 )#Black Magick #Saga

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vampykitty-kun · 7 years ago

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Hi! I'm really interested in reading comics/graphic novels about or featuring the Batkids, and you seem like you know about that kind of thing (or at least more than I do, although it's a low bar), so do you think you could give me some suggestions to get started with? Also, I've seen some DC stuff at the library with "Death of the Family" on it but some is Batman and some is Batgirl and I think I saw a Teen Titans one and are they all connected or something? I'm confused. Thanks!

Yes! I do know quite a bit about comicsin the BatFam area, I just unfortunately can’t recommend anythingthat came out in the last 2 years as I’ve not read it. But 1989-2015I can give LOTS of recommendations.

For the most part any title can be astandalone, but titles do unfortunately get wrapped up in companywide events at times. But if you read the GN rather than theindividual comics they try and keep events to their own combo storybooks and character titles to their own.

This is such a huge list that I’mputting it under the cut so you click to read it instead of everyonegetting spammed with a HUGE list of things…

Here is what I’d recommend:

-Jason Todd as Robin II (Later known asRed Hood): It seems as though the majority of Jason writers presentday neglected to actually read his original issues, because they basetheir knowledge and opinion of him on what readers in the 80’sTHOUGHT of him, and unfortunately at the time many people hatedJason. Much of the hate was for a Robin in general as at the timeplenty of people thought Bruce should be on his own. No Batgirl (seethe Killing Joke) and no Robin. So the hate was for the role ingeneral. And then you had Robin fans that hated him just because theydidn’t want anyone trying to replace Dick’s role even though Dick hadmoved on to Nightwing. Jason as Robin issues are Batman #408-428, andNew Teen Titans Vol2 #19-21, 24, 28-31. I’m sure there were issues ofDetective Comics, but I have no idea which. In recent years much ofthese issues are in GNs but some of the issues are not, so you mayhave to look those up individually to read online or buy them instores with older issues. These GN are- Batman: Second Chances(Batman Issues #402-403, 408-416, and Annual #11), Batman Ten NightsOf The Beast (Batman Issues #417-420), DC Comics Classics Library:Batman- A Death In The Family, Hard Cover (Batman Issues #426-429,440-442, New Teen Titans Vol2 #60-61). this edition of “A Death InThe Family” contains both the death of Jason and the introductionof Tim, which was a story focused around Jason. So it’s a 2-for-1deal. There’s also a GN called Batman: The Cult and Jason’s the Robinwith Bruce in that story as well though I’m not sure where to placethat in the chronology.

-Tim as Robin III (Later known as RedRobin): Tim had an excellent run as Robin. He had 3 mini-seriesbefore he had an entire run of his own that spanned 183 main issues,not counting team ups or annuals. All while also appearing in theother Batman, Nightwing, and Batgirl titles. Plenty of issues werecompany wide tie-in issues but the rest were all put into their ownGNs. Robin: A Hero Reborn (Batman #455-457, Robin Mini-series1 #1-5),Robin: Tragedy & Triumph (Detective Comics #618-621, RobinMini-series2 #1-4), Robin Mini-series3: Cry Of the Huntress #1-6 isnot in a GN that I know of, then the rest of his main run in FlyingSolo, Unmasked!, Fresh Blood, To Kill a Bird, Days of Fire andMadness, The Virtual Cell, Wanted, Teenage Wasteland, The BigLeagues, Violent Tendencies, and Search for a Hero.

Likewise…

-Dick as Nightwing in his solo title(Vol2): 153 issues not counting team ups or annuals. Like with Robinmany of these issues are tied in with company wide events, and therest are in their own GNs. I recommend the 2014-present editions asthey have a bit more in them, better paper/graphics, and are wayeasier to find, but they haven’t remade all of them yet. Nightwing:Blüdhaven, Nightwing: Rough Justice, Nightwing: False Starts,Nightwing: Love and Bullets, Nightwing: The Hunt For Oracle are thenew editions. Continuing from there the older editions are:Nightwing: Big Guns, Nightwing: On the Razor’s Edge, Nightwing: YearOne, Nightwing: Mobbed Up, Nightwing: Renegade, Nightwing: Brothersin Blood, Nightwing: Love and War, Nightwing: The Lost Year,Nightwing: Freefall.

-Batman Knightfall: One of the classicBatman stories, in which the main bad is the villain Bane, whoseriously injures Bruce. This story spans three GNs: Broken Bat, WhoRules The Night, and Knightsend

-Batman Cataclysm: Another classic. Amassive earthquake hits Gotham and decimates the city. This can befound in one GN, thought look for what I think is the 2012 edition ofthe book not the one one as they included a lot of previous cut storyin the newer edition.

-Batman No Man’s Land: FollowsCataclysm. Essentially Gotham is covered in rubble and a massiveterritory war breaks out between BatFam, GSPD, and several separategroups of Gotham’s baddies. It spans 4 super thick GNs in the 2012newer edition (don’t bother with the older editions) but also has areally enjoyable novelization if you would prefer to read it inwritten format!

-Batman Hush: Essentially Bruce vs Hushand sometimes Clayface, and a story that unintentionally set up JuddWinick to bring Jason back to life lol…one GN in more recenteditions but was previously 2 smaller GNs. I do not know if there isa difference but generally larger book versions have a bit extra inthem.

-Batman Under the Red Hood: Jasonreturns as the Red Hood, sending Bruce on an emotional rollercoaster, while Joker and Black Mask end up roped in. Lots of peopleinvolved. Like Hush this come in one or two book format. I have thesingle book format. This story was adapted into an animated movie,one that also takes a few moments from “A Death In The Family”,but the beginning part was highly modified to make it a stand alonefilm, so several key details are removed. I do recommend watching themovie, but after reading both “A Death In The Family” and thecomic version of “Under The Red Hood”, so you get the fullexperience.

-Batman War Crimes, War Drums, and WarGames (WG is three GNs long): this connects into both Robin and RedHood. This is unfortunately where Stephanie (Spoiler, brief Robin IV,Batgirl) “dies” and there’s a massive war against Black mask.It’s five GNs total.

I pretty much have to recommend anyBatman Titled GN that comes after that as it goes more into Hush,Damian comes in and there’s a lot of plot to cover there, Bruce“dies” and the mantle is picked up by Dick, and it was a heck ofride until the reboot happened.

Outside of main Batman titles aroundthat time I have to HIGHLY recommend the following:-Batmanand Robin: Basically Dick and Damian’s team-up book series. Itspanned three GN with Morrison, and one after him totaling four. Wealso got more Jason here, and his sorta Batgirl type sidekickSasha/Scarlet. Admittedly it was weird because Morrison thought itwould be fun to give Jason red hair (something the main version ofJason never had, but had in issues for another version of Jason thatwas scrapped before any issues I mentioned in this post) and bulk himup. But if you can gt around that the actual plot on the Jason endwasn’t too bad and had some gems. But the Dick and Damian interactionand banter is the treasure here.

-Batman Streets Of Gotham: Again moreof Dick and Damian as Batman and Robin. But here we get Thomas Elliot(Hush) who surgically had his face changed to look like Bruce, and hefill Bruce’s public role under very close watch. We also get Damian’slittle friend Colin Wilkes (Abuse) who ends up close to him. He turnsinto a giant bulky rage man good guy :)

-Red Robin: Tim’s new solo series thatstarted after Damian took up being Robin and Dick went from Nightwingto being Batman. It’s 4 GNs long and was amazing. I can’t stress thatenough. I still mourn it ending. You get Tim on his own, you get himgoing up against/working with/outsmarting/impressing Ra’s al Ghul.You get Prudence Wood, one of Ra’s assassins that ends up liking andworking with Tim. You get Tam Fox, and Stephanie, and Conner Kent.

-Batgirl Vol3 (Stephanie Brown asBatgirl): Stephanie came back from faking her death, took back upSpoiler, only for Tim to demand she stop being Spoiler. He shouldhave been more specific, and she DOES drop Spoiler but then becomesBatgirl with previous Batgirl’s (Casandra) blessing lol. Spanned 24issues in three GNs but they are hard to find. Obviously there isCasandra’s run as Batgirl but i’ve never actually read it so I findit wrong of me to suggest it before I have so it’s up to you if youwant to hunt those down as well. But Casandra’s run was 73 issuesVol-1 (7 GN) sand 6 issues Vol-2 (which is in a single GN)

-Teen Titans Vol3 (Tim, Conner, Bart,etc) spans twelve GNs and had its ups and downs, but if you’re a teamfan this is a good series to read.

-Catwoman: A few different runs, andsome stand alone books. They’re all good pre-reboot. Read them ifyou’re a Catwoman fan :)

Now as far as books NOT in the main runof pre-reboot comics I also REALLY need to recommend the following:

Batman Year One: Bruce’s first year asBatman. Also Gordon’s first year on the job. One GN. Awesome and alsoadapted into an animated movie.

-Robin Year One & Batgirl Year One:These come in separate books or both in one big book. The Robin inmention is Dick and the Batgirl is Barbara. Both are fantasticstories.

-Huntress Year One: Huntress’ originstory. This is the Huntress that is NOT Bruce’s daughter from anotherEarth, this is the Mob associated one that was also featured in theTV series Arrow.

Superboy / Robin World’s Finest Three:two tiny GNs that tell the story of Tim and Conner’s first meeting.They end up going against Metallo and Poison Ivy.

JLA: World Without Grown-ups: This is astory spanning again two tiny GNs. Where Tim (Robin), Conner(Superboy), and Bart (Impulse, later known as Kid Flash) team up whensuddenly all the adults are in one dimension and all the underagepeople are in another.

Red Hood: The Lost Days: the story ofwhat happened between Jason’s resurrection and when he came back toGotham in Under The Red Hood. It’s one GN.

There are also some alternate universe stories that came out pre-reboot called Elseworld’s stories. Here are some good ones:

Batman:Brotherhood of the Bat: Alternate Universe what-if type story. Thisstory is if Talia had joined Bruce in Gotham and abandoned her fatherRa’s and his ways. The story is centered around their son, TallantWayne. This was an AU created before Damian entered the comics andthus one of many stories where Bruce and Talia’s son had a differentname. Bruce is dead and Tallant has to face his grandfather. This wasone thin GN but did have a sequel…

Batman: League ofBatmen: takes place after the above and spans two GNs to finish thestory.

Thrillkiller Batgirl & Robin: 3 issue AU where Barbara and Dick are the first vigilantes in Gotham in the 1960′s and go up against a FEMALE Joker. Bruce is a legit Detective. Every bit of this story is PAINTED and it’s amazing. It is followed up by a sequel.

Thrillkiller ‘62: Takes place where the above left off. But now Bruce is Batman alongside ‘Batgirl’. I won’t spoil the events of the above to give goo detail here lol.

Superman: Speeding Bullets: AU where Baby Kal-El crashes into Earth, where he is discovered by Thomas and Martha Wayne. The couple decide to adopt Kal-El, and name him Bruce. Fuses the two characters together. Thomas and Martha still die. “Bruce” becomes a flying Batman and later Superman.Batman: The Dark Knight Returns: Pretty much the most popular and longest AU that DC did. Spans 1 thick GN or multiple tiny ones. Not the greatest of art/setup but still good. Think of this as an AU Future Fic taking place after Jason died and Bruce retired instead of Tim coming along. Then he comes out of retirement to be a total badass. I do NOT however recommend any of the sequels or prequels because they are just BAD. This was adapted into TWO animated films which I honestly think I recommend more than the GNs due to the art.Post Reboot we hit the New 52. It had its up and downs. Nothing BatFam was particularly terrible but very little was amazing. personally the first 4-6 volumes of GNs for any given series was worth a read but not necessarily a buy. I read all the BatFam titles and the only ones that were MEH for me were Catwoman and Teen Titans. Red Hood and the Outlaws wasn’t for everyone, but I personally enjoyed it other than some details like Jason suddenly having magic??? and Kori having some personality issues but I was glas she wasn’t ditzy if that makes sense, and I really loved her character design even if I wish she at least had a touch more clothing on (once she was in a space suit and it was amazing). Suicide Squad isn’t technically BatFam but it had Harley in it in the New 52 and it was amazing even if I hated her visual re-design. Talon was a branch off of a Batman story line, and a specific character got his own title that spanned 2 GNs and was enjoyable.

Past that any Gns involving Batman The Animated Series are great, so are the Young Justice GNs.

I also have a huge love for the Batman Beyond show and Comics, but after the reboot they messed that up too.

#BatFam

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spiderdreamer-blog · 6 years ago

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Batman: The Animated Series Reviews: “See No Evil”

In our second review/look back, I wanted to shine the spotlight on something that’s an underrated favorite of mine, often lost in the shuffle among the more famous stories with higher-profile villains. Many of those are fantastic of course, with near-definitive reimagined portrayals of characters like the Joker, the Mad Hatter, Clayface, Ra’s Al Ghul, and Mr. Freeze, as well as original creations like Harley Quinn, the series’ most enduring legacy. Not all of them caught on like she did, however, and one of them centers here in this episode, the mundane but endlessly intriguing ex-con with an invisibility suit, Lloyd Ventrix.

Much of Ventrix’s interest comes from his actor, Michael Gross, playing against type after several years as the liberal patriarch on “Family Ties” and responsible gun enthusiast Burt Gummer from one of my favorite creature features in Tremors. Gross has a decently high-pitched, clear voice that’s well suited to those character types, but this is darker territory than either of them, with him putting in an immensely committed performance as a very different kind of father figure: intense, wounded, driven. What’s most intriguing about Gross and Ventrix, though, is how ambiguous his motivations and feelings are towards his ex-wife Helen and daughter Kimmy. There’s nothing untowards or physically abusive even remotely suggested, even with plot points like Ventrix posing as Kimmy’s invisible friend and lavishing stolen jewelry on her, which is obviously super manipulative and bad, just in a different direction. Helen’s main objection apart from that to letting Kimmy see or stay with him appears to be that he’s an unrepentant criminal, refusing to take money from him or believe that he’s changed (”When I was a bum before, it made sense!” “What do you mean was?”). But there’s something else that I can’t quite put my finger on that both Gross and the writing (Helen and Kimmy both saying that they’ve had to move several times to avoid him) suggest has happened here, his bitter anger mixing with pleading and cajoling. It’s unpredictable, which makes for great drama as he tries to navigate both that and his hopped-up rants against Batman for trying to stop him from taking his daughter back, finally crying as the hero tries to get him to listen about the suit’s poisonous properties: “So what if it is?! I don’t care! As long as I have it, I can take my daughter back whenever I want! Her mother won't be able to stop me, and neither will YOU!”

(Sidenote: Gross would return briefly to the DCAU years later as Terry McGinnis’ doomed father Warren in Batman Beyond’s pilot episode “Rebirth”. It’s an intriguing contrast, Warren coming off much more sympathetically as a good, ethical man in his workplace, which is what gets him killed, but his one scene with Terry is strained and hurt, both men coming off as wanting to communicate but hitting walls. The comparative warmth lends further credence to Terry’s grief, and I appreciate that we have it as an example of Gross’ range)

Said invisibility suit adds visual and action interest to the episode beyond the curious domestic drama, with Dan Riba’s direction and Dong Yang’s better-than-average animation providing a hefty visual spice. There’s fun had with ways of trying to reveal Ventrix like the expected water/paint/smoke, as well as how he counters those, and a fantastic chase where he makes the car he’s driving invisible, Batman hanging on for dear life. But the tension in the other parts of the episode is well managed too, with perhaps the best scene involving the aforementioned confrontation between Ventrix and Helen, with both Gross and Jean Smart, then mainly of Designing Women fame, ripping open emotional wounds with aplomb (though there’s some retroactive amusement for me in how Smart would later play the mom of another cartoon Kimmy on “Kim Possible”). The rest of the guest cast is good too; it’s interesting to hear a pre-West Wing/Mad Men/Handmaid’s Tale Elisabeth Moss as Kimmy (she also played the lead Abigail in the forgotten environmental fable Once Upon A Forest in her child actor days), and Danny “Brainy Smurf” Goldman has a fun cameo as the scientist responsible for the inviso-suit; his voice always makes me wonder if he and Barry Gordon (the original Donatello) were separated at birth.

There’s not really any glaring flaws that I can think of even while acknowledging that this isn’t the series at its best; it lacks the grandeur and pathos of a Freeze or Two-Face episode, nor does it have the darkly comic vibe of someone like Joker or the Ventriloquist/Scarface. But it does demonstrate how much dramatic and visual range the series had, and for that and Gross’ exemplary work above all else, I find it a valuable piece.

#batman: the animated series #btas #reviews #analysis

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