#why should only writers have all the fun?

[heyheydidjaknow]

Two in a row! We’re back in business! We aren’t going for three in a row but I do want to at least acknowledge that Dazai exists if we’re doing the bsd thing now.

Kindling

You were supposed to be fun.

He remembered the day he met you in that coffee shop. He had an hour to kill before a meeting. The shop was dead— the local schools had not been let out yet— and you stood behind the counter, eyes flickering from the clock on the wall above the door to the textbook in front of you. He had never been there before. He never had much reason to bother around largely residential areas before then. He had never seen you before. But you were nice to look at, so he approached the counter.

He liked the look you gave him. Cold, annoyed, almost indignant, desperate in the overblown way students often are: it took you a moment to remember your manners. You must have been new in town. “How may I help you?”

“One black coffee, please.” He smiled politely.

You straightened yourself up, not bothering to hide the way your gaze flitted between him, your book, the clock. “How much sugar?”

He blinked. “I said—“

“You’re not a black coffee drinker,” you answered dismissively, clearly distracted. “I’ve served three guys today already who asked for black coffee and then asked for cream and sugar and— no offense, guy— I’m so not in the mood to waste more of my time.” You picked a pencil from between the pages of your book, grabbing a notepad from your apron. “So, how much sugar, and how much cream?”

“Do you know who I am?”

You paused at that, giving him a once over. “No,” you said. “Should I?”

He stuck his hands in his pockets, an easy smile crossing his bandaged face. “No,” he replied. “You shouldn’t.”

You tapped your foot against the ground. “Fascinating. So—“

“May I ask you a question?” He nodded at the book. “How come you’re studying so hard at this time of day? It’s not midterm season already, is it?”

You looked down at the floor. “No.” Your brow furrowed. “Why is this your business, exactly?”

“It’s not.” He shrugged. “I’m just curious.”

You swallowed. “Huh.” Regret. “I’m sorry for snapping at you; I’m in a bit of a rush to get this stuff done.”

“What sort of stuff?”

You held the pencil between your forefinger and thumb, rolling it back and forth between them. “I’m helping a friend with a project. I owe him one, and he’s in a different time zone so my part is due in a couple hours.”

He went on his toes, peering over the register to read the textbook’s text. “Forensic pathology,” he noted. “Is your friend a criminologist?”

You shook your head. “A writer,” you explained. “He needs a comprehensive explanation of how corpses rot, and I’m the only one he knows with an understanding of that sort of thing.” You pursed your lips. “What he doesn’t know is that I’m taking this class as an elective and that I also have no idea how a corpse rots. But I can’t tell him that, because then I’d be letting him down, and he’s put so much trust in me and helped me so many times—“

He stopped you. “That’s all?” He held his hands behind his back. “Well, that’s simple enough. Most anyone downtown can tell you that.” His smile brightened. “How about we make a deal? If you pay for my drink and promise that this won’t take…” He looked back at the clock. It was an hour off. He wondered if you knew. “If you promise it won’t take longer than forty-five minutes, I can give you all the grisly details of human decomposition, with added notes accounting for weather, location, and time of day.”

The look of hesitant relief on your face brought him a sense of satisfaction he had not felt in a long time. You took a deep breath. “Sir,” you nodded, “you have yourself a deal.”

“Call me Osamu.”

You were easy. That was what first drew him to you. You had no reason to lie to him, so you did not. You had no reason to respect him, so you treated him like anyone else. The two of you— at least on the slice-of-life flavored stage the two of you played on— were equals, which he appreciated. Not many people offered him that luxury. The ones who did tended to disappear in the night for one reason or another, but you had no reason to, so you did not. Your problems were largely emotional. You stayed out of trouble. You were consistent. You were simple.

More important than your being simple, however, was the fact that you thought of him as a liar.

He remembered the conversation well. It was a Thursday. He had a couple hours before he was scheduled to help his newest apprentice train. The coffee shop was as slow as it always was and you, as always, stood behind it with a casual dismissiveness that would have gotten you beaten were you in different company. You had been in town long enough to know of the mafia— about a month— but had not yet accepted all of the stories you heard as true. You were recounting one of those stories to him, weight leaned against the counter as you described an incident regarding a teenager with phantom black limbs that could, without his so much as lifting a finger, murder a building’s worth of people in an instant.

“It’s bullshit, obviously.” You took a sip from your water. “I don’t get what they’re trying to prove; if they wanted to scare me, they’d come up with a half-decent lie.”

He did not have to smile around you— to you, he was nobody— but he did regardless. You were fun. “I know him,” he said. “I tutor him.”

You scoffed. “Yeah? What do you tutor him in?”

“Martial arts.” He took a sip from his coffee, which was thoroughly diluted with copious amounts of sugar and cream. You were right; it was bitter. “He’s not very good. He keeps trying to think of himself as a hand-to-hand combatant when he’s much more suited for support and has such a large inferiority complex that he loses all sense of strategy in exchange for a slavish need to validate his existence. In other words, he is close to useless.”

And, of course, you groaned tiredly. “Why are you encouraging them?” you asked. “You already know I know it’s bullshit; what kick do you get out of me already knowing?”

“I’m not lying,” he insisted, knowing you would not believe him. “I’ve been with him on hits before; a couple months ago, we killed thirty people in cold blood.”

And you laughed half-heartedly— as you should; to any regular person who did not know about how many bodies they had hidden, these claims were beyond ridiculous— and said, “Well, I knew the man that trained you, and I know he has a small dick, so what do you think of that?”

“I’m just glad to know he isn’t a pedophile.”

“Shut up and drink your coffee.”

He wondered what you thought of him sometimes. For the first week or so, you asked him questions, but you learned quickly that he was never going to give you satisfactory answers. You probably thought he was an ass, but you still talked to him like you would a peer, so he kept showing up. You must have thought he was a dick. He was sure that he was by your standards.

Once, on a Sunday, he had to attend a funeral. He had some time to kill before, so he walked into the coffee shop, clad in clothes nicer than what was typical, and ordered.

You looked him over. “You got a date?”

“No,” he replied, cheerful. “I have a funeral in an hour.”

You set his cup in front of him. “Oh. For someone you know?”

“My boss,” he explained. “He died the other day so we’re doing a service.”

“Oh.” Your brow furrowed, sympathy making way for confusion. “I’m… I’m sorry, but did you like him?”

He shrugged. “He was alright.”

“How long were you under him?”

He considered it. “A couple years?”

“Oh.” You nodded. “So enough time for your nonchalance to be weird. Cool.”

He rolled his eyes. “Well, it’s not as if he were my father.” He leaned back in his seat. “He was bound to get shot eventually; I’m just surprised it took this long.”

“He was what?”

“Shot,” he repeated. “In his sleep.”

You lowered your voice, looking around the cafe like someone would come out to shoot the two of you. “What,” you mumbled, “like an assassination?”

He nodded, looking around courteously. “Exactly. But it’s alright; they won’t stick around too long, I’m sure.”

“How come?”

He leaned his head on his hand. “I don’t imagine whoever did it could get very far out of the city. People are upset that he’s dead; I’m sure someone will lash out.”

You crossed your arms, swallowing thickly. “You know most people don’t speak so casually about people getting shot or whatever.”

“Well,” he shrugged again, “it happens often enough. It’s not like being formal is going to bring him back from the dead; who cares?”

“Don’t you?”

“What do you mean?”

“Aren’t you…?” You searched for the right word. “… I don’t know, shaken? He was a coworker, wasn’t he?”

He took a sip from his coffee. “Yeah.”

“So, isn’t his death a bit shocking?”

“Not really.” He snapped his fingers. “Oh, actually, that’s a lie. It means I’m in line for a promotion, and I thought I’d have to wait for him to die of a heart attack for it, so I’m happy about that.”

You cradled your head in your hands. “I don’t think you get my meaning,” you insisted. “Do you not feel anything for his death?”

He set the mug down, meeting your eyes. “No,” he repeated. “I don’t.”

Your questions were simple. “Why?”

“Because,” he answered, “His death was inevitable and his life’s impact on mine was nearly nonexistent. All he did was give me orders; why would I care if he died?

You stared at him, meeting his cold, bottomless eyes with ones aflame with passion. “You sound like a serial killer,” you said.

His smile was as vacant as the rest of him. “I feel like one.”

You were fun until you were not. If asked to identify when your relationship— acquaintanceship, friendship, whatever you called it— stopped being fun, he would point to an otherwise inconspicuous Monday morning three weeks after the funeral. The two of you were splitting a cinnamon roll. It was your break and you got a discount and you had no desire to eat a whole one. You were talking about something silly— a friend of yours had broken up with your other friend— when you had stopped in the middle of a sentence to look out the window, seemingly distracted by something. Witnessing this development, he turned to look out the window too, only to see that the scene outside— an overcast sky, street populated by people rushing on their way to work— had not, in fact, changed since he last looked out the window. “What are you looking at?” he asked.

Your words were soft, eyes transfixed on the window. “I need to buy a decent camera,” you murmured. “Or write. Or paint.”

“You want to take a picture?” He looked out the window again. The scene was still the same. “Of what?”

“Leave me alone, Osamu.”

“I’m not messing with you,” he said. “I just have no idea what you could possibly be looking at.”

“Sure you aren’t.” You gestured with your fork, not looking in his direction. “You have a reputation. I refuse to indulge you in something you’ll clown on me for.”

He sighed. “You are being so over dramatic.”

You shot him a glare. “I told you my friend’s boyfriend got stabbed last week and you said, and I quote, ‘I wish I could say the same.’”

“Yeah, but that was a joke.”

“Jokes are supposed to be funny.”

He crossed his arms, leaning back in his chair. “It’s not my fault you have a lame sense of humor,” he protested. “Why won’t you tell me?”

You peeled your attention from the window. “You wanna know what I think?” You gave him a cold smile. “I think you’re so neurotically obsessed with knowing everything that whatever joy you’ll get from knowing will be totally outweighed by the amount of pleasure I get at getting to make you squirm for once.” You stuck your tongue out. “You’re the nihilist. Suffer under the weight of your ideals, dipshit.”

He raised his eyebrows at you. “Do you seriously think I can’t get you to tell me? Is this the hill you want to die on?”

“What if it is?” You crossed your arms, mimicking his pose. “What if it was really emotionally impactful to me? What if it was literally nothing and I’m just fucking with you? What, are you going to torture an answer out of me?” Your smile grew. “I get why you do this now; this is fun.”

He huffed. “You’re such a child.”

“No, you’re just easy to read.” You reached for your drink, cradling it to your chest. “Lenin gave himself a heart attack when he came to power, you know; it’s not healthy to obsess like that.”

He crossed his arms. “It was a stroke,” he grumbled. “He died of a stroke.”

“See, like that. You have issues.” You crossed your legs. “ Maybe it’d be good for you not to know.” You covered your mouth as he leaned forward and adopted an all too familiar smile. “And so help me if you try and seduce me into telling you what I saw so help me I will laugh you out of the room.”

His face soured. He stared you down, and you stared back, unphased, because why would you not? The two of you were equals as far as you were concerned; this was how you treated your peers, and despite the fact that the two of you barely knew each other in any meaningful way, you knew him enough to know what the rules of the game he was trying to play were even if you did not know what it was called. “I could kill you,” he said. “I know plenty of ways to do it. I know how to make it hurt, too.”

And you, knowing you had won, replied, “You could, but you won’t. Who would serve you your coffee?”

The two of you stared each other down one last time. Finally– and mercifully, he liked to think– he looked away. “You win.” He tossed his hands up. “That’s all my cards.”

Your smile softened at the edges. “Good.” You sat up. “I’m not going to tell you what I was looking at, but I can tell you how to see it, if you want. That way you get to know but you don’t get to be all smug.”

“Yeah, yeah,” he waved you off. “Because I’m not allowed to win, right?”

“If I knew you weren’t going to try and rule-lawyer me, I would just tell you.”

“I spend too much time here.”

“You said it.” You set the fork and the cup down on the table. “Close your eyes.”

He groaned. “I am so not into meditation.”

“Is that backtalk I hear?”

“No, no,” he relented, closing his eyes. “I’m with it or whatever. Now what?”

Your voice lowered. “Breathe in.”

He inhaled.

“And out.”

He exhaled.

“Now,” you continued, “what do you hear?”

“You talking to me.”

“You’re an idiot.”

“You asked.”

You huffed. “I– look, besides me, what do you hear?”

He paused, considering it. “People outside,” he said. “And the air conditioning unit. And the milk steamer.”

“Good.” He heard you sit back in your seat again. “And physically, what do you feel?”

“Isn’t this a panic attack thing?”

“Answer my question.”

He considered it. “It’s cold in here.”

Your voice was soft. He wondered how exactly this place stayed in business for how quiet it was. “What do you taste?”

“For giving someone who was just talking about flirting–”

“I have a point. What do you taste?”

He meant to say, ‘My mouth.’ What came out was, “Cinnamon and icing.”

He heard you smile. “Good. Open your eyes.”

He did, blinking at the light. You were back to looking out the window; the scene had not changed.

You nodded towards it. “Now, look and tell me what you see.”

He looked between you and the window. “A tree,” he said. “And people.”

“Look at the tree, first.”

The tree itself was, by his estimation, the same sort of tree that could be found just about anywhere in this part of town. There were fewer as the years went on, he knew– there was some government initiative to get rid of the trees on the side streets– but the tree itself was unextraordinary. “It’s dead,” he noted.

Your eyes didn’t leave the window. “It’s overcast.” You sounded a million miles away. “The light from the sun is hitting it from the other side, so the side that we’re on is dull and dark. It’s casting a shadow on the table, on your face.”

He looked down at the table. Sure enough, in the low light, cold shadows laid across the table like faint veins.

“The people,” you continued. “What do you see in them?”

He shifted his attention to the passersby. “People going to work.”

“How are they dressed?”

“Warmly.”

“What color are their clothes?”

“Dark. Are we at the point yet?”

“Almost.” You took a breath of your own. “Now, take all of those things together, and look back out the window again.”

He did.

Nothing had changed. His heart caught in his throat.

“It’s more now, isn’t it?”

He looked back at you.

You witnessed that mundane scene with the seeming awe of an acolyte before their god. It was as though you had never seen a street or a tree or the sun before, as though you would never see it again.

With a horrifying ache in his chest, he realized that he had never seen anything quite so beautiful or enviable as you in that moment. “So,” he asked again, voice tinged with an entirely unbecoming and uncharacteristic reverence, “what are you looking at?”

“I’m not looking at anything,” you replied. “I just remembered how lucky I am to be alive, here, with you.”

He wondered if you would mourn for his indifference like he would.

[hunter470]

My 9-1-1 RANT

Ok, I don’t normally do these types of posts, but I can’t move on until I get some things out. These are just my thoughts about the latest episodes of 9-1-1 as well as overall comments on the Buck/Tommy relationship. These opinions are mine and are based on the countless hours of TV I’ve watched in my 54 years on this planet, as well as my knowledge of writing and how Hollywood operates. I’m not confirming that any of this is true or are the real intentions of anyone involved with the show. Just my opinions. So, you can agree with me or not. I’m not trying to persuade anyone in any way. Also, I’m not going to get into endless arguments about my opinions but feel free to comment if you want, I just don’t promise I’ll reply. 

Ok, here we go. Sorry it’s so long. Like I said earlier, I just needed to get it out. So many wasted opportunities.

If you think TM cares what the fans want, you’re seriously kidding yourself. If he did, Buddie would have been canon a long time ago. The only thing he cares about is ratings and his vision for the show, which can change at a moment’s notice with no rhyme or reason as we’ve seen. 

Although I loved Buck and Tommy together, I knew the show wouldn’t do their story justice. So, no matter what TM or OS have said, the bi story was only to garner publicity, draw in new viewers, and increase ratings especially with the show moving to a new network. There was no altruistic reason behind it so don’t kid yourself. They knew there was an audience for the story because of all the Buddie shippers. Just remember, it’s called show business, not show friends for a reason.

Do you think OS really cares about bi representation? Based on his latest comments and non-apology it’s obvious he only cares about getting the stories that garner him the most screen time and press. Seriously, read his latest interviews. He’s excited to get to have fun now. So, congrats OS, Buck gets to F around. Just shows how most, if not all, actors are ego driven no matter what they say. Sorry not sorry.

TM has commented that he doesn’t owe anyone anything. In fact, I recall him saying to Buddie fans if they don’t like it, read fanfiction. If that didn’t clue you in, then you weren’t reading the room. Kinda reminds me of another show runner…for those who watched H50 you know who I’m talking about. That’s why I don’t get heavily invested in these shows. I’ll watch but I never expect anything I like to last…especially if it has to do with gay relationships.

It says a lot that the show remained completely silent about the bullying and death threats Lou received just for playing a role he was happy to play. Again, they really didn’t care because they knew he wasn’t going to be there after episode six. What a great message for all the bullies…just keep bullying and you’ll get what you want. 

Again, reread OS’s interviews. He was doing the Hollywood double speak. Says just enough to keep you hooked with hope to get you to watch even when he knew all along it wasn’t lasting. It really was as clear as day if you go back and read what he said. 

Also, if you thought Buck was going to get into a meaningful long-term relationship, then you didn’t watch the video from the You Tuber “Call Me Chato” that TM posted on his Facebook. The video was all about characters and how they should always stay fundamentally the same with minimal development - I’m paraphrasing. However, Buck is the golden retriever, heart so big it gets broken, character who will remain on a hamster wheel and unlucky in love because that’s who he is. If he changes too much it shifts the dynamic, which only happens if the show was ending. 

If you thought the writers would do justice to a bisexual story, then you haven’t been watching the show closely. There’s been minimal Buck/Tommy relationship development on screen. Taylor got more. Viewers were lucky to get crumbs in the limited screen time Buck and Tommy got. Then, a breakup out of left field? One minute Buck is saying Tommy is it for him and he wants him to move in, and then it’s over? If he truly felt deeply for Tommy, why not fight to keep him? Why give up so easily and let him walk away? What’s the point? Also, to end it on a terrible stereotype is yet another clue. Horrible writing and another sign that TM and OS had zero investment in the relationship. The whole break up was rushed and made no sense. Essentially, it was just used to draw people in and to get Buck single and sleeping around again because that’s who he is. I for one won’t care for any of Buck’s future relationships. I mean, why would I when they never last. 

Also, writers that give you a 66-year-old police sergeant and a 10 y/o boy landing a heavily damaged plane on an active freeway in LA with no prior training, and sorry playing video game flight simulators is not training, is some Sharknado level writing, which is not a compliment. Oh, and that whole story was truly the shows ��jumping the shark” moment. If you don’t know what the term “jumping the shark” means, look it up and try to tell me I’m wrong. 

Not having Tommy involved in the three part premier episodes, other than a few minutes at a birthday party, was so obvious as to the show’s intent. I mean, the fake captain from Hotshots got more screen time. 

They claim they wanted someone for Buck that was connected to him and the 118 and then you don’t use the character at all. You wanted Buck off the hamster wheel? What a crock! Such a wasted opportunity.

Since it’s been confirmed episode 6 was filmed before 5, Tim’s just playing god with peoples’ feelings and crushing their hearts at this point. I mean, how do you have such a great episode (5) and a wonderful speech by Josh (6) just to break them up? Plus, having Tommy break up after six months? That man was all in, which was obvious in episode 5.

Guess it shouldn’t be a surprise that’s how TM would handle things after that horrible Tarlos breakup. At least on Lone Star we knew Rafa (Carlos) was a main cast member so there was hope. Lou was a guest star so it seems kinda final based on his interviews. Again, what was the point? They could have had Buck's bi revelation be with a random character. So, building up the Buck/Tommy relationship just to take it away was to inflict the most pain. Good job. 

Do I think the show will make Buddie canon? Who knows…one thing I do know is I wouldn’t trust them if they did. Also, even if Tommy somehow returns, I don’t trust TM with anything related to this story. Sure, hope he’s happy with ruining the show for so many people. Again, like another show runner I mentioned in item 4 above. Honestly, I can’t believe the Buddie fans have stayed for so long. That’s commitment, I guess. 

Do I think Lou should go back to 9-1-1? Hell no! He was screwed over by both TM and OS. Prove it to me otherwise. However, it’s up to him and of course, he loves acting so I wouldn’t blame him.

Finally, even though I’ve watched the show since the beginning, it no longer brings me joy. There are too many other TV shows to stick with one I no longer enjoy. So yes, I’m announcing my departure, and I don’t give an F what OS, you, or anyone else thinks about it. Not that any of this matters any way…

[firstkanaphans]

Don't you think this all comes down to the fact that people watch fiction, romance or anything else, for different reasons and so, they also engage with it in different ways? Criticism is just a way to engage with something. Just like giffing, fanart or writing any kind of meta, positive or negative. People will engage with media in their own way. If they didn't like the genre as a whole, they wouldn't watch it at all, much less take the time to write a post about it.

I think you’re underestimating how many people on the internet get joy out of ruining other people’s fun. If they say they’re doing it out of love for the genre, I’m certainly not going to argue with them—even if that relationship does seem a bit abusive to me. People can interact with media in any way they wish to do so. It only becomes my problem when these blatant lies and delusions start popping up in the main tag, presented in a pseudo-intellectual format that makes them seem like facts instead of opinions. Since these people have chosen to expose the whole fandom to misinformation by putting it in the main tag, I’m going to start saying something about it because I think people deserve to see a counter-argument written in good faith by someone actually enjoying the show, the genre, and the production company making it.

This ridiculous argument about how CPs are ruining the genre has persisted for over a year now and I’m tired of just sitting back and letting misinformation go unchecked. There are plenty of meta writers on here that present their criticisms in such a way that even if I disagree, it’s not offensive. There’s just a certain segment of this fandom that not only criticizes the show, but comes up with conspiracy theories to support their dislike instead of simply saying that it’s not to their taste—and then continues to do so every week for 12 weeks. It’s absolutely exhausting having to spend time blocking people being rude in the tag instead of just enjoying what I came there to enjoy.

And I also think these people should take some time to examine their own biases and ask themselves why it’s only Thai shows they’re criticizing? Why it’s only romances? Why it’s only certain actors or certain production companies? Because it is.

[seyaryminamoto]

Any thought on Toph's writing and "arc" in ATLA? I personally think Toph was the most stunted and underdeveloped character. She never really develops at all and is mostly just a walking joke. It's clear that the writers loved her but also clear that they never did anything with her.

If you mean stunted and underdeveloped character in the main cast, definitely yes. A lot of minor characters were done a disservice by the show, given next to no complexity, so I wouldn't rank her as #1 altogether, but among the main cast, absolutely.

Now, I wouldn't say she had zero growth, it's just... not an arc. I also don't think she was only a joke, though they used her for comedy a lot. It's part of why it weirds me out when the fandom acts like Sokka, and only Sokka, was comic relief in ATLA. Toph, Aang, Iroh, even Zuko whenever the narrative wanted to poke fun at him, provided comic relief often, so it's kind of stupid to pretend it was only ever Sokka.

... But that ridiculous perception, then, caused the not-so-funny LOK phenomenon of "Bolin is the funny one", where basically all comedy was meant to be about/around this one character, which didn't work nearly as well as they expected it to, and did nothing for the team's synergy and bonding, but I digress...

What do I think about Toph's story and journey in ATLA?

Toph starts out as a girl who wants nothing more than to be independent and for people to stop underestimating her. When we consider that, in her final action scene in the show, she's clinging by her fingertips to someone else, and that her survival and life depend expressly on HIM, it suggests that she's learned that she doesn't have to go at everything alone, and also that she doesn't have all the answers to all situations. The first time we met her, it doesn't really feel like she wants to work alongside other people, as shown in her conflict with Katara in The Chase, where Toph felt absolutely no need to chip in and help out with anything but her personal needs.

I will say, in Toph's defense about that last thing, it's perfectly common for a child who has spent most her life being cared for, not having anyone expect a single thing out of her, to not understand why she needs to contribute ANYTHING to the team. It doesn't hurt that she's new, which implies that the others have been setting up camp, finding food, traveling across the world, without needing an earthbender's contributions. So it's fairly easy to see her side in this: why does she need to help at all? Why can't they handle things on their own when they always did?

But in her chance encounter with Iroh, Toph is given a chance to think on things and ponder that there's nothing wrong with relying on others. It's so effective that this scene concludes with Toph telling Iroh that maybe he should tell Zuko that he needs him too. This might even be one of Toph's strongest moments in the entire show, honestly. She has no idea who she's talking about, has never met Zuko or Iroh before, but what she tells Iroh doesn't sound like it comes only from having determined that IROH needs Zuko: it sounds like self-reflection, based on Toph realizing that maybe she can open up to needing her friends, too, and working alongside them isn't such a bad thing.

I think this is decent writing. Really!

The issue is... this is about as good as it gets with Toph.

I really like her character, she has a lot of good jokes, some interesting moments of vulnerability here and there, but this scene with Iroh is the only instance of the show I can think back on that actually features Toph questioning her strict ideas and reasoning with them, choosing a different path and abandoning something else she wasn't ready to forsake (complete and utter independence). What's more, this isn't even the kind of growth where Toph has COMPLETELY abandoned her individualistic mentality: she's adjusted it. She allows herself to consider she could be part of a team, to have friends, to work with others, but that doesn't mean she's tied down to them. It never stops feeling like Toph is more than ready to do things on her terms, in her own ways. No matter how much she bonds with the others, she will rely on them exclusively when she needs them (see how she clings to others when she has little to no visibility), or when they need her in combat and such, but outside of such spaces? It's unlikely that Toph will be the type of person who feels the need to be accompanied all the time, who feels better if someone is constantly watching over her. Her friends allow her to find some kind of balance between her need for independence and the comfort of having allies and friends to connect to... but that doesn't mean that she'll never break off on her own when the urge hits her, when the big battles are settled, when problems are resolved.

And I'm the last person to think Yang, of ALL PEOPLE, has any solid understanding of these characters, but whether it was his idea or Bryke's to feature Toph as a teacher, and to have the Gaang drop by to pick her up during The Promise? Ultimately, this just proves she doesn't feel the need to be with Aang, Sokka and Katara non-stop. If even someone like Yang thought she'd go do her own thing (... the quality of what he wrote is, of course, forever in question), down to even leaving her out of The Search entirely? It's clear that they're not trying to promote the idea that Toph is forever clinging to her friends now. She's still independent.

But like I said earlier... this balance Toph finds between her friends and her freedom isn't the product of multiple episodes and lots of hard work and bumping into obstacles to achieve. This... is literally just Toph's second episode. That's the last time the show actually challenged Toph on a PERSONAL level that doesn't involve "becoming a more powerful bender".

Take her relationship with her parents, for instance: the fandom is convinced they were abusive as fuck and that Toph would hate them forever. Ironically, the show DOESN'T promote this notion at all (which makes The Rift kind of insane when compared to the show's treatment of Toph's parents), for it features her parents as two idiots who underestimate Toph immensely and who simply want her to come home and stay out of danger. This could be deemed as abusive in some people's minds, as usual the word needs to be taken more seriously nowadays... they're not good parents, there's no denying that. They don't understand their daughter, outright. They allow their preconceptions of her disability to determine who they think their daughter is. There's nothing in the show that suggests otherwise.

So why, exactly, is it that every instance where Toph considers communicating with her parents or meeting them, she seems to be perfectly content with doing it?

Xin Fu's trap for Toph was completely cemented on the notion that Poppy Beifong had come to visit Ba Sing Se and that she finally accepted her daughter for who she was. Toph's reaction isn't some kind of jaded dismissal because there's noooo way her mom would ever accept her... she outright goes to see her. Which allows Xin Fu to trap her. Which then results in Toph discovering she can metalbend. But the thread that started this whole plotline? It... goes nowhere. Of course, Toph's parents AREN'T there, there's no real reason to assume they've changed, and this was just a trap... but we get no reaction from Toph when it comes to this. We see no conflict. She simply embraces her new abilities and runs back to Ba Sing Se. A quick glance through the transcript shows zero focus or interest in what she went through. Hell, there's not even any acknowledgement that she learned to metalbend. It's all about Aang's struggles with the Avatar State and Katara being in danger.

Next time? The Runaway. A very frustrating and annoying episode. What happens here? Katara decides to dig into Toph's old wounds regarding her parents, tries to psychoanalyze her and decides that all of Toph's rebelliousness against authority boil down to having a bad relationship with her parents. Which... maybe it's true? Doesn't really justify Katara trying to act like her mother anyway? And then the episode ends with Toph asking Katara to help her send a letter to her parents, which sounds like Toph has made her peace with them and like she's ready to accept that she would like them in her life too, and that she wants them to accept who she is. Yay.

... The issue here is there's no follow-up. This doesn't feel like development because nothing comes from it. Nothing really changed. It doesn't come from organic writing either: it comes from Katara's forced "mother friend" role that she didn't use to hold at all (as I said in the ask about why I think Katara loses her appeal as a character the deeper we go into ATLA), and it never actually confronts Toph with her parents again. It doesn't feature a deeper reflection from Toph regarding why she feels the way she does about her parents, nor does it feature Katara realizing that Toph's parents actually did fuck up a LOT with her and that she has every right to push back against them. It merely makes Katara calm down because she realizes the others care about her (while eavesdropping, ofc) and are ready to accept her for who she is... even though she, too, merits a LOT of reflection regarding this mom friend role and nobody else should be comfortable with that, let alone her :'D

Point being, the show really just holds this as the only thing about Toph that wasn't actually resolved, but it acts like it's fine because Toph sent a letter. What growth did we see in Toph that actually means this letter makes all the difference, though? We have no idea how it affected her parents -- as much as Yang acts like it didn't affect them at all, it could have made them rethink some things, or it could have made them mount an even more desperate search for their child, who knows? And it's a pretty solid thread to pull at, to tug loose, to TRULY challenge Toph's character... aaaaaaand they just don't do it at all.

The way I see it, that's really what it boils down to. The show doesn't challenge Toph in any significant way after her... second episode. This isn't the case for most main characters, and I'm not even asking for Toph's story to feature an intense, horrible, super harrowing and difficult plot...! Just, make some things complicated for her. Show her frustrations, show her difficulty to grasp things she hasn't experienced before. Confront her with realities that she, a sheltered girl from a pretty well-off city, has never really needed to face before. Her attitude towards Ba Sing Se is never questioned or challenged narratively: she's constantly proven right about the city being fucked up, and about her reads on all high society people. While all this makes Toph feel smart to a viewer, the issue really comes where this character basically only has her admittedly sizable charisma to win us over. She succeeds! But what does this show give her to work with besides a very quick "I don't wanna work in a team-I learned to work in a team" conflict that is resolved even faster than Sokka's sexism, which pretty much died out within 4 episodes?

There's definitely a component here were Toph is successful not only because of her personality, her abilities, her strength... but also because of the message she conveys regarding disabilities. A LOT of disabled people have clung to Toph as an example and inspiration to not allow whatever ails them to define them or hold them back. Whether the comparison between a blind girl with magical powers and a disabled person of our world without them is valid or not? The effect Toph has had on a lot of viewers who related to her struggles is undeniable. In a sense, it almost feels like the fandom's worship of Toph suggests that in not giving her further challenges on a personal level, they actually hit some kind of jackpot as far as social messages are concerned... but once you actually scope in and pay proper attention to her character, you might find she's got so much more potential that went ignored by this story in favor of presenting her as this unquestionably strong girl who relies on others when she really needs to but otherwise is independent and free from all of society's restraints on her.

Personally, I know this to be the case because of the pushback and reactions my version of Toph in Gladiator initially resulted in. She had no reason to think anything of Sokka and damn near killed him when they first clashed in the Gladiator League... and this horrified a LOT of people! They couldn't BELIEVE Toph could be like this! An older Toph, 7 years older to be precise, who broke free from her parents' hold, struck a bargain with her would-be-captor to get him MORE money than he'd find if he turned her in, and who wanted nothing but to measure her strength against other powerful fighters. If she doesn't have Aang's group's influence on her as early on as when she's 12-years-old, is it REALLY that crazy for Toph's problems with her parents and authority to fester, for her craving for independence to reach new heights, for her readiness to prove herself stronger than anyone to actually be a hazard for other people who stand in her way?

Thus... a lot of the work I've done with this character has been deconstructing these flaws, building her into someone who understands herself better. It's in learning from the examples Sokka and Azula set for her that she starts to realize what kind of person, what kind of LEADER she wants to be. One of my favorite scenes to write about Toph is when she's setting her city free from Fire Nation control, extending her earthbending reach all across Gaoling, putting a stop to the FN army while focusing on creation rather than destruction. On building up her people, on leading her forces with the power of her seismic sense, on capturing the enemy leader, all of it without razing her home city to the ground. Early Gladiator Toph? She wouldn't have cared one bit to join the war to begin with, and if someone had told her that her city, the place she associated with rules, limitations and restraints would be razed to the ground? She might have even encouraged it. Yes, a part of her would have felt guilt over her parents... but she would have been so emotionally stunted that she would have forced herself to ignore any part of her that still cared about them.

And worth noting? One of the biggest personal issues Toph faced was actually nearly killing Azula and Sokka because of her absolute determination to win against them during an event. They were already friends, but they were also each other's biggest rivals in the League... neither side holds back when it comes to this particular competition, and Azula and Sokka had actually beaten Toph and Iroh on their previous encounter! Which meant Toph's desperation for victory was driving her a bit crazy. But once Toph takes it too far at one point, she freaks out. It triggers guilt that actually jumpstarts a much deeper and more complicated arc than anything she'd been through before. Her determination to win at all costs, her pride over her lifelong winning streak within the League... she's suddenly facing the possibility that all this shit she used to cling to, so damn hard, means NOTHING when she could lose two of the people she cares most about if she continues to privilege all that stuff over their wellbeing and safety.

And this doesn't mean that she didn't like fighting as a Gladiator anymore... it means she really came to terms with the fact that other things mattered more. Later on? She realized there are BIGGER fights out there, too, than what's going on in the League: she was the last line of defense against a brutal attack by a rogue waterbender who killed a lot of people and could have killed many more... and after the fact, she spends quite some time worrying about what could have happened if she had failed to protect everyone, if her strength had faltered when she needed it most.

Yes, touting my own horn a lot... but everything I've typed about my own story is exactly why it can even piss me off, at times, to see Toph's potential as a character squandered to the extent it is in canon. I've done so much more with her than they ever did, and granted it's a huge story, but Toph ISN'T the main focus on it and I still managed to give her more to work with than canon ever did. It makes no sense, does it?

I don't think she was given the respect she deserved, and partly, I feel this happened with a lot of female characters who straight-up don't have arcs at all. There's this latent fear that in questioning a character, showing they're flawed, they could become unlikeable... ironic how this is seldom a concern over male characters, but it is with female ones. And mind you: it DOES happen to male characters, because Aang himself is the most egregious example of a male character showcasing flaws and people spiraling over them, turning them into something they never were, all be it to pretend SOMEONE ELSE (*cough* Zuko *cough*) is that much better than him. But they WEREN'T scared of writing Aang into complicated situations that showcased his flaws and resulted in his growth, though. They are with Katara, Toph, Suki, Mai, Ty Lee... :') wonder why, huh?

Ultimately, Toph is a much better character, boiled down to basics, than many characters I tend to talk about and criticize openly. The issue with Toph, for me, isn't really that she fails as a character, or conveys wrong messages, or that the narrative is biased in her favor (though sometimes it is...).

The problem with Toph is she has no chances to truly grow into her own. That her biggest growth comes from a singular conversation with Iroh in episode 2x08 is incredibly unfair to a character who can provide SO MUCH if you simply give her a chance and let her be... human. Flawed. Complex. There's so much more that can be done with her, and if given a chance? She really could have been the best character of the entire show. Too bad they didn't have the guts to let that happen.

[batri-jopa]

Hello mutuals and random visitors!❤ 🧡 💛 💚 💙 💜

I'd like to say that as a visual artist I sometimes like to draw some stuff with undressed human bodies including arms, hands, bellies, buttocks, tights, knees, calves and sometimes even weird looking feet.

Only I do prefer to show them in action...

...for why should only writers have all the fun?🤷

Anyway, sometimes these drawings turn out good enough to share and if you'd like to check it out you can visit my another blog:

>>> @co-ma-piernik <<<

- that's where I will try and post some of my Adults-Only Stuff (e.g. searching for two pictures hinted above - you can look🔍 for keywords: unbearable and no tomorrow Unless it will get reported and hidden. But then I'll just try to post it again some other way)

.

Believe me, posting visual art like this on tmblr really is not an easy game: imagine spending one whole day drawing and then - another whole day trying to post it... AND not be hidden right away... numerous times over and over again😩 (Even though it got Community Labels! I really wonder what these are for anyway?!)

And yes, I know that the easiest way seems to be censoring my pics - but at the same time it's the very last thing I want to do!😣 Because what am I supposed to censor in the first place? What piece of your finished work's composition would you consider unimportant? Should I cut out buttocks? Blurr a hand that squeezes? Cover the belly tattoo that was placed too low?

Oh, you fic-writers have it good and you probably don't even realise your luck...😅 I wonder how many times a fic-writer gets blocked for "vulgar" content even when writing about intercourse?

And trust me, I really am not trying to make my visual art vulgar, it's just that... Well, lets say I really have seen worse things here already. Like photographs showing body parts and poses in a much more explicit way than what I want to share. And they are even tagged properly! I have no idea how they made it. Because whenever I try to tag my art the same way, so that it actually could be found - it gets found indeed and... blocked immediately🙄

So, I'm always a rebel. But I just don't like anybody (including myself) to be discriminated against for any reason. Be it nationality, age, gender, skin tone, religion, what one likes, who one loves, height, weight or kind of art. I don't understand that policy can block my visual art while written art stays free (which is absolutely great, don't get me wrong!) AND even visual art pieces are okey if they are "historical" ! (now how does this work, when those ancient pictures from India or China are 10times more explicit than my art??? I have no idea...)

If we want to share our ART, if it is not p o r n, if it hurts nobody and if it's labeled properly - we should have a right to! ✌️

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[wellzofyouth]

That one post of my mine predictably aged like fine wine. Never let somebody on comic twitter in the writer's room😭😭😭 Like imagine a 1 to 1 adaptation of literally any event?? -1b at the box office. "Who are these people???"

[narugen-moved]

feeling bad again 😧

[derinwrites]

The Three Commandments

The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.

Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And

The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.

1: Thou Shalt Have Something To Say

What’s your book about?

I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?

The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).

Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)

Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?

2: Thou Shalt Respect Thy Reader’s Investment

Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.

Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.

Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.

The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.

But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.

If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.

3: Thou Shalt Not Make Thy World Less Interesting

This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.

“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?

Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?

If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.

Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?

Hopefully these can help you, too.

[eff-plays]

Ok so I watched the interview with Stephen Rooney, Astarion's writer, and here are some highlights. (I'm an aspiring writer and current game design student who wants to write for games so I'm sorry if some of these insights aren't as interesting to you as they are to me <3)

He calls Astarion his "horrible little vampire boy"

He loves seeing the fandom around Astarion<3

He did write other characters in the game, but mostly NPCs surrounding Astarion or his storyline, so it mostly revolved around Astarion

Astarion is not as connected to other companions/Origins as, for example, Lae'zel and Shadowheart, or Wyll and Karlach are to each other, but he is still reactive to their stories, even if it's just to stand off to the side and laugh when something terrible happens

He had a clear sense of where Astarion's story would start and end, but it got "muddy in the middle", but those are also moments where the best ideas come from

They write from the general idea that every character has one "good" and one "evil" ending, in order to give the player choice. RIP Ascendant apologists :(

According to Stephen, two of the most important aspects of Astarion's character (to keep consistent when bringing him to Idle Champions, at least) is that he enjoys violence, but is also fun about it

"He has a certain appreciation for violence, I guess? A bit of a murdery streak. [...] He's a vampire, he's all about blood, and he's all about, kind of, those darker sides of humanity. [..] But at the same time, he is ... He is really fun, he's really fun to write, he's really fun to have in your party, and it's very important for me that that is also represented."

"He's gonna stab you, but will have a smile on his face as he does it? I mean, I dunno. That's kind of him in a nutshell."

Larian would not have allowed for Astarion to be a typical brooding Dracula type, and there were scenes that were shot down for not being original enough

The main thing about Astarion was trying to get a "sense of fun." It would be easy to write a character that was very unlikable, and they absolutely did not want to do that

Rooney says Astarion is consistently terrible throughout the game and awful in a whole lot of ways, but he also needed to be charming enough that you could tolerate his presence and wanted him around

Rooney also had a lot of input on Astarion's stats (meaning the 10 Charisma is probalby 100% intentional)

He also had input on how certain lines should be delivered, even though the writers didn't directly work with voice actors

The way Astarion moves and poses is "all Neil"

Apparently, Neil Newbon worked on the character for years and Rooney did not speak to him once, though his voice work did influence how Astarion's lines were written and it became a "feedback loop" (Possible context for "ONLY SLIGHTLY, NEIL")

There were no points where a line delivery drastically changed Astarion's writing; rather it was a constant, slow evolution

However, there was one very spoilery moment where Neil gave such emotion to some "basic" lines that it fundamentally changed the scene (WHAT IS IT OMG)

It's difficult to balance approval, as you don't want to straight up write a monster. Every character needs to have some humanity in them. So if it comes to leaving the party, it needed to be the result of something central to said character. They wanted to be mindful of situations that would cause actual rifts between characters. (I assume this is why most generic disapprovals/approvals are +/- 1 or 2, while character-related ones give +/-5 or more)

However, as they don't write straight up horrible people/monsters, it doesn't come up as often as one might think.

The interviewer makes a point about how characters like Astarion and Lae'zel are good examples of how to play "evil" characters, as they are maybe not the best people but are still eager and willing to stick around the other party members

They worked to make sure the characters would work as a group, no matter the configuration of the group. The characters needed to be on the same path, even if they don't always agree or walk that path the same way.

Stephen Rooney is very proud of the "climactic" scene of Astarion's story. (AS HE SHOULD BE.) He even had to step away from the computer and have an emotional moment. Me too, man.

He's also "extremely pleased" that there's a point where you can punch Astarion in the face. "Actually, that one might be my favorite part" A MAN OF THE PEOPLE!!

Stephen Rooney's tip on what specific thing you should try out with Astarion: When he's trying to get a "sneaky nibble" at night, you should "probably" let him bite you. Way ahead of you there, sir.

No discussion about Astarion's romance unfortunately, but that's that!

[ancientgoddessofegypt]

Astro Notes : Short N Sweet <3 Neptune's Revenge

Neptune 1st House - Popular energy. Very well known for their beautiful, majestic energy. Could have a lot of haters but admirers at the same time. Energetically sensitive to alot of others emotions. Sometimes, it can be a lil confusing holding so much power. Because their energy can be mixed up with someone elses if they don't know how to tell the difference. They usually have a strong sense of self, its just other peoples opinions can get in away of that if they arent careful.

Neptune 2nd House - Could use some help on the financial train. They're organic to the way they use their money. I mean, they could be super horrendous spender, spending each and every dime on any and everything. While still some how always having more in their wallet. Or they could be pretty good at saving and are a little bit of a cheapskate.

Neptune 3rd House - Whimsical voices. Poetic writers. Creative thinkers. Very talented when it comes to the hands as well. Could be excellent drawers & painters. Neptune in the 3rd has an ability to travel to very interesting places that aren't too far at home. They may go on lil adventures here and there. But its always a treat. Its kinda strange how well they can be at finding good eats as well with all the travel they do. Could work abroad or go to college somewhere out of their comfort zone a lil.

Neptune 4th House - Has a lot of secrets when it comes to the inner child. Very free, sweet loving children. Can open a door to different realms like we're in Narnia or something. Angelic creatures who enjoy alone time near their favorite place. If they ever share that special place with you consider yourself lucky. They normally keep the things they cherish hidden for a long time.

Neptune in the 5th House - Artists who seek deep into the art and become it. Very creative & a one of a kind with the way they carry the emotion in what it is they do. Can have you thinking hard on what it is they are trying to convey, they are a master at making complexities more harder to figure out. Just be there in the audience and watch the show. You'll never leave the same again.

Neptune in the 6th House - Fun loving pet owners, they go hard for the planet and the creatures that come from it. Real advocates for change and don't take too kindly to insensitive people. Could need to sharpen their boundaries a little more with people. Also, are incredible writers and should tap into this side a bit more. You might end up surprised with what talents you have that could make you some money, or could be a really cool job.

Neptune in the 7th House - Romance is the thing that just keeps on given to these individuals. May need to put the rose colored glasses down. that man might not be for you, love. Don't forget to put more time into your own needs versus the needs of someone else. Your compassionate energy may run dry if you're not using that waterfall of emotion for yourself. People are drawn to 7th house neptunes alot more than you think. They are capable of seeing thru the veil, you just don't notice.

Neptune in the 8th House - Psychologically understands the reasons on why the universe is the way that it is and why the people in it behave the way that we do. Could be honest about a lot of things, dishonest about what they know. The world doesn't need to know everything, which is why the divine gifted them with certain antidotes. Only they can use this so bring healing to a certain nation (or individual) but not everyone can find this secret the way they can. This is normally given to them by spirit guides, ancestors, or thru drreams.

Neptune in the 9th - Impracticality is almost their birth right. They see things in a way that doesnt make sense at all but to them it means something. What I mean is that these people see the world bigger than what they people tell them. They could have big drams and not understand why they have them, but God put them their for a reason. So you can figure them out. You may want to travel and study abroad, or just move somewhere different and don't know how. Thats where all the magic happens, finding out and taking the risk. The sagittarian way.

Neptune in the 10th - Majestic auras. The highlight of the moment. The star. The siren. The energy healer. Do I keep going? Very special creatures who touched this earth to make their dreams come true, even if they have to figure it out themselves. Empathetic to the people around them and are big on helping out with anything whenever they can. The Queens & Kings of the law of attraction. Can attract what they want if they just believe it in it more.

Neptune in the 11th House - Community leaders. Ancients who know they way to what the true reality is meant to be like. Literally can change the world with the way they move, think, and go around helping others. Sweet and lovely people to be around. Needs healing in their own friend groups. Can be a little out there, but thats why people love them.

Neptune in the 12th House - Practical minds in a world that tells them their crazy. No they arent crazy, they just have multiple psychic gifts. And these gifts have a way in showing them things people aren't usually equipped with handling. They need more time alone and in nature to keep themselves grounded. Other wise, they will go crazy from the world telling them that their crazy... When really they know a little more than what they led on. The imagination is a fun place, but also a place where the most hidden becomes entirely to open. Seers of the daylight & the night.

[the-dendrophile-bookdragon]

Perfect Size

Pairing: Daemon Targaryen x fem!reader

Warnings: reader is described as short, name-calling, swearing, Daemon being a horny menace, soft!dom! Daemon, talk of impregnation, talk of pregnancy, pregnancy, smut

Summary: It was Daemon’s life mission to remind you of your size difference, in every aspect of your shared lives.

A/N: This is part of the wonderful @targaryen-dynasty 3K celebration, congrats by the way!!!! I had so much fun with this prompt. Enjoy everyone and enjoy the other wonderful and talented writers' fics. 3K Celebration Masterlist

My masterlist

The gods make humans in their image. They make them grow until they see them as perfect. Or so your Septa used to say whenever you were frustrated about your small stature. And it was no help that the greatest rake of the realm, Lord Flea Bottom, the Rouge Prince himself, made it his life’s mission to remind you of how small you were.

As children, you had been a bit taller than him. He had a problem with it. The need to be bigger than a stupid girl was great. His growth spurt came and he nearly towered over you, looking down at you with a smirk on his lips. “How is the weather down there?” He would often tease. “Just fine.” You would retort back. “I hope your small brain will get enough air up there. A shame if you lost more of it.” Was your sarcastic comeback.

The older the two of you got, the taller he would get and you would only grow a few inches if you even grew at all. First, he was slightly lanky. His muscles had yet to grow. He would remind you of a newborn horse whenever he would stumble over his two long feet as he trained with his sword. Often giggling to his dismay.

“I will cut your head off, and then you will be smaller!” He would shout in anger when he saw you snickering. Daemon’s temper seemed to grow with every inch he gained. You enjoyed it immensely when it would rise because of you.

As young adults, it was fairly certain that you would grow no more. If you stood behind one of the large dinner chairs you could easily hide behind them. Everything seemed to dwarf you.

Daemon prided himself in the knowledge that he was taller than you. Towering over you like the Hightower in Oldtown. And he never passed down the opportunity to remind you. “Shouldn’t you be with your nurse, little one? I think you got the wrong room. The nursery is that way.” Or other things.

You would glare at him. Often kicked his shin when no one was watching. He would yowl in pain. Jump around and hold his leg. “You little pest.” “Maybe you should get your head out of the clouds.” You teased back.

But there were the times he would call you more affectionate words associated with your small stature.

“Why the sour face, my little love?” He mumbled into your ear as he stepped out of the shadows. He had been hiding from his grandmother and her attempts to put boring and plain noblewoman under his nose.

A huff of annoyance escaped your throat. “Mother forced me to wear this ridiculous gown.” You seethed. Your teeth bared like a wolf snarling.

Daemon found your discomfort rather amusing. You looked like a pretty doll all dressed up. Your hair braided into the style of the land you came from. The gown so unmistakably the colours of your house, shining in the light of the candles.

"Oh, no - you're a lady and you have to wear pretty dresses and jewels and oh no, how horrible!" He teased you lightly. He leaned his head on top of yours. A habit he adopted quite recently. Loving the way you fit under him.

You snorted, very un-ladylike. But he was used to your characteristics. You were not one of those up-tied, boring wenches who tried to turn his head. He would rather gauge his eyes out before he gave them a second of his attention.

His attention was only worthy of one woman. And she was right literally under his nose.

He leaned down, just next to your ear. His hot breath fanned over the sensitive shell. “Do you think it would fit?” You could feel the smirk in his voice. You turned to him with a confused look on your pretty face.  It stayed that way until you felt something. You felt it, him. Hard as a rock, pocking you through the fabric of your wedding gown.

Your face grew hotter than the flames of Caraxes. Your body stiffened as you felt him softly rub against your buttocks. He only laughed lowly. His chest vibrates, sending chills up and down your spine. “You scoundrel!” You lowly scoffed. Your heart beating faster.

Not from his antics. Oh no, you were used to them by now. About the whole banquet finding out about Daemon’s little innuendo. “Oh, little love. I am your scoundrel now. It was ordered by the Queen herself.” He chuckled darkly.

She hit his shoulder lightly. “Stop it!” You tried to reprimand him. But your words fell on deaf ears. “Oh, my little love. How funny you will look with my seed growing inside you.” He began to whisper his lewd words. “You probably won’t be able to walk, so large your belly will grow.”

Your body grew hotter and hotter. It didn’t help that he had you pressed to his chest. His erection pressed against the cheeks of your perfect ass. His hands wander lazily over the front of your dress. Stopping over your belly before wandering further down.

“Oh my little love, will it even fit in your little tight hole? Or will I have to mould your little cunny so only my cock can fit inside?” Your breathing hitched at his dark, lustful words. Daemon’s predatory smile grew at your body's reaction to his scandalous words whispered so softly into your ear.

He often wondered if he was unfair to his wife. She was small, her body had nearly strained from the weight of the beautiful two children she had already given him.

He was right at their wedding feast. Her swollen stomach looked too large for her body. It hadn’t been long before the first signs of pregnancy made themselves known.

From the small bump only three moons after they conceived. He still can remember how his hands could cover it until she was seven moons pregnant. She had been ordered to rest. To not exhaust herself too much.

Daemon, looking at the image of her laying in their bed, their little one nestled in her belly. The sight did things to him. Things where his darkest desires seemed light in comparison. Oh, how he had spent his days behind her, driving himself into her tight cunt instead of sitting in a boring small council meeting. His wife and unborn child needed him, and he needed them.

“Another one?” You looked at him from where you stood. Children’s toys in your arms as you helped your daughters clean the room for the day.

Daemon just shrugged. “Why not? Add another one to our hoard. What about you girls? Do you want another sibling?” He crouched down so he was level with Alyssa and Visenya. Both girls looked away from their task to clean up the solar, screeching with joy as their father spoke to them.

“They are tots, Daemon.” You protested. Picking up more of the girls’ toys. “They will agree to anything if you say it with enough enthusiasm.” Daemon chuckled. “Oh, I think they know what I am saying, elillus (honey).” He smirks softly. His eyes roamed her body without shame.

“It has been so long.” “It has only been a few hours. You had me in the morrow.” You snapped back. Cleaning your daughters’ toys from the floor. Putting it into the chest designated for their toys. “I did not mean our coupling, prūmȳs ñuhus (my heart). I meant another child. The girls are six and four.” He mumbled gently.

She looked up at him sitting in the armchair at the edge of the carpet where the girls were playing moments ago. His violet eyes were dark as he watched her like the hunter his prey. “I don’t know, valzȳrys (husband). You heard the maester's words after Visenya’s birth.”

Daemon saw the change in demeanour. He nearly had you, only a small push. “It is your choice, ābrāzȳrys (wife). I do not want to force you.” He stood up, kissing your forehead before helping you with cleaning the toys up.

You were tossing and turning in bed. Nothing seemed right. Thoughts swirled through your head. So many voices at once.

You wanted to scream. But you would only wake up your family.

“Tell me what is keeping you from sleep, ābrāzȳrys (wife)” Daemon's gravel voice rang through the room. He sounded tired. His back turned to you.

“It’s nothing.” You whispered. “Bullshit!” Daemon groaned. Turning to face you. “It feels like I am sleeping next to a bloody sack of kittens. What is it.” He tiredly glared at her. Knowing full well what was going on.

“You’ve gotten into my head, you menace!” You growled out. Pouting at him. His usual smirk grew on his lips, a soft chuckle escaping. “Apologies for that, ābrāzȳrys (wife).“ „You are not sorry, Daemon.” His grin widened more. “You know me so well.”

A huff escaped your lips. “Why must you torment me so?” Daemon sat up on his forearm, looking down at you. Your hair was splayed out in a messy halo. A bright smile adorned his face as he saw the light, tired glare and the pout on your lips.

“Oh, little love, I vowed to be the bane of your existence since we played with the small dragon figurines our daughters’ play with now. And ever since it was announced you would be my dear lady wife I swore to torture you even more.” He softly nipped at your collarbone, his large hands coming to rest on your rips, just under your breasts.

“Let me help you with your decision-making. Let me enter your little cunny and stay there when I cum. Let my seed fill your womb once more.” His imposing frame loomed over you. Covering you like a blanket.

“What if the maester is right?” “The maesters are cunts who want to see me unhappy and you in doubt. They told you after Alyssa you could not carry another child. Two years later they said the same after Visenya.” He kissed your shoulder gently before his expressive violet eyes stared at you. “What is your body telling you?”

You bit your lip gently, A small rumble going through Daemon’s chest at your gesture. But he restrained himself. “I want another one.” You whispered gently.

A smile broke greater than before out on his lips, his dimples showing. “I will not let anything happen to you. The moment your body is resisting, I will get you moon tea or whatever is necessary.” You nodded gently.

His eyes darkened with lust. “Now before we can even discuss the pregnancy, we must make it happen.”

He lifted himself so his arms were on either side of your head. “Oh my sweet, I longed to fill up your little cunny. Seeing it overflow with my seed. Stuffing it back in.” He laughed gently as you shuddered.

With haste born of his pent-up desire, he ripped all of your clothes off your and his body. You gasped softly, scolding him for literally ripping your nightgown. “I never liked it anyway.” He mumbled against the skin between your breasts. Slowly moving down to your stomach.

He worshipped your body, caressing your thighs and hips. Squeezing the flesh around them, even gently nibbling on it.

He kissed each and every lightning-bold-like scar. Mumbling with every kiss a small thanks. These were the marks of his children. Evidence of your brave sacrifice.

He went further down. His lips ghosted over the soft locks, his eyes watching you heave out breaths of anticipation.

A loud scream ripped from your throat when you felt his tongue plunge deeply into your wet core. The eagerness of his lapping overwhelmed your senses. His nose ever so lightly brushed against your pearl. Teasing it to shoot lightning throughout your body.

You came undone. His tongue, nose and two of his digits working in tandem to torture you. And it worked. Your back arched off the bed. Loud cries of his name and pleas for him to stop accompanied your downward spiral into the abyss of your pleasure.

He stared down at you hungrily. His vibrant eyes were dark with lust. He looked every bit the dragon he ought to be. “Little rabbit.” He growled out. “Sweet, little rabbit. Trapped beneath the large dragon.”

He leaned down again. Like Caraxes would decent upon his pray, Daemon came down upon you. Devouring you once more.

He held your thighs wide open as he ploughed into you. The wet sound of skin slapping against skin rang through the room. His large hand wrapped around your delicate neck, softly pressing against it. Your breathing coming out in small pants.

“You should see yourself, little darling. My large hand is like a necklace on your throat. I can nearly wrap it around.” He chuckled darkly.

His words elicited shivers to run up and down your spine. This action causes your body to tense slightly. Daemon roared as he felt you squeeze his cock. “Seven fucking hells, woman! Do you want to kill me?!” He panted out. Driving his cock deeper inside you. The stretch is a familiar pain. But not too unpleasant. He had prepared you for him. And he would hate for you not to enjoy your coupling.

He leaned down, capturing your lips in a soft, sensual kiss. It was so different from the way his hips moved. So slow and loving. “I am not hurting you, am I, my little darling?” He whispered. You shook your head. “Nothing I am not used to from you.” He grinned, nipping at your lower lip, “That’s my good girl.” He whispered.

He picked up his pace. His hands on your thighs clawing into your skin. His knuckles are white. He groaned and grunted, looking down at you with an intense stare. Your own moans and cries mingle with his. Creating a symphony of pleasure.

He came with a roar of your name, his face buried into your neck. Panting heavily next to your ear. Your own climax is triggered by the feeling of being filled with his potent seed. Both your eyes closed in bliss.

He stayed inside you even as his member softened inside you. The grip on your thigh remains tight. Like he needed to be grounded by you.

Your arms wrapped tighter around his neck, softly caressing his head. He hummed gently, letting you know he loved what you were doing. “Do not dare to stop.” He mumbled gently into your neck. You continued with your caress. Softly petting him like he was a dog.

He fell asleep like this. His spent cock inside you, keeping his precious seed inside you. His body acted like a blanket. Your hand in his hair.

[am-i-the-asshole-official]

AITAH for telling my wife no?

My wife (35f) and I (38m) have been married for 12 years, dated for 3 before that. We have 3 kids (10m, 7f, and 5f). We both work full time in separate fields, she does some chemistry thing that I don't understand and I am a manager at a computer repair store my friend runs, and also a short story writer when its slow. She is definitely the breadwinner bill payer between the two of us, but I bring in the fun money for our family and would be completely listless if I didn't at least work part time. We also fully own our home because of her job.

Also, my parents watch the kids for us during the week when we are working. It's been this way since our son was born, and they've been doing it less since they are all in school. But it's free childcare, they refuse to accept money unless it's reimbursing for buying food.

Ok, now that all of that backstory is set, here's where the problem begins.

A couple of months ago my wife started pepper into conversations about a possible promotion coming up that would get her out of the lab and into a more "manage the lab team" position, with less dangerous hours for more pay. Ever since the first time she mentioned it I've been hyping her up and telling her she's a shoo in for the promotion, especially since she's been working there since her masters internship and now she has a PhD.

Last night she told me she was getting word today if she got it! After she left for work this morning I called my boss up and told him I couldn't come in today, and then told my parents the kids were saying with me. We spent the day cleaning the house, drawing congratulations cards, and making a congratulations banner. We also made a couple cards that say sorry and we love you for if she didn't get it. I was working on making her favorite dinner (lobster rolls with lobster bisque, because she's a fancy lady) when she got home earlier than normal. Everyone was surprised, because noone is usually home at this time and yet here everyone was. She got tears in her eyes seeing everything we were still working on, got down and hugged our two youngest, and said she got the promotion! Cheering all around! And that's when she dropped the bomb, saying we need to get a realtor in a state three away from us so we can relocate within the next two months.

I was stunned, and just said no, we arent moving for this promotion. In all of her talks she never mentioned that the promotion wasn't for the same location she's been at. All of our family is here, her parents and mine, all of our friends are here, my job is here. She insisted that she's mentioned relocating before but I swear she never did. That set of a completely new argument about never listening to her and only hearing what I want to hear, and how this will make it so I can stay home with the kids and not even need a fun money job. During this I noticed she was typing on her phone, and when I asked why she was multitasking an argument she said she was texting my parents to get the kids so they don't have to see this.

When my parents got here they congratulated her on the promotion and asked how long until we move.

She told my parents the promotion included relocation.

I'm typing this on the couch in the basement, because I can't face her right now. My parents knowing means she probably did say we would need to move if she got it. I don't want to move, I like my job, and our house. I like being near my parents. I know this would practically set us for life but I don't want to. I know I'm being selfish, and I know I must not be listening when she talks, but I still don't think she should accept the promotion. I still think no.

What are these acronyms?

[kitsune-pop]

I love how much of warhammer 40k is clearly a bunch of white dudes sitting around, thinking up the worst shit imaginable and going "thank god that could never happen to me, the cishet white guy"

angron is a one for one depiction of slavery, yet is painted as the bad guy for wanting to stand against oppression

mortarion is disabled and constantly has his decisions taken away from him by able bodied people only to be seen as moody and uncooperative

magnus is gay or trans or both. literally a guy blamed for something he was born with that he cannot control and told you're bad if you explore this part of yourself. also you're illegal now

fulgrim was actively encouraged to pursue perfection, despite never being good enough for others. he pushed any personal pleasure aside for an uncaring crusade and then is demonized for saying "fuck it, I'll have fun"

lorgar. also known as "this is why you don't abuse your kids"

horus is the golden child who's sent out into the world by himself only to find out Gee, Maybe I'm Not Ready because good ol dad did everything for him then told him "figure it out lol"

alpharius omegon are the autistic kids who don't understand why pops is doing this, maybe we should do things a little different than "blood soaked crusade"

perturabo is the burnout middle kid who did everything to impress his father only to be told "that's what's expected of you" who then got mad since acting out was the only way he got attention

konrad curze has a mental disorder. and is abused because of it

all of these characters were so close to being some of the best representation for minorities we could get in media only for gw to eat shit right at the finish line because they can't commit to an actual story. and it's amazing just how little these writers understand that the things they depict are all real things that people suffer through every day, and are demonized for every single day, especially when we are told these characters are irredeemable and should be destroyed, no questions asked

[fillinforlater]

On her jeans (Part 2 of 3)

Male Reader x Kim Minji, Pham Hanni (ft. Jisoo, Seungyeon, Seolhyun)

Length: 8018 words

Tags: You know what? How about no tags. Yes, really. This is very similar to the rest of the On her series, especially cuz it's a Part 2. Go have fun, I know you will have it ;)

TW: rushed editing, a terrible friend, nothing but sex matters

Inspiration: @sooyadelicacies

Credit: @sooyadelicacies for being a fantastic co-writer!

-Part 1- -Part 2- -Part3-

(A/N: This fic has it all: from three cameos to rapid fire scene changes to betrayal to an all-time threesome combo. Have fun with these grown-ass women!)

"What the fuck, Unnie?" 

"What?" Kazuha says, not even bothering to turn her attention to the young girl. 

"He… I—" 

The ballerina then turns around to see tears forming in Minji's eyes. This is how so many of them must have looked when the realization came crashing over them like a merciless tsunami. Did I really just do this? Is it worth it? Will he ever have enough?

"As he should." Kazuha's expression turns cold, uncaring.  "I did exactly what you asked me to. I sent you to him. It looks like you weren't good enough for him. That's on you. If you can't stick it out, maybe you aren't cut out for all of this." 

"What—do you really feel that way? Is that why you do it?" Minji sobs.

"At the start sure, but now I know: he is my whole world, all that I could need or want. 

“I love him," Kazuha says with unflinching conviction.

"Really?" Minji shouts and Kazuha quickly shuts her up with a palm on her sore lips.

"Yes, really, and if you screw this up, I swear, I'll make your life a living hell." Kazuha looks around the long corridors of the Hybe building. She then removes her hand from Minji's lips and unexpectedly dives straight to the younger’s ear. "You can be a good girl for him, call him Master or Daddy and get your brains fucked out—but don't ever get in between us. When the time is right, I'll be the only one for him.

"Is that clear?"

"Y-yes, Zuha-unnie."

"Good. Now, what did he say you need to do?"

#

A seemingly never ending, vicious cycle starts for Minji. She works her butt off, dances the entire day, goes through hours of meetings, recordings—and instead of going to bed every day, she takes every conceivable measure to go straight to your office. 

She walks in, lays on the table and waits for you to finish a call. At first, it's a mystery who you are talking to, but she finds out that it's all kinds of producers, managers, executives and most importantly—idols.

"So how is everything going?" Jisoo dreamily asks from the other end of the line.

"Well, I almost fucked up,” you respond in all honesty and drop your pants. “I almost slipped and told one of the new prospects they reminded me of you." 

Jisoo's face softens and smiles. It’s like you can hear every movement of her facial bones. "Oh? Care to tell me who? Is she prettier than I was back then?" 

"Impossible," You say sincerely. 

"You're sweet, but don't think you're off the hook for that little quick tryst you had with Jennie. Rosie's sad about it. You need to make it up to her. And you need to make it up to me too." Jisoo says the last part a bit forcefully and you imagine scrunches on her face to show you her seriousness.

"I know,” you sigh and rub a finger along Minji’s throat and cheeks without thinking about her or the incredible sensation of her skin. “I will, I will. I miss you." 

"I know you do. You tell me every time we talk. I miss you too, Daddy.” That’s always how Jisoo finishes a long distance conversation. She wishes you were there, with a hand in her panties. She wants to moan your name into your ear, your actual name, and not scream it out when rubbing one out under some hotel bed sheets. But Jisoo will have to wait.

The moment you finish the call, you start to pull out your hard cock and press it into Minji’s wide open mouth. She makes sure to keep her lips moisturized at all times, but she can never be ready for the strong impact of your hips hitting her head and rocking her back and forth on the desk.

With every single one of those meetings, Minji's clothes become more revealing, to the point she gasps whenever she sees herself in a public mirror. People on the train start to watch her round ass bounce in short shorts, then in very short shorts, then in a miniskirt.

Minji wonders how she is able to push through this. Her sleep gets shorter, the training rougher, the meetings more intense—worst of all, you become more violent too. It all reaches a peak when Minji is unable to shower because otherwise she would be too late. 

In her dirty, sweaty state, she sprints to your office and bursts through the door, just to be greeted by the sight of you roughly fucking—destroying—the huge ass of a familiar idol.

"You are fuck-ing late!" you growl and slam the bendover idol against the desk a final time. Minji hurries around the wooden monstrosity to get into her, by now well-known position. It is then that she realizes who you are fucking: Seungyeon, the former dancer of CLC.

"What are you?" you shout at Seungyeon and smack her ass hard.

"Your stupid, bubble-butt bitch, Master," she wails in a weird mix of pain and euphoria. She gets a tap on said bubble-butt with your cock.

"How do you want it, bitch?"

"Harder, Master."

"What are you going to get?"

"What Master wants."

"Exactly."

Minji lets her head hang off the edge, only a few inches away from where you annihilate Seungyeon's dignity and her asshole with your inches. Both you and the idol grunt like animals in heat, but for her it sounds blissful, for you more like work.

And so Minji lays there, drenched in sweat, and the weirdness of being forced to watch other people fuck never really fading. It's stranger the more she has seen or admired an idol. No matter who, everyone she saw has folded to you, and Seungyeon might be the most submissive. How she degrades herself and begs for you to ruin and spit on her—

"Good bitch, keep your ass gaping!"

Suddenly, the cock is on Minji's face and she looks past it in shock. Your expression, though a bit exhausted, remains stern.

"Open fucking wide, Minji," you command and Minji gulps. This cock has just been in Seungyeon's ass, maybe for hours, and though it looks spotless, she can't bring herself to—

Minji gasps and that is enough. You push against her lips, into her mouth and start to use it to 'clean' yourself—really, it is just training for Minji to trust you and accept your commands.

Though her first reaction was a gag of disgust, Minji has to admit to herself quickly that Seungyeon's ass on your cock tastes great. It's an embarrassing secret which she will never tell anyone.

You switch between the holes a couple more times before creaming Seungyeon. While Minji has her final cleaning session, you order the older idol to clean Minji's feet and calves off sweat.

No hesitation, Minji realizes, as Seungyeon does not leave out an inch of her skin.

Seungyeon isn't the only one showing complete devotion to you and your every order. You've had a few other idols over before or after Minji's throat-stretching. The young soon-to-be idol knew them, but they weren't the stars yet she saw in your profile list. The thought that you might have been bluffing with controlling the likes of Blackpink, aespa or Red Velvet crossed her mind, but they faded whenever she thought of Kazuha's success.

She wants that too, no, Minji wants to pass Kazuha and so she comes back to you, no matter how hard the companies’ training is fucking her. Then finally comes the day—actually, the day before the day. 

The not-yet NewJeans member lays on your table. She returned from the final pre-debut meeting and was ready for you to quickly walk in and fuck her face, but you never came. For endless hours, the entire fucking night, Minji had to lay there and wait. She could've left at any time, but the gravity of this situation, this presumed test, pulled her down to the flat, wooden surface. 

No matter how uncomfortable it got, she did not stand up. You could be around the corner at any second. The thought of her giving up right as you walk in gave Minji a weird mixture of fear and arousal, further amplified when she had to keep herself from falling asleep. A hand in her soaked panties, Minji played the fantasy out in her head:

You would walk in and find her asleep. Angry by her inability to follow orders and service her Master, you decide to punish her. When you find her panties wet, the desk covered in girl juice, you wouldn't hesitate to plunge into Minji's tight, virgin cunt and fuck her awake. It would hurt, but Minji wouldn't stop cumming!

She can't stop cumming, her fingers rub her clit to completion and now real juice runs down your desk. Minji is wide awake, but an hour later, she does it again, again, again, until you finally enter the room. Casually, as if Minji isn't completely spent and almost fully naked on your work desk.

The sparkle in her eyes is priceless. Out of all the crazy shit you pulled on this formerly innocent virgin, this was the task that broke her. You don't know the exact moment, but you will never forget this moment where you see her orbs and know that she is past her prostitute stage.

"This is actually impressive," you say with a coy smile while gently caressing Minji's forehead. "I see you... had fun last night?"

"Sorry, Master," Minji carefully apologizes and kisses your hand. "I made a mess."

"Don't worry, I'll call someone to clean it later. Now, get on your knees and show me what you have learned."

She is dizzy, barely able to stand, but luckily, Minji's place is at your feet, hands wrapped around your length. Her strokes are soft, careful, and she does not wait to use her tongue on you. After a minute, she sees the impatience in your look and uses her mouth. Quickly it’s wrapped around your tip and for the first time ever, Minji fucks her face on your cock.

"Oh, fuck!" you exclaim. There is some actual joy in that, especially when you can lazily put Minji's hair in a makeshift ponytail and watch her go down on your crotch in surprisingly quick succession. "This is good, this is fucking—great!

"Hold still."

Your heart pumps like crazy, but it's nothing compared to your hips which start to obliterate Minji's throat. Your cock bulges her visibly and she starts to shake. Usually, she'd have her teeth at spots where they don't belong, but at long last, she has learned. 

She takes it well, like a slut should. Not yet one of your perfect sluts however. It's all a bit rushed; her debut, the training, the stretching. Considering this, she is definitely good and her gags sound delicious. 

You pull out of her mouth. Minji triest to catch her breath, instead catches three of your fingers which you also use to fuck her mouth while locking eyes. The salty tears that stream from hers look so delicious and you love how, no matter how many chokes you force out of her, there is no fight or flight response. She takes it.

"Become sloppy, slut, get your drool out. I want to see you become a mess for your Master!"

Minji twitches. She is dazed, your fingers become glazed; then an avalanche spurts forth, of more tears and drool that starts to cover her chin and stain your floor. You want more, so you replace your fingers with your cock and fuck her throat again, never slowly, only hard and fast. At this point, the poor girl beneath you is dehydrated and the pool on her thighs and the tiles excessive. You stop.

"Fuck, this is what I mean. This is how you suck cock, Minji."

"G-glad you l-like it—Master."

"Go clean up your mess."

"Yes, Master."

When Minji goes down to lick and suck her saliva from the floor, you rest your shiny, polished shoe on her cheek and bask in the faint sun, dawning right before your office window.

"You will go home and sleep," you order firmly. "The only contact we will have is when you send me a video of you masturbating in your debut panties. Send me those panties in the mail, and you'll soon lift your first music show trophy."

Lean down after Minji has collected all the slick and press an unmistakable love bite right under her right breast. Minji mewls as you do so.

"The-they'll probably try to hide the mark, Master."

"Good." Pat her head. "No one can know what happened here."

"Of course, Master."

"You've been a good girl, Minji. Now go out there and become a bigger star than you could've ever dreamed of."

"Thank you, Master."

#

Months go by where Minji is mostly a concept for you, some asset to be discussed in meeting with your connections in HYBE. Rarely did she send a direct message to you—except for the video you asked for. It's nice that she didn't totally forget about you. After a busy day that calls for vacation and a nice, warm pussy on your cock, you turn on the TV to watch the most important year-end award show. 

A quick scroll down your contact list, you pick someone you know is nearby, obedient and definitely warm. The calls with Seolhyun are never longer than ten seconds, because she knows she's got to be there for her Daddy.

"You ever miss this?" you ask her when she sits down on your cock, panties still around her ankles, jacket still hanging from her shoulders.

"The awards? Sometimes, but—oh fuck!” Seolhyun is interrupted by you thrusting upwards while you care more for the TV than her. “Yes, more Daddy. They are nothing compared to your cock, your touch, your love!" 

Seolhyun tightens when she moans these words and you give her more of your touch, your thrusts, your cock. Soon she is bouncing in rhythm with it and begs for you to rub her clit. You won’t do so yet, would be boring if she’d get all the things that make her cum so easily.

"What do you think of her, Seolhyun?” You nod towards the screen as it captures Minji in all her beauty and on stage charisma. “Think she can capture the nation's heart like you once did?" 

"Minji, right? I think so."

That is the first time Minji has been in your sight since when her face was pressed to the floor. She looks like a proper star, close to being a super star (their next song will guarantee it) and her attitude reflects that. Don't touch me, I'm better than you, get out of my way, who even are you? - you imagine how she feels towards these other, lesser known people around her. 

Minji's dream came true and you were the pixy dust. Now you deem it the right time to get a hold of her. In between comebacks, right after all the award shows, she will have no excuses. Time to pay up, you text her, with a location, time and date while your finger disappears in Seolhyun’s asshole.

#

The day comes and you've checked into your favorite spa-hotel with excitement. The security and privacy here are top notch, or at least they are for you. See, it’s all about connections and here you have the best connections and can make sure that no rumors spread and that all information comes to you in no time. Minji will be here shortly and you've already painted the pictures of her naked body in your head, scenes where she undresses, spreads her legs and folds, begs for you to part her—

You hear the door open. From your seated position on the bed, you look expectantly at the entrance to the bedroom which Minji finds shortly after, her fluffy, thick jacket already falling from her shoulders.

"Hello, Master," she sultrily says with a smile. You reciprocate it.

"I see you've been doing great," you skip the greeting and walk over to her. A gentle push and the jacket fully falls off. Minji's outfit underneath is surprisingly thin for this season; there could be snowfall outside any day now and she runs around in a white crop and skinny denim.

"Those jeans look good on you." Stare down at her eyes while you check the quality of those mentioned jeans by fondling her butt, then her thighs and lastly her crotch. "Very expensive, HYBE is already paying you?"

"It's all the ads we do," Minji quickly responds, her breath halted while she does the unthinkable and moves your hand away from her crotch. "I... I never thought it would work so quickly."

"Yeah, it feels surreal, almost too quickly," you say with careful annoyance, unsure how to judge Minji's hand on your wrist holding you back from getting to feel more of her body.

"I couldn't have done it without you, Master, thank you very much~"

"You see, Minji..."

Her shoulders in your firm grasp, you move Minji to the next wall and position her in such a way that she is trapped and your knee is able to gradually push up against her covered pussy. The young girl tries to resist, she is suddenly flustered, oh how this should remind her of her success.

"... no one was ever this successful without a big commitment. Your commitments until now were nothing."

"Tha-that's why I'm here. Master, I'll suck your cock as much as you want, I'll let you deepthroat me hard, even for the entire night!"

You scoff and give Minji's cheek a quick, small slap. Your knee has now become the only pillar that keeps her upright. She has to balance and rub her slightly moistened folds on them so as to not to fall over.

"Sucking? Deep throating? Oh you're still so naive. No. You, Minji… belong to me. All of you, which means any hole. You are mine to use however I want."

"Wha—no!" She puts a hand on her cheek and looks at you with puppy eyes that beg so pathetically, like the thought that you took this deal seriously is a shocking reveal. You roll your eyes at her and find the top button of her jeans, but Minji starts to fight back with a loud, whiny voice.

"No, Master, you don't understand! Un-unlike all those other idols, I'm... I'm still a virgin. I don't want to lose it now, not here, not—"

"That is not up to you!"

Your shout halts time and space, only Minji's facial expression matters. She looks honest, absolutely in dread that it might happen at not the moment she wants it to. She cannot fathom giving you or anyone that control, she wants it special and precious and all those nonsense illusions. It's gut wrenchingly annoying but you will not go too far to break her now; you're too fond of her for that. 

Call it your weakness and curse you for that.

"We had a deal."

"I-I know."

"And you don't want to fulfill it?"

"I'm sorry, Ma-Master, please don't—"

"Then offer me something equally valuable." Minji looks at you in confusion. You drop her from the wall and hand her your phone. "Put in the number of someone whose virginity I can take. They have to be your sacrifice, your warrantor, and they have to agree to the same contract.

"You will then come with her to me and will watch how I take her virginity. You will watch every fucking pump I put into her pussy. She will testify, she will call me Master and she will love it. That's your only way, you better bring me someone."

Minji clutches the cell phone, her life-line, her lever to the trolley problem, except the train that was about to hit her can only be directed at another girl.

"And Minji,” you add in controlled yet uncontrollable rage. “I want her here, now. I want someone worthy of my time and touch. Or else. You will call them and then you will be on your knees sucking my cock while we wait."

Sweat comes pouring down Minji's forehead. You can hear the inner workings of her brain scramble, trying to find someone she can push in between you and her. There is no submission to you and there is no urge to flee and break your deal. 

Minji genuinely tries to sell you someone. Despicable, everything for success.

"D-do you know Hanni?" she suddenly stutters, quietly, ashamed but her fingers are already dialing up her friends number.

"I have never met her." You laugh in disbelief and turn your back to Minji. "You're really going to sell your bandmate? Are you not friends?"

"I—she's the only one I know who is a virgin but not... not... not unwilling."

You cock your eyebrow and listen to Minji's call which is surprisingly short. No mention of you or your arrangement, just the location and some details. Definitely no one is allowed to know of this and yes, Hanni has to be swift.

Minji ends the call and you immediately throw her to the ground, her head on the cushions of the nearby bed, your belt already loose, a hand on your pants.

"Pull them down and open your fucking mouth." Minji does so, the shock in her eyes is wonderful when you push past her lips and against the back of her throat in one go. Violent choking. "You are terrible, the worst friend, but at least you know how to make that mouth-pussy of yours work. Go on! Fucking use your tongue."

Minji starts to gag, trying to adjust to your cock, not realizing you weren't even fully hard yet. You never were with her. 

"Good, all the way. Use your tongue and saliva, let me fucking feel it."

You kick off your trousers and put more force in your hips so that your long shaft may fill Minji's deepest depths. It pushes out a lot of saliva, a waterfall that tumbles down her chin and covers her top. From your point of view you may not see it, but you know that Minji's aroused nipples poke through her bra and show that no matter how hard you fuck her face or belittle her, she's yours.

Minji's mind shall only be occupied with satisfying you, so even her still lacking tongue and lips do their best to suck you from tip to base—you make sure she never slacks by pistoning in and out of her.

After about 30 minutes of slowly thrusting in and out of here and replying to texts on your phone, you receive a message from the hotel staff that someone has arrived and come to see you. Minji tries to tap on your leg, indicating she wished to be freed of this position. You shake your head, no. 

"Oh, you don't want your bandmate to see you like this? That's not an option."

The sound of a door opening echoes through the hotel room and Minji panics, flailing wildly, her eyes tearing up and begging, begging so well—maybe she can finally grasp what she has gotten her friend into—

"Hello? Minji, are you here? Is everything okay?"

—but she still has so much to learn. Smack her cheek a final time, loud enough for Hanni to gasp at the front door. Before she can enter the bedroom, you pull out of Minji's mouth and push her towards the door. 

"Minji?" Hanni asks again and rushes towards her. Minji stops her, both of them shriek in shock. "Oh my Gosh, Minji, it is you! You scared me!"

"I-I'm sorry, I—"

"You look... messy. Is everything alright? I'm sorry if I took too long, you sounded so sad and terrified."

"Hanni, I," Minji stutters, hesitates, maybe even contemplates. It all makes her seem as if she has a heart and does not want to use Hanni to keep her virginity, but deep down everyone has to know that she is not a good person. No one would sell their friend for something like this. Minji is cold hearted when it comes to her career and things she believes she rightfully owns. "I have to ask something crazy of you."

"Okay? Look, you need to calm down first, maybe clean your face up and then we can talk ab—"

"Hanni, please." You hear some uncertain steps, as if someone is almost falling over and is ultimately pressed to a wall. You hear a wet sound, then a moan. Your cock is going crazy at all the possible things that might happen right around the corner and later in this bed. "Do you trust me?"

"Why did you kiss me, Minji?"

"Do you trust your leader?"

"Yes, of course. I'm a bit scared though, what have you gotten into?" Hanni's voice is full of concern and so is her face which you see for the first time when Minji guides her into the bedroom, arms around Hanni's tiny waist.

Hanni is in complete shock. 

"Minji, what is this? Who is this man?" You still have your pants down and cock out. 

Unfazed, you smile at the girl. "Minji, tell your friend what you did."

"Have you never wondered," Minji starts right away and tightens her hold on the younger band member. "Why so much changed before our debut, why the success was imminent, why it didn't stop? Have you never questioned all the blessings we received?"

"I-I... what was I supposed to think?" Hanni weakly laughs and tries to avoid the sight of your erection, but she can't because Minji is slowly inching her closer to it. "We are in a gr-great company, smart managers, pro-ducers... so who are you?"

"He is the reason, he is why we did not fail. Look, Hanni, I had to do it, okay?"

"Do what? Sell your body?" Hanni looks over her shoulder at the glassy-eyed leader of her group who gives her the tiniest nod. In those large, round orbs of the young Vietnamese woman you see the realization kick in bit by bit. At first she does not want to accept it, then she cannot believe it—but at last, she has to put it into words.

"You sold your body... and now he wants more."

"He wants something only you can give him," Minji whispers and pecks Hanni's cheek. You are astonished at how she manipulates her dongsaeng, Minji truly is ruthless; but Hanni's calmness deserves an award. She seems to surrender to this idea easily. There is no flight, there is barely any fight—she accepts her situation. 

"Will you give it to him? Your virginity?"

"Minji, I—"

"That's not the entire truth is it, Minji?" You smirk coldly. "You are a pretty thing, Hanni. She's right, I do want more. It's not something only you can give me, rather, it's something Minji refuses to give me. So instead, she offered you to me. Your precious group leader sold you out."

Put her tiny chin into your hand and for the first time, Hanni locks eyes with you. Minji's manipulation roots deeper, as there is not a hint of belief in the words you say. Rather, Hanni listens to the girl in her ear, at her ear, that licks her ear and tells her sweet lies:

"He is playing with you. He likes to play. But don't worry, he will help us.

"Don't you want to be a star, Hanni? The most successful foreign idol?" You hear Minji opening Hanni's belt as she melts in between your thumb and index finger. Her lips look so full and perfect. You'd bet your career that she is already a great sucker, maybe even better than Minji is at this point. "My sacrifice can't be for nothing, and yours won't be either."

Hanni's pants drop to the floor, while you work to get rid of her jacket. She is like a Barbie doll: pretty, clear skin, obedient, ready to be undressed and played with. No matter what you do or where you touch, she just obliges while her features become redder and hotter. Soon, she wears nothing but her undergarments.

"You have an amazing body," you compliment her. She just nods. You order Minji to put Hanni on your bed. For now, you'll not reveal the whole story, the truth: yes, you play games, but Minji clearly is lying to Hanni, trying to get away with more than questionable methods.

You respect Minji for that. Yes, in this dedication, the lies, you see devotion for you. She is willing to sacrifice herself and even her friend for your satisfaction. It wouldn't be long now until she would truly be turned into a loyal one for you. 

You have a suspicion and you would test it out here. 

"Hanni Pham, a bright star plucked out of Australia, a Viet idol with international appeal. And a lovely voice too, dare I say even prettier than Minji's..." 

You smirk, sensing the hurt from Minji without even looking.

"Will you tell me your name?" Hanni asks as you crawl on top of her. Minji placed her in a missionary position and still rubs her hand all over her exposed thighs so she would open her legs for you.

"You don't need my name, you just need to know what I can do and what I want. My deal with Minji benefits you a lot. Tell me, how does it feel to hold a music show trophy or one of those MAMA awards?"

"G-good, Sir, it's quite the," Hanni gasps when you push her legs open and place a finger on her white, innocent panties. You search for a bit until you find her clit and rub it from side to side. "Thrill."

"Drop the Sir, with me Hanni." Lean down to her pink lips, those round, moisturized and smooth lips. "Call me Daddy."

Minji's eyes widen and she almost lets out a whimper as if to object to you. A first encounter and you already let her call you, Daddy? Did you already like Hanni more than her when you haven’t even received pleasure yet? 

"Daddy?" Hanni responds unsure. 

"Yes, Hanni. You'll be a good girl for me won't you? That's all I want. Good, loyal girls. If you do that, you can have anything you desire."

"Daddy, I want to be successful and I want to give you what you need for that." She whimpers when you put more pressure on her nub. "B-but I'm a bit scared. I have never put something inside."

"I think your friend here can help you with that. After all, she got you into that situation." You glance at Minji and she gets what you mean, though the envy at Hanni's preferential treatment is clearly visible on her wrinkled forehead.

Minji leans down and gives Hanni a firm kiss while replacing your hand on the clit that has steadily hardened and is now aroused to the point Hanni's panties become stained with wet spots.

You glance at Minji in thanks. 

"Oh and Minji: no more kissing Hanni unless I command it. Her lips and your lips, belong to me only. Is that clear?" She can only meekly nod. "I hope you haven't been touching anyone else during our time together, Minji. That would really upset me." 

You already know the answer. Given how easily Minji’s and Hanni’s lips connected just this evening, you know it's something they are comfortable with. That would end now. 

Before Minji can answer you, you focus back on Hanni and the sticky sensation spreading over your fingers.

"Already wet for me? You're taking to my touch a lot better than your leader. Tell me, Hanni, you're not afraid of me, are you? Just ask me to touch you more. Tell me what you want."

Hanni is still hesitant, though there is shyness only in the way her mouth doesn't move and admit to her body's obvious reaction. She leaks onto your fingers, her chest heaves heavily, faster. You insert a finger, as well as part of those drenched panties inside her and finally, the right words slip out.

"Your fingers feel so good, fu-uck."

"That's what I wanted to hear." You smile and lean down to Hanni's face. Her lips instinctively pucker, her eyes fall shut, oh, how incredible: she is already yours. You let her wait there, finger twirling, pretending to push aside her panties and go for the real deal, but you're all teasing. Hanni mewls.

"Please, D-Daddy, kiss me."

"I will, when I put it in."

"W-will it hurt? Will you hurt me Daddy?"

"Only if you want me to, baby girl, but you want what Daddy wants, right? It might hurt to begin with, but it will feel so good for both of us." 

The chemistry between you two surprises Minji as she backs off, her hands away from the young women for the first time. Hanni nods. 

"Make me feel good, Daddy. I trust you."

Hook your fingers in Hanni's panties and at last, her soaked entrance is exposed, for your eyes only. You stroke your cock a couple of times, get the fresh girl juice all over it and gaze over the insanely well-trained body you're about to ravish.

Hanni's abdomen is to die for. The muscles on her midriff are absolutely stunning, the same goes for her navel perfectly resting in between them and then further up her subtle boobs, which Minji frees from the bra after your command. It all ends with Hanni’s chin, the sweat that runs down her throat, the faint sparkle of perfection—to sum it up, Hanni is incredibly beautiful.

You take hold of her hips and bask in the way your cock and her hole are magnetically attracted and connect. Hanni throws her head back at the impact and with every inch you stuff into her, her breathing becomes more erratic. Funnily enough, the same goes for Minji, who quietly scoots back and rests at the headboard of the bed.

As you slowly pump half of your cock in and out of the tight cavern, Minji goes for the same rhythm and rubs her clit, hand buried in her pants. She even goes and opens the first buttons. Is it really this girl that wants to keep control over her virginity? Let her have it for now, she'll be yours soon enough.

"Daddy, just focus on me!” Hanni whines out her first words after becoming a full blown woman. “You-you didn't need her, right?"

"Then make me forget, baby girl. Squeeze my cock with your pink little pussy." You go and have a taste of Hanni’s fat lips again, wishing they would suck your balls right now. Hanni could become a whore who would worship your crown jewels like no other. Better than Minji, whose eyes beg to be involved in the action. "Spread your legs more, I want to fuck you harder, Hanni.

"Oh and Minji: Go and suck my balls! That's what you're good for."

"O-okay, Master."

"Be grateful for it. But remember, no cumming."

"Thank you, Master."

"Daddy?” Hanni whimpers softly. “Why does she call you, Master? Is one better?" 

"Oh baby girl. Daddy is more affectionate. It's what you deserve. Minji still has to learn, her heart isn't in this yet."

Minji's heart might not be in the right place (rather the place you intend it to be) but her lips surely are. She gives your swinging balls a good suck and slows done the pace at which your fucking Hanni's pussy. 

It's amazing how well she adjusted to your size, even with your length and girth growing continuously at her fantastic heat and texture. Hanni handles you like a pro, and like one of your pro girls, she is already more drool than straight thoughts.

"Does it feel good, Daddy's hard cock in your virgin pussy? Get used to it because it's the only thing your hole will know. I will be the only one to use your holes, is that clear?"

"Oh Daddy, oh Daddy," Hanni moans and her body rocks violently on the bed sheets. "You-you are so much better."

"Better than what, baby girl?"

Hanni puts both her weak hands on the back of your head and pulls you down to where her lips meet your ears to tell you lewd things that Minji must not hear.

"Better than Minji's fingers."

You take this as a cue to grab Hanni's thighs and angle her in such a way that you can slam into her cunt harder. You let gravity do the work while the force of the entire bed frame shaking has Minji trembling in awe. She rubs her thighs together and tries to keep her hands busy with other spots of her heated body.

You can see that she wants to rub her clit while you make Hanni cum during her precious first time. She is probably projecting, wants you to go softly, then harder, but that is not your game.

"Hanni, no more of that, no more Minji's fingers. Only Daddy shall touch you from now on. You are mine and I'm going to go as hard as I want." You growl out slamming into her even more. "Take it all, Hanni, prove your fucking worth to me."

"Thank y-you, Daddy," Hanni begins her way down the rabbit hole of subjugation towards only you. The new life she will enter, all the changes, challenges and benefits will overwhelm her, but first you overwhelm her with your rod. "Thank you, for help-ing us, thank you for the wins, thank—ah, Daddy, I'm cumming! My pussy is cumming! Thank you for your cock, Daddy!"

You enter a nirvana drilling into Hanni's tight cunt. 

"Good girl, yes thank me, beg me, need me. This is the only cock you will ever have from now on and—" You kiss her with wanton lust, shoving your tongue in her mouth. The next whisper in Hanni's ear is out of Minji’s reach, though she might be too distracted from your delicious balls to get what you were saying either way. 

"Daddy! I understand, yes." 

Without losing focus of your hammering, you give a dismissive order to Minji, who is not worth your eyes on her.

"You can go Minji. I don't need you here. In fact, we can end our deal. You got what you needed right? Wins and fame. I won't meddle with your group in anyway. You are free to go."

"What?" Minji shrieks, completely offended that you could say such a thing.

"You heard me. Fuck. Off." Every word is empathized by a huge thrust that bulges Hanni's tummy. She stares at it in infinite bliss, then throws her head back as you knead her small tits and make the nipples hard like steel.

"B-but Master, you can't just do that."

"You did not keep your part of the bargain and still got what you wanted. Why the hell are you still here?"

"But I did!” Minji argues and climbs in front of you on the bed. “I brought you, Hanni, Master! I—" 

"Hanni, turn around and get in position, I want both of us to look at Minji. I'm going to fuck you from behind.

"What's wrong, Minji? You never truly wanted me in the first place. We both got what we needed from our deal. You don't need my help, your group will be successful. I made sure of it. I am releasing you from our contract with no punishments. Take the fucking deal, Minji."

Minji sits there, on the bed, not moving from her position. In utter shock as she watches Hanni smile and moan as you take her from behind, her pussy stretched again. God, how good she must feel, that face says it all. The pleasure, the desire, all the praises for your cock and it's only because she has her tongue sticking out like it's numb.

Suddenly, it all seems so clear to Minji, so easy to comprehend. She takes a deep breath and learns towards you, her upper body prompted up. All that just to throw her dignity away, to throw herself underneath you.

"Daddy, please! Give me your cock too! Take my virginity, don't push me away!"

You stop thrusting into Hanni right away and pull out for a moment to look at her. 

"Bullshit. I told you we were done here. You don't mean that. You just want my power and connections like everyone else."

"No, I mean it," Minji reassures, but words are nothing when it comes to her current state. She has to follow it up with more, significantly more. You doubt that she can deliver, but low and behold, she unbuttons her jeans and peels them off to show her long legs and the thoroughly drenched panties.

"Mi-Minji, what in the," Hanni moans and goes silent when you smack her ass. It's unbelievable that she is already so obedient and well-trained without training. The more she impresses you, the more Minji has to follow up. Soon she is on her back, jeans on the floor, shut legs turned towards you.

You put your hand on her thigh and though it's tough on her, Minji spreads her trembling legs wide. You poke her lips through her panties and when she squirms you give her a quick slap on her face. 

"Look at me, Minji," you order and she does. "Beg me, call me Master until I have given you, no, until I have taken what is rightfully mine."

"Please, Master," Minji cries out. "Please take my virginity, y-you own it."

"Louder," you growl and smack her covered pussy. Minji cries out, her pleas louder and louder with every new hit you give her cunt. Oh the way her eyes sparkle and body jerks is addicting, you don't realize that you have started to fuck back into Hanni who might have seen Minji naked before, who might have had sex with her—

—but this is new. Minji is a brainless mess, her pussy red from the beating, her face fully in tears. 

"Master, fuck my pussy, please! Fuck this pussy, my worthless pussy, it's yours! Make me full, make me full, I don't deserve it!"

"Now we are getting there," you viciously laugh and grab her chin to aggressively tonguefuck her wet, silly mouth. Minji is such a mess, dazed to the point Hanni's hands undressing her top after your order doesn't even faze her. Her top is gone, her bra as well. All that's left are her panties and Hanni has her fingers already hooked in them.

"Wait, Hanni, she should do it alone."

"Yes, Daddy."

"Ma-Master?"

"Lay down, Minji.

"Pull them to the side.

"Show me your pussy.

"Say it.”

Minji slowly and clumsily works on pulling and getting her wet panties off of her. There is an unfathomable amount of embarrassment in the way Minji’s eyes cannot hold your strong, charismatic gaze for long.

"Shall I feast on your pussy, Minji?" You ask with a smirk and hunger in your eyes.

They all turn eventually. It sometimes sounds so sudden and drastic, but it's all more or less the same. It builds up over time, like an orgasm. Some girls are quiet, until it bursts out of them in a heavy gush that has the entire floor wet. Some are loud the entire way through and what was once only lip service becomes reality, a reality they adore.

They all turn and they all get your cock. So does Minji, with her finger still spreading those sore, red folds and you ignoring her pleasure just to find yours in this wet, messy hole. Minji's cunt is remarkable, cute in the way it ripples and tightens and incredibly lewd in the way it sounds when you slam yourself in and out while holding onto her slim waist.

Now she is part of the loud girls, those idols that suddenly come to worship you more than the career that they fought so hard for. It will be later that they realize that this is the way they get approval from their company, their sponsors, their fans. You are success, the Queen maker for the outside world and a toy maker in your bedroom.

Minji is a great toy. She is euphoric now, the pain already gone. She makes sure to adjust to your will, lifts her hips off the ground when you need to slow down, shows you her tongue when you go for a kiss, and always says the right things. It was so hard for her not long ago, but now she is willing to do it despite Hanni laying next to her and admiring both of you fucking like animals. 

"Hanni," you groan and hammer your cock balls deep into Minji, who throws her head back in another (accidental) orgasm. "I know you want to fuck both of us so bad, but if you don't touch yourself until I'm finished with her, I'm gonna cum on your pretty face and tell you how good you are, okay?"

"O-okay, Daddy," Hanni mewls. Not that she would have touched herself, but you can't blame her for considering it. Caress her cheek softly for being so good, then fucking destroy Minji's cunt because she has been so bad.

"Master, more, pl-please, fuck!" Minji howls with pleasure. 

"You're going to be my good girl from now on, right?" 

"Yes, Master, use me however you want. I-I just want to live to fulfill your desires. Master!" 

You stare deeply at her and pause right before the next spike rattles Minji’s brain. 

"Really? With every atom in your body. Tell me again, Minji."

"Every-thing." Minji can barely talk but does so for you, despite you, despite the large dick that is reshaping her insides. "You own everything, Master. You c-can use me daily, everywhere, any-time. I-I mean it!"

You lean down to her and give her a simple, hard thrust to make sure she gets your point.

"You're a good girl?"

"Yes, Master."

"Then call me Daddy," you whisper into her ear and put a hand on her throat, ready to press down on it.

"Thank you, Daddy," Minji rasps before you choke her hard and fuck her absolutely senseless. Orgasm after orgasm shoots through her frame, her existence becomes numb, she is a fleshlight now. The vibrations of her climax become your stimulation and at the last possible second, you pull out of that twitching hole. 

"Get on your knees Hanni," you order in time. Hanni kneels before you as you somehow slide off the bed, legs a bit shaky and with her head thrown back because you could not resist pulling her raven hair, you cum all over her features. "God, you are such a pretty girl. I can't believe such beauty loves cum on her face."

"It's Daddy's cum," Hanni moans and sucks on your tip to get more on her lips. The rest has mostly covered her nose, her cheeks, her forehead. "Of course I like it!"

"That is right, baby girl, well said," you compliment her and pat her head while she instinctively cleans your cock with superb care. "Did you ever service someone else?"

"No?" Hanni asks and collects your cream off of her stupidly gorgeous face.

"You, I swear to God, you can't be that good right from the start."

Hanni pouts her lips and puts them under your cock. She truly is one in a million, the rare idol who barely hesitates and immediately knows how to do the right things. In many regards, she reminds you of Kazuha, who told you it was her kinks that made her adapt so easily. Maybe this is the case for Hanni as well. Should that make her devotion less impressive?

"Daddy?" Hanni cutely asks and waits.

"Open your mouth, I need to fuck it now."

[sainns]

7:13PMㅤ✶ㅤ lee heeseung x femreader

you hate scary movies, loathe them even. hyeju, on the other hand, was obssessed them. so obsessed that she practically dragged you out of the comfort of your shared apartment to the movie theatre because they were going to be having a 'horror movie night'.

why she was so obsessed and why anyone would willingly go to an event like that? you have zero clue.

you couldn't see at all what made horror movies so great that they’re the only genre currently being massed produced within the entertainment realm. surely it wasn’t because the gross amount of gore, the heartstopping jumpscares, or insane— unrealistic storylines.

maybe they just found the actors attractive.

that’s what you chose to focus on, at least. the protaganist is a fairly decent looking guy, almost enough to distract you from the creepy ambience that was making you feel like you were about to throw up from anxiety.

keyword: almost, because as soon as the music spikes and something pops up on screen— you don’t look long enough to see, your eyes immediately squeezing shut— your hand shoots out to grab onto something.

you inhale deeply, trying to steady your breath, hand gripping onto hyeju's. as your heart rate returns to it's normal rate, you loosen your hold on . . . hyeju’s hand?

um . . . no.

what you’re holding does not feel hyeju’s hand whatsoever. hers is much smaller and definitely not as rough as whoever's hand that you’re currently holding is.

you open your eyes and glance to your right, where hyeju is definitely not sitting. instead a guy is there— a very attractive guy, at that— looking down at your hand in his.

eyes widening, you quickly pull away and let out a mumbled apology.

you can't help but internally groan and sink down in your seat, imagining yourself falling into a hole six feet deep. you can’t believe you just embarrassed yourself in front of someone who looked like they could be an idol. first you’re forced to watch an awful movie and now this?

you are not having a good day and you swear it’s going to get worse when you hear him let out a quiet laugh.

he’s for sure laughing at you and he’s going to make fun of you with his friends after the movie is over and you are never ever going to be able to step outside again. at least some good will come out of this— hyeju will never be able to force you out to another event like this one.

except it doesn’t get worse.

instead, he leans closer, his lips brushing against your ear as he whispers, “if you want you can hold my hand again whenever you get scared. i don’t mind,”

you blink, opening and closing your mouth as you try to think of a reply. however, before you can think of something that’s not along the lines of ‘let’s get married’ (you're a weak woman, what can you say?), something else jumps out onto the screen, surprising you for the second time.

unconsciously, you take him up on his offer, your hand finding his once more. to which he responds by lacing your fingers together, giving your hand a gentle squeeze.

"my name's heeseung, by the way," you can feel his smile as he whispers, "figured you should know my name if you wanna keep holding hands,"

sinking down even further into your seat, you feel your face heating up to a degree that could probably rival the sun's.

note. hi i found this in my drafts and since i have rlly bad writers block here u go!!!! srry for the lazy layout LOL im planning on remaking my current one but i cant be bothered to rn oops