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rainrot4me · 3 months ago

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Love Me Like I’m Yours

Summary: Eijiro’s got it bad for you, but he won’t admit it out of fear of messing up your comfortability with him. He’s your rock, your stability, so when you sleepily ask him to stay the night, it takes everything in him not to ruin that wall he’s built.

Characters: Eijiro Kirishima x Female Reader

SMUT WARNING MINORS DNI

TW: Pining, secret feelings, friends to lovers, gentle sex, fluffy sex, fluff, emotional, embarrassment, morning wood, longing, vaginal, vaginal fingering, morning wood

Words: 4.0k

There was something so hypocritical about Eijiro loathing movie nights.

It was exactly what he loved: spending time with his friends, hanging out together and sharing something, exactly what he always wanted to do anyway. His classmates could never understand why he always wanted to go out on the designated movie nights, spending Saturday evenings trying his best to make some excuse. Still, Mina dragged him down to the couches forcefully, rolling her eyes at how the redhead grovelled about not wanting to be there. Why wouldn’t he want to spend time with his beloved classmates snuggled on a couch?

He’ll tell you why. The reason was walking straight towards him.

Your cute little face was already cheerfully smiling as you plopped down in your familiar spot beside him, blankets wrapped in your arms. The routine was the same: On movie nights, Eijiro let you lay on him (you always fell asleep before the movie was over), and you brought your weighted blanket big enough to cover you both. At first, it was sweet, a close friendship that the redhead genuinely enjoyed entertaining, always eager to see you snuggled against him.

But the weekends passed, Saturday nights rushing along, and eventually, Eijiro found himself blushing and tense as you snored quietly on his lap. You had become comfortable with him, he was happy for it, but another part of him cursed himself for letting it happen. You were his best friend, besides Katuski and the others, Eijiro felt the most comfortable just being with you, the happiest in your company. So, when he let his happiness slowly fade into a crush, everything came crashing down. He was supposed to be your friend, you were supposed to feel free around him, not like he was about to ruin your friendship with one slip of a wrong word.

“Hi, Eiji, what movies tonight?” You smiled, throwing the blanket over you two as you both hauled into the corner of the common area couch, the rest of your classmates finding their usual spots on the floor or on the couch with you. Yaoyorozu and Denki were to your right, Jiro nestled on the ground between their legs and offering a bowl of popcorn up to you, the buttery scent nice as you scooped it up. Bakugo and Ashido sat on the couch adjacent to you all, her legs thrown over his thighs as she tapped away on her phone, the blond craning his neck to try and talk to Tokoyami about some band stuff. Everyone was settling in, Ida making sure everyone was comfortable before he switched off the lights, starting the movie up as the pictures flashed across the large TV. “Some American movie, I think,” Eijiro whispered, tensing as you already began to lay your head on his shoulder, skipping straight to his point exactly. “An older one.”

You hummed, tucking your legs close and wrapping snugly in the large blanket, tossing the extra onto Eijiro’s lap. Everyone was quietly whispering, shushing each other as the movie began to play. The class was relaxed, spread out, and took up the entire common area. Eijiro was already stiff and rigid. You already knew, despite what he thought. It barely took you even speaking to him anymore before he was a mumbling mess, hurriedly apologizing for having to leave and get out of your sight. The redhead never was good with being straightforward, not with you, at least. With everyone else, he was always giddy, always so excited to have people piled into his dorm and hanging around, but if you entered, there were sudden complaints of being tired and needing to get some sleep. This, unfortunately, was the only way you were going to get to be around him. Whether he liked it or not.

The movie dabbled on, some old romance from the early 2000s you couldn’t bring yourself to care about as you felt your eyelids dip. You couldn’t help it, Eiji was just so warm, so stupidly warm and cute when he was like this, stiff as a board under your heavy head. There was no use fighting, you knew he’d wake you up at the end anyway…

Eijiro glanced cautiously, stunned when he watched your eyes fluttering closed and cheeks squished against his shoulder. He blushed, adjusting his position so it was easier for you to get comfortable, your breathing quiet and labored beside him.

These were the times Eijiro really enjoyed, the moments when he could just look at you without fear of being caught or called out on it, where everyone else was so focused on the movie they couldn’t even see his eyes roaming, grinned with your pretty little face. He would just let you sleep, tucking the blanket closer under your arms or letting you slobber into his shirt sleeve, but he didn’t care.

The movie’s credits rolled, everyone tiredly shuffling towards the stairs with their pillows and blankets tucked under their arms. A few straggled towards the kitchen, reaching for some late-night snacks to tie them over till morning before making their way up as well. Eijiro waited, like he always did, until everyone was gone before he lightly tapped your shoulder, stroking his finger across your plump cheeks to coax you awake. You were snuggled in tight tonight, lips parted and cheeks squished against his shoulder, his t-shirt slightly stained with your drool. He smiled, tapping your shoulder again, but you just wouldn’t wake up. “[Y/N]...” He cooed, nudging his arm a little to jolt you, but you just slid down, head bobbing down until it fell onto his thigh, and laid completely down.

Eijiro jolted, panicking slightly as you laid your head on his lap, just as deep into sleep as you were before, completely unaware. “Ah- Shit… okay.” He huffed, sliding his hands under your head and propping you back up, tucking his other arm under your body to haul you into his lap fully, cradling you. “Rough day. She was up studying in here until morning yesterday. Stressed about finals or something.” Eijiro looked up, Mina’s pink curls filling his vision as she leaned down, smiling at your sleeping face. He hadn’t even heard her come in, too focused on making sure you were still comfortable. “Oh, shit.” The redhead replied, wiping your bangs off of your forehead as you turned your face into the crook on his shoulder, settling in, tucking the blanket back over you. Mina chuckled, waving and heading back towards the stairs with a bag of chips in her hand, knowingly giving a wink. Eijiro sat, a little pink on his cheeks as he watched you breathe, holding you tight. “We gotta get you to bed then, huh?” He asked, smiling at you as he hauled you up, carrying you in his arms, you were practically light as a feather.

The walk up to your room was full of your quiet sighs and fingers clenching into his shirt, sleeping soundly. You were always good about being able to wake up and haul your own self to your bed, but Eijiro knew that was out of the question tonight.

Pushing your door handle down with his elbow, Eijiro pushed open your dorm door, clicking it back shut with his foot as he turned into the dark space. He realized he had never been in here before, never confident enough to stride into your room without getting all flustered. It was cute, the decorations matched your sweet personality. He fumbled around, the streetlights outside your window illuminating through your curtains just enough to find your bed, setting you down on top of the sheets. Eijiro noticed the way your whole room smelled like you, your nice perfume and hair products mixing and making him smile, tugging your soft sheets down to help you under them.

It was funny, as he tucked you in you didn’t stir once, his awkward touches not rousing you until he pressed away, his presence retreating and causing you to flutter your tired eyes open. “Eiji…?” You mumbled, turning on your side as you watched the muscular boy slide towards your door quietly, tossing your blanket onto your chair. He hissed, turning slowly to see your eyes lazily trained on him in the dark. “Don’ leave…” You mumbled again, letting your eyes close as you shoved the covers down, inviting him in. The redhead blushed, cheeks flushed as he stepped closer, shaking his head. “You need to sleep, [Y/N]. Me too.”

“Then sleep here, kay?” You lazily smiled, reaching out as he began to retreat again. Eijiro groaned, fighting his every instinct to jump into bed with you, his nervousness overtaking him once again. “I can’t. You won’t sleep comfortably with me in there.” You shook your head, this time pushing the covers down to your knees and sitting up, reaching out to grab his shirt sleeve and tug him towards you. Eijiro stuttered, muttering excuses as his heart raced, but you dragged the large guy towards your mattress, his knee raising to press against the bed to stop you from pulling him down. You sighed, plopping back onto the pillows as you held his shirt sleeve, refusing to let go. “Get in bed, Eiji…” You smiled, looking up at him through half-lids and giving his sleeve a good tug. “Or I ain’t sleeping at all.”

The redhead sighed, giving up as he kicked off his shoes, pulling the covers up as you victoriously smiled. You knew him, his lack of capability when it came to you. This was the only way you knew to break that, the only way you knew to push past that wall he had built for himself and get him comfortable. Straight to the point, you supposed.

Sliding over, Eijiro slid under the covers, anxiously lying with space between you two as he placed his head on your pillow, refusing to look at your face as you rolled your eyes. “So far…” You huffed, turning your back to him and tugging his arm with you, smiling at how much larger even just his arm was compared to you. You hauled him closer, forcing his forearm around your shoulder and holding on tight, his chest pressing to you. You could blame it on being tired and delusional, but you knew what you were doing, and you had a suspicion he did too. “Ah- okay…” Eijiro cringed, awkwardly adjusting up against you and trying his best not to impose. He just took up so much room though, you getting swallowed up against him as you breathed deep, settling back into sleep. The redhead just watched, nervously nibbling on his bottom lip as he watched you effortlessly slide back into slumber.

Eijiro thought that was his favorite view. No matter where, he always enjoyed watching you sleep, just how peaceful and relaxed you looked. It was the one time he wasn’t freaking out about you potentially catching his gaze. Making sure you actually were asleep, he pressed closer, letting his arm relax over your waist and wrapping close, pressing against you comfortably. He grinned, breathing deep and still trying not to stir you, letting his own eyes shut as your hair tickled his nose. He would leave in a little bit… Yeah…

Morning came faster than expected, the sunlight peeking and lighting up your dorm. You both snored quietly, Eijiro’s arms now completely wrapped around you and tugging you closer as you gripped onto his hands. His mouth hung open, hair a mess and shirt tugged up to his chest, you cradled practically under him. Everything was peaceful, the Sunday morning creeping slowly as you stirred, eyes gently popping open.

You smiled, realizing that Eijiro hadn’t left and had stayed throughout the night. You leaned your head back against his shoulder, letting your body contort to his largeness and accidentally letting your ass pressed back to his hips, gasping when you left his boner already present. Morning wood. Eijiro felt the stimulation too, because he was already rousing awake behind you. You refused to move, shutting your eyes back quickly as he groaned, his hips instinctually pushing forward for friction until he realized what he was doing, jumping awake.

The redhead sat up quickly, knocking your head off of his shoulder and hissing when he realized he had woken you up, quickly apologizing. “Jesus- Uhm… sorry.” He groaned, gripping the covers tight over his hips as you sat up, smiling awkwardly. “It’s fine…” The air was tense now, Eijiro glancing back and forth between you and the door, anxiously trying to find an out for himself without you seeing his very untimely bulge in his gym shorts. You knew but tried to act oblivious as you crawled over him, sliding off of the bed and reaching for your phone, noticing the time was later into the morning, almost noon. “Damn, heavy sleepers, huh?” You laughed, Eijiro nodding but cheeks giving him away, their redness almost concerning. “I, uhm… I gotta go.” Eijiro smiled, trying to nonchalantly stand up but you blocked his path, crossing your arms sheepishly. “Why? Cause your boner?” You teased, popping a hip out as you stood that the redhead definitely took notice of. The redhead stuttered, face turning deep shades of red as he gawked, embarrassingly trying to state otherwise, but it was too late.

“[Y/N]...” He grits, looking to the floor but desperately wanting to look at you. “Can’t help it.” You smiled, pushing back onto the bed beside him. He hesitated, trying not to let you get too close but you were already holding his arm, pressing against his shoulder. “It’s alright Eiji… But, we do gotta talk.” You grinned, leaning back into your headboard and dragging him with you, his hand tight on the covers to cover his crotch. “Can I say no?” He smiled awkwardly back, trying to stop himself from leaving altogether. Shaking your head, he sighed, relaxing back as you held his arm. “You can’t avoid me anymore.”

Eijiro groaned quietly, looking in the opposite direction but eventually finding his way back to you, his cheeks a dark tint. “It’s just… I don’t know. I can’t explain it.” You huffed. “Try.” The redhead locked his eyes onto yours, admiring how the sunlight from the window accentuated your cheeks, how cute. But he was also keenly aware of how close you were, nervously letting his arm relax as you traced his veins with your fingernails. “It’s just… I’m so good with people, making friends, anyway. But, something about you is just different. I just feel so embarrassed and nervous, I’m never like that. Only with you…” He cringed, nose crinkling as he pushed his hair out of his face, the usually spiky strands looking a lot more limp and tangled. “I think I like you, maybe…” He sat awkwardly, hesitant for your response.

You laughed, “You think?” Eijiro answered by covering his face, sheepishly laughing with you as you slid your hands down to hold his hand, his rough callouses from working out tickling your soft ones. “Eiji. It took you long enough.” You finally broke, smiling at him as he looked into your eyes, trying to find some hint of a joke or a tease but being left with only butterflies. “You’re very obvious, by the way.” You chirped again, giggling as you slid closer, letting his body press close as he contemplated, but eventually fell into your touch. “Sorry… So, what does this mean, or like, uhm…” He laughed, trying to gauge you but not being too blunt, jolting when your face was suddenly close to his, pressing a kiss to his cheek. “That.”

Eijiro looked at you for a moment, stunned and far too excited to realize what had just happened, body moving before he could think. His hands were around your cheeks in a second, tugging your face close to his and pressing a firm kiss onto them, his roughs ones resting comfortably with your soft ones. You melted in, pressing your hands to his chest and gripping his shirt, trying to drag him closer. “Ei…” You groaned, letting his arms wrap behind your back and tug you onto his lap, the redhead assumingly forgetting the morning wood that was very much still present underneath your ass. Pressing your lips firmly against his, you let him lead, wrapping your arms around his shoulders as he gripped your hips, unconsciously pushing you down firmly.

“Ah- Ei-” You laughed, pulling back off of his lips as he leaned forward, trying to reconnect them before coming to. “Shit! Sorry- Ah, jeez… Sorry… Just wanted to do that for a long time…” He confessed, slightly out of breath as he realized what you meant, your wandering eyes alerting him to his morning wood turned boner. “Fuck…” He groaned, embarrassment causing him to push your hips off and tug the covers back over. You laughed, pressing back closer for another kiss, tugging the sheets down as you pressed onto your knees. “Well, can’t just leave it unattended, right?” You teased, pulling the sheets off of the redhead and watching as he became startled, slightly panicking as you tried to slide your fingers into his shorts. “Wait- Ah, are you sure..?” You nodded, pressing your fingers up into the hem of his shirt and slowly sliding it off, pushing the fabric over his messy hair as he settled in. “Have been for a while…”

Eijiro let you lead, setting back against the headboard as you tugged your own shirt off, the sight of your tits making the redhead squirm. He sat forward, forgetting himself and pushing you down to the bed, his eagerness catching you off guard, but his hands were gentle. “Sorry… jeez, you’re just so pretty.” He smiled, dipping his large hand into your shorts and tugging them down, looking into your eyes as you giggled, pressing kisses against his cheek.

Laying down beside you, Eijiro pulled your shorts off your ankles, face growing dark as you were half-naked beside him. “Listen. I don’t want you to think I’m doin’ all this just cause I wanna get laid… I… I really like you, [Y/N]...” He reassured, your answering kiss on the lips easing him, still nervously tracing his fingers along your stomach. You sat up on your elbows, watching as his thick fingers pressed past your panty line, down towards your folds. You were so excited, hips practically arching upwards to get his fingers closer faster. When you finally felt his thick pads press into your already wet lips, you groaned out.

Eijiro was peppering your cheeks with kisses, making sure you were okay every couple of minutes as he pumped his fingers in, stretching you slowly. “You okay, love?” He mumbled, eyes trained on how his fingers looked as they tugged out of you, his digits slick with your arousal. He slowly, lazily fingered you, making sure to curl upwards against your squishy walls just enough to make you whine, but always making sure it felt good. “I’m okay… Faster…” You mewled out, letting your head rest against the boy’s shoulder, breathing his scent deep as you fell apart to his fingers, their size much larger than your own could ever reach. “Just breathe, baby.” Eijiro hissed as you wrapped your hand around his wrist, holding his hand still as you ground your hips down, practically riding his fingers. His palm jerked against your clit, making your eyes flutter as your face felt hot, angling so his fingers would reach up into your g-spot. “Need you, Ei…”

The redhead groaned, tugging his own shorts down with his free hand as you still worked, soaking onto his fingers before tugging them out, just to push them right back in. “Okay, okay.” He smiled, kissing against your neck as he lazily pumped his cock, you gasping at the sight of it. He was big, girthy anyway, but definitely bigger than any dildo you had taken. Whining, you tugged his fingers out, spreading your legs and staring into his eyes as you smiled, arching back into him. “Please, Eiji…” The boy groaned, laying flush behind your back as he tugged your leg up, spreading your cunt apart as he aligned himself with your entrance, gauging your reactions as he slowly pressed in, moaning at the way you gasped. “So big…” You mewled, smiling wildly as he pushed further, letting his cock spread your entrance wider and your plump lips swallow him in, your cunt just as desperate as you were. “Shit, baby…”

You reached behind yourself, gripping onto a tuft of Eiji’s hair as he lazily fucked into your warm cunt, kissing the back of your neck and cooing lovely words into your ear, telling you how beautiful you looked. Despite his size, Eijiro was so soft, so considerate towards you and every reaction you gave him, his love far more than just mental. “Doin’ so good, love.” He smiled as you gripped the sheets, his cock pressing against your walls and tugging moans past your lips. You wanted to submit, to let him do this all the time, every day even… “Ei… date me…” You gasped between moans, giggling as he rocked his hips, stuttering at your request. “You ask that- ah- now?” He groans, letting his head fall to your shoulder as he breathes in your smell, already knowing his answer. “It just… felt appropriate…” You smiled, a hiss rolling from your tongue as his cock stretched you, your leg growing tired as Eijiro held it up, stretching your hips wide.

Eijiro gasped quietly, burying his head into your neck as he agreed, smiling like an idiot as he pushed your leg past his chest, pushing into your hips and placing his arms on either side of your head, rolling his hips in. “Jeez, baby, feels so good. You look so pretty…” He huffed, kissing against your cheeks and lips as he fucked into you, your cunt swelling and pulsing around him. “Gunna cum…” You moaned into his mouth, breathy sighs fogging his cheek as he wrapped his arms under your back, keeping a steady pace to tilt you over, rocking more intentionally now…

“Eiji-” You whined as you came, pressing your lips to his as your cunt pulsed, aching pleasure through your body as he groaned, trying to push past your tightness and ride you through your orgasm. “Fuck-” He tried to press in as long as he could, giving one finally thrust before tugging out, stroking his cock quickly before releasing onto your stomach, his apologies quick as he moaned through them, your hands roaming his body as he panted. You smiled as he eventually calmed, kissing your cheeks as he pushed off, grabbing a napkin from your desk and cleaning you off with a teasing apology.

“So…” You smiled, still out of breath as you settled into the covers, reaching for the larger boy as he laid back down, cradling his arms around you. “So..?” He chirped back, a goofy smile spreading across his face. “Jesus I love you.” You laughed, rolling into his arms and kissing his skin.

Saturday rolled around again, the scheduled movie night pressing closer as everyone piled into their seats, the usual pairings snuggling up as Eijiro waited patiently, scrolling on his phone.

His vision was blinded as hands reached around to cover his face, the redhead’s arms shooting back to grab the mystery arms and tugging the light body over the back of the couch, right into his lap. You giggled as you hauled the blanket over with you, landing comfortably into your boyfriend’s lap and smiling wide, pressing a kiss to his lips. “Gotcha.”

“Sure.” Eijiro smiled, pulling the blankets from your hands and throwing it over the two of you, his arms finding their usual spot cradled around your body and holding you close. Knowing pairs of your classmates' eyes watched, some smiling as Iida turned the lights down, everyone turning their attention away. But you both continued to look at eachother, admiring the way you slotted against each other so perfectly.

Finally turning to look at the tv, you smiled, Eijiro’s eyes still trained on your pretty face. This was the first time he was able to look at you and not feel embarrassed, nervous you would catch his gaze any minute. Now he just looked, unashamed and longingly, smiling every time you glanced back at him.

He’d never look away again.

This was an anonymous request!

Comments and reblogs are appreciated! 𐚁₊⊹

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lady-ashfade · 10 months ago

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so this one i stole again lol from your list. “Please go on a date with me.”

basically percy notices the reader and tries to impress her by doing crazy ridiculous things but she’s not interested because she thinks his ego is too big. finally she comes around when she sees he got hurt doing something for her to notice him. i hope that makes sense.

Falling for you- Percy Jackson x Fem!Reader

-£ words: 900 words

-£ Warnings: Short story, Simp Percy, cute crushes, reader being a bit mean to him, percy get it hurt, fluffy fic

-£ taglist: @kazurami14 @anonymouslyawesome25 @american-idiot21

the son of poseidon was persistent.

no matter how many times you told him off, or set him running with his head running, or you leaving him alone. he always kept coming back. Percy was often knocking his opponent down in training hoping you’d see him. he did everything to try and get your attention.

his back legs curled around a tree branch where you normally took your daily stroll, he was hanging down with a huge smile on his face and his cheeks glowing red. “percy.” you greeted with a uninterested tone. he just kept that annoying big smile, “lovely day isn’t it?” the only thing you did was roll your eyes and continue to walk down the dirt path. “And you’re ruining it.”

when he first arrived at camp, he already had some sort of glory after defeating a minotaur. he just kept finding his way in danger and saving the day, time after time. but his stupid smirk or smile told you he was too full of himself. he’d making the lake waves move, or make them a shape of something. no matter what, he was showing off.

and boy did you hate it.

somehow he find his way to you and that annoyed you, it was just too much. honestly you didn’t even realize he was trying to get your attention and just thought he was showing off to everyone. and certainly you didn’t know he had a crush on you. all you noticed was his ego.

but he noticed everything about you.

the way you walked, if you held your head up high or at the ground. how pretty your face shined when the sun shined on it, and how your smile shined even brighter. he was constantly chasing after you, he was craving to get your attention. most of the time he just did what popped up in his head which for someone like him, and you, was always dangerous and over the top. he lacked self control.

how someone could be so beautiful he couldn’t understand. even when you fought, he was entranced. you could be the worst fighter and he’d stare at you like the stars in the sky. his heart belonged to you.

but this time, he had gone to far.

“you’re a idiot,” you push his head under the water as you clothes get wetter by the second of sitting in the water. the bruising on his skin and the cuts going along with it only made your heart ache worse. his stunt didn’t go so well this time, hints his fracture wrist. he took a deep breath as he came back up even though he could breath under the water. he just wasn’t thinking straight.

sitting yourself back down on the sand you click your tongue. he had challenged you to a fight with that same attitude, the same smirk, the same slick tone. he got a little to distracted near the edge. he walked backwards with his sword held pointed at you, “look at us spending time together, we should do this more often.” he really should have watched his steps because his foot finally slipped and he took a tumble down onto the rocks. you watch him slide down, his grunts of pain and the way his body sounded made you cringe

lucky he landing on the shore line and only a few feet away from the water. which is were you two stay now catching your breath and thinking to yourself. why did you care if he was actually hurt or not? not like he would die or stay injured because he always got back up. why did his smile finally get to you back then?

and why was your stomach sick.

as you thought to yourself percy watched again like he always found himself doing. he loved the look on your face when you were deep in thought. and now that your face was wet and hair hanging down he couldn’t stop himself from falling deeper for you.

“please go on a date with me.” his words cut you out of thought.

your eyes grow bigger and look at him shocked and startled. you couldn’t believe your ears. he just asked you out on a date…percy jackson asked you out. the cocky, dumb, arrogant demigod was talking to you. Why, you hate his guts and always made fun of him. he jumped up from the water and you saw his teeth pinch the inside of his mouth anxiously.

“Sorry,” he sighed. “it just came out. I’ve been trying to ask you out for weeks but i couldn’t work up the courage to ask you out, I’m not good at this type of thing.” percy jackson lacking courage? that made you laugh. you looked up at him, the sun shining behind him as his hand now extended to you offering to help you up. any other time you would have smacked it away and cursed at him to leave you alone.

“I know you probably think I’m a total idiot which is true but, I really like you. If you really don’t want anything to do with me then I respect your wishes.”

but now you realize that you actually enjoyed his company. he made camp fun and exciting. and boy, was he handsome now that you really look at him. “alright, beach boy.” you grabbed ahold of his hand as he pulls you up. your body pressed into his and knocked him back a bit but his arm grabbed ahold of your waist to steady you.

inches away from his face your lips curled in a small smirk, “You got yourself a deal.”

#percy jackson x reader #percy jackson x you #book percy jackson #book Percy jackson x reader #percy jackson imagine #percy jackson x fem!reader #percy jackson and the olympians x reader #fluff

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mockerycrow · 1 year ago

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Talk About Sensitivity In The COD Fandom **Important.**

THIS IS NOT A DEBATE POST. DO NOT BOTHER.

Hey, everyone. After the reveal of Makarov in the trailer (as well as general concern), I think a chat about sensitivity is important. Since the trailer’s release, I have seen a major increase in simping for Makarov posts as well as genuine romanticization of Russia and/or Russian Soldiers. First, I want to talk about the romanticization of Russia and/or Russian soldiers because it’s seriously getting out of hand. I need you guys to realize that Russia is an ultranationalist country and yes, maybe not everyone who lives there believes what their government does, but it’s important to know a big portion of their population does. I have seen multiple posts and edits of this man right here (pictures below).

THIS GUY IS NOT SOMEONE YOU SHOULD LIKE, AND PEOPLE NEED TO UNDERSTAND THAT HE DOES NOT LIKE YOU. This is one of the most popular Russian Soldiers amongst the internet due to the way he wears a mask, gear, has an accent, and is buff. He makes videos teaching soldiers how to kill people—innocent people in Ukraine who are just trying to survive. I have seen people straight up ignore when someone tells them what this man has done, so let me put it this way—he does not like you. He wants you dead. He is racist, a homophobe, transphobe, antisemitic, etc. He absolutely hates The West, and he does not like you unless you are a cis, straight, white 100% Russian. Even if you’re a woman, he DOES NOT LIKE YOU. If you American, HE DOES NOT WANT YOU ALIVE.

[This part is not targeted; just a general statement.] Second; there is a serious problem with how you guys address Makarov as a character. There is absolutely no problem enjoying him as a villain because I do too, but you guys have to realize that Makarov is an ultranationalist—which is exactly what Russia is right now, an ultranationalist terrorist state. “But he’s fictional, it doesn’t matter! it’s not that deep!” It actually is that deep. I keep seeing content for Makarov and I can’t force anyone to stop making “fluffy fics”, but I need y’all to have some fucking decency towards victims and people affected by the war. I know people who are affected by the war who feel ill seeing posts painting Makarov in a good light. If you are going to write Makarov, do NOT romanticize him as a character—do NOT paint him a decent or good light, because you can’t. Write him like the bastard he is. And no, this isn’t a “let people write what they wanna write” situation. You can do that, but please be expected to be judged and blocked by me and many others. Makarov is quite literally the characterization of everything that is wrong with Russia, and what HAS been wrong with Russia. Makarov is not a bad boy, a rebel, etc, he’s a fucking terrorist. Please be for real. “But the military in general is bad, so why does it matter specifically around Makarov?” Please see above my previous reasons. Thanks.

The overall message of this point is to be fucking respectful. There are actual people dying and slaughtered for no reason other than ruined pride and a lot of Ukrainian folk seek comfort and distractions in the internet and their fandoms. This ruins it for them and quite frankly, sometimes how Makarov is being written? It’s completely insensitive. Anyway, below are a few links where you can directly support the efforts and the people of Ukraine. Peace and love, and please write with critical thinking.

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munsonsmixtapes · 5 months ago

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Paint Me

Benedict Bridgerton x fem!inexperienced!American!reader

summary: An unfortunate funeral causes you and Benedict come face to face and he is your surprising shoulder to lean on. And after a secret moment in the garden, you become closer than ever before.

word count: 4k

taglist: @syraxnyra @turtle-cant-communicate @sublimepenguinpeach-blog @intothesoul

part one part two part four part five part six part seven

February 13, 1817

There was a knock on your door after you had gotten home from the gallery. You had embarrassed yourself enough when you had insulted Benedict's painting and weren't in the mood to speak to anyone, especially not who you knew was on the other side of the door.

You had already felt like a disappointment to your father and you didn't need to hear him tell you as such. But he entered the room anyway and sat on the edge of your bed next to you. He went to wrap his arm around you, but you pulled away, moving closer to the other side.

"I am afraid that I have not been there for you when you needed me most," he went to reach for your hand, but you pulled it away, fully turning your back to him.

"I am afraid that is true and I do not wish to speak to you at this moment."

"Bunny," he went to use his beloved nickname for you which caused you to stand from the bed, turning to face with a kind of anger you didn't even know was possible.

"You do not deserve to call me that. I understand that you are my father, but you were also my best friend. So where have you been?" You asked, your voice getting louder. "Where have you been when your wife, my mother betrayed me? If you love me as much as you claim to, then why have you never defended me when you saw the two of them treating me so horribly? I know why. It is because you are nothing but a coward and I do not wish to speak to you any longer."

With that, your father left the room, leaving you alone again. All of your anger was getting the best of you, everything that had happened throughout your whole life, weighing on you. You went under your bed where you hid away your art supplies and began to sketch, the pressure of your hand pressing the charcoal to the page, causing it to break, both it and the tears that were falling from your eyes, ruining the picture completely.

It seemed that not even your form of therapy was working. The one thing that made you feel better in fact did not. As your anger reached its peak, you threw everything across the room in a loud clatter and changed into your nightgown, getting into your bed, pulling the covers over you and crying until sleep claimed you.

But your sleep did not bring you any rest whatsoever, the only thing happening behind your eyes was your father. You saw his carriage crashing into a tree, the ship he was on going down, him falling off his horse, all leading to his demise.

The guilt was eating at you for the way you spoke to him. Even though everyone was asleep, you couldn’t sleep any longer without apologize for the way you spoke to your father. Whether he accepted it or not didn’t matter. You just needed him to know that you didn’t mean a single word.

You snuck out of your room with every intention of heading to your parents’ room at the end of the hall only to your mother sobbing in the foyer. She was on her hands and knees while Lilith held onto her, rubbing her back while he cried tears of her own.

You approached them, looking around for your father only to not see him, and you expected the worst. It seemed that all of your nightmares were in fact not that, but premonitions.

You felt lightheaded, your vision going hazy as your sister told you what had happened. Augustus had gone for a late night horse ride and had experienced a heart attack, causing him to fall off and pass away right there because there had been no one had been around to give him the proper care nor get him to a hospital.

It was all your fault. Or at least, that was what you were telling yourself. He did, however, die in one of the ways you had dreamed about, so you supposed that you had spoken it into existence.

The next few days, the house was quiet, neither you nor your mother or sister uttering a single word, nothing feeling quite right to say as far as the loss was concerned. The funeral was the next week and the three of you stood together, weeping over your father’s grave.

You were approached by Kate and Anthony who pulled you into a group hug as your cried into their shoulders and they held you for as long as you liked. When you pulled away, you saw Benedict standing behind them, his eyes already on you. For once, the flirty look in his eyes was replaced with a look of sorrow.

For a second, all of your dislike for him dissipated as he pulled you into his arms, his hands rubbing up and down your back as he whispered nothing but nice things into your ear as you cried into his shoulder.

Kate and Anthony turned away to give you a private moment and whispered to each other about what was possibly going on between the two of you. Kate thought it was sweet, but Anthony was ready to nip it right in the bud. There was no way that he was letting his brother anywhere near you, not even in a friendly way as Benedict was unable to be friends with women. He only bedded them and there was absolutely no way that could happen.

You pulled away from Benedict and he was quick to wipe your tears. You hadn’t seen him that soft and gentle since you had moved back to England and you were happy to have your old Benedict back, even if it was just for a moment.

Benedict didn’t know what had come over him. He wasn’t sure why, but seeing you so heartbroken broke his own heart. When he saw you sobbing when he got to the graveyard, he swore that he could actually hear his heart crack. Usually, he would only comfort a woman going through a loss for the sole reason of getting her into bed, but this time, that wasn’t even a thought. He just wanted to make sure that you were okay.

He didn’t leave your side the entire day as everyone followed your family to your house to enjoy a meal together in your father’s honor. He kept his distance out of respect, but he wanted nothing more than to wrap you up in his arms and let you stay there as long as you wanted. He knew how close you were to your father and just how much it had crushed you to lose him.

As day turned to night, you could feel your cold shoulder towards Benedict start to thaw. You were beginning to think that maybe you were being too hard on him when he had genuinely been trying to right his wrongs with what he had done to you almost a decade ago. You didn’t think that you should have let it hurt you for so long and that the grudge you were holding against him was really only hurting you in the end.

February 20, 1817

As a way to see your artwork, Lady Danbury had one of her friends host another gallery. You had told her that it wasn’t at all necessary, but of course, she didn’t listen to you. She assured you that everyone would love whatever you decided to submit and that they would all be lining up to purchase commissions from you.

You, however, thought it was a bold claim. Sure, you wanted people to see your work, but now you were nervous that none of them were going to appreciate it the way that you did. It was all very personal and you weren't sure that you wanted it hung for everyone to see.

Despite that, you still submitted your most personal piece. A painting of your father that was your own way of honoring him. A way to forgive him for all he had done to you and to let go of all of the guilt you felt for what had happened to him. It was the best form of therapy you could have ever asked for and easily your best work to date.

Benedict's piece had been coming along great as well. For once, he wasn't thinking about every single brush stroke and just went along with it, letting the brush guide him. He was going off of memory since he didn't have a proper photo of his subject, but he thought it was turning out rather well considering.

Instead of going to the studio, he decided to work in the garden, the sunlight being the best thing to point out all his imperfections if there were any. He was not going to have a repeat of what had happened last time. It was far too embarrassing.

"Ah, there you are, brother," Eloise spoke as she approached him.

"Here I am," he replied and was quick to stand in front of the painting so she couldn't see it, but it was too late. She had already seen it. She pushed him out of the way and let out a gasp as the painting before her.

"It that-"

"No," Benedict cut her off, trying to block her view of it again, a shade of pink apparent on his cheeks. Eloise just laughed and pushed him out of the way again, careful not to knock over the easel.

"It is!" She gasped. "It's the l/n girl that Kate and Anthony have befriended!"

"It is not." He didn't know why he was denying it. All the proof was right there.

"You cannot deny it. It seems that you have befriended her as well." Eloise could see the way that her brother looked at you and it seemed like he was attracted to you. She hadn't had many interactions with you, but according to Kate, you seemed like someone who keep Benedict humble and ground him.

"She doesn't like me, Eloise," he shook his head as dipped his brush into a shade that was the color of your skin tone and did some shading where he thought it would look nice.

"Why not? Did you hurt her, because Anthony will certainly-" Oh, Benedict knew exactly what Anthony would do.

"I did," Benedict nodded. "Eight years ago. When her family lived down the road, we painted a lot together in the study while Francesca played the piano, but one night-"

"What did you do, Benedict?" Eloise wasn't sure he wasn't going to say, but what she did know was that she wasn't going to like it.

"She told me-she told me that she loved." Her eyes widened at that and she wasn't surprised that she didn't know that fact because you would have been too scared to admit it to anyone and Benedict just felt horrible about the whole thing and didn't want to revisit it.

"And what did you say?" Considering the fact that you were ten and Benedict was twenty-one at the time, she could assume what had happened.

"The only thing I could. She was a child and I was certainly not interested in her and so I told her as much. Maybe a little too harshly and she ran."

"Benedict," Eloise gasped. So that was why you always paid almost attention to him. All of the dots were finally connecting. Now she was thinking that she liked you even more. That you were the first woman to not fall for her brother’s charms even though you were the exact one who should have. He definitely had a type.

"I know, and now she's here and beautiful and I'm afraid I've fucked it all up." Eloise was wondering what had gotten into him that he had such a defeatist attitude. He was never that way towards the women he was interested in even if they weren’t interested. In fact, that usually only motivated him even more.

"Maybe this might seem like a foreign concept to you, brother, but have you ever thought about apologizing like a normal person?" Benedict actually had thought about that, but he didn't think that was good enough, so that was why he had done the painting of you. He hoped that would help you see just how much he cared for you.

"I think it might be too late for that." He decided that his work was done and started to clean his brushes.

"It's never too late for an apology," she rested a hand on his shoulder and gave is a squeeze, leaving Benedict with much to think about.

February 21, 1817

You sat in the study with one of your books in your hand, but you couldn't focus on it. Your letter letting you know whether or not your artwork was accepted into the gallery was going to be there any second and you were terrified. There was a lot of riding on it and you were very afraid that they hadn't accepted it.

Kate and Anthony had insisted on being there when you got the good new and Kate clutched your hand as a servant entered the room with the envelopes on a silver platter and you reached for yours, feeling like time had stopped as you ripped into the envelope.

You read the first few words of the letter and let it drop to the floor, feeling your body go cold, collapsing into one of the chairs as you accepted defeat. They didn't want your piece. You should have known since they wouldn't have since you were a woman. They hadn't said as much, but you were able to read the lines.

Despite your sadness, you told the couple that you would join them at the gallery and felt horrible that Lady Danbury went through all that trouble for nothing. You didn't want to have to look her in the eyes, but the only worse thing was not going an accepting defeat. You were going to show everyone just how strong you were.

February 25, 1817

Practically everyone was already at the gallery when you had arrived and you felt dread come over you as you accepted that you were going to have no part in it. You had been rejected from many things like that before, so you weren't sure why it hurt so much.

Lady Danbury had approached immediately when you arrived and you really didn't feel like speaking with her but you plastered on your brightest smile, faking like you had interest in the conversation even though you would have much rather been in the study with your paints.

"Ah, there's the artist," she greeted. "You left last time before we were able to talk about your critique of the Bridgerton boy." Normally you would have felt guilty for something, but this time you couldn't have cared less. Benedict Bridgerton could have stood to be knocked down a few pegs and you were really enjoying being the one to do it.

"And I apologize for that. I was just letting my own issues take over." You were only apologizing because you felt like it, not because you meant it.

"No apologies necessary, dear. I loved it. I wish you would speak your mind more often. More people could benefit from hearing your thoughts. Especially ones like Mr. Bridgerton." Lady Danbury didn't mind Benedict, but often times she felt he had a big head and let his ego get in the way.

"I appreciate that, but unfortunately, I don't think that I'm up for it tonight."

"But what am I to think about the artwork without a lovely artist to give her opinions?" There was something odd about the interaction and you couldn't figure out what.

"You do flatter me, Lady Danbury. I suppose I wouldn't mind joining you."

So, you led her around the gallery and told her what you thought about the pieces, promising her to not hold back this time, suddenly not afraid to speak your mind. And Lady Danbury was loving every second of it, very entertained by the shy wallflower coming out of her shell.

She quite liked your company, amused by your little quips that you had come with on the spot. And she appreciated how you felt like you were able to be your true self around her, not the shy person she had met a few weeks ago. You were growing on her and easily becomg one of her favorite debutants of the season.

"Lady Danbury, who do you think your favorite artist is?" You asked as she got to the second to last piece. All this time you had been talking about the pieces in front of you, but you were curious as to what kind of art she liked since you thought a person's favorite artist said a lot about them.

"You." You were surprised to hear her say that considering that she hadn't even seen any of your work.

"Oh, that's very nice, but-"

"No, dear, it's you!" She cut you off and forced you to turn to the piece on the wall. You let out a gasp as your face stared back at you, feeling something very strange coming over you.

You stepped closer to the painting and turned this way and that, convinced that you were looking into a mirror, but you weren't. You could very clearly see the paint strokes when you got close enough. Who the artist was was a mystery. You had absolutely no idea who could have done it and wanted to know their identity and why you had been their subject.

You couldn't stop staring, wanting to reach out to touch it, but you knew you weren't allowed, even if it was your face on the canvas. It was amazing how well they were able to paint your features and you wondered what they had used for reference.

"I hope this isn't too amateur for you," a voice whispered in your ear and you felt a chill go down your spin as their hot breath hit the back of your neck.

You turned around only to be face to face with the seconds eldest Bridgerton brother. You eyed him, wondering why he would have done something like that and what he would have gotten out of it. That had to be the reason why he would have done it...right?

So many questions were swirling around your mind, your main one being how he was able to make the painting so accurate that it felt like you were looking into a mirror without having you sit for it.

"What is this, Benedict?" You pointed to the painting and he just chuckled. You didn't like how much you enjoyed making hearing the sound and wondering how you would have been able to hear it.

"It's you." He was smiling brightly and you wished he had done it more often. The look was just too pretty on him to hide away all the time. You wondered why he always seemed to always look so serious. In the many times you had seen him, he had only smiled when he was with Eloise.

"I'm aware of that...but why?"

"I think the better question is why not."

"How were you able to do it without me sitting for you to paint me?"

"I will answer all of your questions, but right now, we must see the final painting."

He offered you his arm and you grabbed onto it, letting him lead you through the rest of the gallery.

"But this was the last one."

"Not quite,” he winked and stopped at the last piece, causing you to let out a loud gasp as your own painting was staring back at you. But it had been rejected. How did he get a hold of it and why was it there? The man was confusing you even more by the second. You were convinced that he had just been trying to get you to forgive him just so he could feel better about himself, but now you weren’t so sure.

You felt tears well up in your eyes as you turned to him. No one had ever done anything that nice for you before. Something so selfless that they only did because they wanted to and not to make themself look good. Maybe he wasn’t the same Benedict that your remembered. Maybe he was finally turning over a new leaf.

Benedict wiped your tears away and even though it was entirely inappropriate, you threw yourself into his arms and he was quick to catch you, almost falling backwards because of how much force you had used to push yourself in his direction. You squeezed each other tight, avoiding the gasps of the people around you. Lady Danbury shooed them away to give the two of you some privacy as you both pulled away.

Without a word, you pulled Benedict away from the gallery and you both discreetly made your way through the crowd to get outside for some much needed fresh air. You looked out into the garden and couldn’t help but feel like home there.There was something that was so comforting about it that made it seem like you belonged there. You could see yourself there with Benedict right by your side, the two of you facing each other with your own easels as you painted your own portraits of each other.

You hadn’t thought about him in that way in a long time and wondered where that had come from. Maybe you were overcome with gratitude to him, but that didn’t matter. What did matter was the fact that you couldn’t stop yourself from staring at his pretty lips, wondering what they felt like between yours. And how you could have taken the chance and it would not have been inappropriate.

Without a word, you grabbed him by his coat and pulled him down so that his face was only inches from yours. You pressed your lips to his with so much force that your teeth clinked together and you both were quick to pull away covering your mouths in pain. You couldn’t believe you had done that. That was exactly why you never acted impulsively. It always just ended in embarrassment.

You just shook your head as you felt your cheeks heat up and turned back to enter the gallery. Benedict wasn’t going to let you get away this time, though. He lost you once and he wasn’t going to let it happen again. And this time, he was actually attracted to you and he was going to let you know just how beautiful he thought you were.

He grabbed onto your arm just as you were going to open the door and turned you around to face him. His hazel eyes bored into yours as he grabbed onto your chin, lifting it as he bent down. He slotted his lips between yours and you tried to move along with him, mimicking his actions exactly even though you had absolutely not fucking clue what you were doing.

Your hands moved to his face and pulled him closer to you so you had more access to his mouth, becoming addicted to the feeling of his lips on yours. You had only gotten a little taste, but already wanted to do that exact thing for the rest of your life. Benedict pulled away to let the both of you breathe, but quickly dove in for more as he grabbed onto your waist and pushed you against the pillar that was behind you. You let him lead, taking exactly what he wanted from you as you were pliant under his touch.

He pushed your mouth open as he slid his tongue inside, letting it swirl around your own and a sound escaped your mouth that Benedict definitely needed to hear again. And the fact that what you were doing was considered wrong only made him love it more. He continued to kiss you like his life depended on it as his hand moved up to your breast, massaging it the best he could over your dress as you let out another moan, this one louder. You pulled away as you felt a weird sensation between your legs, a lot of wetness collecting there. You began to panic as you pushed Benedict away, embarrassed about what was happening.

“I had a lovely time tonight, Mr. Bridgerton, but now I must go.” You curtsied and then rushed inside, gathering your dress in your hands as you did so.

You made a beeline for the restroom and locked yourself inside it before grabbing the nearest towel-like fabric and pulled up your dress before wiping. You pulled the towel away not to find blood like you were expecting but found that whatever was between your legs was almost clear. You were convinced that there was something wrong with you, having never seen anything like that before.

While you were panicking in the restroom, Benedict was pacing in the garden, debating running after you even though he was sure that you had already left. Had he made you uncomfortable? That must have been it because you looked so scared. He had taken advantage of you and now he was going to beat himself up over it. Not reciprocating your feelings when you were a child was one thing, but taking advantage of you was another and now he had ruined his chances with you because he was selfish. He didn’t think that another painting was going to fix it either. Perhaps it was time to finally let you go for good and let you find a man who was actually worthy enough. A man that was actually able to keep you.

#benedict bridgerton #benedict bridgerton x reader #benedict bridgerton x you #benedict bridgerton x y/n #benedict bridgerton fluff #benedict bridgerton smut

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linkspooky · 5 months ago

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DOOMED SIBLINGS: THE TODOROKIS VS. THE FIRE NATION ROYAL FAMILY

I received an ask in my inbox about how Zuko doesn't owe Azula any forgiveness. Truthfully I wasn't even going to respond because this isn't an avatar blog, but then I watched this video.

Not only do I disagree with the basically everything in this video, but I am going to make the argument that both Zuko' and Azula's arcs are both incomplete with the way the show left the two of them in the final showdown.

In order to make my argument I'm going to compare Azula and Zuko's relationship in avatar to Shoto and Toya's relationship in My Hero Academia and use the latter as a more positive example.

Unnecessary Redemption Arcs

The common fandom opinion I want to argue against is this idea that Azula's ending is a perfect tragedy, and therefore doesn't need to be expanded upon. There's also a sentiment that redeeming Azula would somehow ruin the impact of this perfect tragedy.

I'm about to argue against both of these points.

Azula's arc doesn't work as a tragedy.

Because of this her arc is unsatisfying and unfinished.

I'm going to address the first bullet point but before that let me add another disclaimer. The reason why I think Azula's arc isn't an effectively written tragedy isn't because I like Azula.

Before we even get into the My Hero Academia comparison let me bring up something completely different. I do like Azula, but I like Terra Markov from Teen Titans a lot more and I would not change a thing about her tragic end.

AZULA'S ARC IS NOT A WELL-WRITTEN TRAGEDY

Terra in the comics is what a lot of people accuse Azula of being. She is stated in the text and by her creators to be an unfeeling sociopath. She was also never intended by her creators to be redeemed.

[About Terra] The very first time we see her, she’s trying to blow up the Statue of Liberty. It’s just that all the fans assumed because we went out of our way to make her cute — but not too cute, with the buck teeth and everything — everyone would assume that she was gonna become good by the end and that was never the case. First thing, we made a promise that day that we would never renege on our view that she’d never become good. It’s sometimes hard to do that with characters you like. You want them to become good or something like that. But we never liked the character enough—because we knew what we were doing with her—we never allowed ourselves to fall for the character. Because that’s bad. That’s bad storytelling. You’re doing what you want as a fan at that particular point, not as the creators. T

Now let me clarify, both creators of New Teen Titans say some nasty things about Terra and don't recognize her sexual abuse, but here's the thing. You don't have to read a story 100% the way the author intended, sometimes the story says one thing and the text says something different.

I am going to use Judas Contract as an example of a story where the character from the start was never intended to be redeemed and why that's a positive in this case.

Terra is a teenage girl, the bastard daughter of the king of Markovia and a random American woman who presumably has had no stable home her entire life because she's working as a mercenary at fifteen. She teams up with a man that is in his mid fifties and even starts a sexual relationship with him (this is statutory rape she cannot consent) and Deathstroke uses her to infiltrate the Teen Titans and learn as much as possible.

Terra is sent to live with the team and spy on them for several months. The whole time she only ever engages with them in a fake spunky persona, and never shows her real cutthroat self. She leads Beast Boy on in a fake romance to make him trust her and secure her place on the team. The way you'd usually expect this arc to go is that Terra would grow fond of the team and be torn in her loyalties.

Yeah, that never happens.

Terra loathes the Titans. In fact she's developed a superiority complex about her meta human abilities and she doesn't understand why anyone would use their powers to help others. She despises the concept of superheroes in general, and because of that never bonds with any of the Titans. Her feelings never change from start to finish, because her creators intentionally wrote her as a character that can't be redeemed.

Terra is written to be a psychopath, but even with that intention in mind there are scene that shows a greater range of emotions. She has what could amount to a trauma flashback when Beast Boy too aggressively flirts with her and tries to kiss her and she reacts violently, trying to bury him under the earth.

Let's go ahead and interpret Terra as what is used as the fictional definition of a "sociopath" that is someone who feels no bonds with other people, someone with shallow emotions and someone devoid of guilt. Even if we interpret her that way, her story is still meant to be read as a tragedy.

Terra succeeds in her mission of infiltrating the Titans. Slade captures most of them, and the only remaining member Dick Grayson goes missing. Dick Grayson then unites with Slade's son Jericho, and the two of them team up in order to rescue the rest of their friends.

Even after all she's done the Titans try to make pleas to Terra during the final battle, which she not only rejects but responds to with violence. Which only confirms what I said above, Terra never grew to love them, she never regretted her actions, she only ever engaged with them with lies.

(Terra always lies, Terra always lies, Terra always lies).

Terra is declared by Raven to be devoid of emotions: "Her thinking is unlike ours. She feels no true love or hate. Her soul is corrupt. What she does is done without remorse."

Even after Raven declares this, however she still pleads with Terra to stop because she's going to hurt herself. Terra feels Slade betrayed her because he favored his son Jericho over her, so she decides to take both Slade and the Titans down. As the Titans fight her she begins to mentally fall apart ignoring their appeals to her and lashing out at everything around her. Eventually she makes one last attempt to everything around her, but the Titans escape and she only manages to bury herself.

At no point in the fight do the Titans give up on trying to reach her even as she's loudly screaming how much she hates them. Even after she's buried and it looks like she's dead, Gar and Donna both try desperately to dig her up on the slim hope she's still alive. When they find the body they even give her a funeral afterwards, even though they all think that Terra was beyond redemption.

Even the prose narration that accompanies her death is incredibly melancholy and bemoans her fate, at the same time as it calls her a outright sociopath.

There's no reasoning with her now. However slim, whatever sanity Tara Markov possessed is gone. Now there is only primal hatred! Hatred born, nurtured, and fanned. Hatred that festers and grows without care, without feeling, without plan. her pursed lips part and the sounds which echoes force are garbled and inhuman. Hot, boiling blood gushes wildly from the earth's open wounds, its skin fractures and cracks, and if a world could cry, it surely would. Her name is Tara Markov and she is little more than sxiteen years old, and due to the fault of no one but herself she is insane. No one taught her to hate, yet she hates without cause, without reason. No one taught her to destroy, yet she destroys with glee, with relish. Don't look for reasons which do not exist, plainly Tara Markov is what she is, and she has taken a great power and made it as corrupt as she. Hers was the power over the earth itself she could have brought life to deserts, hat to the frozen tundra, food to sraving millions. She could have damned raging rivers, and tunneled water to packed lands dry and dead. her powers were limited only by the mind which controlled them. A mind which sought not hope, not love, not life, but death.

If you go with the text that she is just a sociopath beyond redemption who hates and hates and hates for no reason, the narrative still mourns her because a sixteen year old with her whole life ahead of being consumed by hatred and then dying because of it is in fact sad.

If you read into the subtext then you can argue that the events of the story, contradicts what the narration is telling us. Terra is being sexually groomed and groomed as a child soldier by a man who is much older than her, even if she thinks he's a partner he clearly has all power in the relationship.

If you think about it that way then Terra is the ultimate bad victim. She doesn't cry and call for help as a victim of sexual abuse, instead she tries to claim power for herself, she manipulates, and she destroys any chance she had for a genuine relationship because she only sees all relationships as transactions she can gain or lose from.

Even if you only go with the first interpretation, the narrative still remains tragic because the Titans themselves did not want to give up on her, they did not want to watch this sixteen-year-old girl destroy herself. They never stop reaching out for her and it doesn't work, because there was no way out for Terra but death.

Here's the thing I don't think Terra's status as a sexual victim automatically means an ending where she dies is offensive. It reflects a reality that victims like Terra often go unseen because they don't present their victimhood in palatable ways, and by the time anyone notices it's far too late. Sometimes tragedies are meant to reflect a reality where many people do not get saved.

There's two reasons that Judas Contract works as a tragic story. Number one the creators planned Terra's ending right from the beginning. Which meant they never gave her any moment where she shows that she's redeemable. There's no genuine bond between her and the titans, no wrestling with the guilt of her actions, nothing.

Number two, Judas Contract is Terra's story from beginning to end. It begins with her betrayal of the Titans, and ends with her death. The death is also brought upon herself by her fatal flaw her hatred, which is what makes her the protagonist of a tragedy. Tragedies are stories where heroes are undone by their flaws. Terra also goes out on her own terms. She buries herself underneath her own rocks. Her death is a direct consequence of her inability to let go of her hatred. Terra's not fridged for anybody else's arc, she retains her agency until the exact moment of her death.

To simplify into bullet points, Judas Contract works because:

The creators thought out what they wanted to do with Terra.

Judas contract is Terra's story.

Now, getting to the part where we actually talk about Avatar, and I start complaining about that awful, awful video.

AZULA'S ARC IS NOT WELL THOUGHT OUT

I just went on a long tangent on how Terra, a character written to have no redeemable qualities can still be tragic. How the creators marked her as clearly doomed from the start, and how she brought about her end on herself, how there no redemption for Terra. How this girl had no real chance, and how regardless of the fact Terra is a lil baby sociopath her fall is still tragic because of how well structured the tragedy is surrounding her.

It's awful to kill off a sixteen year old victim of sexual abuse, but the ending just fits because Terra represents a certain type of bad, unsympathetic victim who doesn't get saved.

Azula's arc isn't as well structured. The ending does not fit. I'm going to start by refuting some points in the awful, awful video I did not like.

"Maybe it's okay if Azula's story ends where it does in the series we would separate how we would treat a real 14-year-old girl from a villain in a series, ad that's why any redemption arc isn't need i a story after all. A character needs of deserves a redemption arc when it becomes the most meaningful way to explore their character and place in the story, but a character deserving redemption usually comes before the story really needing it, and I don't think Azula's done anything to deserve it yet. They've got to exhibit some willingness and action to change..."

So the main reason I'm using Terra as my first example is because Terra is the kind of character that Hello Future Me is describing. Terra was written with the specific intention she'd never experience a change of heart, all of the friendships she makes with the Titans are fake, she very loudly experiences no remorse, or even self-reflection over what she is. Terra's pretty proudly a monster and she never experiences any kind of self-doubt or regret over what she's become.

I can disprove right away Hello Future Me's blanket statement (with no actual cited examples, just trust him guys) that Azula never did anything to hint she may deserve redemption. That suggests Azula is an entirely selfish character who uses, manipulates and thinks she's right and worst of all is comfortable being the way she is, and therefore incapable of doing the self-reflection necessary for change.

Azula does show the capacity to do selfless actions several times in the narrative, and even consider the feelings of others. There's the apology scene with Ty Lee and the way she interacts with her friends in general with the Beach where when she's not fighting in a war or trying to complete a mission for her father Azula 1) interacts with her friends in a normal way and 2) seems to express a desire to experience normal relationships not the hierarchical ones she's experienced all of her life.

However, that's not the example I'm going to use as her save the cat moment. I generally intend to interpret that as a sign that even though she treats Mai and Ty Lee as subordinates and that power she holds over them eventually leads to them leaving her, their friendship isn't just Azula abusing them and lording her authority over their heads 24/7.

No, Azula's save the cat moments all revolve around Zuko. Which is funny, because the entire fandom seems to regard Azula as Zuko's evil little sister who exists to do nothing but torment her.

The first and biggest is Azula deciding to bring Zuko home in Ba Sing Se, and telling a lie to her father that he was the one to slay the avatar.

Ozai: I am proud of you, Prince Zuko. I am proud because you and your sister conquered Ba Sing Se. I am proud because when your loyalty was tested by your treacherous uncle, you did the right thing and captured the traitor. And I am proudest of all of your most legendary accomplishment: you slayed the Avatar.

Zuko: [Shocked.] What did you hear? Ozai: Azula told me everything. She said she was amazed and impressed at your power and ferocity at the moment of truth. [Inspired partly by this post]

Now the show seems to regard this action as Azula being an evil temptress who is there to tempt Zuko back to her side with everything he thinks he ever wanted.

That's only if you regard it from Zuko's perspective.

Think for a moment from Azula's perspective. Number one, Azula is someone thoroughly indoctrinated into Fire Nation propaganda who measures her self-worth based on 1) military achievement and 2) her father's approval and assessment of her talents. In Azula's own logic (wrongheaded as it is) she's helping Zuko. She's bringing him back home with his place in the line of succession restored and his father's approval.

Azula doesn't benefit from this gesture at all, in fact if her father discovers the lie she has as much to lose as Zuko does.

Now Zuko insinuates that Azula only brought Zuko along and told her father that he was the one who killed the avatar so she could let him take the fall if the avatar turned out to be alive.

However, if you look at the actual order of events that doesn't make sense. Azula saw the avatar die, she didn't know about the spirit water, and therefore had no way of knowing Aang could come back. In fact, it's Zuko who 1) knew about the spirit water and 2) decides to keep the spirit water and the fact the avatar might have survived a secret that is throwing Azula under the bus. After all she has as much to lose as he did and instead of sharing that information with her he decides to keep it all to himself.

Now Azula does imply that if the avatar were to turn out to be alive all of Zuko's glory would dry up, but this is only after Zuko 1) throws accusations at her and 2) makes it's pretty clear he's lying to her putting her on the defensive.

This is also a scenario where Azula doesn't have much to gain by bringing Zuko back, if you look at it from her perspective. If Azula just lets Zuko rot in a ba sing se prison, then her claim to the throne is secure. With Zuko back he's restored in the line of succession. She also, when making the decision to invite Zuko to her side probably didn't need him for her plan to succeed.

There is a dramatic moment of Zuko choosing to side with Azula over Katara which turns the tide in Azula's favor, but Azula can't see into the future and therefore wouldn't be able to predict that happening. If you look at it from Azula's perspective she 1) successfully infiltrated the city, 2) already had the Dai Lee in her pocket. She likely already thought she had the city secure at this point so her decision to extend a hand out to Zuko is therefore likely motivated by selflessness instead of self-interest.

That's important because usually when Azula usually only gives her help to others if it also benefits her in some way. Azula might genuinely see her recruiting Mai and Ty Lee to her side as a member of the royal family extending her favor and giving them status and security in their positions but it has the underlying motivation of 1) she keeps them in a position to beneath her and therefore in her complete control.

Azula will interact with Mai and Ty Lee like friends on the surface, as long she maintains control over them, but if they do anything to something that displeases her she'll do anything to regain her control.

Mai: I thought you ran off and joined the circus. You said it was your calling. Ty Lee: Well, Azula called harder.

This is set up in Azula's very first interaction with Ty Lee. Azula greets her like an old friends, Ty Lee even seems happy to see her, but the second Ty Lee tries to say no to her Azula goes to extreme lengths to "persuade her". Azula's friendship with Mai and Ty Lee is an abusive friendship because there is a power differential and even if Azula feels genuine affection for them both it's clear they're not allowed to say no. Mai and Ty Lee are put into positions where it's in their best interest to please her, and live in fear of the consequences if they don't do just that.

Here's the thing, I'm not arguing that Azula didn't deserve any consequences for her actions. I'm arguing that the setup doesn't match her eventual ending. Azula is set up to have Mai and Ty Lee leave her from the very first scene that Azula interacts with Ty Lee. It's satisfying because the set up matches the pay off.

It's also tragic because it's Azula continuing the chain of abuse. The video isn't entirely wrong (which is why they came to the wrong conclusion frustrating).

Azula's fall is about how differenting parenting styles can a child. Ozai's affection is exchanged for being useful. Something Azula would go on to repeat with her friends, whereas Iroh's affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

It's like... there it is it's so close. Here's the thing, Azula is set up for a tragic falling out with Mai and Ty Lee (and one she deserves) but the set up is different with Zuko. Azula's save the cat moment revolves around Zuko, and her genuine attempt to bring her brother home.

Yes, the first time Azula interacts with Zuko in season 2, she tries to take him home by force. However, by the ending of the season Azula's perspective on the matter has obviously changed because she begins by trying to bring him back as a prisoner, and by the end of the season invites him back as an equal.

There's no moment in Season 3 where Azula treats Zuko the way she does Mai and Ty Lee (unless Zuko provokes it first and puts her on the defensive) in fact most of her interactions are either them interacting normally (such as when Azula goes to find Zuko at their old beach house because she knows he'll be there and advises he leave instead of dwelling on their depressing memories) or Azula deliberately trying to look out for Zuko such as when she advises him not to go visiting with Uncle because it'll make others suspicious.

On the other hand, Zuko never at any point looks out for his sister the way Azula is demonstrated looking out for him. He doesn't say, try to tell her where he's going on the Day of Black Sun, or try to convince her the fire nation is wrong. There's a scene in the later part of Season 3 where Zuko is watching Azula fall to her death while sitting on a flying bison and not only sits there and does nothing about it, but sounds disappointed when she doesn't hit the ground and become an Azula Pancake.

That's pretty much the opposite of a save the cat moment. It's a "let the cat fall to their death" kind of moment.

Yes they were enemies at that point, but Zuko's the one who's supposed to learn that affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

How exactly is he doing that in this scene?

The thing is... this setup doesn't have to be bad. Of course Zuko has trouble has trouble empathizing with Azula, he doesn't even think about sending a letter to Mai, Zuko's shown at this point to be like a healing abuse victim who's understandably focused on himself.

This in fact could be excellent set up with step 1) learning what genuine love and forgiveness is and 2) demonstrating those two things by applying it to others.

However, that's not where we got. We got Zuko watching his sister have a complete emotional breakdown, crying and screaming while chained to a grate and looking somewhat sad.

And once again to bring Terra into this, Terra is what Stay at Home and parts of fandom argue that Azula is. Terra screams at the top of her lungs how much she hates the Titans, how much she was always lying to them, and the Titans STILL try to reach Terra with words, try to de-escalate the conflict, when she's about to bring the rocks falling down on herself warn her she's going to hurt herself, and then when she's buried under rubble try to dig her out begging for her too still be alive.

Terra who's intentionally created by her writers to be as hatable as possible, is shown more compassion by the heroes in her ending than Zuko ever does to Azula. They also give Terra multiple opportunities to change until literally the very last minute, which Zuko doesn't do either.

What's set up is Azula has this save the cat moment with her brother, that Zuko is pretty much the only person she doesn't treat like a subordinate in the story (because she just like Zuko has a craving for familial love she tries to earn from her father). However, her ending with Zuko just taking her down doesn't fit that setup.

Azula's ending only fits if you consider her arc entirely from Zuko's perspective, which is the underlying issue. Azula's not the protagonist of her own tragedy, she's a plot object that's used to benefit Zuko's arc.

Azula's is written to have a downfall, the same way that Zuko loses everything at the ending of season 1 b/c of his inability to give up on the obsessive search for the avatar (and his father's love with it). Azula is written to be left by Mai and Ty Lee (this is the strongest point of writing when it comes to her since it comes from the beginning).

However, she's not written to be left completely alone and insane with the only empathy being shown is that her brother looks kinda sorta sad. That's only good if you view her as an object to further Zuko's arc, because isn't the ultimate culmination of Zuko beating his sister who has always been ahead of him at life? Azula needs to torn down completely without even some small glimpse of a hope of recovery so Zuko can be built up even moreor at least the writers of avatar seem to think so.

However, even Azula just existing for Zuko's growth and character development doesn't have to necessarily be a bad thing. This is where we get to MHA, which does the tragic siblings and the final Ag Ni Kai about 1000 times better with Shoto and Dabi.

THE GOOD

The comparisons between Shoto and Dabi to Zuko and Azula are made pretty often by the fandom. Shoto has a scar, Dabi has blue flames. Shoto has an arc about healing and learning what it means to be a hero, Dabi's arc is about self-destruction.

Dabi's not the center of his own story, he exists to foil Shoto and help Shoto reach the endpoint of his character development however that's not necessarily a bad thing. These are both two pairs of tragic siblings, the main difference is that MHA doesn't feel the need to tear down one sibling in order to build up the other. In fact, the final step to Shoto's arc is HELPING Dabi, not PUTTING HIM DOWN.

Not only that but the decision to help Dabi is a decision that Shoto makes on his own, and him going against the tide of a society that has already given up on Dabi and would much rather have Shoto shoot Dabi like a mad dog. Which makes the decision to do so even more powerful and emblematic of Shoto's growth.

Now you could say that Shoto and Zuko are too different to compare their arcs, Zuko has a redemption arc, and Shoto has what most people would probably term a healing arc. Shoto starts out the series as a hero.

However, this is what annoys me about the redemption arc debate. A redemption arc is really just a normal character arc. However, calling it redemption drags things like morality and forgiveness into the debate. if you take remove the discussion about moral philosophy both Zuko and Shoto have character arcs where they start the story defined entirely by their home situations and their father's abuse (hence why they have big obvious scars on their face), recover from their trauma, and go on to find an identity outside of their father and form healthy non-abusive connections with others.

In fact I'd see the theme of both arcs are the same, to literally find balance within themselves. Shoto is divided quite literally into right and left sides, fire and ice, and even seems to view himself as half of his father and half of his mother. Zuko is someone who's permanently marked and dishonored by the burn scar on his face. He suffers from an internal imbalance as well. Iroh says that Zuko is the descendant of both Roku and Sozin and therefore both pathways are open to him (but wouldn't that apply to Azula too). Zuko says to his father that the fire nation has destroyed the balance to the world and he's going to leave to assist the avatar in order to fix it.

Shoto's balance isn't just about fixing his internal trauma though, it's also about finding a balance between his family which has defined his entire life up until this point, and his desire to become his own hero not the hero his father groomed him into.

It's why the culmination of his arc is Shoto reaching out to save his family member Toya, because it's the ultimate balance in wanting to heal his family, and also the kind of hero he wants to be, someone who saves and brings peace to others instead of just violently putting down villains. He can bring peace to his family and become his own hero in one action.

However, let's go back to the beginning of Shoto's arc, because saving Toya as an endpoint to his arc is set up pretty early on.

Shoto's arc begins with Deku, a stranger breaking down Shoto's walls as an outsider in order to allow him to look past his own trauma and recall for the first time what he wanted outside of his resentment towards his father. This sets up the idea early on for Shoto that sometimes you need outside interference, help you didn't ask for, especially when you can't see outside of your own problems.

What Deku brings about ultimately is a change of perspective, Shoto's so hurt by the memory of his mother throwing boiling water in his face and everything that came after that he can't recall the memory of her telling him he could be who he wanted to be.

But, you want to be a hero right?

Shoto takes away two things from this arc, sometimes you need help even when you're not asking for it, and sometimes a change in respective is required in order to take the first step forward.

He goes to demonstrate these things multiple times, but here's two exaamples. The first Shoto demonstrates immediately after the tournament arc. When Iida is about to go down a dark path and commit a revenge killing on Stain. When, as a result of that IIDA is paralyzed and about to die in an alleyway, it's Shoto who both notices Midoriya and Iida are missing and shows up in the clutch. He's practicing the same thing that Deku taught him in the last arc: Giving help that's not asked for is what makes a true hero.

He even mentions the second idea, that a small change in perspective can be all it takes to save someone, and he wants to do for Iida hat Deku did for him. His words are the one who convinces Iida to stand back up again when he's paralyzed.

If you wanna stop this, then stand up. Because I've got one thing to say to you. Never forget who you want to become!

However Shoto's arc doesn't end here, because one of the major conflicts in MHA is that heroes don't pick and choose who to save and a true hero will give help even to those people who don't ask for it.

This is a point which further develops when Shoto's abusive father starts to show a change of heart at the end of the Pro Hero Arc. Shoto still holds his father accountable for what he did in the past, but he also acknowledges that if he had the capacity to change then so does Enji. This isn't about whether or not Enji is forgivable, this is an extension of what Shoto learned. Shoto originally believed he was controlled by the circumstances of his birth, that his fate was set in stone, but a change in perspective allows him to realize he can determine who he wants to be. So, Shoto is just applying what he's learned, Enji has the capacity to grow.

There's one final piece of setup that I want to cover before showing how these separate dies all culminate in saving Dabi. Shoto's not only someone who has to find balance between his family and his desire to be a hero.

The theme of balance is written into the quirk itself. Enji basically practiced eugenics to create Shoto as his masterpiece. He noticed a flaw in his own quirk where he could only make his flames so hot without overheating. So he arranged a quirk marriage with Rei who possessed an ice quirk to create a hybrid ice and fire quirk that he could use to cool himself off to prevent him from overheating.

Enji only ever cared about the fire half of Shoto's quirk. His ice quirk only exists for his flames to grow stronger. This is shown when Enji is trying to force Shoto to learn all of his signature moves, because he only cares about Shoto's flame quirk. Shoto was created to carry on his father's legacy, and surpass him with an even more powerful flame quirk. Part of his character development is him learning how to use his quirk in his own way.

This is a theme that continues in the class training arc where Enji is still repeating the behavior of trying to force Shoto to learn his signature moves instead of considering what he wants at all, because still Shoto only exists in Enji's mind to carry on his legacy.

This all culminates in Toya's decision to save his brother. The first is his action in choosing to identify with his brother. If Shoto believes in his own capacity to change, and even his father's, then why would he deny Toya that same chance to change?

The foiling between Shoto and Toya isn't supposed to reduce the two of them to "Shoto is the good one, and he's the bad one", but instead Shoto and Toya were both in a point where they were consumed by hatred and couldn't see any other path in life. Therefore if Shoto was able to change because someone gave him help when he didn't ask for it, then Toya not only has the capacity to change - but in order for Shoto to stick to his stated beliefs that the smallest of things can bring about a change in people he has to be the one to give his brother that chance to change.

It's not about whether Dabi is worthy or not, it's about the themes in Shoto's arc finally being paid off.

Shoto's identifying with Toya, and even parts where he tells Bakugo he'll make Toya sit down and make Toya tell him his favorite food indicate that from the beginning Shoto's intention was to find a way to stop Toya without killing him (which is what several of the adult heroes were encouraging him to do).

@stillness-in-green does a more succinct summary of this plan.

Just me?

Because, like, Shouto had a plan. He spent the time between the two war arcs specifically developing a brand-new combat technique that he planned to use to shut down Dabi's combat advantage without killing him. He convinced his dad not to change the plan like Endeavor was hesitantly sounding him out about[1]; he went out and talked and asked questions, and even if they weren't the right words every single time, he did his best and he did it with intention. If Dabi proves to be dead, it won't be because of anything Shouto did to him; it'll be because Dabi himself chose to stand back up, take a warp gate across the country, pick a fight with the guy who doesn't have the power set to shut him down without unduly hurting him, and trying to replicate an Ultimate Move specifically tailored for someone with a balanced power set Dabi doesn't have. And if Dabi lives, it's still going to be because Shouto booked it across the country and used that same technique to stop him again.

Shoto's decision to save Shoto is also a continuation of his decision to help save Iida from Stain. It's not enough for Shoto to experience a change of heart about his own life, he's got to take what he learned about people's capacity to change, and the importance of connections and then put that into practice and help others the way he was helped.

However, it also further develops the theme of giving help that's not ask for from Iida because Shoto's not saving a mostly heroic kid, he's saving Toya to help break a familial cycle of abuse (because murdering the abuse victim isn't how you end the cycle of abuse... actually).

Shoto's last lines to Dabi are also a refutation of this idea of destiny that he once thought he was ruled by. It's once again, Shoto teaching someone else the lesson he learned. Toya says a warped rail can never mingle with a straight and narrow one! In other words Shoto can never understand or get along with Dabi, because Dabi will forever be defined as the failure because of the circumstances of his brith, whereas Shoto will always be the success.

His final action is a decision to break the cycle they were born into: no, we're gonna mingle whether you like it or not.

Shoto's ultimate move Phosphor is not only a move he designed far in advance to take down Dabi non-lethally, it also is a rejection of his father's teaching method. Toya says he only ever taught me how to turn up the heat. Enji only valued both Shoto and Toya for their flame quirks. Developing his own quirk and breaking away from what his father wanted, specifically in order to save his brother. It's Shoto rejecting what his father created both of them for (a successor to his quirk) and finding his own path. By using that move to take down Dabi he's not only teaching Dabi their flame exists for more than just destruction, he's also by letting Dabi live giving Dabi a chance.

From a conversation with @class1akids

Dabi was the last push to unlock Shoto’s full power. Until then he was on the track of mastering flashfire like Endeavor planned for him (except for his own reasons) but realising the fighting Dabi with fire was gonna kill them both and also he’s simply no match fire only helped Shoto to fully take control of what his quirk is Like his quirk development goes parallel with how he faces each member of his family and finally meeting Toya is like the last piece of his puzzle to find his own full power and identity.

It's not just Shoto decides to save his brother because he's just that nice, his arc is literally incomplete without it. The act of creating phosphor a move specifically to save Dabi is both him unlocking the full power of his quirk (by balancing the fire and ice sides of his quirk) but also achieving balance between trying not to leave his family behind while at the same time becoming his own person and hero outside of his family circumstances.

Citing my conversation with class1akids again:

Toya is endangering everyone at Gunga. Endeavor has no means to stop him and when he tries to murder suicide Rei interrupts and his “hero way out” is taken. All he can do is watch helplessly as his family is about to burn to death with a bunch of strangers he tried to protect. But it would do Shoto dirty to use his heart technique to kill his family and the strangers so he comes in a clutch and I see that confrontation as the power trauma vs the power of healing in the family. With Shoto who is a true hero, they can put the fire out and save the family and strangertoo. Shoto become a balanced hero and bring relief and reassurance, Endeavor was completely helpless, and Toyas inner child got the attention he wanted, plus depending on how you read it, he may have become less suicidal.

Shoto also, and I want to point this out desires to stop his brother not to take him down but because he doesn't want him to hurt any more people. He's again finding a balance between two ideas 1) Shoto needs to stop his brother in order to stop him from creating more victims and 2) Shoto needs to find a way to stop him that's not just putting him down because Toya himself is a victim.

Shoto also, and I must point this out for the comparison between Zuko and Azula goes out of his way to engage Dabi in conversation, ask him why he didn't come home and what happened to him in the years after he died. This is especially poignant because unlike Zuko and Azula who grew up together, Shoto basically had no relationship with his brother (and the rest of his siblings really) before Toya died because Enji purposefully kept Shoto separate from all the "failures."

So yes, the act of saving Toya is more for the completion of Shoto's arc than any redemption arc for Toya but Toya's not just a plot object to move around for Shoto's arc, Toya has his own agency all throughout. In fact it's the fact that Toya resists being saved every step of the way that provides the challenge that Shoto needs to grow in order to be able to save him.

Toya's not just after revenge against his father that's the surface reason, Toya is also just blatantly suicidal. Toya's birth is marked as a failure, his death wasn't even acknowledged by his family and everything stayed the same in his absence, so he created Dabi while praying at his own shrine in order to mourn Toya. Dabi can't find any meaning in his life where he was born as a failure, so he'll use his death taking revenge against Endeavor for having been born in order to give his life meaning.

What makes Avatar look especially bad in its treatment of Azula in comparison to how MHA treats Dabi, is that Dabi is way, way less redeemable than Azula. For one Azula has clearly proven affection both her friends and her brother (and I don't think she even deserves Mai and Ty Lee's forgiveness they had every right to walk out on her and want nothing to do with her again.)

Dabi is probably the ugliest victim of the League of Villains. The rest of the league have far more moments in their bonds with each other. Toya is the outsider to the league even if there are some subtle hints to his affection (he tries to show up to save Twice, and also burns down Toga's family house to comfort her). The villains are mostly shown to be redeemable by their positive friendship with each other, and Dabi at several points denies the league's bond (he pulls a Terra and yells out loud at the top of his lungs none of the league matter to him). Unlike with Terra you can argue this is most likely Dabi trying to cover up his real feelings. However, the fact that he feels the need to hide his affection from the league shows he's purposefully distancing himself from any bonds whatsoever.

Unlike Azula who has gone out of her way to help her brother in one major way, and also shows hints in early season 3 of having that sibling bond with him Dabi just straight up wants to murk Toya. Azula also tries to murk Zuko, but that's only when Zuko leaves on the day of Black Sun (one without telling her, and two something that probably left her alone to deal with the consequences of lying to her father for his sake). Either way, Azula's behavior in early season 3 is setup for the fact that their sibling bond can be salvaged.

Dabi is way worse to Shoto in comparison. Dabi in the first part never saw Shoto as his own person, just a puppet of his father (puppets have no autonomy or personhood). His feelings towards Shoto only went so far as Shoto was someone who could kill in order to upset Enji. Dabi also doesn't particularly care for the rest of his family as well (only calling out Natsu's name when his brain is literally melting), they're either ways to hurt endeavor, or he wants to drag them in hell with him. Heck his last words after being saved is telling everyone to die and go to hell.

Dabi doesn't bother to make bonds with the league or have any lingering affection for his family because Dabi's determined to seslf destruct. He's given up on life the moment he saw that he died and nothing changed in that household, now all that's left is for him to create a meaningful death by dragging his family to hell with him.

Dabi is also even as a child made out to be an unpleasant victim. He attacks baby Shoto with his flames early on out of jealousy (even though he later admits that he was being unfair to Shoto). He makes the situation in the house worse by loudly screaming and demanding his father's attention. He screams at his mother and throws her complicity in Enji's abuse in her face.

This is in comparison to Shoto who in childhood flashbacks we are only ever seen either 1) crying, and 2) trying to comfort and protect his mother. Toya's even made out to be difficult to empathize with as a child - which like flew over half of the fandom's heads because he got accusations of somehow abusing his father and the rest of his family in that chapter at 10 years old. However, that in a way illustrates my point.

The fact that Dabi is so disliked by a certain portion of the fandom is because Horikoshi paints such an ugly portrait of Toya in the way he expresses his victimhood. It's done deliberately too, because number one Toya by resisting Shoto's attempts to save him and trying to self destruct instead retains agency as a character. He makes decisions even though they're bad self destructive ones, he's not just a prop. Number two, the fact that Toya is intentionally portrayed as such an ugly victim makes Shoto's decision to break the cycle of familial abuse by saving Toya and not leaving a single family member all the more poignant.

Toya is an uglier victim than Azula, actively trying to kill himself in a way that Azula isn't, and treats Shoto way worse than Azula ever treated Zuko and yet Azula isn't shown the sympathy or given the salvation that Toya is.

Because once again, the writers didn't think about the ending of Azula's arc or of Azula as her own character. Shoto defeating Toya is the culmination of his desire to break the cycle of abuse in his family. Zuko putting Azula down is just to make Zuko look better. It's in service of Zuko's character instead of both of their characters.

THE BAD

Avatar isn't setting up some gritty ending where the bad guys can't be stopped, they can only be killed. In fact it's pretty close in tone to MHA.

Season 3 especially is the season that really begins to hammer in on the themes that even the people on the enemy side are still human after all. The headband shows that Fire Nation children are indoctrinated into the war, but they are in the end still children. There's the story between Avatar Roku and Sozin, and once again Iroh saying that Zuko has both options becoming like Roku or becoming like Sozin available to him (but not Azula I guess). There's Zuko joining Team Avatar, even after he betrayed Katara in Ba Sing Se and should have burnt that bridge then and there. There's Zuko working to earn their trust again when no one on the team really owe it to him.

The main character of the show is a pacifist, who deliberately learns a way to stop Ozai without killing him before the final battle because he doesn't want to break the values taught to him by his culture.

If the entire theme of season 3 is redemption, healing and that the fire nation are not inherently evil then why does Zuko's sister and character foil end the last shot of the series screaming and crying with no one comforting or even attempting to sympathize with her. Why is this one character marked for tragedy in a show that is about redemption and healing and showing compassion to your enemies and very specifically not a tragedy.

Toya literally burns all of the flesh off of his body, and somehow he has a gentler ending than Azula, because at least Toya's arc ends with all the members of his family showing up to try to cool down his flames, and when he's on the ground burnt to a crisp his father finally apologizes to him. Toya is a skinless burnt chicken wing, my boy has no skin, and somehow he's better off than Azula.

I don't think the writers gave Azula such a cruel ending because they don't like her, but rather because they just didn't think about her ending outside of what it meant for Zuko. Which is why you get moments like Aang who is apparently a pacifist who doesn't want to kill the Firelord, watching his daughter fall to her death while sitting on a flying bison and doing absolutely nothing to save her. ALL LIFE IS PRECIOUS (except for Azula I guess).

It's not bad because a victim doesn't get saved, it's bad because it doesn't fit in with the rest of the story.

Not only is Zuko saving Azula a very natural conclusion to his arc, but there's far more setup for Zuko reaching out to his sister and saving her than there ever was for Toya and Shoto. Both Toya and Terra are screaming at the top of their lungs "I HATE EVERYONE, YOU SHOULD ALL JUST GO TO HELL." They're both making decisions and committing to their self destruction while Azula is a 14 year old girl having a mental breakdown.

Anyway, time to quote the bad bad video again.

"When does a villain deserve a redemption arc? When do we deserve a redemption arc? I know this is gonna hurt, but characters are not people. They are tools. They are represetations of people. They can be used to say other things. They can be symbolic representation of other ideas. Azula's story is not just about a fourteen year old defeated by her brother for the throne, Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

I specifically chose to cite MHA, because of how differently it decided to use Shoto and Toya's character foiling. Shoto recognizes himself in Toya, and how different their paths were in life. This is explicitly motivates him to save Toya. It's also the culmination of everything that Shoto has learned because Shoto is a hero who believes that actions speak louder than words. It's not enough for Shoto to resolve his own inner struggle, he also has to help Dabi with his because that's showing Shoto has grown rather than telling us.

I think that is where the major difference lies between Shoto and Zuko, we're told that Zuko has chosen the path of empathy and healing, that he's learned to give people love and patience like Iroh has but instead of showing that the culmination of his arc is having a fist fight with his sister in a denny's parkinglot.

Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

If Zuko is empathic and emotional and that is why he's gained friends while Azula is now alone after having lost her friends due to the way she treated them, then like... what a great opportunity for Zuko to SHOW that quality of empathy.

However, Zuko doesn't do anything that Shoto does in the final fight. He's not even here for Azula, Azula's just an obstacle for taking back the crown. He doesn't talk to Azula, engage her in any way, try to de-escalate and avoid the fight.

If you want to make the tragedy that Azula and Zuko have taken such different paths in life that that Zuko fighting with his sister is unavoidable you could um... at least show Zuko being sad over the prospect of fighting his sister or being reluctant in any way.

(Before you come in here with "Zuko doesn't owe Azula anything take" this isn't about whether or not Azula is a terrible sister to Zuko, this is about the story that avatar is attempting to tell. Shoto and Dabi's fight is tragic because Shoto doesn't want to fight Dabi, he wants Dabi to come home and for their family to be complete. Zuko never expresses anything like that so where does the tragedy come from?)

If it were 100% committed to a tragedy like Terra's death then I wouldn't mind. if it were 100% committed to a story of redemption like Shoto reaching out to Toya then I wouldn't mind. My issue arises from the fact they want to have their cake and eat it too.

They want to give this tragic end to Azula, and use it to illustrate how Zuko has grown as a character. However, you can't have both.

If Zuko's growth is about learning that his father's love based on achievement and 2) learning he needed to get lost in life in order to find himself then why doesn't any of Zuko's actions demonstrate this lesson Zuko has learned about love, and about how you can be your own person outside what your father expects from you.

If Zuko has grown as a character he should be able to show those actions. He does show his new understanding of love and friendship to Team Avatar, but as I said that's easy mode. That's Shoto's attempts to save Iida, it's a step in the right direction. It's also not really Zuko demonstrating a selfless love, because he's also at the same time trying to earn their trust and earn his way into the group.

It's also not Zuko breaking the cycle of abuse in their family in any way. Shoto is trying to break free from his role of his father's masterpiece, and at the same time helping Dabi break free from his view that he's the failure.

It's also such a natural ending for Zuko's arc, to take the lessons he learned from Iroh and give them to his sister who needs them so they can both break away from their father's parenting. As I said Zuko does solve the internal conflict within himself, but he doesn't really demonstrate that by helping someone else find their balance.

If you wanted the tragic end, then it would have to be about Zuko's failure to reach out to his sister, because he hasn't learned how to reach out to her. Or because he tries and is unable to. The writers don't seem to understand that though, they think the tragedy is about Azula bringing it all on herself, and not the inherent tragedy of a fourteen year old girl being unable to be saved.

The set up is right there too, because number one avatar is about balance. So, wouldn't the true ending be finding balance between the siblings, not having Zuko rise and Azula fall. Number two, Azula being alone and friendless because of her own actions is again a parallel to where Zuko was in early season 2 at his lowest point. Except Zuko can be the better person in this situation by reaching out to her.

Zuko doesn't break the golden child / scapegoat dynamic, he just flips it so now he's the success and Azula is the failure.

While Azula's fall comes from cruelty and rejection from friends and allies it is Zuko's humility and kindness and friendship that ultimately wins the day. Him sacrifcing herself for Katara and her bringing Azula down and then her healing him. Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone. "

As I've stated above, I'm not saying Azula didn't deserve to take a fall. Her fall is actually set up from the first moment she met Ty lee. However, there's no set up for her fall being permanent.

Azula's given way more humanizing moments than characters like Terra or even Dabi. Which is why Azula being in an insane asylum for the rest of her life doesn't fit as an ending at all.

Azula is one link in the chain of abuse. Her father only gives out affection in regards to her usefulness. No matter what Azula is an asset first and a daughter second. Azula then repeats the cycle and treats her friends the same way. She has been shown through an improper model of parenting of using fear to dominate others with power and control and she replicates that in her other relationships.

Therefore, Ty lee and Mai leaving her is not only deserved, it's the perfect opportunity to pull the rug underneath Azula and to show her that her understanding of how relationships work is completely wrong.

This also mirrors Zuko's arc, because part of Zuko's arc is realizing just how wrong Ozai is for making both children earn his love, and that he doesn't need to measure his self-worth based upon his father's approval. He also learns about healthy expressions of trust and friendship from the gang.

Azula loses in part due to her own inability to form healthy relationships is losing people rapid fire, her brother leaves and joins the enemy side, Mai and Ty Lee betray her in favor of her brother, then her father in one action of leaving Azula behind and throws the title of Firelord to her after it's become completely meaningless reminds her of her place. Azula learns in about five episodes what Zuko had in 3.5 seasons to process that her father's love was always conditional and no matter what she did she would never truly "earn it."

People leaving Azula isn't exactly the problem, the problem is that Azula ends up alone permanently without being given the same chance that Zuko is. Terra, and Toya both get opportunities to turn back. They both refuse the hand that's reaching out to him. Mai and Ty Lee leaving is caused by Azula's own choices, but her ultimate end isn't. She's not even given the chance to turn away being saved like Terra and Toya do because Zuko doesn't even bother to try saving her. Her ending is not entirely brought about by her own choices, because the writers need her to take a fall to uplift Zuko.

Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone.

I think once again it comes from the author's misunderstanding things because they don't want to look at the story from Azula's perspective, only Zuko's.

Stay at Home almost had it when he said the tragedy of Zuko and Azula was there to show how two different parenting styles affected these children.

The tragedy is that Zuko and Azula started in the same place, but Zuko had persistent guidance and someone who modeled for him a healthy kind of love. The difference is that Azula has never experienced any kind of healthy love or support on the level Zuko has, so she models all her relationships on the way her father treats her. It's not that Azula is offered some chance for change and rejects it, it's that Azula isn't even aware of the fact that there's another way because no one is there to show it to her.

Which is why I said once again, Zuko being the first one to show Azula the lessons he himself was shown by Iroh is such a natural place for his character to end.

Azula also even while completely alone and with no idea what healthy love is, knows that there is something wrong with her and is troubled by that fact in a way Dabi and Terra aren't.

Azula: I can sit here and complain about how our mom liked Zuko more than me. But I don't really care. My own mother... thoguht I was a monster... She was right of course, but it still hurt.

Then there's the famous mirror scene:

Ursa: I didn't want to miss my own daughter's coronation. Azula:Don't pretend to act proud. I know what you really think of me. You think I'm a monster. Ursa: think you're confused. All your life you used fear to control people, like your friends Mai and Ty Lee. Azula: Well what choice do I have?! Trust is for fools. Fear is the only reliable way. Even you fear me. Ursa: No. I love you, Azula. I do.

Both of these scenes indicate that Azula thinks of herself as a monster and is deeply uncomfortable with the idea. Considering Ursa is a voice in Azula's head and not a ghost, it also shows on some level Azula knew what she did to Mai and Ty Lee was wrong and feels conflicted over it.

Once again she's much more in conflict with herself than Toya and Terror ever are, and who's someone who's constantly warring with himself? Who's someone who could help resolve her inner conflict... Zuko (too bad the way the show's written he never does).

Azula doesn't choose to self-destruct the way that Terra and Toya did. Azula's ending isn't brought about by her choice not to change, because she's never given the chance to change in the first place. Her tragic ending would make sense if it was entirely of her own choices, but Azula doesn't retain her agency in the end it's literally taken away from her. She loses control of her mind, and her ending is being chained to a grate screaming and then thrown into an asylum.

I'm not arguing against Azula's ending because she's my favorite character and I don't want bad things to happen to her. It's because her tragedy isn't about her it's about Zuko, and her ending actively takes agency away from her where at least Toya and Terra both retain their agency up until the end. It's not good writing because the tragedy doesn't fit in with the rest of the story which is about balance and healing - and it's also ableist as hell.

THE UGLY

Azula's ending is unfitting to the tone of the story she's in, makes her and Zuko's arcs feel incomplete, and also is ableist as hell.

Here's yet more evidence that Azula's tragic ending is poorly thought out. Azula's mental breakdown doesn't exist in service of her character, but Zuko's.

Azula's issues pop up out of nowhere after episode 15, and take place over the last 6 episode of the series. The idea of Azula having a mental breakdown isn't necessarily a bad concept, but it's executed poorly.

The first way it's executed poorly is just how rushed it is. There's basically no hints of any mental instability beforehand. Of course people can have mental breakdowns spontaenously like that in real life, but this is a story and stories require foreshadowing. Azula spontaneously developing mental issues doesn't feel like it's planned as a part of an arc. First off, because the writers don't seem too sure about what Azula's symptoms even are. Hallucination, paranoia, manic laughter, but apparently she's still able to bend lightning just fine. Secondly, the writer's intentions for giving Azula a mental breakdown are pretty transparent.

The writer's room needed to come up with a believable reason why Zuko would suddenly be able to fight on equal terms with Azula, so boom sudden mental illness. The intent was not to create a sympathetic portrayal of a young girl struggling with both paranoia and delusions. The intent was to nerf Azula because they couldn't think of any other way this plot could end, other than Zuko and Azula fighting in a denny's parkinglot.

As I said they use mental illness as a plot device to take Azula's agency and choices away from her. It's not done with the intention of humanizing her, and in fact except for one small scene with her talking to her mother in the mirror it's a pretty negative and unsympathetic portrayal of mental illness. Not because the writers hate mentally ill people, but because they needed Azula to have a mental breakdown in order for a plot point to happen. Which is why they didn't think of the potential implciations of such a writing choice at all.

Now, people are going to argue about me so I'll use one final example. Azula's ending may be controversial but it's universally agreed upon that the Game of Thrones Ending was bad, right?

Game of Thrones uses mental illness as the exact same plot device, to explain why Daenerys Targaryen turns from a hero to villain in the last few episodes with absolutely no foreshadowing. In fact, the all of the show director's interviews about that choice are just blatantly ableist.

Rant from @hamliet

This quote is (likely unintentionally) gaslighting, ableist, terrible logically, and downright offensive.

First, ableism: why, why, why are we conflating madness with evil? She was driven to madness so she killed a bunch of people and had to be put down? And you think this is a great message in the year of our Lord 2019? [...] Additionally, while good writing is to an extent subjective, there are general consensuses on what make good writing--and Game of Thrones hit all the general consensuses for bad writing, from bad pacing to confusing character assassination. Critics are like, pretty united on this front. No one thought Dany’s turn made sense, even the ones who expect Mad Queen in the books. Maybe if people love a character who is meant to be evil you're not writing them correctly... or maybe they aren't meant to be evil.

Daenerys and Azula are incredibly similiar characters. They're both dragon themed, alligned with the element of fire, they're both colonizers they both represent the warrior princess archetype.

I'd say Daenerys is more of a tragic heroine though, because while Danerys is essentially doing the same thing as Azula, waging war in a foreign land and a culture that's not hers, for the purpose of then bringing back soldiers to her home continent so she can wage war again - while she is definitely a war mongerer she has good intentions. Daenerys for all of her faults, genuinely wants to break the chains and help out people.

I think Azula definitely sees herself as the hero for winning the war for the fire nation's sake, but she's completely uncritical of her own culture and she doesn't really have the good intentions that Dany has. She does it more out of a sense of duty, and her belief of divine right, not because she wants to break people free.

Daenerys's problem is that she doesn't understand the culture she's invading and the complicated world she lives in and despite all good intentions, is as I described above, invading a foreign power so she can go back and wage a war to reclaim the throne. Even if Daenerys would then proceed to go on to be the bestest queen ever that wouldn't change the fact her methods to get to the throne were incredibly violent, and she's sort of failing to break free from the cycle that led the Targeryen rule to fail in the first place.

Azula's problem is she sees herself as the hero and is therefore uncritical of fire nation values. She doesn't have any nobler intentions either other than service to her country, she just like Zuko is just trying to fulfill her duties as daughter and believe her birthright puts her above others. (I mean Dany does too but digressing).

Azula's more of a tragic villain who plays the antagonist role in the story, Danerys is one of the three heroes. However, she's more of a tragic villain in the sense that she's first season zuko pre character development just way more competent.

However, while Daenerys is a much more heroic character than Azula, here's the thing. I still think she's going to die. She is foreshadowed pretty heavily to die, and fail for her quest for the throne, because her entire story is a deconstruction of the warrior princess and the liberator archetype.

However, the story that GRRM is building throughout his books with Dany as an incredibly flawed heroine is different from what we got in the show, which was Daenerys going crazy and starting to murder people. That's because Daenerys turn to darkness wasn't about her character at all, it was just making her into a plot device to move their bad idea for a plot forward. That's why the turn is so unnatural and makes little sense with her character, that's why it's so rushed.

That's also why it's ableist, because it's using mental illness as a plot device to make a character unsympathetic and monstrous and give the other characters a reason to put them down.

The same for Azula, outside of one scene where he's talking to her mother, Azula's mental illness manifests in her screaming, maniacally laughing, looking like the joker did her makeup, and her instability also makes her violent and dangerous to be around. (Ignoring the fact that most people who experience delusions in real life are harmless, and more likely to be the victims of violence).

Her sudden mental illness isn't even used to make her more sympathetic in say Zuko's eyes and make him realize she's a victim, no it's just there to nerf her so she can be violently put down. The way she's drawn, the way she acts, it's to paint her as monstrous as possible. Her last action is like sobbing and screaming while being drawn as ugly as possible. She's not even given a small hope for recovery, because it just ends there. That's a pretty great message to send people that experience delusions, not only will you not recover or be shown sympathy, you'll also get sent to a mental asylum for the rest of your life. The choice for both Azula and Dany is not to portray any kind of mental illness in a respectful way, but to make a plot point happen.

As I said I expect Dany to die in the books, but there's a difference between dying as a tragic hero succumbing to your flaws but still having your good intentions acknowledged and just turning into a villain for no reason and being put down like a rabid dog.

(This is a quote I stole from a Shigaraki post but): "Why does she need to be put down in the first place, she has trauma, not rabies."

The problem isn't bad thing happened to my favorite character, the problem with the ending is it doesn't take Dany's setup into consideration.

Stealing from @hamliet again:

The thing about tragedies is that you have to manage expectations and clearly show that your tragic hero is doomed from the very early on–ie you have to show them making steadily worse and worse decisions (see: Eren Jaeger in SnK), if not directly tell your audience at the very beginning that this is a tragic story (ie see Greek choruses and Shakespeare, the prequels from Star Wars because everyone knows Anakin is Vader–plus I’d argue Anakin’s arc only works because we know he comes back to the light in the end. Audiences don’t like reversing on set up/undoing structure. To make Dany a tragic villain is to go against the structure of her arc in both show and book. That’s why people don’t like it, even if the books makes it seem more believable.

Kate then goes onto describe a character that's much more comparable to Azula's. Honestly Arianne is closer to Azula than Daenerys is.

You know who is set up as a tragic heroine destined to descend and die because of her flaws in the books, whose arc has almost certainly been combined with Dany’s in some sense in the show? Arianne Martell. (and another character known as f!Aegon) In the books, Arianne is incredibly ambitious, and especially resents her brother and his quest for power. Like Margaery (another tragic character), Arianne seeks power and is intelligent and manipulative in her quest for it. But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising. Arianne, as her chapters hint, is going to almost certainly marry f!Aegon, playing with fire, and die burning for it. Arianne’s grasping for her own power is never portrayed as cruel or stupid like the main human villain (Cersei); on the contrary, we empathize with a girl who truly cares about her people, but resents her father’s preferential treatment towards her brother. That’s the difference between Arianne and Cersei: Arianne cares. She is not cruel. But her pride is still going to get her killed.

There's a lot of game of throne females you could compare Azula to because GOT is full of queens, but like. Azula may be a tragic villain firmly on the side of the antagonists but she's not Cerseie. She's not queen, she doesn't wield the power that Cersei wields. In fact one of Azula's downfalls is finding out she doesn't have as much power as she thought she had, and ultimately was just a tool of her fathers.

She's not Rhaenyra or Alicent, because yes she may be grabbing for power but her character isn't affected by misogyny. Because once again, the writers simply didn't think about misogyny except for a really surface level "girls can be just as strong as boys" way so we really have no idea how women are seen in the fire nation. The show doesn't really explore if being a woman makes things harder, or makes people treat her differently than Zuko because the writers just didn't consider Azula's perspcetive on that matter.

Azula is alike to Danaerys in several ways, but as I said I think her ultimate end comes from Azula understimating her own importance in her father's eyes, and quickly realizing when her father is her only family left she never had his love or loyalty in the first place.

But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising.

Azula's most famous quote is about how Long Feng isn't even a player, only to find out her father considered her a pawn from the beginning and be broken by the revelation.

The difference being of course that Avatar is not Game of Thrones and it won't even kill the evil fascist dictator so it doesn't make a lot of sense to hand Azula the ending that Arianne got. They have the same fatal flaw.

Anyway, I made this big post but I can explain why Azula's tragic ending down't work in one sentence.

AVATAR THE LAST AIRBENDER IS NOT A TRAGEDY.

Maybe the reason Azula should get redeemed is because THE SHOW IS ABOUT F&%CKING REDEMPTION.

#bnha meta #mha meta #atla meta #azula meta #azula #princess azula #dabi #toya todoroki #shoto todoroki #azula redemption

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poppystain · 1 year ago

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𝑆𝐀𝐋𝐓𝐁𝐔𝐑𝐍 ( 𝟐𝟎𝟐𝟑 ) dir. emerald fennell / feel free to change pronouns and subjects as you see fit !

❛ i wasn’t in love with him. ❜

❛ i loved him. of course! it was impossible not to. ❜

❛ everyone loved you. everyone wanted to be around you. ❜

❛ i protected him. i was honest with him. ❜

❛ it's just you and me, mate. and the girl with agoraphobia, but she's in her room. ❜

❛ are you telling me you spent your summer reading the bible? ❜

❛ oh no no. not, uh, friend. more an admirer. from afar. ❜

❛ so you're picking apart the style my essay instead of the substance? ❜

❛ it's not what you argue but how. ❜

❛ fuck, that's kind. are you serious? ❜

❛ i don't smoke. ❜

❛ he’s been expelled from almost every school in england for sucking off the teachers. ❜

❛ there aren’t any pictures of me as a kid. ❜

❛ you look different. ❜

❛ harsh! that is so harsh! you’re such a snob! ❜

❛ only rich people can afford to be this filthy. ❜

❛ do you think he'll be jealous? ❜

❛ no, i'm not like you. this is all i have. ❜

❛ this feels a bit fucking stupid now to be honest. ❜

❛ honestly? i don't think i'll ever go home again. ❜

❛ just be yourself! they'll love you! ❜

❛ everybody just goes to ruin, i suppose. ❜

❛ but darling you're kind about everyone, you can't be trusted. ❜

❛ i have a complete and utter horror of ugliness. ❜

❛ because you're a terrible person? ❜

❛ daddy always said that i'd end up at the bottom of the thames. ❜

❛ fucking hell you gave me a fright. ❜

❛ i wanted to have a look at the moon. it's nearly full. do you know what that means? ❜

❛ i'm cold blooded. we're all cold blooded, haven't you noticed? ❜

❛ because you’re so fucking beautiful. ❜

❛ you're in your see-through nightdress underneath my window. ❜

❛ i could just eat you. ❜

❛ lucky for you i'm a vampire. ❜

❛ bring on the slutty fairies. ❜

❛ it's just fucking cringe, mate. ❜

❛ what a little shit-stirrer. ❜

❛ it’s just so disappointing. you're just another one of his toys. ❜

❛ alright, fuck this. i'm getting a drink. ❜

❛ are you going to behave from now on? ❜

❛ i mean, you’re a fucking liar… why would you lie? ❜

❛ ...i just wanted to be your friend. ❜

❛ you can’t ignore me forever. ❜

❛ can you fuck off and bother somebody else? ❜

❛ you really do notice everything don't you? ❜

❛ you can’t just throw me away. ❜

❛ i just gave you what you wanted. like everyone else does! ❜

❛ everyone puts on a show for you. so i’m sorry if my performance wasn’t good enough. ❜

❛ i just need you to understand how much i fucking love you. ❜

❛ i'm still the same person. ❜

❛ i don't know what you are. but i do know you make my fucking blood run cold. ❜

❛ it was the end of everything. ❜

❛ none of us wants your bloody american feelings! ❜

❛ your politeness is so grating. do you know that? ❜

❛ you're always skulking around. weaving your spider web. ❜

❛ i think you're a moth. quiet. harmless. drawn to shiny things. batting up against the window… just desperate to get in. ❜

❛ you've made your holes in everything. you'll eat us from the inside out. ❜

❛ you ate him right up. and you licked the fucking plate.❜

❛ have you been happy? ❜

❛ i loved you. by god, i loved you. but sometimes i... hated you.❜

#prompts #sentence memes #sentence starters #rp ask meme #rp meme #rp starter #inbox memes #inbox prompts #saltburn

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shdysders · 11 months ago

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the fallout

pairing: jenna ortega & female reader

summary: in which you and jenna unexpectedly run into each other after a long complicated time, which makes things take a big turn for you.

word count: 4.8k

warnings: 18+ heavy topics; depression, suicide, unhealthy weight loss.

authors note: my longest imagine so far, but also the darkest one i would say. please tell me if it’s too confusing bc i feel like it might be. the ending is a little rushed, so tell me if you have any questions about it.

The weird thing about relationships is that they have a way of defying expectations. Just when you think you have it all figured out, love throws you a curveball, leaving you both bewildered and amazed. Especially when you're in a relationship that's all out in the public, everybody knows about it and is all up in your business. Not that any of that mattered if were deeply in love.

Although the lack of privacy and a judgmental crowd could ruin som parts of it, you wouldn't trade it for anything in the world.

Your girlfriend Jenna, was everything you had ever wanted, not because of the fame, nor the money, but because she was the epitome of your dreams. She embodied everything you had ever hoped for, ever since you were a little girl.

When the news about the it-girl's new girlfriend got out, the whole media was astonished. The movie star had never shown any interest towards girls publicly, or any romantic feelings at all for that matter.

After the surprising information about your relationship with Jenna, you guys quickly became a huge favorite among the fans and admirers, known for being the biggest love-birds on the internet. Every paparazzi picture that was ever taken of the two of you contained heart eyes full of admiration while the two of you looked at each other.

Everyone made it their goal in life to find love like the two of you had.

The life in the spotlight was a whole new experience for you. You had no clue about what it was going to be like til you got pushed into it in one day. But you didn't complain, thanks to the relationship with your girlfriend your dreams of becoming a musician came true, and before you knew it; you were known as one of the biggest rising stars in the music industry.

To say your life was complicated would've been an understatement. Considering both of you had very different careers, you guys barely made as much time for each other as you did before.

Jenna was barely home due all of the big jobs and interviews she was assigned for, which obviously hurt your relationship more than it should've. It felt like every moment she got the chance to be home with you, was about her being filled with anger and stress; taking it out on nobody else but you.

In other words the American 'it couple' wasn't as perfect as the public thought, they had painted up these perfect expectations that they were sure you guys lived up to, and that was one of the main reasons on why the media was aghast when the news about the thing leaked out.

The break up.

The separation shocked the whole audience, mainly fans that had followed you guys since the beginning, but also people that barely knew who you were. Everything happened so unexpectedly, nobody could ever see it coming.

For some reason, the break up almost became more known than the time you were actually together. Mainly because news leak out rather quickly, but also because nobody could figure out the reason for it, and Jenna's ignorance did not help when it came to solving the mystery.

Only one week after the incident Jenna was back at set, doing interviews and events, acting like nothing had changed. Which the media found extremely strange, some people even thought the break up didn't happen at all.

They didn't have much information about the reason for the break up, only a discreetly taken paparazzi picture of you leaving Jenna's apartment in full on tears; that was quickly leaked on the internet with all sorts of captions and headlines.

That was the last picture the paparazzi could ever take of you before you disappeared from the spotlight completely. Nobody knew why, not even you.

The day Jenna broke up with you, was the day your whole life fell apart. She was everything you had, due your parents always being neglecting or gone for work trips. Jenna was the only thing you were living for. That's why you went home that day, and barely went anywhere else.

You wallowed in your small apartment for days, eventually the days turned into weeks, the weeks turned into months, and the months turned into years. You would go a long amount of time without eating or drinking, and you couldn't remember the last time you had gotten a proper night sleep or eaten a full meal.

This was a big deal for the media, what could've possibly happened that made the next rising music star disappear completely? Some people actually thought that you and Jenna didn't break up at all, just that you decided to keep it private.

Some tried to convince the public that maybe the singing career wasn't for you and that you might've just started working as something else, but nobody believed that considering the fact that Jenna had said you looked happier than she had ever seen you when you were on stage. Well, that was in an interview when the two of you were still together. Nowadays you could never catch the actress talking about you.

It was never revealed why the separation happened or who was responsible for it. The only people knowing about being you, Jenna, and your families.

Jenna had broken up with you just a few weeks before your birthday. She claimed that both of you had completely different goals in life, that you were heading in different directions and we're holding each other back. You tried convincing her that all you would ever want in life was her, even if it meant dropping everything you had. But it didn't work.

After hours of pleading and crying, Jenna had instructed for you to go home. To your "home" that in your mind wasn't nearly close to a home, it wasn't somewhere you wanted to be. You wanted to be with her, in her apartment, like it had always been.

That's when the photos were taken of you, but the tears in your eyes and panic feeling in your throat stopped you from noticing. So did your depression from seeing the news and articles about you.

Time passed, and you still didn't get better. You didn't try to get better either, seeing no point if your future wasn't with who you wanted to. You tried telling yourself that you would wait for her to come around, she would realize how much you belonged together and would eventually come back to you. That was worth living for. The only thing worth living for.

Since the depression made time feel like it just flew by, you weren't really surprised when already two and a half years had passed since the break up, and the more days that passed, you were starting to doubt that Jenna was ever gonna come back.

In your mind, Jenna was thinking about you every day, trying to find the right way to come back to you, but whether it was true or just your brain trying to start a war with you, you didn't know, nor care.

But what you also didn't know; due to the lack of time you spent checking the news or social media. Jenna's life had changed way more than you thought and imagined.

She had met someone new.

***

Walking down the busy streets of New York was basically a part time job while living there. Jenna was an expert about it if anyone, and in her state right now, it was even tougher to make it through, like an intense workout.

Finally making it to one of the calmer streets, she made sure to catch a breath; like the doctor had told her if anything felt too heavy while moving, she was carrying extra pressure after all.

Walking through the city, carefully sneaking glances into the shops she passed, curious to see who was in the different areas today.

After for what felt like hours she finally made it to the library, where she was supposed to borrow some books for herself to keep her entertained for all the following weeks were she supposed she would just lay at home, waiting for something to happen with the growing thing inside of her.

The bell above the door greeted her with a ring as she opened the door, the librarian giving her a small smile before going back to her work at the front desk.

Jenna returned a small smile, trying her hardest not to let out a loud sigh from all the walking as she held her stomach, her footsteps making the carpeted wooden floor creak as she walked.

The library looked fully empty, it usually was considering it was a pretty small one, not one of the best looking either; smelled like dust and looked like it was something from the early 2000s. But it was her favorite one, it always had the books she was looking for available.

Looking through the different shelves, trying to find the right one she was looking for, letting out a few grunts when she had been standing still for too long, flipping through the books. She heard a creek of the floor coming from the other side of the 'corridor' in the small library.

Carefully directing her head towards the sound, she noticed a slim figure standing there, delicately flipping through the pages of a book in her hands.

A recognizable feeling ran through Jenna's body as she watched the person. The hair gracefully draping over the shoulders, exuding an aura of elegance and charm, as if it were a scene from a captivating book.

But when she tucked a strand of hair behind her ear, revealing her side profile and the wide eyes curiously scanning the text on the pages of the book. Jenna's eyes could process who it was, and the sight made her throat feel thick and cold sweat beginning to form on her body. Despised that, she still couldn't stop herself when she walked forward, calling your name.

"Y/n?" Her voice creaked out.

The voice calling your name quickly made your head turn to where she was situated. And when your eyes met hers, you could swear you felt your heart finding a place in your stomach. She looked just as the day she broke you, although her face was a little bit more swollen than the last time.

You wanted to smile, you wanted to hug her and tell her how much you had missed her. But your body didn't move. Did she search you up? Did she come here to take you back?

Your eyes were filled with admiration as you inspected Jenna's face. You couldn't say the same for her eyes, they were filled with worry and was scanning your whole body.

You barely looked like yourself. Your eyes that was once bright and full of life, was now replaced with tired ones with a red waterline, the wrinkles that used to be visible under your eyes from smiling so much, was now replaced by dark eye bags that told her that you hadn't slept for ages.

Your body didn't look the same either, the clothes you were wearing practically swallowed you whole, your face had sunken a huge amount and the exposed part of your collarbone showed that you had lost a ton of weight.

"Jenna..Hi." You almost shuttered out, unsurely moving your hands to put them in the front pockets of your pants.

She tried pushing the worry of your current state to the side as she tried to start a conversation with you. "Hi.." She smiled, noticing that you were trying so hardly to smile back at her.

"It's been so long, I– It's so nice to see you again." Jenna spoke almost eagerly, being quick to break the silence that tried to sneak through the two of you; knowing that silence was not something you loved as much as she did.

"How have you been doing?" She added to the conversation, when she in reality should've walked away the second she saw you. But she just couldn't, you had always had the ability to get her captivated by you, no matter what the situation was.

You swallowed thickly, trying your hardest to get your voice to sound normal. "Fine.." You spoke lowly, nodding a little receiving a small nod from her as well.

"Great, actually." You tried again, wanting to sound more confident this time. Because maybe there was a bigger chance she would take you back if she knew you were doing good.

"Yeah?" Jenna nodded bigger this time, smile growing bigger on her face. "What about the music? How's that going?" She asked carefully, hoping to receive that sparkle in your eye that she would see every time you got the chance to talk about your music.

But who was she trying to fool? She knew exactly what had been going on with you. She knew you weren't playing anymore, that nobody had seen you ever since your last concert almost three years ago.

Jenna would be lying if she said she never searched your name up incase there had been any news about you, because she did it every day.

She had been trying to text you a few weeks after the blow out, even trying to wish you a happy birthday when the day arrived. But she was never surprised to see that you hadn't answered any of the text messages she had written whenever she had the time.

And sure, the guilt was getting to her, basically everyone knew that the reason for your downfall was her, her mainly or her only, it didn't matter. Knowing that she might've been the reason you looked like this, made her heart fill up with a deep ache.

Her thoughts came to a quit when she noticed you ashamedly directed your head down, finding your shoes interesting. But Jenna didn't stop, she wanted to see that spark so badly that her mouth moved faster than she could process.

"Y–you're gonna have to tell me of you're having having a concert or something... It would be so much fun to see you again." Jenna spoke, the words falling out of her mouth before she had the chance to think them through.

You were now looking at her again, a mix of emotions painted on your face. But Jenna could see the forced smile that made its way up on your face.

But you were starting to grow impatient. Did she come here to take you back or not? That's why you softly tried to ask her the question you so badly wanted her to ask.

"Would you like to grab a coffee some day?" You felt your heartbeat quicken at your own words, even more when you saw her face lit up with a smile.

But the sentence meant totally different things for the two of you. For you it was a date, but for Jenna it was a friendly request, basically telling her you wanted to keep going as friends.

"Yeah I–I'd love that.." She nodded, almost laughing while talking, making her stomach feel heavier than before, which made her caress it carefully with one of her hands.

And then it came, the sparkle in your eyes she so desperately wanted to see again. It appeared in your eyes for a split second, making her breath hitch as she carefully watched you with a smile.

But your happy expression with sparkles in your eyes was quickly exchanged with a crushed one when your gaze followed down to where Jenna's hand was placed. Tears almost immediately filling your eyes as you looked down at the bump on Jenna's stomach, along with the diamond placed on her ring finger.

Jenna immediately noticed your change of emotions, almost feeling ashamed as she watched your breathing stop for a split second. She bit her lip nervously, trying to figure out your next move.

"I–I uhm.. I have to get home." You hurried out, quickly wiping your eyes before the tears had a chance to fall.

Jenna could feel her mouth open trying to say something, but nothing came out. She sadly watched as you quickly walked away from her and out of the library, making herself feel like she made a mistake by even walking up to you.

She didn't know you weren't aware of her pregnancy, because she thought you did, technically everyone knew about it. The whole world was in shock when the news about the pregnancy of the new it girl came out; posting it everywhere as soon as it was revealed.

But what Jenna didn't know was that you had deleted all social media platforms from all of your devices, not taking any chances of seeing fake news about yourself or headlines about Jenna being happier than ever; when you were about to let your bed swallow you whole.

You couldn't hear Jennas voice calling your name when you hurried out the store. The high pitched beep and the loud voices in your head taking over your thoughts.

She didn't come to take you back, she didn't plan to find you at all. She doesn't want you back in her life, she's moved on. She didn't think about you every day, she had someone else to think about now.

Your legs were moving so rapidly that you could barely feel them, the tears in your eyes refused to fall no matter how close to the edge they got. You didn't blink, you didn't think, nothing was worth it.

The quick steps turned into slow ones as the thoughts disappeared from your mind. Now that you got the confirmation about the things you prayed weren't true. There was nothing to live for.

If you were going to live a future without the person you had thought about for three years straight, there was no point.

***

The day at the library had been clouding Jenna's mind for two days straight, never leaving her alone no matter how hard she tried.

She couldn't stop thinking about your crushed face; that she could only see for a second before you rushed away. It reminded her way too much of the face you wore when she ended things between the two of you; the face that she had nightmares of for months.

She had tried to leave messages and calls to your number; she wanted to talk things out. She wanted to still know you, and based on the person she saw a few days before, she couldn't anticipate how difficult that process would be.

She didn't know who you were anymore, and the pain of not knowing the person that was once the most important individual in her life was eating her alive. She weren't in your life anymore, so that's why she was surprised to see your mother's name and number appear on her phone screen.

Both hesitation and worry filled her veins as she answered the call from your mother. You had never had a close relationship to your parents; they were gone for work trips the majority of your childhood.

Jenna tried to greet the woman on the phone, but quickly shut her eyes in embarrassment as she heard how shaky and questioning her voice sounded.

But your mom didn't seem to notice. "Jenna! Hi.." she sighed out of relief. Jenna could almost hear her sniffling on the other line, making her brows furrow out of confusion. "How have you been?"

"I've been great.." Jenna answered, uncertainty lacing her voice, "Sorry what is this about?" She tried to cancel the dry talking, feeling her worry growing bigger every second that passed.

"Oh yes of course.. sorry." She sniffled again, making the concern in Jenna only growing stronger.

"I uhm, I'm calling to say that..." Your mother paused, like the words that were about to come out of her mouth were poison. "Y/n is no longer with us.." She finished, a muffled sob leaving her mouth.

Jenna felt like her heart took a plunge, sinking into the depths of her being. "What?" She managed to breath out.

"She killed herself last night.." Your mothers shaky voice explained, followed by quiet sobs.

The whole world felt like it stopped. And for a second, Jenna could almost hear your laugh fill her eardrums, your smell filling her nostrils, your smile filling her eyes and your touch roaming her body.

This couldn't be true, there was no way. She was just about to make things right with you.

Jenna couldn't find her voice, it was like it had fallen the same path as her heart. Her mouth opening but nothing coming out, mind only focusing on you.

You, you radiated joy like a sunbeam, brightening everyone's day with your infectious laughter. Your magnetic personality pulled people in without hesitation, like a bees to a field of blooming flowers. Your heart was full of sunshine that spread warmth and happiness wherever you went. Your effervescent spirit bubbled over, filling every room with laughter. People were drawn to you like a moth to a flame, captivated by your vibrant and lively presence. And now you were gone.

The person she saw at the library just days before, was nothing like the person she once knew you as. She didn't know what destroyed you like that, but something did, and she felt the need to know what.

***

Jenna stared at the steam that was flying from the big coffee mug. She felt as if she was teetering on the edge of sleep, her eyelids heavy and her body yearning for rest.

She didn't get a single wink of rest that night, tossing and turning throughout the whole hours of darkness.

The tiredness was quick to disappear when she heard the sound of the bell ringing, signalizing that somebody walked in. She rapidly turned around to check who it was, careful not to make herself dizzy due the exhaustion.

When she saw it was your mom who walked into the coffee shop, she tried shooting her a tired smile, but it quickly disappeared when she saw your mothers state.

She had messy hair, red waterlines and faint eye bags under her eyes, but they were no where close to the ones she saw on your face three days before.

Jenna rose to her feet, ready to shake the woman's hand, but to her surprise your mom just walked straight into her, embracing her with a warm hug.

Your mom slowly pulled away, keeping her hands in a soft grip on Jenna's shoulders and looked into her eyes with a tired smile, almost inspecting her face.

Your mother had asked Jenna if she'd liked to meet up somewhere, just to talk. She accepted without hesitation, feeling like it was a must in their situation.

She was nervous tho, she hadn't seen you or your mom for about 3 years, and she didn't know how much you had told her about the break up. But your mom didn't seem to hate her like she would've thought, she didn't have a single look of hatred in her eyes when she looked at Jenna.

"So Jenna.." your mom sat down in the chair in-front of her on the other side of the table. "Do you have any new projects coming soon?" She smiled, picking up the coffee mug from the table and taking a sip.

Jenna couldn't help but feel at home, a smile creeping up her lips. "Yeah..Yeah I do actually. I have a few." Making your mom nod with an even bigger smile.

And she did, she did have a few coming out soon, but she didn't have any projects that she was currently working on. But she couldn't say that, because then your mom would ask her why, and she couldn't answer that. She couldn't say that she was pregnant when your mother had just lost her daughter. That's why Jenna wore a black coat, trying her best to cover it up; it was just for the best.

"We actually watched one of your most recent projects a few weeks ago.." She kept the conversation going, wiping her mouth with her sleeve. "And I really liked it. You're a very talented girl.."

Jenna could feel herself blush at the compliment, but it quickly faded when she realized that was what you used to call her. She was your talented girl, and you were hers.

"Thank you.. Thank you that means a lot. You're too kind."

Your mother smiled sadly, "Y/n loved it a lot as well." She tried, but maybe it was too early to talk about you.

The sound of your name falling out of your moms mouth made a thick layer of silence fall between them. Jenna felt like the room turned smaller, making it harder to breath. She gulped, but the woman in-front of her didn't seem affected by the words; her tired expression didn't change. But she looked down towards the coffee on the table as she started to speak.

"Y'know.. I thought she had gotten better since the.." Your mom abruptly halted her words, as if they were toxic and she couldn't utter them. "Her last attempt." She sighed out, rubbing her temple gently.

Jenna furrowed her eyebrows, her mouth opening before she could even think. "What?"

Your mom returned the furrowed brows, not understanding the younger girl's confusion. "Her last attempt." She repeated, suddenly in a much more questioning tone than last time. "Last year." She tried to explained further.

Jenna's posture that she had previously straightened now fell, a small 'oh' falling from her lips. She didn't know about that, but what did she expect? You hadn't talked to each other in over three years, of course she didn't know about that.

"It was so nice of you to interrupt your filming just to check up on her." Your mom was now smiling at Jenna again.

It felt as if her entire being was in a state of disarray, with every fiber of her being unsure and bewildered. "Check up on her? Wha– I didn't do that." Jenna stuttered like a messed up vinyl on a record player.

Maybe it was rude to admit such a thing, and in such a confused tone as well. But Jenna couldn't help it, she had no idea what the woman was talking about.

Your moms smile faded as a confused expression took over her face. She opened her mouth to speak, but Jenna broke her to it.

"Mrs L/N, me and Y/n have been broken up for three years." She hesitated while speaking, unsure if it was the right thing to say. Maybe she already knew?

But based on the shocked reaction she got showed that she didn't til now. "Three years?" She questioned, not sure if she had heard it right.

Jenna just nodded as a response; her mouth too dry to say anything more. The grimace on your moms face made her nervous, not having a clue on what was going to happen next.

Your mom didn't lash out like Jenna thought she would, she just put a hand over her mouth, tears almost visible in her eyes.

Jenna began to panic, did she ruin it all? Is your mom going to hate her now? All kinds of questions flashing through her head, you had clearly not told your mom the whole story, how much did you tell?

Without having to ask the question herself, your mom spoke up, like she could've read Jenna's mind. "She told me you guys broke up three weeks ago.." The tears almost fell from her eyes, nothing but confusion and sadness pooling in her eyes.

Jennas mouth opened and closed like a fish in the water, not knowing what to say at all. Why would you lie?

"And she called me the night before, rambling about how she saw you and that you wouldn't want her back like she had wished. I didn't understand what she was talking about.." Your mother spoke rapidly, almost too quickly for Jenna to recall what she was saying.

Jenna's mind went blank, her ears shutting your mothers voice out as she continued talking. The last part she heard was that you had told your mom it was your first time going outside of your apartment in months; aside from going to your therapist.

That's when it all clicked; it was her fault. She was the reason you had flipped and didn't want to live any longer.

You had spent all of your three years waiting for Jenna to take you back, and she didn't. Instead she found another man, got pregnant and engaged to him.

You had waited for her the whole time, but your anticipation was left unappreciated, by her and her only.

#jenna ortega x fem!reader #jenna ortega x reader #jenna ortega #angst #female

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