#why did this feel long....when it isn't....

[strwberri-milk]

How would the lads boys react to a reader that is touch starved but is to shy to initiate physical contact (at the beginning) cuz she’s afraid of making them uncomfortable ?

Zayne doesn't initiate physical contact often either on account of just being a little too busy to be cuddly. He will hold your hand your or put his arm around your waist - showing you affection in socially acceptable ways because that's just how he shows affection. He isn't one to pull you into an intense kiss in the middle of the street - that's reserved for dark alleyways or the car on your way home.

He just thinks you're the same, not realising that it's a need you have. You'd have to communicate it with him or else he won't understand that you want him to initiate more contact. He doesn't mind holding you whenever he feels the need to or kissing your cheek and would assume that you'd do the same as he's never expressed not liking your attention.

Once you confide in him, telling him that you're just worried about making him uncomfortable he won't understand it at all. He reassures you that you'd never bother him, wanting you to reach out to him whenever you feel like you need him. It makes him feel needed by you as well, something he definitely appreciates because he wants you to find comfort in him.

Xavier can sense your unease because he sees how you always seem to hesitate whenever you touch him. He doesn't understand why you're acting like that but decides to continue observing just for now. When he determines it's a habit you have he'll ask you why you don't just touch him or hold him or kiss him whenever you want without seeming so nervous. He's worried he's somehow scared you off, made you feel like you shouldn't reach out to him for comfort.

You have to vehemently deny that statement, now feeling a little bad that you made Xavier think that he did something wrong. Thankfully, he's not going to dwell on it too long, telling you that he wants you to reach out and initiate physical contact whenever you feel the need to. He likes it when you're affectionate with him and wants you to do it more often, egging you on by responding with a little more enthusiasm than normal to reinforce the positive behaviour. You laugh a little at how obvious he's trying to make it, knowing he's doing it for your benefit, especially when he normally isn't this emotive in day to day things.

Rafayel is incredibly affectionate so for the most part, you don't find yourself needing too much of his attention since he usually gives all of it to you unprompted. The times you need to seek him out would be when he's deep into an art piece since he tends to forget everything. He'll still greet you with a kiss if you enter the room and hug you tightly to recharge his batteries but it's not nearly as much as he normally subjects you to, making you miss him a little bit more.

He notices you hanging around in the studio a little aimlessly, raising a brow at you. He decides to see what you're doing while he waits for his layers to dry, seeing you just sort of wandering until he calls you over. You practically bound over, looking at him expectantly. He doesn't get it quite yet, looking at you with mild confusion but also loving how adorably you're looking up at him.

It'll take him a second to realise you're waiting for him to shower you in attention the way he normally would, pulling you into his lap and letting you bury your face into his neck. He realises how much he's been neglecting you now, apologising and telling you that you can always make him give you attention. He loves you and would do anything for you, reinforcing the fact that he wants you to shower him in attention too whenever you feel like it. It makes him feel loved too and when you finally start doing it he'll overreact a little, practically melting at your touch because of his adoration for you.

Sylus can tell you have an aversion to initiating physical touch so he decides to make his cues for you more obvious. He'll look at you a little longer, opening an arm for you to crawl into his lap or come to his side to have a kiss pressed to your cheek. He doesn't mind initiating the physical contact this way because it clearly makes you more comfortable.

Over time with his patience you'll start to pick up on the fact that he's trying to acclimate you to initiating more physical contact. It works though, which you're glad about as you realise your nervousness around giving him physical affection is beginning to become far more manageable. He always leans into your touch whenever you initiate no matter where or what you're doing, thanking you in that smooth voice of his as he presses a kiss to your lips.

[peachesofteal]

I know Azriel has amassed a ton of wealth over centuries from doing the dirtiest work, and rarely spends it. He's never really had a need to. Of course, he buys gifts for his family, covers tabs at Rita's, buys himself things, essentials, etc but when it comes to spending for enjoyment or spending to indulge, it just doesn't happen.

He's not looking for reasons, either, until he literally stumbles into one.

You trip and fall into him in the Palace of Thread and Jewels. Trip over something on the ground, get twisted up, and flail forward, right into his path. You're rose and pink pepper, floral, sharp, sweet in a way he cannot fathom, and he doesn't think before stopping your fall. He just reacts, grabbing you around the arms and pulling you upright, holding you steady as you recalibrate your balance, looking up into his face, eyes shining bright like the stars. They're brilliant, full of life, but lined with an undercurrent of stress, of worry, he does not understand.

You're fumbling over an apology as he studies you, scrutinizing every detail on your face, down to the chap of your lips.

He's never seen a High Fae look so... off before, and they're not known to be clumsy.

"Are you alright?" It's polite to inquire, he assures himself, it's the right thing to do.

"I'm fine," you smile but it doesn't touch your eyes, "thanks. Sorry about that. I wasn't watching where I was going." He's unsure what to say next but before he can come up with something, you're giving him a quick thank you, and then disappearing into market.

He thinks about you that night. Wonders about you, as he stares at the bedroom ceiling. You obviously weren't well. Maybe he should have done more. It's his duty, isn't it? To Velaris? To care for it and its citizens, to protect them. Or at least, you. Do something to care for you, protect you.

He's not sure what to do, so he pushes the lingering questions from his mind.

And then the following week, he sees you at Rita's.

You're waiting tables, waltzing across the floor delivering drinks with a smile, the same one that slips away as soon as you're out of sight. Your shoulders slump as you stand at the corner of the bar, covering your mouth with your palm, yawning into it again and again.

Maybe he should do something, maybe you need a healer, maybe he could help-

No. He shouldn't. You probably wouldn't want him to, anyway. Right?

He shakes it off, tries to shake you off but can't stop himself from watching every step you take, trying to diagnose the problem.

It takes too long for it to click.

You're not sick, or clumsy.

You're exhausted, and it makes him irrationally angry, fills him with a need to drag you away from Rita's and tuck you up into a house somewhere, a place you'll never have to lift a finger again if you so choose. A place where you could be taken care of-

maybe even by him.

It takes him very little time to find the ramshackle duplex you live in on the outskirts of town, the roof too sloped, the wooden steps too rotted, the siding too loose.

It makes him uneasy, makes his skin crawl. Why are you here, in a place like this? Who has allowed this?

Why does a place like this even exist when Velaris has such wealth?

He begins to play a game, and at first, he tells himself it's to make himself feel better, that he's doing it for selfish reasons.

It's winter, and you don't have gloves, so he buys a pair and the shadows deposit them on your front step, and it makes the sick feeling in his stomach go away. For a few days.

When it returns, he buys you a hat, and this time, he delivers it himself, eager to see your reaction.

He doesn't expect to see the gloves still sitting on the porch, and he frowns. Did you not see them? Did you not like them? He leaves the hat at their side and lurks on the roof of the house across from yours, hiding in shadow, in wait.

The sun is still rising when you leave for your first job of the day, and you stop short at the sight of the hat. He perks up, expecting to see you relax with relief, or happiness, but is left confused when you hold the hat in your hands for a moment, reverently tracing the stitching, before dropping it back next to the gloves.

Why? You need these things. They're being given anonymously, alleviating some of awkwardness of accepting gifts, and he had hoped it would spare you from feelings of obligation or embarrassment. Perhaps you are too proud, he wonders, but shadows echo a different sentiment, one of distrust, of wariness.

The gifts scare you.

The guilt churns the bile in his stomach, and he flexes his fingers into fists before flying away, cursing himself the whole way home.

Idiot.

You're very surprised when he approaches you on your walk from the Palace to Rita's, so much so that you jerk to a dead stop, staring at him with your mouth dropped open as he tries to explain he has something to give you.

Yes, he knows you don't know him. Yes, he's aware how strange this is.

Yes, you will be taking this scarf whether you like it or not.

"I'm sorry?"

"This is for you." He extends the scarf towards you, holding his breath. Your eyes narrow.

"Have you been leaving things on my porch?"

"Yes." There's no point in lying. He's standing here trying to gift you a scarf, for Cauldron's sake.

"Why?" Your voice is tight, anxious, and he wishes there was a way he could reassure you without frightening you further.

"You needed them." It comes off as arrogant, but he doesn't care. He's getting to the point where he's past caring, where he's past watching you freeze and work yourself to the bone. His jaw is clenched so tight the muscles are straining, and it takes effort to steady his voice. "You're freezing."

"I-"

"I want you to have this." Just take it. The shadows skitter around him, trawling across the brick to where you stand, and you glance at them briefly, surprisingly unafraid, before looking back at him. He expects a fight, some kind of resistance, but it's all been bled dry. The only thing he sees is defeat, and it stings. You're suffering, you're suffering and he's got everything he could ever want, material wise, and then some. "Please," he murmurs, stepping forward, and you shake your head.

"I shouldn't."

"It's just a gift, I don't expect anything in return."

"You say that now." Your voice trembles. Anger cracks like lightning through his veins. Is this what you fear? A transaction? An exchange for help? There are only so many things one could want in a situation like this, and all of the them fill him with rage.

"I promise you," his voice is steel, firm and unrelenting, "I want nothing in return."

"You promise." It's not a question, and you won't meet his gaze, but he pushes on.

"I do." You reach for it hesitantly and wrap it around your neck, tucking your chin into the softly spun wool, cheeks lifting in a very small, shy smile. Good girl.

He chose perfectly. It complements your skin, your eyes, illuminates your already striking beauty.

"I... thank you. This is really nice. It's lovely." The shadows hum, and he secretly preens, the warmth in his chest spreading as you tell him your name.

"I'm Azriel," he says in return, and you nod.

"I know." You sigh, and look past him, down the street to where he knows your work awaits. "I have to go."

Or he could take you. It's tempting, so, so tempting. It's wicked, and rotten, but satisfying at the same time, and it soothes the reckless pieces of him calling out to you.

No. He shouldn't. He settles on a different course instead.

"I'll see you soon." Your brow furrows.

"You will?" He nods, spreading his wings, preparing to launch into the sky, pleased by how you marvel at them.

"And you'll wear both the gloves and hat when you're outside from now on." Your lips part with surprise. "Yes?" It takes a beat, and then two-

"Yes."

[genderqueerdykes]

is it bad that i hate when people take my posts about trans issues and make trans women the center of them. my posts always say “trans people” when i talk generally about the violence and transphobia because i mean that. all trans people, not only one kind. but every time the comments turn it into a discussion revolving around trans women.

i’m not against talking about specific demographics! but it’s very frustrating when people take trans men and non-binary people out of the picture when i intentionally included them by NOT specifying a specific gender of trans people.

it’s honestly very disappointing and disheartening that trans men aren’t included in any type of discussion when it comes to trans issues. at least not that i see, i don’t know.

additionally, when (mainly perisex cis)people claim their supposed allyship to trans people, they only talk about how they include trans women in their feminism and women’s spaces. no mention of trans men. and when we ARE talked about, it’s “i hate trans men because they’re just like cis men :)” or “no i don’t want trans men in WOMENS spaces because they’re men”.

i don’t know… maybe i’m too sensitive, but it’s something i don’t like. we should definitely bring awareness to trans women’s issues but not completely forget about the existence of trans men.

i think it's okay to feel that way. i don't care for when people do that to me, either. this discussion is long overdue and so few people want to have it, but this is an issue. yes, trans women are allowed to talk about our issues, we are. i'm not saying we should never speak. what i'm saying is we can't take posts that are made for everyone and make them about us and us alone.

we need to stop making conversations about transmasculine people about us. not all nonbinary people are transfeminine, other intersex, multigender, nonbinary, genderqueer, gendervast, gnc, etc people need a chance to speak. like i'm serious, it's okay to talk about one's own experience. but if it is explicitly to point out why people should not listen to other people when they are talking about their own issues, and that they should listen to you instead, you are controlling the narratives, and shifting the goalposts.

it's one thing to say "here's what i experience" but if someone takes your post and goes. hey actually. trans women have it the worst. they're the one leaving other people out of the picture in that situation. whenever you try to point this out on this website, people foam at the mouth to try to kill you and it's ridiculous. when, well, with so many people bringing it up:

it's an issue.

there's been a specific group of people who identify as transradfems and people who identify with their politics even if they don't know the name for it. they are pushing people to be quiet and not speak about their own experiences because somehow that silences trans women, as if we can only be about one type of queer person at once. it's gotten old. like can we seriously just have this conversation already and be done with?

i feel like i have to say the thing that most people are afraid of, because this conversation is way overdue.

can disenfranchised dysphoric trans women stop attacking men & mascs because you don't like being seen as one? can disenfranchised trans women who have been hurt by men stop attacking men who haven't hurt you?

enough. men & mascs are not your personal punching bag. manhood isn't what hurt you. being forced to be a man or masc is what hurt you. the general concept of manhood and men did not hurt you. let go. i understand it's painful to get misgendered and treated as a man for life. it sucks. you don't deserve that. no trans woman does. nobody deserves to be misgendered. you don't deserve to be dehumanized because people refuse to see you for who you are. it's okay to acknowledge that you're in pain. but you gotta let the fuck go of your irrational hatred, because it will never help you accept or love yourself

you will never experience true trans joy if you spend all of your time hating on other people. hate solves nothing. if that's the only thing you see, that's the only thing you feel. if hate has nowhere else to go, it rapidly turns inward. you will not be seen as a woman by more people if you attack men. you will not be accepted by cis radfems if you attack men and parrot their politics. this isn't helping you, or anyone else.

we need to break down these walls and talk to each other. trans women and trans men can have conversations about our experiences at the exact same time. conversations involve multiple points of input. if we're only allowing one type of person to speak and one type of person to speak only: that is a lecture. that is not a discussion. if you never listen or give other people a chance to speak, you are lecturing them.

[zvezdacito]

First analysis on Sebek's attitude towards humans that actually takes the human colonization of the Briarlands into account instead of stopping at "its internalized racism because nocturnal fae are just conservatives clearly🤓☝️". I'm genuinely so thankful for this💀😭🙏

I don't blame people for misunderstanding the power dynamics between humans and fae here before Book 7 because there was literally no info/they SEEMED to be leaning on the "biracial kid hates his other half" trope/them leaving it so the initially elf-like fae could be interpreted as elitist snobs to human innovation, so the Briar Valley's history was intentionally set up to be a surprising revelation as to what actually motivates all of the afformentioned. But Book 7 has been out for 2 whole years; 2 whole years worth of time to actually catch up on lore. Twst is literally spoonfeeding its sympathetic stance to how the fae feel about their history the entire time too, its not as if its easy-to-miss subtext😭

Some real world tension Sebek's case is *more* comparable to is probably like Korean, Chinese and SEAsian elders having a strong grudge against Japanese people because of all their warcrimes in our countries, but it technically becoming "less relevant" to the daily lives of succeeding generations (and it seemingly being irrelevant to Japan from the start with the historical revisionism + refusal to acknowledge and apologize for said warcrimes) thus leading to some today seeing that hatred as some sort of reverse racism (even if it isn't)

I don't think it's comparable to the dynamic of racial oppressor and racially oppressed in western countries since its still very structurally relevant/less malleable between positions I'd say? (Even tho this is people's default when thinking about Sebek's "racism")

And Sebek's position is more similar to the mixed children of occupying soldiers/settlers with native women being conflicted about their identity and place (less because the "white" side being a (statistical) minority in the colonized-majority community, but a sense of guilt that their very existence feels like a reminder of the brutality and suffering that community faced). Though I'm not claiming it's a DIRECT parallel or allegory for these, since Mr. Zigvolt is not a soldier and may not even be part of the soldiers' descendants, just bringing it up to illustrate Sebek's actual place in the dynamics implied by Book 7 lore

Ngl I think twst fans have this issue of understanding stories where systemic issues contextualize why characters do what they do based entirely on how "nice" or "polite" that character is as an individual😭 Same reason people think Jamil (a literal modern day slave) is evil and "should've just talked to Kalim", or attempt to downplay the Dawn Knight's accountability in the invasion because he did lip service to wanting peace between species (even though it's likely a white-saviory idea of peace where human ideas take the lead and there's no trust for fae's autonomy. Just the bare minimum that they survive and get along with everyone else at their own cultural expense, if the loss of Fae tongue to Common even in the BV is anything to go by)

Idk I guess this is just my long comment about my pet peeve on people oversimplifying Sebek's attitude to "racism" because historically fae were not the ones with the systemic power and authority to discriminate and control the humans on the basis of them being human (which is what racism is systemically, it's more than just personal feelings of dislike lmao. And either way it was more the other way around for humans vs fae but fanon ignores this because "well, sebek is annoying")

Is sebek racist? Only a fun question, do not take seriously

Hello hello! Thank you so much for this question, I have been so excited to discuss Sebek's speech patterns since Book 7 reached EN~🥳

Silver says outright that Sebek can be prejudiced at times and Lilia states in the beginning of Book 7 that Sebek is the very picture of his grandfather, from the way he talks to the way he thinks.

We as the players do not realize how literally he means this comment until later in Book 7 when we meet Baul Zigvolt and realize that their speech patterns have a lot in common:

While maybe difficult to put across in the English-language adaptation of the game, Sebek has always spoken very old fashioned.

(Ace: "Okay grandpa, you gonna take her for a buggy ride next?")

He will occasionally say "this Sebek" in reference to himself, which Baul also does. (They are also both canonically quite loud, possibly another trait that Sebek adopted from Baul).

Sebek will also infamously refer to others using the 貴様 form of "you," which doesn't really exist outside of fiction and is such a rude form that it is practically a swear word. More here ->

Sebek uses it constantly, in everyday conversation.

And see Baul using it in Book 7 just all the time, with everyone except his superiors such as Lilia and Maleanor (there is even a time he becomes very angry and uses it with the senate).

Also like Baul, Sebek will switch to the extremely old-fashioned and formal "kiden" to refer to people who have impressed him. More here ->

Sebek's battle cry of "I'll swallow you whole" even seems to come from Baul!

And another thing Baul did in Book 7: refer to Sebek as human rather than by his name until Sebek earned his respect, which we have also seen happen between Sebek and Azul.

(In a Nightmare Before Christmas voiceline Sebek refers to Zero as a ghost and then a dog, eventually settling on his name, while he refers to Jack Skellington as "Bones." Is Sebek not just calling out humans, but referring to everyone by what they are rather than who they are?*)

(Does he simply yell human more than "dog," "ghost," etc., because humans are the species we have seen him interact with the most? It was confirmed in the novels that mermaids, beast-people, etc., are all referred to as "human" within the Twst universe, which has yet to be confirmed by the game but also has yet to be disproved.)

Sebek also refers to Grim as "dire beast."

There is a significant moment where he shifts to calling both Grim and the prefect by their names in Book 7, which the prefect even has the option of acknowledging aloud: "Whoa, you called me by my name?"

In a Harveston sub-plot Sebek even refuses to use an honorific with Epel's grandmother Marja until she proves herself worth of his respect.

Silver calls Sebek out on his inappropriate use of "kisama," while both Riddle and Sebek scold him for referring to people as "humans."

Whereas Epel's rude speech patterns can be explained by how it is a part of the dialect he was raised to speak and therefore he doesn't know any better (more here ->) Sebek is consciously and intentionally speaking down to others until they prove themselves worthy--is this something he learned from Baul?

Sebek says that Baul provided him with "an enriching education," but what exactly did that education entail?

Lilia expresses frustration with Sebek's inability to adapt to society, but canonically Sebek has only been outside of Briar Valley for 6 months, while he's been emulating his grandfather for 16 years.

Lilia says that Sebek has always been close to Baul and Jamil has a line of, "When admiration goes too far, the consequences can be dire."

I always assumed this was meant to be about Malleus, and while it still might be, is it also a reference to Sebek's devoted imitation of his beloved grandfather?

And we can go even deeper if we want, though this goes into theoretical territory:

Sebek was born after Briarland had already fallen to its invaders, but he was raised in a community where the war is still living memory.

Baul fought to protect his home against those who overran the land, exploited its resources, labeled him a monster, and drove them all into a fraction of their former territory.

He remembers what Briarland was before it the invasion, he fought to save it, he failed, and he survived to help put what was left of the country back together.

And then his daughter married someone who is potentially a direct descendent of the very invaders who had spent years killing anyone who looked like him and destroying everything he'd known (with even his native language possibly disappearing: Sebek says that speakers are "somewhat rare" in modern day, as the fae have generally adopted Common as their language of choice).

Sebek: "This has been weighing on me ever since we entered Lilia's dream. That my own father's distant ancestors may very well have been involved in all this too..."

And due to the long lifespans of the fae he isn't the only one with trauma and loss that feels both recent and personal.

Sebek and his siblings were not raised amongst the offspring of those who survived the war but the literal survivors themselves, unlike the humans to whom the wars are ancient history.

Sebek: "You must remember: from Lilia, Grandfather, and Malleus's perspectives...the Dawn Knight is not likely someone they consider to belong to the 'distant past.'"

While not confirmed in-game, it is not too wild to imagine that Sebek has chosen to ally himself with the survivors rather the invaders, and especially when he has been raised to idolize Malleus, whose own mother they killed not very long ago by fae standards.

While humans have been reproducing and dying at such a rapid pace that the current generation might not know that dragons are real, the same fae that managed to escape the slaughter are still there, and are now being met with the people born of those who stole their country but to whom there doesn't seem to be much significance to it all beyond a chapter in a history book.

And that might all be very well tied up in Sebek's use of "human"! (Disclaimer: this is all just a personal analysis and one of many possible explanations!)

Not only does it seem to be a speech pattern that Sebek has adopted directly from the grandfather he adores (and from Lilia and Malleus, who are also known to refer to non-fae as "humans" and whom he idolizes), but it may also be a reminder both to himself and to everyone around that while he may be two worlds in one, he does not approve of those that tore apart the community he grew up in, lest someone wrongfully assume that he agrees with the actions of his human ancestors.

Which would make it a form of self-preservation while growing up in a predominantly fae area.

Sebek's speech patterns and behaviors might be serving as a way for him to assert his loyalty to the fae, the people whom he admires, identifies with and was raised by, and distance himself from the humans who tried to eradicate them.

(If Sebek’s mother brought his father to Briar Valley from somewhere else (possibly Sunset Savanna) as has been implied, it’s possible Sebek’s human lineage isn’t tied to the invaders at all, but this is still vague.)

*Sebek refers to Sally as "Sally" throughout the Halloween event, using her name without an honorific but at least using it, much like he did with Marja. He also chastises Trey for failing to offer his hand to Sally and help her to her feet when she falls to the ground. Does Sebek possibly have a chivalrous side, not dissimilar to Leona? Memo: must check.

[damnfeelings09]

The way I loved you - Shadow's version

*A.N: sorry, I got lost reading some ff

"He is sensible and so incredible And all my single friends are jealous."

"Look at these beautiful flowers!" said Amy. "You have to tell me your secret, Sonic isn't the most romantic guy, ya' know" You were sitting in the living room of your apartment; it was small but cozy. There were plants in every corner, and despite the little time you had to settle in, you felt comfortable in this new house.

"And it's like, I couldn't ask for anything better," you said with a shy smile.

"That's fabulous! I'm so happy you gave yourself this chance... you know, since..."

"I know, I feel good, but I want to take it slow."

"And I feel perfectly fine."

When Amy left, you let yourself fall back onto your bed, in fact you didn't really feel fine. You missed him, you missed every moment. You couldn't blame Amy, you were too good at hiding your feelings. Only someone who knew you perfectly would notice you weren’t... happy. Actually, you didn't feel anything at all.

"... And it's 2 a.m., and I'm cursing your name. So in love that you act insane, and that's the way I loved you."

Every night, just before closing your eyes to sleep, you could feel his breath, his presence hadn't left you for a second in the last three months. Even though you didn't see him anymore, it was as if his memory was buried in your mind, like his image was tattooed on your heart, a mark you couldn't erase, one you didn’t want to erase. It hadn't been long since you met Dylan. He was actually nice, you'd bumped into him at the cafeteria, and he accidentally spilled your latte. After a thousand apologies, he offered to buy you a new one. You’d been hanging out three times, counting today, but when you told your friends about it, they were more than happy to see you back in the game.

"He respects my space, and never makes me wait, and he calls exactly when he says he will."

You checked your latest messages. Dylan had written "Goodnight and have fun, beautiful," after you mentioned you wouldn’t see him and would instead spend time with the girls.

"He's charming and endearing, and I'm comfortable."

"I'm comfortable," you said aloud, but when you were alone, hundreds of memories haunted you. Memories of when you had been so happy, loved like you never thought possible, cried, and suffered, but you did it all by his side. There he was again, always occupying your thoughts. At 2 p.m., when you had lunch, and again at 2 a.m., when you woke up startled by nightmares where you lost him over and over. You turned your phone back on, scrolling down to the bottom of your messages, and found his conversation. You read again the last message he had sent you: "I'll be late," with the date on the day you decided to move on with your life without him.

"He caused all of this. So… why do I feel like this?" you thought. You couldn't stop looking at the screen, hoping, wishing there was something more, that he had done something more. Suddenly, his status changed, he was online, and dots began to appear on the screen. He was typing. After three months of silence, he had finally reached out to you… your heart raced so fast you felt like it would burst out of your chest. The excitement, anxiety, fear, and anger were trying to take control of your body all at once. But when the dots disappeared, and his status went offline again, everything collapsed.

"Breaking down and coming undone, it's a rollercoaster kind of rush. And I never knew I could feel that much, and that's the way I loved you."

The next morning, you bumped into Dylan on your way to work. You talked about the weather, your outing with the girls, and his job. Dylan loved his job as an IT agent for GUN and loved to talk endlessly, something you weren’t used to. You limited yourself to nodding and smiling while he told you about the latest update he'd made to the criminal profiles platform at GUN.

"He can´t see the smile I'm faking and my heart's not breaking 'cause I'm not feeling anything at all."

As you walked through the GUN facilities and passed by the training center, memories flooded your mind. This time, you both had fought, but you didn't quite remember why...

You walked out of the training center, both fists clenched until your claws dug into your palms. You were upset, he hadn't respected the agreement to let you work, and his only defense had been, "You're not strong enough for this task, sorry." Once again, underestimating your abilities, even though, thanks to your effort, the last two missions you'd worked on together had gone wonderfully, and your colleagues praised your persistence. Of course, he was the team captain, and you didn’t expect different treatment just because you were his girlfriend; you simply expected him to start noticing your potential.

"And you were wild and crazy. Just so frustrating, intoxicating, complicated. Got away by some mistake and now..."

"Stupid hedgehog," you muttered under your breath as the raindrops began to soak your body. The wind soon picked up, and what started as a small breeze had turned into a storm. You had to turn back, or you'd end up sick, and they'd send you home. Just as you were about to go back, you heard someone calling your name. It was him, standing a few meters away, his dark fur soaked, and every quill dripping. His chest fur, once fluffy, now seemed flat due to the water.

"If you're here to scold me again, keep it to yourself. I was about to go back." In a second, the hedgehog was right in front of you.

"I'm sorry," you heard him murmur. "Don’t disappear like that again." Something in his voice made your wall of anger break. There, in the rain, with his face drenched and his red eyes, now dimmed, just inches from yours, made him look so... vulnerable. "No… I didn’t mean that you can’t do it, it’s just that… thinking of you, alone, out there… no, no..." he stammered, looking away. You had never seen him like this. You were so used to his strong, disciplined personality. Worry was not a word you associated with him, but now you realized he was worried about you.

"Hey," you said, gently caressing his face. "It's okay, I’m here, and I’ll be fine because I’ll have the best captain to guide me" you smiled at him.

"The best captain?" he asked, his crimson eyes regaining their sparkle as he raised an eyebrow.

"Of course! Sonic doesn’t do things as badly as you think, and... we have you too," you joked, earning a snort from him. You smiled as he closed the distance between you, pulling you into an embrace. The surprise was evident in your eyes. You knew he hated public displays of affection, especially at work. He didn't want people thinking there was favoritism towards you. He tightened his embrace as he felt your body shivering because of the cold, moving his face close to yours placing a soft kiss that contained everything he couldn't express.

"I miss screaming and fighting and kissing in the rain and It's 2 a.m., and I'm cursing your name. I'm so in love that I acted insane, and that's the way I loved you."

"Hey! Moon!" someone called, snapping you out of your thoughts. As you returned to the present, you found yourself staring at the training center. Dylan had his hand in front of your face, trying to get your attention. "Where did you go?"

"Ah... it's nothing," you said, scratching the back of your head, your cheeks still flushed from the memory. "See you later, Dylan." You walked towards the main offices, trying to avoid making eye contact with anyone else and trying to avoid running into him. When you reached the elevator, you heard a ring—a new notification. You quickly pulled out your phone and found a message. It was a simple interaction, just 3 words put together, but it was enoght to make your heart begin to beat again, as if waking up from a deep sleep.

Shadow: Hey

"Never knew I could feel that much and that's the way I loved you."

[astralspen]

Something amazing about In Stars and Time is how it makes you feel what Siffrin feels.

And yes, when you go through Act 5 and everything breaks down that's cool.

But when Siffrin feels loved and safe, I think that's what's special. That's what makes this game and these characters so special to me.

As someone who, too, had a similar feeling of feeling unlovable for a very long time. This game really healed that part of me.

When the timeloops start, and Siffrin clings to being useful, you still feel little bits of love. Small, barely there, a little distanced, because Siffrin feels distanced. But it's still there. The party looks out for you, pays attention to you, makes stupid jokes with you.

As you go through, you feel love through Loop. Loop who despite all the teasing and bullying helps. Helps the person who they so wish they could be. The one who holds their own heart, who has the family they lost. Loop reaches out to you, reminds you, you're here, I see you. It hurts, but I see you. And I will always see you and sit with you. And I will keep you from becoming as detached as I did, whether that be by annoying you or having a heart to heart or just yapping in general.

You feel love from the head housemaiden. That cruel kind as she weeps for your situation, and crys tears you can not. As she apologizes over and over again. Euphrasies loves by showing you the painful kind of mercy, the one that stabs you in your heart and makes you want to scream, because she loves through pity. Through pitying you and your suffering. No matter how much it hurts it is love nonetheless.

And finally, in the end, after everything you've done, after everything you went through. You feel love again. This time in your face, so burning and bright that you can not ignore it, you feel loved from the very people you loved from the start. The party who runs in to save you, despite everything you said. Who tells you it's ok, you were going insane, we may be a little mad at what you said, but in the end that doesn't matter. Because we love you. And man, when they really showed the unconditional love, I was going to cry. Because a love like that, especially one with the party, is so hard to find. And it's so precious.

Finally, you see love, one more time. Twohats. The Loop fight. Loop, who is trying to kill you, Loop who is so jealous because that is the love they so wanted. They want their family back. Loop who despite everything. They still can't kill Siffrin. Siffrin, who despite being forced to fight again, who could drop dead at any moment because of his craft exhaustion, refuses to oblige Loops request. They both refuse to kill. Because they still love each other. Siffrin who pulls Loop into a hug, and apologizes. Apologizes to who they once were, the Siffrin who should've gotten this. The one who had their family and their heart stolen from them. The Siffrin who never got to feel love. He thanks who they are now, Loop. For sticking with them despite everything. Who watched Siffrin, guided them, gave them a shoulder to cry on, bantered with them so Siffrin did not lose himself. Who despite everything, still decided to help. Siffrin isn't mad at Loop, because Siffrin knows, he would do the same. Siffrin gives Loop back all the love they gave. He let's Loop move on, knowing they're loved. That they always have been. Loop accepts that their family is gone, that they loved them all the same. They learn that even with them gone, they were still loved. Loop is allowed to be happy as they leave.

And isn't that just what this game is about? That no matter what, everyone deserves to be loved. To know it too, and to be happy. And that's what healed me a bit. Because if even the King, who spent his days weeping for a kingdom long gone, who lost all his family and could not build a new one, who froze everything in time, was still able to know and remember the love he had in the end, then why can't I? Why can't anyone? If even the ones who hated and cried and destroyed everything, the ones who hid it all until they couldn't, who didn't understand their emotions and felt trapped within a construct, who didn't feel like them no matter how much they changed, then can't we, too, love and be loved?

This game shows that love does not have to be romantic, does not have to be displayed in any way, is not something earned, but is a basic right for all of us. And for that, I thank it.

[iamhereforfunnzies]

Okay, so the longer you go blind, the more your other senses heighten. Humans have proven that they can develop echo location. Especially since humans already have a form of it in their every day lives.

Just one of the Bat Fam hearing clicks, only to find Reader making the noise to pin point where things are. But the second they turn the corner, Reader stops and turns their head towards the 'sibling' that suddenly came into their room.

"Why were you clicking so much?"

"Oh, it makes it easier to get around when there isn't anyone else to make sound. Usually, any amount of sound can help me locate what's around me."

"Like... a bat?"

"I guess? It's not new. Lot of blind people can do it to some extent."

-

On another note, I feel like Tim would be the least likely to treat Reader as a baby when his attention is on them. He literally trained to fight blind. So did Bruce. But for Bruce, he hasn't had to use that skill in so long, and it was a small part of his training. Tim frequently makes use of his skill in some way, even if he can see, using it as a way to dodge or attack behind himself.

Maybe this leads to Tim getting Alfred to recommend blind self defense training and some martial arts training. After he gets back from his own blind training for Robin. And then just forgets about Reader.

But this leads Reader to actually favoring Tim a bit more, cause he doesn't treat them like an idiot or an invalid. He also made sure Reader has a form of training.

Maybe, when he starts becoming Yandere, he invites Reader to the training mats to help him keep his blind fighting up and teach her more.

Heck, we can even continue on this line. Reader walking with a friend in Gotham, and a mugger to try to grab the blind person. Damian, as Robin on patrol with his siblings, tries to intervene before the 'weak' sibling gets hurt. Only to watch the mugger get bodily tossed, or their feet swept out from under themselves.

And Tim isn't surprised.

OH MY GOD I AM SORRY THIS TOOK FOREVER TO ANSWER😭😭

Yeah , when you treat a child like an adult it will imitate you. Many actually confused children's accent for not knowing how to pronounce words because of lack of knowledge (still a key factor) but it's actually them imitating the baby talk they hear.

Tim would be the type who shows you how to fish instead of giving you fish. I feel like in some sweet way he used to read to you not fairytales but hardknock books be it from science to history. Reader would slightly have better manners with Tim then anyone else because even with their relationship strained she is happy with the memories.

The exact scene Tim will become yandere would actually seeing you do the stuff he taught you doing alone , like slight training in your room , reading alone in braille (it looked low quality since finding braille books are difficult to find) he didn't know what you were reading , he felt bad , so he secretly started learning braille to make books for you and making sure they are the highest quality paper and making sure it's the best of the best translation by going to professionals and staying up to make the cover textures you like. He does ask you about your constant clicking and tapping of foot and gets you so many clicky pens.

Damian , unconsciously followed you walking home and was upset you walking around the street without a cane (he was jealous of your friend holding your hand for guidance) , a rush blurree was about robbed you blind but your insticts bodied him so hard in the cement floor that your friend was the one screaming. Damian was stilled shock and waited for you and your friend to leave to check on the man , kicking the robber's leg and checking his heart (he's alive but paralyzed) he is Honestly excited , HIS OLDER SIBLING CAN FIGHT! Though still amateur move , THEY CAN STILL FIGHT.

In Damian's mind fighting and playing is practically the same.

[greenandsorrow]

Morning Wood.

rut!Alastor x gn!reader

☞ I had some leftover smut scenes from the first chapter of "The price for misbehaving" and so, I decided to combine them with a slightly different depiction of Alastor. He's all fuzzy, basically covered in deer fur -anthropomorphic animal vibes and not the cartoonish, bright red guy we all know!

☞ You don't need to have read the actual multi chap in order to enjoy and understand this. However, I did keep the rutting/mating season theme. I love it when fictional men act pathetic -and the fact that I'm the one determining that in my silly, not so little, fics.

☞ Lots of horniness and hormones. Pet names. Masturbation and a blowjob, but make it goofy and playful! The reader is full of sass. Alastor is eepy and needy. Pre-established relationship. You're his mate!

🪻

Alastor is a mess.

A mess of sharp edges.

And antlers.

Antlers that bear little nicks along their edges.

His wiry frame is covered in patches of scruffy fur that cling to his body in a disarray. It's a chaotic blend of rough textures and soft tufts. His chest and arms are a map of scars, faint reminders of a past that seems to be trying to hide beneath some of the fluffiest tufts.

His tail is twitching with restless energy.

Somewhere on the upper floors of the hotel, his bedroom is dimly lit, the only source of illumination coming from the radio dial of a fancy antique. Alastor is sitting perched on the edge of his bed, legs spread wide and claws digging into the mattress beneath him. His chest rises and falls in shallow, uneven breaths.

The air is heavy with the dizzying scent of his rut.

He lets out a low growl, his usual composure cracked by the haze of primal need that's clouding his mind. His cock is already in his hand, long, throbbing and impossibly hard, with veins pulsing. The fur at its base is damp with sweat and precum. His heavy balls are drawn tight against his body.

Alastor squeezes the base of his cock and the sound that escapes him comes out unbidden, raw and guttural. He can feel it... The unbearable heat coursing through him, a wild and instinctual drive he can't suppress.

He pumps his shaft, slowly and deliberately at first, as he tries to maintain an ounce of control. But his rut isn't something he can just ignore... And soon his pace quickens, his hips bucking into his hand.

"F~ fffuck~" he hisses through gritted teeth, his free hand gripping his thigh -in an attempt to not tear the poor bedding. His thoughts are filled with glimpses of you... The way you tease him with that infuriating smirk, the way your hands feel on his chest, your breath ghosting over his neck.

It only makes things worse.

His cock twitches violently in his hand, precum running down the length in sticky lines. His clawed hand grazes the sensitive skin of his cock head just enough to sting, but the pain only spurs him on more.

"Why now?" he growls, his voice gravelly.

His tail thrashes behind him.

Alastor is imagining you beneath him, your hands exploring every inch of his furred body while your voice whispers filthy encouragements in his ear.

The thought alone sends him over the edge. With a strangled cry, his body tenses, his hips jerking forward as his release spills on his hand in thick, hot ropes. His vision blurs for a moment, the intensity of his orgasm leaving him trembling.

The room is now silent, save for the sound of his ragged breathing. Alastor slumps forward, claw still sticky and cock softening slowly. He grimaces, dragging a hand down his flushed face before letting out a defeated sigh.

"Disgraceful" he mutters to himself -though the shame is only fleeting. The rut isn't done with him yet and he knows it's only a matter of time before the unbearable ache returns.

Had you found him like that... What would have happened?

For now, though, he allows himself a moment of tranquility.

You said it'll only be four days... He can go four days without you, right? Pfft. Sure, he can. That was literally day two.

The morning light filters through opac curtains and the hotel fills with the familiar sounds of its guests going about their day.

Alastor stirs on the couch, his lanky frame sprawled across the cushions, tail twitching lazily. He lets out a small groan, rubbing at his chest absentmindedly.

The Radio Demon is practically draped across the couch like he invented the concept of fatigue. His shirt is half-tucked, the fabric wrinkled like he's been sleeping in it for days. His legs dangle off the arm of the sofa, one hoof idly moving to some rhythm only he can hear. His hair sticks out in every direction, defying both gravity and logic.

That's when he feels it.

"Oh, dear" he mutters, blinking, as he shifts his hips and feels the unyielding pressure against the front of his slacks. His cock, half-hard when he fell asleep, is now achingly stiff...

Alastor gives an exasperated sigh, though it is also tinged with some embarrassment. He shifts his long legs awkwardly, but the motion only heightens the friction, earning an involuntary hiss from him.

"Of all the things to wake up to" he says under his breath, voice carrying its usual cadence despite the situation.

One hand is already slithering near his waist before he thinks better of it... But he decides to resist.

It's no use.

His cock throbs, demanding attention, the weight of his balls adding to the torture. Alastor whines softly, while his tail is moving erratically against the cushions of the couch.

That's the sight you walk in on -Alastor spread on the couch, red-faced and visibly aroused, brows furrowed in sleepy distress. You lean against the doorway, taking a moment to soak in the ridiculousness of it all.

"Well, good morning to you too, sunshine." you begin, voice dripping with sarcasm. "I see you've got a… pressing issue in your hands."

Alastor's head snaps up, his wide eyes widening even more. He had forgotten it was today you were coming back.

"Wha-?!", he struggles to sit up.

You toss a pillow at him. He doesn't dodge -it smacks him in the chest and he groans theatrically, clutching it like it has wounded him mortally.

"Careful!" he pouts, half-lidded eyes gazing at you under messy bangs. "I'm already frightfully weak. Don't make it worse."

You rollyour eyes. "You're always weak when you want something, Al. So spit it out. What do you need?"

Alastor stretches, the movement languid and a bit too purposeful as his shirt rides up, exposing his lean, scarred stomach and the dip of his hip bones.

"Well", he drawls in a tone full of fake innocence, "since you're offering…"

He really is weak.... He hates but simultaneously loves how lust dictates his decisions.

His ears flatten against his head, hands moving to shield himself, though it does little to mask the twitching outline beneath the thin fabric of his slacks.

"Relax." you say, stepping closer with an amused smirk. "It's nothing I haven't seen before. Though, I'll admit… you look particularly needy this morning."

"I- I wasn't expecting company s- so soon again..." he stammers, his usual smoothness nowhere to be found as his tail continues to flick nervously behind him.

You raise a brow, letting your gaze drift deliberately downward.

"Clearly. But hey, I'm here now, so why don't I help you… ease into your morning?"

It's obscene, the way his cock is straining against the fabric like it is fighting to break free. The outline is clear -a fat dick, slightly curved and frankly, too big for him to be this embarrassed about it. His trousers don't stand a chance... The poor button at the top looks like it's holding on for dear life.

"Wow" you observe, crossing your arms. "When you called to say you were 'resting', I didn't realize you meant that. I guess you really were up all night."

His lips part in protest, but the words get caught in his throat when you kneel between his legs, smiling up at him.

"Don't act so shocked... You always do that." you tease, dragging your palms up his hairy thighs. "Y'know Alastor, you look like you could use a hand -or a mouth."

"Y- You are positively scandalous" he manages out, though his voice wavers -probably from the excruciating anticipation for your touch.

"Yeah, yeah" you quip, tugging at the waistband of his slacks. "Now shut up and let me work."

He can't help but make a strangled, static-laced whine at your order.

The moment his cock springs free, it hits his stomach with a thud, the thick shaft flushed and throbbing with need. A soft, furry, happy trail goes down till the base -where his balls rest against the couch, each movement causing them to shift enticingly.

You let out a low whistle, leaning in close. "Well, aren't you a pretty buck."

"This whole ordeal is utterly flawed!"

"Oh, I wouldn't use that word. It's more like an opportunity."

Alastor's right ear twitches at that, his breath ragged. "A- An opportunity for what, exactly?"

Grinning wickedly, you answer. "To see just how needy the great Alastor can get."

Alastor freezes... like a deer caught in headlights, the eternal grin faltering. He shifts his limbs, trying to compose himself, but there's no hiding it -there he is, the Radio Demon, infamous and terrifying… now looking like prey that has wandered into a very compromising situation.

And oh, is it compromising.

Your newly acquainted mate's cheeks flush a deeper crimson, his grin stretching unnaturally wide in a desperate attempt to assert himself. "Ah, well, you see- It's not- !"

"Save it. You're not fooling anyone, stag boy. Look at you... All scruffy and needy... Rocking an erection on your favourite vintage couch."

He swallows hard, his Adam's apple bobbing. "I- I assure you, it's entirely… involuntary!"

"Yeah?" you quirk an eyebrow, letting your hand trail up his chest and then back down his stomach, relishing in the feel of his muscles clenching underneath your fingertips.

"Sh- shocking behavior! I- I don't know what you're-"

"Alastor" you cut him off sharply. "Stop talking."

He did.

The trembling demon's shaft isn't just stiff -it's... raging, twitching as if annoyed that it's not already getting attention. And oh, the head. Flushed an angry red, it's bulbous, slick with an impossible amount of precum that's dripping lazily down the sides. It is cartoonishly swollen to say the least.

"Good lord. How can you always wake up like this?"

Alastor squirms, his grin trembling. "I- I am a creature of many talents, my dear!"

His hand grips the armrest of the couch so tightly that the fabric starts to fray.

"Right" you mutter, your fingers finally wrapping around him. The moment you touch him, he lets out a static-filled gasp and the hotel's lights all flicker, his whole body jerking as though he hasn't been touched in centuries. It's been four days.

His cock is hot to the touch. The contrast between the smooth head and the slightly fuzzy base is oddly satisfying under your palm. You give him a little squeeze. He twitches violently in response, tail flicking and ears flattening again.

"Eager, huh?" you tease, stroking slowly. Alastor's sharp teeth clench, his head falling back against the couch as he lets out a broken groan.

"N- nothing like that! I- I'm always prepared!" he babbles, his voice breaking into static again.

"Sure, sure."

That earns you a petulant glare.

The smell of him -something earthy and musky- fills your senses. You let your tongue dart out, licking a stripe along the underside of his cock, slowly, tasting the salty precum that has been pooling at the tip.

Alastor lets out a sound that can only be described as pathetic, his sharp claws scratching the couch (aka the real victim) in a vain attempt to ground himself.

"Prepared?" you mock, your breath falling on his slick glans. "You're shaking like a leaf,u freckled sweetie. I'd say you're anything but prepared."

Alastor whimpers, an uncharacteristic noise for someone so smug. His deer tail is lashing furiously now, the coarse fur of his thighs brushing against you as he shifts in place.

You wrap your lips around him in one swift motion, taking him just far enough to feel the weight of him on your tongue. The ridges along his shaft catch against the wet heat of your mouth as you slide down his length. His claws dig into the couch, again.

He almost chokes... His grown antlers momentarily catch on the backrest. His chest is heaving.

Meanwhile, your lips remain around his hot cock. You hum, the vibration making him jerk so hard he nearly bucks into your mouth. He spills even more precum, coating your tongue.

Pulling back just enough to tease, you let your lips part with a wet pop, his shiny length gleaming.

His ears are still pinned back, his teeth biting into his lip as he struggles -and fails- to suppress a shuddering moan.

You don't wait for him to recover. Instead, you lower your mouth back onto him, taking him even deeper this time. His cock twitches and twitches, the veins pulsing against your tongue as you hollow your cheeks and suck hard.

"Ah- !", static again.

You pause to look up at him, his sweaty and flushed face making you feel oddly proud. Alastor's response to your simple gaze is a little pat on your head. He appreciates what you do, even if it brings him equal amounts of relief and torture.

An incoherent and strangled series of moans leave his open mouth as you work him over with a mix of slow strokes and hard sucks. His legs tense, the fur along his thighs bristling as he teeters on the edge.

"P- Please" he begs, his voice cracking in a way that makes heat pool in your stomach. His usual bravado has vanished completely, leaving him dazed, needy... and utterly at your mercy.

You hum again, the sound sending a shockwave through his body. His cock pulses hard in your mouth and you can feel him getting closer with every ragged breath and broken moan.

You shift your position on the rug slightly, your hand slipping lower to cup his balls. They are heavy and warm in your palm, fuzzy with coarse fur -like the rest of him. You give them a teasing squeeze. Alastor practically yelps, his thighs snapping shut for a moment before falling open again, leaving him vulnerable and exposed to you.

"Sensitive, aren't we?" you comment, rolling them gently between your fingers. His cock twitches violently in response, a bead of precum spilling onto your lips as you kiss the base of his shaft.

Alastor's hands claw at the couch helplessly, his sharp nails ripping the fabric. (🛋️RIP)

"I- I can't take this anymore!", his voice breaks into a high-pitched whine. His antlers clatter against the backrest, as his head tips back, neck taut and exposed.

"Oh, but you can, deer boy" you murmur, your voice sultry. "And you will."

As if spurred by your words, his hips jerk forward, his instincts betraying him. The movement is sudden, sharp and almost frantic, his cock sliding further into your mouth as he begins to rut against your face. His balls slap against your chin with each desperate thrust, their weight a reminder of just how pent-up he truly is when he's in musth.

"G- Goodness gracious, I- ah- oh my~!"

His fur bristles everywhere now -all over his back, his arms and chest- and his ears are spasming.

Static crackles in the air.

You tighten your grip on his base, your free hand moving to steady his hips.

"Easy there, mister buck" you say, pulling back just enough to catch your breath. "Getting ahead of yourself, don't you think?"

"F- forgive me... I really c- can't help it!" he stammers, eyes glazed over with a mix of embarrassment and raw, animalistic need. "You're- you're too good! And frankly, I missed you!"

You chuckle.

Then, you lick a stripe from the base of his cock to the very tip, savoring the way he shudders. "Oh, I know", you say smugly. "Now, be a good little deer and stay still, or I might stop altogether."

The threat makes him whine again, the sound almost pitiful -but he forces himself to stay still. His thighs tremble, the tension in his body visible.

Satisfied with his obedience, you take him back into your mouth, your tongue swirling around his tip before sliding down to the base. His hips twitch despite himself, his cock pulsing hard as you swallow him down.

His breathing grows extremely ragged.

"I- I'm... ah! I'm so close" he chokes out. His balls have drawn up tight against your palm, a telltale sign of his impending orgasm -making you moan around him.

Simply, that's enough.

With a desperate cry, Alastor comes undone, his cock throbbing violently as he spills into your waiting mouth. You swallow it, the salty heat flooding your senses as he slumps against the couch, his body trembling with aftershocks.

When you finally pull back, he is even more of a mess than you found him -his hair disheveled and wet, his chest heaving rapidly and his face flushed with a mix of exertion and satisfaction. You lick your lips, your eyes gleaming with mischief as you look up at him.

"Feeling better, bucko?" you ask, your tone smug but with an undertone of affection.

Alastor's ears rise on top of his head and he gives you a sheepish, toothy smile. "I… suppose you could say that", he admits, still breathless.

You laugh, the sound light.

You stand up and give his lips a peck."Good. You look cute like this... completely wrecked and at my mercy."

"The couch looks worse."

Thank you for reading!🪻

Support me further: ☞ PayPal link

~ My Hazbin Hotel masterlist ~

This work is part of the nymph's daily gifts! 💌

The dividers are by @saradika-graphics.

Tags; @stygianoir @aperfectidiot @lady-valtieri @what-0-life @clowncollegealum @whatinthepluto @dragonqueenfk @ajajajabdjsjx @ellie-x0xo @1rxsemary1 @ermmmwhattheflipguys @kimkimmm2411 @sukaretto-n @crowleysthings @ratskinsuit @mariaclarade-la-cruz1 @ilikemyteawithmilk @dontevenknowwhyimhere @dennsfz @sirens-and-moonflowers @diffidentphantom @midorichoco @speedycoffeedelight @cinnamon-galaxies @kammsinn @chibistar45 @alastorthirsty @victias @mezzo-piano230 @shayshaymonyou @atlaloversblog @iheartalastor @mydickisjuicy @pinestwinssimp

[love-byers]

you know what's crazy?

i think most of us are aware that the song that plays over the monologue is titled "You're The Heart", but for a second lets think logically. if the monologue is truly just mike confessing is true love, and this is setting up for mlvn endgame, and there is no deeper connection or involvement of will's feelings, why is that the name of the track that plays through the entire duration of the monologue??

like think about that. the song doesn't begin until immediately after mike says the first "i love you!". that is what triggers the song to begin. nowhere in the duration of footage the song plays over in the episode does anyone say "You're The Heart". will said that several lines before the song began. kyle and michael (OST producers) know this. they watched the exact duration of footage that the song would be playing over probably over 100 times. so why when naming this song did their minds go to WILL'S line that is said well before the song begins?? a line that directly ties back to will expressing his deep seeded love for mike??? why not name it "I Love You" as mike said it multiple times during the duration of the song and it was what el had been asking for all season, or "You're My Superhero" since that line supposedly encapsulates everything mike feels about el and was said during the duration of the song?? no, it had to be will's line. will's line that was not even said during the duration of the song. they named a song that plays ONCE during the ENTIRE SHOW after a line that WAS NOT SAID DURING THE SONG. if mlvn are endgame and will get married and have babies and whatnot, why does will have ANYTHING TO DO WITH THIS?????? why is will telling mike he's the heart more significant than anything from mike's grand declaration of love to el, which had a whole OST track made for it?????? well, we all know why, but we're called crazy when we say it, so the question still remains.

like just picture that. kyle and michael watched mike's monologue, watched him say i love you nine times, watching him say he fell in love with her at first sight, and said "we shall name this song You're The Heart!"

not "I Love You"

not "You're My Superhero"

not "Love"

not ANYTHING from mike's long ass monologue

no, it's "You're The Heart". it had to be "You're The Heart". it had to be a line not even said during the duration of the song, a line that is representative of will's love for mike. will's line. will, who mike asked to be his friend on the first day of kindergarten, who mike feels is the best thing he's ever brought into his life, who mike has a special relationship with, who mike jumps to defend, who mike cares for so much that he tried to fight his own bully because he said something bad about will, who's voice mike recognizes even though no one esle does, who mike is extremely attentive to to the point he is the only one to notice will is being slightly quieter than usual, who's floor mike slept on so he could be there for him, who's bedside mike slept by when he was unconscious in the hospital, who mike asked to go crazy with him, who mike always speaks softly to, who's hand mike held when he was afraid, who mike can't stand being on bad terms with, who mike jumps to apologize and take accountability without having to be told or instructed, who mike biked across town in the rain to apologize to, who made mike mike cheese just by saying he wouldn't find new friends, who ruined mike's ENTIRE day by simply being quiet and a bit moody, who mike feels is different than his other friends, who mike feels hawkins isn't the same without, who mike wants to be a team with, who mike chooses to stand next to when the world is ending right in front of them. it had to be will.

sorry, was that a bit overboard?

anyways i think you get my point lol

[horsechestnut]

I think my ideal Steph, Cass, and Tim dynamic would be that they're all best friends, but they can not all hang out together. Like, if you ask any one of them who their best friend is they genuinely will not be able to pick between the other two, but all three of them together triggers each of their insecurities in the worst way and always leads to a fight.

Like, Steph and Cass are so affectionate with each other, and constantly flirting and Tim assumes their teasing, but what if they're not, and oh god is he third wheeling on a date between his ex-girlfriend and his sister? They don't actually want him here, they invited him to be nice and he was to oblivious to realize it wasn't genuine. He should leave. But before he can come up with a believable excuse they've changed topics and... hang on, did Steph just say her dad threw a book at her once? Because so much of Steph and Cass's relationship is built on an understanding that they won't make a big deal when they mention something messed up about their past that they just say stuff like that, but Tim does not have that same understanding. So Tim hears that and instead of rolling with it, it's "Steph you can't just say that like it's not a big deal... why is Cass laughing? You can't laugh at that it's fucked up! I don't care that it was a long time ago!" And now Cass is confused and Steph is angry and Tim feels like shit for probably ruining what they wanted to be a date and frustrated that he's being treated like he's overreacting despite being the only one with a normal reaction to child abuse. Mostly he's terrified that he screwed this whole thing up somehow and neither of them is going to want to hang out with him again.

Meanwhile Steph and Tim are so intrinsically linked to each other. They've shared things they will never share with anyone else, they were each others first love. And Cass understands that, she does, but it's hard sometimes seeing how easy they are with each other. The way Steph knows Tim's upset without having to read his body langue the way Cass does or Tim can predict exactly how late Steph will be to any given situation. More than that though, what truly makes her want to hide away from them, is the history they both had but didn't share. The sly comments about Tim looking like a character Cass has never heard of or jokes that make no sense but send Steph into laughing fits. The kind that when she asks are brushed off with "it was an old meme" or "just a show from when we were kids". The reminders that she isn't normal, she can never really be like them. If she doesn't ask most of the time it doesn't occur to them to explain, it seems so obvious to them. They start doing a synchronized dance from some movie that came out when they were in middle school and Cass slips away into the shadows. Later she gets a string of concerned text that slowly turn angry when she doesn't answer. Cass never tells them what was wrong.

And it's hard for Steph to look at Cass and Tim and not feel jealous, because more than just being friends, they're siblings. They are full members of the club, Bruce's children, let into the fold in a way she never can be. She doesn't even want to be anymore if she's being honest, but it still stings. They'll casually mention family dinner or reference inside jokes from the last Wayne charity whatever and Steph will feel the growing desire in her chest that she can not, under any circumstances, let anyone see. The desire that has caused her so much pain, she will not give it control over her again. And Cass calls Tim Robin sometimes, and he calls Cass Batgirl in return, and Steph has to bite back the urge to scream at them that she was Robin too! She is also a Batgirl! But it doesn't matter because she wasn't Cass's Robin or Tim's Batgirl, and it drives her insane that they're romanticizing that time, because don't they remember how much of an asshole Bruce was back then? And now Tim is mad at her for bring up the past as if they're not the ones who started it, and Cass is assuring her that Bruce has changed, and maybe he has, but it's to fucking late! He already ruined any chance of Steph every feeling fully comfortable with her place in their lives. So she storms off, fuming, leaving a baffled Tim and Cass to go enjoy their stupid family dinner.

So yeah, they are best friends. They all love each other more than they know how to say, and trust each other more than anyone else in the world. But they can never all hang out together. That only ever ends in disaster.

[usoppshoneydew]

Baker! Simon x General store owner! Reader

Baker!Simon first hears of you through the little old ladies that always frequent his bakery( honestly their gossip channel is his best source of intel outside of price and laswell). While he bags their focaccia bread and red velvet cake they tell him about the new store owner moving into the building that's being constructed across the street. They tell him that it'll be a small general goods store with an apartment built above it. He knows all this already of course. The moment he saw the construction crew he asked Price to set up a background check for everything relevant about the new tenant, and didn't receive anything concerning, so now he lets the elders tell him the little details, more for their happiness than his own.

Around recipe swapping he finds out that you're a young woman who received the space through your grandparents. Apparently your grandparents used to live here and they were the ones who told you about it. You'd be arriving in about a week or so, and (they mentioned this more than a few times) you're single and quite the beauty. That doesn't really peak Simon's interest, not being someone that pays a lot of attention to looks anyway. As long as you're not here as a cover for something shady, and you're not a pain in the ass for a neighbor, he's content with the new change. He knows why they keep mentioning those two things. Being tall, large, handsome, and single makes him the most eligible man in this small town, and they do a lot to set him up with anyone he hasn't rejected already. There's no point though, Simon isn't interested in being with someone. He just wants to take his retirement one day at a time.

And he's sure he'll always feel that way, even when your moving day arrives. It's hard to get a glimpse of you through all the movers and the truck parked out front, and any time he does glance through his shop window and see you, it's the back of your head, the patterned wrap you have swirled around it, or your legs sticking out of the truck when you sit to take a break. It doesn't matter to him though, with something new going on in town, everyone is finding a reason to go out, and that means a lot of people are stopping by for a sandwich( meat provided by the butchery Johnny works at) or a muffin. It's only when it's getting later in the afternoon, when things have slowed down, that he gets a proper glimpse of you for the first time. He's wiping down his counters when he hears the chime above his door and that's when he sees you.

He'll admit that you're good looking, pretty in a subtle way but that might just be because you're exhausted, anyone would be after moving to a new place. You don't even pay Simon much mind, using the base politeness to order a veggie sub, likely having not eaten all day, and leave after paying with a small thank you. To Simon it looks like the little old ladies have failed in setting him up once again.

Baker! Simon who's sweeping the front of his store when opening day finally arrives for you. He's seen how busy you've been up until today, setting up the interior and exterior of your store. He saw you place crates outside along with a few flower planters, glanced at you putting up what looked like a selfmade open sign, and even a little cloth canopy over your door during his smoke break, and observed you carrying in wooden planks for shelves while he was waiting for his cake to finish baking.

He takes time to glance over at your store every now and then, just being observant as always, and notices that you don't struggle with business on your first day. That's not surprising though considering how tight knit the community is here, and everyone has been talking about the new store since the construction started. Again the buzz around your business brings customers to his, and Simon can say that he appreciates that much.

You walk into Simon's store again that afternoon and order the same thing you did when you moved in, a veggie sub. You're still tired after a full day of work but there's significantly more energy in your demeanor this time. Instead of leaving after getting your food though, you lean against the counter and introduce yourself to him. Even if he doesn't really want to, he dusts the flour off on his apron and takes your hand in his when you offer it for a handshake. You tell him about how the little old ladies in town have been mentioning him to you a little more than necessary and when he told you he can relate, you laugh a little. He hadn't meant it to be joke but he can't help but smile a little too. Because of the elderly ladies of course, that's all. You don't stay long, letting him know that you've got to clean up for the day, but when you leave you let him know that you enjoyed the food and you'd like to come by for lunch more often, before stunning him with a sweet smile. Simon is embarrassed to say that he didn't get a chance to respond before you walked out and instead just stood there with his heart beating a little faster than usual.

Baker! Simon who doesn't approach you much on his own after that. His heart beating like that earlier had to have been a fluke. He's so confident that he purposely avoids interacting with you more than necessary, because he's so sure that he's not suddenly attracted to you after that small moment you had, after all it's not like he's an easy schoolboy whose opinion changes after some eye contact and palpations of the heart.

He might not be interacting with you but everyone else is. Johnny says he's already been over a few times to check out what you sell. He came across the street to show off the dumb little ghost keychain he bought, only to leave it behind on his counter. Apparently Kyle has interacted with you plenty of times by now. He helped install your shelves and even the little canopy over your entrance and the border of your store. Simon is really surprised when he finds out that you've already asked Price to start selling the apples from his farm in your store. Everyone in town has been in your store but him and Simon won't admit that he feels a way about that.

Baker! Simon who visits your shop for the first time one night after a mishap with a bread knife. Someone above must've had an agenda because Simon has never cut himself while cooking, ever. He's simply too skilled with a knife to ever make a mistake like that, but by some divine intervention he grazes his nail and when he went to look for a bandaid in his office drawer, he was all out. So as much as it embarrasses him to do so, after avoiding you for a week, he trudges across the street to your store.

The moment he walks inside, you look up from the notepad you're writing on and give him a once over, he can see the gears turning in your head, likely wondering if you should greet him or grab the broom in the corner to swing on him with. It's understandable, it's late at night now, he's a large man, and you don't know him all that well. A small part of him is actually relieved respects that you take care to look after yourself, must be nice for your loved ones to know that you don't walk around with your head in the clouds. He knows why you're weary so he's quick to make his intentions known.

“ ‘m just trying to buy some bandaids.” he lets you know and puts his hands up, unintentionally showing you the small cut on his thumb that's still bleeding lightly. You don't blush, well maybe you do but not in the way Simon does, not visibly, but you make a face like you're slightly embarrassed to be caught with your hackles up. Even though he didn't ask you to, you took it upon yourself to grab what he needed, throwing in some peroxide and cotton balls too. He's sure it's just because you don't want him to get blood on any of your merchandise. At least that's what he thought until you rejected his money and bagged up his things nicely. Of course he didn't want you to do that, tries to get you to take it but you tell him to just save you some leftovers, give you a free slice of cake or something. Simon thinks of something better, and offers to let you sell his bread in your store.

Baker! Simon who personally delivers the bread you ordered to your door. He could simply let his new intern carry it across the street, but he wants to make sure it gets to you properly, that's all. Sure, he'll ask how your day is if there aren't many people inside,maybe even do some odd jobs for you, move some crates and bags to the back of the shop, but that's all just being a gentleman really. Who cares if he does all this while you tell him about the series you dropped last night, explaining the entire flawed plot to him from the beginning because he has no idea what show you're talking about.

Baker! Simon who starts to spend more time with you after that. Stopping by your store before you close for a small drink, making you laugh when he goes for a strawberry milk, or you'll go to his bakery for lunch opting to lean against the counter with your food while you both talk about what your regulars have told you today. When you have to keep moving out of the way for customers, he eventually invites you behind the counter to eat, it's nothing but a simple stool to sit on but it's better than standing right? It gets to the point where Johnny jokes that the two of you spend more time at each other's shops than your own.

Baker! Simon who gets Kyle to install a small eating area in his bakery, just so you can sit and chat during your lunch break, thinking you'll be more comfortable with that, a new counter by the window with a couple of barstools lined up, only to feel a little lonely when you sit there instead of behind the counter with him like before. Little does he know, you liked sitting in the back with him more too. Fortunately for both of you, customers fill that area quickly and what do you know? The only place you can sit is behind the counter with Simon.

Baker! Simon who peeks at you through his shop window way more often than he used to,when you're sweeping the front of your store, or watering the plants you have outside. He looks over the most during Golden hour. It's like the sun loves your skin the most during the late afternoon and decides to make it shine. It's so captivating that if Simon isn't careful, you glance over at him and catch him looking at you, and all he can do is go back to his bread with a burning face and ears.

Baker! Simon who keeps his store open just a little longer so you don't close up your shop all alone, keeping close watch for any suspicious characters so that the mace he gave you a while ago will never have to be used.

Baker! Simon, who recommends a recipe for you to try at home and surprises himself with how smoothly he offers to show you how to make it first when you both have time off. You both set up a time before opening hours. You show up early even if you don't have to and it makes Simon's heart act up again. What can he say? He likes when people are punctual.

Baker! Simon who not so subtly asks if you want to start meeting up outside of business hours. Not at the general store and not at the bakery. He starts with group activities, like inviting you and your friends to the camping trip he's got coming up with his boys, or perhaps just dinner at John's house. Then he gets a little bolder and suggests one on one things,maybe a movie at the theater in town or lunch at the restaurant on the far side of town. When you ask him if he's asking you out on a date, he surprises himself again by saying yes, because that's exactly what he's doing. Maybe the old ladies succeeded in setting him up after all.

Taggies: @cookieswithay

[narcjsistx]

𝐓𝐇𝐄 𝐇𝐄𝐀𝐑𝐓 𝐎𝐅 𝐒𝐎𝐋𝐃𝐈𝐄𝐑 𝐊𝐀𝐈𝐒𝐄𝐑

✶ kaiser micheal soldier official art x fem reader

✶ word count: 1.1k (1152)

The smell of disinfectant mixed with blood is something you've become accustomed to since you've been here. The months spent at the shelter have passed quickly, yet the letters you sent so long ago don't seem to have been received, as you haven't had any response from your family

Or maybe they received the letters, but they chose not to respond. Maybe they are still angry with you for what happened, since it is not usual for a woman to run away from her family. But you didn't run away... or rather, you did, but only temporarily. At the end of the war you will return home as a married woman, perhaps even with a child in your womb. But maybe that's exactly why your family didn't respond to the letters

"Y/n, he's here" your companion says, as she rubs some liquid medicine on the soldier's knee; the man groans in pain, but you pay no attention as you step out of the tent, pushing aside the fabrics that protect it from the cold. Adjusting the miserable uniform you are wearing, you head towards the end of the shelter, passing through the bodies of the dead and living soldiers, plus those of the nurses and your companions

You step outside, placing a hand against your face to shield yourself from the sun. The light wind gently blows your clothes away, as you hear someone coming in front of you, stopping a few inches away. Smile spontaneously, lowering your arm to see who is in front of you, even if you already know it thanks to the similar smell

"Kaiser!" you say happily, as the pale face of the man you love comes into your view. Michael takes off his soldier's hat, squeezing it between his fingers as he raises his hand to place it on your rosy cheek. You tilt your face, burying your cheek in his warm palm, as if that hand hadn't taken the lives of a lot of people. But you're at war, you can't say anything against him, he's the best of his squadron and he has to do what he has to do

“Liebe” the man says, running his fingers over your cheek. Kaiser takes a few steps forward, awkwardly placing his hat on your head. You giggle, as his free hand lands on your other cheek, cupping your face in his hands “My savior”

"I'm glad to see you here. You worried me when you didn't come to my dorm last night" you say worriedly, remembering the anxiety you had felt. Kaiser is fighting a few miles away from the soldiers' shelter, and every day he tries to come to you in the morning or at night. But yesterday he didn't show up and knowing that at the front there is hard fighting, you got scared

"I know. The commander asked me to watch over some cadets" he says, taking a long breath. You nod, focusing more on the fact that your man is finally here. The sun shines on the gold trim of his uniform, the soft grey fabric accentuating his slender form. You smile, breathing a sigh of relief at seeing him alive, which is not a given "Will you stay with me tonight?" you ask hopefully, looking forward to finally feeling his tired, scarred body collapse into you, hugging you tightly. Kaiser nods "I'll be with you late at night. Wait for me, Liebe"

"Of course I will!" you say smiling even happier, happy to know that you can be with him again tonight. Micheal stares at you for a few seconds, thoughtful, then pulls your face against his, lifting your chin to better position your lips on his. You are surprised, then standing on tiptoe to reach a more comfortable height, while you enjoy the affection of your soon-to-be husband. His free hand makes room for your lower back, pushing you against him so you don't escape, as if you even remotely intend to. His lips press needily against yours, the same way he does every time because he knows he isn't absolutely sure he'll see you one last time. He's strong, you know that too, but war kills even the most hopeful

It is precisely for these kisses that you decided to follow him, when he made the decision to go and fight at the front. You have known each other since you were children, and there has always been a deep love between you, even if you have to hide it: it is not common for women to have a boyfriend before the man her family will choose as her future husband. And yet, you know for absolute certainty that you would never love someone like you love this blond boy. Your family hates him, and his father hates you, but you still decided to go with him because of how strong your feelings are, because of how much you need to hear him on your lips. You took the vows of a nurse in a soldiers' shelter near him, and as soon as the war ends he promised to marry you and make you happy, more than he already does. If you get married again, your family won't be able to separate you, especially if there could be a possible child in your womb involved once married. But the war won't end soon, or at least that's what he tells you in the evenings when he sinks into your arms. So there's still a wait

"It could all be over in less than a year, if our squadron continues to annihilate. The enemy is weak, but we must continue to advance to end all this" he says, briefly breaking away from your lips, only to leave a kiss on the tip of your nose "But, if all this is true, it means that in less than a year you will be my wife. And that is what drives me to go on, knowing that I will finally have you beside me constantly, in a house of our own and with children born of our love. I fight to have you mine as soon as possible" he says, removing his hat from your head, moving some hair from your forehead to leave a kiss "And I will make you happy, and I will be if I know that you will love me every day like the first"he says, in an affectionate tone, the one that convinces you more and more that you have made the right choice

"I can't wait, Kaiser," you say, holding onto him, the fabric of his uniform smeared against your body. "I can't wait for all of this to happen. Our children will be so happy," you say, lovingly, and he nods, hugging you close to him

"They will be, just like us. At the end of the war, we will be happy, very happy, Liebe"

✶ 𝐌𝐘 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 ; take a look, trust me!

[draconicred]

Experiences in the Alterhuman Community (and Beyond) as a Fictive

It's a weird experience being a fictional character, especially dealing with fandom, the fact that your source is fictional, and interactions with people based on that--including some of the dehumanisation that's so common toward fictionfolk. I'm gonna go into that here because I need somwhere to collect my thoughts, so this might get long. I'll be talking about my experiences as a fictive, but this could very well apply to anyone who identifies as a fictional being--fictionkin, fictionlinkers, etc.

So, I see the version of me on the screen as an AU version of me, in short. I mean, I'm me, and I don't think I even looked exactly 1:1 with my canon self--so naturally, even though events line up pretty closely, I see my source as... Almost like a fanfic of my life? Like sure, that's decidedly me, and decidedly a lot of the things that happened to me and my friends, but also not me. I'm not that guy on the screen, he's what represents me.

Even though I fully believe I got here by dying in a literal past life, my source media here is absolutely fictional to me and I just... Don't look at it in really any other way. Which I guess makes sense if you put it into my perspective--what else would it be? It really is like reading a fanfic based on your life though, or reading an article about yourself in the news. A bit of a shock, a bit of "why did they include THAT?" sprinkled in here and there, a bit awkward sometimes, and it does tend to resurface bad feelings. But overall, it's not that personal to me. I'm largely fine with it existing.

On the other hand, what is shocking is that people see me as fictional. I'm a fictional introject, from a fictional source, from the perspectives of a lot of people here. But I look at my source and I go well... Yeah, that's fiction of course, but my life is an actual thing that happened to me. Realistically I know that not everyone has spiritual beliefs and not everyone even accepts fictional identities as something "real", but man is it weird to just... Have it be spun in such a way?

I'm used to being in the media, I'm used to having cameras on me and being in the public eye. I'm used to articles and stories and posts on the internet. I'm used to fans even! But this isn't your regular, run-of-the-mill experience of people wanting to know you because you're a hero. This is people who see your life and experiences as a fun story they saw in a book or on TV, coming up to you with the idea that you're their favourite character, and not... A whole entire person. It's so damn weird.

There's still that level of disrespect that comes from people who are a little parasocial with you, but it almost hits deeper here because a lot of the time, you know they're not seeing a hero or the things you've literally done in your memories. They're seeing that guy on the screen they think is cool, and while he represents you, he's not you. And they're treating you like a celebrity because of that weird fanfic version of you on the TV or in that book.

There's usually little acknowledgement of your life or experiences as "real". When you're presenting as your fictional identity around others, you tend to get put into one of a few camps:

Cool Character from Media who I love and adore and want to talk to (and will probably get fanperson excited about it). I will probably get dispraportionally upset if Character tells me to back off a bit because I don't want my blorbo to be mad at me.

Character from Media I'm in love with and will immediately start asking invasive questions to or outright flirting with. Could get real gross real quick.

Problematic Character or Guy From Problematic Media that I instantly dislike because that's so Problematic how dare you show your face. I'm reporting you for being Character, you should change your identity if you want to exist so bad.

Character from Media who is disabled/queer/mentally ill/has any soft personality trait ever and I will now be treating you like a sweet little babyboy cinnamon roll who could not hurt a fly.

Person who identifies as Character? How interesting! I'm going to really pry and question everything from your actions in-source (to get unique perspectives from Character) and question literally everything else. Because this is Science and I'll get mad if you don't tell me everything, you need to tell me everything or you're rude.

Of course there's nuance and there's absolutely times where you'll be treated as a normal person, but the above are... So damn common. I've been here for a few months and I've already had some weird stuff happen to me simply because I'm Kirishima and people feel entitled to give me cutesy nicknames or whatever. Even without knowing me or my system at all beforehand. It's just.. So different from anything I've experienced before? Being treated like a celebrity is dehumanising enough, but being treated like a character.ai bot or just generally a form of free entertainment and not a person is so perplexing to me.

There's also that if you're from a popular source, you see stuff about yourself everywhere. Posters, plushies, advertisements, posts on social media--all of it. Some of that I'm used to already, but it's kind of weird when you're mentally aware that this is all for that twisted-mirror version of yourself and not you. And if you get a little uncomfortable at some fanart showing up out of the blue, or someone making a source related joke... You're kind of just expected to brush it off. Which yeah, I get it! It's about the source, not me, but it's still just... A weird feeling. A feeling of not being allowed to be upset because it's about the source and not literal you.

I think there needs to be a line, maybe. Not saying that fictives should be putting a stop to any media or fandom ever, just.. That maybe respect toward us for being uncomfortable with fan content due to being a fictive or fictionkin should be more normalised. It should be more okay to say "hey, I'm Character, please don't joke like that" to a friend, or "don't send me fanart of this thing, I'm Character and that's weird"--which it normally is! But there does tend to be a sort of layer of "Oh, it's because you're Character. You know that's not you, right? You shouldn't be upset, you need to source separate more."--when if most other people were to set a boundary like that, it would usually be respected. Source separation can be great, but if someone hasn't separated or doesn't want to, why is it okay to still send them material they're uncomfortable with--or at least, why do people tend to argue that the fictive should "just separate from source" instead? It... Just boils down to alterhumisia toward fictionfolk, honestly. It sucks.

There's a lot of problems with basic respect toward fictionfolk of all kinds--hell, even in the alterhuman community where it's meant to be safe. I don't know if this rant is entirely coherent or not, I don't know if there's anything noteworthy to take from it--but if you do take something from it, let it be that fictionfolk want to be treated like people. Source separated, not source separated, canon divergent or compliant, hearted, linker, 'kin or 'tive--we're people. Don't let our identities change the way you instinctually treat us. Let us be openly us, and treat us as you would anyone else.

[hollowed-theory-hall]

Do you think of Ginny as a “pick me girl”? Some of the things you say in your post makes her come across as that, which is sad since she is a strong female character and there’s so many m|m bloggers who shitting on strong female characters these days.

I don't know if you're just looking for a fight or if you're genuine, but I'll give you the benefit of the doubt about this subject once.

Yes, I think Ginny comes off as a bit of a "pick me" which I already wrote about here, which I don't think was intentional on JKR's part. I don't think Ginny was intended to come off the way she did.

Like, Ginny in the early books is just, really boring, in my opinion. and I think Ginny in book 5 had the potential to be an interesting character. She had a good sense of humor and she seemed somewhat in line with the twins (though on the crueler side), but I despise Ginny of books 6 and 7.

Like, all power to you for like Ginny and her romance with Harry. Truly, have fun with your canon pairing, I wish you the best and that you find many fics that portray them just as you like to see them.

But I don't see them that way. I think Ginny is a badly written character, and I think her romance with Harry is similarly badly written. It has nothing to do with gay ships. Trust me, if Harry was written into a compelling romance with a well-written female character, I'd be all over that. But he wasn't.

I mean, hell, I don't even ship Drarry, which is the most popular gay ship for Harry because I don't like Draco much. I think he's written well for what he is in the story, but I just don't vibe with him.

Becouse I don't need an excuse to dislike a character or a pairing. I can give my reasons, I have them, but I'm (and anyone else is) allowed to say I just don't vibe with a character. Even if Ginny was the best-written character in literature (she isn't) and her romance with Harry was perfectly written (it isn't) I could still shit on her as much as I want to, you know why?

Becouse she's fictional.

Fictional characters can't be offended. You can't be mean to a fictional character. Because fictional characters don't have feelings. They're not real.

You can say you personally find it sad people don't like Ginny the way you do, and you can be personally disappointed — but it isn't objectively sad. It isn't sad for Ginny becouse Ginny isn't real and only real people have feelings. It's sad to you, that's your opinion.

I love Harry, he's my favorite and I made it no secret, but I have good irl friends who shit on him in casual conversation and I can laugh with them when they make a funny joke about him even when we disagree, you know why? — we agree to disagree. We know Harry is fictional and that he doesn't care. Because he isn't real, he can't care.

So, for me, it doesn't matter if you shit and hate on fictional characters and fictional relationships as long as you're decent to real people.

You aren't a misogynist for disliking a female fictional character. She's fictional. She isn't real. You would be a misogynist if you mistreated irl women because they're women. In the same vein, you aren't a homophobe for disliking a popular gay ship. You would be a homophobe if you mistreated irl gay people because of their sexuality. You aren't wrong for disliking a fictional character or ship for any reason, even if the reason is just "vibes". You would be a dick if you mistreated irl people because they don't think the same as you about a fictional character or ship.

I personally find it sad that fandom seems to have lost the ability to say "agree to disagree" and move on (if the ability ever existed in the first place). I follow some blogs who shit on HJP himself because they post other stuff I find compelling. I follow blogs that post a lot of Drarry because I like how they write Harry even if I don't really care for Draco. You can like someone and enjoy their writing and be friendly with them even if you don't agree with them on some fictional characters and fictional relationships. And if it really bothers you, you can block and move on as many of us do.

So yeah, I think Ginny comes off as a "pick me." I think she's a badly written character, and you can disagree with me on that, you can think she's a strong female character, but that's your opinion, not an objective truth. And I dislike her for being a badly written character, which, I assure you, is gender-natural.

I also think it's important to remember that at the end of the day, we're all just playing with dolls, and the only feelings that matter are those of real people.

[atangledfate]

People tended to remember him as there were not many Albino Cobras in the medical field. Funny enough most ended up soldiers, or in less then legal occupations. But he always had a love for medicine, and wanted to help others. It was what brought he and dawn together and why they worked so hard during the war to save lives. They still did it now, course back then Dawn was just a dumb kid who needed something to keep her focused. He was happy she got her nursing degree after the war was over.

" My apologies, normally couples take each others surname i suppose i assumed. Well, no matter if you have some medical training lots from the airship have minor injuries. Just speak with Head Nurse Dawn she'll show you to the room and help if you need it... "

Lanolin was walking toward the main desk with Surge as she glanced over to her. Well Surge wasn't wrong but in a situation like this she probably had no choice. Lots of folks hurt, and only a short number of people to help. She knew Dawn was good at her job, good enough to get the gruff old snakes approval.

" She probably feels like she doesn't have a choice. She's one of the only ones qualified, and look at all these injured people from the airship. Sometimes we do what we have to even if we push ourselves to the limit..."

The Mouse met up with Surge and Lanolin with a big smile having overheard the conversation to a degree. She was rather short, being barely taller then Jewel was. She had a rather cheery smile despite how bad things were, and a 23 on her outfit marking her as the 23rd clone made.

" Awww, that's so sweet Miss Surge! no worries here! our upper limit is around one hundred! though we start to get pretty confused around 60 or so... its alot of information to process and we share brain power! "

Lanolin was really shocked by that number, even if each clone had no powers. in terms of raw numbers that meant dawn could easily overwhelm an enemy if she had to. So 40 was, what? a casual jog for her? Sometimes she was amazed by people's gifts, and felt like her own Sonikinesis was rather on the weak side.

" I see, well just take care of yourself Dawn. But we are here on business, is Jewel here? No one has seen her and i'm really getting worried about her. "

Dawn checked her tablet and looked rather concerned as she looked backup to Lanolin with a meek look. She shook her head no as she didn't have a record of her in the infirmary at all.

" Sorry... she wasn't with the injured... and none of us have seen her. Maybe she went back to her office? or with all the debris from the air ship... i hope she isn't out there someplace..."

Lanolin looked over to Surge but she was already on the move. She crossed her arms looking down at the floor wondering where she could be. What could have happened? if she was hurt someplace they needed to find her... and fast.

============nearly 30 minutes earlier ==========

The ache in her skull woke her, long before anything else had. She struggled around to get herself woke up feeling a hand on her shoulder telling her to stay still. She tried to and yet, her memory rushed back to her! the Airship was going down, vector and the others were heading to the infirmary when--- she saw the airship starting to crash. It was close to the prison and she wanted to be sure no one was there or hurt. She found two people in the cell, those two brutes but even they didn't deserve to be left alone.

She had unlocked the cell when one of them grabbed her, and yanked her inside! They had taken advantage of her kidnness! those brutes! Yet as her eyes focused she could see the front of the prison had caved in, something must have hit it and--- no they didn't attack her they'd saved her from being crushed.

" Rough? Tumble? ugg... my head... "

She was looking at the two Skunks, probably plotting some plan in the back of there head. Yet they didn't have to save her, maybe because she'd tried to let them out? Or maybe they weren't all bad deep down inside.

" Did... you... save me? i--- thank you..."

However it didn't change the fact---they were pretty trapped inside the building now. the exit she came in was caved in, and the cell itself was pretty sturdy. It looked like they had tried to dig out but hadn't had much luck.

Gaia... of all the people to rescue her from certain death... she never expected it to be THEM! Maybe they saw her as a bargaining chip or, she liked to think they weren't nearly as bad as people thought. They were no good sure, but maybe... just maybe even they didn't like idea of killing someone or letting someone die.

She didn't know... but she was sure they'd be rather forward with it soon enough.

"Grimrose is my wife's last name. You can just call me Twist seeing as I don't got a last name myself, at least one I haven't gone out and searched for." Twist didn't know his birth parents, and never stuck with the last name of those who adopted him, nor did he take his wife's last name despite her best efforts, so he was just Twist, plain and simple. "I doubt it as I was clear for active duty, so I was stuck in a shelter helping out where I could, though it don't matter." It was a mute subject right now as he's seen lots of faces in his life.

"Well, I ain't no doctor, though I do have the bare basic's of medical training. Got anyone with just a few cuts or scrapes I can take them off your hands." Twist was by far from the level of a doctor or a military medic, though he knew a thing or two. Enough to deal with the small problems to let the more experienced deal with the bigger ones.

"Well, I guess she should be careful not to deal with burnout right now. I see a lot so if she's stretching herself thin she may want to dial it back before she hits her limit." Surge wasn't sure if her powers was the same as someone who had a natural ability, though if it was close to what she had then burnout wasn't fun. That said, she did notice the glare from the doctor, though only rolled her eyes.

"I'm going to do a run around the base, see if I can spot Jewel before heading up to the command center. I'm not sure why, just got a feeling it wouldn't hurt." Surge wouldn't wait for Lanolin to respond as she swiftly dashed out of the room to do a once over of the base. Not like it'll take long with someone of her speed.

[sissylittlefeather]

A House That Has Everything: Chapter 4

A/N: This one came to me when I saw these amazing AI photos on Instagram made by @blackvelvetep and @_chiara975ep. (Be sure to check out their pages on Instagram!) My fic brain went crazy and this storyline was born.

Summary: Set in Regency England, Mr. Presley is the gentleman who owns and resides in Graceland Manor. Annabelle Martin is his newest maid after her parents have died and left her an orphan. Can he resist his affection for her, despite the difference in their social class?

Need to catch up? Masterlist HERE.

Warnings: 18+ minors DNI, smut and angst, p in v sex, unprotected sex, sexy thoughts, and some kissing

Word count: ~2.5k

“Bella…”

But it isn't enough.

******

In order to take his mind off of Bella, Elvis leaves for a week in London to settle some estate business and spend time with his friends. When he sets out, all of the staff gather to see him off. Annabelle stands with her hands folded and her eyes on the ground. She's afraid if she looks at him, she'll blush or maybe even pass out cold. He slows down as he passes her, trying to catch her eye, even though he has no idea what he would do if he did. And then, just like that, he's gone.

In the carriage, his mind is consumed with thoughts of Bella refusing to look him in the eye. It's probably good that he'll have some time away. He can't handle another temptation and giving in would ruin them both.

******

In London, Elvis behaves as he usually does, gambling and drinking and generally acting completely unbefitting of his station, but the club he frequents is private and used to this kind of thing from gentlemen from the country.

After a bare-chested boxing match with his best friend Jasper, he finds himself in a perfumed bed in the arms of one of the women who works in the club. She provides a certain service to men who married for expectation rather than romance. Elvis has been with this kind of woman before on his trips to London, but this time he finds himself with a unique problem. The woman, called Bridget, runs her hand over his chest and sighs.

“Is there something on your mind, love?” She coos, her hand drifting down even further. Elvis stops her without thinking and purses his lips. The answer is yes, his mind is filled with Bella and he almost feels like he's being unfaithful here in this bed, but he knows that is absurd. He shakes his head, insisting that he's fine, even though his soft cock gives him away. “You've already paid, love. So why don't you relax and let me help you?”

She leans in and presses her lips to his softly. He closes his eyes and tries to sink into the kiss, but an image of Bella floats up behind his eyelids and he pulls back, almost gagging.

“I can't. I'm sorry.” He lays flat on his back and stares up at the ceiling and Bridget sighs again.

“Who is it that you're in love with?” Her voice has changed from her seductive whisper to one of matter-of-fact conversation.

“I'm not… what? No, that's not…”

“Are you afraid I'll tell your secret? You know what I am.” He turns and looks at her. She's right. No one would listen even if she did try to tell anyone.

“My maid.” He looks back up at the ceiling with an exasperated sigh. “She is the most exquisite creature and I haven't been able to rid my mind of her.”

“Does she feel the same?”

“I don’t know. We haven't… there is only longing. I think she may, but I only know my own heart.” Bridget clicks her tongue and runs her fingers through his hair almost out of habit.

“You poor miserable thing. With only your money to comfort you.” There's an edge of bitterness to her voice.

“I'd give it all up to have her.” He whispers. She softens and turns his chin to look at her.

“Then you have to tell her.”

“I cannot.”

“Then you don't deserve her.” He sits up almost angrily.

“You don't understand. You are free to love whomever you choose. I am bound by obligation to marry someone of my own class.” His eyes are burning and his nostrils flare.

“I couldn't love you.” She says it flatly and understanding settles on him. “But if I did, I would tell you. Love has no thought for the boundaries of society. It gives and takes as it sees fit.”

“Then what do I do about it? Wait for it to pass?” His pain is so genuine that she has a hard time dismissing it.

“Will it?” She cocks her head to the side a little.

“I don't know. I thought it would but here I am in this conversation with you.” He closes his eyes and she puts her hand on his cheek.

“Elvis, will you tell anyone that you were here with me?” He opens his eyes and looks at her, not sure where she's going with this question.

“No.”

“Then why couldn't she be your secret instead of me?” Something akin to hope flickers in his chest. She's right again. Why couldn't Bella be the secret he keeps from the world?

“I hadn't thought of that.” Bridget smiles and runs her hand down his stomach.

“Most of you never do.” She wraps her hand around his flaccid member and then whispers. “Tell me about her.”

Elvis's mind races as he thinks of Bella: her beautiful hands and the cupids bow in her lips that he wants to taste so badly. As more images of her appear in his mind, he hardens and Bridget begins to pump him.

“She's the loveliest woman I've ever seen, dainty and feminine but with a fire and strength I've only ever read about. Her hair is raven-dark and her eyes are deep blue.” He moans softly.

“Good. Close your eyes and keep going.” She strokes him with a little more pressure as his eyes flutter shut.

“She has the sweetest voice and her body…” He whimpers when he thinks of her perfectly round breasts and the curve of her hips under her skirt.

“I'm her. How do you want me?” All of a sudden, it's no longer Bridget's hand on his cock, it's Bella's, and he gasps a little.

“Fully and completely.” Bridget moves herself over his hips, rubbing the tip of him through her folds as he whimpers. “Oh, my Bella.”

He groans as she sinks down onto him and then starts to move. With his eyes closed, he sees Bella, her beautiful body naked, her face rapt with pleasure. Bridget sighs as she fucks him to completion and he moans and whispers Bella’s name with his eyes tightly shut.

When he finishes, he opens them and wants to cry. She's not Bella. Not even close. Bridget sees his expression and kisses his forehead.

“Tell her, Elvis.” He nods silently and pulls away from her, standing to dress himself.

Back in his own bed at the inn, he lays on his side and ignores the tears that slide down his nose. The sick feeling in his stomach makes it impossible to sleep, but he closes his eyes anyway.

******

Annabelle walks through to the kitchen and finds Mrs. Hall in a tizzy.

“What is it?” She asks curiously.

“Mr. Presley will be home this evening. We've just received word that he's on his way.” Annabelle's heart skips.

“He wasn't due home for another three days!” The thought of having him back in the house makes her weak in the knees.

“I know, but he apparently finished his business in London more quickly than he expected. Chop these carrots for me, love.” Mrs. Hall gestures to a pile of carrots on the cutting board and Annabelle goes to work silently. After a few minutes, Mrs. Hall notices her wordlessness. “You seem distraught that he'll be back.”

“Oh, no, I just… am surprised.” She stumbles over the words, embarrassed at being caught.

“Mmm. I was right, wasn't I?” Annabelle pauses her chopping and looks at Mrs. Hall. “There is something between you two.”

“No. There cannot be.”

“Ah, but you'd like there to be.” The older woman smiles knowingly and Annabelle sighs.

“There cannot be.” She repeats it to herself as much as to the cook.

“Love does not care where it cannot be. Now, give me those before you lose a finger.” Mrs. Hall takes the knife and goes to work chopping the carrots herself, dismissing Annabelle to get lost in her thoughts on her own. When she disappears through the door, Mrs. Hall smiles and begins to hum. It'll be good to see her boy happy again.

******

Despite his early return, Annabelle doesn't see Elvis for another couple of days. She goes about her work nervously, secretly praying to see him and afraid to see him all at once. One day Mrs. Davenport notices that she's finishing her work quickly and adds another task. She's to dust several of the rooms in the house every afternoon. Annabelle thinks nothing of this as she begins to work, moving from room to room, but as she approaches the drawing room, she stops dead in her tracks.

Someone is playing the pianoforte. And not just playing it, but playing it beautifully. Curiosity overwhelms her and she pushes the door open carefully. It's him. He's bent over the keys and as she watches, he begins to sing while he plays. His voice is the smoothest baritone she's ever encountered and it makes her heart leap in ways she didn't think possible. She also feels that familiar warmth between her legs and tries to close the door slowly, but it's a heavy door and it closes with a loud thunk. The music stops and she turns to make her way down the hallway quickly but he pulls it open before she gets too far.

“Bella! Wait!” He calls out to her as she slips into the library. When he enters, she's furiously dusting everything she can see, trying to ignore the growing blush on her cheeks and the way her center moistens under her clothes. “Are you hiding from me?”

She stops and takes a deep breath, turning to face him. Somehow, he's even more beautiful than before and it takes everything inside her not to go to him and pull him in close to her.

“No, of course not.”

“You ran away from me.” Elvis is a little hurt that he hasn't seen her. He came home specifically to talk to her and his resolve has melted more and more each day. Still, his encounter with Bridget is heavy in his mind and some determination lingers.

“I'm working.” At that moment, she bumps a porcelain knick-knack and it hits the floor, breaking into several large pieces. “Oh, I'm so sorry, sir.”

He sighs and then walks over, bending down to help her collect the pieces.

“Bella, I thought I asked you not to call me ‘sir’.”

“I'm sorry… Elvis.” He smiles and takes the broken pieces from her hands.

“That's better.” They both stand up and he sets the broken object on the end table. For a second they just stare at each other again. All of a sudden, his nerve is lost and he has no idea what to say. She's just about to turn away when he blurts out. “Do you like to read?”

“I do. More than anything.” She answers him quietly.

“Novels?”

“Some. Mostly poetry.” He can't help but smile widely as he walks to a shelf and pulls down a book.

“Have you read this?” She walks closer and looks at the volume he's holding.

“Wordsworth? I love Wordsworth.” His face is one of complete adoration and he tries desperately not to sweep her into his arms.

“And then my heart with pleasure fills–”

“-And dances with the daffodils.” She finishes the line he started and he nods. They continue this exercise through three more books before he pulls a tiny book of poems from his breast pocket.

“What about this one?” He hands it to her and she holds it, noticing all the dog-eared pages and notes in the margin.

“No, not this one.”

“It's yours, then. My favorite is on page 42.” His heart is racing when he thinks of what he's scribbled there, but in this moment he's so full of love for her that he doesn't even care if she sees it. He wants her to see it, needs her to see it.

She looks at him with her heart beating loudly in her chest. It's a book of love poems. Her hands tremble slightly as she turns to page 42. There, at the top, in his handwriting: For my Bella.

He steps closer to her as she reads, the blood thick in his veins, rushing everywhere but his brain.

The fountains mingle with the river

And the rivers with the ocean,

The winds of heaven mix for ever

With a sweet emotion;

Nothing in the world is single;

All things by a law divine

In one spirit meet and mingle.

Why not I with thine?—

See the mountains kiss high heaven

And the waves clasp one another;

No sister-flower would be forgiven

If it disdained its brother;

And the sunlight clasps the earth

And the moonbeams kiss the sea:

What is all this sweet work worth

If thou kiss not me?

She looks up at him as she reads the last line and he's so close she can feel him breathing. Her chest rises and falls quickly and his eyes flit down to her lips. She's afraid she might faint as he reaches out carefully and takes her cheek in his hand.

“What is all this sweet work worth, if thou kiss not me?” He whispers the last line. Her eyes flick between his and then down to his mouth as he moves toward her painfully slowly. She should stop him, but she's frozen on the spot.

Finally, his lips graze hers so softly that it's barely a kiss. But he doesn't stop there. He kisses her again, with a little more pressure, his lips parted with his tongue cautiously moving ever-so-slightly, but he doesn't taste her yet. Not until the third kiss, when she drops the book of poetry and throws her arms around his neck. He wraps himself around her waist and dives in fully into a kiss so deep and so intense that they both get lost below the waves of it. Their bodies are pressed together and their tongues move in a symphonic dance and they both forget to breathe. After what feels like an eternity, but isn't nearly long enough, they pull apart breathlessly. He tries to press his forehead to hers, but she backs away.

“Elvis, I can't.”

“Bella, please–”

“No. I'm sorry!” Her voice is heavy with tears as she turns and runs from the room.

“Bella!” He yells after her, but she's gone. He bends down and picks up the book of poems and then turns and throws it at the wall. Sinking into a chair, he runs his hands in his hair and tries to hold back the tears. He looks up at the ceiling as they start to fall and whispers. “Bella, please.”

She stands on the other side of the door, her body wracked with sobs as she weeps uncontrollably. When she hears him whisper her name again, she drops to her knees.

“Oh, Elvis.” She whispers it like a prayer, her hand on her heart as she rocks back and forth in agony.

******

What will happen next?

*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

Taglist:

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