#why can't i remember tags

[shiverandqueeef]

Non-Canadians of tumblr!

if you picked one of the options lemme know in the tags how you heard about them (or if you have a totally different canadian band you know and want to rant about!)

[peacockrulz]

N tries to tell another joke (gone wrong)

Sequel to This

[dailyloopdeloop]

loop and mirabelle. That's it that's the ask

DAY 84: enrolled in the gossip wars

[snapbackslide]

happy october 🎃🏒 | 24.10.01

[fairyroses]

He was about to kill you, Lex. Or divulge something you didn't want me to know.

— SMALLVILLE, "Forever" (4.21)

+ bonus from "Arctic" (7.20):

[front-facing-pokemon]

[karleksmumskladdkaka]

Diabolik Lovers More, Blood Vol.3 Mukami Ruki Stellaworth Tokuten Bromide & Short Story Paper

Originally, these were tokutens you'd get for buying Ruki's CD through the Stellaworth store. Nowadays you might find them sold at flea markets or second hand stores. The story is written from Ruki's POV, and takes place right after the ending of his CD, with him and Yui still on the rooftop.

Enjoy the angst (*꒦ິ꒳꒦ີ)d

(Don't repost anywhere!)

[wavesoutbeingtossed]

I know you don't like discussing the muses but i love your takes and perspectives and i had to ask you about this. after listening to ttpd, did you have the impression that she really loved matty more than any of her exes/previous relationships?. And listening to the whole album as a whole would you call it the ''matty album'' or do you think there are more prominent themes in there than their period together?. (hope this doesn't bother you, feel free to delete if you don't feel like answering it)

hey anon! You're right, I don't really like to get into the muses as I don't really think there's anything to add to the conversation at this point, and ultimately I don't think it matters.

That being said, and with the caveat that I am not Taylor and I do not know Taylor so I cannot speak to her thoughts and can only make relatively educated guesses based on being an avid consumer of her work and a student of the human condition (lol), no I do not think Taylor loved Matty more than anyone else. I think there was maybe a brief period in the thick of things where she *thought* she did because she was not thinking clearly and was in full-on denial, but to me the message that is loud and clear in the album (and more or less explicitly stated in the epilogue) is that it was not any kind of real love affair. It was certainly infatuation and lust and the promise of something more, and there may have been some love as well, but he was in no way the love of her life by any measure.

I would call it a "Matty album" insofar as they're about events in which he was present, sure. But I feel it much more as a Taylor album, if that makes sense, even though I know that's a cop out because every album is to a degree. I can't explain it well, but I don't see TTPD as a Matty (or Joe) album in the way that I would maybe say Red is a "Jake" album or 1989 may be a "Harry" album or even Lover being a "Joe" album whatever, because even if they don't figure in all the songs, that kind of heartbreak permeates so much of the material.

The thing about TTPD and the Matty situation is that the Matty situation is really a Joe situation (which in some ways is actually partially a Jake situation). I always say I hate treating Taylor like a character so I hate speaking about her and her work in this way, but you don't get the Matty situation without the Joe situation precipitating it. It's @taylortruther's now-infamous donut vs. hole analogy. The reason Taylor makes the choices she does with Matty is directly tied to what happened with Joe that made her feel she needed to. Which is not to say Taylor isn't responsible for her own actions or doesn't have agency in her own life, but I mean it in that the situation in which she found herself with Joe, and the pain it caused, is what made the alternative so comforting and perhaps even necessary in her mind. It's why it makes it so hard to "paternity test" the album, because the stories are inherently intertwined and you don't get the former without the latter.

The major "theme" of the album to me is the loss of a very specific, very personal dream, and the way in which she lost it, and the way in which grieving that loss drove her to make the choices she did. We're all talking very delicately about it because it's a sensitive topic, but it's late on Friday and few people are going to see this, so I'm going to say it: it's the give you my wild, give you a child of it all. The yearning she expresses both overtly and sub-textually for having a family in the album is palpable in a very iykyk kind of way, and it's the realization that those plans are not going to come to fruition in the way she had once imagined that drives a lot of the pain she experiences, and makes her jump at the chance to find that again with someone else.

I started a draft post about the theme of womanhood and motherhood on TTPD three months ago that I never finished because I ran out of time and ran out of steam, but it was the most striking thing to me on the album, not because I didn't know that she wanted those things because that's been obvious for years (definitely since Lover, and again, peace put it all on the table), but because the vulnerability she expressed about it on the album is incredibly moving, and it's so generous of her to trust listeners with those feelings and experiences.

Again, it's the thirtysomething of it all.

She is in relationship A which she at one point believes is forever, one which she at one point believes is going to lead to marriage and children. She is so committed to that dream that she either ignores or tries to fix serious issues that may otherwise lead others to think the two people in the relationship are incompatible, both because she loves the person deeply and because she feels that this is meant to be the way she achieves that dream. She gives it her everything, and it still dies a slow, painful, onerous death, and she feels like it may take her along with it. The dream of getting married and presumably having a family gets taken off the table: how we don't know and will likely never know because that is private between the parties involved. All that matters in the context of the album is that those plans never come to fruition and never would.

Then you have relationship B, an old flame who knows just enough buttons to push both to trigger and to flatter. A person who she presumably trusts with very sensitive, personal information as her life slowly crumbles, and this person is telling her all the things she wants to hear because he knows about what is happening in relationship A because she's told him. Person in relationship B doesn't get an "in" with her and sell her this dream unless what happens in relationship A precedes it. It's not a grand love affair for the ages, it's not a mutual decision on building their own dream together. It's Person B learning about what is happening with Person A and saying "I can do that!" even if he can't or doesn't. The dream he sells her is a rental car; it's not his own, he's just borrowing it from someone else and selling it back to her.

And the reason she falls for it is because it is what she aches for the most in her personal life, and she is grappling with it disintegrating, so she (unfortunately for her) falls for the easy way out, and in turn sells herself a story about how this must be fated, and this must be meant to be, because this person wants all the same things she does and she didn't even have to bargain for it! Well, yes, because she fed him the dream in the first place. (Like a mark falling for a sleeper cell spy.) It's too good to be true because it isn't true. IMO Person B doesn't come running out of the gate with the marriage/baby/dream life promises unless he knows that is what she most desires. But what's left unsaid out of all of it is that: those dreams were her dreams because they were her dreams with Person A. It was a whole life they had together, and a whole life they had planned for in some fashion, and a whole life that has to be dismantled in the aftermath.

So all this to say, yes, on the surface, Matty is a "main character" on the album, but truly he's a side character to Taylor as the narrator and person experiencing it and Joe as the ghost bit-player-who-haunts-every-scene. (Again, I hate referring to real people as characters, it gives me the absolute ick, but in this case it's the only way to answer the question.) I jokingly call it the Matty album for shorthand or when I want to say something out of pocket, but really, it's a disservice to the album to say that because it's not a muse album as in it's about the romance (like, say, Red often is), it's about a soul-crushing heartbreak that goes beyond it. The romance is the symptom, not the cause.

The loss of youth is tied in with all this: she's not 22 anymore. She isn't even 32 anymore. She had a very specific idea of what her life was going to look like at this point and had planned for that life, and it goes up in smoke. But again, to bring the womanhood into it all: there is, unfortunately, a deadline for these things. You're with someone for over half a decade you think is going to be your life partner and father of your children and and then he's not. You spent half a decade building this relationship for it to crumble, but now you're in your mid-30s and you don't necessarily have another half-decade to build that trust and faith in someone else before being ready to start a family. And maybe you're scared that anyone else who may become your partner will need that much time to build that trust and faith, because that's kind of all you've ever know in relationships. But lo and behold, someone comes into your life you once had feelings for and maybe now do again and is offering you everything you want and thought you'd have by this point in your life right now. It feels like an elixir that as we find out is actually poison.

That youth is not just the chance for motherhood, but it's also the hopes and idealism and belief in the future that often gradually erodes as we age. But for Taylor as well, it's also tied into the trauma of what she went through particularly in 2016, which kicks off a lot of things on the album as well (her retreat, her relationship with Joe, the pivoting in her career, etc.). That event caused a pretty clear before/after in her life (like a few other events, I suspect), and another major theme in the album is her finally grappling with the full weight of that. They're all different branches of the same tree of the story of TTPD and her life.

I could talk about this stuff forever, but I'm going to stop here because it's long enough and I should save stuff for one of the dozens of drafts I have half-baked lol. But this is just something I needed to get off my chest perhaps.

[onesidedradiostatic]

honestly I'm a little bothered when people use the one-sided tag for radiostatic being exes like as in they actually used to be in love but broke up. I don't think that's one-sided... that's just past radiostatic

[togepies]

wren, lend me some of that optimism, will you?

incorrect quotes 2/?

[gooperts-gunk]

im so crazy over the tragedy of everything q!bbh does being under a demon pretense even though he's a fallen angel.

do u think he just accepts the demon label because it's easier. do u think he believes it too, and catches himself in his thoughts with "oh, right. im not exactly that". and maybe he believes that he did this to himself? do u think what he did was to protect himself or someone? no matter the fall, he still has so much kindness to give and his brain just isn't wired the way a natural-born demon would be, he can't hold back instincts when time demands it, maybe that's why he fell in the first place.

and when he's finally bad, not good, it's treated like the end of the world, without empathy on why he would act out. do you think this keeps happening? the same scenario, multiple times, every timeline? he has to be used to it. so he has to take it in stride. he's good until he lashes out under extreme pressure, and suddenly he's called demon. and once again he's what heaven made him out to be. what he made himself to be, his brain would ruthlessly provide...

i don't think he wants to be that, though he hides secrets behind secrets of which neither identity is a home... but i don't think he wants to have to change, either. and i don't think that's wrong of him.

...you collapse atlantis ONE TIME and all of a sudden YOU'RE the bad guy and SURE it was FUN but REALLY now,--

[alchemicaladarna]

I'll never stop gushing about this because I don't think people realize just how cool it was to see Quackity, Roier, Bad, and Yangdding all hanging out last night (this morning?? Lol)

Being in the fandom for nearly a year, you get used to people speaking different languages and sometimes using the translator. And there are times when people just speak English when together instead because sometimes the translator doesn't pick up certain parts of the conversation, but last night, we just witnessed 4 people relying on the translator completely.

LIKE. HOW AWESOME IS THAT???

A Korean speaker, an English speaker, and two Spanish speakers having fluent conversations in their native languages. And these conversations just flow so naturally that my sleep deprived ass didn't even fully register that they were speaking different languages.

The QSMP is truly revolutionary. I've seen people say it's like reverse Tower of Babel, but in Minecraft; and that's not an overstatement at all.

[sayakxmi]

Saiouma Puella Magi AU, but Kokichi takes Madoka's role and Shuichi takes Homura's.

For one, Kokichi's too naturally distrustful to just hear "I can grant you any wish :)" and not think ok where's the hook. So he just does what no one ever has & essentially interrogates Kyubey, so he knows it all even before he gets to make a contract. So, some of his classmstes are MGs & he won't become one himself BUT he still ends up tagging along to just protect them in his Kokichi ways. (Though I'm entertaining Kokichi lying about being a magical girl, because, well, it's Kokichi).

(I also got a small idea of Gonta being a magical girls and Kokichi originally tagging along him into labyrinths, Gonta also makes him a magic gun from the toy one he had, and at some point witches out & Kokichi manages to kill him with that gun. So he always has that spare Grief Seed on himself, bc it's still his best friend & he can't handle the idea of just giving it away or using it himself (he does anyway in the end).)

Shuichi prolly ends up being a new kid & it isn't like MadoHomu, the ppl who reach him first are Kaede & Kaito, classic. Kokichi's there, too, but he's his usual sus self. He's actually discouraging ppl from making a contract when they find out magic and miracles are real, which absolutely includes Shuichi. He's very vocal abt it, but he won't explain stutf, bc 1) he's a liar, so who'd believe him? and 2) he doesn't want them to witch out upon finding out the truth or, idk, murder everybody Mami-style.

Anyway, fast forward, bad things happen bingo & by the end of the run most charas are dead, there's Walpurgis nachting, and he makes his wish to bring back the ppl who died notably not as magical girls. Contract signed, he fights & fails, rip. I also thought it was similar to how he thought he could end the killing game by himself - he though he could finish Walpurgisnacht by himself, too. And he failed in both times. Whatevs.

Shuichi doesn't actually make his time travel wish for Ouma specifically, he wants to save all his friends. Timelines are messy esp at first bc he either tells then or it backfires or just makes himself look very sus bc he's trying not to tell them. He also realizes why Kokichi hadn't told anybody aby witches at some point, bc, yeah, it messes them a lot, assuming they believe it.

Still, Kokichi ends up one of the few people who are nearly always giving him a chance, not necessarily out of belief, but out of pragmatism - bro can stop time & knows the truth, that's just too useful. So they often work together & Shuichi grows closer to him but still we ain't there yet. But the thing is, Shuichi's time travel still makes Kokichi more & more powerful with each timeline, bc Shuichi usually goes back after Kokichi dies, so the universe figured out this guy's life's important. Anyway, another notable thing is the iconic Homura kills Madoka scene, but it's Saiouma with guest stars of Kaito & Maki. It's Walpy, it's not defeated yet, but the training trio are spent & just kinda accept their fate of turning into witches together. And then, boom, Kokichi appears & steals their Soul Gems for a sec & he's like did u know you can cleanse your Soul Gem with a darkened one? But it's a lie & he quickly tells them so, he just had a spare Grief Seed after cleansing his Soul Gem & he needs them to do some stuff. Shuichi can travel back in time & fix things, and Maki & Kaito are needed to fight Walpy here. He actually questions what happens to the timelines Shuichi leaves behin, and ofc he doesn't know. There's a chance they remain, so Kokichi needs Maki & Kaito to fight Walpy here.

Kaimaki leave, and Shuichi finally looks at Kokichi & realizes sth is Wrong. Kokichi struggles to hide how he's trembling & grimacing, and it's Kokichi, so obviously it must be extremely bad. Shuichi dreadfully realizes something worse, and he weakly asks Kokichi why aren't his wounds healing. And Kokichi just falls, laughing weakly, and Shuichi catches him & searches for his Soul Gem and, God, he knew it. It's nearly completely black. Kokichi laughs & admits he lied abt having two Grief Seeds, he only had one he never wanted to use. But they'll have the second one soon, so no need to worry. He asks Shuichi to maybe destroy his witch form as it's hatching, so he'll have the Grief Seed without any fighting… and he admits that he hates fighting, he hates this magical world and all its violence. He says that Kaito was right in calling him a coward, even here he just can't handle the idea of fighting any longer, he's so sorry. And Shuichi tells him he ISN'T a coward. He was scared, but he always followed everybody, trying to help, and when push came to shove he would always make a contract for the benefit of others rather than himself. He's a lot of things, but a coward isn't one. Kokichi actually tears up hearing that, and Shuichi promises he won't let him fight ever again, and especially he won't let him turn into a witch and hurt anybody, because he knows it's the last thing he's ever wanted. Even now he only accepts turning into a witch to help them fight to keep others safe. So Shuichi won't let him. Kokichi probably apologizes and thanks him and then he dies.

Keeping Kokichi from fighting starts off as a side quest that gains importance with time, bc it's something Shuichi won't compromise on (ah, trauma), which leads him to occassionally neglect others a bit, which makes them more likely to get hurt & ironically Kokichi more likely to make a contract, especially since he gets more powerful & Kyubey is more interested in him with each timeline. And that also makes him witch out super quick. Shuichi's paying more attention to him & over time grows resentful of others for how they're treating him. To Shuichi it's no question that Kokichi cares & is just doing his best to help, but nobody realizes that.

But the biggest obstacle in keeping Kokichi from fighting is actually Kokichi himself, bc he's too smart and nosy, lmao. Even if he knows nothing, he will find out quickly. Doesn't help that Kyubey wants him to make a contract.

Also, obviously Kaito is Sayaka-coded and Maki could be Kyouko-coded, so that's a thing, BUT it's usually Maki that witches out. Kaito is usually pretty close, but Kokichi intervenes & he survives, but Maki later cracks on her own (and since in the new timeline Kokichi isn't there, Kaito's the one to die, so he's still the secretary). So it's Kaito who gets the dramatic sacrifice. I imagine he genuinely hoped you could bring somebody back if you tried Very Hard & Kokichi called him a moron bc obviously it's not possible. If it was there'd be far less witches that there are. But it's Kaito, he doesn't listen to reason. So, Kokichi follows him to the labyrinth. At first Kaito's mad cuz what if Kokichi being there ruins the plan? Maki hates his guts! But eventually he gets hit pretty hard, and Kokichi is near immediately by his side, trying to help him get up, which kinda makes Kaito short circuit a little bc wait Kokichi's trying to help? But witch!Maki attacks them & Kokichi pushes Kaito away & gets caught himself (and choked until unconsciousness, naturally). Anyway, Kaito gets him away, Shuichi catches Kokichi & Kaito makes up his mind about going down with Maki & asks Shuichi to tell Kokichi that he's sorry. He doesn't get him, but he got hurt trying to protect him, so he'll believe in that if nothing else. F.

As for The WishTM, in the last timeline Shuichi lashes out at Kokichi for his willingness to just become part of the system. In no timeline has his wish actually helped, it did NOTHINHG, which OUCH but it also makes Kokichi think out of the box more & he becomes the Law of Cycles. And Shuichi realizes what is happening & freaks out bc Kokichi's doing it bc of what he told him & like Homura they end up having a momentTM in space & Shuichi remembers. He feels a lot of guilt even tho he also questions whether anything was real, but if it was, he pushed somebody he far too realized he loved into erasing himself from existence.

[echo-stimmingrose]

Y'all remember that one game where one player plays the dad and the other plays a baby. The dad's only goal is to keep the baby alive before mom comes home. Meanwhile the baby's goal is to kill itself in any way it possibly can.

[rawbin-hsr]

Aventurine x reader

You die.

─── ⋆⋅ ☾⋅⋆ ───

TW: DEATH, heavy angst, gore, blood, kind of disturbing, a bomb explodes, derealisation/disassociation, graphic, I'll be so honest this fic is kind of fucked up

Lmk if I should add any more specific warnings!

If you're sensitive to violence and dark themes, you probably shouldn't read this.

─── ⋆⋅☼⋅⋆ ───

This mission had gone terribly awry. 

It was only meant to be a routine checkup. The IPC was planning on allocating resources from this planet, something the locals had not been pleased about. Aventurine understood. He would not be particularly happy to have his planet drained of all that made it worthwhile either. (He had not been happy. But all things considered, he thought he was being generous. Nobody was being directly killed, the IPC merely wanted a cut of the many materials the planet offered. The Avgins on Sigonia had all been very intentionally exterminated. He was not doing that to these people.)

Still, he couldn’t afford to take risks, hence the many IPC assigned bodyguards he had brought along. Deals like this, where the clients were undeniably on the losing end, were bound to go wrong in one way or another. Often violently so. 

He just had not expected the bombs. He had not expected the mass amounts of guns. The people were more capable and vengeful than he had assumed, then. Ultimately, it was his own fault.

Most of his goons were dead. Most of the government officials were dead too. It made sense they’d want to go out in such a loud and proud way. A declaration to their people they wouldn’t lay flat before the otherworldly corporation that had come to essentially take away what made their planet their home. Bold to be ready to kill so many of their own, but he could respect it. 

Under normal circumstances, he wouldn’t be very angry. It was fair, all things considered. He’d had this long coming; being killed by the people whose lives he was ruining. In their positions, he’d love to kill him, too. The only issue was that this hadn’t happened under normal circumstances. 

No, you were with him. You’d been just a bit away from him when they opened fire, when they set off the bomb. 

It was so stupid. It was so, so unbelievably stupid that he’d let you come with. It was your job, yes, but he should have reassigned you to some other mission. Something safer. Something that didn’t involve visiting planets to drain them of all their worth. Something that didn’t bring about rage from the clients. 

He could see you. He’d been saved from the brunt of the impact, and his luck had once again protected him from serious harm. He had only been slightly grazed by a bullet, had only been slightly burned by the heat of the explosion. Nothing serious. Nothing he couldn’t walk off within a week or two. You had not been so lucky. 

Your arm was outstretched over your head, body lying limply on the floor. Missing the other arm. There was only a gaping, red hole where it had once been attached to your body, a little bit of bone sticking out of the gory mess. The blown off hand with your engagement ring lay close enough to him that he could touch it. Maybe intertwine his fingers with it for the last time. The pinky was missing.  

He pushed himself onto his feet on unsteady legs. He could barely feel his own body at all. One glance down at it told him he’d been right in his initial assumption, though. No parts of him were missing. He was intact. 

He stumbled over to where you lay, your expression calm, almost peaceful. No pained pinch between your brows, no worried frown on your lips. Were you unconscious, or were you dead? Though he knew it was unlikely you’d leave this place alive either way, he hoped desperately for the former. 

He fell to his knees next to you. Something was buzzing beneath his skin. Something was buzzing in his vision. Had the world always been so blurry? Had there always been such a loud noise ringing in his ears? His hands trembled as he carefully reached out, a hand tenderly cupping your cheek. Your face was red, slightly burnt in places. Your hair was singed. You felt hot to the touch. 

No, not hot. Warm. Warm as in alive. He couldn’t hear you breathing, but warmth meant life. Warmth meant life. You were alive, surely.

He brushed his thumb under your eye. Tried to find something to say, but he found his mouth refused to open. Carefully, so carefully, he shifted you onto his lap. He stared at the dust from all the debris that had settled onto you. He couldn’t breathe. 

(He thought back to a time when the dust had been sand. He thought back to the red that had painted the ground then as it did now. He thought back to another body he had pulled closer, with hands much smaller and weaker than the ones he had now. He thought back to the taste of salt as tears fell in an endless stream from his eyes to cover his face and hers.)

He moved his free hand to your neck, gently pressing a finger to where he knew he was supposed to find your pulse. It wasn’t there, but only because he wasn’t searching hard enough. He carefully felt around, and though he couldn’t find it, he knew it was still there. He just didn’t dare press down hard enough to find it. The same applied when he felt your wrist. He was just bad at finding things today. 

(He stupidly hadn’t found a good enough reason to put you out of this mission. He stupidly hadn’t found anything that happened before the explosion suspicious enough to leave early. He stupidly hadn’t found his way next to you quickly  enough to save your life.)

When his hand landed on your chest, absent of a heartbeat, tears started falling from his eyes. But why was that? You weren’t dead. In fact, the longer he looked at you, the more sure he became this couldn’t be you. Your skin wasn’t this hot. Your arms were both still attached. You did not have fresh burns covering your face. Most importantly, you were alive. Alive and well and happy and safe from this little mishap. He had misremembered, you had stayed home during this mission. The hand he’d been so sure belonged to you had been someone else’s, he’d merely mistaken the ring for yours. It was such a bland ring, after all. He’d have to buy you a new, much prettier one once he came home to you, and apologise for his oversight in giving you such a boring design. 

He ignored the repeated whispers of ‘not again, not again’ going through his head. Nothing was happening ‘again’. This was not Sigonia. This was not a person he loved, or even knew. He couldn’t understand why his body curled over the stranger’s, sobs wracking his frame as he pulled them close, soft apologies tumbling from his mouth. He nuzzled his face into your- their hair, hand carefully cradling the back of their head as the other supported their back. 

The body smelled like you. The body felt too similar to yours in his arms. The body had your face, even if your features were a little damaged. The longer he stared, the more he could feel his gut sinking. So he shut his eyes and reminded himself that there was no possible way this was you. It couldn’t be, it couldn’t. The universe would not be that cruel to him, would it?

Then again, maybe he had deserved this. If it was real. He was not a good man. He had not come to this planet with good intentions. Losing the thing most precious to him, the only thing precious to him, after taking away so much from so many others was a befitting punishment. 

But you hadn’t deserved this. Wouldn’t have, if it was real. You were so kind and generous and perfect and lovely, so different from him, so different from the position your job wanted you to be. You didn’t deserve to die. 

Die. Dead. 

Dead. Dead. Dead. 

You were dead. 

(Aventurine had seen so much death in his life. He should have been used to it by now. He was used to it. He had just forgotten how much it hurt when it is someone he loves.)

He held you tighter. If he held you tightly enough, could it piece you back together? If he held you tightly enough, could he replace the parts of you that were missing with his own? The sobs that escaped his lungs were violent, and quickly, some morphing into gagging. He felt sick. He had to turn himself away from you briefly to throw up, not wanting to soil what was left of you further, before he desperately held you again. Would it be the last time he held you?

Maybe if he took you back to the ship quickly enough, something of you could be salvaged. Maybe he couldn’t piece you back together, but he could find someone who would. There had to be something he could do. This couldn’t be it. He couldn’t lose like this again. 

He could barely stand. His body was already weak and your added dead weight made it even harder to balance. He picked up the parts of you strewn about on the ground he could quickly spot. Your hand, your shoulder, what he thought might be your bicep. He couldn’t find your forearm and he didn’t have time to properly search for it. Maybe someone could put all of you back together? Maybe you’d be whole again. He wanted you to be whole again. 

(He couldn’t save his people. He couldn’t save his mother. He couldn’t save his sister.)

(But things had to be different now, surely. He was a different person now. He had power, he had wealth, he had everything. What would it all be good for, if he couldn’t save you?)

Other IPC personnel met him outside the building as he stumbled out, and Aventurine’s mind was so hazy he couldn’t make sense of anything that was happening. He was pretty sure his own, now dead, workers had sent a distress signal. People rushed in to find anyone else from the wreckage. After, Aventurine found out he was the sole survivor. (He always was.)

(You had not survived.)

He demanded you be taken into surgery. That the medical staff on board had to get you to breathe again. For some reason, they had been hesitant. He threatened to have them fired or killed if they didn’t get to it. He set you as first priority, putting the best doctors they had on hand to work on you. 

They sewed you back together as best as possible at his insistence. They got your heart pumping blood again, they hooked you up to machines and forced your lungs to breathe. The surgery lasted for four hours.

It did not change the flatline on the screen signalling your brain activity. 

He could find the best doctors in the whole galaxy, but he already knew the line would remain flat. Nothing was bringing that back.

He stared at you for hours after your surgery. Interlaced his fingers with yours, feeling the artificial warmth of your hand. It did not feel like you. The temperature was wrong. The look on your face was wrong. Your body was wrong. Everything about what remained of you was wrong. 

He eventually laid his head on your chest, and then he cried.

He cried until the black spots in his vision grew so numerous he could no longer see, until everything faded and he could no longer hear the beeping and humming of the machines keeping you hollowly alive. 

(Why did he ever let himself love again?)

─── ⋆⋅ ☾⋅⋆ ───

Sorry that was messy I wrote everything today because I am con-crunching tomorrow and won't be available for like at least 3 days after this (usually I write over the span of multiple days so I can re-read for grammatical/spelling errors and so my language will be a little more varied + I get fresh ideas). Sorry this fic was ?? kind of messed up ??? I think ??? I think my perception of what's messed up and not is kind of weird (I grew up on warrior cats HELP.) so to me it didn't feel that fucked up to write about Aventurine literally picking up your body parts after you died but I've realised upon mentally summarising that part of the fic that maybe that was kinda horrific. Just a glimpse into my twisted mind heh 😈.... sorry

My inbox is open, feel free to send in asks or requests, I'd love to ramble about things <3

[madmachaca]

I mean, I'm completely biased here, but I think it is funny when some reactors learn about Buggy and Shanks knowing each other since childhood, and their first reaction is something like "oh, he is making that up" or "HA! He wishes! there is no way Shanks likes him. He doesn't seem like a person Shanks would like"

When actually the one who gives the most "OMG! We are friends! There is so much friendship between the two of us!" energy ...

...is Shanks

And I mean, of course you would get attached to the person who was brought up with you, it comes both ways