#whoo boy this is the longest one I've written so far

[seasaltmemories]

The Dark Descent of Elizabeth Frankenstein Review/Analysis

Really expanding my pallet by tackling a book instead of anime like I’ve done in the past, but I have a lot of complex thoughts about this that I pretty much need to spill out immediately

Summary time:

Elizabeth Lavenza hasn't had a proper meal in weeks. Her thin arms are covered with bruises from her "caregiver," and she is on the verge of being thrown into the streets . . . until she is brought to the home of Victor Frankenstein, an unsmiling, solitary boy who has everything--except a friend. Victor is her escape from misery. Elizabeth does everything she can to make herself indispensable--and it works. She is taken in by the Frankenstein family and rewarded with a warm bed, delicious food, and dresses of the finest silk. Soon she and Victor are inseparable. But her new life comes at a price. As the years pass, Elizabeth's survival depends on managing Victor's dangerous temper and entertaining his every whim, no matter how depraved. Behind her blue eyes and sweet smile lies the calculating heart of a girl determined to stay alive no matter the cost . . . as the world she knows is consumed by darkness.

All my reviews are extremely personal, but this is going to get even more personal bc of the unique relationship I have with the original Frankenstein, I read that back in my senior year of high school and while it wasn’t a favorite of mine, I had my fun with it, I wasn’t the most diligent student, skipping much of the latter half bc I wanted to focus more on my senior thesis, but I really enjoyed Victor as a protagonist.  In contrast to how adaptions portray him, he’s a pathetic teenager/20-something who drops out of college bc he gets offended when his science professors laugh at him for wanting to study alchemy instead of a real field of science.  He gets sick at the drop of the hat, is so self-centered he really only acknowledges others when they are right in front of him, and a coward who can’t take responsibility for any of the problems he creates, all without being particularly malicious, I more enjoy laughing at him than fangirling over him, but there is a lot of humanity there that I find endearing in its own way

But I was an Elizabeth fangirl, the girl goes through equal amounts of hell without knowing it is all the fault of the man she adores.  While the narrative mostly kept her as “love interest” I felt their could be a lot of pathos to her tale and even wrote an essay about it.  However as I looked for academic material/retellings, I couldn’t find any that shared my sentiment

Recently I was brought back to Frankenstein because of a local writing contest that was celebrating its 200th birthday.  While it was looking for horror submissions in general, I wrote a modern retelling with the intent of giving it a female perspective and subsequently won first place for it

So when I discovered this book, published around the same time as when I wrote my own retelling, it seemed made for me.  And oh those first few chapters were a treat, it felt exactly like something I might even write: Elizabeth is someone who plays the angel bc she fears she won’t survive if she is anything less perfect, and no matter the situation this suffocating anxiety grips her every action as she tests people’s reaction to her, I was on cloud nine for all of act 1, other reviews seem to dislike the slow past of that part as it all takes place in one slow day with lots of flashbacks, but I loved marinating in Elizabeth’s inner world as I hadn’t be able to before

Act 2 is where some complicated feelings mixed in, and to talk about then completely I’m gonna go into spoilers.  If you are interested in it so far or tend to like my writing of worn-down girls trying to survive in worlds where their image can decide their fate, then I recommend it.  For full effect it helps to have read Frankenstein since there is so much of the novel is tied to the original and it pays a lot of love to the cultural icon it has become as a whole, but apparently other reviewers have enjoyed it without that prior knowledge.  If you are still on the fence/don’t care about spoilers, let’s dive into the next 2/3rds of it

First of all, this novel reads so much like fanfic.  I say that as not a measure of the quality of its writing, bc at its core it is fanfic, and since it falls into that genre, it shapes many of its strengths and flaws.  For example, Act 2 is the weakest section of all bc so much of the plot is recounting plot point by plot point or the original, and aside while the POV switch makes certain events, like Justine’s death hit harder and in a different way, it also inherits some less tightly-written sections, like Victor traveling to England to build the bride.  But in a way I can excuse that because by then I had started to treat it like fanfiction and took that as a sunk cost that couldn’t be avoided bc of the format

What really shows that this is fanfic is the fact that rather than simply retell the original, it uses the material left behind to build an original story of a woman trying to find an identity that has never felt her own, and I don’t find any fault in that because I have done the same, hell I’ve written about blonde teenage Elizabeths in the 19th century who tailor their entire personality for their dark, morally ambiguous cousin that they are in love with it, but because I can so closely relate to the mere concept of writing a story like this, I find I am much more critical of matters of personal taste than I would be otherwise

To put it bluntly, TDDEF’s Victor is not Shelley’s Victor.  And while it tries to play that “untold story” angle to explain the discrepancies, it does not work.  Here Victor is like one step away from being a literal demon child, lacking any care for anyone besides Elizabeth and always ready to cut someone/thing open with a knife.  He is completely obsessed with her, being inspired to conquer death not because of losing his mother, but because he realized her morality when she catch a life-threatening illness, and while it works for the story TDDEF wants to tell, it is not the Victor I know as he goes on to do even worse things than Shelley’s version

Now again I am faced with having done the same before, taking much less morally gray characters and in fanon dying then a few shades darker, but while this is nitpicky, it makes a lot of the details between the two works not line up so well, even before the narratives diverge

Like for example I never bought Victor’s love or even obsession for Elizabeth here, like Shelley’s version they are often apart and even when together Victor is stuck in his studies, yet here she becomes his entire motivation, part of this was because TDDEF wanted to highlight the problematic elements of the original relationship, but I feel like it still could have been done while veering closer to the original depiction, like despite all Elizabeth does for him, he treats her more like a pet he has to remember to feed and allows her to go through a lot of trauma to save his own skin, that’s still a damning portrayal without falling into the evil cartooniness TDDEF’s version sometimes does, but even within that criticism I can see my biases getting in the way bc I like and write male love interests who mean well but can still fall into toxic behaviors

Regardless, Act 3 is where the narrative really comes into its own, and while I still prefer Act 1, it preferable to the safeness and predictability of Act 2.  It is completely unsubtle about the message it wants to send, and while I can’t fault it for it, that’s when the YA label really starts to show, my feelings about the YA genre could fill an entirely different post, but to explain what I mean about feeling YA  in the most simplest terms, well I would have absolutely adored it if I was younger, sometimes it may get cheesy or self-indulgent but I know if I was the target audience it would have shaken my entire worldview on what books could do and say.  And a lot of that is bc it caters to the adolescent appeal of fanfic, like the narrative could have ended two chapters before its true end, but it instead goes on what feels like a fan’s post-canon imaginings, which while a bit too sappy and simplistic for me, is the type of closure younger me would be starved for

So I am in an odd position, feeling on one hand almost betrayed for it drifting from the vision I found perfect, but also knowing it did so to be true to a vision younger!me would have needed, I guess the best way to describe it is that while Act 1 is still something I personally enjoy, the rest is something I more appreciate from an academic/impersonal perspective.  And while I can’t say I am completely satisfied to be there, I feel like maybe a high school girl who reads Frankenstein for her English class and falls for Elizabeth like I did may now be able to find others giving her the type of love she needs Elizabeth to get