#who will be endgame? i'm not telling! | Explore Tumblr Posts and Blogs

wordsarelife · 4 months

Text

—endgame

pairing: mattheo riddle x fem!reader

summary: mattheo is absolutely in love with you, but now it seems like he spent a bit too long not telling you that

warnings: cursing, suggestive language

notes: guys this was not supposed to be posted lmaooo!! but i‘ll just leave it here, now that it’s too late anyway 😭

the slytherin boys were lazily slumped over the couches in the common room, casually chattering as the fire burned in front of them.

"and then she asked me to show her how to fly sometime" enzo shrugged as he finished his explanation "i mean she was there when we learned that in first year, so i'm not sure why i would have to show her"

"you oblivious little idiot" blaise slapped a pillow against enzo's head, who let out a whimper at the sudden hit.

"she was flirting with you" draco exclaimed with a roll of his eyes and without even looking up from the newspaper he was reading.

"oh" enzo said dumbfounded.

"she knows that you're crazy about quidditch" theo added.

"yeah" mattheo agreed "she probably wanted to flatter you, telling you how good you are at flying and you didn't even understand that"

"oh" enzo mumbled once again and the regret in his voice made his friends perk up.

draco let the newspaper rest in his lap. "what did you answer?" he asked, quirking a brow.

"the exact same thing i just told you guys" enzo admitted shamefully, which was accompanied by blaise and mattheo loudly groaning.

"you really are an oblivious idiot" draco shook his head in a disappointed manner, before going back to his newspaper.

before enzo could say anything else to defend himself, there were giggles coming from the stairs. blaise and mattheo looked behind the couch simultaneously.

"speaking of oblivious" blaise snorted, before he earned himself a slap from mattheo and a simple hand gesture that told him to get off the couch and find another place to plant his arse.

blaise was barely on his feet, emptying the spot next to mattheo, when pansy and you stepped into the common room.

"hey guys" pansy greeted before she let herself fall in between draco and enzo, half onto draco's lap, which the former only grunted at.

you smiled your usual smile, waving at you friends, before you walked around the couch on which mattheo was sitting. you held up the book you were carrying to him and mattheo immediately got into position.

he turned his body, so that his legs were now resting on the couch before him. he opened them up so you could slip between them, laying your head onto his tummy, as you opened your book and got comfortable.

mattheo softly started moving his fingers through your hair. theo, on the armchair on the left of both of you, raised his eyebrows. even draco lowered his newspaper for a second, to inspect your cuddly position.

"so, y/n" theo said "why don't you tell us something about your date with that seventh year ravenclaw?"

now it was mattheo's turn to furrow his brows. theo looked perfectly innocent, but mattheo recognized a hint of mischief in his blue eyes. blaise giggled into his fist like he had just witnissed the biggest burn and enzo looked between both theo and mattheo, wondering if the former was even allowed to ask such a question.

"oh" you smiled awkwardly, as you let your book sink onto your chest. "you mean leslie?"

theo nodded and watched mattheo's expression closely, who's face was full of disdain.

"go on" pansy smiled "you can tell them" she started giggling and you joined her laughter.

it was like a switch had been flipped as both you and pansy recalled the day a week before. you did not leave out one detail, from how the boy had asked you out to how the actual date went.

mattheo was not happy to hear what you had to say (or how pansy couldn't stop mentioning how handsome and attractive leslie was), but he had to admit that it was kind of funny to see theo's face fall more from minute to minute and how much regret was evident on it when you ended the story after half an hour.

it seemed like the only person who enjoyed listening was enzo, who spend most of his time asking about certain things you had said and if you had meant them in a flirting or normal way. mattheo had to admit to himself that it was probably his and the rest of the boys' fault that enzo outstretched the story with his unnecessary questions. it seemed like he wanted to make sure that nothing what happened the day before would repeat itself.

"was that everything you wanted to know?" you asked theo, admittedly a bit amused, as you noticed the panicked look on his face and the quick nod he was giving you.

"why didn't you tell me you had a date?" mattheo asked you and you almost broke your neck as you tried to look at him without sitting up.

"sorry, i didn't think it was that important" you shrugged "and i never thought that you wanted to hear anything about it, but now that i know that you guys are interested in that kind of conversation, we can speak about stuff like that more often"

it was only after pansy and you had excused yourself to go to bed, that there was a debrief happening in mattheo's and theo's room.

mattheo was walking from side to side, as the earlier events replayed themselves in his head.

"pansy and y/n are yappers" blaise noted matter of factly "and now you've actually gotten them to yap even more"

"thank you, theo" draco added sarcastically, while theo just shrugged his shoulders.

"i didn't know it would spiral into that" he excused "i was just trying to get someone to get off of his arse and talk to a certain someone, considering something between the two of them"

"it doesn't help anyone if you're talking in riddles" enzo rolled his eyes, before he got ellbowed by blaise, who pointed at the still walking mattheo. "oh" enzo nodded "you're talking about mattheo and—"

"what kind of name is leslie anyway?" mattheo cried, succesfully shutting enzo up.

"i mean have you seen the guy?" blaise laughed "his name should be the least of your concerns"

"thank you, blaise" mattheo nodded, spotting a sarcastic smile "very helpful actually"

"listen, mate" theo said and all eyes turned to him "i'm not saying you should just be happy about what's happened, but it's a bit your own fault"

"my own fault?" mattheo repeated stunned.

"he's not wrong" draco shrugged "if you had the balls to go and speak to y/n, we wouldn't even be talking about a guy who obviously has a girl's name"

"i mean i get alex, but what is unisex about leslie?" enzo looked between his friends, who all shrugged.

"can we stop mentioning his fucking name, please" mattheo threw up his hands helplessly.

"well, would you rather like to talk about his huge—"

"blaise!" both mattheo and theo called loudly.

blaise raised his arms, spotting a face of innocence "geez, chill i was talking about his arms. i mean the guy is jacked"

"yeah, we get the picture" mattheo rolled his eyes, before he changed the tone of his voice, trying to imitate pansy and you from earlier "he's so good looking and funny and—"

"he's read almost every book y/n has" enzo added and all of the boys looked at him.

"whose side are you on?" theo asked tiredly, rubbing his face and realizing in that second that he was not going to sleep any time soon.

"sorry, pansy's words, not mine"

"okay, well" mattheo exclaimed, his anger subsiding momentarily "what if i'm not that handsome or well-read? i always listen to her talk about her latest book, and i don't just act like i want to hear it, i really do and i could be such a better boyfriend than this lola guy"

"leslie" blaise corrected and immediately received a dirty look from mattheo.

"look, mate" draco interrupted the staring contest between blaise and mattheo. "whatever it is that has been going on between you and y/n, we've all had the pleasure to observe it this past few years. so i'm sure we're all are at a point now where we are just fucking tired. i'm begging you, just do something about this please" draco was more emotional than he had been in years and all his friends were surprised at the sudden concern for mattheo's and y/n's love life "for the love of god, i cannot bear to try and extend any friendly behaviour further than this group, so it would be kind of unfortunate for y/n's boyfriend if he isn't already part of it"

"well, aren't you just a ball of sunshine?" theo rolled his eyes.

"it's not easy being nice to all of you" draco send a side-eye in enzo's direction "even harder with certain people"

"hey!" enzo losely protested.

"i don't really care who she dates at this point" draco added "hell, let's give her blaise, at least he's not too restrained to actually do something"

"i'm not restrained" mattheo said with distain evident in his voice.

blaise smiled smugly, completely ignoring his friend. "i would show y/n a good time"

"what the fuck?!" mattheo turned to blaise with a look of betrayal "i'd rather have lucy--"

"leslie"

"--have her before you do" mattheo finished.

"this is really not the point now is it?" enzo asked, with a helpless look in theo's direction.

"enzo's right, as weird as that sounds" theo nodded "you have to do something and you have to do it fast, before she's losing the least bit of liking she seemingly has for you"

"i really have to thank you guys for your deep and honest trust in me and my abilities"

"well you've practically spend the last six years simping for her, so excuse us if we're not quite seeing the end of that yet" draco snorted.

"yeah, fine, whatever" mattheo rolled his eyes "even though all of you were wrong in many things, you're right about y/n, i'll tell her first thing tomorrow"

"tell her what exactly?"

"ehh, that i'm in love with her" mattheo said as if it was obvious.

"a bit rushed isn't it?" enzo asked, exchanging a look with draco, who seemed just as critical.

"what?" mattheo asked helplessly "wasn't that what you all wanted? i mean lilly certainly didn't waste any time"

"leslie" blaise corrected once again "asked her out on a date first. maybe you could really learn something from him. i hear he's quite smart"

"are you gay?" draco suddenly asked and enzo snorted.

"i'm a realist" blaise answered "i like to scout out the competition, see what they've got on me"

"okay, sure, then i'll ask her on a date and tell her that i love her then. is that alright with you?"

"you should at least wait two to three months" draco advised.

"maybe four" enzo added.

"oh, heaven, i'm going to sleep" theo turned around and climbed into his bed.

the next morning, the slytherin boys were sitting in their usual spots at the slytherin table. there had been no sighting of either pansy or you yet, so mattheo had decided to ask you on a date during breakfast.

"what do you think is taking them so long?" he asked draco, while keeping a close eye to the entryway of the great hall.

draco, who was only a second away from answering, was quickly interrupted, when he got nudged by theo, who pointed at something - or rather someone - at the ravenclaw table.

"what?" mattheo turned his head, after draco had not answered and his friends seemed to have noticed something.

"they're already here" draco said softly, before both of his hands, landed on mattheo's shoulders, turning the boy's body in the right direction.

mattheo's eyes found you quickly. you were sitting next to an unfamiliar boy, pansy across from the both of you. you were engaged in a seemingly friendly conversation, throwing your head back laughing from time to time.

"lydia" mattheo said between clenched teeth his voice close to a growl.

"leslie" blaise corrected, matching the sound and tone of mattheo's voice.

mattheo stood up abruptly and all eyes followed him. "i'm gonna do something about this" he declared, before he started walking into the direction of the ravenclaw table.

"i think he could need some backup" blaise shrugged his shoulders, running after the boy, before one of the others could protest.

"hey" mattheo greeted when he arrived at the table. pansy furrowed her brows, but you smiled when your eyes fell on him, not noticing the angry tone in his voice.

"hey" leslie smiled. "mattheo, is it?"

"sure" mattheo sat down on the bench next to pansy without so much as another word.

"so, luna" mattheo began.

"ehh, my name is leslie actually" the older boy corrected.

"whatever" mattheo rolled his eyes "nobody cares about that"

"i do" blaise quickly corrected, coming to a halt behind mattheo and outstretching his hand in leslie's direction "blaise zabini, big fan. what kind of book would you recommend to get girls?"

"i'm not sure i understand that question" leslie looked to you in confusion, but you just shook your head. "but, uh many girls like pride and prejudice by jane austen"

"ignore him" mattheo advised "you seem like you have everything in order, so i think it's the right time to ask what your intentions with y/n are"

"excuse me?" leslie asked stunned, while pansy snorted loudly. blaise nodded approvingly and you had your mouth and eyes wide open, not believing what you had just heard.

"well, young man" mattheo patted leslie's shoulder "we've all been your age once, so i don't think the question is too farfetched"

"i'm actually older than you" the ravenclaw looked to you helpingly "sorry, is he your brother or something?"

various different answers of no echoed around the table, followed by disgusted noises as pansy, mattheo, blaise and you answered the question at the same time.

"then why are you even asking that question?"

"well, lane" mattheo started, before he quickly added (successfully preventing someone to correct him) "y/n doesn't have a brother and her father is not here right now, so someone has to look out for her, right?"

"pretty sexist" pansy remarked "these aren't the 1800's, riddle"

mattheo shot pansy a quick glare before refocusing on leslie, determined to make his point. "look, i'm just trying to make sure you're treating her right," he stated, with an edge of jealousy in his voice.

leslie glanced at you, clearly bewildered. "i promise, y/n and i are just friends. we were talking about our shared interest in ancient runes."

"sure, just friends" blaise mumbled so only mattheo could hear.

"shared interest, huh?" mattheo leaned back, trying to appear nonchalant but failing miserably. "is that what you call it these days?"

you couldn't help but giggle at the absurdity of the situation. "mattheo, relax. leslie's just being friendly."

blaise, sensing the awkward tension, decided to stir the pot a bit more. "yeah, mattheo, maybe you should take some lessons from leslie on how to charm a girl with ancient runes. it's clearly working."

mattheo shot blaise a look that could melt steel. "blaise, could you stop being helpful for once?"

blaise, feigning innocence, raised his arms.

mattheo, deciding he had seen enough, concluded it was time to pull out the big guns. "so have you kissed yet? because i have done that. kissed y/n i mean, not kissed someone in general"

"matty!" you scolded, feeling embarassed by his behaviour.

"no, we haven't actually" leslie shook his head, uncomfortably looking between the people around him.

"well, we've done a lot of things" mattheo continued, easily slipping back into the familiar cockiness he normally wore with pride, even if you had hit his leg under the table more than a few times already. "you should ask her about her first time" he muttered, winking at the older boy.

pansy, who had been drinking, accidentally spit some of her pumpkin juice on her plate and blaise's mouth was wide open.

"mattheo" you shrieked, quickly stubbling onto your feet "could i talk to you for a second? alone"

"whatever you want, love" mattheo winked at leslie once again, before he followed you out of the hall.

"so about ancient runes"

outside of the great hall, mattheo was standing across from you, head down, while you were ripping him a new one.

"what has gotten into you, matty?" you asked when you had finished screaming at him.

"i'm sorry" mattheo said truthfully "i had this great plan of asking you out this morning, but seeing you with him made me so jealous and realize that it's probably too late anyway, but it's my own fault."

"what are you even talking about?" you asked confused.

"i mean you're obviously going on a second date, right?" mattheo asked "you very clearly said how charming and handsome and smart he was"

"that's true, he is all of those things"

"cool" mattheo nodded and you swore you could see a hint of sadness in his eyes "i'm happy for you then"

"yeah seems like it" you giggled, before you shook your head "well, matty you knows, leslie is amazing--"

"i've never heard anyone been complimented so much than i have heard him in the last twenty hours"

"let me finish" you smiled "he's really great, but i'm not interested in him like that"

"you're not?"

you shook your head "i think we could become good friends, but nothing more"

"but why were you sitting with him then?"

"well, he had a book he wanted to lend me" you shrugged "and i was actually on my way back to our table when you interrupted"

"oh"

"yeah, oh" you smiled "if i had known you would take all of this so harshly, i would've told you about me telling leslie i'm not interested yesterday"

"okay, that's embarrassing" mattheo admitted "i should've spoken to you in private, before i made such a scene"

"yeah, you should have" you nodded. "so, are you going to ask me out?"

mattheo grinned at you, before he grabbed your hip, pulling you closer with one fast gesture, connecting your lips.

you pulled him close by the hem of his shirt. your fingers curling into the fabric as you deepened the kiss. his hand slid from your hip to the small of your back, pressing you firmly against him. The world around you seemed to blur, the only thing that mattered was the feeling of his lips on yours, the warmth of his body against yours.

his other hand moved up to cradle your face, his thumb brushing gently across your cheek. the kiss was both passionate and tender, a perfect blend of his usual confidence and a softer side he reserved just for you. you could feel the intensity of his feelings, the months—years, even—of pent-up emotions pouring out in this single, breathtaking moment.

your heart pounded in your chest, and you could feel his racing too. it was as if all the teasing, all the uncertainty, had culminated in this moment. his lips were soft yet demanding, and you responded eagerly, your fingers now moving to tangle in his hair.

you both were breathless when you broke the kiss, heavy breathing quickly turning into laughing about how both of you had acted like idiots.

"we should get pansy and blaise and return to the others, right?" you asked and mattheo nodded eagerly.

"but you'll go out with me, yeah?"

"i think we're already past that" you joked, hinting at the years of longing gazes and physical affection between the both of you. "but sure"

you walked back into the hall holding hands, while blaise and pansy were already waiting for you.

"what happened to layla?" mattheo asked, trying to catch sight of the boy on the ravenclaw table.

"leslie—"

"—left, after blaise had gone a bit too far, asking for flirting advice"

"oh god" you hid your face in your hand "i can take you guys nowhere"

"well, you've got enough friends already, haven't you?" mattheo nudged your shoulder, as pansy's eyes fell on your connected hands.

"took you long enough" she smiled, before all of you walked into the direction of the slytherin table.

as you approached, the group noticed your intertwined hands. draco, theo, and enzo exchanged knowing glances.

"finally," theo remarked, leaning back in his seat. "i was starting to think you'd never figure it out“

draco smirked, lowering his newspaper. "i suppose this means i don’t have to pretend to be friendly to more people than absolutely necessary now"

"i think we're all just relieved we don’t have to hear more about leslie and his 'charms'" enzo grinned.

"speaking of which," draco said, looking at you and mattheo, "how did that go?"

"oh, you know“ you replied with a smirk "mattheo decided to mark his territory in the most subtle way possible“

"well, at least he's more direct than other people" theo almost giggled "i just have to imagine enzo recalling and telling holly anything he could remember from our flying classes"

"i'm sorry that i genuinely thought she wanted to know that"

"when these two can get it together, you'll get there too some day" pansy nudged enzo's shoulder and the boy send her a grateful smile.

"who needs enemies when you have friends like this" mattheo laughed with a roll of his eyes.

blaise chuckled, leaning back in his chair. " hey, at least we keep each other entertained"

enzo grinned, shooting a playful glare at blaise. "yeah, and who else would i have to embarrass myself in front of if not for you lot?"

draco raised an eyebrow at that "well, enzo, it's a good thing you have us to keep you humble“

theo nodded, a mischievous glint in his eyes. "exactly. otherwise, you might start thinking you're actually good at flying"

"now this is just unfair, you're telling me she was not only flirting, but lying too?" enzo exclaimed frustrated.

"you can't always have everything" blaise shrugged, taking a look at the vacant spot leslie had left at the ravenclaw table "at least that way there are still girls left for the rest of us"

"you do realize that y/n is not really left anymore, right?" theo ellbowed the other boy.

"well, y/n" blaise smirked "i'm sure mattheo has never even seen a copy of jane austens pride and prejudice, but guess who read it, you're right this lovely—"

"oh hell no" mattheo quickly shook his head, as he clasped a hand over blaise's mouth. "don't you even start, bethany"

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tofixtheshadows · 4 months

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Id love to hear ur interpretation and analysis on falin! She’s one of my favorite characters and and I was wondering what ur thoughts on her are

Man, I struggle to think of anything I could say about Falin that others have not already said. But she's one of my favorite things about Dungeon Meshi too.

So much of the story revolves around Falin, and she's not even there. Tumblr loves to talk about haunting the narrative, but Falin might be one of the best examples of it ever put to page. She's dead. She's alive. She's dead. She's alive. She's alive but she's missing, she's alive but she isn't herself. She's dead but she might wake. She's dead but she's frozen in ice. She's alive but she's sleepwalking. They chase her ghost and they chase her body all through the story.

I think what Kui does with her is fascinating. Not just as character with a personality we can analyze, but as an object in a narrative- that's why I say she's one of my favorite things about the story, because I also mean it in a mechanical sense. As a writer, Kui's really good at misdirection- that is, setting you up to believe or expect something about a character or a plot, and then turning that on its head. It's most apparent with Kabru, but it works really well with Falin too.

Because the precious little sister is a very well known character archetype, right? So is the gentle healer. The heart of the party. The white mage girl. The damsel in distress. The martyr.

And this isn't a Laura Palmer situation, where we find out that beneath her wholesome surface there's something dark and troubled. No, Falin truly is a kind and gentle person. That isn't where the misdirection leads (and that, too, I think, is another misdirection- it's not "Plot twist, she isn't as nice as you thought!", which would almost be too easy).

The misdirection here is more about structure than about character (but also, yeah- a little about character).

What I mean is, with these archetypes firmly in mind, along with a whole other host of fantasy genre expectations, I think anyone who goes into Dungeon Meshi un-spoiled probably expects Falin's rescue to be an endgame event; at least on a subconscious level, where you're not really thinking about it but in the back of your head you're already stretching out the story to place Falin firmly in the distance. Fire breathing dragon at the bottom of the dungeon is perfect final boss material, right? Slay the dragon. Rescue the princess.

And Falin is the perfect prize in the traditional old school fantasy that the concept of the titular dungeon is a send-up to. Blonde (white), soft-spoken, sweet-natured, beloved by everyone. An angelic figure.

Maybe that's why Ryoko Kui gave her white wings.

It is sort of jarring when chapter 23 rolls around and it's already time to fight the red dragon. And it takes a few chapters, but they succeed. And then Falin's impossible resurrection succeeds. But by then you guess that this is not going to be the story you expected it to be.

I want to point out that Falin spends a lot of time getting, well, babied, post-resurrection. Marcille washes her in the bath, despite Falin stating that she's capable of washing herself. Marcille schools her about her mana use despite Falin demonstrating that she is not hurting for mana, and brushes aside Falin's explanations. Both Marcille and Laios refuse to actually tell her what happened. Laios scruffs up her hair like she's a little kid and scolds her for something she can't remember doing. Marcille explicitly calls her a little kid when Falin tries to talk about how much she's grown.

Of course I'm not saying that Laios was wrong to act like a big brother, or that Marcille shouldn't be worried about taking care of her shell-shocked friend in the bath. But the framing of it clearly shows a Falin who is struggling to be heard.

If you'd like to address the big gay elephant in the room while we're here, I want to state for the record that- whether you read her as gay or not -I think Marcille is completely oblivious during this. Because Falin is her little friend from school. Her best friend, yes, but also the young tallman student she, in her infinite elven wisdom, had to mentor and look after. Marcille has not yet accepted that Falin is an adult now, nor has she accepted that she, herself, is only barely past teenagerhood developmentally and is not nearly as mature as she believes. Of course she'd scrub Falin in the bath and fuss over her.

Falin, meanwhile, seems more than aware of her own adult body and the inappropriate way Marcille is treating it.

The mana-sharing scene is, I think, Falin trying to get a little of her own back. How do you like it, Marcille?

And she tries again in bed.

Maybe she's wondering if their relationship will change now that they're grown ups. If Marcille prefers her as a little girl, or at least as a woman who lets herself be guided like one; if Marcille will react badly if Falin keeps trying to assert herself. She also might be subtly trying to signal to Marcille that bed sharing, like bathing, carries a different weight to it when you do it as adults rather than as children.

With all this in mind, the decision to turn Falin from the precious prize they rescued into to the vicious dragon they have to slay, hits a lot harder.

Falin with a powerful, monstrous, destructive body. Falin, who couldn't even stand to cause people pain from using healing spells, slaughtering half a dozen people in brutal ways. And that's not her, she's being mind-controlled, but as an object in the story she has completely flipped. From damsel to threat.

And I love that she carries a little bit of that with her when she's resurrected again.

Because she's no longer the girl who's going to let herself be stifled by her brother's and her best friend's co-dependency, no matter how much she loves them. She's different now: stronger, eyes open, forging her own path instead of following in their wake. Falin is still going to come back to them again, but this time it won't be because they chased her. It'll be because they let her go.

#Dungeon Meshi #Falin Touden #hiiii anon I hope you're still around #I'm sorry I didn't get to this last week but it was a bad brain time and I had to keep coming back to this #can I also apologize for the amount of tangents I nearly went off on here?#musings with Dea #dungeonposting #Dungeon Meshi spoilers #I had to rein myself in a lot because I could have taken like five other points here to expand on #Dea answers #Dea's anonymous friends

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jackkennedyofficial · 2 years

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based on a thought i had of henry and bb from five nights at fuckboy's going against each other. a moot of mine on twt talked how henry would have his ass kicked from bb absorbing the hatred from dsaf bb + legacy jack would come back to fight bb. n i think bb would beat his ass AGAIN.

#Doodleshift #Jack #i love being both a dayshift + fnafb fan. i love being so normal abt it #HENRY WOULD NEVER BE ABLE TO SOLO BB IDC!!!!!!! BB WILL ALWAYS SOLO #i forgot what his ultra form was called but bb's endgame form will triumph over voidwalker henry idc idc.#can you tell that i'm a huge fan of bb. especially fnafb.#he's my kid ^_^ (MAN WHO SMOKES WEED AND GETS BITCHES)

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flkwh0re · 6 days

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Guilty Pleasure

Warnings: Mommy kink, Degrading, Praising, Use of the word "slut”, Strap-on usage (R receiving), Overstimulation (Kinda), Dumbification, After care

Word Count: 1,562

Authors Note: You have to imagine pre-death, endgame Natasha for this because that's who I thought of. (totally not my girlfriend who's totally not the one that made me wanna write this.)

Your sex life with Natasha was very vanilla, sickeningly vanilla. Hours of fantasies of woman had curated in your head over the span of your relationship with her. You knew if you brought it up with her she wouldn't judge you at all for wanting to spice things up, but still something had stopped you time and time again, when it came to talking to her about the matter.

Today you determined to talk with her, you made her favorite meal, set the table oh so beautifully, dressed up, and then it led you to where you sat now. All dolled up at the dining table waiting for your wife to return home from a days work as an Avenger.

As thoughts of the woman filled your mind, they were interrupted by the sound of keys fumbling with the lock. "Sweetheart, I'm home!" Natasha shouted as she stepped through the door, her tone going softer as she noticed your presence at the table. "Well hello, sweet girl. What's all this?" She giggled.

"I made your favorite food Natty." You said cheerfully, as you stood to greet your wife with a kiss. "Did you murder someone?" She asked half jokingly. "No I only wanted to treat you." You lied. "That's very sweet of you dear, thank you." She placed a soft kiss on your lips, before walking off to take her shoes off.

"Let me go change into some comfier clothes, then I'll be right back." She said, earning a small nod of your head from you. You nervously made your way back to the table, sitting down, and making sure everything was perfect in the process.

"I'm back!" Nat walked in, a tight black shirt hugging her body perfectly, along with her grey sweatpants, causing you to lick your lips discreetly.

"Baby, this food is wonderful, but I have to ask... is there some special occasion I'm missing?" Natasha asked with the raise of her brow. "No, I actually just wanted to discuss something with you." Natasha's expression seemed to have a little worry, which you quickly shut that down.

"I've been thinking a lot recently, about you, us. I-" You paused for a moment, trying to find the words as to not seem so desperate even though you very much were. "I've been wanting to spice up our sex life recently. I know that sounds really stupid, because I love what you give me and I don't want to seem like I'm not satisfied with you, I just want to try new things." You rambled on before Natasha stopped you.

"Baby, that's it's not stupid. I've been thinking the same. Though I didn't have plans to make such a big amazing meal to ask." She joked, making you laugh. "Why don't we try tonight? Tell me what you want baby." Blush crept on your cheeks as you thought back to all the things you've thought about.

"Well, I've really wanted to try out that strap we bought, and I don't want to be gentle all the time. I want you to be rougher with me, and... I think I want to call you mommy." A small groan came from Natasha at your confession. "I also want you to use harsher names for me, degrading words."

Without saying a word, Natasha tore you from your seat and brought you to your room. She pushed you back onto the bed, her lips colliding with yours. Your tongue tangled with her, and your hands found place in her hair. "Are you sure you want this? I want you to feel comfortable with me." You nod, "Please Nat, I need this."

She smirked, "Is that what you call me?" Your expression was one of confusion, until you got what she meant. "Mommy.." Natasha smiled, "What a smart girl you are."

She removed herself from the spot on top of you, rummaging around for the strap she'd kept stored for so long. "Take off your clothes while I get this on, sweetheart." The name Nat had used on you many of times, now felt completely different.

Once your clothes were off you waited patiently at the edge of the bed for Natasha to attach the harness to her hips. "There we go, can you lay back for mommy, baby?" You scooted your body back as you laid down for her.

Her soft hands gripped your thighs spreading them apart. "God you're so wet, all this just from telling me about your fantasies. Why don't you tell me more pretty girl?" You felt embarrassed to admit something that you'd found a guilty pleasure in doing, but to be honest the embarrassment made you all the more excited.

"I like thinking about being on top of you, struggling to keep getting myself off on you without your help. Or having you tell me to keep taking you." Natasha tugged her lip between her teeth, concealing the moan she almost let escape, because of your confession.

"My god, who knew my wife was such a slut." She said, watching closely for your reaction to the word. Your face was a mix of shock and enjoyment, the whimper that came from you told her all she needed to know.

"Let mommy fuck this pretty, wet pussy." Her lips connected with yours, as the tip of the toy collided with your pussy. She slowly slipped it in you, as to not hurt you. Though it didn't really matter, you'd not be spared from her upcoming assault.

Small whimpers came from you as she stretched you out. "Mommy, it hurts." Your hands hastily gripped onto her shoulders, "Shh take it like a good girl, can you do that for mommy?" You nod.

Natasha's pace quickly fastened, her hips snapping against yours. You weren't sure how long you'd be able to hold your orgasm due to the pleasure you were feeling. "M-mommy, it feels s'good." Natasha smiled at your messy pronunciation of such simple words. "Keep that pretty little mouth shut, let me do all the work. Don't you think a thought unless it's about me."

After a while of your current acts, Natasha knew you were close. "Don't cum yet, hold it." You whined, "Mm I can't, feels s'good." Suddenly you were flipped to where you sat upon Natasha's lap, her hands resting on your hips.

"If you're gonna act like a needy little slut, you're gonna have to earn to cum like one." Your puzzled, disappointed eyes almost made Nat give in. "Cmon get to work."

Your weak legs tried their best to lift your body, trying your hardest to get your high. Natasha's lips came in contact with your neck, licking and sucking tender spots. leaving small purple blemishes on your skin.

Her tongue grazed your hardened nipples softly, before sucking harshly on the bud. Your nails dug into her shoulders, and your head lolled next to hers. Your lips parted next to her, small whimpers and gasp filled her ears.

"Cmon baby you can do better than this, can't you? Or are you such a dumbed down whore that you need mommy to take control, hm?" Her words honestly made you even more dumb, you couldn't even respond but just moan. "That's not an answer, if you want something you have to use your words baby."

After a bit, you were able to gather the strength to get more than just whimpers out. "Pl-please, mommy. I need you, can't cum without mommy." She smiled, "What a good girl you are! Now relax baby, let mommy take over." Her thrust up into you filled a much needed gap of pleasure, and your struggled finally paid off.

It didn't take much effort to finally get you to cum, and when you did it was like no orgasm before. You felt as if you were floating on clouds, and that you could reach out and grab the stars that blurred your vision.

Before you knew it, you were waking up to Natasha running a hot bath for you. "Hey sweetheart, how are you feeling?" She asked as she pushed your ruffled, sweaty hair off your forehead. "'M tired." You said honestly.

"Well let me get you all cleaned up, then we'll get you into bed." She said as she gently scooped you up and carried you to the warm bath, which consisted of Natasha washing your hair for you which you loved, her gently cleaning your sweat slicked body with a soft cloth and your favorite soap.

She helped hold you steady as she got you out of the tub, and got you fresh new pajamas on. "There we go sweetheart, now let's get you into bed."

She laid down, then pulled you into her arms. Wrapping them gently around your tired body, placing a soft kiss on your forehead. Your head shifted down to play upon her chest, the sound of her heart beat relaxing you even more.

"You did so good for me sweet girl." She whispered softly to you. "Thank you, mommy." She smiled at you still using the titled for her, which she was sure you weren't even aware you had used it, and you weren't.

Not before long, you had dozed off. Natasha gently rubbed your back as she watched, whatever she had playing on the tv. The acts of earlier replaying through her mind.

MASTERLIST

#natasha romanoff #natalia alianovna romanova #natasha romanoff x reader #natasha romanoff imagine #natasha romanoff smut #natasha romanoff fluff #natasha fanfic #natasha marvel #natasha romanov #natasha romanoff x reader smut #natasha romanoff x you #natasha x reader #natasha romonova #marvel fanfiction #marvel one shot #marvel smut #marvel fanfic

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felikatze · 10 months

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ISAT and Ludonarrative Harmony: Combat is a Storytelling Tool

Or: How Siffrin is stuck in the endgame grind, forever

Please Note: This is primarily aimed at an audience that already played In Stars and Time, because I am bad at explaining things, and it's good to already know what the fuck I'm talking about. I tend to only bring up game elements as I want to talk about them.

Spoilers for.... all of ISAT! Especially Act 5!

(image to show how i feel posting this and as an attention grabber over my wall of text)

To pull a definition of ludonarrative harmony out of a hat, game writer Lauryn Ash defines it as follows:

Ludonarrative harmony is when gameplay and story work together to create a meaningful and immersive experience. From a design implementation perspective, it is the synchronized interactions between in-game actions (mechanics) and in-world context (story).

It is, generally speaking, how well game mechanics work hand in hand with the story. I, personally, think ISAT is an absolute masterclass of it, so I want to take a look at how ISAT specifically uses its battle system to emphasize Siffrin's character arc and create organic story moments. I want you to keep this in mind when I talk here.

So, skills, right? If you've played any turn-based RPG, you know your Fire spells, your "BACKSLASH! AIRSLASH! BACKSLASH!" and the many ways to style those.

Well, what does casting "Fire" say about your character? Not all that much, does it? Perhaps you'll have typical divisions. The smart one is the mage, the big brawny one is your tank, the petite one's the healer. And that's the barebones of ISAT's main party, but it's much more than that.

Every character's style of combat tells you something about them. Odile, the Researcher, is the most well-travelled and knowledgable of the bunch. She's the one with the expertise to keep a cool head and analyze the enemy, yet also able to use all three of the Rock-Paper-Scissors craft types.

To reflect her analytical view of things, all her skill names are just descriptive, the closest to your most bog-standard RPG. "Slow IV" or "Paper III" serve well to describe their purpose. The high number of the skills gives the impression there were three other Slow skills beforehand - fitting, considering the party starts at level 45, about to head into the final dungeon. She's also the oldest, so she's the slowest of the bunch.

Isabea, the Fighter, has all his skills in exclamation points. "YOUR TURN!!!" "SO WEAK!!!" "SMASH!!!" they're straightforward, but excited. He's a purposefully cheerfull guy, so his skills revolve around cheering on his allies. He's absolutely pumped to be here, and you see that from his skill names alone.

Mirabelle, the Housemaiden, is an interesting case. She's by all means the true protagonist of this tale - She's the one "Chosen by the Change God," the only one who survived the King's first attack, the only one immune to his ability to freeze time, the only dual-craft type of the game - just a lot of things. And her skill names reflect that facade she puts on herself - she can do this, she can win! She has to believe it, or else she starts doubting. This is how you get "Jolly Round Rondo" and "Mega Sparkle Heal" or "Adorable Moving Cure." She's styled every bit a sailor scout shojo heroine, and her moveset replicates the naming conventions of "In the name of the moon, I'll punish you!"

Even Bonnie, the Kid, who can't be controlled in combat, has named craft skills. And they very much reflect that Bonnie is, well, a kid. "Wolf Speed Technique" or "Thousand Blows Technique" are very much the phrasings of a child who learned one complicated word and now wants to use it in everything to seem cooler than they are, which is none, because they're twelve.

Siffrin's skills are all puns.

You have an IMMEDIATE feel for personality here. Between "Knife to Meet You!" and "Too Cleaver by Half," you know Siffrin's the type to always crack a joke no matter the situation, slinging witticisms around to put Sonic the Hedgehog to shame. It's just such a clever way to establish character using a game mechanic as old as the entire history of RPGs.

This is only the baseline of the way the combat system feeds into the story, though.

The timeloop, of course, feeds into it. Siffrin is the only character who retains experience upon looping, whereas all other characters are reset to their base level and skills. And it sucks (affectionate).

You're extremely likely to battle more often the earlier in the game you are - after all, you need the experience (for now.) Every party member contributes, and Siffrin isn't all that strong on their own, since they focus on raw scissor type damage with the addition of one speed buff. (Of course it's a speed buff. They're a speedy fucker. Just look at him).

At first, the difference in level between Siffrin and the rest of the group is rather negligible. Just a level or two. Just a bit more speed and attack. And then Siffrin grows further and further apart. Siffrin keeps learning new skills. He gets a healing skill that doubles as an attack boost, taking away from both Mirabelle's and Isabeau's usefullness. He gets Craft skills of every type that even give you two jackpot points instead of one - thus obliterating Odile's niche. Siffrin turns into a one-person army capable of clearing most encounters all on their own.

Siffrin's combat progression is an exact mirror of story progression - as their experience inside the loops grows, they also grow further and further away from their party. The party seems... weaker, slower, clumsier. Always back at their starting point, just as all of their character arcs are reset each loop. Never advancing, always stagnant. And you have Siffrin as the comparison post right next to them.

I also want to point out here a change from Act 2 to Act 3 - Siffrin's battle portrait. He stops smiling.

Battles keep getting easier. This is true both for the reason that Siffrin keeps growing stronger even when all enemies stay the same, but also for the reason that you, the player, learn more about the battle system and the various encounters, until you've learned perfect boss clear strategies just from repetition. Have you ever watched a speedrunner play Pokemon? They've played this game so many times, they could do it blindfolded and sleeping. Your own knowledge and Siffrin's new strength work in tandem to trivialize the game's entire combat system as the game progresses.

(Is it still fun? Playing it over, and over, and over again? Is it?)

You and Siffrin are in sync, your experience making everything trivial.

As time goes on, Siffrin grows to care less and less about performing right for their party and more and more about going fast. A huge moment in his character is marked by the end of Act 3; because of story events I won't delve too deeply into, Siffrin has grown afraid of trying something new. And his options of escape are closing in. They need an answer, and they need it fast. He doesn't have the time or patience to dumb himself down, so you unlock one new skill.

It doesn't occur with level up, or with a quest, or anything at all. At the start of Act 4, it simply appears in Siffrin's Craft skills.

(Just attack.)

No pun. No joke. Just attack. Once you notice, the effect is immediate - here you have it, a clear sign of how jaded Siffrin has become, right at every encounter. And it's a damn good attack, too! The only available attack in the game that deals "massive" damage against all enemies. Because it doesn't add any jackpot points (at least, it's not supposed to), you set up a combo with everybody else, but Siffrin simply tears away at the enemy with wild abandon. Seperated from the rest of the party by the virtue of no longer needing to contribute to team attacks (most of the time. It's still useful if they do, though).

Once again, an aspect of the battle system enhances the degree of separation between Siffrin and the static characters of his play. You're incentivized to separate him, even.

Additionally, there are two more skills to learn. They're the only skills that replace previous skills. You only get them at extremely high levels, the latter of which I didn't even reach on both of my playthroughs.

The first, somewhere in the level 70 range, Rose Printed Glasses, a paper type craft skill, is replaced by Tear You Apart. It's still a pun about paper, but remarkedly more vicious.

The second is even more on the nose. At level 80, In A While, Rockodile!, a rock type craft skill, is replaced by the more powerful Rock Bottom.

I didn't get to level 80. If you do, you pretty much have to do it on purpose. You have to keep going much longer than necessary, as Siffrin is just done. And the last skill he learns is literally called Rock Bottom.

What do I even need to say, really.

Your party doesn't stay static forever, though.

By doing their hangout quests, side quests throughout the loops that result in Siffrin and the character having a heart to heart, all of them unlock what I'd call an "ultimate" skill. You know the type - the character achieved self-fulfillment, hit rank 10 on their confidant, maxed out their skill tree, and received a reward for their trouble.

These skills are massively useful. My favorite is Odile's - it makes one enemy weak to all Craft types for several turns, which basically allows you to invalidate the first and third boss, as well as just clown on the King, especially once Siffrin starts racking up damage.

But the thing is. In Act 3, when you first get them, yeah, they're useful. But... do you need them? After all, they're such a hassle to get. You need to do the whole character quest again, you can't loop forward in the House or you'll lose them. If you want to take these skills to the King, you need to commit. Go the full nine-yards and be nice to your friends and not die and not skip forward or skip back. Which is annoying, right?

Well, I sure did think so during Act 4. After all, a base level party can still defeat the King, just with a few more tricky pieces involved. Siffrin can oneshot almost all basic enemies by the time of Act 4. It's this exact evalutation that you, the player, go through everytime you return to Dormont. Do I want this skill, still? Would it not be faster to go on without it? I'm repeating myself, but that's the thing! That's what Siffrin is thinking, too!

I also want to take a quick moment to note, here - all skills gained from hangouts have art associated with them, which no other skills do. This feature, the nifty art, hammers home these as "special" skills, besides just how they're unlocked.

Siffrin also has one skill with associated art.

Yeah, you guessed it, it's (Just attack.)

At first, helping the characters is tied to a hefty in-game reward, but that reward loses its value, and in return devalues helping Siffrin's friends every loop. It's too tedious for a skill that'll make a boss go by one turn faster. You, the player, grow jaded with the battle system. Grinding experience isn't worth it, everybody's highest levels are already recorded. Fighting bosses isn't worth it, it's much faster to loop forward.

Isn't this what all endgame in video games looks like? You already beat the final boss, and now... what challenge is left? Is there a point to keep playing? Most games will have some post-game content. A superboss to test your skills against, but ISAT doesn't have any of that. You're forever left chasing to the post-game. That's the whole point - to escape the game.

As most games get more difficult as time passes, ISAT only gets easier. The game becomes disinterested in expanding its own mechanics just as I ran out of new things to fight after 100%-ing Kingdom Hearts 3. Every encounter becomes a simple game of "press button to win."

The final boss just takes that one up a notch.

Spoilers for Act 5 ahead boys!

In Act 5, Siffrin utterly loses it. His last possible hope for escape failed him, told him there's nothing she can do, and Siffrin is trapped for eternity. So of course, they go insane and run up the entire House without their party.

This just proves what you already knew - you dont need the party to proceed. Siffrin alone is strong enough. And here, Siffrin has entirely shed the facade of the jokester they used to be. Every single skill now follows the (Just attack.) naming conventions. Your skills are: (Paper.) (Rock.) (Scissors.) (Breathe.)

To the point. Not a moment wasted, because Siffrin can't take a moment longer of any of this. Additionally, his level is set to 99 and his equipment becomes fixed. You can't even pick up items anymore! Not that you needed them at this point anyway, right? Honestly, I never used any items besides the Salty Broth since Act 2, so I stopped picking items up a long time ago. Now you just literally can't.

Something I've not talked about until now - one of the main equipment types in this game are Memories, gained for completing subquests or specific interactions and events. They all by and large have little effects - make Odile's tonics heal more, or have Mirabelle cast a shield at the start of combat. For the hangout events, you also gain an associated memory that boosts the characters' stats by 30. It lets them keep up with Siffrin again! A fresh wind! Finally, your party members feel on par with you again!

...For a time. And just like that, they're irrelevant again, just as helping them gave Siffrin a brief moment of hope that the power of friendship could fix everything.

In Act 5, your memory is set to "Memory of Emptiness." It allows you to loop back in the middle of combat. You literally can't die anymore. Not that Siffrin could've died by this point in the first place, unless you forgot about the King's instant-kill attack. This one memory takes away the false pretense that combat ever had any stakes. Siffrin's level being set to 99 means even the scant exp you get is completely wasted on them. All stakes and benefits from combat have been removed. It has become utterly pointless.

Frustrating, right? It's an artistic frustration, though. It traps you right here in Siffrin's shoes, because he hates that all these blinding Sadnesses are still walking around just as much. It all inspires just a tiny fraction of that deep rolling anger Siffrin experiences here in the player.

And listen, it was cathartic, that one time Siffrin snapped and stabbed the tutorial Sadness, wasn't it? Because who enjoys sitting through the tutorial that often? Siffrin doesn't. I don't, either.

So, since combat is an useless obstacle now meant to inspire frustration, what do you do for a boss? You can't well make it a gameplay challenge now, no. The bosses of Act 5 are an emotional challenge: a painful wait.

First, Siffrin fights the King, alone. This is already nervewracking because of one factor - in every other run, you need Mirabelle's shield skill, or else you're scripted to die. You're actually forced to fight the King multiple times in Act 3, and have to do it at least once in Act 4, though you'll likely do it more. Point is: you know how this fight works.

You know Siffrin's fight is doomed from the outset, but all you can do is keep slinging attacks. Siffrin is enough of a powerhouse to take the King's HP down, what with the healing and buff skills they have now, not to even mention you can just go all in on damage and then loop back.

(And no matter which way you play it, whether you just loop or use strategically, it reflects on Siffrin, too. Has he grown callous enough not even death will stop their mission? Or does he still avoid pain, as much as he can?)

This fight still allows you the artifice of even that much choice, not that it matters. The other shoe drops eventually - Siffrin becomes slower, and slower. Unsettling, considering this game works on an Action Gauge system. You barely get turns anymore. The screen gets darker, and darker. Until Siffrin is frozen in time, just as you knew he had to be, because you know how this encounter works, know it can't be cleared without Mirabelle.

And, then, a void.

Siffrin awakens to nothingness. The only way to tell you've hit a wall is if Siffrin has no walking animation to match your button inputs. You walk, and walk, until you're approached by.... you. The next enemy encounter of the game, and Siffrin's absolute lowest point: Mal Du Pays.

Or, "Homesickness," in english. If you know the game, you know why it's named this, but that's not the point at the moment.

Thing is, where you could damage the King and are damaged in turn, giving you at least a proper combat experience, even if its doomed to fail, Mal Du Pays has no such thing.

You can attack. You can defend. But it is immune to all attacks. And in return, it does nothing. It's common, at least, for undefeatable enemies to be a "survive" challenge, but nope. The entire fight is "press button and wait." Except, remember the previous fight against the King? The entire time, you were waiting for the big instant death attack to drop. That feeling, at least for me, carried forward. I was incredibly on edge just waiting for the other shoe to drop. And, as is a pattern, Siffrin is, too. As Siffrin's attacks fail to connect, they start talking to Mal Du Pays.

But he gets no response, as you get no attacks to strategize around. The wait for anything to happen is utterly agonizing. You and Siffrin are both waiting for something to happen. This isn't a fight. It just pretends to be. It's an utter rugpull, because Siffrin was so undefeatable for most of Act 4 and all of Act 5 so far. It's kind of terrifying!

and it does. It finally does something. Ma Du Pays speaks, in the voice of Siffrin's friends, listing out their deepest fears. I think it's honestly fantastic. You're forced to just sit here and listen to Siffrin's deepest doubts, things you know the characters could not say because it references the timeloops they're all utterly unaware of. This is all Siffrin, talking to himself. And all you, all Siffrin, can do, is keep wailing away on the enemy to no effect whatsoever.

So of course this ends with Siffrin giving up. What else can you do?

And then Siffrin's friends show up and unfreeze them and it's all very cool yay. The pure narrative scenes aren't really the main focus but I want to point out here:

A) Mirabelle is in the first party slot here, referencing how she's the de facto protagonist, and Bonnie fills in the fourth slot left empty, which shows all characters uniting to save Siffrin

B) this is the only instance of the other party members having act specific battle icons: they're all smiling brightly, further pushed by the upbeat music

C) the reflecting shield Mirabelle uses to freeze the King uses a variation of her hangout skill cut in, marking it as her true "final" skill and giving the whole fight a more climatic feeling.

It's also a short gameplay sequence with Siffrin utterly uninvolved in the battle. You can't even see them onscreen. But... it feels warm, doesn't it? Everybody coming together. Siffrin doesn't have to fight anymore.

At last, the King is defeated. Siffrin and co. make for the Head Housemaiden, to have her look at Siffrin's sudden illness. Siffrin is utterly exhausted, famished, running a fever. And this isn't unexpected - after all, their skills in Act 5 had no cooldown. For context, instead of featuring any sort of MP system, all skills work on a cooldown basis, where a character can't use it for a certain number of turns. The lowest cooldown is actually Siffrin's Knife to Meet You, which has a cooldown of 1. In universe, this is reasoned as the characters needing a break from spamming craft in order to not exhaust themselves.

Siffrin's skills in Act 5 having no cooldown/being infinitely spammable isn't a sign of their strength - it's a sign that he refuses to let himself rest in order to rush through as fast as possible.

Moving on, Siffrin panics when seeing the Head Housemaiden, because seeing her means one thing: the end. Prior to this in the game, every single time you beat the King, the loop ends when you talk to the Head Housemaiden.

Reality breaks down, the whole shebang. It's here that Siffrin realizes - they don't want the loops to end, because the end of their journey means their family will leave, and he'll be alone again. The happiest time of his life will be over.

Siffrin goes totally ballistic, to say the least.

As it turns out (and was heavily foreshadowed narratively), Siffrin has been using Wish Craft to subconciously cause the timeloop because of their abandonment issues. It's rather predictable if you paid attention to literally anything, but it's extremely notable how heavily Siffrin is paralleled to the King, the antagonist they swore to kill by themself at the start of Act 5. The King wants to freeze Vaugarde in time because it is, in his mind, "perfect," for accepting him after he lost his home - a backstory he shares with Siffrin.

Siffrin has become the exact antagonist he swore to kill, and it's shown by how the next fight utterly flips everything on its head.

Siffrin is the final boss.

In a towering form made of stars, Siffrin looks down at their friends. His face is terrified, because of his internal conflict; he can't hurt his friends, but he can't let them go, either. The combat prompt is simply changed to "END IT!"

This fight is similar to the previous, in that you just need to wait a certain number of turns until its over. However, this time, it's not dreadful suspense. It's... confusion, and hesitance.

You have two options for combat: Attack your friends, or attack yourself.

And... you don't really want to do either, I think. I certainly don't. But what else can you do? It's Siffrin's desires clashing in full force. Attack your friends, and force them to stay? Or attack yourself, and let them go safely without you?

Worth noting, here - when you attack Siffrin's friends, you can't harm them. Isabeau will shield all attacks. And when you attack yourself, Mirabelle will heal you back to full. And the friends don't... do anything, either. How could they? Occasionally, Mirabelle heals you and Isabeau shouts words of motivation, but the main thing is...

(Your friends don't know what to do.)

None of them want to harm Siffrin. Both sides simply stare at each other, resolute in their conviction but unwilling to end it with violence. It's of note that this loop, the last one, is the only loop where the King isn't killed. Just frozen. And now here is Siffrin, clamoring for the same eternity the King was. Of course everything ends in a tearfilled conversation as Siffrin sees their friends won't leave him, even after the journey ends, but I still have to appreciate this moment.

Siffrin is directly put in the position with their friends as his enemies, forced to physically reckon that keeping them in this loop is an act of violence, against both their friends, and against himself.

It's a happy ending. But... what does it mean?

Of course, ISAT is obviously about the fear of change. Siffrin is afraid of the journey ending, and of being alone. However, ISAT is also a game about games. Siffrin is playing the same game, over and over, because it's comforting. It's familiar. It's nice, to know exactly what happens next. These characters might just be predictable lines of dialogue, but... they feel like friends. Have you ever played a game, loved it, put countless hours into it, but you never finished it? Because you just couldn't bear to see it end? For the characters to leave your life, for there to be a void in your heart where the game used to be?

After all, maybe it became part of your routine! You play the game every day, slowly chipping away at it for weeks at a time. For me, I beat ISAT in four days. It utterly consumed me during this time. I had 36 hours of playtime by the end. Yeah, in that week, I did not do much more than play ISAT.

And once i beat it, i beat it, again. I restarted the game to see the few scenes I missed, most specifically the secret boss I won't talk about here. I... couldn't let go of the game yet. I wanted to see every scrap I could. I still do. I'm writing this, in part because I still do. It's scary to let go.

Ever heard the joke term of "Postgame Depression?" It's when you just beat a game, and you're suddenly sad. Maybe because the ending affected you emotionally and you need to process the feelings it invoked, or you search for something that can now fill your time with it gone.

The game ends, for real this time, the last time you talk to the Head Housemaiden. But Siffrin gets... scared. What if everything loops back again? And so, his family offers to hold his hand. They face the end, together.

For all loops, including the ending, you never see what happens after. After they leave the loop for good. Because the loop is the game itself. It's asking you to trust that life goes on for these characters, and it holds your hand as it asks you to let go. There's a reason for Siffrin's theater metaphors. He is the actor, and the director, asking everyone to do it over one more time. He's a character within the game, and its player.

There's a reason I talked about endgame content. This, the way it all repeats, there's nothing new, difficulty and stakes bleed away as you snap the game over your knee - it's my copy of White 2 with two hundred hours in it. It's me playing Fire Emblem Awakening in under 3 hours while skipping every cutscene. Are you playing for the sake of play, for the sake of indulging in your memories, because you're afraid of the hole it'll leave when you stop?

Of note: the narrative never condemns Siffrin for unwittingly causing their own suffering. He's a victim of circumstance. It's seen as endearing, even, that Siffrin loves their friends to the point of rather seeing the world destroyed than them gone. But Siffrin is also told: we'll stay with you for now, but we'll part ways eventually. And one day, you'll have to be okay with it.

Stop draining the things you love of every ounce of enjoyment just because you're afraid of what happens next. I'm not saying to never play your favorite games again. Playing ISAT a second time, I still had a lot of fun! I saw so many new things I didn't before, and I enjoyed myself immensely, reading the same dialogue over and over. But... it makes me look at other games I love and still play, and makes me ask... is this still fun? Do I still need to play this game to enjoy it? Even writing this is an afterimage of my enjoyment, but it's a new way to interact with the game, to analyze it through this lens. Fuck, man, I write fanfiction. Look at me.

All of this, fanart, fanfic, analysis, is a way to prolong that enjoyment without making yourself suffer for it. Without just going through the motions of enjoyment without actually experiencing any. But one day, the thing you love won't be fun to talk and write and draw about. And it's okay. You'll have new things to love. I promise.

In the end.... I'm certain I'll replay ISAT one day. Between great writing, art, puzzles and unresolved mysteries, it's my shoe-in for game of the year.

But I won't replay it for quite some time. I've had enough, for now, so I let my love take other forms.

Siffrin is never condemned, because love is no evil. Be it love for another person, or for a game. And please, if you're overempathetic - it's still a game, at the end of the day. The great thing about games is that you can always boot them up again, no matter how long its been.

A circle within a circle indeed.

To summarize:

The repetitiveness of ISAT's combat, lack of new enemies, and Siffrin's ever increasing strength eventually allows you to snap the combat over your knee, rendering it irrelevant and boring. Though this may seem counterproductive at first, it perfectly mirrors how Siffrin has also grown bored with these repeated encounters and views them only as an obstacle to get past. The reflection of Siffrin's own tiredness with the player's annoyance increases the compassion the player has for Siffrin as a character.

Additionally, the endgame state of the combat system serves as commentary on the state of a favorite game played too often, much like how Siffrin has unwittingly trapped themself in the loop. Despite the game having no more challenge or content left to over, a player might return to their favorite game anyway, solely to try and recreate the early experience of actually having fun with it. This ties into ISAT's metanarrative about the fear of change and refusal to let go of comfort even when the object (here, your favorite video game) offering that comfort has become utterly bereft of any substance to actually engage with. Playing for the sake of playing, with no actual investment to keep going besides your own memories.

Later on, stripping away even the pretense of strategy for a "press button and wait" format of final bosses highlights the lack of options at Siffrin's disposal and truly forces the player into their shoes. Truly, the only way to win is to stop playing.

#feli speaks #in stars and time #isat #isat spoilers #lays down on floor. it's done. it's done #i actually narrowed down in scope to just focus on the combat by the way. and this is like. several thousand words

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sommerbueckers · 2 months

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paige bueckers x r being drew’s babysitter!!

THIS HAS BEEN SITTING IN MY DRAFTS FOR SO FKN LONG CUS I WASNT SURE IF I LIKED THE WAY IT FLOWED OR NOT.

Part two here !!

I typed away on my computer as I tried to finish up the last of my homework. Drew was sprawled out beside me on the couch with his eyes glued to the tv, he had been silently watching Avengers: Endgame for the last hour and had promised to be quiet if I let him stay up an extra thirty minutes. I often had a hard time saying no to the kid, who wouldn't after seeing a smile as bright as his?

The ringing from my phone had been drowned out by the noise coming from the tv, and if it hadn't been more the constant vibrating I would've missed it. Answering the call, I told Drew I'd be back shortly before disappearing into the kitchen.

"Hello," I spoke into the phone.

"Hey peach, how's it going over there?" my mom questioned.

"It's going good, he's watching a movie right now," I said.

"How long are you going to be? Your grandmother is here and..." her voice trailed off for a moment and I could hear her shuffling around, "she's driving me crazy."

I snorted, "Maybe around an hour or so, I have to put Drew to bed and then wait for the parents to come back."

"Okay-" her voice was cut off by my grandmother's.

"Hi baby!" she exclaimed.

"Hi Nana," I smiled to myself.

"When are you coming back from that job of yours?" she asked.

"Soon."

"Well hurry, your mother is in a bad mood and it's getting me all frustrated and such," she groaned.

"Yeah, she tends to get like that, always complaining," I laughed.

I narrowed my eyes at the pair of headlights that begun to shine through the house. I poked my head out from the kitchen to see Drew looking at the window from his place on the couch. His parents weren't supposed to be back for another hour and they hadn't called to let me know about an early arrival.

I pulled my phone from my ear to check my notifications, and when I didn't find anything new, I slowly made my way toward the front windows. Exiting the back of a black SUV was Paige, Drew's older sister. She had a wide smile spread across her face as she shut the door, shaking her head. She stood there for a moment as she talked with whoever was sitting in the front seats of the car, and I felt Drew come up beside me to see out as well.

"It's Paigey!" he shouted happily, looking at me.

I nodded my head and watched him walk over to the door to unlock it. My grandma's voice on the other end of the phone pulled me back into conversation.

"You there hon?" she asked quizzically.

"Yeah, i'm here nana but I have to go," I told her.

"Aw, that's alright. I'll see you soon, right?"

"Yeah, i'll be home in a bit."

"Okay then, bye-bye," she said.

"Bye," I responded, slipping the phone into the pocket of my sweats.

Drew stood smiling with the door open as Paige made her way up the stairs and into the house. She picked him up into her arms and shut the door, locking it behind her.

"What's up dude, you miss me?" she asked.

"Yeah," he nodded honestly.

Paige laughed before setting him down, "Whatchu been doin?"

"Me and Bee made cookies and we made tiktoks, and then she let me stay up past my bedtime!" he told her, grinning from ear to ear.

"I see that," she glanced at me for a moment and a wave of nervousness washed over me.

She didn't seem upset at the fact that I had let Drew stay up, but he had a bedtime for a reason and maybe I should've just followed it. This was my third time babysitting for the family and Drew and I had gotten pretty comfortable with each other, I just wanted him to have a little fun.

By now, the credits for the movie had begun to roll and I pretended to be fascinated with all the stars that had been in it. I heard Paige tell Drew to go upstairs and get ready for bed, and when his little figure disappeared on the second floor, she proceeded into the kitchen. I bit my lip as I followed after her, nervously playing with my nails.

"He promised he'd go to bed without a fight if I let him finish the movie, I didn't see the harm in it," I admitted, leaning against the wall.

"Nah you're good, he usually only gets to stay up when he's with me so he definitely didn't mind," she laughed.

I breathed out a sigh of relief, "Good."

She pulled a pack of Oreos out of the cabinet and set them on the counter, ripping them open and eating straight from the pack. Her eyes zeroed in on my shirt and she was silent for a moment before she said, "What position?"

"What?" I furrowed my eyebrows as my mind immediately thought about sex, but that couldn't have been right.

She then smirked and gestured to my shirt, "Your shirt says Wayzata volleyball, what position do you play?"

I peered down at my shirt and mentally slapped myself for being so horny, "Oh, right, uhm i'm a setter."

"That's the one who does the thing with the hands right?" she asked, putting her hands above her head and pushing her fingertips up.

I laughed lightly, "Yeah."

She cockily brushed off her shoulder, "Yeah, I know my stuff."

"I see that."

"I think I've seen you play before, I was only there for like half of a game but it was pretty cool," Paige revealed, shoving another Oreo into her mouth.

"Hm," I hummed, "i saw you play once or twice last year."

Paige smirked and began to make her way to the other side of the counter where I was standing, "You mean the games against your school where we kicked your asses?"

"Well I wouldn't say all that, but yes."

Paige extended the Oreos out to me, "How would you put it?"

I gently took a few and thought about my answer, "You caught them on a bad day."

"Oh yeah?" Paige raised an eyebrow.

"Mhm."

"Both times?"

"Both times."

"Interesting take, I guess we'll have to see Tuesday night," she shrugged, a smirk crossing her face. "You gonna be there?"

"Probably not, I'll just ask somebody how it went," I said.

"Ah nah, you gotta be there," Paige smiled as she shook her head.

"Why?" I frowned, but couldn't stop the smile that broke through.

Paige stepped closer, "Because I wanna point at you when the game ends and we're up twenty."

"You are so cocky," I laughed.

The blonde held her hands up in defense, laughing along with me. A silence washed over us but I could still feel her eyes on me. We stared at each other for a moment, but just as she went to say something, Drew came running into the kitchen. He had changed out of his jeans and long sleeve and now wore a pair of dinosaur pajamas. He looked between the two of us as he said, "I'm ready for bed now."

"Are you sure you're ready?" Paige asked.

"Yeah," Drew responded.

"Hm, are you positive you're ready?"

"Yeah!"

"Okay, let's go," Paige said, stooping down so Drew could get on her back.

I followed the two of them upstairs and into Drew's room. Paige set him down and pulled the covers over him, "You got to stay up tonight so you better go to sleep," she gently pushed his forehead back.

He laughed lightly, "I will."

"Mhm, goodnight bro," Paige ruffled the boy's curls before she stood up and looked at me.

I smiled at her and turned to Drew, "Sleep tight dude."

I switched the lamp off and joined Paige in the hallway, softly closing Drew's bedroom door behind me. The lighting in the hallway was dim, the only sources being the lights downstairs and the one coming from Paige's room across the hall. We stood there quietly for a moment, her leaning against the wall with her arms crossed while I awkwardly shoved my hands into my pockets.

The longer I stared at her, the more I began to notice how attractive she was. She was tall and slender and happened to check every box when it came to my physical type in girls. Her head rested back on the wall as she watched me watch her with the cockiest expression on her face. When my eyes finally met hers, I felt embarrassed for how long I had been staring at her, but she didn't seem phased.

Did Paige like girls?

"My dad and stepmom aren't gonna be back for a minute," the blonde stated in a low voice.

I nodded, "I know."

She pushed herself off the wall and gestured to her room, "You can come in here if you want, give you a taste of what i'm bringing to the court Tuesday."

I raised my eyebrows, "Let's see then."

Paige pushed her door open wider and allowed me to step in first. It was pretty plain as far as decoration went, there were purple bedsheets and a few posters on the wall but nothing major. Her playstation sat on the dresser beside her tv and there were a few water bottles scattered around, but nonetheless it was clean.

I sat on the edge of the bed and Paige flipped the light on and grabbed the remote to the tv.

"You play 2k?" she asked.

"No, I don't really play anything other than GTA," I laughed.

"Rookie ass game," she joked, shaking her head.

She turned on the playstation and grabbed two controllers from a drawer, handing me one. "What's this for?"

"I'm in the mood to sweep, what team do you wanna play for?" she asked when the game screen popped up.

I frowned, "That's not fair, I don't even know how to play!"

"Fine," she sighed, "I'll teach you how to play...and then I'll sweep you."

"That was not fun at all," I sighed out, setting the controller down beside me.

Paige and I had been playing for thirty minutes, and out of all the games that we had started and finished, I had won none.

The blonde turned to me with a cheeky smile on her face, simply shrugging her shoulders. She laid back on the bed and put her hands over her face. As hard as I fought myself on not letting my eyes wander, self-restraint was a trait I didn't posses.

Her shirt was pulled up at the bottom, flashing a bit of her stomach. I watched her chest rise and fall under her shirt, and I wondered what color bra she was wearing. I wondered if I had the guts to be as bold as my alter ego was, would she let me find out?

I could feel my face growing hot the longer my mind ran wild, and I quickly turned my attention back to the tv.

"What do you wanna do now?" Paige asked quietly.

"I don't know..." I answered.

After shifting herself so that we were closer, thighs touching and all, Paige sat up.

"Me neither."

She said nothing as she stared at me in the darkness with the light from the recently ended 2k game illuminating our faces. It reminded me of the stare I gave girls across the net when the score was close in the second set, my eyes filled with nothing but determination. Only Paige's stare was filled with something else, something darker.

I could've been psyching myself out, you can only read so much Tumblr before it starts to affect your way of thinking, but my gut told me I wasn't. More rationally, the way her eyes were switching between my eyes and my lips told me I wasn't.

I have so much homework to finish.

Her parents would be home soon.

Drew was sleeping right across the hall.

I don't even know her.

"Do you wanna do something?" Paige asked me.

"Yeah, sure," I nodded, clearing my throat.

I waited for Paige to stand, to turn to another video game or perhaps find a movie that we could both watch. Instead, she stayed seated in her place next to me, eyes fixed on me. It was then and only then that I realized what she meant by 'something.' At least what I hoped thought she meant.

"Are we going to do something or what?" I...challenged?

Paige laughed and leaned closer, "Only if you want to."

"I'm still sitting here aren't I?"

___________________________________________________________

#paige bueckers x reader #paige bueckers #wlw post #gay as fuck #smut #paige buckets #sommer bueckers #request #reqs open

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