#who was quite literally a martyr

[luneinary]

cannot overstate it enough that kaede and kaito are foils of one another and therefore are the most stubborn , one-track-minded people you will ever meet in your life . Kaede is definitely more self aware about this than kaito is and maybe knows how to reign in her emotions better if only by a small margin . The two of them will agree on pretty much everything but when they butt heads , they butt heads , and will argue and argue until they're blue in the face about something that probably isn't a very big deal anyway .

Anyway I just find it funny how the two people Shuichi cared about the most were the most headstrong people he's ever known . Yeah Kaede didn't punch him and drag him out for nightly training sessions , but their dual stubbornness is what drove him to action every single time . Shuichi didn't exactly have that kind of tenacity (not in the beginning anyway) so he obviously works best with that kind of dynamic

[widevibratobitch]

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[spacelazarwolf]

i’m sure this’ll get me some fun death threats but fuck it. do y’all understand how deeply disturbing it has been to watch non palestinian gentiles worship aaron bushnell? make fan art of him? call him a martyr? do y’all realize how terrifying it is to know that y’all will literally set yourselves on fucking fire out of some warped sense of guilt rather than confront the ways in which you are actually complicit? i have been trying to have conversations for years with non palestinian gentiles abt how fighting antisemitism and making the diaspora safe for jews, especially in places like the us, is not just effective in combating political zionism but necessary, however every time i try to have these conversations i experience anything from antisemitic mockery to death threats and doxing. so to watch y’all glorify a man who was deep into antisemitic conspiracy theories, whose actions did nothing to actually facilitate palestinian liberation, feels like a slap in the fucking face. to know y’all would quite literally rather die than combat antisemitism? “hopeless” does not even begin to describe how it makes me feel.

[funkopersonal]

Im quite literally so done with this shit. i keep on going back and forth between hiding all the i/p related tags, but then I realize that its seeped EVERYWHERE. It's in the motherhood tag, and jewish history tag, and everything else. I can't fucking escape it. I opened tiktok yesterday to see one of my favorite characters (iron man) weaponized to support the one group that wants to see me dead, the user saying that iron man would support palestine, and be an antizionist because he "spoke out against the public" and he wasn't like the sheep. It frustrates me to no end this horrible cycle of fucking misinformation that exists.

As a Gen Z, I simply do not understand how its reached this point? I can't even write all my feelings and information about how shitty this is in a single sitting because 1) it'd be too long and 2) my joints wont let me write that long. But how did it reach this point?

How did it reach the point where jewish/isreali stores are fucking marked to notify the public. Their windows are being broken and the stores are being robbed. How did it reach the point where jewish students on some campuses are told to stay home? how they're harassed out of specific areas, and campuses have been made unsafe? How did it reach the point that people literally have written "I ♡ Houthis & Hamas" and "no mercy for Jews."? How did it reach the point that there are nazi symbols, and hanging deadmans, and communist symbols being drawn on college campuses? How is it possible that students are calling for the end of jewish student unions and hillel international on campus? that'd be like calling for the end of the fucking muslim student organization, or disbanding an african-american affinity group. Which would never be acceptable, but apparently its fine when its jews.

I'm sick and tired of all the horrible conditions of palestenian cities being blamed on israel. Palestine is its own country. They had their own government until they elected Hamas to lead them. Hamas, who diverted all their funds to the military. Hamas, who uses hospitals and public spaces as their bases. Hamas, who built miitary tunnels under cities so that when they're invaded, the cities will collapse on itself. Hamas, who steals all humanitarian aid from its citizens. Hamas, who controls palestenian media and teaches hatred to its children. Hamas, who wants their citizens to become martyrs for their country, to die for their goal. Hamas, whose number one goal is to eradicate all jews. Hamas, who denies the existence of the holocaust. Hamas, who enlists children as soldiers and suicide bombers. Hamas, who has has never expressed an interest in a 2 state solution.

Is this the organization you consider freedom fighters? because i dont think they should ever, in any context, be called that. Hamas is nothing but terrorists.

Yes, the deaths and treatment of palestenian citizens is horrible. but no, this is not a genocide. Israel is trying to rid them of Hamas, because quite literally, no country should ever be forced to live in "harmony" with a terrorist group. Especially one who denies their existence and actively wants to kill them all. Israel has been letting palestenians get jobs in the country, has let palestine use their resources and water, all for years. They've let hamas continously bomb them, they've gotten used to a life of bomb shelters in every residence. Hamas has done nothing but crippled their country's own economy and society.

None of the surrounding coutnries want to let in palestenians, or live with palestenians. Egypt wants to annex Gaza, and Jordan wants the West Bank. In fact, they did own that land for a part of history! Yet Israel has let palestenians govern themselves for years, even when Hamas originally came into power, they didn't interfere. Not until they were provoked.

Yes, Israel has flaws. But welcome to the fucking real world, princess. Every country has flaws. Even America, you dipshits. This is not a little fandom for you to play sides on. its not some fictional world that has a black and white solution. Yes theres going to be deaths, just like in any other WAR. But you really can't call for the destruction of a country on the basis that they're trying to make sure they're allowed to stay a country? Because guess what honey bunchkins? "from the river to the sea" really doesn't mean what you think it does. It just means that you want to kill all jews, or at best, forcefully remove them and scatter them around the middle east. (to countries that have killed them in swaths in the past. To countries that have emprisoned jews for helping others escape. To countries that avidly hate jews and want them dead). I don't understand how that would mean peace in any way shape or form?

Not only that, but half of "protestors" and "activists" for palestine, haven't even done basic research. They dont know what river or sea theyre talking about. They dont know that "palestine" was not a palestenian state in 1948, but it was instead a BRITISH MANDATE, that was NOT fully occupied by palestenians. In fact, "palestenians" weren't a thing. Palestenians are just muslims and arabs from countries like syria, who lived alongside jews and christians in the same land (which was largely uninhabited for the most part). Yeah, you heard me right.

Honestly my thoughts on this issue are so scattered its so hard to make a solid points when I can just keep on going forever.

Fact is, Israel deserves to be a country. No one should be supporting Hamas. Everyone should be supporting the eradication of Hamas (and I mean Hamas not palestenian citizens). I don't get how these are debated, and seriously don't understand how citizens of america are so quick to support a terrorist group, to resort to antisemitism.

Im so done with this all. I cant believe we have to tell you gentiles that stoning a 13-year old kid for being jewish is horrible. That throwing a brick through an israeli-owned cafe in New York is horrible. That students not being able to be on campuses because of their religion or ethnicity is horrible.

This has to end.

Do your research, or don't speak (and terrorist-controlled propoganda channels don't count).

[darlingofvalyria]

❝I am the Heir's Wife. I bore the Heir his lineage. I will not be swept aside.❞

[ The Prince Jacaerys Velaryon should have known his wife better— or at least, her ire, for when his trysts with the bastard Snow reached the Spiders and soon, the ears of his Princess Consort, rage and war drummed for Winterfell, demanding heads.

—Maestre Kevan, Volume IV of The Bastard Eater, passage chapter under 'The Flame that Sung for the North'. ]

[ +18 MDNI ] [ 10,062 ] [ series masterlist ] | jacaerys velaryon x targaryen aunt!reader (aegon's twin sister), one-sided aegon ii x reader, jace x sara snow

contains— canon divergence - manipulative reader, targcest, smut, angst - post-vizzy t death, rhaenyra is queen - mentions of children, pregnancy, childbirth - allusions to infidelity & character death(s) - targaryen madness, revenge, domestic violence (not jace), unhinge behaviour, intense use of 'bastard', profanity, gaslighting, guilt-tripping - this is basically gone girl, you gone girl jace - dark fic - mentions of depression (aegon ii), allusions to suicide (not reader) - nsfw: oral (f receiving), breeding kink, creampie - no kings, no martyrs, no betas.

a/n— i didn't think i was going to do the sara snow thing, but herewe are. also i just wanted an excuse to go absolutely ape shit. reader gets very intense, like thoroughly unhinged. this is literally me supporting women's wrongs. it is also quite insane that this reached 10k and it's still just the first part lmaooo + comment, reblog & like at will!

"THAT FUCKING BASTARD! THAT GODSDAMNED, WHORE-FUCKING STRONG HALF BREED!"

Your shrieks echo stone and shadow, interrupted only by the things you pick up and hurl. Anything your hands grab, you throw and spit obscenities against, rage and tears ruin your pretty visage. The fury swept past your cherub features, a dragon breaking through the Hightower seams, upending fire and roar from the pits of your being.

"HOW DARE HE?! I GAVE HIM AN HEIR! I BROUGHT HIM PEACE! I BETRAYED—" you roar, pulling your pearl dagger— a gift from your Strong Bastard of a Husband — and throwing it to your vanity mirror, glass shards exploding. "— MY KIN!"

"DAUGHTER, PLEASE!"

Arms wound across your torso—hardened and chain-mail — as you fight against your bounds before a pain flashes to your cheek. Your rage quiets, hard breaths from your lungs. You turn your tear-stained anger to your mother and her palm, fright and terror on her regale visage.

Death of a spouse becomes the Queen Dowager in her pale blue robe and unbound spirals of auburn hair. Peace had begotten a realm that is balanced on the lineage you had produced for the Queen, her heir, and your own, as the new Princess of Dragonstone. With Otto Hightower for evermore banished to Oldtown, Kings Landing had been brought to a flowering kindness.

Queen Rhaenyra's ascension had been a wondrous affair, fit the for the first crowned Queen of the Seven Kingdoms. Not a Queen Consort, not a Queen Regent. An heir who rose for the crown always meant to be hers.

But the calamity that brewed in her ascension... no. You paved the peace. T'was you who wrangled the Great Houses that proved allyship to your twin brother's banner, you who blessed her with tranquility of a rule that will be known for ages that will precede you all.

And now her son... her son dared to destroy everything.

A conversation floats above your head, by your Queen Mother and her sworn shield, the Ser Cole, but you barely hear anything past the ringing in your head.

The Targaryen Madness the sheep so call it, an idle voice, faint and familiar, whispers in the niches of your brain. It has infected you so. It breathes, fuelled by the air wrought by your husband's betrayal. It sings, sweet love. It sings.

"—your grace, I urge to hold her—"

"—she is my daughter, Ser Cole, I am not in danger. Release her."

Justice, the voice shrieks? Screams? But it is so soft in your head, a wail of a memory, a woman or a man? must be had. No dragon falls in such disgrace.

The tight wound over your torso is unleashed but the knight is not far, tensed to cage you, when your mother grasps your elbows as you grab hers, nails digging into the thick fabric of her hem that she still winces, your grip steel-tight.

"My darling, please. I cannot help you if you do not speak what ails you." She brushes her hand desperately across your face, smearing your tears, trying to find the daughter she bore past the savagery and madness that beholds you now. "What has happened?"

You draw a tightened, harsh breath to your lungs, rattling your bones that you quiver in your attempt for sanity.

"I am being shamed, mother," you whisper. Stark, violet eyes meeting the worried round, brown of hers. "The Strong bastard is whoring himself to another, a Northern bastard."

A cackle falls your lips as alarmed gazes are exchanged above your head.

"Y-You cannot say such things aloud, sweet girl," your mother hushes your madness, pulling you close to her chest as she shoots a glance at the door.

Criston checks outside, but only your maids linger. Dyanna presses a finger against her lips, catching the knight's eye, and the rest scatter, surely to make sure that no one that need not know of their mistress' words is within reach. A shiver still runs his spine. He will never get used to the quiet, almost non-verbal way your connection worked and reached. Your Spiders weave webs all around, even as their mistress sunders with rage.

"Mayhaps you are mistaken, for sure the prince is loyal, and he adores you—"

You pull back against her, teeth bared. She flinches and Ser Cole steps forward, wary. "It is the third missive now that I have received. Did you think I would not have confirmed twice— thrice? I didn't believe it the first time! But three people have now confirmed that all this time, in the guise of rallying his mother's cause in the North, he is spending ample time with the Lord Stark's bastard sister. His bastard fucking sister!"

Your mother's horror catches that of Ser Criston's, but your fury is your own, you are a dragon trapped in the ruin of your own making, of the webs you had spun so cleverly to get to this point, and you cannot stop.

"I am the Heir's Wife. I bore the Heir his lineage, my blood spilled the birthing bed for it." A cry leaves your lips as your grief and rage pools like ichor from your chest to the floor. Alicent is torn away from you— your nails had gone through her robe and she had cried in pain, a mimick of your own, a mother to a daughter to a mother to a daughter, a cycle, an Ouroboros — and you fall to the floor, grasping at your chest.

"I will not be swept aside. I will not be ignored."

A gasp falls from your lips as your mind moves to a quiet, still place. The tremble fades, your rage and grief whirls, collects, as you push it all back inside your chest.

Your madness must be sharpened for it be used as a sword.

And you cannot let him be happy in another's arms.

If you cannot drag them to the Hells, sweet dragon, the idle voice hums, hisses? Screeches. Your ancestors— all of those who have succumbed to dreamy madness — appears in the corners of your vision like soldiers. Awaiting for you to join them. Awaiting the blood that you will spill.

Then you must raise the Hells unto Winterfell.

"...my daughter?" Alicent calls, hesitant. Cole hovers but does not approach, standing guard in protection of the Dowager. It breaks her heart to see you this way, a young woman still, much older than she was when she married but only because you had always sought your future. You had always had a hardened scale, far stronger than she.

Even when you made your entrance to the world— the unmeasurable pain of bringing not one, but two heirs into the world, her firstborns, all at once — you had never cried. The maestres, maids, they worried for you, as your twin brother had not stopped crying, so alive and red, raw from the wound of being fresh.

But you... you had not made a sound.

The entire weight of your being— your mind, your emotions — even then, you wrangled them close to your very centre, never letting them stray too far from the edges of your fingertips. As if any release must be made with a perused thought. An incentive of reason.

Even then, you plotted every step you took.

Now, Alicent watches as her firstborn daughter suctions all her emotions— that Targaryen madness that plagued the blood of her husband, his ancestors — and made her ploy.

Against the husband that dared make a fool of her.

The silence beckons nightmare. Old fear flickers inside the Queen Dowager.

"Where are my daughters?"

"What?"

"My daughters," you repeat, a hair's breadth louder than the first time you spoke. Your eyes flutter upward. The deadened gaze curled Alicent's heart in fear. "Where are they?"

"In the nursery, with the twins and Maelor. Helaena and Aegon are watching them."

You offer your hand up mutely, and Cole exchanges one last, lingering look with the Dowager, before offering his own. You stand up, thank him softly, and brush and clean up your face to the best of your ability. An utter calmness over your visage.

"Tell no one of what I had told you," you say, fixing your hair and rubbing the red from your cheeks. One minute there is madness, the next there is nothing. There is only a girl. A woman. A princess. "No one knows apart the three of us, and if you ever decide, Ser Criston, that nigh is the glorious time for you to betray my mother or I, know that the last thing thing oyu will fear is the Stranger's hand when I am through with you."

Your mother shouts your name, horrified. "What are you thinking? What are you plotting?"

You cup Alicent's face, smiling ever sweet. "Your innocence will keep you safe, mother. All I ask, for the heart you keep for your children, that you keep this between sealed lips and tilted chin. You know nothing, yes?"

"... Yes. Nothing."

You place a tender kiss on your mother's head. "Keep Daenera and Aemma safe for me. Aegon and I are flying to Dragonstone promptly. Sweet Helaena does ever so get overwhelmed by watching all of the children by herself."

"D-Dragonstone?"

Your sweet smile touched with poison, stretches. "It is high time I take a dragon for myself, don't you think so?"

While an insecure obsession had fraught your younger brother about claiming a dragon, you had met it with indifference.

For how can you not mourn the loss of Aemond's sight, staring in quiet horror the entire time as the maestre did his best to salvage the muck mess of blood and nerve endings, before the old man had shaken his head, and you turned to the small bowl that contained your brother's eye, unable to look at anything else.

Not even when your mother's rage was met with apathy and anger, her demands for justice nothing more than a woman's insanity, a mother's grief that must be swept away, tucked under a chin and a sadness she will never get rid of.

"Do not mourn me, mother. It was a fair exchange. I may have lost an eye, but I gained a dragon."

Your soft-hearted, darling, baby brother. None of his words had thawed the freezing of your heart, the grief under the swell of your breastbone.

Your own mourning was kept between teeth and tongue, as you had slept with your siblings that night. The four of you, tucked under the wing of the other, Aemond close to your chest as possible, as quiet, hot tears ran down your face. Every moan of pain or whimper he made in his sleep tore at each new vein inside of you.

"Dragons are the symbol of our House's power," Aegon had once said, windswept hair you tried to tame with your fingers, smelling fresh of Sunfyre and winds.

"And yet, there were no eggs in our child beds." He stiffened while you smiled sadly, curling your twin's hair away form his face, making him presentable and dusting the bout of sand that managed to find his leathers. You had been scolded long before by your grandsire of how you coddle Aegon, how you defend him, mother him more than your mother ever could, but you cannot stop. You were meant to care for him, tethered you once were inside your mother's womb together, you hold him steady now.

Whenever he was lost, whenever his sadness overtook him, wrung your brother dry of life, you bat the Stranger's hand and bring him back.

"But we have proved them wrong," he insisted. "All of us, even Aemond with Vhagar— the war queen, Visenya's dragon — we have claimed ours. Daeron all the way Oldtown has Tessarion, even Helaena has Dreamfyre. And yet you insist..."

You wound your arms over his torso, keeping him close in a silly hug where you sway and dance him around. A laugh escaped him while you inhaled the scent of smoke, soot, and that grime stench of beast.

Aegon on his good days lacked the bottle-edge of wine, of cheap salts from the waft of the soiled, Silk Streets.

This was your brother. No one else.

"I fare better without one," you whispered in his ear. "I appear innocent, sweet almost, without a beast in my command. They look at me with nothing but pity and the urge to protect me. Our father likes me like this, his poor, lovely daughter without a dragon of her own, listening so intently to his histories of Old Valyria. Our sister is eased, as one daughter is plagued by dreams and struggles with the real world, while the other cannot even claim a dragon of her own. Poor princess, Hightower blood must have thickened in her veins. She too, is no threat."

You pulled back, smiling at him. "They like me better like this. Pitiful, compliant, nothing but a sweet and pretty flower that sways in the Spring breeze. A beautiful decoration but no more."

He rubbed a thumb on your arm, a worry knot on his forehead. Aegon adored you but he struggled to piece together where your plot lies. You are a web-spinner, forever dancing out of reach, catching prey and lengthening your intricacies. "Is that why you hide your training with Aemond alone? Ser Criston is mother's sworn shield, he would not mind—"

"I will not place my secrecies to a knight with a soiled cloaked," you snorted. "No matter how tall he stands beside our mother. I trust no one but my kin. And I know that no matter how heavy you drink, sweet Aeg of mine, my secrets are your own."

He took your hand, kissing the back of it, stare impregnable. "As your blood is my own, our fire is one flame. I go where you tell me to."

You kissed his cheek, a reward, laughing. He smiles proudly at the sound. At this time, you dangled yourself to your brother as bait as the pressure from your grandsire to make him King started rising. You had been given notice that he had been talking to House Lannister, Wylde, even some Riverland lords.

You did not mind becoming Aegon's second wife. Just as his namesake, he will have his Rhaenys and Visenya. Unlike the Conqueror however, he would adore his Visenya more than a true flower. Helaena would enjoy that far better.

"And if I tell you to jump?" you half-purred.

"I will ask you how high."

Memories and choices break and tide as you scramble for hold on the rocky cliff face. Dragonmont in the dark is a behemoth beast, a screech or two breaking like lightning crackles, or the familiar drum beat of wings before the silence consumes once more. The stench of fire, of beasts and carcasses helps cloak the darkened night.

"Udligon ñuha brōzagon, Answer my call," you hiss into fraudulent emptiness, hands gripping rocky edges until your blood beads, "you fucking lizards."

"Have you gone mad!?"Aegon shouted, trying to pace with your run to the dragonpit.

A rocky laugh broke out from your being, not deigning that with a reply. Aegon huffed angrily.

"Alright, tell me this then. How are you so sure I'm not just about to put you on a bleeding volcano to die? We claim your dragon in the morn, sister. First thing before we break our fast. I'm sure by then, Vermithor or—"

You whipped your head around, pulling halt. "I leave tonight to claim my dragon. Whether it is you and Sunfyre who gets me there, or Aemond and Vhagar, is no matter to me. I will claim one tonight. It is up to you to decide now if we tell Aemond or not."

Aemond, whose anger is wounded tight, the barest excuse for war always at the edge of his hum. The misstep at Storm's End had cost him everything. Had cost your mother everything. Queen still, Alicent Hightower had bent the knee and offered her life in exchange for mercy. Before Rhaenyra passed judgement, Viserys I had passed.

It didn't matter that you had ensured a higher dosage from the Harrenhal witch in his usual milk of the poppy. Your spiders moving with ease through the silent channels you had established long before your own flowering.

The Red Keep had scrambled, the Heir with it. It was enough time for Lucerys to have come out of the red, confirmed to live through the worst of it without as much as a broken bone. Arrax however, had been badly maimed, and would no longer take flight. But he and his rider would live. Aemond would live. Alicent would have her son. Rhaenyea will have hers, and the crown.

Kevan had done his duty unto you while you settled the storms in Dragonstone. You rewarded him handsomely.

Aegon sighed. He too, would like your honour avenged, but not for the sake of war. "As you wish, sister. I hope you know what you're doing and I am not about to send you to your death."

Just like what you did to your mother, you reached forward and cupped his face. If before, your touch stills his heart and floods his cavities with warmth, a flash of fear strikes the twin son at the eerie smile on your face.

"Skoros morghot vestri? What do we say to the god of death?"

Aegon blinked. "Tubī daor. Not today."

You smiled. "Trust me, sweet Aeg. It is not my death the Stranger will take. Not until the fjords of the North are at my mercy."

"Iksan kesīr sir naejot māzigon ñuha sikagon pakto! I am here now to claim my birth right!" Your scream echoes and falls, repeating back to you. There is a hum, like an electric current that sizzles and pops inside your blood and marrow, and you scramble higher and higher on the rock. Your blood does not sing for the dragon lairs, but above. Up and up, jagged edges cut your skin and dress, the wind whipping with sea mist, but nothing, no one, can clamour you as you reach the peak.

At first you see nothing but darkness and hollow sounds. But you let your eyes adjust, a hiss breaking out of your dry lips as you stumble. You look down. What you first thought were rocks and wayward bones of cattle is bigger.

Whale? No.

Dragon. Dragon bone.

You look and will every sense that your eyes do not. The smell that is drowned— iron. Bones bigger than a person. Than cows and whales. Bones of fearsome beasts. Darkness moves, taking form, more than shadow. Scales hewn rough and jagged, as if stone themselves. Midnight black moving with the gentlest of sighs.

As soon as you realise what— or who — is in front of you, the eyes open with an intelligent gleam. Your heart jolts at the emerald irises that gaze back at you, slitting at the appearance of a human.

'The stench of death follows him', the voice of an old keeper hums into your ear. You no longer remember who told this to you, but the words ring true in your memory. 'Scales of midnight, as if hewn from darkness and death. A harbinger, your grace, an omen of the darkest nightmares.'

"Rytsas. Hello." You smile, ever sweet, ever charming.

This is a thread you had never felt before. Not one of your own making, but something older. A golden thread that led the eyes of Daenys the Dreamer. That spun the ties of Aegon the Conqueror. The voices that herded your madness had gone quiet in the mad rush to get here, but now their presence thickens. Words you cannot hear, nor understand, flood the silence as dragon met rider for the first time.

Keepers and historians have called him he, but every bone in your body tells you that the being before you is a she.

And wouldn't that make sense? A cannibalistic being is a woman?

She opens her maw, only ever slightly, smoke and fire crackling out of it. Molten lava in the belly of her insides tease the cool, night air and warms you.

Her version of a smile. Hello, she seem to say.

"Māzīs. Come," you say, giggling. "Dohaerās. Serve."

That night, you took your first flight.

That night, the Cannibal took her first flight with her first— and only — rider as well.

❝ . . . It is said that the formerly named "The Cannibal" had been entranced by the hunger of his new— first and evermore — rider. Prince Aegon the Elder who had escorted his twin sister that very night with Sunfyre, had looked up in alarm and fright to a maddened screech. Excitement and laughter pouring out from the newly bonded Dragon and Rider had soon turned fear into awe.

Gaelithox, she had been named as they had ridden until dawn broke by the rider who loved her 'till the end of their days, was said to have seen a mirror in Her Grace. The fathomless hunger for blood and organ from the same bodies of their kin. For Gaelithox ever hungers and satisfies for the same meat as her, at the height of her grief and ire that fuelled the Queen Consort to climb Dragonmont by hand, she too hungered for the throats of her traitorous blood.

Gaelithox will only have one rider in her whole life, as she found no same twin soul as akin in the Bastard Eater Queen. Their bond moved as if two bodies beheld one soul.

She shied from humans, and oft found too rough with other dragons. Vhagar was an exception, oft seen acting as an elder sister to the Queen's dragon when neither royal rode them and played in the skies. Smaller dragons were forbidden to approach her however, nor was she allowed in the dragonpit after almost devouring the flightless Arrax.

She died two moons after the Queen's death, delivering her final flames for her rider and would never more breathe her infamous green flames akin to Wildfire, ordered by the Crowned Heir, Princess Daenera Velaryon. It is said that the princess attempted to bond with the cannibalistic dragon but it refused.

The dragon spent her last moons in heartbreak, oft seen in Dragonstone and the Red Keep, circling her rider's most favourite places. Her final resting place is at the very top of Dragonmont from whence the Queen claimed her. It is said that the Queen's crown, the one the King Jacaerys had gifted her after the birth of their first sons, the Princes Laenor and Gaemon, is said to be placed there, as well as a portion of her ashes.

It is said that the King and the Queen's twin brother, the Prince Aegon, personally made the trek in remembrance.

It is widely suspected that Aelyx, Princess Daella's dragon, the youngest child of the King and Queen, may have been Gaelithox's only existing hatchling for he too is made of rough, midnight scales. The dragon that bred with her remains to be unknown. ❞

—Maestre Kevan Noratz, Volume X of The Life and Lies of the Emerald Flame, passage chapter under 'The Time of Hunger: Gaelithox'.

You leave Gaelithox to a mournful goodbye on Dragonstone, pressing your forehead against her hard, scaly head, promising to come back, of exchanging her diet for fat, juicy whales, for more wind-whipped rides, before riding back on Sunfyre with Aegon. The younger dragon would not rise from the beaches in fear of the cannibalistic elder, but you made ensuring promises to teach Gaelithox not to chew your dearest brother's dragon.

You had gone most of your life without the feeling of a bond beneath you, warm and alive and wild, and the roar and stench that though new, felt so familiar in your ribcage— you will fly again. And with your brothers beside you. With Helaena and her lovely Dreamfyre.

To think they had taken this from you too, to placate them. To play into their hands like a mewling kitten.

No more.

It is paces before fast is about to break when you both touch back down to Kings Landing. The Keep busying with its occupants, servants and maids bolstering with quickened feet to ensure the lords and royals are awakened with full, poached meals, dresses and coats readied for their lords and ladies, a new, glorious day under the Reign of the Black Queen.

"What now?" Aegon asks, trying to keep with your pace but he is fatigued, failing to stop his yawns. The excitement of last night had come upon him like a fog, and he is missing his bed. Hells, he is missing the bed he stays with his wife if it meant he would get a full night's sleep in the hours of the day.

"Now, we speak nothing of what happened."

He turns to you, frowning. "Just like that?"

"Just like that." You beam, nodding in favour of soldiers and maids who bow in reverence to the Crown Princess. You know you smell of dragon and night, and you need a bath. And to talk to Dyanna before you seek your daughters. "I will need time and people. The board must still be set for me to perfectly execute what I have in store."

"Alright." He yawns again. "I'll be in my quarters, passed out, if you need me. Please do not need me until sup."

You laugh breathlessly, grabbing his hand and giving it a wet kiss. "I will give you your rest, be assured. Kirimvose, dōna lēkia, Thank you, sweet brother."

The words are simple, said in a quiet murmur heavy with love and meaning. Aegon presses a loving kiss to your head, unable to stop himself winding an arm around you.

"Syt ao, va moriot, ñuha prūmia. For you, always, my heart."

As you break to each other's chambers— his, to sleep, you, already meeting Yna and requesting for a bath — you don't notice the lurker that watched the intimate moment between twins, humming in amusement before it moves to follow you.

Back in your quarters— your marriage quarters as Jacaerys had requested that you forgo having your own, not wishing to part with you — the maids are already busying themselves airing the room, moving to follow your usual routine. The only thing breaking it is the tub now in the centre.

"Thank you," you say to Yna as she picks out the pins from your hair, shrugging off your dress in the process as soon as the maids had untangled the lace behind you.

"Call for Dyanna," you tell them as they bow and leave, the door clicking softly behind them. Plans must be made. Bath for now.

With the world stifled for a second, left with only you and your thoughts, you plunge your body under too-hot water, sighing  against the aches and pains in your body. Dragon-riding is a new endeavour to your muscles, and though enjoyable, was still too new.

You sigh as tears fall from your eyes, blinking exhaustedly against soft, humming daylight. You had always known that love, as it is, is a maiden's folly. A foolish, hapless play meant to fool young girls into thinking the world is kind; a pretty place.

It was an even farther thought from you, a princess of the realm. At a young age, it has been drilled to you that your womb is a rare commodity. Your body has never been your own, a piece meant to be moved in a bigger game that you are used for, not play.

You weren't stupid.

If there's a few things Otto Hightower had ever granted you, apart from gifting you his keen prowess in moving power beneath your fingertips, in hungering for more, for better— it is understanding what each person is, who they can be, how you can move them. A flatter, a flair, a push. As a man, there is much to be desired about your grandsire; he used people, used family to pursue power, but you can't truly fault him for that as you were the same.

You just took better care of the people under your wing.

And for Jace, you had banished him.

The worst part, you knew there was a good, fat chance you would care for the princeling. He was a kind man, a sweet man, and with a guiding hand, you could forge yourself the best husband for yourself as much as you can mould a great king and a wonderful father. Women's hands are ever carved to mould and prod men. We stand behind, a presence or a hand, an echo of power.

But your Jace had surpassed it all, and in the moons leading up to your present day, to giving him his heirs, two beautiful daughters, the promised full Valyrian colouring in the silver hair in Daenera, your eldest, the wide, violet gaze in Aemma— the name of his mother's mother, a request of him that you had kindly, graciously fucking agreed to — of course there is a part of you, the girlish, tender heart that you long thought you had buried to get here, would fall for the brown-eyed, wondrous man.

You sink deeper into the tub, sighing as you let yourself unravel—

When you feel it. A presence in your room. It's soft. Silent. Not a lot would feel as such, but as paranoid as you are, as you keep your spiders clean and pretty with your dewy-eyed webs— you know better.

Your mind runs with ideas on who it might be, and come to a few people. No true name rises. The Red Keep is flooded with spies and traitors. You test your luck, sitting up on the tub, raising an arm over the lip of it and flicking water with your fingertips.

"If you are here to kill me, I'm afraid it will be a lost cause."

He laughs, sardonic and edged and familiar, jetting a tingle down your spine.

Well. There's getting a calm bath.

"Perceptive as always, niece," he says, heavy footfalls approaching now that he has been caught. "I'm just here to say hello."

You raise your eyes, mouth curled but unsmiling at the man who acts as the biggest thorn to your plots. Daemon Targaryen has never fallen through your webs, on guard against your flatter, your push, or your flair. Of course, taking the position of his daughter might have forever burnt that road, but you would think he'd ease up just a little bit when his wife, the Queen, had warmed to you considerably.

Unlike your mother, you had never been hostile to your bitch of an elder sister. Just like your plots for Aegon and Jacaerys, and nodding along to thread your father had started but abandoned, foolishly thinking the realm would follow without him fully ensuring your sister's claim to the throne— you carefully maintained a polite farce with Rhaenyra.

Ultimately, this became a boon to you, as she had responded positively to your abrupt marriage to her son, even reminding her deranged guard dog of their own marriage. The cream to your lemon cake had been when you birthed Aemma, the Queen's most favourite grandchild thus far. When she was a babe, Rhaenyra was never far; almost, always holding your daughter, cooing at her cheeks, remarking her likeness to her namesake with pure fondness.

But Daemon Targaryen knew, in the deepness of his marrow, that there is something wrong with you.

"Hello," you answer primly. He laughs, leaning against the passage to your open balcony. "We could have had this elating greeting at fast, if you wish to break it with me and my own."

He scoffs, unable to hide his disdain at the thought. It breaks his stare of your naked visage. Men. "I would rather jump to the fighting pits, good daughter."

"How rude. Is that all?" You meet his gaze steadily, tilting your head. "If it is not obvious yet, good father, I am bathing."

An amused smirk. "I can see that." Lecherous fucking geezer. "No matter. I just have a... curious thought, a wonder I suspect you may be able to answer. See. Truly odd it is, for the keepers to alert me this morning that Sunfyre had taken a ride past the Hour of Owl." Your heart thuds in your ribcage and you do your best to keep your expression mildly irritated. "Not with one, drunken rider, but with another. It had taken them hours, only coming back when morning had already presented in the air."

He steps forward, slow, menacing, until he reaches the edge of your tub and crouches. Your gazes are still unmatched in height, defiant as yours might be.

"The distinct smell wafts them, a Keeper said, and one suspects that though one dragon left last night, two might have come back this morning for he had seen another fly away." His fingers dips into the water, swirling the steam without breaking eye contact. "I wonder if you know anything about it, darling niece of mine."

The mocking emphasis is not lost on you. If the Queen is the Realm's Delight, you were Darling of the Realm. A sweet, merry girl, the secondborn daughter of Viserys I who frequently fought for the plight of the small folk, who gathered friends of all kinds of lords and ladies no matter the standing of their houses to her own, visiting far lands and charming every person in any room. Who made any feast brighter, always sparkling, always the darling.

Less of a dragon, more of a fairytale.

You sit up, leaning, baring your breasts completely to him as you pull yourself up on the ledge he is crouched from. He leans back, only slightly, as you smile demurely. Sweet. Tart. On the edge of pulling his head and hitting it against the copper tub.

"I am unsure of what you suspect, or is accusing me of, kepus, uncle," you purr and there's a twitch in his mouth, a widen in his irises— men are so fucking simple — "I had been feeling down last night, as my husband, as you know, is beyond my reach at the moment as he rallies alliances for the good of the realm. My brother had simply offered to take me out riding, trying to quell my loneliness with an excitable flight I had never been afforded."

You tilt your head. "Even if there had been a dragon binded to my own, why why would I not regale the realm with news of my success? I have longed for a dragon of my own, but alas, I have not quite succeeded where most of the family have." You pout. His eyes flicker. "Mayhaps I am more Hightower than I am Targaryen."

A huff leaves his lips, the amusement in his smile arching to his dark, dark gaze. Before you can react, his hand had comes forward to hold your chin in a tight grip, your jaw aching soon enough at the fingers that dig against your skin, wanting to bruise, to break.

Though a tremble passes your body, you keep his stare, gritting your teeth as the pad of his thumb brushes your lips. Moments and desires thrum between a charged hatred.

The lust is twisted from wanting to fuck you to wanting to kill you. The line is not simple. Maybe that is your fate together.

But he can't. You are well too ingrained in his family now, loved by the people he cared about. You are untouchable. For now. This is a warning, waiting for you to stutter, to show your hand. Any show of your true intentions... he is more than happy to swing Dark Sister across your throat.

He releases you without another word, standing up and leaving through the front door, the door clicking shut.

You sink back into the bath, letting the water engulf you.

Your daughters are moons apart in birth, and there are only a few differences between them that people oft remarked they could be twins. Daenera is taller, spindly. Built like Aemond when he was younger. Her hair is spun moon and eyes of mullish blue. It reminds you of Daeron's eyes. You had named Daenera yourself, a gruelling birth that took the entire night. You promised Jacaerys he could name the second. He had chosen Aemma for a girl, Laenor for a boy.

Not a few moons later, you were with child again. Your husband pinked at the cheeks at the chiding from his family. When she cried into the afternoon sun—Aemma was born mid day, during a council meeting — he pain did not stop the laugh that came out of your mouth from the horrified expression from the Master of Coin as your water broke.

Aemma had a sweetheart face, cheeks much fatter than her older sister's, with a yellowish tinge to her hair, curlier too, reminding you of Aegon. And Aemma laughed more, her deep, violet eyes always half closed as she exploded in giggles and bright, sunshine happiness.

Sons they might not be, but you had given heirs for the throne. And for them, you would do anything to keep their futures intact. Bond with a dragon, face the Rogue Prince, upheave Winterfell. Anything.

You flounce to the nursery where you know the two would be, smiling sweetly at every person you pass as they bow in reverence. Most wore sights of confusion, their greedy eyes and wagging tongues drinking in the deep, emerald glisten of your gown.

It's an old dress, one you keep in the corner of your collection. It isn't as if you had forgo the colours of your mother's house, but playing court meant every movement, even the clothes you wear, can be meaningful. And since your marriage, your Jace liked you in Velaryon colours.

"A goddess come to bless," he gasped against your collarbone, keeping your legs high on his waist as he rutted into you before his teeth sunk on your skin. As newlyweds go, there is not a lot of teasing to be had for your husband to curl against you in a darkened alcove. Merely wearing his favourite colour on your skin has him panting like a dog. His favourite dress is a seafoam blue that dragged longer against the ground in a soft, almost-gossamer material with a silver belt.

Enticing him never took long, but you enjoyed the dance presented. You enjoyed the dark hunger that filled him until he grabbed you to take you because he just had to take you.

The fresh wound slices deeper as you imagine all the things Jacaerys is doing to the so called Sara Snow. The emerald green of your gown shimmers with your anger.

"Fucking bastards," you can't help but say aloud, nodding at the guards posted on the nursery as you hear the squeals of your daughter and the calm, even voice of your brother.

"Muña! Mother!" Aemma squeals, untangling herself from being pressed against Aegon's side as the children— Daenera and Jaehaera — cuddle around him, before running to you. Helaena is on the floor, entertaining baby Maelor. Your mother, hands twisting against her own, stands vigil by the window, staring far ahead.

You catch your secondborn, giggling as you pressed kiss after kiss on her face.

"I see everyone has started without me. Where is Jaehaerys?"

"You were late, sodjisto, aunt," Jaehaera grins gummily. Jahaera is only a year older than Daenera. Your daughters, five and a half and five respectively. "Jaehaerys is with kepus, uncle. They are training."

"Smart girl." You meet your brother's gaze, whose eyes had notably been staring at your dress, mouth turned down. "Why don't you three play with Helaena? I shall speak about Name Day gifts for your Uncle Joffrey for a bit, hm?"

As Aemma shrieks something about cakes, and Daenera dutifully kissing your cheek in greeting before she takes Jaehaera's hand, you turn to your brother and mother.

"Aemond?" you ask softly, keeping your voice out of earshot. Alicent shakes her head. You nod. "Good. We don't want him inciting a war before I have mine properly planned."

As the Dowager draws in a sharp inhale, Aegon grabs your hands, the worry pulled taunt in his eyebrows. "Are you seriously contemplating war, sister? Isn't there a better way to punish them?"

"What punishment does a man regale in?" you hiss, stepping close to him. "Or the Queen's heir for the bloody matter? When Aemond nearly killed Lucerys, and he confronted me as if I had ordered Vhagar to tear through his brother, I thought I had put to bed any doubts in our marriage. It seems that men stray, regardless. My daughters may be his heir now, but what is to say that bastard wildling he's found himself cock deep in produces a son? Will he shame me with a mistress? Or will he shame me with a second wife?"

Your mother's lips tightens, her fingers paling at how tight she is gripping her nerves.

"Bastard or not, if he takes her to wife, I will be nothing. Make that babe a son, and the realm will rally for it. Daenera is his heir. My daughters will not be forgone. I will not be pushed aside. This is mercy, brother," you say softly, tucking a stray curl behind his ear. "My last one. It requires time, moons, to unfurl. It requires seeding doubt and unfathomable inadequacy. Better if Aemond is none the wiser, Helaena the same. But I will need both of you for this to work. It is the only time I will ever ask. For me. For my daughters."

"And you will punish Winterfell with a war?" your mother asks, frown pulled deep. "That is the plan?"

"I will not. I won't do such a thing so blatant, mother, you know me better than that. But this is my last mercy, and it will be the last. For the next time he offends me so, I do not care if Rhaenyra feeds me to Syrax. I will put a dagger through his heart, heir or not."

The Prince Jacaerys comes back not a week later. Though he comes back to the same castle with the same occupants— your shiny new threads gleam. The stage has been set, a play ready to act. You had sent more spiders in the North, keeping a close eye to every blasphemy your husband has been enjoying in the absence of his duties, and as the rage in you quietly grew with each new whisper, your determination hardens.

You mark each indescretion. You keep a tally.

You count for each fall your blow will land on him.

Vermax lands with a screech and a heavy thump, your husband leaping off him with a grin on his face, matching the one you own, waving your arm joyously with Aemma in your arm and Daenera beside you, holding to your skirt as she grinned at her father.

Aemma wiggles under your hold, and you let Jace get close enough before you set her down, laughing, "Okay, okay!" Her laughter carries through as she scrambles like a bull to her father. A squeal peals out of her as Jace picks her up just in time and tosses her in the air.

"Want to meet kepa, father, sweet girl?" you whisper to Daenera, running a hand down her hair before she nods, breaking out into her own sprint, hugging her father as he greets them with laughter and kisses.

You let them have their time, and this, at least, eases your heart truthfully. A kind reminder that Jace adores his daughters.

You stay at the edge of the entrance, your too-wide grin softens into a smile. You were dramatic, nothing new about that, but even in the pale, pearl blue of your dress in silky, Myrish lace, the emeralds in your heavy, golden belt winks. Green ribbons twisted in your hair alongside fresh flowers. When the trio of your family treks toward you, silver-haired babes clinging to your dark haired prince, you serve a wink at the girls and they untangle themselves from their father while you stepped forward.

A choreographed dance, not giving him time to think. To pause.

Every step is calculated, every item on your body— the silk, the small seahorse that locks your dress behind you, the tint on your lips to the oil in your hair and body — is made to perform. You engulf him in you as if you want to suffocate his senses, your arms wrapping around him with sweet kisses pressing on his face, his neck.

Most in the dragonpit looked away, others, scandalously amazed and enchanted, watch as the princess is undeniably enthralled with her lord husband.

His laughter rumbles across his body, infecting your own, smelling of dragonback and crisp winds. You wonder if your nose is more heightened, you would be able to smell his whore in him, but you don't. It's just him. Your Jace.

Your body moulds against his as his arms tightens around you. When you lean back, you sweetly press a chaste kiss on his lips, grinning.

"What is this?" he huffs a laugh, meeting your doeful gaze. Your fingers curl around his chin, his cheek, idly tapping and touching as if you are committing so much newness to memory.

"Kostagon iā ābrazȳrys daor jaelagon zirȳla valzȳrys? Can a wife not want her husband?" you ask softly, pressing a few more kisses before sucking the last one just under his ear. His body shudders. You hide your smirk. "Skori ēza issare qrīdrughagon tolī bōsa? When he has been away too long?"

A yearning look tints your gaze from under your lashes, and you have to stifle the winning smirk as guilt pinches his face.

"My apologies, my wife. I did not mean to be away from you for long. From the girls." As his eyes flick to his daughters, your mask momentarily sharpens into clear distaste. The urge to dig your fingers into his eyes until he is bleeding and screaming under you is one you tamper with great distress.

Did not mean...

Did not mean to have a dalliance with another woman?

Did not mean to fall into bed with a fucking bastard, you insidious cunt, while I await here with your heirs?

Your anger thrums, nestled deep in your heart, it breathes. You school your face the moment he turns back to you, bringing your hands to his lips, kissing each finger with reverent tenderness. His brown eyes smoulder, rubbing your bare— irises widening — back.

"If you wish it, I can be on my knees for my apologies, my princess."

Your mouth curls. "I'm afraid that might have to be quite later, my prince."

"Huh?"

"The Dowager Queen hoped to congratulate you on your successful campaigning. Reaching as far as the North so frequently, we planned a feast for your return." Eyes shinning, you cup his face. You hope the guilt eats him raw from the inside out. Like worms. Like termites. Hungry, hungry, hungry. "We have never been more proud of you, I have never been more proud of you."

You laugh brightly, ignoring the way he squeezed you just a bit harder that mere second the same time his eyes tightened. "The moment I told the girls of it, they had begged to dance with you." Then you bit your lip, frowning slightly. "I... I understand if you are tired, 'tis a long journey after all, I did try to tell them you might want to rest, we can sneak you—"

"No, no, my heart, of course I would be happy to, I— I want nothing more." He brings you close, face disappearing into your neck. "Thank you. I love you."

You hum, carding your fingers through his hair. "As I love you."

For the rest of the feast, you dance just at the edges of his fingertips, ensuring that you permeated his sights and senses despite it. A game. A dance. When he thanks revelries who congratulate him, who ask him of his adventures, you proudly stand beside him, dutiful as the wife that you are, spearing him with compliments as much as you can. Hands squeezing his arm, your oils swallowing him with your smell.

When dinner came, you take chances massaging his thigh, sliding a salacious grin that had him blushing, ever so sweet, green— making you wonder what kind of fucking bastards do that he finds your attention so swallowing.

You don't let up.

Whenever he, in turn made a move, you sidestep, flutter a smirk, a wink; always escaping, letting him grow frustrated as the night went on.

Your one respite from taunting him had been when he danced with his daughters, making a gallant show of asking them, even Jaehaera. Giggles and spins, the ladies of the court fawn and coo.

Even now, you're making him to be the perfect man. The endearing husband, the wondrous father, the brilliant prince, the perfect lord.

To execute your plan, it must be made with a surgical precision. A slice that guts him to his knees, that breaks his spirit and quenches the whispering, wicked madness nestling with your ire. On another cheek, he must remain upright and upstanding, as to keep your daughters' future in perfect order.

You catch the domineering gaze of Daemon Targaryen, idle as he is, on the side of his distracted Queen, talking to a highborn lady. You don't look away as you toast him your cup of Arbour Red before you pucker your lips for a taste. Your eyes move to where your husband is already looking, flushed red and sweaty from all the dancing, your girls, preening and giggling around him.

You tilt your chin at him, a challenge in your gaze, before you slowly pull your lips away from your wine, stained red.

His throat bobs.

It will be a long, arduous game. Full of pitfalls and tightened webbing. One trip can kill you. But once the machinations are in order, once everything and everyone is in their proper places... oh, you cannot wait for the dance the dragons will make.

A flutter, a simpered footstep. Then a rustle of a dress as one bows.

"My lady," Dyanna greets behind you.

"Hm?"

"The spiders in the ice have met the pup in the snow."

"And?"

"The pup is not suspicious, in fact, they might go as far as to say that the pup is lonely. Though others largely understand her existence... no one likes a bastard."

You snort. "No, they don't, do they?"

"The wolf cares for the pup though, and is largely protective of his only sister."

"Hm. Complicated, but not impossible. Have Meera change the tone of my missive. A softer edge. Sweet but not overtly. Ensure the prerogative of politeness. Then have it sent to the Rookery. The proper channels."

You sigh, taking the edge of your braid and twisting through the ribbons your maid tangled between them. Tonight, you had elected Targaryen colours. A black dress akin to scales and a low, exposed back and dipping front, held together in red ribbons and silver chains. One that might be too on the nose, but the constant, feverish stares from your husband made it worth it.

"We have to ensure a good relationship with the Warden of the North, don't you think so?" You have not looked away from your husband since your maid came, and as he whispered something in Daenera's ear, nodding off to her grandmother with Aemma towed, he turned towards you, one stride after another.

"Precisely what I thought, milady."

"Go," you order her for the last time, giving her your cup, just before Jacaerys reaches you.

Game, set.

Worshipping you has always been something Jace excelled at. At the least, his cock was much larger than most, and without the preparation of his tongue and mouth, it burned. At most, he oft found himself holding your shaking thighs, your head and shoulders left on the bed as he feasted on you like a man starved, hungered for your nectar, the sounds you make, and the shaking of your body as you reached your peak on his tongue.

"J-Jace, please, I—" Your breath stutters, a hiccup escaping your mouth, but he is not letting up. On his knees as only a lordling can with his back straight, he is holding your thighs, your lower back, eating your cunny for the third time of the night.

As soon as he had reached you, he grasped your waist, whispering against your hair in a rumbled groan, "You are torturing me so, my wife. We leave. Now."

"Now?" you echoed, amused. "This is a feast in your honour."

"My honour is already hanging by a thread. The revelry will go on without us. I want to have my fill of you."

And fill he had. He didn't even wait to get you out of your dress before he had pushed your skirt upward, gone on his knees, and got his tongue inside of you.

Now, you are overwhelmed, overstimulated as you are hazy, gripping the wrecked sheets as your peak reached you once more. A strangled, breathy cry of his name falls between your lips as your back arched impossibly so, and instead of letting up, this seemed to fuel him harder, the muscle of his mouth working harder inside of your cunt, hands digging into your flesh to keep you steady.

It builds with a stimulation unending, and just as you're on the throes of your last high, it builds again, quick and fast this time, shuddering gasps of, "o-oh gods, g-gods, Jace!" is the last thing you are able to shout before your fourth peak breaks against the shudders of your last one, your wetness exploding, and you start crying before he lets up.

Your blubber becomes laughter, and he is soft as he lies you down, massaging your thighs as you twitched. He hovers above you, running gentle hands across your arms, kneading through skin, before he reaches your face. He's still in most of his clothes, his long white shirt and breeches, but his mouth is covered in your wetness before he wipes it, obscene in the prettiness of his face and messy locks from where you had tugged and grabbed.

He presses a gentle kiss to your cheek, so close to your body, all too tangled in your soul, and can feel his hard cock upright and wanting against your belly, but he pays it no mind. Concern mars his features as he brushes down your hair.

"Are you alright, my love? Too much?"

You shake your head, brushing your hand down his chest. "N-no, I am well. I just never did that before."

He smiles, kissing your closed eyelids before he brings you close to his chest, cuddling you deep. "You deserve all the pleasure I can give you," he says against your hair. "I have been gone far too long. Consider it my apology."

You hum, eyes open. "Apology for what? You were doing your duty, nothing more, ñuha zaldrīzes, my dragon." You feel him stiffen as you keep your voice soft, caring. "I understand duty far better than you. It is what I love most about you."

You look up, taking his chin between your fingertips as you stared at those warm, brown eyes. "You, who carries your honour like a shield and your duty like a sword. I feel as if the gods had blessed me a husband far better than I should have had for I know I do not deserve you."

"H-how can you say that? You are—" He swallows. "— You are the most excellent woman. The mother of my children. You... You are the one I do not deserve."

Your head falls back against his chest, gripping his shirt. Only by your teeth had you stop yourself from screaming.

You curdle, you keep, you poise.

"My love?"

But you pay him no mind, pushing him on his back as you straddle him, your hands working quick to unlace his breeches until his cock slaps against his stomach, end red and swollen. A sharp hiss falls from his lips as your hand tugs on it once. Twice.

He calls your name, spits it really, eyes blown with lust as he holds your waist, unsure if he should lift you off him or grind you against his aching cock.

"I want you inside me," you whimper, plead, feeling his cock twitch at your words, your false, yearning gaze. He mistakes the burned tears of anger in your eyes as unbridled want. "I have gone so long without your warmth, your cock, swelling inside me, your seed nestling deep, taking root—"

"Yes," he gasps, fingers digging into your doughy sides, pulling you up, moving you around whilst you grabbed his length and directed inside your wet, hot cunt inch by inch, filling you so thickly you can feel him in your throat. It takes time, patience and grit, but you're wet enough and you're determined. Once he's fully inside of you through a choked moan of your own, his neck arches, head thrown back. "Fuck! Yes, y-yes, there you are, my g-good fucking girl."

You move slow at first, taking him, bracing one hand on his knee, almost testing the feel him of back in the familiar contours of your cunt. Veins pop between each groan and choke that shudders through him whilst praise, your name, the possessive titles— my love, my wife, my princess — is spit in between.

When the heat tightens in your belly, you shift positions, placing both palms on his chest, and riding him without abandon, bouncing up and down as you watch with a sharp eye as his release builds. His hips move on their own, fucking up in you as you meet his thrusts with equal vigour, and it's delicious. It's heated. You grind your swollen folds against his mon and your cries make him thrust up harder into you, calling your name, denting your doughy hips.

You don't stop, your pleasure at the back of your mind, wanting him to unravel, to break— a final cry of your name dissolving into a choked moan, spilling his seed deep inside, the continuous snap of his hips digging it deeper into your womb.

But your last peak is still tightening, so you press a quick kiss on his chest, a bite really, before you continue to chase your own high, a hiss slipping his lips but moving your hips with his iron-grip, stutters of, "d-do it, reach your high, f-fuck! fuck!"— Your head throws back, nails digging his skin as your cunt clenches his cock in a vice grip, forcing his hips to snap up once more, twice, until you fall, slumping against him.

When he kisses the top of your head, murmuring words you ignore, you close your eyes.

Your plan is in motion. The missive will be sent to the Lord Stark, in pursuit of an innocent friendship. The spiders you have placed on the Northern bastard are set, and a dragon flies in Dragonstone with your bond in its blood.

Your Jace is home. He will fall in love with you all over again. His wonderful daughters and darling princess, he will regret the events that have transpired in the cold. In his head, he will make promises to do better, to be better, that whatever happened is a blip. A mistake that will not happen again. but you know, he will trip. He will wander once more.

But you will make sure that the next time he does so, he will regret it for the rest of his days.

Because it is not you who will burn Winterfell to the ground.

It will be him.

Your plan moves, your web is perfect.

Now, the spider waits for the idiot fucking flies to feed on.

TAGGED: @inkareds @marihoneywk @caterina-caterina @ahristata @xxvelvetxxxx @but-i-write-so-i-must-count @bunbunbl0gs @yazzzmints @bellstwd @hiraethrhapsody

[legobiwan]

We need to talk about this. And I'm going to start right off with a contentious claim:

Ford was willing to gamble the fate of his entire dimension to feed his ego and insecurities and Bill had him pegged from Square One.

This sounds like a harsh statement. It kind of is. When we first meet Ford in the show, all we end up learning from him is that restarting the Portal was dangerous and could (and did) create a rift that would open the door for Bill and his gang to end the world. And Ford pins this entirely on Stanley, excoriating him for not listening to his warnings in the journals and doing whatever he wanted, like a set of monkeys flinging shit at walls until he happened to get it correct.

Ford is a highly unreliable narrator. After all, as Stan rightfully said, who built the portal in the first place?

But we need to go deeper.

In Journal 3, Ford speaks to the necessity of hiding his journals, which he - to be quite honest - does a crappy job of. Why keep two out of the three journals in Gravity Falls, a mere hair's breath from the actual Portal, which for some mysterious reason, Ford has declined to - you know - actually destroy? Why bury the Journals near an elementary school with children - children who tend to be curious creatures and can and will find a way to discover what they shouldn't? Why call on your estranged brother who you claim to despise as an absolute last resort? Ford's narrative, if you really start to analyze it, makes zero sense. And it makes zero sense because it's an edifice, a personal mythology meant to be a bulwark against the horrible truth of Ford's motivations.

"I've stared at the fire, journals in hand, for hours. I just can't do it. The knowledge in here could be a gift to mankind, the portal's potential limitless. Am I really going to destroy it all just out of spite? No, I won't give HIM the satisfaction. Instead of destroying my work, I'll find a way to DESTROY BILL INSTEAD. If Cipher has a weakness, I'll find it. I'll outsmart the devil yet! He may be a god, but I am a scientist."

Ford could have ended this thirty years ago if his ego hadn't gotten in the way. All he had to do was burn the journals and destroy the portal, just like every other human Bill tried to con over the years. How much did Ford actually care about the end of the world as much as he cared about Bill's betrayal and losing his earth-shattering (quite literally) research?

He didn't. And given this, is it a surprise that Bill, when he finally was able to breach dimensions and start Weirdmaggedon, still placed bets that Ford would join him in the end? The man who said, "Fuck the universe, I need everyone to know I was right."

This isn't about the possible apocalypse. Ford doesn't make one, single mention of that here, doesn't seem to give one fuck if the world burns, as long as he can prove himself to be better than Bill and better than everyone who doubted him for all his life.

And this is why, I am certain, that when Bill perused Ford's possible futures, a large majority ended up with Ford turning to the dark side, as it were.

There's a reason Ford pulled these journal pages. They don't fit his self-constructed narrative of the heroic martyr who wants to save the world. Ford edits his own story again and again, pushing everyone away so they won't see just how insecure and absolutely desperate for validation he is.

Sound like someone we know? Maybe a yellow triangle who literally outlines the steps to denial in his teenage angst journal?

Bill, in essence, promised Ford the universe. Yes, literally, but also the universe in terms of what Ford always wanted - recognition and revenge. Ford, by not destroying the Portal or his journals, didn't 100% reject this proposal, even if that equivocation was subconscious. It's why - I think - Bill feels Ford's just put him "on read" after he fell through the Portal (according to Alex Hirsch).

Ford's going to have to come to terms with this. Maybe he did during his time in the Portal. We have no idea how much Ford did or didn't mellow while being stuck on the other side of the universe, although we do know a) he still holds a massive grudge against his brother and b) Bill is still able to play him like a lyre when he asks about the equation to pop the bubble around Gravity Falls. (And I do not for one second believe that Ford was trying to buy time when he admits that "Of course, a simple equation could collapse the barrier," when Bill questions him about it. Ford needs to prove that he knows the answer, that he figured it out, that he's a scientist and outsmarted a god. Again, if the kids and Stan hadn't come to Ford's rescue, it's very hard to say where Ford would have landed in the end).

The thing is, there's a part of Ford that realizes he's being an ass, that he needs someone. We see this with Bill, obviously, with Fiddleford in the ways Ford runs so incredibly hot and cold with the man (I need you, no I don't need you) - with Stan, who is a last resort but the only person Ford trusts enough to summon to Oregon. Because Ford didn't need Stan to destroy the journals or the portal - but he needed someone, maybe he needed a dollar-store Bill in his life, maybe he just needed someone to reach out like that. Ford fucks it up, wildly, as he can't let his ego go and allow Stan (who is being extremely practical, if bitter) to burn the journals like Ford should have weeks previous.

And well, we all know how that turned out.

What I'm curious about - and what I think needs to be covered more in fandom - is how Ford deals with all of this post-Weirdmaggedon. He's obviously in contrition mode at this point, swinging wildly to this penitent, self-abusing figure who will claim fault for the tiniest infraction.

That's not going to last him long. The type of change and self-reflection Ford needs is not going to come overnight. At some point, his uglier tendencies are going to rear their head on the Stan O'War and Stan is going to have to weather the blowback (or just throw his brother overboard). One might say Ford himself needs a little time the Theraprism, as he nearly consigned his own reality to damnation just like Bill did.

I love Ford. I adore Ford. He is so, so, so complicated. But ohhh boi, Fordsy, do you have issues with a Capital "I".

[starlithumanity]

I'm having a fascinating time rewatching Our Flag Means Death with the knowledge that Ed sees Izzy as a "safe" mentor/family figure ("safe" because Izzy is Ed's subordinate aboard the ship, which creates a more balanced power dynamic) upon whom Ed projects his many unresolved daddy issues. That stated interpretation from David Jenkins does work, even in season one!

Most of the fandom conceptualized season one Izzy as a power-hungry subordinate to Ed and a "co-parent" to the crew (paralleled with the Stede/Mary marriage) who has an understated masochist lust for the Blackbeard legend. All of that is true too, because Ed and Izzy's relationship is incredibly complex and fucked-up. I know from personal experience that this kind of layered toxic relationship is completely possible, though it might seem contradictory on the surface.

In season one, Ed considering Izzy as a mentor/family explains more why Ed let his first mate be so insulting to and controlling of him and still kept wanting Izzy to stay beside him. It adds more meaning to how Ed veers super hard into the violent Blackbeard role after feeling cornered and threatened by Izzy at the end of the season. (This also has further weight for those of us with family members who have disapproved quite loudly of our queer relationships.)

There is a strong parallel that I noticed previously between young Ed's reaction to his father abusing his mother and season one Ed's reaction to Izzy dueling Stede. Stede is linked to Ed's mother through the red silk and through the fact that Stede and Ed's mother--and Lucius--are the only people we see treating Ed with compassion/softness in season one. It thus makes sense for Izzy to be mirroring Ed's father.

Then there's another parallel in how Ed responded to Izzy mentioning Stede in a mocking way ("pining for his boyfriend") by choking Izzy, like how Ed had once responded to his father threatening his mother by strangling his father. In this moment, Izzy touched Ed's face with an intimate kind of familiarity and said, "There he is." Ed clearly found this unnerving, which some people read as sexually harassment, but it makes just as much sense for it to be his daddy issues getting triggered.

(GIF Sources: captain-flint and divineandmajesticinone)

I think part of why this dynamic was unclear in season one is because the writers wanted us to see that, even though Izzy is a mentor figure who taught Ed certain skills, Ed is a grown man who is fully competent on his own. He had likely started building the Blackbeard legend by the time Izzy met him, he has a clever mind that's constantly coming up with new plans, and when Izzy himself was left as captain, Izzy proved to not have the necessary charisma and compassion to lead the crew. Ed is the star power; Izzy is the manager, so to speak.

However, Izzy overestimates his importance and often talks about himself like he's a martyr to the Blackbeard legend, working so hard to keep both Ed and the crew in line. He claims that he's been "clean[ing] up [Ed's] messes... my whole life," which feels like a very parental complaint to me.

Ed fuels this martyr complex some in season two by physically harming Izzy, but notably, Ed doesn't threaten this kind of harm to the rest of the crew (though he isn't very careful with them either) until he's in the suicidal spiral of driving the ship into a storm. Before that, Ed threatens Izzy specifically, both because Izzy threatened him and Stede in season one and because Ed's trying, in his own fucked-up way, to prove to Izzy that he's following Izzy's guidance and "being Blackbeard." The toe-cutting also has some metaphorical weight: Izzy demanded that Ed "cut off" the gentler pieces of himself to be Blackbeard, so Ed starts cutting off literal pieces of Izzy in return. When it becomes clear that this isn't satisfying Izzy either, that's when Ed really goes off the deep end. ("I loved you the best I could," but I never could be enough to fit your expectations.)

(GIF Source: livelovecaliforniadreams)

Meanwhile, we see Izzy starting to question things specifically in response to Ed saying that Izzy could be replaced as first mate. Izzy thought his place, as a mentor/family and self-professed "martyr", was more secure than that, and it challenges his whole identity.

Throughout season two, the mentor/family dynamic is further emphasized via the parallel between Izzy/Ed/Stede and Auntie/Zheng Yi Sao/Oluwande. Others have discussed this more, but there's so much meaning in the similar ways these characters carry themselves, in the tension of Auntie disapproving of Zheng Yi Sao's feelings for "soft" Oluwande, and in the way Oluwande finally teaches Auntie to soften herself some for Zheng Yi Sao.

(GIF Source: bizarrelittlemew)

Additionally, in episode five of season two, we see Stede turning to Izzy for mentorship, proclaiming that Ed himself had recommended Izzy as someone who "made him into the captain he is today." People have questioned that as being a false manipulation from Stede, but I think there's a good chance that it was true! (Ed probably said this to Stede sometime during season one, when the two of them got to know each other so well.) "Taught him everything he knows" is definitely a flattering exaggeration, but hey.

(GIF Source: ofmdaily)

Throughout this and other episodes, we see Izzy continuing to take on a mentor-like role with Stede and the crew (and eventually Ed) as he tries to recenter himself after the darkness of the first three episodes. It's clear that Izzy is most comfortable playing the gruff and politically incorrect old fighter who offers guidance, but now he's letting himself branch out more and connect to the crew in new gentler ways. He even metaphorically "gives his blessing" to Ed and Stede's first time having sex by providing the musical accompaniment, which is the perfect amount of weird for this show, haha.

(GIF Source: izzyfag)

Izzy's transformative arc in season two also involves a steady pattern of reversals, corrected new versions of his treatment of Ed in season one, as Izzy start coming to terms with the harm he did to Ed. Other people have discussed this in more detail, but I think the pace of this change is realistic to what you would see in such a situation. Ed's responses to this, too, are consistent with him seeing Izzy as a mentor/family.

(GIF Source: edwards-teach)

I should further note that Izzy and Benjamin Hornigold (another abusive father figure from Ed's past) are two characters mirrored by the fact that they call Ed "Eddie" in season two. I can imagine that being the nickname Ed used when he was younger, before growing out of it. Izzy seems to start feeling the echo of that memory of younger Ed when Ed comes to him scared, asking for Izzy to "fix [his] mess" by shooting Ed like Ed "dreamed" about.

(GIF Source: blairpfaff)

Right before Izzy's death, there's a scene where Ed is triggered super hard in his daddy issues by the fisherman "Pop-Pop." I think the writers wanted to remind us of the parental trauma Ed has been through before giving us some catharsis through Izzy's deathbed confession and apology. In that moment, Izzy takes full accountability for what he did, while Ed cries and says, "You're my only family." Izzy redirects him in a final bit of mentorly guidance, telling Ed that the crew is there to be his family if Ed will let himself be loved, truly, in the way Ed has often rejected and distanced himself from being loved.

(GIF Source: izzyfag)

Now, I do think Izzy's death was the right choice for this show. I like that DJenkins went with the classic mentor death trope, and he did a similar thing with Buttons, the other old-timer first mate! I agree likewise with those who have discussed Izzy's loss as being a necessary step for the narrative to move forward both from Ed's darker self/parental trauma and from the older age of piracy that Izzy represents. Izzy was always meant to be a dark reflection of and a narrative support/conflict for Ed, and this is the natural culmination of that. His complicated legacy will continue to be something Ed has to reckon with, however, although Ed is trying to compartmentalize that right now.

I very much hope to see, in season three (🤞🏻), how Ed continues to process his past, especially now that he's trying for a domestic life that will likely lead into marriage. Marriage, from what I've seen, often acts as a staging ground for whatever parental trauma you had growing up, because you look to your parental figures as an example of how to do "adult" things. This is going to be a huge conflict for both Ed and Stede, who has his own personal negative marriage experience. I suspect Izzy will continue to represent this problem in some form or another.

(GIF Sources: kiwistede and yenvengerberg)

[sssarrrra]

Dying to stay alive. Why does Fyodor Dostoevsky enjoy being killed on purpose? Bsd analysis

Why Dostoevsky looks so young despite living for centuries? I think it's because he often gets killed. He literally has no time to age.

His skin care routine is being murdered every year or so. Maybe, even more often.

Fyodor CAN age, he isn't immune to it. He isn't immortal. He's ability isn't about eternal youth. He can get gray hair and wrinkles. But he doesn't. Dostoevsky looks almost identical to how he's been when he's met Bram centuries ago (minus a scar and an outfit). So why is it?

Let's assume that the physical "age" Fyodor naturally gains can be transferred to the new body he enters. And the only things that get "erased" are traces of harm left by someone else (bruises, cuts, scars, etc.)

Let's pretend that we know Fyodor's "biological" age. And it's 20. (That's just an assumption for this example!)

It would go like this: Fyodor's biologically 20. He lives until his 22, than gets killed. His "new" body will have the age of 22. Then he lives until he's 26 and dies unnaturally. He's biological age in the new body is gonna be 26.

And so on and so on. It means both his appearance and physic will gradually change. But we see NONE OF THAT. Present Fyodor is almost a twin copy of Fyodor from the past.

It means that Dostoevsky has never lived longer than a couple of years max without dying and respawning into a new body. He probably dies quit often and can't even get old enough because he simply doesn't have time.

Maybe, he has some mark on his calendar: "Need to die every year to keep my body young and relative healthy". And it's a strategy and nothing else. But I feel like there is more to that.

Dostoevsky probably enjoys the thrill of death (or near death) experience for various reasons.

People sometimes describe Dazai as a "suicide-addict", but THIS is a new level of it. These two share a hobby of trying to die often. But Dostoevsky not just tries. He dies. Fyodor's way of getting a rid of his stress is being brutally murdered by someone else. I wounder, if Dazai knew it how it would make him feel? To find out that Fyodor is drawn to death in the same way that he is? We'll find out eventually.

Dostoevsky meticulously got himself killed probably more than 300+ times or so. And, yes, sometimes it was work related incidents due to his plans. But he didn't HAVE to die so often, did he?

It honestly seems, that for Fyodor "dying" is just an extracurricular activity he does to pass the time. Some ppl go their friend's house to play video games. And Fyodor goes to someone's place -> dies there.

Maybe, Dostoy tries to connect with people by "dying" by their hands? When he transfers his mind into a new body, it makes him feel less lonely, somehow?

For example, Fyodor didn't have to break into Bram's castle and chat him up about demons. He didn't have to put his life on a line just to see how Bram would react to his musings about world-politics. He knew he would die, obviously. But he went anyway. Just to "catch a glimpse" of Bram (in his own words). And then, of course to get murdered. Did he hope that Bram would be the one to deliver a final blow? Did Fyodor secretly want to "posses" Bram's body from that long, long time ago?

You know how ppl joked about Fyodor's hobby being captured on purpose? Add "dying" to this list, asap.

He's reasons for overusing his ability to "reincarnate" are probably complicated.

A part of it is a need to escape/ease his guilt. Dostoy wants to feel like a martyr that has a right to commit sin. Maybe, it's his own self-punishment, a form of self-harm. He believes these short or long moments of agony "erase" the harm he does to others or, at least, balance it out.

On the other hand, Fyodor is still a human who wants to belong. But he spent decades in paranoia and isolation that affected him immensely. So now the only "true" connection Dostoevsky can create with someone is when he inserts his consciousness into their body. The flow of new feelings/goals keeps him distracted from himself and his bleak view of the reality. So he does it over and over.

Or is it just a boredom thing? Like living is such a drug he can't help but try to die?

Dostoy is too afraid/guilty to go to heaven right away so he passes time by adding bits of different personalities to himself. He has this semi-free subscription to people's agendas, he only has to die to access them. It keeps him entertained. Like a Netflix but he has to die to watch a "movie" from someone's POV, with their goals/emotions intact still.

Dostoy wants to pick up a new passion/hobby? No problem. He just needs to find someone who likes that particular interest, and than get murdered by that person. Then Fyodor can gain their insights into the topic (possibly).

I wish I could see the way Dostoevsky envisions humanity. It seems like he's both enmeshed with it to the point of losing himself and at the same time he's discarded by humanity and isolated from it.

It's such a mixed-up experience. No wounder Fyodor's mind is so… Bizarre.

[galesleftearring]

Thinking about how sadly realistic Gale's romance arc is right now, and how in different ways this applies to each of the BG3 companions but especially his:

His whole life he's been told or felt for some reason or another that what he has to offer isn't *quite* enough. That being himself is not going to earn him love and companionship, and that those are things that he has to earn in the first place. Even his cat and his mother, who he clearly adores, have not managed to dissuade him from this.

Then he falls for this goddess; she is quite literally everything to him. She is his muse, the literal magic running through his veins. He *worships* her. And she takes his love, because it's flattering or it's there or it's something to do, and gives him very little in return. She certainly doesn't love him. She just loves the control, and he doesn't know the difference.

And then this inevitably collapses, this love built in hubris and self depreciation, and he is left feeling hopeless. Who could love him as he is when nobody else has been able to? Willing to? Surely the problem must be *him.* Surely the things he wants--companionship, adoration, reciprocity--just aren't things he can have. Or maybe they just don't exist.

Then he meets the player, and he finds himself falling again into these desires and he's scared, he's so scared, because he's now living on borrowed time and as much as he wants to give himself to Tav and have them give themselves back, why would they? Why would this person be different from every other form of love he has ever known? And on top of it all, who would want to pledge themselves to a dying man?

Monogamy isn't for everyone and that's fine but it is for him. He wants to give of himself completely and for that to be reciprocated, he wants to love deeply and truly and completely. He wants to find home in another person and give that person a home within himself. He has to wait until he's sure that he's safe, or until he's sure he's unsafe enough that it doesn't matter--his last night, at least he can die knowing he *tried,* Godsdamnit, and if he wasn't enough in life then maybe he can be enough in death.

But Tav loves him. Simple and ordinary and selfless, or incredibly selfish--not wanting him to martyr himself if they could just keep him there with them, keep loving him. They have taken the broken pieces of this man and said that those broken pieces are enough. They don't want to fix him and don't want him to fix them. They have taken his hand in theirs and given him the love that they have. No more, no less. No grand illusion, just themselves.

But he can't quite believe it, because why would he be enough now if he never has been before? So he tries to earn Tav's love, tries to give them what he *could* be, what he wants to try to be for Tav, what he'll never stop trying to be if it earns Tav's love. Love is transactional. And Tav says no, you were already enough, and I want from you what you want from me. Companionship, togetherness, just us, just me, just you. How could he believe it? How could he truly fall into this steady rhythm of everyday love?

When someone is used to transactional love, how do they learn to accept unconditional love?

[wheregoodthingsthrive]

Hellsing / Neon Genesis Evangelion AU

I have an unhealthy coping mechanism called smashing my interests together and hoping they stick. There is very few one-to-one character duos so don't take the screenshot redraws literally in terms of who's who. Ramblings below, spoilers for Hellsing included.

Seras Victoria was a nobody at NERV who, during an Angel attack, gets severely injured and in a rogue move, Alucard (Eva Unit-00, Baskerville) brings her into his LCL entry plug to save her. It splices her DNA though to make her part...whatever tf Alucard is. Not human but not angel. I can't decide yet. Seras then is charged in piloting Eva Unit-02, Harkonnen, under the watch of Commander Integra Hellsing, head of Nerv and occasional pilot of Eva Unit-04, Knight. Nerv's staff is made up of Walter (former full-time pilot of Eva Unit-01, Blackbird, current Fuyutsuki figure), Enrico (head of Iscariot, kinda a SEELE figure, head of the Vatican Computer), Anderson (pilot of Eva Unit-03, Paladin), Heinkel (Central Dogma technician and pilot in training for Eva Unit-06, Martyr), Yumie/Yumiko (Central Dogma technician, failed pilot of Unit-06), and newcomer Pip (captain of the Euro Division and pilot of Eva Unit-05, Mercenary) etc. etc. Round Table is in there too somewhere I just don't have the time to care lmao. Makube is there too. Alucard and Walter served in the Second Impact. The all red image would probs be from the Dawn Era and the first defeat of the Wold Angel lmao. Each Millennium member is also gonna have a corresponding Angel, probably gonna be called FREAKs or something. A lot of Eva's plot points stay the same they're just mega moved around. Seras and Pip have to do a synchronized attack cause they're silly. There are a bunch of Alucard clones in Nerv's basement. Apartment shenanigans with a lot less minors. Anderson's Eva gets corrupted by an Angel (Nail of Helena) and Heinekl replaces him. Seras somehow triggers a Third Impact equivalent following Alucard's complicated results from dealing with Anderson/Walter, not quite sure yet. Walter gets obliterated by the Angel equivalent of the Captain and comes back as a sniveling teen 13th Angel. Pip gets absolutely shredded by an Angel attack but willingly gives himself to Seras' Eva, thus merging with the LCL/psychic link. Alucard goes big and goes naked (Lilith). Idk. I'll flesh out more later, thanks for reading my nonsense <3

[befuddledcinnamonroll]

THIS SHOW

Can we talk about how they are literally not wasting a single frame in the storytelling? It's short, but so damn effective.

I've talked before about how this is not just a story about individuals, but about existing within a fucked up system.

It's about how we get accustomed to terrible treatment, because we exist in a space where everyone sees it as normal.

And those who realize it's not normal, those who try to push back, don't tend to last.

But once they're gone, we realize how much they (and their ability to see the truth) were protecting us from things being the absolute worst.

How our acceptance of this kind of life and workplace perpetuates the cycle for the new people as they come in.

And though we think we are only martyring ourselves, it results in the sacrifice of others. Because in our choices for ourselves, we are helping to feed them to the machine.

But it's still so hard to walk away, because you become so numb to it all. Until you are sure that parts of you are permanently broken.

And you also know that these systems are everywhere, they are our society, so who's to say you could ever find anything better?

It's the slow crushing of the soul, that makes you feel like it all could just be so futile.

Which is why what Kai is doing is so brilliant here.

He's not denying the reality of the world they exist in. He's not being pushy or angry about Hiro's choices.

Instead Kai is utilizing temptation, showing that there are things, some of them quite simple, that can bring joy. That can break through the futility.

That prove that you can still feel.

But you have to choose them. Because like all things in this life, they are ephemeral.

The systems might not go anywhere in our lifetimes, but that doesn't mean the choices we make don't matter. For ourselves - and for those who see us do it.

[youremyheaven]

Momagers, Stage Mom's & Mama's Boys: The Dysfunctional Moon Child

Moon influenced people often come from households where they had a very dysfunctional relationship with their parents. Both parents are usually toxic but the Moon person forms a close, overly sympathetic and anxiously attached bond with one parent who they perceive as the victim or martyr in some way. (Dad's abusive or neglectful and mom's the one trying her best, for example).

WHY does this happen?

Moon is said to be the most Yin of the planets. It's passive, feminine and emotional.

Most of the time, these bonds are toxic because its overly protective, overly nurturing, controlling, overly caring as opposed to say Sun influence which will create bonds that are too independent and unattached (aka female friendships vs male friendships lol). Moon influenced parent-child bonds become toxic because there's TOO MUCH love, care and attachment and neither party can have a separate independent existence.

Moon influence is prominent in the charts of momagers/stage moms AND the kids who are under their control.

Priyanka Chopra, Rohini Moon

Pri and her mom are attached at the hip and they're literally ALWAYS together. She has managed Pri's career since she was a teenager. And since she's not a nepo kid, it's known that she's had affairs with several married men in the industry, especially when she was starting out, to secure work :((

And I think its fucked up to have a parent basically pimp you out to make money. Be it PC getting a nose job or her army doctor mother quitting her job to open a cosmetic surgery clinic or her family running a pub?? PC is the golden goose and her family has just been living off of her money and encouraging her to basically do anything to make it. I think its a bit fcked to be smoking with your mom and its not bc I'm Indian lol

Alia Bhatt, Shravana Rising

Now Alia's dad is a pretty well known asshole who is infamous for being abusive. And Alia had a pretty rough upbringing, so its no wonder that Alia is as attached to her mom as she is. Alia's own marriage is pretty fucked up and toxic.

Alia started her career when she was 17 and to this day, her mom manages her finances. She was recently in the news for being scammed out of 1 crore rupees (119,000 dollars) so like I guess her mom's not exactly brilliant at what she does lol

Katrina Kaif, Hasta Moon

Katrina Kaif who is British, came to India when she was 17 and met and started dating the violent, toxic abusive Salman Khan, who was 20 years older than her. He helped her establish herself as a huge star but she went through a lot including physical abuse.

Kat endured all that because she had 7 siblings to support and her mom was a single mom. She's extremely close to her mom but I still think its fcked up that a literal teenager had to become the breadwinner of a family of 8 and endure all kinds of abuse in a toxic industry and in a country where she knew nobody just to break even.

Bella Hadid, Hasta Moon

Yolanda is a toxic mom in general but she has a particularly toxic bond with Bella for sure

Britney Spears, Shravana Moon

She's probably the most notorious example of being controlled by her toxic , abusive family :(((

Brooke Shields, Rohini Sun/Jupiter/Rahu

Her mom made her pose naked for playboy when she was 10. That should say enough about how fcked up her momager was. She has spoken about how her mom was an alcoholic and she felt like she had to do everything she could do to keep her mom alive :((

Ranbir Kapoor, Shravana Moon

He grew up in a toxic home where his dad cheated on his mom and was an alcoholic. He's KNOWN to be a mama's boy and his mother lowkey influenced all his previous relationships until he finally tied the knot with someone his mom approved of ://

Today his wife dresses and emulates his mom lmao

Leonardo DiCaprio, Hasta Moon

He's another infamous mama's boy

It's interesting to me how in most of these cases, the fathers were either absent or neglectful. These people grew up under the sole care of their mothers and it created an overly possessive, toxic, codependent bond. All of these people have spoken about how hard their mom's lives were and how they're grateful for everything their mothers did for them. This tendency of the Moon to make its natives be entirely sheltered from Yang or male influence or in some ways find Yang influence repulsive is very telling.

Similar to how Sun influenced people find it difficult to relate to or connect with Yin themes (like being clingy, attached, being nurturing in a traditional way, being openly loving etc) Moon influenced people struggle the most with detachment, letting go, independence etc. The extremes of both these can be unhealthy. It's important to learn how to be balanced and not give in to the tendencies that can harm both us and the people in our lives.

That's all for this post<3

[cyanorhis]

In terms of “canon-compliant” zutara, I think often about how Zuko’s development is both his redemption and his doom.

Because how come the obsessive go-getter of the show does not fight harder against fate (bryke’s annoying ass) to save his beloved from putting herself into a rewardless martyr-like situation in the form of a marriage that serves as repopulation program? (Which I always thought was ridiculous).

He learns bit by bit to acknowledge and make up for his mistakes. He respects Katara above all else. He fights fair. He does not guilt-trip her nor treat her like a reward. He loves her. He gave his life for her. He would not have survived had she not been the exceptional person she is. He supports her decisions no matter what. He listens to her.

So when she tells him about her ridiculously good and selfish intentions of pandering (once again) to a non-celibate Monk who wishes to have her mother his children for the sake of airbending and his supposed affection that was born out of the self-insert of narrators who give way too much importance to childhood crushes for one’s babysitter, he might argue but he can’t help but love her and respect her decision, both horrified by the cruelty of fate (aka bryke) and filled with admiration for the person she has always been.

If Orpheus loved Eurydice too much not to turn back when she tripped behind him, then Zuko loved Katara way too much not to validate and support her terribly selfless decisions. Because how dare him be selfish and want her for himself. And how dare him tell her what to do after years of war.

It is terribly tragic because on the other side, a part of her wishes he had fought harder.

A “villain” turned “hero” sometimes can mean the upholding of ideals made by two men who enjoy shaming young girls for their choice of love interest. Sometimes, the lack of a “villain” to whisk away the princess from the “hero’s” hands means said princess will remain unacknowledged and forgotten in a narrative that turns it into something of her own volition, a narrative that ignores everything a beloved female character represented for the people she was made to represent (by their own words, must I say). It leaves the realm of picking the love interest (which honestly could simply not ever happened in any form and would still be better than this) and enters the realm of once again giving a poor treatment to a female main character who quite literally Drives the story from its beginning.

And just like Orpheus and Eurydice are doomed by fate, Katara and Zuko are doomed by Bryke. And surprisingly, Katara gets the worse of it.

[paragonrobits]

it seems significant to me that Betty is quite literally the ONLY person in Simon Petrikov's life we hear about in any form, and the implication I get is that she might have been the ONLY person he was close to in some way until Marceline and later Finn and Jake (and barring any people Ice King knew in the interim)

take note that when Betty regards Simon as a lovely experience (a worthwhile and good part of her life), Simon previously refers to her as his everything. Like he had NOTHING before her.

Simon, even after being freed of the crown, never talks about family or friends from before Betty. When given a chance to speak to his loved ones before he goes, he only thinks about Betty, and he never ever discusses or implies that there was anyone else in his personal life. This suggests to me that there WAS no one else; he could well be a man with either no family or one he was estranged from, and who had no friends.

Given his reception at his lecture, its further possible that he might have been a laughingstock among academics; Betty's receptiveness might have been the first positive reception he got at all.

This in turn creates an interesting closed circle approach to his life; he was alone before Betty, and he was alone after Betty. It goes a long way to explain why she was such a massive fixture of his life, as the only person he felt genuinely closed to or that he loved. It follows that when Simon DOES have people he cares about, his immediate impulse is to find a way to hurt himself on their behalf. He thinks less in terms of being around people for his own happiness, and more of a kind of a desire to martyr himself, which might line up with someone who's been so alone that they don't think of themselves as worthy in their own way, and the best way to be of benefit to someone else is to lose himself for their benefit.

This further adds dimension to his dynamic with Marceline, being the first real family he had since Betty, encouraging him to be more proactive rather than the passive figure we see a lot.

It's telling that what makes Simon perk up in Fionna And Cake is the opportunity to sacrifice his mind for Fionna and Cake's benefit; in some way, Simon CANNOT conceive of himself helping anyone without destroying himself in the process.

[dekusleftsock]

HMMNGGGSHSHHSHD IM SO LATE TO THIS BUT THERES SO MANY THINGS IVE WANTED TO SAY FOR SO LONG AND IVE JUST BEEN TOO DEPRESSED OR BUSY TO DO IT

I did just re-read the chapter, hazbin/helluva hyperfixation is gone y’all I’m back and ready for more.

Okay so, a couple of things I noticed. Let’s start there.

Throughout this chapter, it really is heartbreaking to see how Izuku regards one for all as Allmight’s power, and therefore a disrespect to him to give that away. Which is quite frankly insane given the nature of what the power is, but regardless it still shows me just how deeply he still cares for and admires allmight.

It also makes the transfer Izuku makes to Katsuki in the heroes rising movie all the more intimate; izuku wouldn’t just give the power to anyone, if not for himself (which is also clearly due to that fact since he still sees ofa as the thing that makes him a hero, not his characteristics), then simply out of respect for allmight and his legacy.

It’s just the anger you can see, feel in those words as he demands to know why. I’ve personally been in the boat of “Izuku dislikes Kudou immensely bc he hasn’t proven to be heroic and amazing like Katsuki has, and also he insults him a lot why would he like him”, since Izuku does genuinely have self respect (a common mischaracterization imo), he’s just also more forgiving and faithful to those he admires or loves (or both).

SPEAKING OF SELF RESPECT AND MISCHARACTERIZATION!

I want to highlight the words “But even so, this boy refuses to throw in the towel”, bc it’s such an important part of Izuku and his character.

He isn’t overly self sacrificial, he isn’t a masochist, he isn’t even a martyr—especially not a martyr.

Izuku is stubborn. That is not the same thing as wanting to constantly die for others; izuku is like Katsuki, he wants to fight for others. Giving up just simply isn’t in his morality.

And if “giving up” also includes letting someone die or failing to save someone out of his own negligence, that’s not because he wants to die.

I can’t explain how much the interpretation that Izuku wanting to die, even for others, is so fucking out of character. Izuku is stubborn, he’s stubborn in the way that he won’t just fall over and let the ground take him. Given the circumstances, Izuku would fight for his life just as he would fight for another.

THIS HAS BEEN THE CASE SINCE, I DONT KNOW, CHAPTER FUCKING ONE?

“Idiot! If I’d really jumped, you’d be charged with bullying me into suicide!! Think before you speak!!”

“Idiot…”

Like he’s so unaffected by the awful comment outside of being angry at the DISRESPECT of said comment. This is why all those damn suicidal Izuku fics have always felt so ooc. Izuku isnt a moody, brooding ball of depression, he’s a stubborn, courageous, and angry ball of depression. There is a difference.

Even before this, he literally attempts to say something or fight back to Katsuki, honestly it looks like he’s about to punch him here.

The only reason he DOESNT is bc HE DOESNT WANT TO GET HIS ASS BEAT

Btw for anyone who has or ever will be in Izuku’s position, punch him. I love Katsuki But hit him in the fucking gut. If you get your ass beat at least you can say you can took it like a champ.

Speaking from someone who regrets not punching three girls who were trying to gang up on me in middle school🫶🫶🫶

Anyway, I’d argue that Izuku not taking Katsuki in a fight was made out of self preservation, something he very much has.

And last but not least, we get to this lovely fucking page.

First of all…

Hm, ain’t that strange?

I’m not saying it’s fully a parallel, I’m just saying it’s something to consider.

Especially with the context that I don’t think Izuku feels shameful here.

He’s been a hero who didn’t look like one once before, I’m sure a snide comment through Shigaraki is nothing in comparison to the literal hundreds of civilians afraid of him.

Or, even more interestingly, what if he’s shameful of it, and okay with that? Now THATS some control over your emotions. This is demonstrating the very thing Banjo told him in the first place; using his emotions to fuel him. Let himself live with them, breath with them. They exist, and they hurt, and that’s fucking okay.

But it begs the question…. Why bring attention to it?

Clearly horikoshi WANTS you to see that Izuku is the one who looks like the monster now. He even looks devil like, blackwhip coming out of his back the way it is just feels like wings.

But maybe… maybe this is how he stops sweeping problems under the rug. Maybe this is him, Izuku, at his most animalistic form. Him. At his core. This is the Izuku he doesn’t want people to know.

The faceless, long clawed, oozing black monster.

He’s a kid who can take a fucking beating. He’s not Deku the useless doll, nor is he Deku the hero. He’s simply Izuku.

And you know what’s even more likely?

The black pit of anger that Shigaraki has formed, fueling his uncontrolled emotions and anger and despair, with the light tear showing something underneath…

What if, this was Izuku’s black ball of anger and shame, except this one is escaping his body, pouring out and showing all of that for what it truly is. Pent up rage, uncontrolled emotion, anxiety and shame, all mixed into one hell hole of a person—but a ball that can be molded, controlled, torn apart from the inside out.

See, the same way Kudou tears at Shigaraki’s mental breaking to see what’s underneath, so have the ofa users for Izuku. Slowly, but surely, the people in Izuku’s life have, while created that ball in the first place, also worked to destroy it. The final piece of the puzzle is for Izuku to choose to let it happen, and he is.

Learning to sit in one’s fear, doubt, hatred, anger, sadness, grief, happiness—without that emotion having to be something, simply something that flows through you, that you can choose to act on or not; this is where Izuku’s arc is coming to its tipping point. We are nearing the climax, I can feel it.

[chronicler-of-narrative]

So, On-Lyne, huh?

Let's be honest here, they're actually an incredibly cool system. If there's one thing I like about DE is how they spice up stale systems. Like how Poe and Fortuna paved the way for Deimos and Duviri, the technocyte Coda seem to be doing the same for the lich system (especially considering how they dont seem to have any weapons).

While lightly disappointing because they have set identities unlike the very oc-friendly randomness of liches and sisters, its still basically the most hype part of the 1999 update for me.

However, praise aside, I also wanted to do some light speculatuon on their story and personalities, and specifically, why I think they weren't always infested.

Now, look, ik they look weird conceptually, being likened to fortnite skins by some, but I think that is mostly just foreshadowing. To me, they look like digital avatars, which considering their name is quite literally On-Lyne and all of the internet imagery in the 1999 promotional videos and ads seems to support this. Now, this is actually really important because if they are digital avatars of real people (as I suspect), then that sets up the main theme of their story: Appearances.

This is why I think they're not some infested psyop but rather started out normally, before being overtaken. Because at the end of the day, Warframe's stories are deep in the most batshit way possible. DE aren't afraid to use the mighty Allegory for their stories, and I think this is what they're doing here. The infestation is On-Lyne's Monkey Paw, being either a wish-come-true or a punishment, or both.

This, imo, is most evident with Zeke. After all, we literally hear him talking about how "if management gives him one more passive aggressive comment, he's gonna snap", which to me tells me that Zeke probably isn't able to endure the price of being famous. This, combined with a transcription of the infested writing on their fanpage I received from a friend, tells us what the Infestation has done for Zeke. "Zeke hungers to unmake himself" and calling him "Fleshskin" to me sound like Zeke seeking to become acceptable to the band at the cost of himself. As in, to literally martyr himself, to become the band's skin and remove the part of himseld that can't stand the pressure, becoming in the proccess an empty shell, a skin-suit, if you will.

For the others, we know a little less, so imma just summarize my theories on them :

-Hardrive's the one who spreads the infestation, the infection mechanism. But by the...unflattering language the hivemind uses to describe him unlike the others, what i get is hes trying to escape the infestation, escape the life of fame, but in doing so is only falling deeper into the very thing he's trying to get away from.

-Packet's the tactician of the group. Different from Drillbit in the fact that hes directly responsible for unity within the group. I mean, "Soothes the dissident voices" doesnt get more explicit than that. Its weird how hes the most "fresh". To me it sounds like he may have had a hand in unleashing the infestation on the group in some attempt to keep them from having a falling out, and is now in charge of keeping the whole hivemind together after being the last one to be consumed.

-Drillbit is the guide of the group. Especially with the brain and larynx lines, sounds to me like he was the second-in-command to Zeke who always wanted to be the face of the band but couldn't with Zeke in the way.

-Dj RoM is a little hard to figure out, but to me he sounds like the group hedonist. He doesn't question whats going on, hes just there to have a good time and might even be the most accepting of the infestation. Especially considering how it directly mentions how his 'palpatations reverberate' while the band is 'digesting' which may imply hes actually enjoying it.

So yea, these basically it. If im wrong, feel more than free to share your ideas. After all, this is just speculation, but to me it seems very fitting from a narrative perspective.