#who is he if he is not being defined and owned by another person?

[deathsmallcaps]

Captain America: Brave New World (CABNW) analysis

This movie is all about themes of rehabilitation, hope, and not allowing your past to define your future.

Sam is redefining the mantle of the shield, and reclaiming his independence. Since reaching adulthood, he has worked as part of the military, or in a major team, and always besides super powered people (not that he was the only regular human in the Avengers, but you know). And now Sam gets to herald a new age of modern values of rehabilitation.

Steve was also a man of hope, but he (as a white man) fought the Other: fascists and aliens. AKA, unredeemables (in the short term) and nonhumans. He was from WWII; while the full truth of the matter is that the USA did not join the war out of altruism and a wish to save oppressed peoples, I personally feel glad that the USA was able to help out in those matters. I feel our part in the war was justified when it came to stopping multiple genocides. Many people also feel this way, and hold WWII up as this bastion of ‘justified’ wars. Many feel it’s okay that Americans went to Germany and Japan and started killing people, because they were doing it first.

Same thing with alien invasion storylines. I love Steve, but the only person he is MCU-canonically pursuing rehabilitation for is Bucky. He has different values as both a survivor of WWII, a witness to the explosive growth of fascism in the early 1900s, and a white man. Sure, Steve grew up disabled and Irish(-American) in the early 1900s, but he was also a blue eyed blond haired American man who shows no trace of an Irish identity on screen. Steve is a hopeful, principled and angry man.

Meanwhile, Sam grew up being othered as a Black child and then man, joined a war that was never justifiable (never confirmed what war he was in but no war the USA has perpetuated in the 2000s, if not even earlier, has been justifiable), and then continually had to be an examplar wherever he went. Except for possibly War Machine (I’m not sure where he fits in), Sam was the ONLY Avenger of Color. Ever. (And the only one from a more rural area)

And yet Sam always chooses hope and kindness. He has it rough - as the only Avenger of Color, he had to always choose others needs over his own. He and Isaiah Bradley (another person restored by Sam’s rehabilitative justice <3) discuss the weight of that. Bradley points out time and time again that Sam doesn’t owe the world his kindness, his willingness to be a hero, his health and well-being. After all, Bradley got fucked over for doing the right thing, a Steve-type thing, in a Black body. But Sam decides to push on anyway.

I’m not saying Sam isn’t angry. He deserves to feel angry, he has as much right to the emotion as any other human being. But every single goddamn time he can, he chooses to be kind. He chooses to believe that people can find worth again. And that takes a strength of will that is frankly insane. PLUS he does it without a consistently optimized body.

And he chooses to be kind to Ross, of all people. Ross, who is clearly trying to be a changed man in the events of the film - but still a man who imprisons innocents and whose first instinct is to pick fights with nations who own nuclear weapons.

But Sam still reaches out to him. Still helps Ross meet Betty while Ross is in prison. Is the better man, every goddamn time.

Hell, they even represent what changes Sam could herald for the fate of the United States, and even the world, visually. In Ross’s panic as the Red Hulk, he destroys the White House*, a symbol built by slave labor. And under Sam’s tenure as Captain America, it will be rebuilt - along with what a hopefully better United States of America.

I love Sam Wilson, and I am SO excited to see his future as Captain America.

*and possibly also the Washington Memorial? I know he goes by but the detail slipped my mind. It also was built with slave labor. Some might quibble and try to claim that the obelisk was built by skilled stonemasons, but many many many enslaved people were extremely skilled laborers. So there is a huge chance that the stonemasons were enslaved. And even if they used completely white/free Black stonemasons, the quarried stone was mined by enslaved people. So yes, it was built by slave labor.

(Also I think it’s cool that Sam’s getting his own villains like Serpent and Leila Taylor made an appearance? She was basically his only canon love interest EVER**, and she hasn’t appeared since the 1970s. I think it’s still possible that he might be given a male LI or they just never pursue that angle of the character, but at least she and Sam have a relationship built on at least some respect and personal chemistry. Unlike Steven and Sharon.

Personally I’m more of a fan of Samsteve or even SamJoaquin than SamBucky, but that’s just mostly because while he’s grown on me in the last few years, I’m not really a Bucky fan. Samsteve probably won’t happen because of the stupid time travel thing (though who’s to say they didn’t at least have a fling? Plz?) but SamJoaquin could happen! I wasn’t sold on Joaquin right away - his sunny personality was tripping my betrayal alarms in my movie expectations brain - but I am glad to be wrong. I’m excited to see him as Falcon again once he heals up!

**There was a werewolf princess lady? But she literally never came back. Which disappoints me because I thought she was funny (I read her issue) and really unique. She was human but had a device to specifically control werewolves? And they do exist in the MCU, thanks to Werewolf by Night…

I LOVED the dogfight scene. Great body work on Anthony Mackie’s part, interesting background, awesome moves (cutting through a plane with a wing? Punching and pulling a pilot out of their plane and letting the rest of it just fall?? Sam and Joaquin together???) and fucking BOMBSURFING

[things-about-cars-in-posts]

These people constitute the driving force behind what one could call softroadification, whereupon vehicles are raised from nominally to somewhat perceptibly and slathered in placebo cladding...

...or molded into a separate, more SUV-esque model outright...

...without gaining any meaningful off-road capability - or at least not needing to, since every road the owners will drive them through could be traversed by the base model, its performance version, and in most cases, with proper setup and skill, a NASCAR.

But that does not matter, because they speak to the worrisome layman like Ryan Gosling in Drive speaks to the socially inept. For the low price of thousands more than the base model and higher running costs forever, they can drive over a sprinkle of gravel with the self-confidence of someone wielding a tool Approved™ for the job.

But let's not pretend all soft-roader buyers are people who'll only buy the microfiber cloth whose box says 'Works with iPhone'. In fact, most of them don't care about their Vaguely Unpaved Road Approved seal, and are just swayed either by looks or by wanting to "sit high".

However, the latter doesn't seem to explain the recent boom, given it correlates to no sudden change neither in human ergonomics nor in pillow existence awareness. The looks, then? Well, as seen above, they're usually the same as the corresponding base model, just a bit more off-roadery. But the appearance of adventure is rather appealing to the modern sensibility - our clothes are made with holes in them to create the look of a life in which things happen.

But that's not really all there is to it. Because sure, the Hummer was sold to those eager to cosplay the brave soldiers that brought home the gas it guzzled...

...but that platform had another era-defining incarnation - the Cadillac Escalade.

And this celebration of classless luxury is so far off AdventureMobile I've seen people offroad it ironically - as you would, say, a Bentley, or a Rolls Royce.

Even the SUVs they now sell.

Because think about it - even footprint being equal, an SUV is far larger, far more imposing, far... more. Some annoying doom artist could assert that the wealthy turn the world into a place they'd rather not be in and justify it with what it affords them to purchase, and thus it's obvious why the paragon of luxury has become having the most sheer matter around you and being the furthest removed from the world outside. I pray to God no one takes that opportunity, lest my eyerolling tear my optic nerves.

Anyhow, that made SUVs more cool than an equivalent sedan rather than less so, as other roomier body styles, like station wagons and vans, tend to be perceived. (And really, who wanted to own the car they were driven to school with anyway?). They were status symbols: of lifestyle -I climb mountains, I go surfing, I blow up Middle Eastern kids- of wealth -look at all the car I can afford to get around in- or both.

And of course, as often happens, a status symbol for the few...

...becomes considered cool, and thus it trickles down to every market segment because coolness sells. Yet again, the market finds, or perhaps builds?, a myth and sells it to the plebe, says the most annoying person at the function. It markets those myths as happiness and itself as the only way to them, he adds, gently attempting to resist the crowd pushing him out the door. "Shop like a billionaire"! are the last words to squeeze past the closing door.

Thus, SUVs have become the hot new thing. And some people -many people- just want the hot new thing.

We've all at some point wanted to make a choice that would make us fit in, be it by not expressing ourselves or precisely by doing so - because sometimes, people who seem to be hiding their true selves are actually just really that bland. And that is fine! Who could feel justified in imposing contrarianism? No one we haven't kicked out, at least! And similarly, if they find SUVs cool, who are we -especially who am I- to argue that they should disregard what they like and buy the most rational vehicle regardless of their tastes?

But since our economic system has snatched decision power away from anyone who isn't comically money-hungry, tragically risk-averse and tragicomically uncreative, the literal only thing any large brand has been allowed to do is chase an upwards trend, I say, hiding my arm behind my back in hopes no one will notice the aforementioned guest's bite. And this compounds to make placebo SUVs the only form of car ever allowed into production. Thus, the desires to 'sit high' and 'feel safe' grows along with the average car to see around and bear the brunt of, triggering a vicious circle funneling money out of the pockets of car enthusiasts and into the bank accounts of Ben Affleck cigarette meme merch shops.

Links in blue are posts of mine about the topic in question: if you liked this post, you might like those - or the blog’s Discord server, linked in the pinned post!

i rented this cabin for vacation and the owner had a note about the driveway, warning me that "cars without AWD are going to have trouble with it" and when i got there in my rental chevy malibu i saw it was like, your standard gravel driveway thats a bit steep and i was like, sir i grew up in the great lakes rust belt. i drove my shitbox late 90s chevy cavalier through road conditions that would make your range rover cry. i took that thing camping on worn out logging roads and never got stuck once

[platoapproved]

armand + identity

[bardicjustice]

Astarion is one of the first characters where I love him so much and cannot fucking stand the fandom's take on him. I cannot go into the astarion tag or I will be filled with an unspeakable rage

[monsterblogging]

Links to Pacific Rim creator Travis Beacham's own posts on drift compatibility and drifting

Drift compatibility is psychological, not genetic

The better you know someone, the more likely you are to be drift compatible

Drift compatibility is potential, not fate

Drift compatibility can be a choice

Friendship is the foundation of drift compatibility

The drift requires trust

Trust is fundamental; also drift compatibility can be determined with anything that tests how well you can anticipate each others' moves

That even includes multiplayer video games

Many cadets wash out during Pons training when secrets come out in the drift and shatter their relationships

A lot of pilots get messed up by flinching over sexual thoughts

Trying to avoid thoughts just makes them worse

Not everything you see in the drift is always real; also the way to deal with thoughts is just let them flow by

Pilots communicate through "headspace"

Illustration of a conversation in headspace

First drifts can be very confusing, because partners don't understand each others' minds very well yet

The drift exposes pilots to each others' raw, unfiltered thoughts

Raleigh knew what Yancy was going to say

The drift doesn't let you read your partner's mind like a database, and you may not necessarily understand what you see. Also when Pentecost says he carries nothing into the drift he means he's calm and stable.

Pentecost gained this calmness through meditation

Trying to block your partner from your mind will make you lose control of the Jaeger

Pilots who fall below 90% sync will be in trouble

General information plus info on RABITs

You can chase your partner's RABIT

Another post confirming you can chase your partner's RABIT

More RABIT info

More general information

Travis Beacham defines ghost drifting

Partners' personalities can rub off on each other

Neural overload doesn't hit you all at once; it accumulates

The time a pilot can go solo varies, and it's a steep curve from fine to dead

More info on solo piloting

Being high in the drift probably makes it harder to avoid chasing the RABIT

[the-stove-is-divorced]

Scar erasure is horror is so peak, never seen it used? Lil bit of body horror. Give it to Mark Grayson, why not <3

Debbie be defined by something OTHER than men challenge (failed). I am so tired. Make her a person. Please. Can she ever be a person? Can she please?

Oliver does scream plot device, which I feel neutral for, small children tend to be I suppose. Tho it irritates me more when his actions/thoughts don't actually reflect how he's parented by Debbie and/or Mark. Which we've discussed before already, but what really ticks me off is why he looks like a purple human child. Cosplay dye gone wrong ass baby. Who dunked him in grape juice. NOBODY IS PURPLE. And I KNOW this isn't a unique mutation thing because they NEVER bring up how being a hybrid impacts their biology/culture/genes/what have you (at least in show?). THRAXANS ARE ALL BLUE. They're not even different shades of blue. HE'S PURPLE. I am calming myself down. I am calm. Back to the point, Cecil raising Oliver is such a concept...scribbling that down for a oneshot cause, truly, what would that look like? Though, there's something so funny about Oliver still being a little shit and Mark blaming himself anyway. He's such a guilt magnet (affectionate).

AND GASP. Mark failing so hard at raising Oliver, rather than dragging Debbie into it, it's CECIL? The fucked up parental/mentor dynamic of the CENTURY? HELLO? You can't just say this to me, my brain is spinning. At what point does he realize he's over his head? Like, does Cecil get an emergency call only to realize it's a sleep deprived, painfully frantic Mark trying to ask him how to put a shrieking, fussy toddler to sleep? Cecil refusing to change diapers. What does that look like, omg. Does Oliver live there at the GDA and Mark starts visiting like crazy, and there's in-house babysitters designated to Oliver? Shared custody omg. I can potentially see Cecil agreeing only to use as leverage, Mark owes him, and Oliver can be potentially loyal to him?

Why would Oliver be so aware? And, yeah, it's the framing of his origins that's driving my curiosity, here. Because yeah, if he remembers the utter destruction of his own home and his dad's people killing others, would he not have some hostility towards Nolan? Like, is Nolan just described as a "bad guy"? A hero who did "bad things"? Have they ever tried framing murder/death/etc in a way Oliver can understand, he's a child, no? Like how does Oliver like his dad so much? HOW???? Is Mark telling Oliver the fun stories about their dad as he processes how he feels about Nolan? Like it'd be one thing if Debbie doesn't talk about it at all + Mark can't process the full what Nolan did, thus telling romanticized stories. Then it makes Mark's inability to articulate why it's so bad make sense, because he has to face what Nolan did to others/him/Debbie/etc himself. But that's not what they're doing here? This is why this show makes me squint. They just have a dynamic but not how we got here, and it's not quite clear why they'd even act that way to cause this outcome.

CHEW HIS FOOD? I FORGOT THAT?? JUSTICE FOR DEBBIE? WHAT ABOUT A BLENDER BRUH? Also fr, Debbie did SO MUCH for this AFFAIR CHILD and this mf names himself Omni-Man Junior/The kid whatever. TRULY WHERE DID HE? It can't even be a "oh viltrumites genetically/biologically find it difficult to emphasize," 'cause look at Mark??? HE'S ALSO A HYBRID? Why wouldn't Debbie point out Mark used to be the same way if she's raised both? Nolan, like you said, ruined lives. Ruined Andressa's! Oliver would REMEMBER THAT ??? Oliver would SEE any article / post / video about Nolan is HIM DESTROYING ANOTHER CITY? Outright trying to kill his BROTHER. If anything, Oliver could've been so hostile to Nolan he'd want to kill him, just SAYING that, and not quite understanding the depth of death/murder, THUS Mark's inability to refute that THEN stems from a) the shock b) dealing with the thought he doesn't want his Dad to die and still misses him c) acknowledging his Dad has continuously hurt people and hasn't stopped yet, would that be right? Boom, morality dilemma. Or, solidify Mark TRYING to be consistently anti-kill, batman style.

Like this can work, at least for me, but the current setup is confusing????

Also give Oliver ability to make insect-like sounds. Like legit anything. I'm trying to push through wip's, and I keep including Oliver makes a clicking sound (like predator movies) as a baby 'cause it's a noise Thraxans can make, like give me something different??? WHY IS A PURPLE CHILD.

Also curious how you're finding the newest 4th episode! :)

Mark agreeing to go hang out on a beach w Debbie instead of refusing and the beach is Beach City (am now officially thinking too much about this crossover lol)

The way I got caught up on our back and forth I almost forgot this, lol! AND OH MY GOODNESS, IMAGINE? I forget exactly what which point Debbie makes the beach offer, but I’d love when exactly in SU/SUF-timeline they’d go? There’s something so fucking funny to me about them going during the SUF-timeline and always narrowly missing the strange, Steven-shaped mental breakdowns in the back. I know those don’t occur in a single day, but it’s tickling me. How could they miss anything? I don’t know I just think it’s funny.

Though, post-SUF is interesting if Gems can see the similar “world on your shoulders”, Mark has going on! Steven can shunt the narrative in the Gems’ minds, which I think is neat, if I’m not misusing the phrase since the guy’s on the road far away. Or maybe it’s just before Steven goes and they stumble into each other. I’d kinda love Pearl and Debbie interacting, honestly, if they could talk about loving someone who hurt you, hide things from you, even when you thought you knew them so deeply, and they left you to raise a child. Pearl being in a well adjusted space, and Debbie still grieving.

Honestly, the gems could help train Mark, they’re got experience and similar-ish powers in strength, sturdiness, and they can jump/run fast enough for flying to be vaguely similar enough to lecture about, I think. Or Lapis Lazulis, haha! Peridot with her trash can lid! Garnet, I’d love to see if she told Mark anything about his future in vague, well meaning advice. Or even giving relationship advice considering Amber. Or, importantly, how to convince an entire reign to end their colonizing ways, lol. Is Mark perhaps willing to start a war, take advantage of being related to any leaders, or fake his own death to varying results?

In general, there’s something so fucking funny to me about Nolan, in the sake of comparison, being Pink Diamond coded. Like OH, did an important or well respected of the colonizing empire come to earth and learn the beauty of its people and nature, including faking/lying/omitting things about his identity and background to being in, only to feel conflicted when his responsibility still remained, and he tried to free himself from them? Yikes! We’ve been through that before! Like gimme Pink Diamond and Nolan outfit swap rn. This is tickling me so much oh my goodness.

[earthtooz]

x : LUST FOR LIFE *+ﾟ

in which: sunday discovers a new emotion when he's under you.

warnings: 1.5k words, sunday is B(h)ORNY and doesn't know how to deal with it, he wants reader so bad, lowkey implied switch!sunday, gn!reader being sunday's freak awakening, NO SMUT BUT UNDER 16 DNI, not edited

a/n: five likes and i'll write nsfw for sunday

What good is a leader who can’t empathise with the lives of the people he was supposed to be leading?

This thought has plagued Sunday ever since he exiled himself from Penacony, since he joined the Astral Express in a journey of self-discovery and reflection, embracing the Nameless lifestyle so he can broaden the horizons that Penacony had restricted. There, he was so detached from the reality of the people he was trying to help, so trapped in a whirlwind of his own ideals to experience humanity, too buried in official duties to rejoice in the many wonders of the universe, the simple pleasures and the grandiose ones.

Since boarding, the former head of the Oak Family has experienced humiliation, desperation, and many close calls with death. It seems he underestimated how easily trouble found the Trailblazers, and the diary he carries with him has been updated with multiple entries, filled with exasperated recounts that ended with him being grateful that he is still well and unscathed.

Sunday has also experienced laughter, connection, and the bond of humankind- something he did not have before. When he controlled the Oak Family, had everyone under or at his fingertips, the only person he could depend on was himself. When Robin left to travel the cosmos, what was he to do than learn the bitter truth of independence and self-sufficiency? 

Yet, he sits on the couches of the Astral Express and there is bound to be another by him, trying to converse with him like an old friend. He is mentioned in the conversations like an individual who they keep around because they want to, not because he is crafty, not because of what he can offer. No, he can’t offer anything right now, and the crew still wants him to stay.

He learns more about humanity with each passing day.

However, perhaps one of the more puzzling feelings Sunday has had to confront was… infatuation. 

It’s a tricky feeling. It sends his heart into overdrive and his limbs to become jelly, and at the epicentre of this hurricane of uncharted territory, is you. 

“Sunday?” Your voice comes through muffled from the other side of the door. He almost jumps off his mattress at the sound. 

“Door is open,” he responds as calmly as possible, heart thrumming alive at the sound of your voice, beating in time with the rapid succession of your knocks. 

The door slides open slowly to reveal you on the other side. “Pom Pom just wanted to let everyone know that we will be jumping soon.” 

“I see, thank you for letting me know.”

“No problem,” your gaze then flickers to the angels that flock around him and he watches as your eyes gleam with fascination.

Then, without any hesitation or reluctance, you enter his room and approach him, the door sliding closed without your weight to hold it open. You stop before him without a bow, without a formal greeting of ‘Mr. Sunday’- no, you stop before him like an equal, which you most certainly are. In fact, he would even think of himself below you, but Sunday needs to unlearn this assumption of hierarchy, needs to not let it define the relationships he forms, even if he looks up to you and finds you reverent. 

“Hey, I’ve never seen these little guys before!” You exclaim, sticking out a hand to act like a perch for the angel-like summons. One of them flits up to you and stays on your outstretched finger. “Well, not this close, at least.”

It keens at your praise. Like owner like summon, Sunday supposes.

“I don’t tend to bring them out. They are for combat purposes,” he explains. 

Your eyes widen slightly. “Are you trying to pick a fight with me right now?” 

“What? No! That’s not it-”

“-I’m kidding, Sunday,” you snicker. “We’re friends, I wouldn’t want to fight you.”

“Right,” he exhales, “I wouldn’t want to fight you either.”

“Besides, we already did once.”

He freezes at the memory, remembers when he got hit with the exact train he is currently boarding. 

You, however, are unphased by the recollection, and even continue to rub salt in the wound. “I remember fighting against these little summons too, your owner was a real meanie, do you guys know that?” 

They flock around you, spinning and fluttering like little fireflies.  Instinctively, Sunday covers his flustered expression with his wings, and he doesn’t budge, even when he hears your laugh, the sound almost enough for him to melt into a puddle by your feet.

“Hey, hey, I was kidding, sorry if I took the joke too far.” 

He uncovers himself with an embarrassed sigh, not meeting your eyes. “It’s okay, I think the memory is just… humiliating, more than anything.”

“There are no more hard feelings. Everyone has accepted you on board and none of us think of you to be the same person you were when we first met, I promise.”

Your words are completely earnest, Sunday knows it, can feel it in the way you tell him so unabashedly. So who is he to deny it?

“Thank you,” he says, finally looking up at you, “it means a lot to hear that.” 

“I’ll say it as much as you need. Well, I’ll get out of your hair now, just prepare for the jump-”

Your sentence is interrupted by a shriek when you lose your footing, and Sunday feels it too, the force so strong that even he, while sitting, feels as if is being stretched and pulled into a miniscule hole. What he also feels is your body colliding on top of his, and his hands come to your waist to catch you in an attempt to prevent you from slipping, but it’s not enough and he’s falling with you onto the expanse of his made bed.

The Express is warping to some expanse of the universe, and his stomach drops at the sensation, spreading to the ends of his nerves before disappearing, just replaced by the extremely odd feeling of being pulled through the stars. He just hopes you’re comfortable, standing up whilst warping is tough, he heard the stories of when Stelle first tried to do it and how she fell flat on her face. 

When the feeling of normality returns and Sunday doesn’t feel like he has been stretched out, he opens his eyes and tries to take in the sight before him.

You. Your face. Centimetres away from his.

He’s always thought you were pretty, but seeing you this close… perhaps just pretty is an understatement. His gaze unwillingly flicks to your lips and he wished he hadn’t because suddenly the urge to sit up and lick into your mouth is raging; a fire that can’t be contained. 

Sunday wants you to push him down by the shoulders, with no gentleness or mercy, and just… devour him whole. His hands want to find you by the hips and pull you into him more than humanly possible, he wants you to indent yourself onto him so he can remember your taste forever, so that, in a way, you couldn’t ever leave him. 

Alternatively, he would happily flip around and pin you against the mattress. He would pry you open, explore the cavern of your mouth with his tongue and suck your sacred essence out of you so that it can stay and settle in his bones instead, replacing where marrow should be. He wants to lay you vulnerable so his hands can explore places only you want him to touch, wants to take you so that you stay forever, wants to feel your tongue against his, wants to hold your face and feel how you react when he takes his time cherishing you, revering you. 

This feeling is too much, these thoughts are overpowering, yet nothing has ever been more clear. Sunday wants you, lusts for you, even, and he’s never felt so intensely for someone before. 

How would the symphonies sound when they learn of the atrocities he wants to perform? 

Temptation holds him close and infects him with a desire so strong, he’s practically frozen in place as you recover from the shock, holding yourself up with your arms that were on either side of his head. 

“Ow, I’m sorry!” You immediately exclaim, before realising exactly what position you are in, your chests are pressed together, and you’re mortified to think about how close you were before you picked yourself off him, and- his… his hips… are pressed against yours- okay, you needed to leave as soon as possible.

You scramble off him like he had burnt you, frantically shouting apologies whilst doing so, the words clumsy and rushed, but neither of you can deny how you miss the warmth that was suddenly ripped away. 

(If he wanted to, you could have stayed in that position with him.)

Then, before you could get anymore thoughts, you turn and practically bolt out of his room without another word, leaving a hot and bothered Sunday behind.

© EARTHTOOZ 2024, do not steal, translate, repost my fics and do not recommend my fics onto any other site.

[inbarfink]

Considering how much the horror of Simon being trapped under the Curse of the Ice Crown was first and foremost based around a loss of identity 

It only makes sense that this is still what Simon struggles with now, after being freed.

Simon knows who he’s not. He’s not Ice King. He is Simon Petrikov again. But who is Simon Petrikov now? Because it seems like his current situation has really taken away all of the ways Simon used to define his identity.

‘Simon Petrikov the antiquarian and archeologist’ is… not quite it anymore. His current job is similar, since he’s still teaching people about ages long past. It’s just that now that ancient era is his original world - but it’s clear that’s not quite what he wants to do anymore. Whatever it’s because he can’t get as excited about the 20th century as he could for ‘his’ ancient times, or because he doesn’t really like his new ‘teaching method’ where is quite literally a living museum exhibit.

And what about ‘Simon Petrikov the intellectual researcher of magic and the paranormal?’

Yeah, no chance anymore. Before the Crown, Simon had a real fascination with magic and the supernatural. But now, in the wacky world of Ooo - he has lost that aspect of himself completely. He aches for the mundane.

And then there’s ‘Simon Petrikov the adventurous outdoorsman’, which we only learned about just now.

Which is another aspect of Simon’s identity lost in the new context of Ooo. Simon might’ve been able to brave the elements against rain and mosquitos and poison ivy. But in this world of dragon monsters and shapeshifting bears he is just not able to take it anymore.

‘Simon Petrikov, Marcy’s gentle caretaker’ is right out too. Not only because Simon believes Marceline just doesn’t need him anymore…

But he also doesn’t see himself as capable of helping any little kids anymore - and not just in term of ability…

But also in terms of his own personality. 

Making this little girl cry basically smashed that part of his identity to dust.

And then there’s “Simon Petrikov, Betty Grof’s beloved”, which would be a fool’s errand to keep clinging to…

And yet…

[felinecyan]

Reality of Realizations

[Shoto Todoroki x Female!Reader]

Synopsis: After the Sports Festival, Shoto comes to realize just how awful his behavior was, and he’s determined to make things right.

WC: 3559

Category: Mega Fluff, Awkward!Shoto

This idea smacked me to my keyboard at 3 am and took me hostage until I finished it… I hope you enjoy it!! ☺️🫶

『••✎••』

In the beginning, Shoto didn’t feel guilty. He felt indifference. To him, U.A. was about succeeding his father without his father’s side of his bloodline, the fire part of his quirk. Everything was about becoming a hero that wasn't like Endeavor. Everything was about getting stronger without using fire.

Friendships weren’t his concern. In fact, he didn't give them much thought at all. He didn’t feel like they would be beneficial to his cause.

For some reason, though, you wanted to be around him. Maybe it was because you saw something in him, some type of potential that even he didn’t recognize. Or maybe you just had a lot of energy that needed to be spent, and being around him was your only means of releasing it. Either way, you never left him alone. You followed him, sat next to him in class, and asked him about his quirk.

And with his current mindset, he was rather annoyed with your persistence. He knew he could handle it himself. He could do well in school and become a great hero without any help. You were a distraction to his goal, and he was not having it.

When you first tried to start a conversation, Shoto looked straight ahead. His gaze remained fixed on the whiteboard. If you continued to be persistent, he would snap at you. It was a guarantee.

As much as he wouldn’t like to admit, sometimes the father-son resemblance would shine through.

You tried again, asking him what his favorite food was. When he didn’t answer, you shrugged and turned your head toward the window—another failed attempt.

Your attempts only increasingly became more annoying as time went on. The same questions, the same responses, and the same outcome:

An angry Todoroki who just wanted to be left alone.

But it wasn't until the Sports Festival that things changed for him. Midoriya helped him realize that his father wouldn’t define him, but his own choices would. It was enlightening, and after their fight, he felt a strong sense of respect for the green-haired boy.

And due to that awakening, he realized just how absolutely rude he had been toward you.

You were one of his classmates, a person who was in the same school as him, training to be a hero just like him. You were someone who deserved respect, and he didn’t treat you the way you should have been.

That guilt settled in.

He was a horrible person.

He had to make up for it.

And, no, a simple apology would not be enough. He needed to go the extra mile and show you that he meant what he said and that he was truly sorry.

The question was, how?

He knew little about you. He never spoke to you, not in the way you had tried speaking to him, so how would he know your favorite food, your favorite color, your favorite animal? How would he know what kind of flowers or sweets you liked?

How could he make you happy when he was the one who hurt you in the first place?

He thought long and hard. He pondered and pondered, trying to think of what you could possibly enjoy, but his mind would draw a blank.

So, he did the only thing he could think of: he asked Midoriya for help. The green-haired boy had that entire notebook dedicated to all the quirks every classmate had, so surely it could give him some insight into how to approach you.

Surely, it would help.

After class, Todoroki went over to Midoriya. He kept his hands in his pockets, and he looked the other way, not quite wanting to see Midoriya's expression.

Needless to say, he was absolutely surprised when Todoroki asked him for help. Surprised and absolutely delighted. The way he started bouncing in his seat with the biggest smile on his face made Todoroki want to reconsider the offer. But before he could retract, Midoriya already had his notebook out.

He flipped through a few pages, his finger stopping when he found your name. Honestly, it was unnerving just how many notes were dedicated to each individual.

Midoriya read your likes and dislikes; apparently, they were all through observation and not from you telling him. Maybe if Todoroki wasn’t so mean to you, then he would‘ve known what you liked, too.

He figured you had to make it obvious for Midoriya to write it down, right? There’s no way Midoriya would be able to figure out that information from just watching.

Then again, his analysis was pretty spot on. He knew what your personality was; he dealt with it firsthand. Of course, at the time, he didn't think too much about it. All he thought was how much he wanted you to leave him alone. Now, however, he wanted you to ask him those questions.

He wanted to be your friend.

He learned that you loved reading books. Not only that, but you loved flowers. Not the typical roses or sunflowers, but the less popular flowers. The type of flower that not a lot of people would think of when thinking about the beauty of a flower.

You also loved sweets, mostly anything with the word "chocolate" in the name. You had a sweet tooth, and it was very apparent.

Todoroki didn’t know why, but he found himself smiling. Finding out your likes and dislikes and learning about your personality was interesting. He wished he hadn’t been so blind before. Maybe then, he could've been friends with you earlier.

But it was okay. He could still become your friend. He could still fix things.

Midoriya had written down a list of things that you would appreciate the most, and then it was on the planning portion.

Gift-giving was still a relatively new concept for Shoto. He never had any real reason to give someone a gift before, and when he did give gifts, it was mostly for his siblings on special occasions.

He never really had the opportunity to buy a gift for a friend.

Midoriya told him that the best gifts were meaningful and came from the heart.

"Think of a memory you have with them. Think of something that they would really enjoy."

But the issue was, he had no memories with you. No good ones, anyhow. They were all trash because he never gave you the chance to have a good memory with him.

"Hey, Todoroki, if you were—"

You always sounded so genuine when asking him those foolish questions, but the moment he turned his head, his glare could have killed you.

"Do you always have to bother me? Doesn’t it get tiring asking the same things, day in and day out?" His tone was harsh, and he didn't mean for it to sound that way, but it was the only tone he ever used on you.

"No wonder your parents sent you to boarding school in America before applying here. I wouldn’t be able to deal with you either."

Yeah, those were his words. Those were his exact words. Not the nicest, were they?

The sentence was completely laced with poison, and even Shoto knew it then. He truly didn’t mean to bring that up; it was a low blow, but the damage was done, and the second it was said, your expression fell.

Shame, really. You were only trying to be nice. You didn’t deserve his spiteful attitude. You were kind and thoughtful, and you were a very good person, but he couldn’t bring himself to accept your kindness.

So, how the hell was he going to be able to apologize to you? How was he going to give you a present that meant something when all his memories of you were filled with his hate?

He sat on his bed, his legs crossed as he held his head. He needed an idea, but his mind drew a blank. What the hell was he supposed to do?

Midoriya told him that a homemade gift was probably the best among a couple of special items. If he made something himself, he could show how much effort he put into it. He could make something meaningful and show just how sorry he was.

But... he wasn't the most creative person. In fact, his creativity was nonexistent. He didn’t know the first thing about making something from scratch.

He knew how to make a peanut butter and jelly sandwich and a tasty soba, but other than that, he was lost.

And it wasn't like he could ask for his siblings' help. He took that as a sign of not owning up to his mistakes. If he couldn’t figure this out, then he didn't deserve your friendship.

His eyes were fixated on his desk. His textbooks were sprawled out, and a couple of papers were scattered across the table. He was currently studying for the next exam, and his phone was off to the side, plugged into the wall to charge.

His mind should’ve been on schoolwork, but the only thing he could think of was you. He needed an idea, and soon, because if he didn't do anything, his guilt would eat him alive.

His mind continued to wander.

Flowers, chocolate, a book, a teddy bear.

None of these would be enough. None of these were personal; none of these would mean something.

His eyes wandered from his desk to the window. The sky was orange, a beautiful sunset. He watched as the clouds passed and the birds flew by.

Birds.

Why does that remind him of something?

What do birds have to do with a gift?

He closed his eyes, trying to remember a moment. Any moment, whether good or bad, anything that could help him get a hint as to what to do.

And then, a memory flashed.

It was a rainy day, and you were late.

You were walking and running, but the rain was coming down pretty hard. You weren’t an idiot, so you weren't wearing the U.A. uniform. Instead, you wore a jacket. But even then, you were still soaked.

You didn’t have an umbrella, a raincoat, or any protective gear. You were running through the rain, trying to get to the school before the bell rang.

Luckily, it wasn't too far away.

Shoto remembered seeing you run, and for a brief second, he thought you were an idiot. He wondered why you didn't just take the bus or the train. If you lived near the school, you would've had plenty of time.

And still, even being as late as you were, you were still determined to have your daily conversations with Shoto.

You were definitely an odd ball, but in that moment, a certain memory came to mind.

When you finally made it to class, you were absolutely soaked. Your hair was sticking to your face, and your shoes were squishing with every step you took.

You sat down, understandably grumpy, but you weren’t upset that you were late, wet, or even sick the next day. No, what was upsetting you was the fact that you had lost something.

A hairclip, to be specific.

You lost a hairclip.

It was a clip that had a hummingbird attached to it. The clip itself was silver, but the hummingbird was painted green. He knows this because you wouldn’t stop talking about it.

He remembered you saying that it was a gift from a family member. He didn’t know who, nor did he care at the time, but you cared.

You really cared.

You spent the majority of the day searching for the hairclip. You searched the hallways, the bathroom, the cafeteria, everywhere you could think of, but it wasn’t there. It was nowhere to be found.

And for a week, you wore your hair down, which was the complete opposite of what you normally did.

If only Shoto realized this at the time, then he would've helped you look for it. He was good at finding things, ironically, but the thought didn’t cross his mind, and neither did the memory.

Until now.

In a split second, he bolted up. He rushed downstairs, not caring if he was loud. He didn’t care if his family could hear him; he didn’t care if he was disturbing their peace.

He had an idea, a good one, and it was perfect.

It was the most personal gift he could think of. Throw in a couple of your favorites, and it would be perfect.

He would make you a gift basket, but he would add his own touch to it. Again, he wasn’t that creative, but he had a basic idea. You’d like ribbons, right? Why not a nice bow?

Unfortunately, your specific hummingbird hair clip was long gone, but the internet seemed to have everything. He searched for hours, ignoring his study guide for the upcoming exam, and finally, after what seemed like forever, he found a silver hummingbird. It wasn’t painted green, but it was the same model as your old one.

It was the best he could do. And fortunately, due to the one-day shipping, he would have it by the time Monday rolled around.

He ordered it, and when it came in, he put the basket together. He bought you a book based on your favorite genre, some chocolate, a bouquet of some of your favorite flowers, and then, he added the ribbon.

The clip he put in a special case, away from the basket. He would be giving this separately because it would mean more, and he felt like this was something that shouldn’t be touched by anything else.

And, well, he wanted to see your reaction to his apology. It would be easier to read your expression if he didn't give you both the gift at the same time.

Oh, right, the apology.

He didn’t really think about that, and honestly, he didn’t know how to start.

But the best way to do anything is with practice, right?

Screw that upcoming test. He had something much more important to deal with, and knowing him, he’d probably still ace the test anyway.

He cleared his throat, standing in the middle of his room.

Okay, how would he start?

Hi? No, that was too casual.

Hello? No, it's not formal enough.

Greetings?

No, no, he shouldn’t sound like a robot.

He needed something more genuine, more real.

Maybe... maybe he should start by telling you how sorry he was. Yeah, that would be the best.

He cleared his throat again.

"Hey," his voice cracked, and his eyes widened. He sounded so awkward. That was so not smooth.

He started over.

"I know we haven't spoken in a while," he started. "I'm... I'm sorry for everything I've done. For everything I've said. You didn't deserve any of that."

This felt like a speech. Maybe he should tone it down.

"I… I was a horrible person, and I wish I could take back all the things I said, but I can't, and I'm sorry. I'm truly sorry. And I know a simple sorry won't fix everything, so..."

He went over to the desk and picked up the box with the silver hummingbird inside.

"I want to give you this. I hope you like it."

Okay, practice over. He’s better off winging it. He truly regretted how he acted, so regardless of how the apology goes, hopefully, you can see that he's being genuine.

He sighed.

Hopefully.

The next day came quicker than expected. He spent the entire night preparing, and by the time the morning came, he was exhausted.

But it was okay because soon, he'd be able to see you and, hopefully, make amends.

Panic didn’t set in until he caught sight of you at your locker, picking out your books.

The moment his eyes landed on you, his heart started to race. His throat went dry, and his hands got clammy.

This is it, he thought—all or nothing.

He took a deep breath.

Here goes.

"Excuse me," he started. His voice sounded shaky, but he ignored it. He had to stay confident and pretend he wasn’t nervous.

You turned to him, and the moment your eyes met his, he swore he could feel his heart stop.

Those eyes… full of utter shock and surprise. You were really caught off guard. And he was, too, because not a single word was uttered from his lips.

"Um," you cleared your throat. "Hey, Todoroki," you smiled at him. You seemed hesitant, and honestly, who could blame you? He had never really been nice to you.

"I was just heading to class, but uh," you rubbed the back of your neck. "Did you… did you need something?"

The question made him snap back into reality.

He was still speechless, so to fix the awkward atmosphere, he decided just to hand you the basket.

You were obviously confused. Your brows were furrowed, and you stared at the present like it was some foreign object.

"What's this?"

"It's a gift."

Your confusion didn't fade. In fact, it was almost replaced with concern.

"For... me?"

Oh, for the love of…, snap out of it, Shoto!

He shook his head.

"Yes, for you," he handed you the gift, and when you held it, he couldn’t stop his heart from skipping a beat. "I…"

He sighed, rubbing the back of his neck.

"Look, I'm... I'm sorry. For everything."

You just stared at him blankly, and for a moment, Shoto felt the panic rise. What if you didn’t forgive him?

You were quiet for a while, and his nervousness only grew. He decided to try again.

"You were just trying to be friends, and all I did was push you away. I was so… rude and cold, and you didn’t deserve any of that. You were just trying to be kind. So, I wanted to make it up to you. I wanted to do something nice and show you how deeply apologetic I am."

Silence.

He didn't know what to say anymore, so he continued, hoping he wasn't making a bigger mess than what it was.

"I also, uh, got you this," he pulled out the case from inside his uniform. With the way you were silent the entire time, he was starting to think you wouldn’t accept the gift.

So, the moment your hand reached out to grab the box, he was relieved to know you were willing to listen.

"I know it’s not your original, but it's the closest I could find. And, well, it's the least I could do, considering how I acted."

When you opened the box, he could see the way your eyes lit up. He was so nervous about this, so scared that you wouldn’t like it, but the way you smiled proved him wrong.

And that smile. Oh, that smile.

He caused that smile. Instead of stealing it away or making it go away, he made it appear.

"Todoroki, I," you were speechless. Utterly speechless, he could tell by the way you looked up at him.

You were trying to find the right words, and honestly, he didn’t blame you. He was in a similar situation.

"You didn’t have to get me this," you said, a bright smile on your face. You were holding the hummingbird gently like it was a precious object. "I probably would've forgiven you even if you didn’t get me anything."

Wait, was that a yes?

Was that a yes?!

Shoto could feel the corners of his lips twitch. He felt himself smiling.

"Thank you," you continued, still holding the hummingbird carefully. "It means a lot to me. I appreciate the effort you put into this. And, um, thank you for the apology. I really needed to hear it. Honestly, I thought I did something wrong, so I'm glad that wasn’t the case."

You laughed a bit, and even if he was confused about why you were laughing at all, he was relieved that you were accepting his apology.

"You did nothing wrong," he told you. "I was the one who messed up. I have issues, but that's not an excuse to be a jerk."

You smiled again, and he noticed the way you fiddled with the box. It was clear you wanted to attach the hairclip.

"I can… um, help you with that if you want."

The instant nod from you was enough for him to grab it delicately from the box, and when he did, you turned around.

It was a really pretty clip, and it suited you. Whoever originally gave it to you clearly had great taste.

It took a second, but he finally placed it into your hair. When you turned back around, he nodded in approval.

"You look nice," he told you.

"Thank you."

There was a pause.

"Um, did you, uh, want to sit together during lunch? I mean, you don't have to if you don't want to, but I thought I'd ask."

The amount of joy he suddenly felt was unexplainable. You were accepting him, and it was the most amazing thing he had ever experienced.

"Yeah, sure," he nodded. "That sounds nice."

Mission make up with you: success.

The guilt of everything still lingered, and he would have to apologize to everyone else as well, but that could be done later.

Right now, all that mattered was his new friend. A friend that should’ve been his a long time ago.

[imsosleepyofyourbull]

I firmly believe that Kabru is autistic but masks so hard that he’s convinced himself and (almost) everyone around him that he’s neurotypical.

That man’s special interest is people and how they work, but he just thinks it’s him Being So Good At Socializing — like he doesn’t spend 95% of his time people watching and adjusting his personality in response to the traits he witnesses and obsessing over the intricacies of human interaction while mapping an ever growing relationship chart in his head. For fun. He even admits it in the manga!

Like, look at him!!!

It’s such a shame that — because he’s the narrative foil to Laios and his interest is generally considered more “socially acceptable” in both their world and our own — more people don’t realize this about him. He’s constantly misinterpreted as a horribly manipulative person who only acts the way he does to use the people around him, when that’s explicitly shown to not be the case at all. Kabru is naturally empathetic and is almost always thinking about other people, regardless of whether or not they’re right there with him or a thousand miles away.

I mean, his most defining motivation is his desire to do everything he can to avoid another tragedy like the one at Utaya. Someone who doesn’t care wouldn’t have a goal like that, and they most certainly wouldn’t go about it the way he does. He’s constantly working to help people who can help everyone else and tries so hard to make sure that anyone who seems like a threat is actually someone he needs to worry about before doing anything about it. His supposed aversion to Laios is only because of the ridiculous trolley problem he’s set up in his own head.

Outside of that, he (rather justifiably) hates monsters but is desperate to understand Laios’ love for them and his apparently most selfish goal in getting close to the guy was literally just to become friends with him.

When he’s interacting with the canaries and they imply that they’re going to take him and all of his friends to the West, his first thought is of Rin and how much she’d hate to be stuck in the place that gave her so many bad memories.

He helps Kuro learn Common when Mickbell is asleep and firmly looks forward to the day that the half-foot and Kuro can communicate properly so that their relationship can get properly started without any miscommunication.

And he understands Mithrun with only a handful of weeks AT BEST interacting with him, getting enraged when the elf seems to give up and immediately trying to help him find a new motivation for life.

I’m excited just thinking about the day that Kabru starts unmasking more and more around his friends — both new and old — because if being with my current friend group has taught me anything, it’s that hanging out with anyone so unabashedly themselves is bound to make you more comfortable with yourself too. It’s part of the reason why I like Labru so much! There’s something nice about imagining them hanging out in the throne room or laying in the grass outside and talking for hours on end about their special interests. They might not strictly understand what the other finds so fascinating about monsters or people, but they can grasp that shared feeling of love.

They probably influence each other in really good ways too, with Kabru helping Laios figure out what people are thinking even when it doesn’t make sense or Laios helping Kabru understand that not everyone and everything needs to be analyzed a thousand times over. They both get to learn that there are people like them and people who will love them without them ever having to change a thing about themselves. They deserve to know that they’re fine the way they are.

[anghraine]

It's always been intriguing to me that, even when Elizabeth hates Darcy and thinks he's genuinely a monstrous, predatory human being, she does not ever perceive him as sexually predatory. In fact, literally no one in the novel suggests or believes he is sexually dangerous at any point. There's not the slightest hint of that as a factor in the rumors surrounding him, even though eighteenth-century fiction writers very often linked masculine villainy to a possibility of sexual predation in the subtext or just text*. Austen herself does this over and over when it comes to the true villains of her novels.

Even as a supposed villain, though, Darcy is broadly understood to be predatory and callous towards men who are weaker than him in status, power, and personality—with no real hint of sexual threat about it at all (certainly none towards women). Darcy's "villainy" is overwhelmingly about abusing his socioeconomic power over other men, like Wickham and Bingley. This can have secondhand effects on women's lives, but as collateral damage. Nobody thinks he's targeting women.

In addition, Elizabeth's interpretations of Darcy in the first half of the book tend to involve associating him with relatively prestigious women by contrast to the men in his life (he's seen as extremely dissimilar from his male friends and, as a villain, from his father). So Elizabeth understands Darcy-as-villain not in terms of the popular, often very sexualized images of masculine villainy at the time, but in terms of rich women she personally despises like Caroline Bingley and Lady Catherine de Bourgh (and even Georgiana Darcy; Elizabeth assumes a lot about Georgiana in service of her hatred of Darcy before ever meeting her).

The only people in Elizabeth's own community who side with Darcy at this time are, interestingly, both women, and likely the highest-status unmarried women in her community: Charlotte Lucas and Jane Bennet. Both have some temperamental affinities with Darcy, and while it's not clear if he recognizes this, he quietly approves of them without even knowing they've been sticking up for him behind the scenes.

This concept of Darcy-as-villain is not just Elizabeth's, either. Darcy is never seen by anyone as a sexual threat no matter how "bad" he's supposed to be. No one is concerned about any danger he might pose to their daughters or sisters. Kitty is afraid of him, but because she's easily intimidated rather than any sense of actual peril. Even another man, Mr Bennet, seems genuinely surprised to discover late in the novel that Darcy experiences attraction to anything other than his own ego.

I was thinking about this because of how often the concept of Darcy as an anti-hero before Elizabeth "fixes him" seems caught up in a hypermasculine, sexually dangerous, bad boy image of him that even people who actively hate him in the novel never subscribe to or remotely imply. Wickham doesn't suggest anything of the kind, Elizabeth doesn't, the various gossips of Meryton don't, Mr Bennet and the Gardiners don't, nobody does. If anything, he's perceived as cold and sexless.

Wickham in particular defines Darcy's villainy in opposition to the patriarchal ideal his father represented. Wickham's version of their history works to link Darcy to Lady Anne, Lady Catherine (primarily), and Georgiana rather than any kind of masculine sexuality. This version of Darcy is a villain who colludes with unsympathetic high-status women to harm men of less power than themselves, but villain!Darcy poses no direct threat to women of any kind.

It's always seemed to me that there's a very strong tendency among fans and academics to frame Darcy as this ultra-gendered figure with some kind of sexual menace going on, textually or subtextually. He's so often understood entirely in terms of masculinity and sexual desire, with his flaws closely tied to both (whether those flaws are his real ones, exaggerated, or entirely manufactured). Yet that doesn't seem to be his vibe to other characters in the story. There's a level at which he does not register to other characters as highly masculine in his affiliations, highly sexual, or in general as at all unsafe** to be around, even when they think he's a monster. And I kind of feel like this makes the revelations of his actual decency all along and his full-on heroism later easier to accept in the end.

------------

*The incompetently awful villain(?) in Sanditon, for instance, imagines himself another Lovelace (a reference to the famous rapist-villain of Samuel Richardson's Clarissa). Evelina's sheltered education and lack of protectors makes her vulnerable to sexual exploitation in Frances Burney's Evelina, though she ultimately manages to avoid it. There's frequently an element of sexual predation in Gothic novels even of very different kinds (e.g. Ann Radcliffe's The Mysteries of Udolpho and Matthew Lewis's The Monk both lean into this, in their wildly dissimilar styles). William Godwin's novel Caleb Williams, a book mostly about the destructive evils of class hierarchies and landowning classes specifically, depicts the mutual obsession of the genteel villain Falkland and working class hero Caleb in notoriously homoerotic terms (Godwin himself added a preface in 1832 saying, "Falkland was my Bluebeard, who had perpetrated atrocious crimes ... Caleb Williams was the wife"). This list could go on for a very long time.

**Darcy is also not usually perceived by other characters as a particularly sexual, highly masculine person in a safe way, either, even once his true character is known. Elizabeth emphasizes the resilience of Darcy's love for her more than the passionate intensity they both evidently feel; in the later book, she does sometimes makes assumptions about his true feelings or intentions based on his gender, but these assumptions are pretty much invariably shown to be wrong. In general the cast is completely oblivious to the attraction he does feel; even Charlotte, who wonders about something in that quarter, ends up doubting her own suspicions and wonders if he's just very absent-minded.

The novel emphasizes that he is physically attractive, but it goes to pains to distinguish this from Wickham's sex appeal or the charisma of a Bingley or Fitzwilliam. Mr Bennet (as mentioned above) seems to have assumed Darcy is functionally asexual, insofar as he has a concept of that. Most of the fandom-beloved moments in which Darcy is framed as highly sexual, or where he himself is sexualized for the audience, are very significantly changed in adaptation or just invented altogether for the adaptations they appear in. Darcy watching Elizabeth after his bath in the 1995 is invented for that version, him snapping at Elizabeth in their debates out of UST is a persistent change from his smiling banter with her in the book, the fencing to purge his feelings is invented, the pond swim/wet shirt is invented. In the 2005 P&P, the instant reaction to Elizabeth is invented, the hand flex of repressed passion is invented, the Netherfield Ball dance as anything but an exercise in mutual frustration is invented, the near-kiss after the proposal in invented, etc. And in those as well, he's never presented as sexually predatory, not even as a "villain."

[writersdrug]

Thinking about Simon with a goth! gf, and introducing his team to you.

Warnings: cursing, very slight nsfw, pda

Typed this up on my lunch break, not thoroughly proofread, ending is meh but it's been rotting in my brain so I had to push it out. Feel free to send me asks about this headcannon, I'd love to write more about it! <3

Simon insists on dragging his team to the nearest pub after a particularly rough day, offering to buy then a round of whiskey. They are all reluctant at first, complaining about aching backs and heads, and Price saying that the missus was expecting him.

Then Simon mumbles something about how his girl would've loved to meet them.

"Yer wha' now?"

"My girl."

Suddenly, Gaz's headache is gone. "Must've just been dehydrated, I suppose." Soap's back feels much better, after being able to sit in the car for just- five minutes, now. And Price? Apparently, the missus was at a dinner raffle for her charity- thing, and he'd just now remembered.

So, drinks and a quick bite at the pub you worked at. It was settled.

Simon leads them in shortly after parking the truck. The other three quickly scan the room for anyone who stands out. As Simon brings them to a booth in the back, they all take a seat, heads on a swivel for some pretty thing to come bouncing over and latch herself onto him.

"Gonna hit the head." Simon says. "I'll put our drinks in- she'll bring 'em over, she'll be done with 'er shift soon."

As he leaves, Soap, Gaz, and Price all sit there in a few moments of observatory silence. It's much harder to sample the crowd, they realize, since there's apparently no dress code for the servers. Johnny eyes each person like a hawk, until he sees a potential pick.

"Tha' one." He says, nodding towards a busty, long-legged blonde. Price and Gaz follow his line of sight to her as she leans against the bar, playing with her hair and laughing at something her friend says. Her bootcut jeans and frilly top accentuate her curves, and it's obvious that every man in her vicinity is ogling. "Twenty on 'er. Seems like he'd be into swimsuit models, eh?"

Gaz humms, scrunching his nose disapprovingly. "Nah, mate- too simple."

"Feck is simple 'bout 'er?"

"I mean for Simon." Gaz corrects Soap. "Don't think he'd want someone so... ditzy- no offense to her." He adds. "I think he wants a girl who can hold her own, in the physical and the figurative sense. Someone..." he narrows his eyes, searching through the crowd of people. "Like her."

He discretely points to a woman across the bar. She's playing darts with a few people, and hits the bullseye perfectly just as Soap and Price look her way. Her tank top and cargo pants show how defined, yet lean her muscles are. She looks like she could last a few decent minutes in a brawl. "I bet on her."

"Well I'll raise ye forty - I ken LT wants someone more... passive."

"Forty it is, then. I'd love to have you pay my bill tonight."

"If I may..." Price chimes in, leaning against the back of the booth with a smug look, arms folded over his chest, "I'd love to get in on this little game o' yours, and walk away with eighty pounds t'night - because you're both wrong."

Soap smirks. "And how's tha', Cap?"

Price smooths his fingers over his mutton chops. "Well, for starters, I'm a bit ashamed o' you boys. Neither of those girls actually work here, do they? Mm?"

Gaz groans, letting his head drop against the wall behind him. It takes Soap another moment, but then he remembers Simon saying this was where you worked. The whole point of them going to this specific pub was because you'd already be here, on the clock.

"Shite..." he mumbles.

"Alright, sir." Gaz says defeatedly. "Lay it on us."

Price leans his elbows on the table and points his finger straight ahead; Gaz and Soap both follow it to the bar, where a sweet-looking girl is punching orders into a server tablet. She has long, silky, red hair, and a petite frame. She smiles so kindly at every patron who speaks to her, and when she makes their drinks, she is quick with it, still engaging in conversation as she shakes the mixer with a powerful arm. Despite the crowd, she seems to be managing fine on her own.

"Her." Price says, tucking his hand back onto the table. "Y' see that face? The way she talks to 'em all? How she's soft and tough at the same time? Imagine that birdie tucked under his wing, eh?"

Soap and Gaz can imagine it. She's a cute little thing, a social butterfly, it seems - the perfect polar opposite to Simon that just might be the perfect fit.

"And I know he's got a thing for redheads." Price adds.

"Piss off, how d'ye ken tha'?" Soap grumbles.

Price shrugs. "Call it intuition."

Simon comes around the corner, carrying several glasses of neat whiskey. "Sorry-" he says, setting a glass in front of Price, and handing out the others as he sits down on the end of the booth. "She's on 'er way now."

"No worries." Price says, trying to hide his smirk. "Didn't know y' were into redheads, Simon."

Simon pauses, looking down at the table in confusion - then he chuckles. "Yeah, s'pose I am. How did y' know? Did she come by already?"

Price laughs. "No, son. We were just sayin'-"

"Hey baby!"

You turn the corner and lean down, squealing as you throw your arms around Simon's neck and kiss him. The other three look on with shock, and Soap is about ready to throw this random woman off of Simon, until he holds you just as tightly and kisses you back.

Price's smirk falls right onto the table when he realizes that he is just as wrong as the other two.

You're Simon's bird. Simon's raven. Black, styled hair, with black lipstick that is currently smudging Simon's chin. You have a choker - no, several chokers, wrapped around your neck, as well as a tiny corked bottle filled with red liquid that makes Soap and Gaz nervous, dangling from a chain. Long, black-painted fingernails, with small spiderwebs decorating the tips, caressing his face and the back of his neck. Your arms and legs are covered with torn fishnets and small tattoos, and you're wearing a black number with a corset, paired with studded Doc Martin's.

You finally pull away and look at the rest of them. "Sorry- nice to finally meet the lot of you." You say, shaking each one of their hands. Your eyes are striking, with full, dark lashes, eyeliner, and red contacts. Gages and a bull ring, too. Soap feels a shiver run up his spine when he looks at you head on, and Gaz hasn't picked his jaw up off the floor since you came around.

"Erm-" Price clears his throat, "pardon us- call me John. This is Kyle, and Johnny." He gestures to the other two, still watching you with a mix of curiosity and awe.

"I've heard so much about you. It's good to put names to the face." You say with a smile, shaking the other two's hands. Gaz manages to smile a bit, but Soap has the same shocked expression plastered onto his face.

Simon has a love-drunk, black-smudged smile on his lips as you sit down in his lap. "She's been wantin' t' meet you all for a while, now. Sorry I kept 'er a secret."

"To be fair, I'm usually hard to find." You say, grabbing a napkin and wiping the lipstick off Simon's face. "I'm either here, at class, or roaming around and people-watching... at night, of course. People are more interesting when it's dark out." You traced a fingernail along his jugular as he stared up at you.

"John 'ere knew you were a redhead."

"How?! Oh my god- are my roots showing?"

"Nah, luvie, he's just observant. 'S our job." Simon places a kiss to your forehead. You smiled, leaning into the kiss.

"Oh, kitchen's about to close. You wanna split a burger, Si?"

"Sure, get what you like."

"'S no onions ok?"

"Fine w' me - chips?"

"You know it." You giggle, making a show of squishing his cheek and biting it. You turn to the rest of his team with a smile. "You boys hungry?"

Price is the first one to speak, taking a heavy breath in, causing Soap and Gaz to finally snap out of their trance. "Erm- whatever you get, we'll do the same. On us tonight."

"Oooh, you sure?" You asked, raising your eyebrows. Simon looked at Price curiously.

"You positive, cap?"

Price nodded. "Lost a bet."

Simon looks even more concerned. You pat his shoulder and stand up. "I'll go punch it in, be right back." You give him a peck on the cheek, and begin to walk away - Simon's attention returns to you as he hooks a finger in the chain choker around your neck and tugs you back.

Soap, Gaz, and Price all watch, stupefied, as you land back in Simon's lap with a giggle. He grabs your chin between his thick fingers and kisses you on the lips, shamelessly letting his tongue slide past your teeth and squeezing your thigh. You laugh into the kiss, letting him devour you for a moment, before tapping his cheek and breaking away.

"I got fifteen minutes to put everyone's order in, Si."

"That's plenty of time, dove."

"Yeah, but then kitchen will get mad for doing it last minute, and I don't want-"

He chuckles, gently shoving out off of his lap and smacking your rump through your skirt. "You're fine, go on."

You smile, then disappear behind the booth, boots thudding against the hardwood floors.

Simon looks back at the three of them - Soap is staring between you and him, a blush covering his face. Gaz immediately turns to look at the wall, scratching his chin, and Price is gazing into his whiskey, though there's a lingering surprise in his eyes.

"So- what bet?" Simon asks, adjusting his hips; Soap notices his hand reaching down to palm at the fabric over his groin. "I don' remember bettin' nothin'."

"We weren't bettin' on ye pullin' her out ye pockets, LT." Soap comments, trying to avoid Simon's eyes. He reaches into his pocket and pulls out forty pounds, slapping it onto the table.

"It makes sense..." Gaz, chimes in. "With your whole skeleton look, she fits you."

Simon slowly smiles, understanding what they had bet on. "Oh... I see. Lemme guess - you thought I's with someone more... simple? Lile that blonde at the bar, is tha' right?"

"Tha's what I said!!" Soap exclaims, dropping his fist to the table. "You got te give me credit fer pointin' t' a swimsuit model first, aye?"

"Oh- because every bloke on earth is shallow enough to care about swimsuit models." Gaz scoffs. "I at least picked someone who didn't look so bloody helpless." He gestures to the girl playing darts with her friends. "You don't even know if the other girl's a model."

"Well, one can imagine..."

"Feel as though I's the closest..." Price mutters under his breath, making the other two glare at him.

"Ye were not."

"Get off your high horse, cap-"

"Well- try this." Simon leans on his forearms with a smug look on his face. "My bird? She's a model, and she's a black-belt in Judo, and-" he looks at Price- "she's a natural redhead."

They all look between Simon and you, as you stand behind the bar and punch their orders in, laughing with the other redhead. Their eyes would drop onto the table if they were any wider.

"You sly dog-" Gas comments with a chuckle.

"I don' believe ye." Soap says, crossing his arms. "Wha' kind o' model?"

"Lingerie."

Price chokes on his whiskey.

"Bullshit." Soap snaps. "Pictures or ye lyin'."

"Nah." Simon sighs, leaning back in his seat and daking a sip of his whiskey. "Not the ones I have, at least. But pick up the last "Bloodletting" magazine, and she's there."

They all sit there, a bit dumbfounded, watching you walk back to the booth. How on earth did someone like Simon land someone like you?

Simon's full of surprises, even in his personal life.

[glitter-stained]

Thinking about how some modern comics writers (Tom Taylor) write the batfam and why it doesn't sit right (this post centers around the robins because of their training but some of that reflexion would definitely fit for Barbara and Cass as well.)

The thing with writing a team of people with similar training and strength is you can't take the easy route of "well this one is the smart one! And this one is the flexible one! And this one is the strong one!" .... which is obviously reductive to all of their characters. Obviously, they have interpersonal differences; Dick, being raised as an acrobat, is the most flexible, but that doesn't mean that every single one of these little fuckers doesn't like to bend, twist and somersault to dodge bullets like an annoying worm on a string being flung around in the sky. They're Robins. Obviously, Jason is the bulkiest, but that doesn't mean they don't all go through hardcore conditioning -Tim is only considered "frail" when you put him between Bruce and Jason, this guy would bench-press you any day, come on. (And DC editorial can lie to us about the girls' weights and heights and make them at the limit of ed-territory even though they're doing parkour and hardcore martial arts every day but I know the truth, Steph's strong as hell, homegirl's got bazooka-level guns). Obviously Damian was raised in the League and is proficient in a bunch of martial arts, but they all received training from a bunch of different experts, including, for all of them, the same guy (that they are all so normal and chill about.) Obviously, Tim is the one who used detective work to figure out everyone's identity but you're kidding yourself if you think he's the only intelligent/detective one amongst the robins. Being smart and a detective is a defining part of all of their characterization, and so is being a leader and a strategist. And then of course with that kind of simplified characterization we end up with Steph being "the girl robin" and Damian "the assassin one/stabby one" and Duke "the meta one" (yes this post counts Duke as a Robin. They trained him and also just cause I wanted to. I love him.)

And even if we make an effort and try to dissect it "this one is the detective smart one! And this one is the strategist! and this one is smart in a more techy-way! And this one is the leader! And this one- hey what kind of intelligence do we have left..." obviously doesn't work either. Duke was a exhilarating strategist in WaR already, Jason's strategic work in UTH and detective in Lost Days is thrilling, Damian is a fucking child surgeon (do I need to develop how intelligent that kid is), Dick was the first leader of the Titans and is always doing detective work like, that's an inherent part of his character, Duke was a cute-ass baby doing puzzles and planning to defeat the Riddler himself, Steph literally became Spoiler to stop Cluemaster (girl knows to solve riddles that would make Nygma shit his pants), they've almost all lead a team at some point, etc, etc. All of this is great and cool and a character being great doesn't take away from the skills of another character! Stark contrasts cannot possibly be the only interesting team dynamics, especially since they already have their own teams of contrasting skillset and personalities.

Imo, best robin team-up dynamics is them stepping on eachother's toes with their plans, getting into rapid-fire brainstorming sessions where they're all finishing eachother's sentences, reaching a conclusion and saying it out loud at the same time, one of them having a crazy ass plan and suggesting it to the other and the other saying "i like the way you think" to that person who thinks exactly like them, getting mad at eachother for being stubborn while also being a stubborn little shit, pulling complicated acrobatics together, and just thriving solving a good old complicated mystery with other people who are just as competent and enthusiastic about detective work as them but not a carbon copy, with extremely specific strength and weaknesses and quirks (like Dick's ability to recognise heroin by putting it in his mouth, Damian's uncanny voice imitation ability, etc.)

Of course, this doesn't even begin to touch the family drama, but honestly we get so much family drama angst with no real consequence rn, I'd really love just a robin team-up, relatively low-stakes (aka nothing taking over the city, the world, no past traumas unearthed to haunt them or parental abuse or secret cults etc etc.) Just a very elaborate murder mystery and a good excuse for all the robins to be there and a story that works with their similarities and their potential (both comedic and in terms of plot) rather than erasing it. It would be so much fun!

[afyrian]

friends to lovers w/ msby | headcanons

m.list

sakusa kiyoomi

- only became friends with you cause you were neighbors - he helped move your couch up to your apartment - you offered to buy him dinner in exchange for more help - after that you would just find each other everywhere - sakusa’s on the elevator when you are - he’s at the same coffee shop - even getting his groceries at the same time - so you start hanging out more - you’ll go watch his games - he’ll beta read your food-based articles - even joining you to try a new restaurant for your blog - the change happened for him first - when you spilled wine on his couch - you were so apologetic, doing anything you could to clean it - fell for you first AND harder - he kept it a secret for awhile - not even telling the rest of the team - (although atsumu found out pretty early on) - only told you when you confessed to him - ‘i like you.. and i appreciate your friendship, i just can’t continue like this’ [you] - ‘i like you too, and i have for a while’ [sakusa]

atsumu miya

- met you at a volleyball game - thought you to be one his many fans - 'you want my signature or a photo? or both?' [atsumu] - 'i'm sorry who are you?' [you] - humbled him immediately - you were there investigating one of the teams for fraud and its connection with a coach - he wanted in on it as soon as he heard - wanting to tell others that he was part of a 'serious investigation' - when really you were just writing for the city's news station - however, you do come to find out that he's pretty good at it - he'd get you interviews you couldn't get before - even chatting to the coach to get him to lie through his teeth - 'pretty good investigator, aren't i?' [atsumu] - 'depends on what you define as good...' [you] - you have a very playful relationship together - meeting up at small coffee shops to discuss it - him getting a shout out at the bottom of your article - you quickly realize your own feelings a few weeks later - he’s laughing about something hinata said and the first person he looked to was you - and there’s a light in his eyes that you realize has been there every time he’s looked into your’s

hinata shoyo

- you met him on a layover out of brazil - you were in another part of the country when your layout took you to rio de janeiro - hinata bumped into you when walking to your gate - ‘i’m so sorry, i should’ve looked-’ [you] - ‘it’s okay! i should’ve been paying more attention too’ [hinata] - as an apology he walked you to your gate - only realizing when you got there that it was his gate too - you talk the enter time you’re waiting to board - he ends up in front of you on the airplane - the two of you chat as everyone gets situated on the plane - just as you’re getting off, hinata hands you a piece of paper with his phone number - ‘maybe we can meet up later’ [hinata] - ‘i’d love to!’ [you] - as you make your way down the aisle, the paper falls from your hand - it disappears beneath a few rows - so you spend the next year wondering what would’ve happened - magically, you run into him again at a coffee shop - ‘hinata?’ [you] - he was ecstatic to see you again - offering to buy your coffee and chat - knowing you had just gotten out of an almost year long relationship, you tell him it can only be platonic - he accepts profusely - as you chat, you start wondering if anything could be there - and you spend a couple months strictly as friends - only breaking that rule when you invite him out to dinner

bokuto kotaro

- prefers being friends before dating - so when he meets you at his favorite coffee shop, he's inclined to learn about you slowly - you just started as a barista and you happily welcome his morning routine - he'll always come in with the intent to try something new - however, he always convinces himself to buy the same thing - 'well we have a new seasonal flavor-' [you] - 'no, no, i think the usual will work today' [bokuto] - until one day when he asked for a baked good and wanted to know if you could hang out during your break - and it slowly became routine for the two of you - you’d talk about everything under the sun - about your schooling, his volleyball, your personal lives - eventually he brings his friends to the shop to meet you - and what cements his budding crush on you is just how well you get along with them all - akaashi to atsumu, you’re able to communicate so well with them - watching you be so kind to them just got his heart beating - and he’s vocal about a lot but he was too nervous to say anything - especially when he didn’t want to lose your friendship - so he only said something when akaashi told him to - telling him that he could ‘totally see’ the crush you have on him

gen. taglist (open): @eggyrocks @causenessus @applepi25 @softpia @bakery-anon

@nekozaki

[feirceangel]

How about a feyd x reader where feyd has reader watch him in the arena to gain her favor. She is impressed with him and respects his prowess. Just before a huge match what if she goes to him and leaves a hand print in paint over his heart as her token rather than a sash like the others. This fires him up/ looks super cool on his skin.

Ooh I love this!! I did my own spin on it but I hope you still enjoy! :)

Imagine | Stained (Feyd-Rautha Harkonnen)

Word Count: 1,377

Warnings: biting

Cheers rise into the polluted air on Giedi Prime, a torrent of frenzied noise which alerts you to the occurrence of yet another gladiatorial event.

You hadn't realized there would be one today. Normally, you notice the announcements and the crowds gathering to go see the festivities. You don't often join them.

Watching people fight to death. . . it's not a habit of yours.

Lately though, you've noticed how often Feyd has been mentioning his fights, never outright asking you to watch them but leaving plenty of hints.

Being from a wealthy family has its benefits, especially on a harsh place such as this. Ever since you've been here, you've tried to make the best of it and befriend as many native Harkonnens as you can.

This first, and dare you say only, friend-adjacent connection you've made has been with Feyd-Rautha.

His brother is too animalistic and angry for your liking, and the Baron is a ghastly man you do not like to interact with. Servants won't speak to you and the Mentat Piter is sickening in his sadistic tendencies.

So, to your surprise, you got to know Feyd the best out of them all.

He's brutal, yes. Menacing and violent as well.

And so alone.

Sure, he has his concubines: his pets that he plays with but soon grows bored of. And yes, he has his mockery of a family: a predatory uncle and a nasty brother.

Yet you can see past his façade of aloofness, see into his inner self. And what you see is a man forged by others into what he is now.

You see a hurting man who doesn't know anything close to true kindness.

So yes, he is wild and vicious. But there is an intelligence and cunning within those dark eyes that you have seen countless times. 

He's constantly observing, waiting for his moment to strike. He knows how to play his hand to benefit himself.

Despite his more undesirable traits, you'd dare call him a friend.

The cheering dies down as colourless fireworks burst in the air like ink stains. You watch them, casually leaning against the balcony railing.

Feyd finds you immediately, half undressed and still painted for fighting in the triangular colosseum.

"My lady," he rasps, approaching from behind slowly. "You did not watch the fights."

"It slipped my mind," you reply honestly. "Though I have no doubts you remain the champion, my lord."

His lips quirk upwards, "Naturally."

Your eyes roam over his blood splattered body, taking in the well-defined muscles which are decorated with paint. He's shirtless, how could you not stare?

He basks in your attention, cocky smirk never leaving his face. But it strains once you turn your attention away.

Feyd comes to lean against the rail beside you. You feel his eyes on you.

"You're coming to the next fight," he finally says once he realizes you're content to dwell in the silence.

You turn to face him with a smile, "Am I?"

His eyes narrow, voice quick and sharp, "Yes."

"You didn't ask."

Feyd tilts his head, "It's not a request."

"A command, my lord?"

"Yes," he repeats, leaning closer into your space. Your teasing tone is getting under his skin, you can tell. He's almost touching you now but you don't retreat.

This is the game you play.

"I suppose I can attend the next fight," you hum thoughtfully.  "Especially since you've requested it personally."

He backs away slowly and you force yourself into staying still even as you desire to chase after him. His close proximity is intoxicating.

As if he senses your inner battle, he grins and nods to you before sauntering away.

"I will put on a good show for you, my lady."

You find yourself alone, wishing he had stayed longer.

~~~

It was not mentioned again, and now you find yourself in your room preparing for the event. You dress modestly, still unaccustomed to the fashions on Giedi Prime. A black dress does nicely, with your hair loose. 

You still have plenty of time before your attendance is necessary, but you traverse to the arena despite this. The hallways are as colorless as everywhere else, a maze of black and white. 

Feyd is being dressed as you enter the room. His sharp eyes betray a smidge of surprise which he masks underneath an air of haughtiness. 

The servants attending him walk on eggshells, knowing that any wrong move could cause their demise. 

"You may be dismissed," you say, addressing the servants. 

Their eyes flicker to you with uncertainty. The servants do not move until Feyd snarls, "Do as she says!"

Instantly, they are gone. 

And it's just you and the warrior. 

You approach him slowly, picking up the paint pot that the servant abandoned. Circling him, you note how his eyes never leave you, even when he has to twist his head to keep you in his sights. 

"My lord, I hope you can forgive my impertinence, showing up here unannounced."

"Don't be coy," he narrows his eyes, "You're not sorry."

"You're right," you chuckle, swirling the paintbrush through the inky paint. "I'm not sorry to see you, especially like this." 

You rake your eyes over his flesh, barely concealed by a cloth wrapped around his waist. He is truly a fine specimen of a man. 

"May I?" You ask, stopping in front of him. 

He inclines his head. He hadn't been expecting this, since you seemed intent on avoiding the fights entirely. 

You begin by painting the smaller rectangles across his chest and then move to his back. Your brushstrokes are slow, methodic.

He anticipates each cool touch as you meticulously paint his flawless skin. He wishes it was your touch he was feeling, your hands against his skin. He craves it.

Next, you adorn his abdomen, barely concealing the excitement you feel being this close to him. As you finish, he reaches for his clothes but you stop him with a hand on his arm. 

"I'm not finished, my lord."

Intrigued, he returns his arm to his side, staring you down. 

You coat the palm of your right hand with the inky black liquid, never breaking eye contact with Feyd. He doesn't stop you as you press your hand against his warm chest, right where his heart would be. 

You start to pull away, but he is quick to grip your wrist, keeping you in place. For a second, you are concerned that you went too far. Maybe this is the day he kills you for your insolence?

Instead, he lunges forward, catching you in a hungry kiss. He bites and takes, and you surrender with ease. A sense of relief and excitement floods your senses as you kiss back just as passionately.  

"It is fitting," he says once he parts from you. 

He watches as you slowly peel your hand from his skin, leaving a perfect handprint over his heart. 

"What is?"

"That you should mark me like this," he grins to reveal blackened teeth. "You are a stain on my heart."

"How so?" You're still breathless, allured by his gravelly voice. 

"All it longs for is your touch, you vixen."

You caress his cheek, "I'm just marking what I own. And once you're declared the victor, you can come claim what's yours." 

Your words ignite a fire in him and he starts forward but you step back. 

His glare is venomous, as if you just deprived him of oxygen. 

"You have a fight to win, Feyd. Shouldn't you be preparing?"

Turning, you begin to walk away. 

A rough hand snatches your shoulder, and a hot mouth is on your neck before you can blink. He bites down harshly, drawing spots of blood. The pain is expected when dealing with a man like Feyd, but it is still surprising. 

You really have gotten under his skin. 

He releases the pressure of his teeth and drags his tongue over the wound. 

"You needed a mark too, my sweet."

You turn and press a chaste kiss to the top of his head, "Go make me proud, Feyd. I shall see you in your chambers after the fight."

He lets you leave, watching with blood stained lips. 

"As you command, so it shall be."

[please like, comment, and reblog if you enjoyed!]

[pyract0]

Random thoughts with hsr men: Parental edition

☪Includes: Jing yuan, Blade, Sunday, Boothill, Dr Ratio ☪No defined pronouns/ anatomy specifics for reader, adoptive children (specified to each character), mention of loss of loved ones. ☪Extra note: Accepting requests! Wanting to get back into writing but I tend to struggle thinking of new ideas- tend to lean towards certain characters that I have a better understanding of their personality but open to anything! ♡

-`♡´-Jing yuan who names your adoptive daughter Mimi after his beloved companion . -`♡´-Jing yuan who juggles being a father and a father figure between your sweet girl and Yanqing. -`♡´-Jing yuan who goes out of his way to include the boy under his guidance into your little family, with you both treating him as you would your own child. -`♡´-Jing yuan who brings your daughter with him anywhere he can, making sure she's treated with more respect than anyone on the Lufou. -`♡´-Jing yuan who shows off his daughter to all his closest friends, with Fu xuan having a soft spot towards the little girl, not that she'd willingly admit to it. -`♡´-Jing yuan who's nickname for your toddler is "snowy" to match her name and it's origins.

♱✮♱ Blade who often forgets about your son, leaving him under the care of silverwolf when you're both busy with missions. ♱✮♱ Blade who spends most of the time just sitting near the child, making sure he causes no trouble with minimal interference. ♱✮♱ Blade who despite how he portrays himself, cares for the toddler beyond belief, willing to draw his blade at any malicious attempt directed towards the young child. ♱✮♱ Blade who would lay with your child for hours at a time, letting him sleep without disturbance while he contemplates life. ♱✮♱ Blade who has part of him that wishes you both would have entered his life earlier, before the mara took root in his body and not being cursed with immortality, inevitably knowing he'd lose you both one day. ♱✮♱ Blade who nicknames your boy "gremlin", often using it more than his actual name

˚ʚ♡ɞ˚ Sunday who heavily relies on Robin for help with your daughter when he's unavailable as head of the family. ˚ʚ♡ɞ˚ Sunday who spends all his free time that he can with the both of you, walking around the dreamscape or relaxing together in your shared home. ˚ʚ♡ɞ˚ Sunday who has learnt to be careful around the little girl, having had his wings locked in her iron grasp on multiple occasions, needing to wait for you to pry her hands open. ˚ʚ♡ɞ˚ Sunday who holds your daughter in his arms as she dozes off after a long day, taking a moment to let himself rest while you preen his scuffed up feathers. ˚ʚ♡ɞ˚ Sunday who let's your daughter hang off him, adding hair clip after hair clip to his now mangled grey hair. ˚ʚ♡ɞ˚ Sunday who often calls your small toddler "angel", though he begins to question how fitting it is with her mischievous habits.

• ➵ ✩ Boothill who dedicates his whole being to protecting your daughter, unwilling to even consider the possibility of losing another one of his babies. • ➵ ✩ Boothill who talks about his little girl to your toddler, including her in your family even if it's only in spirit, always mentioning his two baby girls when family discussions occur. • ➵ ✩ Boothill who accidently teaches your child his censored version of any and every curse word in his vocabulary, panicking when she runs up to you shouting them. • ➵ ✩ Boothill who never takes his family time for granted, spending as much time playing with your child and showering you with affection before he's sent on a new mission after another target. • ➵ ✩ Boothill who was stuck digging pieces of crayon that melted together after your daughter shoved them in the holes of his metal plating when he was asleep, having little help from you who couldn't contain your laughter. • ➵ ✩ Boothill who often just calls your little girl sweetheart or honey, finding the simplicity more endearing.

・✎・Dr Ratio who despite his blunt personality, manages to be a good father to your son, with you both providing what you can for the young child. ・✎・Dr Ratio who sometimes forgets the mental capacity of a younger being, trying to teach him how to play chess so he has a partner for the game. ・✎・Dr Ratio who occasionally brings your sons to lectures, finding amusement in the child laughing when he insults one of his students. ・✎・Dr Ratio who maintains your child a safe distance from anything he deems could harm him, including his colleagues at work, especially a certain gambler who just adores the boy. ・✎・Dr Ratio who spends any free moment at home with the both of you, helping you around the house and being present whenever your child calls for him. ・✎・Dr Ratio who prides himself in his sons intelligence, calling him his "little genius" even if he's currently a little behind.