#who do actually read/ watch the thing

[izzy-prizzy]

me when i see a dumb opinion about a character i love or any character in general that is fucking stupid, on twitter/tiktok: "tumblr would never"

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[lazylittledragon]

what if i broke all the bones in your legs actually

[puppppppppy]

act 4 :(

@chipper-smol and i came to a realization

[sergle]

I always think it's funny when I see one of those posts from someone going I can't BELIEVE people talk about Ghibli films as aesthetic comfort sweet soft movies, these movies are about DARK FUCKED UP subject matter and heavy topics like DEATH and WAR and then you can scroll a little further and you can see reblogged clips from Ghibli movies of slow pans across sprawling meadows and beautifully rendered alien fauna or cozy villages with the most beautiful piano score played over it, sandwiched between moments of genuine human compassion and connection, quiet sequences of people performing mundane tasks, and I'm like yeah man that's crazy, definitely people are crazy if they associate these things w their corresponding movies. personally, I sit down to watch Kiki's Delivery Service stone-faced as I meditate on the Loss Of Innocence and I don't experience any other parts of the movie. only the serious bits. I don't reblog a single aesthetic gifset from the movie because then that means I would be Missing The Point

[beyondthisdarkhouse]

God I wish I actually Tiktokked so I knew who to follow to see what all the influencers who made eleventh-hour confessions of faking their content are doing now

[beatcroc]

there's no way the bathroom at peppino's pizza is actually that big but ¯\_(ツ)_/¯ . hey ummm anyway.... i care them...... anyway there's a lil ramble on my take on fake pep's like psyche or whatever in tags on the og post if ur into that kinda thing :y

hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino]<- u are here [gustavo] [gerome] [noisette again]

[towerofluin]

C’mon Raph, don’t noogie the elderly

(Or: finally, communication)

[blueberrymilkcookie]

on god im always excited when ppl get into my interests but the sole exception is sonic the hedgehog Then im monitoring you extremely closely and any mistake can mean instant block. IT GETS SERIOUS

[drangues]

gay tumblr users said they wanted more cleradin i said oh im sure

[anxietycheesecake]

If you haven't watched the new ep, just dropping by to let you know the fandom is lying to you again. It's not canon, it's not a romantic love confession and that's not an opinion, it's just a fact. Like, seriously, girlies, reading and experiencing media differently is super valid, good for you if that was a love confession in your heart, but you can't look at people asking what happened in the eye and tell them nandermo is canon, that's like the queerbaiting is coming from inside the house lmao

[faunandfloraas]

Seungmin saying they changed song by so it would be easier for people to watch and listen and then me seeing people going "Yes! It's good it's on tiktok and shorts now" and I'm like. Oh. You're all so fucking stupid <3

[rigginsstreet]

for one dollar i challenge the stranger things fandom to sit and watch the show and talk about the canonical characters that are in said show and not the lala goofypants version youve created in your heads

[can-a-tuna-fish]

I can and will write a multi page essay about the way people write and portray Richard Goranski’s lisp in fan content and why I don’t like it. this is sort of just one aspect of it, guys please actually consider how a lisp works before writing/playing him with one I’m begging you.

Rich has a tongue between teeth lisp (as opposed to the type of lisp that happens when air escapes from the sides of your teeth), meaning he makes the “sss” and “zzz” sounds with his tongue “out” (touching the top row of his teeth instead of resting behind them).

The way the tongue between teeth sort of lisp works, you only make the “th” sound on certain words. sun, spoil, and toss all require you to use the “sss” sound to pronounce them, meaning they would come out with a th lisp. The same goes for “zzz” sounding words like zebra, puzzle, and lazy. Plus some words with C like icing, voice, and circle, since in this context the C actually makes the same sound as an S.

Not all words that have an S or C in them make the speaker lisp though, which is where I think people get confused about it and write/play him with a silly sounding or inaccurate lisp. Words like share, show, and sheet make a “shh” or a shush sound, which usually wouldn’t have a th lisp attached to it :))

Something I recommend if you’re ever playing him or just generally any character who lisps, be conscious not to speak with your tongue out the entire time. I see a lot of the people who play him just keeping their tongue between their teeth throughout entire sentences while trying to recreate a lisp, and it changes the pronunciation of ALL their words which a lisp wouldn’t do.

Also, when writing a lisp, it’s really repetitive to read anything that constantly emphasizes it. You don’t have to write “thally thellth thea thellth by the thea thore” it’s difficult to read and makes the content less accessible overall, it’s okay to write the words normally and THEN emphasize how they’re spoken, one or two mentions of a lisp is enough to get the point across without constant repetition. Plus then it’s not crowding up your writing and taking all that effort to figure out.

Honestly all I’m saying is to think about how speech impediments work before trying to write/mimic them, genuinely though at most it mildly annoys me so there’s no anger or anything behind this post. It’s something I like talking about + I like rich so he gets to be part of this too.

[amethystina]

Hi there! I don’t know if you’ve ever answered something like this before, but since you have such great writing skills and a nice taste (and by nice I mean similar to mine lol) in ships, I was wondering what your favorite books are (top 5, maybe?).

And since your latest ships seem to have a pattern, are there any books you’ve read that feature similar dynamics?

That being said, with the ending of The Right Set of Circumstances and Who Holds the Devil being far from concluded, I’m really looking forward to A New Dawn or anything Gahan-related.

Hope you’re feeling a little better! Congrats on your skills; I really appreciate them.

I have not answered a question like this before, no. But, as a librarian, I am of course delighted to do so! Reading is one of my biggest hobbies and I make sure to read at least 20 books a year. It has been a tradition for the last nine-ten years or so (and that's not counting any of the fanfics I might partake in as well).

I just think that, as a writer, it's important to have input as well as output. A writer who doesn't read may be perfectly servicable, but they will stagnate sooner or later. They might be creative enough not to run out of ideas, but they'll be stuck with the same vocabulary and understanding of whatever language they're writing in for the rest of their career. So, to me, reading is vital in keeping my writing engaging and exciting. And it's especially important for someone like me who's writing in a language that's not my native tongue. If I didn't read copious amounts, I wouldn't know even half of the words currently in my vocabulary — let alone how to use them.

But, with that said, I'm terrible at listing my favourite books. Not because I don't have favourites — I most certainly do — but because I have a hard time listing things. I can't accurately compare many of the books I've read because they're from so many different genres and have offered me wildly different experiences. It's the same with movies, TV shows, and practically everything else I like. It's incredibly rare for me to be able to definitively say which ones are my Top 5. It's just not something my brain is capable of doing, it seems, unless it's narrowed down to a small enough scope that I can see the full picture.

Another thing about the books I read is that they don't always match what I write. Some of the books I love the most aren't even close to what I, myself, want to write. And I've found that, with books, I focus less on the tropes and dynamics than, say, what joy they bring me or what they can teach me about writing. Basically, what I'm trying to say is that while several of my ships have a pattern (I am, apparently, into age differences? Who knew?) the books I like do not. Or not to the same degree, I guess? There are some that come kind of close that I can pick out from my pile of favourites, sure, but they're not the majority. I think I'm just more broad in my tastes in books than I am in my taste of ships and haven't made an effort — nor do I want — to try and combine the two.

BUT YEAH. With that very long explanation out of the way, here are a couple of books that are important to me for one reason or another. They're not ranked, nor are they flawless pieces of literature — and not everyone will like them — but they gave me something and that's what matters to me.

Luck in the Shadows by Lynn Flewelling — If someone asked me for my favourite fantasy series, nine times out of ten, this would be my answer. I found this at a point in my life when I was dying for an engaging fantasy epic and this delivered in every single way that I wanted. It's complex, has great world-building, lovely characters, is full of intrigue, and is also gay. What's not to love? I absolutely devoured the first three books in this series. That said, it features some heavy themes and I haven't actually read all of the books yet so I can't guarantee that it stays good all the way through. But based on what I've read so far? Fucking outstanding.

Red Leaves by Thomas H. Cook — By no means the best book I've ever read, but it taught me a lot about unreliable narrators, characterisation, how to pace and angle a story, and how important words actually are when writing. How certain choices can affect not just the story you're telling, but the emotions of the reader. This book focuses on a man whose teenage son is suspected of having kidnapped a little girl and just what that does to his view of his son, their relationship, and himself as a father. It's truly fascinating with a focus on the psychological that I truly enjoy. It also taught me a thing or two about gut-punching twists. So there's that.

Days Without End by Sebastian Barry — This book is an Experience. And I mean that in the best way possible. This book isn't for everyone since it's slow and ambling and not the easiest to read, but dear LORD is it amazing. Never, in my entire life, have I read a book so atmospheric. I shit you not when I say that I had to read it with an accent to get the syntax and rhythm of the sentences right. It is pitch-perfect. And crafted so meticulously that my head kind of spins when I think about it. This was the book that made me see how important rhythm, cadence, and word choices are because they can, in fact, influence the reading experience to the point where it feels like the author is taking you by the hand and gently guiding you down the path of the story. And that's something I've tried to incorporate in my own writing, to the best of my abilities. A tip from my wife: If this book feels difficult in text format, read it on audiobook instead since, at least in the version she listened to, the narrator had the correct accent which made the whole thing a lot easier.

Blood Harvest by Sharon J. Bolton — The book that has probably scared me the most in my entire life. And it's not even a horror? But, again, it's all about the atmosphere and the fact that some of the sections are told from the POV of a young boy and you can't really be sure if he's a reliable narrator but if he is then what the ever-loving fuck is going on in this town? That's scarier than ghosts to me. Very eerie, well-crafted, and with the bonus of a disabled main character. But it does also feature quite heavy and disturbing subjects (child sexual abuse, to name one) so please be careful.

The Good Son by Jeong You-Jeong — This is a slow, claustrophobic, and ambling descent into insanity and I absolutely love it. The focus is on the characters, their relationships, and the slow unravelling of both. As with most Korean literature, it's very contained and direct, without too much flowery language, and I think that definitely works in its favour. The steady growing unease and tension are exquisite and I appreciate the focus that's put on the main character's thoughts, actions, and behaviour. It's exactly the kind of thing you'd expect me to enjoy if you've read my fanfics. Also, incidentally, Yo Han is going to recommend this book to Ga On in The Devil's Due (if I ever get to writing it) because Yo Han is a fucking menace who loves to push Ga On's buttons and twist his perception. You'll understand what I mean if you read it.

The Circle by Mats Strandberg and Sara Bergmark Elfgren — This is a Swedish young adult series that is so good but also so unnerving. Because it doesn't shy away from difficult subjects and knows how to ramp up the tension and suspense in a way that's truly masterful. I also appreciate that it's very female-focused and that the characters are far from flawless. Some of their actions are outright problematic, even abhorrent. But the beauty of this series is that that's the point. They're supposed to be flawed and they're supposed to make the wrong decisions — because they're human. This book is about a group of human teenage girls put in an extraordinary situation and, as you might expect, the results may vary. I truly recommend it to people who want to learn a bit more about flawed characters and, again, unreliable narrators.

___

Those are all books that have influenced my writing but if you want a list more focused on romance of the M/M variety (which, admittedly, is what I read the most) where at least some lean towards the same dynamics I have for my ships, here are some favourites. The majority of them are of the historical or fantasy variety because that's just where my heart truly lies. I know that doesn't show in my own writing, but that has more to do with my own performance anxiety than anything else, I think. I haven't really dared to dabble too much in those genres.

And so, without further ado:

The Gentle Art of Fortune Hunting by K.J. Charles — Or just books by K. J. Charles in general, I guess? They're delightful, down-to-earth, and easy to read. The characters feel like actual people and not everyone is drop-dead gorgeous all the time. I've been reading a lot of her works lately because they give me just what I want and bring me a lot of comfort.

The Soldier's Scoundrel by Cat Sebastian — Or, again, just books by Cat Sebastian in general. She, too, has a very nice grasp on characters, tone, and can build a really nice story that's not dependent on unnecessary drama. They're comfortable and nice and I love them.

The Ghost Wore Yellow Socks by Josh Lanyon — Another writer whose works I really enjoy, though the focus here is usually contemporary suspense and murder mysteries. Of the kind that manages to feel urgent and tense but without turning dark and gory — which I appreciate. Also, Josh Lanyon has perfected dry, sarcastic humour into an art. One I am very jealous of, not going to lie.

The Capital by A. H. Lee — I ploughed through this series. Like, I don't even know what happened? It's a fantasy story with intrigue and necromancy and amazing characters and magic and lovely world-building. This, for example, is one of the few books I've read where the social issues of LGBTQIA+ rights are touched upon in a fantasy setting. I really liked that. I'm probably going to re-read this series during 2025.

Kill Game by Cordelia Kingsbridge — This is another contemporary series about a serial killer and the cops who hunt said serial killer. So this is a bit darker but, boy, is it a ride. The series is a bit of a slow burn that bleeds into established relationship as it progresses and I just love that shit. Also, it took me until, like, book four (of five) before I could pinpoint who the killer was which is really impressive. Usually, I can do so within the first third of a story. It did drag at times, but the time you get to spend getting to know the characters makes up for that, I think.

Peter Darling by Austin Chant — I adore this book. It's a delicious, wonderful enemies-to-lovers that honestly made me go a little feral. But in a soft way, if that's possible? This book made me feel creative and excited and I was so invested in the characters and the slow build of attraction and awareness between them. I felt high after I finished it. I don't know if anyone else will feel that way (I might just have been very excited that day xD) but it worked really well for me. Highly recommend.

___

And there you have it! Because I can't miss an opportunity to talk about books, I guess xD (and give you more than you asked for)

But please remember to look up triggers and such before you read! I admit that I didn't try to list them all here, mainly because I don't know what people will find triggering so I'd probably miss some even if I tried.

As for my own writing, I hope to finish a couple of projects during 2025, A New Dawn definitely being one of them. Hopefully also some of the shorter Gahan projects I have, plus some older fics I have lying around for other fandoms that I just haven't been able to complete yet. Having too many projects makes me restless and while the easiest solution would be to dump some of them, I don't have the heart to do that when there's just another chapter or two to go.

So yeah. Next year will hopefully involve me finishing a couple of projects, especially old ones I should have completed long ago.

Wish me luck!