#which makes all of the love songs honestly hit much harder because the real main narrative is about realizing you DO deserve to be loved

[marquisecubey]

you know a common criticism of reputation when it first came out was that since the marketing was so heavily based on taylor's feuds with other famous people it would age really poorly, but my hot take is that could literally not be further from the truth. Like I cannot stress how little I have thought about any of the tabloid drama that some critics claim is essential for understanding this record's concept in years. It's 2023. this is just an album about taylor swift robbing a bank with her boyfriend now and it fucks

[anime-grimmy-art]

Told you guys I’d ramble in due time.

I absolutely adore Bravely Default 2. It came at a really bad time cos I can’t waste 70 hours on a jrpg, but well, it’s too late to be concerned about that now. And as is tradition with me obsessing over a new game / show / whatever, you’ll basically find a fullblown review disguised as ramblings right under the cut. Be aware that I’m gonna talk about EVERYTHING, so spoilers are a given. Some maybe even for the previous Bravely Default games.

Also, if you wanna talk about this game in any capacity, hit me up, I’m DESPERATE to talk more about it.

Just for reference on how long this is gonna be, I made a voice recording while driving to remember all the points I wanna make, and that recording is almost 2 hours long. I did cut it down but still, this is gonna be a lot.

I’ll start off with the things that actually bugged me about the game, since there are only 3 things that really bothered me. First of, I really don’t like that you can name Seth. He has too much personality to be a self insert and player integration is not that big of a part in the game that this decision can be justified. It wouldn’t bother me that much if it didn’t leave a bad mark on the ending. First of all, we were robbed of Gloria desperately shouting for Seth, which makes the impact work less, and it’s just so prevalent that the name can’t be said because you have all the normal sound design going. If they’d just let the credits still play I wouldn’t have batted an eye, but because every other sound comes in it’s so obvious they’re just silently shouting in this scene, which makes it look silly. Like I said, this decision is more a detriment than an addition, and it’s a shame it casts a shadow on an otherwise heartfelt ending.

Speaking about lost potential, the other thing that really bothers me is the lost potential in certain plot points and character conclusions. I mainly mean Adam and Edna here. Both of them have been built up to be these formidable foes but they just, die. If it was just Adam I’d be fine with it, since you expect Edna to backstab him and be the actual big bad of the story, but I cannot fathom why they dropped Edna this HARD. If not Edna herself, I don’t understand why we don’t get more of a reaction from the Fairies and especially Adelle. I mean, Edna was her sole reason she left for her journey in the first place, then Edna dies and that’s it? No part where she grieves for a second? No concern from the others about Adelle? Mind you, I haven’t finished all the Sidequests, so maybe there actually is one in which this is addressed, but I think even just a Party Chat after Bad End 1 would have been sufficient to show how Adelle suddenly feels about the loss of Edna. It would have made Bad End 2 / The Secret Ending even more impactful, because, yeah, of course, you kinda know Adelle isn’t going to turn her back on fairy kind, but one of the reasons she doesn’t leave is because if Enda didn’t get a happy ending, then she shouldn’t either. It would have been amazing foreshadowing if she showed this sentiment before this scene happened. Other than that, it’s a shame that we know so little about Edna, or rather, how she became “bad”. I get she’s supposed to be corrupted by the Night’s Nexus, but how did it even come to this? It can’t have been a gradual thing, after all, Adelle says Edna was always good natured and then just disappeared one day. Really would have loved seeing more of that plot point.

Ok, last gripe I have, some choices in the soundtrack and sound design. Don’t get me wrong, I absolutely love the OST, and I will get to that, but damn, whatever Revo used for the lead instrument in Wiswald hurts my ears. It’s a really good track, but I always have to turn down my volume because these high pitched sounds physically hurt. And for sound design. Dude, the Night’s Nexus is the least threatening, nightmare fueled abomination that ever existed. I get that its growl is kinda supposed to be layered with Edna’s or sth, but it, it just sounds silly. If they went the route of just swinging between different voices or began distorting it from phase to phase, it would have been fine. But the choice they made really made an otherwise creepy design just absolutely silly.

Ok, enough jammering, on to the good stuff. Like I said, there’s going to be a lot, so I’ll try to be brief in each aspect.

Gameplay

I honestly like the new battle mechanics more than the old ones. This individual, turn based system feels way more dynamic and it’s easier to strategies in battles. Because nothing made me more angry than setting up for a heal and the enemy suddenly being faster than me and killing my healer. Now it’s easier to plan ahead a bit.

I also found myself experimenting more with the jobs. Not sure what it really is, but none of the party members leaning more towards certain types of jobs and the job leveling being way faster probably helped.

And I know some people get up in arms because the boss sometimes can be a real pain in the ass (looking at you pope dude), I still found it very interesting getting around counters or even using these counters as a benefit. As an example, I made Adelle my main physical fighter and gave her lots of counter abilities to help her profit from being countered by enemies themselves. Now, she can attack enemies, get countered, automatically evade that counter and earn a BP at the same time. Made a lot of boss fights way easier and fun to exploit.

Music

Ok, I will try my best to be really, really brief, because in my recording this part takes up almost 40 minutes. Anyways, Revo might have just become one of my absolute favorite composers ever. I don’t know what kind of magic he used, but I initially wasn’t that impressed with the OST, but every time I listened to it, I just fell in love harder and harder. Before getting into specifics, I wanna highlight the two things that made me love this OST overall. First of all, this soundtrack almost seems like a refinement of BD’s. While losing some of that fairytale vibe, it sounds even more fantasy now. And in contrast to the original, this almost sounds more balanced? Like, BD’s OST felt high energy throughout, BD2’s on the other hand manages to find a good balance between high and low energy pieces. Like, the character themes or battle themes are absolute hype, but the overworld themes are a lot calmer and easier to listen to while exploring. Second big point that makes this soundtrack amazing is that Revo is an absolute god at using emotional progression/storytelling and leitmotifs in his songs. And heck, do I love myself my leitmotifs. You’ve got some obvious ones, like the final battle theme in which all the character themes and other leitmotifs are integrated. Then you got some maybe more subtle once, just like how the overworld themes are just the main theme, just a lot calmer and using the lead instruments of the towns of the areas.

But my absolute favourites gotta be the character themes and the main theme. I love how fitting the themes for the characters are and in general, each of them is such a bop. At first I prefered Elvis’, because I sure am a sucker for jazzy vibes, but over time Adelle’s became my fav. It’s just something about the trumpets, and how the theme almost sounds a bit melancholic and bittersweet, that drew me in. And considering her story, mostly her bad end, that the bittersweet tone really fits.

Then there’s the main theme. Just like BD’s it shouts “triumphant anthem” and it definitely gives you a very familiar vibe, but I’d argue it has even better emotional progression. Heck, the first time I heard the music start up in the reveal trailer, I didn’t have to look at the screen to know this is gonna be a BD game. Also, the credit song version had me weeping at the true end. I’m someone who’s very easily affected by music (if me shouting about soundtracks on this blog wasn’t proof enough) and just hearing that ending song, getting the after credits scene, just for the second credits to start as a freaking duet. Dude, at that point I just started sobbing, I’m not gonna lie. Just this little part showed how much Revo knows how to put emotion in a song and also write it in such a way that he can elicit strong, emotional reactions from you too. 

Story

People have been complaining how the story is too boring and kinda disappointing in comparison to the last one, but I just think the games tried to accomplish different things here. Since the BD series is a celebration of old, classic jrpgs, “cliche” storytelling is a given. Though, BD did throw a lot of meta stuff in there too. BD2 in contrast just feels like a direct execution of that initial idea. It feels familiar, it feels comfy and it feels safe. Except for the little things with the endings and then overwriting the Nexus’ “save file”, BD2 doesn’t really get that meta, which is totally fine. It doesn’t try to reinvent or innovate anything, it just wants to be a fantasy story, that might be cliche, but still fun and enjoyable in its own right.

I’d also argue that the pacing is a lot better than the old game, because with BD I sometimes found myself skipping through scenes to get on with the story. Not that this game didn’t have me rushing through stuff as well, but I found it kept my intrigue way better than the original.

Characters

Next to the music, this is the part that I absolutely love the most. While, yes, they did lose a lot of potential with some characters, mostly with the villains, the main cast is just so much fun. I love these 4 dorks so, so much.

I honestly can’t stand how much people compare them to the original cast. Yes, ofc, I’ve been doing my fair share of comparisons too, but calling these four a more boring version of BD’s party physically hurts me. Because except for some initial impressions, the Heroes of Light are completely different from our beloved Warriors of Light.

While yes, Seth and Gloria give off strong Tiz and Agnes vibes at first, they both grow into such different characters that they’re not really comparable. I think this shows with Adelle and Elvis even more. I do understand how people could compare Adelle and Edea, since they’re both the feisty girl type, but I can’t understand how people can see Ringabel and Elvis as the same character type. While those two are the “suave” party members, they act so differently from another. And that’s honestly apparent the first time you meet them. 

Anyways, I love these 4 so much.

We technically don’t know a lot about Seth at all, but they manage to pull so much out of just the fact that he’s a sailor, that it makes him really endearing, really fast.

I was kinda disinterested with Gloria at first, because again, the initial impression was Agnés2.0, but she grew on me a lot. Gloria is way more hard headed and honestly sassy in comparison to Agnés and I absolutely adore it.

Elvis. Elvis, my man. I love this fantasy scottosh wizard so, so much. He’s such a ridiculous character but so endearing at the same time. You got all this dorkiness, with him setting himself on fire as a student, him doing god knows what for a good drink or just laughing danger and prejudice in the face. But then you got his super empathetic and caring side. Mind you, most of his wise moments come from quoting Lady Emma, but still, as much as he’s hopeless with certain social situations, he’s actually still really good at reading the room and playing things smart. He’s a smart and powerful idiot, which makes him a danger to everyone and himself, and I love him for it. (I also can’t believe they called him Lesley I MEAN COME ON)

And then there’s Adelle. I liked her from the start, but I didn’t think she would stick out to me. I think now she’s my favourite character. Not even talking about all the stuff that happens in chapter 3 and onward, because these story threads are awesome in their own right, but there’s just something about her personality that’s interesting and appealing to me. Like I said, I’m not surprised people compare her to Edea, I did too at first, but while Edea walks very close to the line of a Tsundere, I was really surprised that Adelle is, well, not a Tsundere at all. Yeah, of course she’s putting Elvis down a lot, but that stems more from her preventing his ego from going to his head than her being all embarrassed. No, Adelle is actually really well adjusted when it comes to communication. While it’s hilarious that she and Elvis met with her chucking her shoes at him, the two just got along well right from the start. Adelle in general has this really open and helpful personality, but also doesn’t shy away from putting her foot down, even if that sometimes comes out as an embarrassed sputter. She’s also the mother hen of the group. She looks out for the other three and gets concerned about them real fast. 

I dunno, Adelle just really grew on me over the course of this game, and then her kinda being paired with Elvis too, as partners and as partners, makes me like her even more. Because as much as I like their personalities individually, I like their character dynamic even more. I honestly love the relationships between all four of them a lot. You really feel them grow closer as friends and all the little character sidequests just always made me really happy.

Conclusion

You might not believe me, but I really held back there. This could probably have been 3 times its length. As much as I love this game, it’s of course not perfect. It struggles and flails in some parts a lot and it certainly has some aspects that might turn people off. But for me, it was just a very familiar and comfy game that didn’t necessarily deliver anything new, but that told its story in such a way that it still got me excited to keep going. The soundtrack is absolutely amazing and the conclusion of the story actually got me to cry. While not groundbreaking, this game is highly enjoyable and leaves you absolutely satisfied at the end.

Also, I would like to iterate that I am desperate to get more content about this game, so if you wanna chat about it, hit me up.

Anyways, anyone else felt like having a fever dream when everybody in chapter 2 started talking fantasy scottish? Cos I sure did.

[ramblingguy54]

True Colors: An Emotionally Fantastic Serious Game Changer.

If we’re to look back at Reunion as Season 1′s dramatic pay off for Amphibia’s message of toxic friendships, as Anne & Sasha’s conflicting dynamic showed us, then True Colors is a colossal expansive note on this big theme of the series. True Colors makes Season 1′s finale look like a walk in the park for what angst goes down between our three main heroins in Season 2′s climatic resolution. Everything that can go wrong does go oh so painfully wrong for these three kids. Anne, to no one’s surprise, gets double crossed by Sasha leaving things between them a Hell of a lot more bitter than they were previously, as if that couldn’t already be topped when Sasha tried to kill the Plantars before. Anne has had enough of her lies and manipulation not being afraid to tell Sasha straight up how awful of a friend she’s been in general, even hitting her where it hurts most of all saying, “No, I’m done listening to you! I’m done trusting you! You’re a horrible person and I am done being FRIENDS with you!”, going so far as to get a shaken reaction out of Sasha dropping her brave face act, making this girl try to wipe away the frog family.

Right off the bat, True Colors makes it highly evident this isn’t just another story of stopping a bigger threat, but one hitting much closer to home, overall. Yes, King Andrias is certainly a dangerous villain, who makes his presence and intimidating nature known to the others by True Color’s final act, which despite this Amphibia isn’t entirely putting him at the forefront, rather focusing on a more intimate study of Anne, Sasha, and Marcy’s big emotional conflict. This finale knows exactly where to put its focus of importance on, so I love that instead of it being action packed we’re getting the spotlight shined on just how screwed up these three of a friendship have, in spite of Marcy claiming in The Dinner episode, “We’re supposed to be friends for life. We don’t split up!’ . Very ironic stuff right there, indeed.

True Colors’ most powerful strength it adds to Amphibia’s ongoing profound story about healthy friendships is the thorough deconstruction of these girls defined “ideal relationship” as people. Before Anne came to the world of Amphibia this kid was afraid to stand up for what she believed in, even knowing especially well that stealing the calamity box was morally questionable, but did it anyway. Sasha was super manipulative, abusive, and used her power to control people, like she did a lot of toward Anne in their lives. Marcy, while very smart, wasn’t the most competent physically, who soon grew into being more independent without needing to rely on Anne always having to be there for her. These three were changed immensely by the events of being thrust into this world of sentient amphibian creatures. Anne benefited morally most out out of all three in taking up the mantle of responsibility and ironing out her own issues. She’s become a much stronger person all around. 

This episode asks us an important question though in nutshell with, “Have Sasha & Marcy truly changed for the better?”, since Anne has reached a point in her arc feeling genuinely content with who she’s become and the bonds that have been made with the Plantar family shown most notably with Sprig Plantar. Hence the whole purpose behind the song, It’s No Big Deal, with Anne feeling proud for who she is, yet not noticing a bigger issue right underneath her nose. That previous episode was meant to bring Anne’s happiness up only to bring it all crashing down in a devastating display of new revelations in True Colors. Every dramatic emotional beat isn’t just earned. Each significant moment is completely knocked out of the park by terrific voice acting, beautiful animation, and music composition that gave me serious emotional goosebumps. True Colors did exactly as Not What He Seems accomplished for Gravity Falls in shaking up its own respective dramatic stakes just when you thought it couldn’t get any higher for these protagonists. Shit seriously hits the fan here.

Did it ever occur to you, Anne? Sasha? That one of you knew more, than she was letting on? That ONE of you might’ve gotten you stranded in Amphibia on purpose...?

The big bombshell twist of Marcy playing a part too in getting them into this whole debacle completely flips everything upside down. Sasha pushed Anne into taking the Calamity Box, yes, but if Marcy never sent that photo because of her desire to stay with them together forever, then they wouldn’t have been stranded in basically a world full of dangerous creatures and who knows what else. Easily my favorite part of the episode, considering it adds more nuance to a situation that defined Amphibia’s story. It wasn’t just one person’s fault at the end of the day. Sasha bullied Anne into taking the box, Anne didn’t put her foot down to make a stand for something morally questionable, and Marcy took advantage of them both to benefit her own selfish desires for supposedly a “happy ending” not involving them staying apart, due to her parents moving away for a new job. All three girls played an important part on why they got landed into Amphiba. It’s why Anne’s statement to King Andrias, “The three of us may have made some mistake, but you...You’re evil and I’m gonna stop you!”, holds such a real weight to it, as this story continues to solidify how genuinely fleshed out their dynamic is.

Marcy’s super desperate plea to be understood by Anne & Sasha when Andrias revealed her getting them thrown into Amphibia purposefully was hard to watch. On one hand, I felt for Marcy because she didn’t want real life circumstances to tear apart that close connection she had to Sasha & Anne. Sure, she could’ve just kept in touch with them over the phone or chatting online, too. However, Marcy had known them since very early childhood. When you’ve been so attached to someone it can be a devastating thing, depending on just how vulnerable you are emotionally, to start drifting apart. Marcy represents that embodiment of toxic need for togetherness and couldn’t bear to let a possibility, like moving away, throw a wrench into her happiness and friendship, as well.

Never mind Marcy wanting to stay permanently in a different reality, rather than face her’s, but it made this person feel like something more. It gave her a chance to feel truly special in being able to live out a fantasy dream of having such power and freedom that a kid, like herself, couldn’t have had. The freedom to know she is plenty capable of making it out there on her own without Anne having to watch this kid like a hawk. So, to have someone, or something, try taking it away from her terrified Marcy of facing a terrible truth. That she isn’t strong enough after all to live a life without Anne & Sasha by her side completely, where Marcy will never feel truly worthy enough to blossom into her own person. It’s why that line, “I just...didn’t want to be alone...”, carries such a deep pain to it all. Marcy just crumbles into pieces accepting her greatest weakness. As much as Marcy fumbled the ball big time, it’s so easy to empathize with her on the idea of feeling competent enough. Marcy never meant to hurt Anne or Sasha, but the sad crushing punchline is she very much did.

Speaking of which, Anne had every right to be upset and mad, obviously. Anne has been missing so many things from her life before everything went off the wall. Hopping Mall especially highlighted Anne’s emotional desire to give anything just to hear her mother’s singing again. This teenager has been really dealing with a lot of grief in general quite honestly. Anne got into a high stakes battle against Sasha to save new friends, who’d practically became like an adopted family, which left the poor girl traumatized and heartbroken over the end result. She thought finding Marcy would help compensate for it and eventually be able to mend those complications with Sasha to boot. It’s simply painful to see it all blow up in Anne’s face to know not only Sasha betrayed her trust yet again, but realizing Marcy also played a part of responsibility in getting them thrown here. Matt Braly really just decided to slap future trust issues onto Anne finding out Hop Pop, Sasha, and Marcy were all super dishonest in their intentions at one point or another. Damn, I feel so bad for her.

It makes their embracing hug back in Marcy At The Gates so much harder to watch. Anne was super glad to see her again. Anne had wondered what became of Marcy or even possibly started to think she could even be alive at all. Then come to find out later on Marcy having intentionally ripped her away from a normal life must’ve felt worse then what happened with Sasha. Anne, already done with all of Sasha’s bullshit, thought she could at least expect better from Marcy not letting her down, but that too wasn’t the case. Marcy is very much as flawed as Sasha in what she has done. To think, Anne wanted so badly to get back home, yet she’s staring the very person dead in the eye, who ripped her away from it to begin with. Marcy knew Sasha would talk Anne into taking the box from that thrift shop, even if she wasn’t completely certain it would successfully teleport them away. Regardless of whatever good intentions someone can have in why they did what they did, it still doesn’t absolve them of said mistake. Fact of the matter is, Marcy tragically made her own bed, by choosing to mess with forces she couldn’t begin to comprehend and now has to face consequences, in spite of her not deserving them.

What really got to me was when Marcy tried to spin around Anne’s personal growth and close friendship with the Plantars as all entirely thanks to her. When she said, “I gave you this! I gave you everything!”, I was like, “Nope, that couldn’t be any further from the truth.”, seeing everything that has culminated in Anne’s journey of bettering herself. Marcy didn’t give Anne anything, but a one way ticket to cutting the kid off from her family, presuming she’d be fine with this idea. It’s all kinds of messed up, however what it boils down to is Marcy undermining Anne’s independence and agency. Anne’s moral judgement in decision making was what allowed her to create this new life she made for herself in Amphibia. Anne’s honesty as a whole led her down a path of togetherness, while Marcy’s lying landed her in a result of not wanting to be alone, costing her so much.

“I don’t believe this. We were so focused on each other we couldn’t see what was right in front of us!”

True Colors excels at earning each of its emotional beats because they line up with character motivations down to the last letter. Anne doesn’t want to trust Sasha anymore because of their already rocky past, which leads to her helping King Andrias regain control of his kingdom. Sasha not keeping a lid on her temper, wanting to rule over Amphibia, and trying to reinforce that power dynamic with Anne & Marcy only made things worse for her image of a changed good friend. There wasn’t a chance in Hell Anne would hear Sasha’s reasoning after she flat out tried to take away her frog family, by attempting to use the Calamity Box a bit ago in the episode. Marcy wanted to believe there was a happily ever after in seeing this world traveling idea as their only chance for salvation as friends for life, but it turned out to be something much more sinister, when learning of Andrias’ backstory and his true scumbag nature. All three of their motivations come clashing together, blinding them from a much bigger danger. Something that effectively puts everyone at stake.

Amphibia’s Season 2 finale works so excellently, given it covers important dramatic elements it’s been stirring around since Season 1′s early rumblings. Amphibia is a story centered around people’s need for emotional connections. True Colors builds miraculously off what Reunion already did quite well in showing friendships can become rough and they are never easy to deal with. When you have to make a stand it can be a tough pill to swallow on the reality check of maybe this “good friend” of your’s isn’t as nice as you previously thought them to be. Anne having been hurt one too many times now by her former friend sends that message close to home, so much so even Sasha begins to question her morality as a human being. It poignantly encapsulates how this trio’s complex friendship is a serious growing issue needing to be reexamined, overall.

What if Anne’s right..? What if I am a horrible person...?

Something I absolutely love to pieces about True Colors, also a testament to Season 2′s darn good writing, is how much introspective we get from each character on what they’re feeling. We’ve seen plenty of Sasha’s vulnerability before in other episodes centered on her issues, but now we’re getting to the root of it. Sasha is really taking everything more to heart, little by little. Sasha’s understanding what kind of an effect she has on people, seeing the damage it has caused made evident by Percy and Braddock in Barrel’s Warhammer. Grime once told her, “Some dreams have a price and not everyone is willing to pay it.”, where she’s questioning that idealism every passing minute the invasion plan proceeds further into reaching success. Sasha isn’t sure what to do with herself anymore feeling aimless. Those previous episodes had a real impact on her priorities more than she cared to let on with Sasha’s typical tough girl act. This kid has let her guard down more, which scares and confuses Sasha. She’s always used to playing the role of protector it contradicts everything Sasha stands for when the roles are totally reversed because now Anne has made her feel the tremendous change in their growth as individuals.

Sasha’s lifestyle has been all about control that after somewhat learning to be more considerate to Anne & Marcy’s feelings she feels beyond conflicted about what truly matters to her. The most screwed up part of it all is Sasha didn’t want to fight anymore, taking up a pacifist approach after seeing what King Andrias had been hiding from everyone. It’s a fitting punishment for Sasha to try bringing Anne over to work together once more, but getting her pleas for companionship outright ignored. Anne was correct that Sasha had wasted all the chances to be reasonable. Boonchuy tried to hear out Sasha before at The Third Temple. One wanted to start things over again to iron out their serious issues, but the other was driven by bitterness, while only remorseful to a degree at best, of seeing their once weak friend become so independent, mature, and stronger that it drove her up wall. Sasha wanted to take away that “problem” being the Plantars, since in her eyes they’re the source of Anne’s strength, driving a wedge further between the two girls in their heated Reunion 2.0 battle.

True Colors demonstrates the horrific price of no trust, communication, nor teamwork from the three main girls that Andrias smoothly took advantage of, as if they were fiddles. 

“That’s the thing about friends isn’t it? The more you love them, the more it hurts when they go.”

King Andrias is quite literally what I wanted Lunaris to be, where DuckTales’ Season 2 finale didn’t impress me on doing. He’s a serious big baddie to the main cast, who follows through on his threats of violence to demonstrate his wide array of arsenal and power. Andrias doesn’t just emotionally manipulate characters, like poor Marcy, but utterly crush them without an ounce of remorse for his actions. When he dropped Sprig out that window after Anne willingly let him have the Calamity Box back I thought they were legit gonna kill this boy off. The way Anne’s flashback montage of her good times with Sprig were eerily shot really didn’t help either on that note. Anne’s Calamity power finally activating is easily up there among stuff, like Dewey risking his life for Della’s disappearance in Last Crash, where the cinematography is shot and animated brilliantly. You feel Anne’s blind raging sadness in every hit she landed on those robots and Andrias. If anyone didn’t believe Sprig was like a little brother to Anne, then I dunno how anyone couldn’t view their bond anymore as such after this hugely defining scene. Anne went bloodthirsty when she believed Sprig to be dead further evidenced when she hugged him in relief afterwards exclaiming, “Sprig!? You’re alive!? Oh, thank goodness...”, which cuts deep so damn much.

Anne was ready to fight every one of Andrias’ troops in that castle to the death, if need be. Before Sprig came back from falling, thanks to Marcy’s quick acting, to comfort Anne, her only goal was to slaughter every opponent in that throne room, along with making Andrias pay dearly for even daring to lay a single finger on anyone of the Plantars. I’m not gonna lie, this pivotal power up reminded me so much Gohan turning Super Saiyan 2 after Cell curb stomped Android 16 into pieces with a smirk on his face. Anne Boonchuy’s maddening outburst is a classic testament to the idea of, “Piss off the nicest person and they’ll make it their mission to instill the biggest kind of fear/terror into you.”. showing this kid at her most vulnerable mental state, yet. Sprig & Anne’s cathartic embrace really messed me up in reinforcing just how these two respect, love, and would go above any of their limitations to help the other out. Sprig’s “death” scene was a masterful bait by the writers into making us think someone was gonna die and it was gonna be a poor kid, no less.  

However, it was actually all just a bait and switch for the real, “Oh, shit. They really just did that”, moment with Marcy unexpectedly getting run through with Andrias’ gigantic sword. In a last ditch effort, Marcy wanted to atone for what she had a hand in getting them all into. Marcy was ironclad determined in making her own stand for what was right trying to save the people she endangered. Akin to what Sasha did in Reunion for saving Anne’s life, Marcy does the exact same here. Although, unfortunately this time, no one is here to protect Marcy from escaping death, like Grime catching Sasha from plummeting at Toad Tower. Marcy couldn’t react in time because she was so focused on helping her dear friends out. She wanted to prove to herself at least one time, “I’ve screwed up so much stuff with my friends. Maybe, just maybe. If I get my friends back home, it’ll prove I’m not an entirely crappy person for setting these events into motion.”. Marcy’s own deep seeded remorse is what saved Anne & the Plantars, while being the cause of her own untimely demise at Andrias’ hands.

This scene is what no doubt encouraged the warning sign for younger viewers Disney decided to make for them. It’s impressive how far Matt and his crew are willing to go for intense dramatic content. Andrias trying to crush Polly with his fist after destroying Frobo with casual ease, dropping Sprig out of the window from up sky high, and stabbing Marcy with his powerful sword displays his cold blooded brutality. Doesn’t matter who you are. If you get in the way of Andrias’ plans for multiverse domination, then he’ll throw anyone into their own grave, be it man, woman, or child. That’s the mark of a truly terrifying antagonist.

Andrias didn’t care who had to be hurt or manipulated to get back the box, so he could invade other worlds with Earth being his next prime target for invasion. Marcy’s fate is a horrifyingly poetic statement, since Sasha stated to Anne in a flashback from Marcy At The Gates, “One of these days, she’s gonna get herself killed.”, with True Colors tying back to this line in a disturbing manner. Something that sends chills down my spine is we get to see the full extent of how far Andrias shoved the sword through her body. We don’t just see the entry point of where it hit her, but it even zooms out to show the whole thing. Real talk, I got serious Avatar The Last Airbender vibes from this scene. Reminded me so much of Aang getting suddenly zapped with lightning by Azula when he tried to enter the Avatar state. Marcy didn’t want to be alone so badly she ended up inevitably dying alone trying to send Anne back home to their reality. One Hell of a way to close off Marcy’s last moments in Season 2, until her inevitable resurrection happens in Season 3 now that King Andrias has her in a tube tank that looks tied to his master.

True Colors ends on a deeply bittersweet cliffhanger leaving the fates of Sasha & Grime totally unknown if they’ll get away by the skin of their teeth, or get captured by Andrias’ soldiers and robots. Anne finally returned home with the Plantars, but at a deadly cost of leaving her other close friends behind in Amphibia. After all the isolation, heartbreak, and endurance she went through with her frog family Anne finds herself at a total loss for words. Once again, Anne is in a state of solitude of not knowing if her friends are really okay or not, mirroring the start of Season 1 when she landed into Amphibia’s world. It’s safe to say to say that, “Finally me and it’s no big deal.”, lyrics have aged terribly for Anne’s realization of finding her own identity came at the expense of getting separated from friends she’s known since kindergarten. Definitely see Anne becoming a lot more protective of the Plantars now more than ever after watching Marcy drop to the ground from being stabbed in front of her eyes.

Amphibia’s Season 2 finale is exactly how you capitalize on a winning story telling formula of dramatic writing, lovable characters with layered depth, and increasing the stakes of your story in an organic manner. True Colors is a finale that should be talked about for a long time to come, as it not only showed how worth the wait it was, but reinforces why Amphibia is a truly great series. It’s unafraid to take its characters to dark places in a way that feels totally earned.

Amphibia Season 2 is everything a sequel to a first film should be.

[fandomlurker]

A Ponderous Rewatch: “Win Big”

And so we begin. For real, this time.

And to start, we have to go all the way back to Animaniacs season 1, episode 2, with the very first Pinky and the Brain skit which is named “Win Big”.

Interestingly enough, the duo are not directly trying to take over the world in this episode. The premise is that Brain needs money to buy the one part needed for his actual plan to take over the world using a machine he calls the “Super-Conductive Magnetic Infindibulator”, which will “deplete hydrogen and promote gravitational collapse [to produce] a magnetic charge from the center of the Earth so strong that every person who has loose change in their pockets will be magnetically drawn to the ground and stuck there”.

…

For those of you who are new to the series and for those of you who maybe can’t remember the show very well, I want to say that yes, what you’re probably asking yourself right now is true: Brain’s plans are almost always this complex and completely absurd with giant, glaring holes in logistics. There’s been a long-time “theory” that while their theme song says “one is a genius, the other’s insane” and intends to indicate that Brain is the genius while Pinky’s insane, it’s actually the other way around. And honestly? That doesn’t exactly hold up to any kind of scrutiny at all. Brain is actually a genius…he’s just also very, very short-sighted and lacks a lot of common sense. He’s so focused on his goal of world domination that he forgets to account for even the most obvious of details that would completely ruin what he’s trying to accomplish. And Pinky? Well, Pinky’s a lot smarter than he seems, but I wouldn’t exactly mark him as a genius. He’s just more worldly, more emotionally intelligent, and has a knack for pointing out the obvious. For you D&D nerds out there, think of it like this: Brain is a high INT low WIS character while Pinky is a high WIS low INT character.

As for which one is “insane”? Disregarding the…let’s just say “problematic” baggage that comes with that word, I’d argue that Pinky is just neurodivergent and Brain has a lot of problems. Like, a lot of problems. We’ll get more into that mess much farther down the line.

In any case, the opening of this episode has Brain pulling Pinky away from watching what is obviously supposed to be The Honeymooners, complete with “Bang, zoom, right in the kisser!” quote and everything. That quote, or one like it, was what the character Ralph Kramden would frustratedly yell at his wife, Alice, after she’d dismiss a get rich quick scheme of his. It was an ultimately impotent threat of violence, as he never did hit her. A lot of folks before me have delved into how messed up and controversial that whole running gag was, so I didn’t particularly feel the need to go over it here.

However, it does become immediately relevant because as Pinky laughs at the joke and excitedly quotes it while Brain is trying to get his attention, Brain reaches up and gently holds both their faces close for a few moments…

“Stop saying that, Pinky!...”

…then more aggressively tugs Pinky’s face down as he finishes with “…Or I shall have to hurt you.”

“Oh, okay. Sorry, Brain. NARF!”

Isn’t it interesting how the very first thing this series does is juxtapose Pinky and the Brain’s relationship with that of the main married couple on The Honeymooners? Like, it’s certainly not the most healthy of a relationship parallel to make, but in Pinky and Brain’s favour their world is governed by slapstick humour and thus any and all violence is much less serious. Also, there’s Pinky’s…uh…special relationship with physical pain that will become more apparent as the series goes on. Like, of course this kind of behaviour is wrong and appalling in real life, but this is a Warner Brothers Looney Toons-style cartoon and there’s a big difference between the two.

There’s also this little tidbit of information on the Animaniacs wiki regarding this episode and its writer, Peter Hastings:

“Although Peter Hastings has stated that he always tried to have Brain threaten to hurt Pinky but never actually hit him (because he felt this was both funnier and truer to the character), Tom Ruegger and the other producers would often have Brain actually hit Pinky. Even in this very first short, the Brain does follow through.”

Moving on, though, after Brain Rube Goldberg machine’s his way out of their cage and points out that Pinky has an “inordinately short attention span” after Pinky gets briefly distracted by another TV show that’s a very blatant parody of Jeopardy, he explains to Pinky his latest plan for world domination.

“EGAD, Brain, brilliant!”

“…Uh oh, no, wait…what if they take off their pants?”

^ The face of a man who somehow managed to forget that clothes are removable.

See what I mean about Pinky having a knack for pointing out the obvious? It’s very much needed to counteract Brain’s complete lack of foresight and introspection.

“Then…we’ll have to take over the world quickly.”

…Though there’s also something to be said for Brain’s stubbornness.

So they need a part for Brain’s machine called a Infindibulator, which is for some reason listed in the Farmer’s Almanac??? Which to my knowledge doesn’t sell anything at all??? Okay, Brain, whatever you say.

Brain actually kicks Pinky directly in the ass to get him up onto the Almanac to read it,

which would be alarming if not for Pinky’s completely happy and sincere “Thanks! :D” afterwards. It’s a mere hint to Pinky’s…predilections. I find it interesting that it’s so subtly foreshadowed in this very first short. I know you newer folks might think I’m joking, but I assure you I’m not. You will see.

As a side note, it’s so odd hearing Rob Paulsen’s early Pinky voice in these first several Animaniacs shorts. I’ve seen fans say that it’s more lispy than the standard Pinky voice that we’re all familiar with, but to me it just sounds like Pinky with a very, very bad cold and a stuffy nose. Get this mouse some nasal spray.

So Pinky finds the entry for the Infindibulator and it costs a whopping $99000. Where would two little lab mice find that kind of cash?

It sure is lucky and convenient that the TV is still on during that moment and tuned into an episode of Jeopardy—I mean “Gyp-Parody” (Really, writers? Really? In addition to being a horrible and lazy pun, I would rather not have to type a slur so much, so I’m just going to call it the name of the show it’s based on) where the reward for winning totals $99000.

And here we go, the first of its kind. The birth of the most famous running joke from Pinky and the Brain!

“Pinky… Are you pondering what I’m pondering?”

“I think so, Brain, but where are we going to get a duck and a hose at this hour?”

…Believe it or not, Pinky’s bizarre answers do have an explanation and a certain logic to them, but we find out the hows and whys much, much farther along in the series. That said, I’ll be damned if I know how he got to this particular train of thought right now. The inner machinations of Pinky’s mind are an enigma.

So Brain gets the idea to become a contestant on Jeopardy to win the amount of money they need for their plan. Pinky points out that the questions on the game show are very, very hard and Brain would have to get all of them right, and I just love Brain slowly turning his head to face Pinky with the most deadpan “Bitch, are you for real?” look on his face.

To Brain’s credit, he doesn’t berate the other mouse at all for his doubts. He just very calmly asks Pinky to quiz him about anything he can think of. When Pinky asks him “What is pie?”, well, see above for the summary of the answer Brain gives.

He then asks for a harder question, and Pinky asks him which TV character says “Bang! Zoom!—“ before Brain cuts him off with a wack of a pencil for quoting something inane and annoying him again.

Though he quivers a little before the smack, Pinky’s fine afterwards. Smiling, even.

And he happily gives Brain the answer anyway, complete with bows. “Ralph Kramden! TA-DAH! :D”

But Brain is insistent on preparing to go on Jeopardy, grabbing Pinky by the tail to drag him off-screen and Pinky is…

Hmm.

He’s, uhh, more than fine with it.

Now we get the debut of the human suit mecha. It’s quite the staple of the series; the go-to for a human disguise whenever the mice need one.

And it certainly is…something. You may be noticing the lack of a human head. Don’t worry about it. Brain certainly didn’t.

I love Brain’s playful little “Honey, I’m hoooome!~” when he pops his head out, despite having a deadpan look on his face the entire time. He’s having fun!

“Ahahaha! Oh, that’s a funny joke, Brain!”

“I am not devoid of humour.”

Pinky is having a little less fun with his tail accidentally tied along with the shoelaces, however.

It’s fine, he’s fine. He’ll be okay! Pinky is indestructible.

He’s a pocket pal now. He’s fine.

Makin’ my way downtown, walkin’ fast…~

Okay, sorry, he’s hailing a cab instead. Effectively, too!

Oh hi, Warners, nice to see you! Doing a literal running gag, I see. Nice, nice.

Goodbye!

So if you were wondering how regular humans would react to Brain’s “clever” and totally made without proper foresight disguise, well…

“Wh—HOA! Hey, if you don’t mind me askin’, bub, what happened to your head?”

“Nothing. I am a mouse in a large, mechanical suit.”

“Hehehehe! Okay, all right, my fault for askin’, right? Heh.”

Yup. This isn’t the first time this kind of thing happens. I guess since they’re in Hollywood the taxi driver’s seen worse.

So Brain gets on the show (don’t worry about how, shh) and the announcer calls him “Brian” instead and Brain politely tries to correct him. I can’t exactly fault the announcer because 1. “Brain” isn’t a name and 2. Look at Brain’s gloriously messed up handwriting.

The host walks on in. It’s pretty cute that they gave him the parody name “Alex Quebec”. It’s a suitable pun and rhyme to hint at the fact that Alex Trebek was born in Canada. Rest in peace, Mr. Trebek.

The first question is in the category of celebrity shoe sizes and asks what size sandals Plato wore. Umm. Okaaaaay… Thank goodness this show first aired before websites for foot fetishists cataloguing celebrity feet was a thing. Also is it just me, or does that font looks like something off of The Simpsons?

I don’t know if I should be worried or not that Brain got the correct answer to this question. (Seven and a half, if you’re curious.)

Question two is totally a trick question, though. There’s no such place as “Lestho”. “Lesotho”, however, is a real kingdom in South Africa. King Moshoeshoe I was indeed the ruler in 1820 as Brain answers, although the place was called “Basutoland” at the time and didn’t formally become a kingdom until 1822.

Educational!

Question three is a normal if extremely hard question for anyone unfamiliar with geographic locations off of the southeast of Asia. There are a lot of correct answers, and Brain answers correctly with “Bikar, Ailuk, and Ailinglaplap”. As this post notes, he is totally flexing on everyone by naming very obscure coral atoll islands that are some of the furthest neighbours from the Isle of Yap.

You smug asshole, Brain.

We don’t get the questions Brain answers correctly in the following montage, but we do get a close-up of his handwriting. Look at this. Just…look at it.

We get to see the aftermath of Brain’s monopolizing of the scores, though. The other contestants aren’t looking too good. Note that it seems there were times that they did manage to buzz in to answer before Brain did, but they must have got all of their answers or at least most of them wrong. They’re both in the negatives.

“Any plans on how you’ll spend your winnings?”

“Yes. I plan to take over the world!”

“...”

“…Ah haha, my fault for asking.”

Pinky claps and congratulates Brain on doing so well so far, because he’s a sweetheart like that, and

Brain flicks him back into the pocket. Man, you’re so quietly mean in this first episode, Brain.

Now it’s the final question, from the category “Quotable Quotes”. I remember this kind of category as usually being the easiest on Jeopardy, so it’s kind of surprising that it’s the Final Jeopardy question.

Uh-oh.

Looks like someone forgot that Jeopardy questions aren’t all science, history, and geography-related. Sometimes they’re about pop-culture.

Brain is…not very good with pop-culture. And Pinky’s been banished to the bottom of the coat pocket.

Whoops.

“Umm. Uh, who is, uhh… I, umm. Who is, uhh… Who is…uhh, Pinky…?”

Oh Brain, honey, it’s cute that you got so stumped and flustered that you just blurted out the only name that came to mind (and because Pinky was quoting it earlier, but still!), but it’s also so very, very sad.

Of course that’s incorrect, and Brain is just so monumentally defeated.

“And how much did you wager?”

“Everything…”

HUBRIS!

We then cut to the mice watching Brain’s horrible defeat on TV, and Pinky suggests a few other game shows they could try: Wheel of Misfortune, $10,000 Pile-A-Mud… The latter of which is supposed to be a parody of the old game show Pyramid, which wasn’t around in that format by the time this episode aired, so…good luck with that one, Pinky.

But no, Brain doesn’t plan on going on any more game shows. He instead walks sadly over to their cage to rest for tomorrow night.

It’s then that we are witness to the birth of the other memetic exchange this show is known for:

“Why, Brain? What are we going to do tomorrow night?”

“The same thing we do every night, Pinky: Try to take over the world!”

That wink, though. It’s the confident wink that sells this and tells us all you need to know about the Brain. No matter how bad his defeat, how humiliated he gets, or how sad he feels about failing, Brain always gets back to business sooner or later. He has determination on his side. And Pinky, of course.

And that was the very first Pinky and the Brain short! A pretty good start for the series, really. Nothing spectacular, and definitely not the worst, just a good start that sets the tone of the series well and establishes several of the running gags the show is known for. The creators pretty much have Brain as a character down right away: serious but not devoid of humour, single-minded, stubborn, egotistical, smart, and determined to meet his goals. There are a few things missing from him that we get later, and he certainly softens a bit by the time the spin-off starts, but they’ve set up a solid foundation to build on so far here. Pinky’s character is a little more nebulous in this episode, though. He’s shown to be generally good-natured, smarter than he first seems, easily distracted but well-meaning, and willing and able to help Brain achieve his goals. Still, he’s missing the much of the overwhelming kindness and his enthusiasm for Brain’s plans and awe at Brain’s intellect that he has as we go further through the series. I mean, there are hints of it here, too, but it’s much more understated compared to later on. Not to mention that Pinky gains a bit of a sassy side to him that somehow still manages to be friendly, like when you gently tease your friends while still caring about them.

I understand that you can’t really squeeze all of that into the first, like, fifteen minutes or so of a series, though.

Also, the animation for this episode wasn’t exactly the best of the series. There are points where Brain looks kinda muppet-y and Pinky is uncharacteristically gaunt and gangly. I mean, Pinky is usually a little gangly but not as hunched over and his nose stretched out so much. It’s not the worst, either, and serves as a decent baseline of how the characters look. Wang Film Production looks to be the animation studio behind this one, and I’d say their style is the most “normal” quality of the ones that get to animate for PatB. They do settle into a better and more consistent style for the show, so I’ll try and be on the look-out for that.

I’m not sure if the other posts I’m going to do on this rewatch will be quite so play-by-play as this one was. Since this is the first, I felt the need to establish in more detail the kind of things that happen in your average episode of PatB and the general rhythm of the show. I’m definitely going to try and include every instance of the ongoing running gags the series has, though.

I feel I should also say that from now on I might have to double or triple the amount of episodes in one post, too. There are some episodes in a long-running series like this where not too much of note happens, I’m sure, and I know at least a few are either silent shorts, cameos in other Animaniacs skits or little music videos and you can only get so much out of those entries.

Yes, music videos. Including a cameo appearance in a Macarena parody. I’ll prepare as best as I can to cringe so hard from secondhand embarrassment that I morph into a pretzel shape.

We’re only getting started, folks. Things are only going to get weirder and more interesting from here on out.

[vlovers19]

VMIN and SHIPPERS

Hey, was gonna post this as a question, but got a bit too long so I decided to put it in submit post instead. Would like your input on this though please.

So I was wondering why vmin isn't as popular as the other ships because lets be honest here, with no bias etc, out of all the bts ships, vmin has the highest possibility of actually being real. Then I realized. It's BECAUSE they have the highest possibility of being real.

People ship for many reasons, but what is common with shipping are shippers creating a narrative. They create this situation to make it seem that their pair is in a romantic/sexual relationship with one another. This gives them freedom to sexualize their faves in their fantasies. But with vmin you don’t really have freedom to create a narrative because v and jimin already did that for us. They’re soulmates and you have countless moments/songs/weverse/a shitload of stuff literally of them just professing their love for one another. This limits our imagination because it’s right in our faces and takes away the fun of shipping from others.

This can even go deeper into why jimin and v solo stans hate one another despite the two being so close. Because jimin and v together takes away fans freely being able to sexualize or imagine themselves with one of them. It’s like how fans hate certain celebrities significant other. Example: Adam Driver’s wife. People hate her cuz she acts as a reminder that Driver is taken and they can’t freely sexualize him or imagine being the one by his side without that constant reminder that it would never happen. Takes away the fun of it all.

Also, doesn't it kind of come across as a bit homophobic when people always dismiss them as just friends? "What a nice friendship", stuff like that after watching in your face romantic moments between the two. It kind of does for me but that's a topic for another day.

 So again, would like your input on this please.

___________________________________

Thank you so much for this. Honestly, I like what you've written. I like it very much. I don't really have that much to say since you have embodied almost everything I have in mind but I'll just add a little of my opinion as you wanted.

If we take a look at Vmin's relationship from the very beginning, we will notice that so much has changed. Taehyung and Jimin are arguably the most popular members in Bts along with Jungkook. There are hardly people who aren't familiar with their names especially if you are into K-pop. Yet, questions lingers. Why don't people ship them? Why do their supporters hate each other? Why does their fans look for every slight opportunity to discredit the other even when they know their biases are best friends and soulmates. There are two main reasons. Firstly, they believe that Jimin and Taehyung really hate each other. Secondly, as you said, it's because there's a possibility that there might be something going on between them other than friendship.

If we pay close attention to Vmin, we'll notice that they often seem to grow with each other. They have good days, they have bad days. Anyone who has been in a relationship or have fallen in love with someone will know it isn't easy. Love is difficult. Mantaining a relationship is even harder. It can bring so much pain and at the same time so much joy. There are times when things don't seem to go well because it can't all be sunshine and rainbows. Everyday can't be as sweet as honey. We can't be happy every single time. Sometimes, we even ask ourselves; why am I still with this person even though i have other options out there. Sometimes, you fight and then you settle. Overall, it isn't perfect. That's exactly how I see Vmin. They aren't perfect. Like most ship these days who always seem happy, smiling, laughing when we know in reality it's not really the way the world works when you have something going on especially for people who have known each other for such a long time. They tend to have the vibe of an old married couple because you have lived together, you know everything about each other. There's nothing you haven't seen from each other. Bad attitudes, good attitudes. There's nothing that special anymore. Things may start to get ordinary and you can start to take the other person for granted. Things start getting a bit difficult. One starts to get tired and get tempted to create other acquintances which is why friends is like a hidden message from the two of them. The song shows that vmin aren't perfect. They have experienced everything that comes with knowing each other for a long time. The ups and downs. It is these things that can make them a reality. But people see these happening and they get nervous and attribute the things they do with them being friends because It's safer this way.

Despite what we see on camera about BTS bond, they have both acknowledge that their relationship isn't perfect and they still have a lot to work on. Jimin pointed that out during his recent interview. It's also things like these that make them seem more real.

Let's also take the Christmas song Taehyung wanted to sing with Jimin but got rejected for. Even with it's romantic lyrics, even after recording it with a girl, he didn't release the song despite telling us he would. Why? Isn't that suspicious?. Again, something that adds to the possibility. Taehyung doesn't show his affections much especially in front of the cameras. We hardly see it but when ever he does, he does it off cam and it's always significant.

Also, Jimin hyping Taehyung's songs so much more than he does himself. Winter bear got so much love from Jimin that he renamed it baby bear to suit his own taste, even going ahead to talk about the song in two separate vlives. Then coupled with all what has been happening since last year, there's so much possibility though there's no real evidence that they are in a relationship except with tiny things like this which makes so much impact than any PDA they can ever do. People see all these but once again choose to ignore it and cover the whole thing with their friendship. Since vmin has a strong label backing them called 'Friends' they don't have a problem hiding under it and thus, can do quite a lot and not get much attention.

Taehyung can post weird things about Jimin on social media and no one cares. They can hold hands for no good reason, call each other soulmates and everyone says it's because they are such good friends. No one wants to take it seriously because as you said, it takes the fun out of everything. It makes things serious and no one really wants that because we all want to believe we have a chance with either of them. When it looks like it might not be the case, the hate and attacks goes out to both of them. When this happens, only shippers would love and understand but solo stans will hate each other because they are destroying their fantasy as you said. This mostly happens to ships who people low key discover has a possibility of being real. However, due to their friendship, it also makes things a lot easier for the both of them especially since they both come from such a conservative and homophobic country like South Korea. It's more safer if people see them as friends rather than lovers. So despite them being so popular individually their ship is rather small and it's going to continue to be small. People are always looking for reasons to disbelieve what they see. Their bond, their friendship, everything about them being together. The mixed reactions and the level of denial so many have exhibited since friends was released puzzles me. Vmin clearly said they are soulmates. Why are people still trying to deny it? Why are they still questioning it? Why are they trying to lessen the value of the whole thing? If it where the other ships, it would have been a sure guarantee that they are dating but with Vmin, it's a totally different story. Personally, I'm happy it's this way. It's much more convenient. They can do things others can't do without receiving so much attention. I guess that's all. I have said quite a lot because of this ask because it really hits deep. Thanks for this once again and have a great day.

[rowdeyclown]

the masks of majora’s mask ranking that no one asked for

i have many Thoughts about majora’s mask, it’s my favorite piece of media ever and honestly i could go on for ages talking about it, but today i wanna just talk about the masks of the game because i am very passionate about masks

im sorting this list by type of mask. there are only two types of masks to obtain, transformation and collectible, this is just to help me keep track of everything

transformation masks

the Deku mask. ngl deku link is super cute and he may not be the most powerful or fastest but he sure did spin his way into my heart. 7/10

the Goron mask. among other mm fans this seems to be the most popular of the transformation masks due to the incredible speed in which its possible to travel and raw strength with fighting. i personally am not the biggest fan of hand to hand combat using this mask but i sure do love to roll around at supersonic speeds. also this is the mask used for my favorite boss in the game, goht, and is also involved with goron racing which is also fun. speeding is very fun, shame that it only works when my magic meter is full. 8/10

the Zora mask. sorry i couldnt find a bigger png for it first of all but anyway this mask is the one that messes me up the most. you help a dying zora say his final words, then he kicks the bucket and leaves behind a mask which then lets you turn into a zora like what the actual fuck. gameplay wise this mask is my favorite, swimming is actually fun and it is my ideal hand to hand fighter, which is to say fast. 10/10

the Fierce Deity mask. okay. there is a lot to unpack with this one. whereas the other transformation masks are gained as part of the main quest, the fierce deity is only obtainable if you have collected all the other masks in the game. not much is known abt it but boy is it op as hell. like you can literally take out the final boss in like two minutes using this bad boy. the first time i played mm i tried to get the fierce deity mask but then promised myself i wouldnt use it for the final boss, but suddenly i had lost all my fairies and healing potions and i had half a heart left. i said “fuck it, mask time” and with the power of god and anime on my side i beat majora and saved termina without taking another hit. 100/10

collectible masks

Great Fairy’s mask. i thought the actual great fairies were creepy, but then i saw link wearing this mask and i havent been the same since. i have gotten quite a bit of use out of it since i like to collect all the fairies in the dungeons and this mask is required to lure some of them in, so i have to give it points for that. but honestly if it had no other valuable use i wouldnt touch it with a 10 foot pole. 5/10

Kamaro’s mask. OKAY this mask is really weird but also very funny and i think about it a lot. this mask is obtained from a dead dancer named Kamaro and using the mask link can do that same dance and with this ability he can earn a heart piece by teaching another pair of dancers this dance. the fact that its not even a real mask really kills me. theres that fleshy colored bit on the bottom that covers up the whole face and then the face of Kamaro is just sitting on top like a hat and its unreal. 7/10 

Bremen mask. now THIS mask, this one is special to me. you see, i was in marching band in high school and i also played mm for the first time around my senior year. this mask allows link to play a little song on his ocarina and march around! its so BIZARRE and i love it. also this mask is needed to obtain my actual favorite mask from the game. 10/10 

Bomb mask. makes link’s face explode but its okay because this is a video game and characters can survive shit like wearing a literal bomb on their face. 20/10

Bunny hood. THIS. THIS IS MY FAVORITE MASK. its not technically a mask actually but ignore that the point is that this mask is adorable, useful, and obtaining it makes me smile each time. to get this mask you have to start a marching band with baby cuccos using the bremen mask as i mentioned earlier. this mask is special because it boosts link’s movement speed significantly. its absolutely my most worn mask just because of the whole moving fast factor. all around a very solid and good design 10000/10 

Kafei’s mask. okay yes, it is creepy. its very weird. really you only need to wear it once but it is the catalyst of the biggest quest in the game that spans all three days and its also in my opinion the best zelda sidequest ever. so points to this mask for starting an iconic quest, but for the love of god stop staring at me with those empty eyes. 3/10

Keaton mask. obtained during the kafei quest. this mask is used to communicate with nine tailed fox-like creatures called keatons, and if link answers their riddles right he can gain a piece of heart. this is basically just a one use mask that really doesnt do any good in the long run. 4/10

Postman’s hat. turns link into a mailman. 10/10

Mask of Truth. dont even talk to me if this isnt what your third eye looks like. this mask is used to communicate with animals and talk to gossip stones. i wouldnt say this mask is really necessary as it is an optional item to use for a heart piece to collect but said heart piece can also be collected without it, tho it is significantly harder. 5/10

Mask of Scents. hehe piggy. 10/10 

Don Gero’s mask. remember that mask that turned you into a marching band kid? This turns you into the drum major. well, not really, but it is used to direct a choir made up entirely of frogs. basically the ideal mask. 10/10

Romani’s mask. allows link to enter bars despite being underage. i do not support underage drinking at all, especially when the underage person in question is like 10. -20/10

Garo’s mask. the first picture there is the mask as seen in the original n64 game and the second is the redesign from the 3ds remake. why did they make such a drastic change? beats me. the mask itself allows link to talk to invisible ninjas and is involved heavily with ikana valley. ikana is a weird and complicated location, and the abilities of this mask truly help build the atmosphere of the area and game in general. 8/10 

Captain’s hat. tricks skeletons into thinking that link is their leader. idk how that even works since its not even a transformation mask. idk maybe the skeletons are just stupid. also one of two masks that cause redeads to dance rather than scream at you so thats a plus. 7/10

Stone mask. this mask is so weird, it turns link invisible to almost all characters. its very useful for infiltrating the gerudo fortress and for the quest to earn a certain other mask, but is also not required. it is very funny looking though. i do prefer to use it over doing actual stealth since im lazy so this mask is actually useful for my particular tastes. 8/10 

Troupe Leader’s mask. okay THIS MASK. THIS MASK IS THE REASON WHY I WANTED TO MAKE THIS LIST IN THE FIRST PLACE. this mask is literally pointless. the mask itself cries and can stop bandits from attacking you in a certain side quest, however doing that side quest is pointless at that point since that side quest is literally how this mask is obtained. its pointless and stupid. in the 3ds remake it can be used to get an empty bottle but the fact that it literally was completely unusable and pointless in the original game just goes to show how much of a waste of space this mask is. -100/10

All-Night mask. this mask is terrifying and keeps me from falling asleep. incidentally, thats its actual ability. according to some text in the game this mask was used as a torture device at one point which is uhhhhhh. hm. yeah. the actual use for it in the game is literally a thing to keep link from falling asleep out of boredom. what an absolute nightmare of a mask. 1/10

Gibdo mask. makes gibdo (aka mummies) think link is one of them which is useful for not dying to one but boy is it terrifying. the second of two masks that make redeads dance instead of scream at you. 3/10

Couple’s mask. this mask is the product of the entire kafei and anju quest. it doesnt look like much and is only useful for one moment in game to obtain a piece of heart but its true value lies in the journey travelled to collect it. this mask was born as a representation of the love between the characters kafei and anju, and that whole quest is beautiful and heart wrenching and this mask brings it to a satisfying close. infinity/10 

Giant’s mask. doesnt even look like the actual giants in the game. 0/10

[poemistic]

top 10 mlp musical numbers

since I’ve been rewatching the childhood tv show, i was like ‘well why not?’ the songs I’ve chosen to rate are all from my mlp songs playlist on spotify, so it is already personally biased. when i watched mlp as a kid, most of my memories are from seasons 1 - 5 and maybe a little bit of season 6? (i really lost interest when starlight came into the picture as a “redeemed villain” like are you for real??) so a lot of these songs i have an attached childhood nostalgia to. if you think i missed any...no i didn’t ❤️ 

so before we get to the good part, we first got some honorable mentions (that are not in any particular order) 

the spectacle 

the smile song

ballad of the crystal ponies 

EQ cafeteria song 

in our town 

the magic inside

CHS rally song 

ACADECA 

life is a runway 

my past is not today 

you’ll play your part

awesome as i wanna be (after this are the songs I want to be in top ten but don’t make the cut ;-;) 

apples to the core 

glass of water 

unleash the magic (im really sad about this one its Good) 

raise this barn (THIS ONE WAS SO CLOSE TO BEING TOP TEN SO CLOSE)

----

omg those last two songs hurt to put on the honorable mentions. but now onto my top ten personal favorites! rated from least favorite to most. 

10.  What My Cutie Mark is Telling Me. (this song just scratches me right in my 9 yr old brain. I remember recording the episode this song was in and being so excited to see it. it was the season 3 finale. also rainbow dash, applejack, and rarity’s parts in this song Slapped period.) 

9. Flim Flam Brothers’ Super Speed Cider Squeezy 6000 (honestly 9 and 8 are tied but i like 8 just a liittttle bit better than this one. but like cmon.  the title? already fire. this song made me like capitalists HORSES for crying out loud. this one is a Bop and a half.) 

8. Hearts Strong as Horses (awkward title but the SNARES IN THIS SONG THO. this song gets me fucking pumped and not to mention this song is in the best cmc episode. just a really catchy upbeat tune. can’t go wrong.)  

7. Battle of the Bands (i have THREE DAZZLINGS SONGS IN A ROW for this. rainbow rocks really went off when making the dazzlings, adagio dazzle especially. All of their songs made onto the list because they’re just That Good. like Seriously. also me gay for adagio :P) 

6. Under Our Spell (ME BIG GAY FOR EVIL HYPNOTIZING WOMEN!!! the lyrics, the Vocals, the way you start to hypnotically sway unconsciously... its all so fantastic.)

5. Welcome to the Show (this song had me playing it on repeat and imaging that I was sunset singing along with twilight and the main six to defeat the dazzlings. i loved this song so much, so much serotonin. the dazzlings sound amazing and yea maybe the music in our hearts is a little cheesy but it still makes me pumped whenever i hear it 🥺RAINBOW ROCKS BEST EQ MOVIE)

4. Bats (im going to be totally honest here. Bats is objectively better than number three and will name you reasons why. Bats is those rare mlp duets where not only does it have really good dynamic exchanges between characters, but also drastic tonal changes with great visuals to go along with it.  Not to mention the duet is very confrontational, which you honestly can’t find much of in mlp. the song is definitely one of the best out there. Plus i also really love applejack’s angry singing voice. her yeehaw accent is just *chef’s kiss*) 

3. Babs Seed (the reason why bats is 4 and not 3 is well....it simply does not bop harder than babs seed. and babs seed is. A. BOP. this shit fucking BUMPS. SLAPS. HITS. A FUCKING BANGER. you put this on at a party i AM ON THE DANCE. FLOOR. PERIOD. just fucking listen to it alright. cause this is playing at my funeral.) 

2.  I’m The Friend You Need (listen this is song is soo good. you wanna know why? i didn’t watch the movie this song was in and it’s on my #2 spot in my Best Mlp Songs Ever list. Also just the trumpets, and how sleazy and slippery capper is and how his vocals exude that exact vibe. You never even meet characters like capper in mlp. everyone is either a friend or a villain who cackles with dramatic lightning in the back. capper is, refreshingly, neither. and the whole song in general just wants to make me samba or something i have no idea. just listen to the song!!) 

1. This Day Aria (i had to put this as number one. i had to. i am legally bound to do it. this song was the peak of the mlp fandom and my life. it was revolutionary. it changed fandom history. the season 2 finale was not advertised properly, but in a good way? they said nothing about the changelings and the queen At All. it was just “get ready for mlp’s season 2 finale! a canterlot wedding :D” and it lowered everyone’s expectations for it. and that was GREAT. when the twist happened it made EVERYONE FREAK OUT LIKE WHAATTTT!!! AND THE SONG?? UGHHH!!!! it was SO HYPE and the SCORE, THE VOCALS, THE DUET, THE SHOCK OF IT ALL!! disney was crying, they WISHED THEY HAD WHAT MLP HAD. This Day Aria has best villain song of mlp, as well as the best song of mlp Ever.) 

----

and thats the end! thank you for reading this far! i started this because i saw the most trashiest ‘best songs of mlp’ list in my entire life and Had to fix it. BITCH PUT LET THE RAINBOW REMIND YOU AS #1??? one of the boringest songs in mlp ever. sorry not sorry but if let the rainbow remind you is your favorite song, please get some taste. 

anyways these are all just my own personal opinions! and if you like mlp and wanna talk about it more don’t be shy to tell me your thoughts! although, don’t expect a lot of mlp content from me. i’m still hyper-fixating on hxh. hope you guys appreciated my thoughts on mlp’s best songs! :DD have a nice day! 

[huntsman-ash]

LiveThoughts: RWBY V8E6

Second attempt at this since last time Chrome just DIED for no reason...

Im going to put literally the entire thing with Cinder under one note; Called it.

Its a great set of stuff, sure, but it doesnt relaly tell us anything we didnt already know about Cinder, and I personally feel it doesnt really explain why she turned out the way she did. I feel like we’ve had another weird twist of the situation again...M+K? Coronas fault? Who knows. Either way, this section isnt great by my taste and I kinda skipped most of it. 

Few things to note though; Apperently in Mistral scrubbing by hand is still more viable floor cleaning tech than using Dust.

The wind vane on the roof has the Rooster Teeth symbols rooster on it. 

The hotel Cinder is bought by is named the Glass Unicorn, fittingly enough for...several reasons. 

The coffees behind the stepsisters when we first see them are the animated versions of the real life stuff RT put out just before this season went live. 

No one seems to notice the fact cinder has orange eyes. I wonder if weird eye colors are just a THING in Remnant?

The control collar/shock thing is incredibly inefficient in design, since it doesnt actually hold on to her very well. A more effective brace/choker design would have worked better.

The song that goes on during all of this is...kind of obvious and a little bland? Fitting for younger Cinder I guess. 

Mmm. Random greasy huntsman. 

I guess in Atlas its fine to laugh at struggling teenagers?

Im going to assume there’s a 3+ year gap here where she gets older, cause she stops being smol and gets closer to how we see her now.

Also even here, in Atlas...really? The most effective way to clean these carpeted floors is to have a TEENAGER SCRUB THEM BY HAND?

How do you scrub...I assume its carpet anyway?

And how you tell civilians are lame in Atlas; they are impressed...by a sword.  Just a sword. A boring, half-cut sword. Losers.

I assume this would be Cinder’s semblance manifesting. Also note on the desk; “we do not serve faunus”. Well THAT doesnt surprise me.

HEHEHEHEHEHEHEHEHHEHEHEHEHEHEHE. Get fucked Cinder. HEHEHEHEHEHEHEHEHE

I dont even feel pity for her, this is funny to me.  Also the fact that this kind of shit aCTUALLY EXISTS is...amusing to me. Like, really? So I guess indentured servitude is a thing in Remnant too. 

And this is why Cinder likes to use swords. Really. Wow. LAMEO.

Huh. Dual maces. Interesting. Thats a prety cool weapon.  Looks like they open up too. Bet he could bash some skulls with that.

“Hurting them isnt going to make your life any better”. Um, excuse me? I think hurting them is the very best thing to do in this situation. At least, for the moment anyway. 

Huh. So she’s ten at this point? Even as a child, shes older than she looks. 

And training montage. Huh. Or at least I assume it is. I get the feeling being able to go where you want too and do what you want too is the main reason Hunters exist. There must be crazy tight immigration laws...or, maybe, its just that traveling between kingdoms is stupid dangerous cause of Grimm. I think the latter is most likely considering every form of public transit extra-kingdom we’ve seen (even between cities, see Argus Limited) has some kind of defensive weaponry. Limited and ineffective, for th emost part oddly.

So you can take the exam at 18. Okay cool. Pre-that must be prep school. Wonder what happens if you wash out? Also I like how this dude is just “yeah, 7 years of training, we got this.”

I think this is the first time we’ve seen the other side of the moon. Or at least, the proper other side...bloody hell I STILL dont know how all those piesces are still held in place, the thing looks like it should start yeeting bolides at Remnant. 

Better still we see it MOVE, rotate in time to the passing of years. So it literally does rotate on its own axis, and more importantly, unlike OUR moon, its NOT tidally locked. We only ever see the same side of our moon. REmnants rotates MUCH faster. Also it doesnt seem to have phases like ours does. I’ll check on why that is. 

Well at least we have an explanation for why Cinders so damn good at fighting people. Trained by an Atlas Huntsman.

Also as a note the device is quite literally just an electrical Dust crystal attached to a necklace. Things the most inefficent torture device Ive ever fucking seen. 

Wonder how often they have to change the crystal.

And there goes the moon rotating again.

I like how NO ONE comment on the blade going missing and that guy never came back for it. I guess he must have just bought a new one.

I get the very distinct feeling they wont just let her go honestly, permission or not. 

AWWW WE DONT EVEN GET TO SEE CINDER MURDER THE SISTERS. Also no blood. Odd.  Good kill on the  stepmother though. Oh, that NECK CRACK.  I like how all the bitch can do is try and shock Cinder, like, uh...adrenaline up? SHE HAS A SWORD? MAYBE FIGHT BACK?

Hah. Weak ass fuckin Atlas people.  Also the clock going off in the back ground twelve times. How fitting. Welcome to midnight. 

Also shes kind of glowing here cause the room is dark, and I find it amusing this is probably the last time she wears white.

And THERES the Cinder we know

Sick ass music, cool. Also THAT is an interesting semblance...I guess he turns himself to metal? Also DAMN his aura broke after THAT? Hes a Huntsman...ah who cares. Again probably in Cinders memory more than anything. Which at this point is probably about as reliable as a coked up hookers.

SHANKED. Sucker. You shoulda seen THAT one coming.

And thats all it took to get the shock collar off. Lol. 

So what happened to the hotel? Did they just...write it off? I mean four people got murdered in there...

And now we’re back on the whale. HOW THE SCREAMING FUCK DID CINDER JUST...

Wow. She just got up after eating that blast. Fucking plot armor.

Merc making the hard calls honestly.  Im actually gonna watch all of this now which is nice because I want to know whats happening in the real world. PITY MORE THAN HALF THE EPISODE WAS THIS FUCKING FILLER.

I like how Cinder just...goes quiet the moment she realizes shes lost Mercury. Not that he was USEFUL mind you but if I had to guess she liked being the boss. But now shes...basically back where she started. 

So the whale is basically a ship. It has a bridge. Probably Salems throne room.

Man, Oscars literally just RTs punching bag this season isnt he? Literally in this case. 

His clothes are still scortched too which I find interesting.  The black eyes also staying. Auras not back up then? Aura repair and regen seems...werid half the time. Like RT does what they want with it.

Ah so someone finally says it...but at the same time what exactly does Salem have to fear? If she cant fight the whole world...what could they do? Maybe overwhelming her? It...Im having a hard time putting the “she cant be stopped” with “shes afraid of fighting all of Remnant”. 

Somethings missing here. I know it.

The sound of the “door” opening reminds me of the Flood doors in High Charity in Halo 3s Cortana. Fleshy twisting.

Mention from Hazel, but AGAIN...no details. I guess if you nail down how she can do stuff its harder to write? 

Glad someone made a comment on the futility of the Hunter academies. 

I really hate how Salems giving us creepy mommy shades. 

Hmm. So yeah the bridge IS the throne room/command deck. I like how Neo doesnt give a fuck is just casually kneeling. 

Ah okay THATS why he grabbed the scroll. 

Heh. Interesting. How exactly does this work I wonder. 

...Why does Salem have a ring. Has she always had that ring?

Neo looking at the Hound like “oh, I could ride this thing”. 

Oh cool the Ace Ops. And they’re arguing, shocker. Sounds like Elm doesnt trust tech either. No shock there.  Idiot.

Atlas elite. Yeah, right.

Huh, is this a Manta with landing gear? I guess they do have them...seems kind of silly to have them so high up though. I guess thats what the thing under the door is for, so they can deploy a ramp. Man, I really dont like Atlas’s airship design.

Hare needs some fuckin suppresants. 

Annnnddd...here we go, things go straight to hell. I was warned of this. I am going to try and not be mad...but from what Ive heard the incomptence of the military in this particular section is astronomical.

Huh. So...Grimm can be convirted into a rock-punching liquid? Interesting. Has that always been a thing or... Also why the fuck are you jsut standing there in awe, go kill the fucking thing! Fucking Specialists.

...that is all it took to get through Atlas’s shield? THAT?

I also love how no one does anything. Ironwoods like “wait what the fuck”. Come on bro. 

And...thats the Atlas navy. Everyone. Two lasers. One of which missed. Remind me again what exactly these things are used to shoot?

Wait, no, that took down part of it, and then the rest is, surprise, hitting the soft rock on the outside. 

THERE goes the shield. 

Hang on a second, how long have those giant squid things been there?

And...what. The whale just approaches, nothing happens? You’ve got 12 fucking ships there, shoot the fucking thing.

Again, WHY IS NO ONE DOING ANYTHING?

Oh, it just beach-headed. Okay fine, whatever. 

Im not really worried.

Lets see how RT makes this WORSE though...

And thats this weeks episode.

[thankskenpenders]

In case you’ve had a hard time following along, here’s why the love triangle stuff in Archie Sonic #150 - #156 is such a nightmare

First, for comparison, here’s where the relationship stuff was at before the timeskip. This is ignoring a lot of older love triangles from the ‘90s comics, but this is most of what we dealt with in the two years of Bollers-led comics prior to the timeskip

Sonic’s relationship with Sally is ambiguous for a while, but eventually they officially start dating

Mina likes Sonic, but he ends up choosing Sally and Mina’s heart is broken. It seems like she’ll move on, though

Bunnie has been dating Antoine for like 80 issues

Geoffrey has moved past his feelings for Sally and is dating Hershey

Now, the Sonic/Sally/Mina love triangle alone is the most infamous love triangle in the comic because it was dragged out for so long and caused so much fandom drama. But as someone only reading these years later, honestly? This last stretch of issues before Ian’s run is way harder to stomach. It makes the time when we were only worried about one love triangle look like child’s play

Here’s the list of romantic developments in about the same amount of time, going from the timeskip to #155

Antoine breaks up with Bunnie off-screen

The Antoine who broke up with Bunnie is eventually revealed to be Patch, Antoine’s evil doppelganger, but that’s not what Bollers intended when he wrote it

Mina is dating a new guy, Ash

Sally breaks up with Sonic

Amy is now actively pursuing Sonic

Anti-Sonic poses as Sonic and hits on Mina

And also Amy

And also Rouge

And also makes out with Bunnie

And also apparently Fiona, off-screen

Rouge attempts to seduce Knuckles’ father to steal the Master Emerald

Bunnie still thinks that Anti-Sonic was the real Sonic, and pursues him romantically for a couple of issues, but this is dropped off-screen

Ash reveals that Mina still has feelings for Sonic and that all of her songs are about him, and he breaks up with her

Now Sonic suddenly kind of wants to get with Mina

Ash saves Mina’s life and they get back together, disappointing Sonic

With Fiona back, Tails now has a crush on her even though she’s way older than him

Sonic gets with Fiona for some reason, which upsets Tails

Max says that Sally has to marry Antoine, who is actually Patch, but she doesn’t want to

Now Sonic is upset about this even though it seemed like he was dating Fiona

PSYCHE Sally decides to settle for Antoine (Patch) after all!!

And man, that’s not even getting into Mobius: 25 Years Later

It’s too much. It’s just way too much. This should not be the main focus of these comics

[freddiesaysalright]

Peace Like A River Part 1

A Gwilym Lee x Reader Story

Summary: Reader is a stand up comic with a pretty dark past. She has a three new lights in her life: her daughter, Violet; her anonymous correspondent, Dear Friend; and Gwilym Lee. 

Word Count: 3.4K

Tag List: @psychosupernatural @someone-get-a-medic @bensrhapsody @deakyclicks If you’d like to be added, let me know!

A/N: Sorry this took so long! I had like the snippet of an idea for this and then needed more for a plot, but I think I’ve finally got it together lol. Hope y’all like it!

Part I here we go!!!

Grinning, you read over the letter once more from backstage. His words in that graceful, loopy handwriting warmed you from your heart to your toes. You sighed contentedly, stuffed the paper into your back pocket for luck, and waited for your cue.

“Ladies and gentlemen, please welcome to the stage, Y/N Y/L/N!” the host cried. 

You shook out the last of your nerves and walked out on the stage, waving and grinning at the huge crowd that stood and applauded for you. You had never done a show for an audience this large and it was both intimidating and exhilarating. 

“Thank you!” you said, as you waited for them to stop cheering. “Thank you. Thank you all for coming. Really, I appreciate it because whenever I have to go out and do things, I think about killing myself.”

A nervous titter went through the crowd and you smiled again.

“Seriously, I do. I’ll think about killing myself over nothing. Like, the other day, I was in the car on my way home from the store and my sister called me and asked me to stop by her place and help her and her husband move furniture. And I actually thought ‘If I crashed my car right now and died, I wouldn’t have to go move any fucking furniture.’”

They laughed.

“It’s crazy, I know, but I casually think about it any time I’m even minorly inconvenienced. But what stops me from doing it - like, my next line of thought - is something equally meaningless. Like, in that scenario with my sister, the thing that held me back was like, I thought ‘But fuck, Bohemian Rhapsody is coming out in like two months and I really wanna see that.’”

A couple cheers came through the laughter and you smiled.

“Oh, we got some Queen fans in here tonight?” you said. 

More cheers.

“Yeah, cheer, clap, fuck yeah!”

A swell of shouts and whistles went through the crowd and you joined them.

“Fuck yeah, y’all were raised right,” you said when it settled down. “Queen is a great band. Just four sexy dudes making banger after banger. They’re legitimately my favorite band. I’m not gonna lie, they really got me through some shit, but we’ll come back to my trauma later.”

You paused for a small bit of laughter.

“Now normally, I don’t like when comedians talk about Queen. And by that, I mean, I don’t like it when comedians talk about Freddie Mercury,” you said. “And it’s not for some pretentious reason like they’re not real fans or something. It’s literally just that when people joke about Freddie Mercury, they joke about the same two things - his teeth and his sexuality - two extremely fucking boring things to joke about.”

You took a sip of water.

“Not only are they boring, they’re just rude. Like, these are things this man was born with and couldn’t change about himself - he had no control over that. What he did have control over - the fucking ridiculous lyrics of Under Pressure.”

A giggle went through them. You smiled.

“I’m serious. Have any of you ever looked up the lyrics to that song? Most of it doesn’t really bother me, it’s just those weird scat-like shit Freddie does between verses. Like, they have these great, meaningful lines followed by Freddie going ‘Um, bah, bah, bay.’ What the fuck?”

They laughed.

“That shit is in the official lyrics of that legendary song and I think about that every goddamn day. That and fucking ‘dee, dah, day - ok!’ Shit like that is how you know these dudes were on drugs. One of those guys came up with that, pitched it to four other people - if not more - and they all went ‘fuckin genius’ and bam! Under Pressure is one of the greatest hits of all time.”

They laughed harder.

“I guess I’m not as disturbed by that as I am by the fact that the people ate it up like they did. It’s one thing for those guys to say it’s genius, but then for us as the public to say it as well just fucks me up. The first time I heard that song I was like ‘what the cinnamon toast fuck am I listening to?’ Shit was weird.”

You took another drink as they laughed. 

“But honestly, I don’t understand why people go for Freddie’s sexuality when there are clearly much more roastable things to talk about. I don’t care how rich and famous he was, if you’re a straight white guy making fun of gay brown guy for being either or both of those things, you’re punching down, dude, and that’s not comedy, that’s just being an asshole.”

For that, they applauded. You continued on through your set, and this audience was great for you. They were responsive and you held their attention throughout. You were almost ready to close the show.

“I always like to end my shows with the most important person in my life,” you said. “I’ve talked about her already tonight, and she’s my daughter, Violet.”

The tech guys put a picture of her up on the projector behind you. You beamed at it. 

“That’s her. She’s three years old and she’s my everything. She’s the reason I get on stage and in front of cameras. She’s the real reason I don’t crash my car to get out of moving furniture.”

With one final laugh, you bid them goodnight. You took a little bow at the roar of applause and smiled widely. You said a few more thank yous before the spotlight dimmed and you walked off stage to the sound of cheering and clapping. It never ceased to amaze you how far you had come. 

Someone took the mic for you as your assistant approached. She was a recent hire, and something you initially resisted. But now that your name and brand had grown, you really did need the help. Her name was Stacy, and she was incredibly efficient. You liked her, as did Violet, which sold you on hiring her.

“Great show,” she said with a smile. “Vi is asleep in the green room. We’ve got a couple VIP guests for you to meet before we take you both back to the hotel.”

“Alright, lead the way,” you replied.

You followed her to another room backstage where you saw a group of men. Most of them had their back to you, but one face, you recognized. Gwilym Lee, who you considered a friend, even though you hadn’t spoken in a while.

Before you had really thrown yourself into standup, you did a bit of acting. You and Gwilym shot a pilot of a sitcom that unfortunately never aired, but while filming, you had become really close. You even felt like he was flirting with you a few times, but back then you were nowhere near ready to start a new relationship, so you’d kept things strictly platonic. Nowadays, you mostly liked each others pictures on Instagram as your main form of communication. But life was busy for both of you. You were on tour and he had gone on to films.

You started to smile but then froze when the man next to Gwilym turned his head. You grabbed Stacy’s arm harshly.

“Holy shit is that Brian May?” you wondered.

She chuckled. “Yeah! The VIP guests are Queen and the cast of Bohemian Rhapsody.”

“Shut the fuck up!” you cried. “Really?!”

“Yep,” she assured you. “Go on in and say hello.”

Your stomach dropped with nerves. Again, you shook yourself free of them and donned your stage personality. Slipping into that mask was where you were most comfortable. While you talked about the things you had endured in your comedy, there it was lighthearted, and you did not have to face it head on. You could throw a joke out and dodge it. 

“Well, hello!” you said brightly as you entered the room. 

They all turned eyes on you and smiled as you were introduced. Brian May and Roger Taylor were without a doubt the most thrilling to shake hands with, but Rami Malek, Joe Mazzello, and Ben Hardy were also exciting. When it came time to shake hands with Gwilym, you offered a warm, friendly smile. 

“It’s great to see you again,” you said. “It’s been two years or so now?”

“Just about,” he replied. “You were wonderful.”

“Thank you!”

“Gwil was the one who convinced us to come tonight,” Joe explained. “He said you were hilarious on set when you filmed before.”

“That’s sweet,” you replied. “It is a shame that show never took off, it was a good one.”

“I certainly loved it,” Gwilym said. 

You chatted with them for a bit. They all were calming to be around. Brian and Roger were complimentary of your bit about Under Pressure, which eased some of your nerves about the set. Even though you were, you didn’t feel like you were putting on a show for them. In minutes, it felt like they were your friends. 

The door opened shortly after and in walked Stacy, hand in hand with your very sleepy daughter. She clutched her stuffed dog close to her chest as she ran right to you and crawled into you lap. You wrapped your arms around her and held her close, kissing the top of her head. She eyed the guests warily. 

“What are you doing awake, sweetie?” you asked gently, stroking her hair. 

“She woke up for a little while,” Stacy explained. “I tried to get her back down but all she wanted was Mommy.”

You smiled. “That’s okay. You can have Mommy whenever you want her.”

She snuggled into your chest, turning her face away from the strangers. 

“You don’t want to say hello?” you wondered, and she shook her head. You looked at the guys. “Sorry. She’s kinda shy.”

“That’s alright,” said Brian. 

“She’s grown up,” Gwilym said. “Last time I saw her, she was just learning to walk.”

“Oh, yeah,” you remembered. “She actually walked right into you during a scene.”

You both chuckled at the memory.  

“The director was almost mad, but she was so cute,” he continued. 

He knelt down in front of you and gently touched her arm. She turned her face to just barely peek at him. 

“Hi, Violet,” he said sweetly, smiling at her. “It’s been a while.”

Her brow furrowed. 

“You were still a little baby,” you explained to her. “But you’ve met Gwilym before.”

She relaxed and looked between you and him. 

“Daddy?” she questioned. 

You stiffened and cleared your throat uncomfortably. Then shook your head. 

“No, baby,” you told her. “No Daddy.”

She pouted at you and then hid her face again. You looked apologetically at Gwilym, who shrugged it off. He started to get up, but hesitated to pick something up off the ground. It was your letter that had been in your pocket. He held it out to you. 

“Is this yours?” he asked. 

You quickly took it, your face flushing with embarrassment. Even though there was no way he knew what it was, you still felt really shy about the whole situation. 

“Yeah, thanks,” you said, not meeting his eyes as you stuffed it back into your pocket. 

“A letter?” he questioned. 

“Just some particularly touching fanmail,” you lied. 

“Not enough people write letters anymore in my opinion,” said Roger. 

“Why sit and write a letter when you can send a text?” Ben replied. “It’s much faster.”

“Yeah, but I sort of miss the anticipation involved in letter writing,” Brian said in agreement with his bandmate. 

You continued to visit with them as Violet slowly fell asleep again against you. For a while, you felt Gwilym’s eyes on you intensely. His expression was odd. It appeared he thought he knew something more about you. It made you shift in your seat a few times before at last, he seemed to let go of whatever question was burning in his mind. 

They visited for about another half hour before you really did need to get back to your hotel, and so did they. You said fond farewells to all of them, reassured them that you would see the movie, and then it came to Gwilym. 

“We’re in New York for a few days,” he said. “Let me know if you’d like to get coffee or something and catch up.”

“That would be great,” you replied with a smile. 

You gave him a side hug since you had Violet on your hip, sleeping soundly. Her stuffed dog slipped from her hand but Gwil caught it before it hit the ground and handed it to you. 

“Can’t have that,” he said lightly. 

“Thank you,” you returned, taking it. You looked at all of them. “Have a wonderful night, guys. It was so great chatting with you.”

They all bid you one final farewell. Gwilym was the last to leave and you shared a lingering look with him before he closed the door. You continued to stare at the spot where he disappeared, realizing now how much you had missed him these last couple years. 

“Ready to go to bed?” Stacy asked. 

With a yawn, you nodded, and she ordered an Uber to take all three of you back to the hotel you were staying in. It wasn’t far from the venue, since you would be doing three shows there this week before moving on Boston. Stacy eyed you with an odd smirk as you stared out the car window. Finally, you looked at her. 

“What is it?” you asked, a bit snappier than you intended. 

“You and Gwilym Lee seemed to have a little something going on,” she said with a sly smirk. 

You rolled your eyes. “We just knew each other a couple years ago. Besides, you know I’m...involved with someone.”

“Ah, right,” she said, rolling her eyes now. “The ever elusive Dear Friend.”

“Hey, if anyone’s elusive, it’s me,” you said. “I was the one who made the arrangement what it is.”

“Y/N, you write letters to some mystery man,” she replied. “He could be anyone. Gwilym Lee is a real person and right in front of you.” 

“Dear Friend is a real person,” you argued. “I’ve just never met him.”

“And yet you’re convinced he’s your soulmate,” she returned. “I just don’t get it. How can you fall in love with someone through paper?”

“You don’t understand,” you said. “You’ve never read his letters. He’s so...eloquent and smart. And I can be myself with him. I can share my deepest thoughts and desires without any fear of judgement. He does so with me as well. It’s a real connection. The strongest I’ve ever felt with anyone.”

“You don’t know anything real about each other,” she insisted. “Not your names, not your jobs, where you live-”

“Those things don’t matter,” you cut across her. “The real stuff is deeper than that. And that’s where Dear Friend and I meet.”

“Whatever,” she said dismissively, weary of having this discussion yet again. “You’ve got your family reunion on your last day in town. I suggest you find a man in person to go with you. If you show up without someone again, I think your mother will actually lose her mind.”

You considered this. She was right, your mother absolutely hounded you about your romantic life since Violet was born. You told her you weren’t ready since your marriage had left you so scarred. You didn’t tell her about Dear Friend, though, since you knew she could never understand something like that. Plus, you had only been corresponding for a year.  

“I think Gwilym would go with you,” Stacy said, nudging you with her elbow. 

“I was thinking more along the lines of hiring some actor to be my boyfriend,” you replied. “I don’t want to expose Gwilym to my family. He’s been nothing but nice to me.”

She chuckled. “At least take him up on the coffee. I really think you should explore your options in case this Dear Friend isn’t who he says he is.”

“I will take him up on the coffee,” you assured her. “But it’s not a date. In the meantime, find some poor struggling actor to go with me and get my mother off my back.”

“I’m on it,” she assured you, already looking through her phone to get started. 

You reached the hotel at last. You took Violet to your room, bidding Stacy goodnight as she went to her room next door. You tucked your daughter into bed and kissed her on the forehead before heading over the desk. You pulled out the letter from Dear Friend that was still in your pocket and read it once more. Then you pulled out your stationery and pen to begin your reply. You were halfway through your letter when you remembered Gwilym. 

You opened your phone and pulled up his number, which you had from your days of being coworkers. You opened up a text to send to him and found yourself blanking on what to say. You had written paragraphs to Dear Friend, but when it came to asking someone to get a simple cup of coffee, you had no idea how to phrase it. It made you all the more certain Dear Friend was your person. Words came easily when talking to him. 

You went with your stage personality. You sent a casual, “Is tomorrow too soon for that coffee?” with a silly emoji. Then you returned to your letter. Gwilym texted back almost right away and suggested meeting around nine in the morning, which you agreed to. Then you finished writing your letter and sealed it in an envelope for Stacy to send off in the morning. 

The letters always took some time. One thing you knew about Dear Friend was that he was from the UK. The PO box you sent the letters to was in London, but you could also tell from the way he spelled things. You often teased each other about these differences. So of course, they took longer to send and receive. But, you agreed with Brian May that the anticipation of getting one was one of the most exciting parts of the experience. 

Another benefit of him being across the pond meant that your opportunities to meet were few. In fact, you hadn’t had one since you started writing. It was a bit of a relief. You knew you loved Dear Friend, but keeping him at arm’s (well, ocean’s) length felt safest. And after your brutal marriage to Violet’s father, Henry, being safe was of top priority for you. And yet, the desire to be with Dear Friend grew daily. It just terrified you to face the reality of it. 

The next morning, you dropped the letter and Violet off with Stacy while you went to meet up with Gwilym. You went to a local coffee shop and ordered. You paid, and he protested, but you insisted, and assured him that he could get it next time. You grabbed a table and started talking. You told him you were still living in Los Angeles and that you were mostly doing shows out in California. You tended to avoid New York, since Henry and his friends and family were still there and he was still an NYPD officer. You couldn’t avoid it on tour, though, nor your family reunion. You told Gwilym about the reunion, but not the part about you ex-husband. 

“You’re hiring someone?” he asked, baffled. “A stranger?”

“Yeah,” you said. “Some guy that was rejected from Broadway or something. I’ll pay him, and we’ll come up with a story for my mother, and then the next time I see her I’ll tell her how we tragically broke up.”

“That’s ridiculous,” he said with a laugh. “I’ll do it for you.”

You blinked. “You really don’t have to-”

“I don’t mind,” he said. “We’re friends. I know meeting strange men is difficult for you.”

Gwilym knew that Henry had abused you because you talked about it in your sets. You never got into gruesome detail, although you had confessed a few things to Dear Friend. You talked on stage about not dating because of what you had been through. It was extremely kind of Gwilym to offer this, and you weren’t sure how you could thank him. Your comedian mask slipped on again. 

“I’m not sure I can afford your rates, Mr. Lee,” you teased. 

“How much was my coffee?” he returned. 

“Five dollars,” you told him. 

“Well, it turns out, for friends, I offer a discounted price of five dollars,” he joked. “So, consider it payment for the coffee.”

Your brow furrowed. “Are you sure about this?”

“Really, it’s fine,” he reassured you. “It’s just one day.”

“I can’t tell you how grateful I am,” you said, seriously. 

He raised a curious eyebrow at your tone. 

“I mean, it’s just one of the nicest things,” you continued, blushing once again under his gaze. “You’re a very generous person, Gwilym.”

“Perhaps,” he said. “Or you’re just still getting used to kindness.”

You smiled, unwilling to go any deeper. 

“Let’s chalk it up to a combination of both,” you said lightly. 

You finished your coffees and headed to the door. He had to go to an interview and you were going to take Violet around the city since the weather was nice. As you hugged goodbye, you smiled up at him. 

“See you Saturday?” you asked. 

“Saturday,” he affirmed.

[meta-squash]

A ramble on Dallas Theater Center Les Miserables

So, 5 years late, I jumped back on the bandwagon and finally watched a bootleg of Dallas Theater Center’s 2014 production of Les Miserables.

And wow. I can’t believe I waited 5 damn years to watch it. So here’s a long rambling write up on it based on the live-tweeting I was doing as I watched (and a little bit on me skipping through the bootleg video right now). It’s partly just me summarizing scenes so I can nerd out about the little details I loved and towards the end me talking about the show as a whole and why it was so fucking important.

First of all I wanna say that I'm surprised it took this long for a professional theater company to do a "modern day" Les Mis. I know all the fans fucking love their Modern AUs fics, I've been reading them since like 2012 and I love them. But also I'm SO glad someone finally did it because Les Miserables' themes are universal and they are amazing but they're also really relevant to what's going on today, or 5 years ago (since it's only gotten fucking worse tbh).

My first big impression was how great the costuming was. You can tell the socioeconomic class of the characters just from what they’re wearing, from how they posture and interact with others. Which is easy when it’s period costuming, you just make everyone look dirty and ripped up vs not dirty, but this (aside from the Thenardiers) is a little more subtle.

Also re: the costuming, I absolutely LOVE that they modernized Javert’s costume into a cop’s uniform but managed to retain the classic Javert Silhouette by giving him that trenchcoat, so we still get the expected Inspector Javert Silhouette despite the fact that he’s a modern day cop. Also all of the other cops/soldiers being straight up SWAT was an excellent decision, not only because it shows the sheer violence of a police that isn’t supposed to necessarily be SWAT, but also because the helmets completely cover their heads, so when the soldiers sing lines, they don’t even sound human. Yet another layer.

Nehal Joshi as Valjean was great. Honestly the moment I keep thinking about is actually from the very beginning, just after Valjean is released. Joshi looks so happy, delighted, like his heart is light again. He smiles as he sings “ Drink from the pool / How clean the taste” while looking up into the sky like he’s amazed at being in the open air. Then suddenly his posture changes completely, becomes guarded and hard, his expression gets closed off, and he sings “Never forget the years, the waste” before thumbing at his nose in that tough way and grabbing his bag off the ground. It was an emphasis on a pair of lines that I’ve never seen properly emphasized before. Usually the emphasis is on the next lines, when Valjean is saying “Now let’s see / what this new world has in store for me”. But here they emphasize that despite being free, he has traumas he has to deal with, and experiences that mean he’s wary of the world. It makes his theft of the silver make a lot more sense; it’s not just opportunistic, it’s also that he straight up doesn’t trust anybody.

(Another note on costumes: Valjean’s post-prison costume is his orange jumpsuit with this weird ratty, torn up sweater thing over it. I do very much wish they’d given him a hoodie that was equally as ratty instead of a sweater because I feel like that would’ve been another interesting layer of commentary.)

Two notes I made specifically about this production’s Soliloquy: This production had Valjean rip his prison papers accidentally, while he’s in the middle of an emotional gesture, then he stares at the rip in disbelief, and comes to the realization that he could just rip it up, and so he does. I thought that was a very cool mechanic. The audience literally watches him get the idea of changing who he is. Also, when he sings “I am reaching, but I fall / And the night is closing in” he actually wraps the rope of his bag around his own neck, like he’s considering death, like he doesn’t know what to do with himself. I thought it was really interesting considering those are the lines that directly mirror/parallel Javert’s Suicide.

This production also has all the Bad People roles played by white people, which is just fantastic. The foreman, Javert, all the cops, etc etc. I thought it was an excellent decision, since all of the main characters (minus the revolutionaries) are POC.

Fantine was amazing, has an incredible voice, and her I Dreamed A Dream sounded genuinely miserable, almost frantic with the fact that not only is she a single mother struggling to pay for her child who’s living with some other family, she now has nowhere to turn for money at all, and she’s completely alone. I think she’s my favorite Fantine of any of the ones I saw.

And Lovely Ladies absolutely blew me away. This was the first Lovely Ladies I’ve ever seen that felt Real. Not just that there was sex going on (because there was, there’s people fucking and getting blowjobs etc in the background the entire time), but it doesn’t feel like something silly or shallow. The entire thing feels desperate and exploitative and miserable and painful. Most of the other characters are dressed in provocative, revealing clothes. But there are a few in just jeans and t-shirts, looking desperate and kind of bedraggled. And then you have Fantine, who is literally just in a slip and long socks, looking out of place and terrified.

The usual Lovely Ladies shenanigans do ensue, but there’s a tinge of horribleness to it that is sharper than in the traditional show. In the traditional show, the moment where the music suddenly slows, and all the women sing “Lovely ladies / Going for a song / Got a lot of callers / But they never stay for long”, it usually feels like kind of a weird and unprompted moment of introspection after so much ruckus, but in this version the reason everyone slows down is because the pimp plucks their cash out of each of their hands one by one. And then the horribleness is increased tenfold because all of the women are in a line with men behind them simulating sex, and Fantine is in the center, bent double, the Captain behind her, staring down the audience. With each thrust she grits her words out like she’s in pain in every way imaginable. And the Captain ‘finishes’ just as she hits the line “dead!” Which is just. A lot. But so good. It packs so much more of a punch than Fantine leading the Captain offstage, or to one side of the stage.

The way that Confrontation was staged was also so cool to me. In the shows I’ve seen the first part of Confrontation is Javert and Valjean facing off with Javert stage left and Valjean kind of up beside Fantine’s bed, but they’re on the same “level,” in that Valjean walks a few paces forward a few lines later and they grapple. In this version, they stood quite literally on either side of Fantine’s hospital bed, so that they’re arguing across her dead body.

Madame Thenardier made me think of a bizarre cross between Miss Hannigan, the mom from Matilda, and Patsy Stone from Absolutely Fabulous. She did a great job. M Thenardier is a douchey hipster pirate type guy with white guy dreads. Also they made him an ex-con as well, but he displays the numbers tattooed on his chest with pride compared to Valjean who hides them, which was yet another interesting decision.

This version of Les Mis has taught me that “My mom doesn’t let me drink” is the absolute BEST piece of spoken dialogue you could throw in before Master Of The House kicks the fuck off. 

Also this version has Eponine participating in the scams during Master Of The House: she takes peoples’ orders, carries plates, dances, etc. She’s cleaner and more pampered than Cosette, but she’s still being used.

Look Down was really interesting to me. Now, I think what I’m about to say is partly informed by costuming. That is, I think with period costuming an audience has a harder time distinguishing more subtle roles between (non-main) characters. What I mean is, in traditional Look Down, it just seems like three characters having an argument with each other, but with a modernized version the costuming makes it clear that it’s an old beggar woman, a prostitute, and her pimp. While that’s obvious from the actual dialogue, the period costuming makes it a little harder to glean the separate character types other than “beggar type”. Anyway, the roles being clearer via costuming makes all the interactions seem a lot more Real. It’s not just people all dressed alike singing lines at each other, it’s actual separate people having actual conflicts.

Also, I really really liked Mark Hancock as Gavroche. He’s older, or at least bigger, than most kids who end up playing Gavroche, and he’s not the most beautiful singer, but I think that works all the better for a production like this one. He’s not a cutesy Oliver Twist-type character. He’s a kid living rough on the streets, and he’s got a sense of humor but he is a badass.

This version also had a LOT more flirtatious behavior between Marius and Cosette. Like it’s not just one glance on the street. During The Robbery, Marius and Cosette are giving little glances and flirty waves the whole time, all shy and cute, little hand signals like “I want to talk to you oh my god” etc. Also this Cosette has glasses! She’s so cute!

Stars as a song feels very weird when it’s a Modern Day Cop singing about such a philosophical topic, and at first I was kinda ??? about it. Because you know, in a period piece, you kind of expect more elaborate language, you expect certain types of morality, etc. It sounds weird coming out of someone dressed like a pig you’d see on the street in real life. But then at the end of the song Javert takes a rosary out of his breast pocket to sing “Lord let me find him...” etc, and suddenly it actually made a lot of sense. It finally connected the religious references and morality displayed in the lyrics. Because a lot of shitty cops in real life are masquerading as Christians, so again, a good decision.

Ah, the ABC Cafe. Always lovely to hear those horns. John Campione was AMAZING as Enjolras. At first I was a little disappointed they made him a white guy, but then I thought about it and it actually makes a lot of sense. Despite his passion about justice etc, Brick Enjolras is a wealthy student; what better way to show his privilege in a modern setting than to have him be white? Anyway, I think Campione did a great job of portraying a leader who is so passionate, and so dedicated, and so intent on his cause but also kind of stressed out as the day draws nearer. (More on that later.)

Similarly, this Grantaire is a little shit. He does this hilarious like “call on me!” hand raise before “I am agog, I am aghast” which I thought was quite funny and cute. Also after “It’s better than an opera,” the Amis all laugh and clap, and Enjolras does this extremely sarcastic slow clapping before admonishing Marius with “It is time for us all to decide who we are” etc. Also Grantaire and Enjolras are actually standing beside each other for Marius lines, so that when he says “struck to the bone in a moment of breathless delight,” Grantaire looks directly at Enjolras and stays staring at him, so that when he moves downstage to stand across from Marius and sing “Red!” and “Black!” at him, it feels more like solidarity than mocking.

But then Enjolras pulls Marius further downstage for his “Marius you are no longer a child” etc lines. His body language is great here. When he sings “Who cares about your lonely soul,” he doesn’t just look like some charismatic leader man. He looks like someone who’s stressed out and a little annoyed/exasperated that this person is causing a distraction right when things are started to get important. He runs his hands through his hair, his gestures are clipped and fast, like he’s got too much energy and isn’t quite sure where to put it. It’s so good. He sings “Our little lives don’t count at all.” And then there’s a long, long moment of silence. A long one, where Marius looks around at his friends and realization that what they’re undertaking is much bigger than his emotional outburst, that Enjolras is right and he has to be with them instead of off in the clouds. And he raises his hand tentatively and then more surely towards Enjolras and sings that next “Red! The blood of angry men!” all on his own before the rest of the Amis join in. GREAT decisions there. SO COOL. (Also this is the moment when an Amis Hand Sign is established, which is important later on.)

This show uses silence in a way that I’ve never really seen another version do it. After Gavroche yells “General Lamarque is dead!” there’s usually a beat of silence before Enjolras begins to sing. In this version there is a long, long moment of silence when everyone looks around at each other, a moment where Joly tosses his pamphlet angrily onto the table and sits down with his head in his hands, a moment where Marius and Grantaire are the only two who turn away and face upstage at the news, a moment where they all process that this is fucking Real, and everything that they’ve been planning is suddenly Actually Happening. And then Enjolras begins, and his voice is so soft, and so sad, and it’s like he’s delivering a eulogy, but it’s only when he gets to “Is the sign we await!” and we get those trumpets that it changes into Enjolras The Leader, and it’s go time, and everything is Intense. Campione is fantastic as Enjolras because I think often people play Enjolras as this solid, charismatic leader who is stoney-faced and sure of himself etc. Which works for the period style (and is fairly Brick-accurate), but I think would seem a little odd in a modern day setting. This Enjolras is in it, he’s into it, he’s fucking intense and ablaze with energy. He sings Do You Hear The People Sing like he’s giving a speech, like he’s trying to convince (And “the real glory is to convince” so y’know).

And Do You Hear The People Sing as a campaigning song is brilliant. It starts out not with march, but with handing out fliers made of red paper, passing them out and getting out the word. Only then do they pull out signs and put on red caps and start marching.

In My Life/A Heart Full Of Love was so fucking hilariously cute. Marius and Cosette are both excellent levels of awkward, and there’s a lot of nonverbal flirting going on, and I just thought it was really well done.

I was told while I was live-tweeting that during One Day More the sort of dancing march they do (because it’s like a dance, instead of the in-place marching of the traditional version) is actually the Toyi-Toyi, a South African dance that was used as a form of protest during Apartheid and during other times as well. So that was a very cool addition. I’m sure there are other callbacks in this show to other protests or protest traditions like that that I didn’t even catch. The dance also reminded me of the body percussion used in A Quoi Tu Danses from 1789: Les Amants De La Bastille, so that was cool as well. We also get face paint and signs and red berets and button pins and a lot of stuff that has been seen in a lot of modern protests/movements lately.

Side note: Javert’s disguise is amazing because he retains his cop boots and trousers and crisp white shirt; he just puts a brown jacket and a red scarf over it and wears a red beret.

OKay SO. This is possibly the BEST On My Own I’ve ever seen. Now, I’m highly partial to Briana Carlson-Goodman as Eponine because the emotion in her voice is just mind-blowing. But this On My Own was so amazing. First of all, I’m amazed I’ve never seen any other production do this: when Eponine sings “pretending he’s beside me”, she puts out her hand like she’s holding some imaginary lover’s hand, like she’s genuinely imagining him walking with her, and it made her self-deception that much sadder. And this version was so good, I think because it was this perfect combination of angry and disappointed and yearning and self-deceiving. You can tell this Eponine KNOWS she’s deluding herself that Marius will ever love her, that she’s hugely disappointed and almost angry at that fact, but she still loves him and wants him and wants that love, and it just makes that self-deception all the stronger.

This version of Les Mis brings the barricade in as a flown set piece, which I think is an interesting decision. I definitely prefer the US Tour version, where the downstage scrim is backlit/lifted and both the audience and Eponine are suddenly confronted with the fully-built barricade. However, the barricade being flown in does give the Barricade Boys a moment to stand and admire their handiwork, so that’s kind of also cool.

(Somewhat unrelated, but throughout the show this Grantaire is a lot more still than other actors’ versions of R, but also more still than the other Amis in this show, so it’s clearly a choice. Other version of R are slumped over a table or slumped on the ground a lot, or they’re wobbly, or just generally restless and upset. This R is so still and just standing unmoved and blank it’s definitely a choice. Very much taking the “he seemed to be waiting there for a bullet which should spare him the trouble of waking” quote from the Brick and translating it to the stage version, in that he does move to shoot his gun but aside from that he’s so stock still it’s like he’s given up. Anyway. Back to the actual show instead of me just waxing lyrical about my favorite character.

When Eponine climbs over the barricade, Marius waves down all the guns just as Joly yells “There’s a boy climbing the barricade!” This kind of happens in other versions, but it seems like most of the traditional Les Mis versions all the Barricade Boys just kind of accept someone’s climbing the barricade and let Eponine over? In this one Marius like actually is waving down their guns, blatantly being like “don’t shoot, I know this person.”

And when Eponine is revealed to be shot, they don’t just let her die in Marius’ arms. The first half of A Little Fall Of Rain is sung with Eponine in Marius’ arms, but there’s also Feuilly there as a medic, pressing handkerchiefs to her wound, his hand on her with Marius’ hand on top of his and Eponine’s on top of them both. When Marius is saying “and you will live ‘Ponine,” medic/Feuilly shakes his head at him as if to say, ‘don’t tell her that, she’s not going to make it, I’m so sorry,’ but he still has his hand on her wound. It’s only when she sings “Just hold me now, and let it be” that Eponine pushes the medic/Feuilly away so she can die just with Marius. I really, really, really loved that because it seems so Right. Like, they’re fighting for a better world, they’re not just going to let an injured person die, they’re going to try their best to help her even if she’s dying and there’s nothing they can do. And I really liked that there was a medic there, but he was faced upstage, away from the audience, as if he was trying to help but also not intrude on this private moment. But when Eponine does push him away, he goes fairly easily, like he’s realized that she’s realized that she’s going to die. Also, instead of carrying Eponine offstage like a ragdoll, Grantaire and Feuilly bring over a stretcher and she’s carried off in it by Marius and Feuilly while Grantaire collects the handkerchiefs that were bloodied by her wound.

Valjean’s soldier disguise is the SWAT gear, even the helmet, although he mostly carries it in his hand rather than wearing it. It’s interesting because the difference between the SWAT gear and the suits he wears as Fauchelevent are a hugely stark difference, whereas the difference between his nice period clothes and the soldier’s period uniform isn’t quite so intense.

I noticed that during Drink With Me, Joly put his hand on Grantaire’s shoulder during “Let the wine of friendship never run dry,” which is sweet. I also noticed that aside from the moments where he was shooting his gun and the few moments he was being helpful re: Eponine’s death, Grantaire spends most of his time very very still, staring down at the floor with his shoulders slumped. He judges moments with just a shake of the head and turning away while others watch. His part in Drink With Me is sung with a bitterness that is more final than it is angry, like he can’t understand why they’ve all chosen to sacrifice themselves like this and he hates it and he’s bitter that all his friends are going to die but he’s realized there’s nothing he can do about it.

Bring Him Home is SUCH a hard song to sing and it’s actually really interesting in this version, I think. Because in traditional shows I think Valjean is played as a fairly calm person who is just always calm. Joshi plays his Valjean like he has taught himself to be calm, but inside he’s still kind of angry and traumatized and still has those instincts and still doesn’t quite know whether to believe in god or not, or something like that. So Bring Him Home is a moment where it seems like at first he’s just hoping, and then by the end of the song he’s genuinely imploring god to save Marius. Like it’s the first time he’s ever really begged a higher power to do something instead of just acting of his own power to make the good happen. I have no idea if I’m articulating myself well.

Again, Campione is a FANTASTIC Enjolras who plays him like a stressed out passionate leader who is constantly stuck between This Is Finally Real Hooray and Holy Shit This Is Too Fucking Real Oh God. In The Second Attack he portrays it really well, looking around at all the people he suddenly feels responsible for, body language like he’s trying to make too many split-second decisions. It’s just really good.

Death Of Gavroche is also great because even though this Gavroche is not the best singer, he gets shot once and keeps reaching for the bullets, and only stops when they riddle him with bullets. Also, I didn’t realize this until skipping around in the video to write this, but I think they kind of tried to retain some of the Gavroche-Grantaire relationship that the US Tour established? Grantaire goes from being kinda listless stage left to bolting over to the barricade once Gavroche starts climbing, reaching for him desperately; he gets shot in the leg and goes down and spends the rest of Gavroche’s lines up to his death with his head in his hands. Once Gavroche dies, Enjolras actually checks on Grantaire and wraps a tourniquet around his leg while Feuilly and Marius tend to Gavroche’s body.

Marius gets a thigh injury during The Final Battle (we know this because this production shows Actual Blood! Gavroche is actually bleeding! Eponine, too! And Marius! And Enjolras! Like there’s actual red and it makes it so much more intense! Anyway, Marius gets a bullet to the thigh, which frankly I think makes a lot more sense than the shoulder injury he gets in canon at least in terms of him being unconscious for so long (although I guess in canon he also has at least one head injury so meh). Anyway, Valjean sees it and immediately tourniquets him as one by one all the revolutionaries are picked off by bullets.

This Enjolras death is my favorite I’ve ever seen. We don’t get a permets-tu scene, but that’s okay because this is fantastic in another way. Enjolras doesn’t die on the barricade.

Enjolras is standing center stage, the bodies of his friends around him. He’s shot once, in the stomach, and goes down on all fours. As he’s on the floor, SWAT cops surround him, pointing machine guns straight at him. Enjolras struggles up, standing, and faces the cops and the audience. He raises his hand in a defiant fist to the air and is shot in the head.

Then there is a long, long stretch of silence. Quite literally an entire minute (I just counted) of silence, where there is no music, no speaking, nothing. Just the sounds of SWAT walking around, checking the bodies on the floor, and the indistinct sound of walky-talky chatter. Only after a whole minute of silence has passed and the SWAT leave the stage do the little plucked notes and the clarinet playing the Bring Him Home instrumental begin as Valjean stands up.

Valjean actually goes over and checks Enjolras’ pulse to see if he could possibly be alive, which I think hurts A Lot. And then there’s a moment where he looks around at all the bodies on the floor and kind of doubles over in shock, but only for a moment, and then he’s bolting back over to Marius to make sure he’s still breathing and then heaving him up into his arms.

(By the way, the bodies of the revolutionaries remain onstage through all of the proceeding songs.)

Dog Eat Dog is a boring, crap song in every production, and this one is no exception. The guy playing Thenardier is quite good but there’s really no way to redeem how boring a song Dog Eat Dog is. Also, this version cuts out the long instrumental part of Valjean walking with Marius through the sewer due to the fact that they don’t have that crazy projection thing. Instead it’s just a few seconds of him dragging Marius before encountering Thenardier and then also a few seconds before encountering Javert. Also, Valjean straight up puts his chest against Javert’s gun while he’s asking to save Marius’ life. Brave as fuck.

Okay this Javert’s Suicide was mostly really really good. Edward Watts gives Javert this sort of frantic emotion that Valjean spared him on the barricade and then is only asking to save this stranger. He looks genuinely freaked out and distressed. It’s not just confusion, it’s like actual Freaking Out. The only part I didn’t like was the actual throwing himself off the bridge part, but honestly I feel like there really is no way to do that part in a way that isn’t a little ridiculous-seeming. It’s hard to have a show where they never had any sort of fly rigs or any special types of practical effects at all and then suddenly there’s a guy flying through the air? and take that seriously. I dunno. But in any case, the rest of it is really good because the frantic confusion and questioning and anger and sadness and everything is so well done. Also, he takes his cross out of his pocket and drops it on the ground before he jumps, like he believes even god has failed him.

And then the lights return and the bodies of the revolutionaries are still onstage, with police tape cordoning them off. Turning begins with women in black mourning clothes coming onstage: at first they stand behind the tape with candles and flowers and teddy bears, then someone breaks the tape and they move to sit beside the bodies and set flowers down beside them. As Turning is going on, as the women move to sit beside the bodies, Marius also enters and sits in a chair upstage.

So Empty Chairs At Empty Tables happens with the bodies of the revolutionaries lying on the floor right in front of Marius, and women in black kneeling beside the bodies, facing upstage. But as Marius sings “Phantom faces at the window, phantom shadows on the floor,” the revolutionaries rise and move downstage, looking at him. They all make their little group hand sign before exiting, until it’s just Enjolras looking at him, then he makes the sign as well and exits and Marius is left alone with the mourning women in front of him and his hand raised in farewell. It’s just SO GOOD because I think it makes it all the more real. It feels like he’s actually singing to the bodies of his friends as well as their memories, like he’s full of survivor’s guilt and he’s watching them walk away from him and doesn’t know what to do. Combining the Turning Women’s mourning with Marius’ mourning is really cool, because it shows it’s really not just Marius that’s affected by this, and essentially he’s singing Empty Chairs for himself as well as the women in mourning kneeling on the stage before him.

Side note: Dorcas Leung, who plays Cosette, is a True Fucking Soprano. Her voice is SO high. It’s wild. Like, really wild. Like, glass-breaking high but in a good way. Also she’s really cute.

Anyway, the next thing I took note of was Valjean telling Marius why he was leaving without telling Cosette goodbye. He sings “Promise me, Monsieur, Cosette will never know” and puts his hand out in a way that’s partially imploring, and partially asking for a handshake on the promise. Marius says “For the sake of Cosette, it must be so,” but pointedly does not shake his hand. He’s going to honor the promise but he’s not gonna fucking like it.

Wedding Chorale/Beggars At The Feast is mostly unremarkable except that Mme Thenardier is dressed like Cruella de Ville. Oh, and Thenardier gets a kick in the balls instead of a punch to the face from Marius. Also the actor who played Combeferre and the actor who played Bossuet are dancing together so during Beggars At The Feast when Thenardier sings “This one’s a queer, but what can you do?”, the Combeferre actor does a little wave.

I’ve always hated in the musical that Valjean goes from being perfectly healthy to straight up dying in a matter of minutes but I also understand that montages of like a year are hard to do in musical format, so I forgive it but it’s still annoying.

Anyway, this Epilogue is FUCKING FANTASTIC. Valjean does this beautiful laugh of relief and amazement when Fantine tells him “And you will be with god” like he’s still amazed after all these years that he’s a Good Person Who Deserves Heaven.

Also, Fantine sits down on the bench beside Valjean, and then when Marius and Cosette enters, Cosette runs and sits down between Valjean and Fantine, facing Valjean, and there’s a moment where Fantine smiles in disbelief and strokes Cosette’s hair like “oh my god this is my daughter!”

Finally, the fucking kicker for me: “Take my hand, I’ll lead you to salvation / Take my love, for love is everlasting.” That’s always the moment in the show when I start actually crying and this one made it even sadder: Eponine is not the only one to enter in that moment. Eponine enters singing the duet with Fantine like usual, but Enjolras and Gavroche also enter, standing behind her, not singing.

This was such a great, fascinating, unique decision, and I fucking loved it. Because with that group, you have all the types of love and belief that are Important in the Brick: Fantine, the love of a mother. Valjean, the love of a father and the faith and belief that comes from someone else suddenly believing in you and the goodness that is a result of that. Marius and Cosette, romantic love, but also love of children and chosen family. Eponine, unrequited love and sacrifice. Gavroche, not necessarily love but an innocent death, a death from the goodness that comes from wanting to help. And Enjolras, the love of the people, the belief in the people, love of patria and the belief in justice. Just all of these important symbols standing together.

Then Do You Hear The People Sing reprise starts up, and the rest of the cast enter and stand at the edges of the stage around the group at center before everyone scatters out and spreads across the stage.

So basically that was an incredible fucking show. Like, okay. Since joining the Les Mis fandom in late 2011-ish or something I've read A LOT of Les Mis fanfics, I've read the entire book, seen the show live half a dozen times plus a ton of filmed boots and movie adaptations and last year's BBC miniseries. I've got a Les Mis tattoo and I'm vaguely thinking of getting another one. I've read fanfic taking place in canon era, modern day, Mai 1968, the 90s, the 40s, and on and on. All of them are important because all of them interpret the themes differently. Basically what I'm saying is I've consumed A Lot of Les Miserables.

But this version of Les Mis is So Important. Like, it's important enough I'm really surprised they didn't give in to the call for a DVD recording back in 2014.

Because the difference between like, the traditional version of the show, and reading a modern day AU fanfiction, and this Dallas show is that this Dallas show is In Front Of You. It's important because you're used to seeing this show with 19th century clothes and 19th century mannerisms so you don't necessarily connect it to today, or you do on a surface level only.

And in fanfics you can imagine it, but it's not the same.

But this show takes the music we all know and the characters we all know and places it in front of us NOW. We get Valjean in an orange jumpsuit, posturing like we've seen people posture in real life. We get Enjolras in a denim vest and button pins. We get Fantine, a woman of color, being fired for having a child out of wedlock and being accused of prostitution, and having to actually turn to prostitution. And we get a depiction that shows so viscerally how horrible that is. We get white people as cops (SWAT, no less) while POC are abused.

Suddenly this is a show that connects on every level.

And not only that but the visuals of the actual rebellion can be connected to so many movements and protests and things that have happened in recent years. Like with the Toyi-Toyi. And all the signs and pins and face paint and weapons and clothes and even to some extent the barricade.

And the cops going from soldiers with bayonets (which, to be fair, back in the day were pretty daunting weapons with their triangular blades, but we don't see them that way) to SWAT with helmets that black out their faces and semi-automatics is a a hard-hitting message.

And I've always thought it was funny that people who see the show casually think it's about Marius & Cosette's romance. Because that’s not all it’s about, of course. But this version made me really, really realize how little that romance matters in the musical. How much the musical is about Valjean, and then in tandem about the rebellion. Because place the whole "I've known you a day and I'm in love" thing in a modern setting and you realize how ridiculous it is, and how much more important Valjean's growth is, and how much more important the movement and the rebellion is. I mean the entire book is just about the Power Of Love And Belief In All Its Forms etc etc. But I think this version pointed out better than any other how many other forms of love exist in this story, besides the romance of Marius and Cosette.

But truly I think the most important thing that this show did is what I mentioned earlier: it placed the story, its themes, its characters, its rebellion, it's Love and Belief, in the Here And Now, and made it really, truly connect with its audience and the present world. This is a show that people always say is so relevant, so important, and it is. It really is. But sometimes, for a casual viewer, it’s hard to see past the period costumes and sets. And then you transplant the show into modern dress and modern sets and suddenly it’s a story that is just as believable and hard-hitting and important now as it was then. Suddenly you can connect with these characters and you can see these things happening in real life, in present day, and you can believe that it would happen.

It just blows my mind that we have all these Modern AU fanfiction pieces, that we have multiple groups of people doing Modern Les Mis Youtube interpretations, that there’s a Spanish musical out there that’s purely about Grantaire (which, god I wish there was more info on!), that there’s a ton of music and TV adaptations and yet this is the first time I’ve seen a professional company do any sort of modern interpretation of the show. And it works SO incredibly well and is SO hard-hitting and just took my breath away.

Uh so yeah such massive praise to the Dallas Theater Center for having the courage and imagination and awesomeness to finally do a modern version of this story because they knocked it out of the damn park and made an already important story even more important.

[lxversarcana]

i got into persona v recently and finished p5 for the first time a week ago, and ive been thinkin 24/7 abt the found family and tarot symbolism ever since. please go off abt it! (also if its ok to ask. been thinkin of tryin p3 or p4 next which would u recommend?)

Sorry for the late response Anon!! Hoo boy I have some Thoughts about Persona 5 and while not all of them are positive First things first, so it isn’t buried under my ramblings, Persona 3. Definitely play that first. Specifically Portable cause as Hamuko you get all the party Social Links and also you don’t have to deal with a babe hunt scene or a transphobic joke. And, P4 is a real slog to get through because of the homophobia and transphobia that is so present through the main game, on top of what I personally think is a shakily written plot. While I’d say you can skip it entirely, it is necessary if you ever want to get into Arena which I highly recommend just for Labrys alone. She’s a wonderful character. ONTO PERSONA 5 TALK First off the Positives. It was my first Persona game I’ve played but also the first where I finished the like, plot. Like I had originally gotten into Persona 4 when I was fourteen but I never finished watching the playthrough of the game I had been binge watching. It will always hold a special place in my heart despite its flaws. I think the Shujin Trio is the best of the Protag-Best Friend-Girl trios of the modern games simply because Ryuji and Ann are Just So Personable and also. While I love Yukari SO much, I am not that fond of Junpei. Like I love him, but like. I have some complaints. NOT going to get myself off track though, this is Persona 5 time. I also really love some of the aesthetic of the game so much? I was originally drawn to it BECAUSE of the heist movie aesthetic that opening gives us and while the rest of the game doesn’t quite deliver, it is still just SO FUN to go through some of the palaces. The catharsis of Kamoshida’s palace will honestly never be topped because while I kinda hate the opening palace now after playing the game five times(four for vanilla, once for Royal), I’ll never get over the feeling I got back in 2017 when I first watched Ann nearly torch Kamoshida even if I hate her thief outfit SO MUCH. I think it has some strong beats and an interesting statement it wanted to make even if it doesn’t follow through with it. Also, Rivers in the Desert is the best fight song out of all the modern games. It just fucks so hard. Now onto the negative. There’s so much missed potential first off. Second off there’s a lot of really tone deaf moments that make it really hard to like. Respect the game as much as I do Persona 3. The first being how sexualized Ann is, like. Really. Cmon. And on that same topic, Ryuji’s Atlus Horny Boy syndrome he develops after the first palace. Also Makoto’s whole cop thing, like in Persona 3 or 4, while I still say ACAB, it wouldn’t come off as such a spit in the face like it does in Persona 5- A game that has stated over and over that cops and other people in positions of power are corrupt and shouldn’t be trusted. Also, Sae’s palace while it is my favorite of all of the Palaces, it doesn’t hit as hard as it could because so much of it is centered around Akechi and the Betrayal. If it seemed personal for Akechi or if it at all focused on how hard this is for Makoto, it would have hit harder. SPEAKING OF MAKOTO AGAIN- and also Akechi- I think the traitor twist with Akechi was Too Obvious and I think Makoto could have made for SUCH a good red herring for a traitor ESPECIALLY because of how the Casino was her sister’s palace you know? That’s kind of all my thoughts for the moment, I might talk more on this later.

[2old4kpop]

15 Underrated Girly Kpop Songs That Make Me Go Absolutely Feral

When it comes to girl groups, more than anything I am a Blackjack and Blink. I like to listen to girl songs that make me want to murder men (and believe me, that blog post is in the works). But I’m also a ONCE, as TWICE are my sweet darling babies, but they’re about as girly as I can tolerate. I’m not one for the super girly concepts. I mean, did you guys ever see MINX? Occasionally I ironically jam to Shakey Love Shakey Shakey Shakey Shakey Love, but it was an absolute blessing from the K-pop gods to rebrand them as Dreamcatcher. It’s really only the A-list girly songs I tolerate, like GFriend or Oh My Girl. Everything else below them just seems really cringy.

Except for a few chosen few that are so good that they make me absolutely lose all of my shits. And I’m talking about songs that nobody seems to know like at all. Either these songs came out when the groups were still under the radar, before they had their big smash hits, or they just never seemed to rise to the top. But they are still valid and important. Videos are linked in the song names, since Tumblr won’t let me add more than five videos, but here we go.

15. April- Dream Candy

April is one of those rare groups that pull off the girly concept so well but don’t ever seem forced, like they are just truly naturally sweet and pure and precious. Honestly all of their songs are great, and it’s tragic that they haven’t had a comeback in 2019. But their debut, Dream Candy, is the one that really gets deep in my soul to that animal part of my brain that makes me scream this god damn chorus. But only really at the end. I never really listened to this song until it came on shuffle one day when I was walking home in the rain, and thought, why not listen to this awkward girly song, and then the last chorus hit and OH MY GOD. It’s a good one guys.

14. Momoland- Jjan! Koong! Kwang!

So this song comes out by some unknown group called uh, Momoland?, with a title that is just a bunch of sounds that don’t exist in English, and I felt like I was the only one on Earth that was like, “This is fine.” I was honestly in some I Am Legend universe where instead of me being the only living person on Earth, I was the only one that liked Momoland’s debut. As time went on Momoland started putting out what is pretty much some of the worst K-Pop that exists (I mean, have you SEEN the video for Wonderful Love? Try not to cringe challenge) and sadly enough this group just faded into obscurity and never had any huge, Earth shattering hits or anything. 

13. DIA- My Friend’s Boyfriend

On paper this song is awful. I mean it’s a song about being a petty bitch who has decided to steal their friend’s boyfriend, hence the title. Also the song ads cute little quirks like *squints eyes to read this metaphorical paper closer* coughing. Also the video has an unnecessarily long intro. But believe me when I tell you that this is an absolute slapper.

12. Gugudan- Wonderland

It’s a crime that Gugudan has never really hit it off, even with two I.O.I members. Their debut has this amazing Little Mermaid concept and believe me when I tell you that this chorus is best when screamed at the top of your lungs. After all the screaming I am basically in a manic state by the la la la’s.

11. LOONA 1/3- Love&Live

You’ll notice that the main theme of this list is that the choruses are absolute fire. But this one comes in and basically knocks the wind out of me with sweetness, like some kind of aegyo Kool-Aid man. It’s really the music that does it for me in this one, along with the melody, along with Heejin’s perfect high note. If this song doesn’t make you smile then you are a robot, like ViVi. 

10. Shannon Williams- Why Why

If Ant and/or Dec were here, they would hear this song and definitely say that Britain’s Got Talent. Shannon is the British IU,hands down, undeniably, I will not be taking questions at this time. But it’s very sad that her career was nonexistent after this came out. Was it the fact that this features a sixteen-year-old grinding against faceless boys? Or that this video widely revolves around her intensely stalking someone? It can’t be the song because that is perfect. 

9. AOA- Bingle Bangle

Okay so some history for those non-Elvises out there. AOA was THE HOTTEST girl group for a good minute, with so many timeless collaborations with the Brave Brothers that really changed the shape of female K-Pop for a while. And then ChoA left the group. And without the only member who could actually sing the face of the group, AOA kind of went quiet, save for a few Jimin solo songs. Then AOA came back with a new sound, and while everyone else thought it was terrible, I thought it was a bop! And I love the video and the concept! And the dance for this is so fun. Bingle Bangle is a real yes for me dawg. It’s only too bad that they lost yet another member and their concept was handed off to FNC’s new girl group. Speaking of which...

8. Cherry Bullet- Really Really

Yeah so they literally gave this entire “girls in a video game but it’s fun and cute” concept to Cherry Bullet, and they hit the ground running with it. This comeback in particular is my favorite of theirs because it hits one of my favorite pop music tropes: Having A Funky Instrumental Chorus, Only At The End To Put Words Over The Music. It ticks all my boxes.

7. Rainbow- Whoo

If you ever wanted to hear a song that made you scream “RAAAAIIINBOOW AAAAAAAAHHHHHHHHH!” then this is it. At this point in this list we start to hear the songs that make me truly insane, and this song absolutely destroys me. It’s really sad, however, that this is basically Rainbow’s swan song, as it was their last song before disbandment. 

6. Matilda- Macarena

I bet you haven’t even HEARD of Matilda. I bet you didn’t even KNOW that MATILDA just DISBANDED a FEW MONTHS AGO because ALL THEIR SONGS WERE BAD except for THIS ONE which is just full of CHAOTIC GOOD ENERGY and if you don’t ENJOY THIS then GET OFF MY LAWN. 

5. Berry Good- Angel

Berry Good was destined to be one of those girl groups, like Matilda, that came from a tiny company and was just given bad songs and were set up to fail. So they crowdfunded, and somehow made two incredible comebacks, Don’t Believe (which is a whole other story that we won’t get into today, but it’s an amazing song that you should check out) and prior to that, Angel. I don’t even know where to begin with this song because it literally makes me forget who I am and why I exist. It’s a banger?? This song starts off so soft and pure and jumps right into a chorus that makes you bang your head and scream “I TAKE A CHANCE, YOU NEVER KNOW” as loud as possible. And right when you think you can’t take it anymore, that you are gasping for air because you are drowning in perfection, THEY GO EVEN HARDER. Like, girls, you did not need to go that hard. Holy shit. They go full IU in Good Day. I don’t know why we were blessed with this, especially since after this all their other songs have been garbage, and they’ve been so unsuccessful that they lost their strongest member and they’re heading for disbandment. But we have this gem, and I’m thankful for it.

4. 4Minute- Heart To Heart

Back when 4Minute was just another 2NE1 clone, trying to compete in the market of “Girls Who Look Tough But Are Actually Sweet” 4Minute, aka The HyunA Group, put out this. Third Geners, this is what Second Gen was all about. This is the meaning of Christmas, Charlie Brown. This song is everything. It’s perfect. And it’s too bad that 4Minute didn’t really stick with this sound, but also not, since with their more mature concept they wound up getting pretty famous once Park Bom... I mean, we’re not gonna talk about it. 

3. Hyolyn- Bae

Okay so I know that Hyolyn as an entity is not technically considered underrated, but her entire solo career is being slept on and I don’t understand. With Sistar gone, and now Red Velvet carrying the torch for summer anthems, Hyolyn doesn’t necessarily have to give us one of the best summer songs of all time but she did. Every second of this song to me is perfect. And yeah okay I’ll admit it, I am a Gay, I am attracted to women, and Hyolyn is a lot of. A lot of wow. She and HyunA are exactly my type, and this video is a lot. But the SONG you guys. It’s so much that I told even regular people who listen to English music to listen to this song. They didn’t, of course, because the world doesn’t appreciate Hyolyn like I would, I mean like I do as a fan and nothing else. This song was my summer anthem in 2018, Power Up wishes it was this good.

2. BESTie- Thank U Very Much

One of the things that really got me into K-Pop during the Second Gen was that it sounded so much like pop music from my youth. This is gonna sound weird, but I grew up in a Wiccan Neo-Pagan household where 90% of the music we listened to was traditional Celtic or New Age, and if it was ever anything else it was like The Beatles (my Mom and her sisters were one of those screaming and fainting Beatles fans, the trait that was clearly passed down to me, based on what happened when I saw G-Dragon live, but that’s another story) or ABBA, or any kind of British/European pop/rock from the 70s or 80s. So once I was old enough to really find out what kind of music I liked, I dived deep into cheesy pop songs like S Club 7, Britney Spears, and the like. But I always had a soft spot for ABBA. The melodies, the music, the strange lyrics that didn’t really make sense or weren’t quite grammatically correct but it worked. I feel like that love for obscure pop, along with the 90s and early 2000s bubblegum pop, pushed me right into the K-Pop scene. And this song is the best example of that kind of weird melody with oddly used English words, but it works in the best way. The chorus of this song sounds like it was written by ABBA. The ending of this song is transcendent. Tell me you can’t picture a Korean Meryl Streep in overalls singing the ending of this song while dancing on a beach. This song makes me lose all my shits. But I do have to say that this video is uh, Not Good, especially compared with how amazing the song is. But these underrated bottom of the barrel groups don’t have much to work with in the first place, so we can’t really fault them. This song holds up, and is going to hold up for a very long time. I stan.

1. Laboum- Shooting Love

So like I said before, I don’t typically like the super sugary, super tacky, super girly girl concepts. BUT I LOVE LABOUM. ALL their girly sweet songs are AMAZING. They somehow get everything right, in their own unique way. They’re not at all like “Oh, they’re like GFriend”, “Oh, that’s like Lovelyz” or anything, if you get what I’m saying. Laboum had their own cheesy yet perfect style of girly. Aalow Aalow: A CLASSIC. Journey To Atlantis: A CLASSIC. Hwi Hwi: A CLASSIC. Only U: YES YOU GUESS IT, CLASSIC. Sugar Sugar: DON’T MAKE ME SAY IT AGAIN. I could have made this whole list with just Laboum songs. So I made myself pick one by listening to as many old Laboum songs as I could before I would become an absolutely menace to society, as I am not responsible for my actions after listening to so much girly perfectlon at once. If I was arrested and went to court for I dunno, causing distress and mayhem to the citizens of my city, my lawyer would call it “the Laboum defense.” “You see, Your Honor, my client listened to a lot of Laboum songs, and lost control of themselves and became an entity, a ball of energy, a comet destroying everything in its path while screaming cheesy Korean lyrics.” And I would be set free, of course, because who wouldn’t lose themselves completely to the power of Laboum? But anyway I picked Shooting Love, as it puts me in a manic state from the very intro until the last second. And let me just say now that I deeply mourn this old Laboum, as they came back in 2018 with a new concept that makes them sound lobotomized compared to their old sound. Like slow R&B is fine, but compared to this it’s drab and slow and dull and I hate it. I Hate It. Bring back cute Laboum in 2020, or at least study Apink if you want to see how to properly change an aging cute group into a mature group. I could go on, but now I have the urge to listen to more Laboum. You’ll see me on the evening news tonight, I’m sure.

anyway 안녕

[wydmariana]

well hellooooo beautiful people !!  my name’s dani, i’m one of the admins on the main! i’m 20, i’m from toronto & i also play the hailey fc alanna !! i’m so fkn excited to have wealthy back up & running and to bring my baby mariana back ! she’s the same old girl and if you don’t know anything about her...everything u need is under the read more ! i rly need all the connections rn so like this & i’ll hit you up for plots !!!!

❛ new york’s very own mariana cavello was spotted on broadway street in  christian louboutin’s. your resemblance to selena gomez is unreal. according to tmz, you just had your twenty-third birthday bash. while living in new york, you’ve been labeled as being reticent, but also quixotic. i guess being a gemini explains that. three things that would paint a better picture of you would be fishnets, tequila shots, notebooks filled with lyrics. & ( cisfemale & she/her ) + ( dani, 20, she/her, est )

☇   ❪    ˚･ﾟ ❛ STATISTICS :

full name: mariana marisol cavello

nickname(s): mari

age: twenty three

date of birth: june 4th

hometown: new york city

current location: upper east side, new york city

ethnicity: half mexican

nationality: american

gender: cisfemale

pronouns: she/her

parents names: tanner hastings, liliana cavello

orientation: pansexual but she doesn’t like labels

religion: grew up catholic, undecided

political affiliation: democrat

occupation: singer/songwriter

living arrangements: lives in her own mansion in the upper east side

language(s) spoken: english, spanish

accent: american

face claim: selena gomez

hair colour: x (most basic/accurate/but it changes)

eye colour: brown

height: 5″5

weight: 120lbs

build: petite

tattoos: mostly selena’s canon, but x instead of the music note

piercings: x (both ears)

drugs/alcohol/sex: yes/yes/yes

pets: one cat, 5 years old, named sergio - x

astrological chart: gemini sun, cancer moon, scorpio rising

☇   ❪    ˚･ﾟ ❛  BACKSTORY/CURRENT :

mariana was born to tanner cavello (famous hotel owner, entrepreneur, multimillionaire, been on forbes, think bart bass) & lilliana cavello (hispanic model/socialite)

her parents marriage was very much settling, the two of them cared about each other & were excited to start their life together in effort to please their parents and keep their images pristine

they were quick to fall out of love though, if you could say they were even ever in it

once mariana and her brother became teenagers, their dad started having affairs with his employes, the hot, young ones of course. & their mom found out, but confided in a 16 year old mariana about her father’s actions

( sexual abuse tw ) this infuriated mariana, especially considering the hours she would spend waiting outside her father’s office doing homework while his business partners molested her in the empty conference room starting at the age of 14

she never told anyone about it, although she knew her father had known the whole time, remembering how many times he’d interrupt it by summoning his partners for work or a meeting

mariana began absolutely hating her father, while still yearning for his approval, & this went on for 4 years until she turned 18 and got revenge by sleeping with one of her dad’s business partners & allowing his wife to find out

so his wife threatened to tell the media about this little scandal, unless mari’s dad paid them off, which is exactly what he did but not before taking his anger out on mariana & blaming her for the whole mess

she has barely talked to her dad since & moved out right as that whole situation went down. she does her best to avoid family gatherings, doesn’t visit the house to see her parents too often. she does have weekly phone calls with her mom & tries to see her as often as she can, no matter how much she resents her

she got into the party scene around 17/18 as well, and became new york’s resident “wild child rich kid/socialite” in her teen years, so she has that reputation in the media still to this day

her parents have been rich as fuck since the day she was born, so she’s definitely a spoiled brat, never worked a day in her life, had daddy’s credit card whenever she needed it

music had always been a passion of hers though, being her favorite class in school(on days when she would actually attend)

so when she was 20, she started getting back into writing, sold a couple of her songs to artists like zendaya, the weeknd, etc

when she turned 21 she released her first single & album within the same year, began touring, and got to the top of the charts almost right away & gained a huge fanbase, whom she loves

she’s now 23 and has two studio albums out !! she’s v successful and happy w her music <3 she releases things very sporadically & im probs gonna  release random selena songs along with other voice claims maybe IDKDKKD hope yall dont mind  my  messy ass kskffsk

she works hard though, & loves writing and releasing music now and never wants to stop. it’s truly the thing that makes her most happy in the entire world and keeps her sane

☇   ❪    ˚･ﾟ ❛  PERSONALITY  :

mariana can be a brat, to put it simply. she thinks she’s always right about everything & it’s rare you’re ever gonna get an apology from her when she’s done something wrong (unless she really cares about you which….)

she’s lowkey a softie, bc of her cancer moon tbh. she tends to get herself into relationships and then mess them up for the sake of it or because she stops trusting herself to be in the relationship at all

but when she loves someone, she LOVES them, like w every fibre in her body u know?

and she cares fiercely about people, it ends up being a problem for her a lot of the time

she hasn’t worked through her trauma & probably never will, she bottles that shit up tight & doesn’t let anybody know it’s there. the only way she’s ever opening up is if she’s writing, cause she wants that shit to be real

but she’s still gonna hoe it up, catch her in the club trying to get some dick for the night, u know what i mean?

super depressed if we’re being real here. she’s sad, and she has abandonment issues because of her dad. so her mindset is- there’s no forming attachments, because everyone leaves me anyway

( drugs tw ) she loves cocaine, is most definitely an addict (but who isn’t in this city), tequila is her alcohol of choice, but she’ll drink anything you give her & weed is her creative saving grace

she started popping pain pills on her 21st birthday, opioids occasionally & mostly xanax, stuff like that, is most definitely also addicted to those

we love a bitch who doesn’t care about her health!

her management team frowns upon it, but she does smoke cigarettes pretty often, but mostly only when she’s stressed

mariana’s the type of bitch to call the paparazzi on herself, she loves attention. but with her music career now it’s been 10x harder for her to keep her life private, not that she cares. but at least she doesn’t have to call the paps on herself anymore lol

she thinks it’s important to treat people w kindness and respect, but no doubt she’ll be ready to fight a b*tch if she has to…

catch her at any protest that involves saying “fuck you trump”

her instagram is a big mix of stories of her cat, dumb selfies, ig model posts, her friends, career stuff & political posts. she’s very active on the gram & snapchat lol

honestly thank U for reading this trash if u didnt…i understand. catch her pinterest board for more here & i have a wanted connections page here ! ok bye i love u, plot w me <3

[includeangieinthesequel]

For my fic Will’s Son

Oof the formatting is weird. I’m so bad at tumblr posts

1. What inspired you to write the fic this way?

I read a story about Kurt getting Diane pregnant and it was set during one of the earlier seasons of TGW. I loved it and it was cute but because Diane was an older mom she struggled a lot. I wanted Diane to have a baby but I wanted to keep the McHart love story we all love so much. So I decided to have Will be the dad and honestly as crazy as it seems it’s hilarious to think of Diane and Will raising a baby together. Which is why I did flashbacks to get a glimpse of them during the pregnancy and with a little one. It gives me time to think of the next chapter while keeping it cute if I’m writing an angsty or more romantic present time chapter. Also I just love doing flashbacks in stories.

2. What scene did you first put down?

The first chapter lmao. I just went for it because I didn’t know what I wanted to do but I wanted to establish Will and Alicia’s relationship first. I also wanted to establish that Will’s kid was Diane’s.

3. What’s your favorite line of narration?

Literally all of chapter 17.

Jk jk

Okay so when I wrote this line I just had to take a moment to exclaim to myself how fucking good I am. I had to look up a picture of Julianna Margulies’ eyes and I just went for it. The line is “Her features remained soft except those honey colored eyes whose specks of green reflected concern.” Bitch I’m so fucking good at imagery. That whole chapter was my favorite for narration. My other fave from that chapter is “It was like she lost her mind for a moment....Will really derailed her train of thought. Not even derailed, he crashed that shit.” That’s my fave paragraph because when I was writing the chapter I had a great flow and then it was like I lost my mind because I couldn’t think so Alicia had to lose her mind too. These characters are often feeling what I am too. It’s how I write good shit.

4. What’s your favorite line of dialogue?

Okay again, I’m gonna hype myself up. Guys I’m a funny person okay? I’m always trying to make people laugh in my writing and in real life. It’s hard to say. There’s also a chapter I haven’t posted yet that’s got a funny line in it. But I’ll give you my favorite line that isn’t funny.

“You wanna talk, baby? Let’s talk. I’ll listen.” That’s the most Will Gardner line I’ve ever written and it reminds me of the elevator scene when he asks if he’s being too hard on her. It’s flirty, fun, and very sexy. This chapter is PG and it’s still kind of sexy the way Will talks to her. It’s also from that chapter I love so much.

5. What part was the hardest to write?

Anything involving Alicia. Just.. fuck. If you’ve ever tried to write Alicia Florrick it’s hard as hell. She a complex character with a complex mind and she figures things out before I do. It’s like come on lady slow down just a little.. It’s like I know her future but I don’t know how she got there. Which is wild because with Diane and Kurt I just write whatever the fuck I want and they just follow along. Oh and Will! Will depends on Alicia’s story! She’s not even the main character and I struggle so hard with writing her. So just Alicia is the hardest part to write. I love the challenge but damn...

6. What makes this fic special or different from your other fics?

It’s not gay.

I’m pansexual. I like to read and write both lgbt things and straight things but I tend to write more for lesbian couples. My longest stories before this one were about Tanya and Rosie from Mamma Mia. Which is wild because it made me realize how different Tanya is from Diane Lockhart and as much as I want to compare them and write them the same I can’t. I can expand more on that but I won’t right now. The other thing that makes it different is the fact that I don’t rely on smut to fill in chapters or even fuel the next plot line. That could’ve been a Tanya thing but I don’t know. Smut doesn’t fit into this story with the way these characters are written. It’s also different because I’m not pushing myself to get to 2k words in every chapter. I take my time and when a chapter is ready it’s ready even if it’s only 300 words. It just has more flow and its not as immature as my Mamma Mia stuff. I literally cringe at that stuff now. My writing has grown a lot since then and it’s only been a few months.

7. Where did the title come from?

Nowhere. I think I need to change it so I can get more readers interested. I just wanted to post it because I was excited and had written three chapters before I decided to share it. So I just put the first thing that came to mind. I suck at chapters most of the time. I tend to save each chapter under a specific topic or a phrase or even a song that inspired it. I hate the title so much which is why I’ve started titling each chapter.

8. Did any real people or events inspire any part of this?

Heck yeah, baby. I pull inspiration from everything but the thing that’s most specific is my own life and friendships. Will and Diane’s relationship is taken from mine with my best friend. We’re platonic soulmates. In chapters 20+ you’ll see how this ties in but for now I’ll tell you this; I was a little in love with this person and they loved me too and we fell hard but we couldn’t be together and we shouldn’t have been because the moment we shared (like Will and Diane’s one night stand) was just a moment and though it felt like it was perfect and like we were in love we aren’t meant to be together and even if we are I’m sure the universe will find a way. But we’re best friends. They’re a little younger than I am and they’re totally Will and I’m Diane and the similarities are crazy.

9. Were there any alternate versions for this fic?

No. However, I’m thinking there needs to be so I can put Will and Diane together for once.

10. Why did you choose this pairing for this particular story?

Will/Diane: it was funny and wild and I love doing obscure stories.

Will/Alicia: it’s my fix it fic. They make me so emo and I just want them to be happy.

Kurt/Diane: because I wanted people to read it. Kidding lol. Because I love McHart so much and I enjoy writing them.

11. What do you like best about this fic?

How different it is. It’s just as fun as it is romantic and I’m so used to doing one or the other. I also love the response I’m getting to it. I didn’t expect it to be so well liked. I love writing babies and I love writing cute/funny lines. I also love romance. I love that I can reread it and laugh like I didn’t write it.

12. What do you like least about this fic?

It’s moving so slowly. I already know how I want it to end but getting there is taking entirely too long. It could be because half of it is flashbacks but guys I’m struggling. I’ve already written the first chapter of the sequel. I’m not even done yet.

13: What music did you listen to, if any, to get in the mood for writing this story? Or if you didn’t listen to anything, what do you think readers should listen to to accompany us while reading?

I don’t listen to anything while writing because I need to focus. The music I was listening too around the time I started writing was 90s R&B and Bruno Mars. I needed the raw emotion to fuel the feelings the couples had for each other. The soft, sexy, bass is exactly how Will and Alicia see each other. It’s how I would want to write their smut if I decided to write some for them. I would write it like a Boyz II Men song. Oh and for Kurt and Diane it’s literally just Mamma Mia songs and Motown. Angel Eyes kills me and it’s just so beautiful. Their love is beautiful and soft and angelic. They’re also classic like Motown and not always perfect but the feeling is there vague as it maybe. Definitely check out 90s hits like Boyz II Men, Toni Braxton, Whitney Houston. Do it. Also Motown cause Queen Baranski loves it.

14. Is there anything you wanted readers to learn from this fic?

Love is hard and Alicia deserved better. Also, love can come at any time in your life. That’s why I kept the classic Kurt and Diane love story. I made Willicia too easy so McHart is that much harder.

15. What did you learn from writing this fic?

I learned about babies’ growth and development. I knew a lot already because I’ve taken child care courses but I needed a refresher. I learned about cowboys and their lingo. I learned that readers like cute stuff and they don’t mind weird ideas. I learned that throwing in Mamma Mia references is always cool. And I learned that I don’t need to add smut to keep it interesting.

[snakuchan]

about me tag 

aye listen up @13-scoups, yoongi needs to make way because my heart...you own it asdfghj thank you for tagging me again :”))

The rules are:

Tag the person who tagged you. 

Answer the questions.

Tag 10 people.

How tall are you?

5 feet and 3 quarters. I’m the runt of the group, those 3 quarters mean the world to me 

What color and style is your hair?

Medium brown with blonde highlights and copper tones. Since it’s getting hotter and I’ve already spent some time in the pool, she’s getting lighter uwu. I have my hair in an A-line bob but it’s been a few months and the shortest ends are past my shoulders already :^( I’m planning on getting a simple bob right above my shoulders cause i dont wanna grow my hair out just yet 

What color are your eyes?

Light brown? Hazel? Tbh it depends on light. I’ve worn grey contacts that straight up make my eyes look a bit blue and people think yeah those are your eyes

Do you wear glasses?

Yeet, I’m blind :^(

Do you wear braces? 

I had to suffer with them for 3 years from 8th to 10th grade and im never going back idc if those bitches are getting crooked again 

What is your fashion style?

Feminine? I only wear dresses and long skirts uwu. Miss me with them skinny jeans in this Miami weather bro 

Full name?

Cynthia~

When were you born?

December 11, 1999 (love making fun of my 2000 people even tho i am in spirit a 2000 child)

Where are you from and where do you live now?

I’ve lived in Hialeah my whole life and plan on dying here fam 

What school do you go to? 

Uwuu let’s not go to into too much detail ;) My uni’s a pretty popular school and it’s essentially every Florida student’s safety net if they can’t make it into the more competitive unis. There’s like 60k students parking’s a bitch pls help :)

What kind of student are you? 

Uh the quiet type maybe. I’d rather not do teamwork and I just mind my business. Really I’m more of a get in get out type of student, I refuse to stay on campus for longer than necessary. I either get As or Cs because I sort of prioritize which classes are more important so I guess I still have hs mentality where I ignore the “elective” type classes. Need to work on that oof 

Do you like school? 

Sometimes. I actually took the most recent semester off (which ended like last week) because anxiety :))) My body was just not handling it well. The times I do like a school are honestly when I feel like I could get a moment of peace and quiet on campus but that’s not often 

Favorite subject? 

Any science subject really but probably more chemistry (I’m majoring in biochemistry)

Favorite TV show? 

You mean favorite netflix series? asdfgh no it’s probably Buffy the Vampire Slayer pls never let this masterpiece die off

Favorite movie? 

I love so many movies so I could never really pick but let’s just go with The Fifth Element cause why not. I have weird nostalgia for it and idky 

Favorite books? 

I haven’t read in the longest time what a shame :(( but Esperanza Rising and Tennyson are my absolute childhood faves. Also Strange Sweet Song idk it just hits me in a way. You could say I’m still a whore for teen fiction. Oh shit that’s right The Night Circus is fucking *chef’s kiss* delicioso 

Favorite pastime? 

Coloring in those therapeutic coloring books, bingewatching anything and everything, yelling at my dumbass friends on Telegram, and doing laundry. I actually like doing chores now holy shit

Do you have any regrets?

I feel like I could have worked harder in high school, especially with some of my AP classes (I could’ve fucking passed my calculus exam if i just hnng :)) and I also could’ve enjoyed myself a bit more as a teen cause now I just feel burned out. Interesting these contradictions 

Dream job?

A physician. What field? We’ll see

Would you like to get married?

YEET 

Would you like to have kids?

I would love to have kids but I’m afraid of being a bad mother simply because I feel I have no motherly bone in my body I’m just sdfgh :’((

How many?

1, just one kiddo is enough 

Do you like shopping?

I rarely do, I honestly get really exhausted so I only go when I really want new clothes and have the money for it 

What countries have you visited? 

Besides visiting family in Cuba, none :^( and honestly Cuba isn’t a real vacation cause dealing with some of my relatives is a chore. Ask any Cuban-American really 

Scariest nightmare you’ve ever had?

OOF I’ve had lots but here’s one from when I was 15. It’s basically my high school, all dilapidated and whatnot. I’m scrambling around trying to get to class when I reach the third floor of the main building and walk into the main hallway to see my principal, nude and morbidly obese with chains in his hands leading to a dozen naked and anorexic women with black button eyes (Coraline?) and like a mouse’s head? The women were scrubbing the floors and walls until their hands and knees bled. It’s all I remember but it’s stuck with me all these years and every time I think about it I get a bit nauseated 

Any enemies?

Probably not. I really don’t care about anyone around me besides the people I befriend. I’m probably an enemy to someone but I wouldn’t know. When I tell y’all ignorance is bliss 

Any significant others?

Been single my whole life :)

Do you believe in miracles?

Hmm I am religious so I’d say yes 

How are you?

Well, my sunburn’s healing fantastically thank fuck can’t say ass about the scrape on my knee tho. About to shower and eat dinner :)

Tagging @mycandylover0822, @ilovewonu, @girlwithluvs lol i need friends *twitch* Why the fuck do I write so much?? Hopefully this has been a wild ride for u fucks ily all