#which is in a way angsty??

[professorjirt]

I’ve discovered my favorite genre of Bagginshield art is where Thorin is a lovesick idiot who is Losing It and Bilbo is unbothered or oblivious to Thorin’s suffering LMAO

[hauntingofhouses]

Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.

So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.

DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.

Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.

But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."

In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.

When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.

So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.

Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.

And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."

But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.

He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.

*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.

Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.

Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.

Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."

This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.

Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:

"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."

(no screenshot because it's quite a long line but you get it)

Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.

Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.

But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.

Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:

"I thought you had to be something special. Your face isn't even so scary. You're just... angry."

At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")

The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.

That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.

By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.

Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.

But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.

"I want to be great."

This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.

NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.

First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:

Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;

Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.

These are thus two directly contrasting, diverging journeys:

Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.

Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.

Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.

Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.

Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.

In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.

Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.

(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)

And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.

--

Let's talk about Option A: Akemi.

As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.

Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.

With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.

Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!

--

Then, of course, we have Option B: Taigen.

Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.

Therefore, Taigen has very few options here.

And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.

Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.

Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.

While Akemi is red and Mizu is blue, Taigen is green.

Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.

Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.

By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.

It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.

Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.

The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.

Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.

But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.

Or hey, maybe they could both make their own dojo together! I don't know.

(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)

--

Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.

In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.

Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.

--

And finally, there's Option D: Polyamory.

This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!

--

AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)

Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.

[helena-thessa]

In the shark hunting scene, it's beautifully subtle yet so starkly on display for us that Flint is the only one capable of committing real violence. It's Silver's idea, Silver hands him the harpoon, and certainly Silver is the one who holds onto the rope like his life depends on it. But Flint is the one who throws and spears the shark. Flint is the one who then knifes it dead.

Lest we forget that Flint's violence and Silver's scheming are the driving force of the narrative.

In case we didn't get the point made right beforehand when Silver failed as quartermaster to administer discipline over the stolen rations and Flint had to step in and do it for him, further straining his always tenuous captain-to-crew relations.

Before we delude ourselves into forgetting that Silver's aversion to real violence will inevitably put Flint directly into harm's way.

sfklsdflsjdflksdkf

[liauditore]

cw// implied character death, double life nonsense

because you are love itself.

[flwrkid14]

Buried Beneath The Laughter They Ignored

Tim is totally fine. Ridiculously fine, actually.

It didn’t matter that he woke up feeling this bubbling, manic laughter in his chest, like everything was suddenly so fucking funny. It didn’t matter that he’d woken up from another nightmare last night, crying, calling for his mama—not the mother he lost, but the mother he gained, Harley Quinn. And it didn’t matter that most days, he felt more like Joker Junior than he did Tim Drake.

It didn’t matter that no one else seemed to fucking care.

He shoved down every bit of laughter clawing up his throat, because he knew if he let even one chuckle slip, they’d all give him that look. The one they always did. Disapproval masked as concern. They didn’t like Junior. They didn’t want to believe Junior was still in there, clawing his way up every time Tim breathed.

It didn’t matter that no one ever asked him how he was doing. They didn’t want to talk about it. Because talking about it would make it real, and they preferred pretending it wasn’t. They expected him to be fine, to push it down, to carry on like nothing happened. If he tried to bring it up, they’d say he was being insensitive—insensitive to Jason's trauma. What fucking irony, he thought bitterly. As if it wasn’t insensitive to be stepping all over his by not letting him speak.

It didn’t matter that he caught them glancing at him sometimes, like they were waiting for the other shoe to drop. Waiting for him to snap, waiting for Junior to come out again. But they never asked. No one asked what was going on in his head. No one fucking asked.

It didn’t matter that when he finally snapped, when he finally screamed at them, sick and tired of pretending, they had the nerve to act clueless. As if they didn’t know.

It didn’t matter that Dick, of all people, screamed back. Yelling like he was being unreasonable. Like he was the problem. He screamed at Tim, demanding answers, to ask what the hell he meant by Joker Junior, as if—

As if they didn’t know.

They didn’t fucking know.

This whole time, they hadn’t known.

They didn’t know Tim had been taken. They didn’t know Tim had been missing. They didn’t know Tim had been held prisoner at the hand of the Joker for months, tearing him apart, piece by piece, until Junior was the only thing left of him. They didn’t know he had screamed for them, begged for someone to find him, but no one ever did.

They didn’t know how much he had suffered. Alone. They didn’t know how much he had changed. They didn’t know that every time he woke up now, it felt like he was still Joker Junior, just wearing Tim’s skin.

And they didn’t know how much it hurt—how much it broke him—to realize that they had never known.

Tim wasn’t fucking okay. And it mattered—oh, it mattered—that they didn’t fucking know.

Because if they didn’t know, it meant no one ever bothered to look. It meant no one ever cared enough to notice.

[midnight-mourning]

DCA Promptober Day 2: Paper Pals

Twenty minutes to spare babyyy, maybe I'll keep getting quicker as the days go on lol, anywho, please enjoy!

Word count: 474

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"Do it again," You hear several clicks, "If you don't mind, friend."

You don't need to glance up to tell the Daycare Attendant is staring at you. Watching. Waiting. 

Not patiently, mind you. Rather, you think he's been anything but this entire time. 

You don't even flinch at the sound of the paper shredder-where did he even get his hands on that?-instead sighing as you grab another plate to start on another paper pal. 

"You know," You say, waving the paint brush in your hand, "If you wanted perfection, you're not looking in the right place for it. I'm a-uh, I'm uh," Why can't you think of what your job is? You shake your head, "Well I'm just a staff member, not an artist."

The bot scoffs, "Obviously not, though perhaps if you tried a little harder, you would be!"

"I just don't see the point in all this, if I'm being honest."

You didn't, you saw there being no actual gain to sitting here amusing the Daycare attendant by making art for it to tear up for, how long had it been now? Hours maybe? You're not, you're not entirely sure. 

An offended gasp interrupts your train of thought, "Well that's just rude! I'll have you know I spent quite a bit of time on this, and now you're just ruining the fun."

"So is saying my paper pals are garbage," You paint another the left ear red, cleaning the brush to paint the opposite blue, "I mean really, it's a couple of paper plates and maybe some googly eyes. Sure it's not not art, but I don't think getting hung up in a museum anytime soon either, so who cares?"

You jump when a yellow hand lands on the desk in front of you, then the other. Suddenly, you find yourself eye to eye with the animatronic, his face plate spins once as he stares you dead on. 

"Friend. I would appreciate if you refrain from using such language and instead focus on your task."

You lean back slightly, frowning, "Or what? You'll make me make friendship bracelets instead?"

His faceplate ticks to one side, eyes narrowing just slightly, "I might."

That shouldn't feel like as much of a threat as it does. You shouldn't feel as unnerved as you do. Why are you even here? Shouldn't you be doing actual work or something? This is all so, strange, and weird. And nothing is making any sense-

"Alright," You swallow, your sense of self-preservation kicking in, "Keep my comments to myself. Got it."

The Attendant stares at you for another few moments, unmoving. Waiting. For what?

Then, "Wonderful!" He stands straight again, clapping his hands together, "Let's take it from the top!"

You grumble, fumbling for a paper hat in the organized clutter of the desk. 

This job is so frickin' weird.

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Wanted to say thank you to @bluerasbunny for this promptober list!! Meant to tag you yesterday and forgot >_< Anywho, it's super fun so far and I'm only on day 2 haha

you can find the other prompts I've made stuff for here

[irenespring]

Maybe House has made me more in-tune to the secret unhinged side of my favorite characters but I'm watching SVU and Alex Cabot is a menace. (/pos)

"I have to enforce the law, and the law is not always about justice" except random times when she disagrees and will fully become the lawyer for an opposing party in full defiance of her bosses.

"Your honor I simply do not vibe with the law" and will say so in court to the point where she once got held in contempt.

Started her legendary string of "Go After The Large Company Instead of the Obvious Target" cases just because Liv asked.

She will actually do literally anything that Olivia asks...sometimes when she does something especially unhinged I go to check the scene before and 90% of the time she's doing whatever it is to appease some vague whim of Liv's.

Ride or die for the SVU squad as a whole after working with them for less than a year and knowing that they have cost her like all her political capital (something that was very important to her...she says so in her introductory scene).

Exactly predicted fetal personhood legal issues 25 years before the Supreme Court overturned Roe.

Wanted to execute a woman for the first time in NY history for feminism reasons.

Spends like 80% of all work meetings, with other people in the room who are often actively talking to her, just staring at Olivia.

Always down for a Crazy Scheme (especially when she gets to deceive others).

She has a lot of moments of understanding the law as a weapon (ie how to I use it to my own ends as opposed to viewing it as a holy ideal) that is only now actually becoming a common philosophy in law school circles.

WAY more loose-cannon moments in general than I remembered.

Also I feel the need to reiterate just how many bridges she will burn and loops she will jump through for the slightest hint of approval from Olivia. Just...so gay.

Seriously just like how in House a casual viewer may get distracted by Wilson's "Definitely a Normal Person" disguise and miss how he is just as crazy as House, Alex is just as batshit as known exhibitionist-asphyxiation-in-the-middle-of-the-courtroom fan Rafael. And I love her dearly.

[morastfrck]

Im sorry but they should shoot him more often

[theprinceandthewitch]

I really do find it incredibly irritating how TOH plays all sides of the shipping board just because they don't want to upset shippers.

It's why you get Evelyn looking more like Luz than Willow - it's also why her face is never shown. Even if Dana didn't want to get into the Caleb/Evelyn and Philip murder drama, there isn't any reason for her face to be obscured UNLESS the goal wasnt to upset shippers

It's why you get Luz's type of of boy being angsty warrior princes like Hunter - it's also why all of Hunter's important moments involve Luz and not Willow.

This is why you get Hunter dying and coming back to life looking like Caleb pleading with Luz to help him fight Belos in TTT, but then his entire arc culminates with him holding pinkies with Willow FTF. This is why all the interesting themes Hunter brought to the table were completely kneecapped by his relationship with Willow.

It's fucking bizarre LMAO.

[hana-bobo-finch]

Shoutout to this draft I made a couple hours ago when I suddenly had an epiphany for how I could fix a part of my story and I was so excited that the only way I could express it is to write whatever this is but I couldn’t post it because I didn’t have internet

also it got marked as mature for some reason

[all-my-ocs-are-evil]

Grojband, but as a band from an early 2000s shoujo manga

[reversatility1]

Warrior Nun: Avatrice playful puns and banter ๑(◕‿◕)๑

[menlove]

Sorry if you’ve been asked this already, but do you have any mclennon fic recs for 1967/pepper era?? I’m obsessed with the vibes around this time, and with Jane away John and Paul seemed to spend a lot of their free time during this period together, but I’ve had trouble finding much of anything. Thx!! <3

oooh good question ! i love love love the 1967/pepper era so let me look back in my ao3 history and see what i've got

these aren't all pepper's era, but they are all 1967 (w the exception of One that's not 67 but Is pepper's). put a 💖 next to ones i especially love

If You'll Shut Up About It, I Will

mature. au. 4k

The day after his birthday, Paul McCartney admits on national television that he's illegally had sex with men. On multiple occasions. But it's the media's responsibility not to spread these things, isn't it? Unfortunately (or fortunately), someone else is watching the broadcast, and wants to know why Paul has decided to declare he's queer to all and sundry when he's the one who's been waiting for Paul to give it a go. AKA, That LSD Interview but make it gayer. note: very interesting, short little au on if paul had come out as having had queer sex rather than having done lsd

you know i know when it's a dream

mature. 5k. In 1967, The Beatles visited Greece with the plan of purchasing an island they could call home. Of course, it was mostly John's idea. note: angsty, smutty little one-shot that hurt my heart

1967 💖

mature. 11.5k. au. In 1961, John Lennon and Paul McCartney left abruptly on a trip to Spain, via France. In 1967, they finally come home to face the consequences. note: not EXACTLY what you're looking for but hey the year is in the title..... but it's sooo good i'll rec this fic constantly. they do definitely have the same aesthetic that they did in real life 1967 too. but this one is so fucking good. it's got an experimental style that lets you see everyone's pov while still remaining really well written which imo is hard to do when you're doing a bunch of pov switches. but it's outsider perspective mclennon & explores the nuances of their relationship and how it was/wasn't impacted by fame and how they'd still be creative with each other if they'd never gotten famous from the beatles...... also they basically create the muppets which i think makes this worth reccing on its own tbh

The Places Where You Bend

mature. 2.6k. "Whatever the opposite of 'toppermost of the poppermost' might be, we're in it up to our asses." It's 1967, all hell is breaking loose, and Paul doesn't know if he can do this anymore. note: ugh i loved this one. it's angsty, as any beginning-of-the-end-of-their-relationship fic is, but it's sooo them and very bittersweet

Stop all the clocks 💖

mature. 30.8k. au. For the following kink meme prompt: ‘1967. After Brian dies, Paul decides not to go ahead with MMT, and takes John up to Scotland for a month instead.’ Also based on the following comment on said prompt: ‘pls someone let them fuck tenderly in 1967’ note: definitely an instant classic! super sweet au that makes you wish life had gone this way for them

Way Up Top 💖

explicit. 12k. Falling out of the sky, together. | Snapshots of the Beatles in Greece, July 1967 note: one of my all-time faves ughhhhhh i just love how they wrote everyone. like ofc the mclennon is great, but this one is so so good for just all around good characterization and writing

always, no sometimes 💖

explicit. 20k. Stolen moments from a single year. Or: four times someone nearly found John and Paul together, and the one time they found each other. Set around the recording of Sgt. Pepper, 1966. note: not 1967, but 100000% the vibe you're looking for. such a good fic. i honestly need to do a re-read bc it's been long enough, but this one was just. augh. so much mustache sex too.

shotgunning

explicit. 3.4k From the kink meme prompt: john/paul, shotgunning weed note: i don't Think this one has a year on it officially, but it definitely fits the vibe you're looking for!

Drop Chute

explicit. 1.9k. paul/robert as well "Paul does coke off Robert's dick and blows him in a public toilet. John is in the neighbouring stall and hates it." FFA asked and I delivered. note: ahhhh we love a good "john getting jealous of paul fucking other men" fic

again

explicit. 1.3k In the summer of ‘67, Paul knows exactly how lucky he is to be the man who gets to fuck John, and then eat him out, and then fuck him again, and then — note: it's smut and it's good smut what else can i say truly

Club Sandwich

mature. 4k. Some drug-fueled party in 1967. Paul ends up sandwiched between two men on the couch. As they start fondling and kissing him, John stumbles upon the scene… note: absolutely great. possessiveness and coke prince paul...... what else could i want from a fic

Carousel 💖

explicit. 3.4k 21 March, 1967. John accidentally drops acid during the mixing of Sgt Pepper. Paul drives him back to Cavendish and decides to take LSD for the first time. Based on true events. John's POV. note: definitely my favorite take on the "john and paul tripping together for the first time" story. so good and introspective.

you can get it wrong (and still think you're right)

explicit. 7.4k. Paul visits John at Weybridge. January, 1967. The laziest man in England, that article had said, and Paul thought suddenly of John, lounging: John, turning the pages of a book with one languid hand, his hair mussed and fetching, making pithy comments to empty rooms. Or maybe he didn’t speak at all when he was alone; Paul realized that he didn’t know anymore. note: aghhhh another great one by stonedlennon. the bittersweetness of their relationship.... love this one a lot tbh

Angles

explicit. 2.7k. John takes another languid drag of his cigarette, his eyes alight now when they look into the lens, meeting Paul's. He's a marvellous subject. They should put him in every movie. "That it?" Paul asks—leading. Hungry. "You're the director. Give us a direction," John goads him. note: looove this one. but all of moeexyz's fics are so good so that's to be expected tbh

an orgasm of sound 💖

explicit. 5.3k “It was a good piece of work between Paul and me. I had the ‘I read the news today’ bit, and it turned Paul on, because now and then we really turn each other on with a bit of song, and he just said ‘yeah’ – bang bang, like that.” — John Lennon Or, John and Paul work on A Day in the Life. note: another great one from moeexyz! this one is..... well. Well. it's very good. what more could i ask for in life than piano sex and a day in the life

[buddiedaydreamer911]

so is there any fics out there where buck and shannon are best friends, then buck slowly falls in love with her boyfriend/fiance/baby daddy or do i gotta get to work???

[dirtytransmasc]

TW: VERY DARK AND SUICIDE ATTEMPT (kind of)

Prompt :

He was six

Norm found him with his wrist slit

“Why’d you do this kiddo?”

“I wanted to get rid of the demon blood”

Jakes reaction

Neytiri stitched him up with an unreadable expression

IF THIS MAKES YOU UNCOMY

I UNDERSTAND, PLEASE DO NOT MAKE THIS IF ITS TO DARK!!!😭

oh my fucking god... it hurts so bad, but its so good. I love dark angst, there aren't many places I won't go, so have no worries anon.

head the trigger warnings above, I don't get super graphic, but I don't skid over any details either. disclaimer, mama!neytiri brain worms are liquefying my brain, so this is a little (a lot) neytiri-centric, cause I can't help it, its the worms I swear.

also, there are like 0 resources on na'vi medicine, so I'm just fucking winging it man, I'm gonna pull some shit out of my literal ass and we're all gonna have to just be ok with that. ~~~

norm wishes he could say he was shocked, surprised that this little boy wanted to hurt himself, let alone went through with it. he should have been gutted, more than he was at least, angry, put off, something. but not that its happened, he saw it from a mile away, he should have noticed, should have stopped it. all he felt was guilt, burning up his heart and knotting up his stomach as he put pressure on spiders tiny wrists, holding his lulling body in his arms. spider was just a kid, a baby, but he's muttering about 'getting rid of demon blood' and 'not belonging' and it being 'better off' if he was gone. it was somehow worse in his childish wording, his perfect innocence and naivety only just beginning to crack as the pain in his little chest began to swell.

it had been the odd quietness from spider's 'room' back in the cave marui's that alerted him to something being wrong. spider was quiet, in a way; when he was out playing with the kids he was loud, laughing, face filled with light and joy, even if something cold still glinted in his eyes. but when he was on his own, having been left behind or told off by some adult, human or na'vi alike, for getting in the way, he would sulk off to the little marui by the shack. but even if he would sit amongst himself, playing with the few figures someone had put time aside to make, attempting to weave a new piece of jewelry or basket, mending the sad little knife he wore on his side. he was always doing something, could be heard humming or sniffling, the sound of his knife on the wetstone or the clunking of wooden figures on each other were a constant. so when norm heard nothing but silence, his gut ticked up, the hair on his neck bristled, his legs carried him much farther they would on the average day until he was staring at spider and his little bloody arms and his little bloody knife and his sad little eyes.

it took only a split second for norm to come back to himself, to rush and pick the boy up before he had enough 'sense' to try and back away (spider never wanted trouble, never wanted to get in the way or be a burden, the fact he didn't try and hide worried norm more then it would of if he did, which was even more concerning in its own right).

he just held spider as tight as he could, his big blue hands easily covering his human wrists, trying to think of what he should do. he should say something, other then "its ok" but what does he say? what do you say to a six-year-old who just tried to kill himself, no, no, "get rid of the demon blood" coursing through his veins?

he wasn't going to lecture him, spider made it clear why he did it, comfort wasn't his strong suit. he could just look at his puffy little cheeks, one side of his mask blooded as he had attempted to wipe his cheek on instinct. so he just repeated a mantra of "I'm here" and "it's ok" and "your ok" until he reached the infirmary, trying to prtend he didn't feel spider slipping further and further away with each passing second.

in the flash of just a few seconds fueled by adrenaline alone, he knew he regretted everything. he was spider's caretaker sure, but he was no father, jake wasn't either, and the boy didn't have a single maternal figure to his name. no mother to kiss his brow at night or admire his accomplishments. he had no one, not truly, and norm allowed to happen, was not only complicit in it, but played a direct role in it. now he may not get to make that up, may not be given the chance to step up, to fix this.

he carried spider to the infirmary hut, knowing he would find someone, anyone, there who could help. part of him knew that mo'at had seen something in the child that brought some sort of pity from her, that maybe just this once, spider wouldn't be so alone in her presence.

when he entered the pod, he found mo'at showing neytiri something, explaining different herbs to her, though he didn't pay enough attention to it the lesson to pull out any identifying features of the herbs in question. both turned to look at him when they heard his rapid breathing, their gaze then shifting to the bloody boy in his arms, the ever-so-faint fogging of the glass that made up most of his exopack, and the ghostly parlor of spider's skin.

"put him down," mo'at commanded, before norm could even speak, clearing her pallet in an instant, "what happened to him?" her voice was firm, almost knowing.

"he...cut himself...intentionally...I don't know how long ago, but I found him in his pod alone and brought him right here."

"intentionally?" neytiri hissed, removing the boy from his arms when he couldn't get himself to comply with the order and holding him so she could listen to the weakening beat of his heart. she tied turniquotes around his upper forearm with the strands of clothing handed to her by her mother, absent-mindedly rocking the little thing where he rested held between her free-er arm and her chest, when the last bits of his consciousness were directed to fussing, no doubt from the pain. she couldn't bring herself to bind them too tight, just enough to control the bleeding, her hands and a bit of cloth could handle the rest.

(mo'at almost lectured her, but she saw that look in her daughter's eyes and knew it would be pointless, a mama bear gets what she wants)

norm had never seen the protective fire in her eyes, normally directed at her children, burn so bright for spider in the last few years she had known him. it scared him, it felt so unnatural that the very gaze he had learned to trust in most cases, froze him like a deer in headlights.

but that question, the tone of it, made his gut sink. how did he explain this, spider was just a baby, and he had slit his own wrists. that on its own was gut-wrenching, but the reason? Eywa have mercy.

"he said... he said he wanted to get rid of his demon blood, so he... he used his own knife and cut his wrists... its a common form of self harm back on earth, to cut yourself, but I don't even know how he would know to do that, why he would do it... I know why, but..." norm felt defeated. he should have seen something.

the look on neytiri's face made him want to tuck his tail between his legs and run off. she placed spider down as gently as one could, face scrunched up with pain and anger as she keeps pressure on both of spider's wrists.

"get jake, he is with the young hunters." she spoke quietly, her voice almost bitter. she didn't know if she blamed him, if she was angry with him, she barely understand how to feel about spider harming himself. all she knew is that he had just given her some of the most heartwrenching news she had heard in her life, so he was getting some of her mirth. norm nodded, racing off with his tail tucked between his legs, only hesitating to take another worried glance at the boy.

neytiri took a deep breath before turning to her mother. "he will need stitches, right?" she had never dealt with an injury quite like this before, the conscious effort in the wound made it clean and to the point, unlike a wound in battle. it strived to do quick, efficient damage, and now, either because she could barely let herself think straight, or because she genuinly didn't know, she couldn't think of the best way to treat it.

"yes, my daughter, but that is the least of his worries. he cut a large vein, those are very difficult to mend, stopping the bleeding will be difficult. he's already lost quite a bit of blood, so we need to be careful. the best thing would be to put a root paste to help clot the bleeding, wrap it up, and stitch it later." mo'at turned to her morter and pestle as she spoke, mixing different herbs, berries, and roots into a dark brown, almost purple, paste.

neytiri, nodded absently, while she picked through the basket at her side for bundles of lumped fibre and soft cloth to hold against his arms. luckily for him, while he did manage to do some damage and with the help of the tourniquets, one wrist had already stopped bleeding a fair bit, and the other was manageable.

in the silence of the hut, her mother working quietly behind her, turning every once and a while to check his breathing or giving her a tincture to clean his wounds with, neytiri was left to think.

demon blood.

he had done this because of the words she and so many spat at the sight of him. he had tried to rid himself of his sins, the sins of his father, the sins of his people; but were they really his to begin with? what had he done, in his six years of life, to have earned the hate he received? was the blood he carried in his veins enough to justify pushing a child to this?

no, she decided, no it was not.

seeing him so pale and lifeless in norms arms woke something in her, something deep in her gut, maternal rage coursing through her with something vicious, and even if she didn't deserve it after all she had done to him, pushed him to do, her heart was attempting to claim his as her own, and she didn't know what to do with that feeling. then she realized, that the maternal drive that prowled in her stomach like a thanator ready to pounce, not only saw the world as a threat, but saw her as a threat.

her mother handed her the salve and she was grateful for anything to do to take her mind off of the few revelations she managed to have while waiting.

"put more of the salve where the bleeding is stronger, then wrap it tight, be careful to not make it so tight it takes off his hand." the older woman guided, watching over her daughters work.

neytiri scooped it out bit by bit, slowing rubbing it onto the wounds while her mother blotted away the blood, her ears dipping whenever the boy his with pain or tried to pull away. she just wanted to make him better, to take him up into her arms and tell him it was alright like she would if he was one of her own children. but she knew she couldn't, he would wake up and see the monster who filled his little mind with such awful thoughts of himself, that he would be just as scared of her as he always was, and that she could bring him no comfort. so he was extra gentle as she finished off the paste, and held him like delicately as she wrapped the bandage around his wrists, gushing him gently each time he cried out, combing back his hair when she felt she was finished.

then jake came barreling in, breaking up the delicate silence that for a single second allowed her to believe it was just a normal day, that the new found fantasy of just being able to mother this child was true, that allowed spider to lay in peaceful sleep with her shawl over him. norm was trying to hush him, before he woke the baby, but there was no stopping jake, not when his face was full of pain and anger, looking as if he would plow down a titanothere just to get to spider.

neytiri knew jake had taken to spider more than he had let on, but the beast in her belly screamed that he hadn't done enough either, that he didn't earn the right to worry either. but she hushed it, knowing neither had the right to claim anything, not even over each other.

"ma'jake, quiet, or you will wake him and... he will be in pain. so let him sleep while he can," she attempted to soothe quietly, resisting every urge to just scoop him up when jakes loud entry did in fact stir him.

jake sat across from her, his hand resting on spider's chest, feeling the soft rise and fall of the boy's chest. "did he really?" he asked, eyes begging for her to tell him it wasn't true. she knew he would much rather hear of a freak accident over this, but she couldn't give him that mercy.

"yes, it would seem so." her voice was short, worn, despite barely saying a word this whole time.

jake crumpled a little, much more on the inside then he attempted to let show on the outside. neytiri was used to it, jake dealing with it all on the inside, bottling it up till he burst. she placed her hands over his, both of them being reassured by spider's breathing.

"but he is still here, we can and will help him. we will make sure he never feels this way again. I will right my wrongs, I will treat him as he has always deserved, and I hope one day he can forgive me. you will do the same. for now we just have to wait." she spoke gently, still worried about waking spider. she was partly talking to herself, making the promise she had worked her mind to final, she swore it on eywa. she saw jakes eyes finally close, knocking the tears he had been fighting to keep in down his cheeks.

he nodded, slumping into a lazy, defeated-looking, criss-cross position, talking spider's little hand in his, using the wet cloth from mo'at to clean the blood from his finger, the calloused palms of his hands, his muscle-toughened arms.

jake was no stranger to this, to harming yourself, even if he had never taken a blade to his wrists. trying to imagine that pain in such a little body terrified him. how was he supposed to wrap his head around little spider, the stray cat amongst the village, always smiling and laughing, always trying to help everyone, always up in trees or tussling with his kids, his blonde hair like streaks of the sun running about the village, battling such demons. he tried to imagine what he must have been feeling when he took his knife to his wrist. was he scared? relieved? confused? was he desperate and looking for a way out?

no, no norm said that spider wanted to get rid of his "demon blood" which as somehow more nauseating. it was their faults, him, norm, neytiri, The People. they hurt this child or they let it happen. they expected him to take every glare, every spit of acid, everything he was forced to endure, and to still remain a happy child. jake never once stopped to think what effect that may have on him, and now he was paying for it.

he ached, spider was small, he could fit in jakes hands even at 6 years old. he was drowning in neytiri's shawl even if on her, it would barely cover her upper arms, he had just started fitting his exopack a little less than a year ago. he was still just a baby, and they almost let his life end. had norm not found him, he would be dead, still and cold in his makeshift marui, in a pool of his own blood. the image that accompanied the thought that flashed in his made him feel sick. even with all that he denied feeling about the boy, no matter how hard he tried to push him away, no matter what he let him go through, the thought of spider dying, especially like that, alone and scared and in pain, terrified him. to have a child die for any preventable reason, was a disgrace on The People, especially their chief of all people.

chief.

he should have been the example. he should have led his people to find love for a defenseless child who wanted only to be loved and accepted. he had failed.

he let a finger caress the side of spiders face, along the edge of spider's mask, lightly pulling at the curly baby hairs that rested there,

"will he be alright?" he didn't know who he was asking, norm or mo'at. both would have very different opinions, norm more literal, mo'at more spiritual. he didn't know which he wanted.

"physically, yes. he is lucky, his blade was simple, his hand faltered, and he didn't seem to have a death wish. he didn't do too much damage, its manageable. emotionally jakesuli? time will tell." mo'at was the one to speak, the look on norms face spoke the his fear of setting neytiri off like he almost had earlier.

neytiri looked to her mother with a pain expression, her tail beating nervously where is laid near spiders head, ears still folded back.

"his mind is plauged with pain and desperation, things no child should even be aware of. he was driven to harm himself, in ways that will be permanent. it will be our actions going forward that determine his future. I fear if we do not undo the damage now, we will lose him in the years to come... what I fear more and that the damage has been done and cannot be undone. we can only hope for the former/"

neytiri damn near let out a cry, turning from her mother, eyes clenched as tears welled up in them. she found jakes arms, both leaning over spider like a makeshift shelter. just like they should have his whole life, they should have shielded him from the world, protected him from the hate of others. spider stirred once more, and this time jake couldn't resist the urge to scoop him up.

spider looked up at both of them, his little eyes tired and glossy, something small and painful in his gaze. he began to wiggle out of jakes hold, balling up nervously, but when neytiri grazed fingers through his hair, he stopped. this was the one thing he had ever wanted, deep down. not to be accepted, not to be one with the people, not even to be na'vi. he just wanted to be held, loved, by a mother, any mother. with his judgment too clouded by all his emotions, the desperation, the pain, even the blood loss, and maybe and even simpler reason being just being a child; spider let her hold him. he couldn't think about her years of neglect, the harsh words, and harsher glares, not in that moment, that could come later. right now, he needed a mother, and neytiri was willing, so he sunk into her hold, welcoming the embrace of either parent.

the road to spider's recovery would be long and hard. jake and neytiri had a lot to make up for, to apologize for, holding onto their guilt for years as they waited for spider to reach an age were their apologies would actually mean something to him. he would have to be watched constantly, habits would be broken, tears would be cried. things would never be 100%, there would always scars and phantom pain, but that was ok.

~~~

a note for my regulars; I'm back, maybe sorta kinda. I've hit a rough patch with my adhd, I can't do thoughts, or social interaction really, but I'm starting to bounce back, so more regular posting may return shortly.

[mudstoneabyss]

actually. the specific phrasing that boy Kevin wants to kill older Kevin with "I must disassemble him, piece by piece, so that everything inside of the Old Kevin comes out. Only then can the New Kevin truly begin." is so incredibly the idea that to heal from trauma and "improve" you have to destroy every "wrong" part of yourself, that everything "tainted" by it has to somehow be replaced by something untouched (which isn't possible)