#which is an INSANE thing to have to write out but.

[sunflowerwinds]

sugar, sugar | v.a

summary: on a slow day at your grandmother’s bakery, a customer captures your attention. as the weeks pass, you see her pop up more and more. a gentle friendship ignites between the two of you. the only issue was the undeniable attraction to her and it didn’t help now having to do her a kind favor. it would go away…. right?

pairing: fem!reader x vi arcane

contains: modern!au, kick-boxer!vi, reader is described to have long enough hair to tie up, reader has a sister named mila, we love gram, vander, isha and jinx mentions <3, nothing but fluff, strangers to friends to lovers:)

word count: 3.5K

a/n: i seriously had so much fun writing this and i am excited to dig into a mini-series with vi. i hope everyone enjoys this as much as i do </3

— ONE

Running your grandmother’s bakery wasn’t easy but it was a light in your life. She taught you tips and tricks of working the large industrial oven, every single one of her recipes, and wiping down the chalkboard to write the specials for the delicious treats.

She was charm personified; somehow able to convince pretty much every person that walked to the pastry shop to try at least one item. You were on the more quiet side, not insanely secluded but you weren’t extroverted. Nice people cracked you open and next thing you knew it, you were shoving a donut into their palms to take home.

It was a bad habit.

It was a slow Thursday in November. You were sweeping the small area of seating, softly asking one of the usual college students that came if they needed anything else. You were just a few streets down from the community college so many people your age would come in for coffee and furiously type on their laptops.

Once you were told they were good for now, you excuse yourself back to behind the counter to adjust the display desserts. You were bent over when you heard the bell over the door echo within the space, shouting ‘welcome in’.

“If you have any questions, just let me know. We have a daily special which is on the blackboard,” you stood back up with a slight grunt from the rush, brushing a few flyaways to kindly smile at the new customer. “Today we have buy one, get one donut free.”

Your eyes slightly widen at the… attractiveness of the customer. You adjust the neckline of your soft brown cable knit sweater to tug out your necklaces, plastering on a friendly smile.

“I actually came in because I was curious about the sign,” she trails off, tilting her head as she shoves her hands into the pockets of her jacket. “Do you actually just let people smell the food?”

You let out a soft chuckle as you nod. Your grandfather, one of the only men who had ever tolerated, made the sign for your grandmother the second she mentioned it to him. Now, in all its carved glory ‘Free Smells!’ is hanging underneath the shop's main sign: Sweet Tooth Bakery + Cafe.

“Yeah, my grandma thought it’d be a funny sign to draw people in. Obviously, we don’t let them shove their nose into it or anything,” you shake your head, holding your hand out to the stranger. “Because that’s… unsanitary.”

The pink haired stranger nods with a soft chuckle, stepping back to check out the arrangement of treats in the display case. In that moment of silence, you, as discreetly as possible, check her out. She had on a navy blue cut off sleeve zip-up, a soft white tank top underneath and a pair of grey sweatpants hugging her lower half. Very simplistic outfit but she made it look good.

You think she just naturally looked good. If you stared for long enough, which you embarrassingly did so, you could see markings of ink on the side of her neck and following down the backs of her arms and the smallest etching on her cheek.

“Any suggestions on what to smell first?” She questions, curious eyes bouncing back up to you.

You hum to yourself as you, too, stagger your eyes from pastry to pastry to carefully choose which one you could have her smell.

“Are you a fan of blueberries?” You question with a beaming grin.

“Uh, sure, yeah. Blueberries are good.”

“Then you have to take a whiff of the blueberry danish. It’s one of my favorites.” You offer, pointing to the sweet treat.

The pink haired stranger leans forward, folding her bare arms across her chest. You, again, can’t help your stares as you try to figure out what was exactly dotted into her pale skin. She nods with a shrug, looking at you with a kind smile.

“I’ll give it a whiff, yeah,” she stepped forward so that the glass of the display case was the only obstacle between the two of you.

You can feel your face getting hot as you mutter a bright ‘okay’ to yourself. You bend over once again grab the metal tongs to pick out the danish to place on a ceramic plate. You place it on top of the display case, motioning for the stranger to give it a smell.

Still seeming a bit hesitant that you were playing a joke on her, she leans her face forward so that she is mere centimeters away from the pastry. She inhales a bit, letting out a long sigh as she leans back to look at you.

“Shit, that smells amazing,” she praises the sweet aroma, nodding in satisfaction. “I’ll take it.”

You blink at her before chuckling awkwardly.

“You don’t have to buy the ones you smell. I promise.” You reassure her as you attempt to put the danish back so that you can shove the cranberry-orange muffin in her face.

She’s quick to hold a palm out to stop you, shaking her head. A beautiful smile spreads on her lips, temporarily forgetting how eager you were to show her every single pastry on display.

“I want that one. I swear. Plus, my sister’s going to rush me out of here if I take too long.”

A part of you was disappointed that she was so quick to purchase the first, yet incredibly delicious, treat. You selfishly wanted her to stay for as long as possible. Your grandmother would be on your ass for being so distracted by an attractive customer.

She would give you a clap on the back for making a sale, though.

“Oh, okay. Did your sister want anything?” You offer, itching to find any way possible for her to stay just a bit longer.

The stranger hums to herself for a moment as she examines the rest of the delicious treats. You tilt your head as you grab a small brown paper bag to place the danish into, waiting patiently to see if she was going to pick another item.

To your delighted surprise, she nods as she points to a more simplistic pastry.

“I think this pink donut should be good,” she nods to show certainty.

You grasp onto the sweet treat to slide it into the bag with her danish, trying not to spill a lot of the sprinkles. You seal it closed with a custom sticker with the logo of the shop, typing up her total into the register. The stranger reaches into her sweatpants pocket to pull out her wallet.

“Your total is gonna be $7.89. Cash or card?” You question.

“Card.”

You watch her hand you a simple light blue credit card, grinning as you not-so-discreetly check out her full name on it. Her first name caught your attention. Violet. As you swipe her card, you clear your throat to work up the courage to give her a compliment.

“I love your name. It’s pretty,” you say as you hand her back the card.

The stranger, now known as Violet, smiles small at your words. Her long fingers take the card from you as she slides it back into her wallet.

“Thank you. My, uh, dad named me,” she grins at you.

“Well, he made a very good choice,” you hand her the bag as well, nodding as you try not to appear awkward. “Anything else I can get for you?”

Were you being weird?

“No, no, I’m good,” she chuckles as she crinkles the bag in her palms. “I’ll see you around, yeah?”

You nod as you hand her own copy of the receipt, holding onto the half second of the tip of her fingers brushing against yours. You watch her turn her back and leave the shop, eyes never leaving her sculpted back profile. You huff at your behavior once the bell from above the door snaps you out of your small trance, shoving your copy of the receipt into its designated spot.

“She’s cute,” you hear from behind you, causing you to jump and whip your head around.

You’re met with your grandma grinning evilly at you, a little bit of flour smudged on her cheek from her baking in the back.

“Gram,” you sigh as you shake your head, brushing away your loose hairs.

“I’m just saying, bug,” she walks up next to you to rub up and down your arm.

You blush at what she was insinuating. As much as you love your grandmother, she attempted to be your match maker like you were an introverted middle schooler. You were 22 for God's sake. You would make moves and flirt when you felt like it.

“Don’t you have something in the oven?” You raise your eyebrows at her, hoping she’d leave it alone.

“Hey. I could fire you, you know,” your grandma pointed a finger in your face accusingly but her tone was light and a cheeky grin was on her face.

You roll your eyes playfully as you softly bump your hip with hers.

Everyday since Violet came in, you perk at the sound of the bell hoping to see that head of pink hair waltzing in again. Two excruciatingly long weeks pass before you see Violet again.

What was disappointing about seeing her today of all days was that you were working this shift with your 17 year old sister who was… less than thrilled to be working now; especially with you being her superior in a workplace. She, like most teenagers, was yearning to be more independent which meant constantly disregarding your instructions on what to do at work.

You were irritated beyond belief with her constantly arguing with you. You couldn’t even really fully pay attention as Mila smacked your arm with the rag. When you saw her from outside the shop, this time around she came with company. You were in the midst of a bicker with her because she didn’t wipe down a table like you had told her to when you saw Violet coming in with a little girl walking beside her.

You gasp at her childish antics, pinching her arm but then shushing her as you tight-lipped smile at Violet as she approaches the familiar display case. You try not to frown at the sight of her bandaged nose and small bruise sitting right on the apple of her cheek. Her outfit is similar from the last time you saw her except a simple oil-black hoodie with those same joggers. You even saw a bit of wrapped bandages on her hands peeking out from the sleeves.

Was she jumped or something?

“There are only, like, two people here and they’re sitting outside,” your sister whisper-shouts at you, plastering on a fake smile at the new customers. “Hi! Welcome in.”

Violet glances at Mila when she straightens her back, placing a gentle hand on the back of the child’s back to guide her to the display of new and fresh treats for the day. She places her little hands on the glass as she very eagerly bounces on the soles of her worn in dark blue tennis shoes.

“Hi! Violet, you’re back.” You turn to your sister and sneer quietly. “Clean the tables. Now, please.”

Mila gives Violet a once-over and you a narrow glare as she grumbles a ‘fine’ as she rounds the corner to go and wipe down the crumb and dust filled tables.

“Hey. You can call me Vi, by the way. I, uh, was with my sister for the day and she wanted to try this place. I gave her some of my danish and she went crazy.” Violet motioned to the child just a few feet below her, chuckling at her gazing hungrily at the sweets.

“Well, Vi, I’m glad to hear,” you lean your head to the side to get a good look at her sister.

She had a wild head of short waves, a small gap in between her two front teeth. Her outfit made her ten times more adorable; a plain white Henley long sleeve with a pair of overalls. Her big hazel eyes stared at you patiently.

“Hi, cutie. Do you see one that you like?” You question her with a friendly smile.

Her adorable face scrunches up in thought, stepping back to look at her choices. She turns her head to her older sister before pointing at a strawberry muffin and raising her hands to sign what you believe is ASL. You curse yourself for not knowing what she was telling the pink haired stranger.

“She wants to smell the strawberry muffin,” Vi chuckles. “I told her about how you let me smell my danish first before buying it.”

“Okay, I can do that for you. What’s her name?” You question, hoping it didn’t come off as offensive.

“Isha. She doesn’t talk much,” Vi raised a bandaged hand to settle on her light brown waves on her head, ruffling the strands.

“Well, Miss Isha,” you focus your attention on her once again, watching her bounce on the balls on her feet with excitement. You grab your trusty metal tongs to grab the muffin and place it on a soft blue ceramic plate to set it down on the counter area of your register set-up for her to smell. “Here you go. Let me know if you want to smell anything else.”

Your heart grows tenfold as Vi quietly tells Isha to not shove her nose into the muffin, smiling at her sister as she hovers close to the pastry.

“Is she the one who ate the pink donut?” You turn your attention to Vi, raising your brows as you adjust your flyaways from your bubble braid.

Pretty blue eyes flickering to yours, her brows twitch as if she was shocked that you remembered such a minuscule detail.

“No, that was my other sister,” she shakes her head. “Isha was actually very angry with me when I came home with no cupcakes or muffins for her so I’m making it up to her.”

You watch her scrunch up her bruised bridge of her nose for a second as Isha signs something else to her. Vi playfully rolls her eyes with a sigh as she turns to you with another wince.

“Can she eat this now? She has an impatient appetite.”

You chuckle with a nod as you hand the plate to her, muttering a ‘careful, sweetie’ to Isha who beams up at you. She scurries over to a small round table to hop up on the seat to divulge. Now that it was just you and Vi standing in front of each other.

“Hey, are you okay?” You ask softly, eyes flicking to each injury on her gorgeous face.

Confused about your concern for her, her brows furrow for a moment. You watch her turn around to make sure Isha was all good, hounding down the muffin with crumbs falling from her mouth to the ground.

“Oh, yeah,” Vi shook her head, waving at you off as she grins sweetly. “I work at a kick-boxing studio and some of the kids can get aggressive. I’m okay, though, trust me. I’ve taken more than a few hits to the head.”

That explains the injuries and the bandaged hands. Of course, she was a kick-boxer. Her physique gave that away but what did you know? Isha was distracted with her muffin so you were able to converse with her, get to know her a little more so your gram would stop asking you if that cute pink haired girl came in again.

“Really? Where at?” You hum.

“It’s like fifteen minutes from here. Why? You want to come see kids beat me up?” She teases, folding her arms over her chest.

You hum with a nod, walking around the counter to place a napkin on the table so Isha could wipe her face to be rid of the sticky crumbs on her face. “Yeah, that’s exactly why. Because I’m a masochist.”

An actual laugh left her plush lips as she shook her head, eyes following you as you face her now. If Gram could see you now. Well, she was probably watching you from the security cameras in the back room with an evil smile.

“You know, I meant to ask. Do you make custom cakes?” Vi leans back to rest her lower back on the countertop where your register was, crossing her legs and shoving her hands into the pocket of her hoodie.

She really just looks like that, you thought to yourself.

“We do, yeah. Is your birthday coming up?” You look at her with raised brows.

Vi shakes her head, pointing to the little girl behind you. “No. Her birthday is next week and my family is throwing her a zoo themed birthday party.”

You awe out loud at the thought.

“That’s so cute. Yeah, I can— I mean, we can do that,” you shake your head as you correct yourself, hoping she didn’t catch your desperate slip-up.

Isha stands up from her table, dusting off the crumbs from her overalls. She walks over to you to hand you the plate, signing ‘thank you’ to you. You pause for a moment before hesitantly signing back ‘you’re welcome’ slowly, not sure if you were doing it right. You knew the basics but weren’t extremely educated on ASL. After today, though, you were determined to brush up on it.

Isha eyes brighten at you signing back to her. She turns to Vi with a smile so wide, you swore her cheeks would split open. She nods down at Isha, ruffling her hair once again as she reaches for her pocket to retrieve her wallet.

“Shit, sorry, how much do I owe you for the muffin?” Vi shuffles through the bills in her wallet.

“No, no. You’re… good. Don’t worry about it.” You wave her off, shaking your head.

Vi pauses before scoffing, attempting to shove the money into your palms. “I’m paying for the muffin.”

“Seriously. It’s one muffin, Vi. Plus, a little early birthday present for Isha.” You shove the bills into her hands once again, gripping onto her hands to make sure she doesn’t try to give them back.

Vi glances down at your gentle hands around hers. Reluctantly taking the money back, she takes the bills before shoving them back into the crease of her wallet. You try not to focus on how slightly bigger her hands were from yours; how surprisingly soft her knuckles were.

Isha seems to become impatient now with her elder sister, reaching up to tug on two of her fingers. Vi nods down to her, muttering a soft ‘okay, okay’.

“Thank you for that, by the way. And if it's not too much trouble for you, cupcake, can I get your number?” Vi questions as she takes Isha’s hand in hers. “You know, for any questions about what the cake should look like and what flavor it could be.”

Your brows furrow at her words before nodding, pursing your lips to repress the smile creeping onto your face. Cupcake. You like that nickname coming from her lips.

“Right! Yes, um,” you walk over to the counter to grab a sticky note and a pen to scribble down your personal number. “Here. Call or text me with all the information.”

You place the small yellow piece of paper into her palm that wasn’t holding Isha’s. She takes it in between her pointer and middle fingers, nodding with a confident smile.

“I will. See you, cupcake.”

“See you, Vi. Bye, sweetheart,” you bend down ever so slightly to wave at Isha.

The adorable girl waves her free hand at you with a just as cute toothy smile on her face. You excused it as a sugar rush as they walk away from you, hand in hand as they leave the store. Vi turns her head to give you one more glance before Isha is tugging her down the sidewalk.

Mila angrily stormed up to you the second they left and raised her hand with the rag to smack you on the forearm. You gasp and snatch the weapon away from her, pointing a finger in her face.

“What the hell? Stop hitting me with this,” you sneer.

“I’m wiping down tables and you’re flirting? How the hell is that fair?” Mila quips back as she folds her arms in front of her chest.

“I wasn’t flirting. I was taking a cake order, by the way, so you can stop whining.” You roll your eyes as you walk back around to the counter.

Mila sucks in a deep breath before shaking her head.

“Really? So what was that whole,” your sister cleared her throat, sucking in a deep breath. “Giving her your personal number when you could’ve just given her the store's number?”

You pause your movements of wiping down the counter from behind the register, thinking about it for a moment. You knew why. You just hated your sister being all in your business.

“Okay, what is it to you?” You get defensive. “I can’t… make new friends?”

Mila merely snorts before rolling her eyes.

“Sure. You definitely only want to be friends with her.”

TAGLIST: @strawberrykidneystone @lovinglynny @kylorey25

[nadjasnandor]

what I don't understand is like .... they wrote the guillermo and nandor dynamic the way they did AND made both of them queer. like. nobody asked them to do ANY of that. so turning around and mocking everyone who very reasonably looked at what the writers of this show wrote and said "they are written like a couple" is just a baffling thing to do. imho

Exactly. And if you don't mind, I'm going to use your ask as an excuse to write out why I'm upset about certain things, because what you said is the root of my problem.

My disappoint doesn't come from Nandor/Guillermo not going canon in the traditional sense (at least not fully), but from the very 2010s-esque way everyone seems to be talking about fans post-finale. Basically saying they never intended Nandor & Guillermo to be anything but platonic and blaming the weird fans for wanting their pornographic whishes (🙄) to actually happen in the show, like they were not in any way responsible for creating those wishes, is insulting but, more importantly, not true. And they can't convince me otherwise because I was there, watching the whole thing unfold in real time.

I already mentioned being remotely normal about Nandor/Guillermo pre season 3 and there is a reason for that. During the first season the fandom was small. And by that I mean both Nandor/Guillermo shippers and also the people watching wwdits in general. During season 1, sometimes all you saw when going into the tags was about 5 of my gifsets in a row, for instance. Even if people watched the show, they didn't really interact with it in a fandom-y way. During the middle of s1, I complained about there not being Nandor/Guillermo fics at all and even between s1 and s2 I posted about there not being a lot. It was also this era when the first mentions of possible canon romantic feelings were brought up and it was by Harvey himself, who said he thinks Guillermo has feelings for his boss. This was, of course, only Harvey explaining how he views his character but I feel it's important because, as it's been mentioned before, Harvey came up with a lot of Guillermo's character, starting with his surname. He basically created current Guillermo. In the original pilot script, Guillermo is a 40-something, very bitter man. Quite different from our Guillermo and it's all thanks to Harvey.

But during this period, that is during s1 and s2, anything romantic between Nandor and Guillermo was purely accidental and mostly due to Kayvan and Harvey's chemistry. We all knew this, even if by s2 we did get the first articles about Nandor & Guillermo's relationship being maybe not fully platonic. By the end of season 2, the fandom has grown for sure but it was still nowhere near its current size. We also had Nandor say he treated Guillermo like a son, which was quite annoying but we at least knew where we stood with the show. Didn't stop us from shipping those two, of course, because fandoms have survived on less (Looking back, it is funny how much I hated that line when now it's just *vaguely gestures around*). It's important to note that after season 2, Jemaine left and Paul took over. And then came season 3.

There is a reason why I was so insane about the Cloak of Duplication and then Gail. The former canonized Guillermo's feelings for Nandor on screen for the first time and the latter showed that it was not just a single episode, throw away scene. Instead they continued with Guillermo being jealous of Nandor and his sexual partner. That was huge. But the fandom still hasn't blown up fully, that happened later during season 3. And I think it's important to say that because they wrote and filmed season 3 before the show blew up. They cannot say they wrote those scenes to please (or bait) fans. They weren't 'pressured' to do anything with Nandor and Guillermo. Season 3 was also when the very heavy Nandor/Guillermo promoting started. (Like the parody of The Bodyguard poster with 'Never fall in lo-', for example). Now, I don't remember if the first articles calling them the will-they-won't-they couple of the show came out during this season or later, but it was definitely past season 3. So by the end of season 3 the fandom has grown large and people were obviously very into the ship.

Now we can say shippers are pushy or annoying but fans can be annoying in general. People can be annoying lol. When your show grows big enough, annoying people you don't like are going to watch it too. (I'm sure if those annoying people are cishet men then this burden is easier to bear but I digress. I am a little bitter, after all). But at this point, fans had no reason to be pushy, we thought every sign was pointing to canon romantic Nandor/Guillermo.

At this point, the show saw how large the fandom has grown and how invested people were in Nandor/Guillermo. If that's not what they wanted, if they felt people were seeing things differently than how they intented, they could have pulled back. They had enough time between season 3 and season 4 to do that. But they didn't. Instead, they doubled down and continued to do the same for 2 more season. Even if by season 5 the latest we already had Paul saying weird things about the dynamic.

Instead it seems they decided to pull back in season 6 but by then it was too late. People were expecting them to come through on the thing they have been teasing for 3 seasons. And then they blamed the fans for not liking what they offered up instead. For wanting 'pornographic scenes'. Because it's 'not that kind of a show'. They say this about a show with an episode called The Orgy.

And even while saying all that, they didn't stop them from teasing the fans until the very last moment. Nandor's 'you know what would be cooler than being friends' is just cruel lmao. And that's why it felt more like mocking to me. Not only because of what happened in the show, but because when I watch those scenes, I can't seperate them from how the cast and crew talk about the ship and the fans in interviews. They apparently now think it's stupid and weird but will gladly tease it in the show for whatever reason? It's funny because fans are weird and kinky, I guess. Things unheard of in relation to this show.

I also don't understand Kayvan and Harvey's complete 180 turn. During the early seasons, Kayvan was not really into the idea of the ship, saying it's a bit toxic due to the power imbalance in their dynamic but he seemed to go full throttle later, even overtaking Harvey in hyping the ship up. And then in the first post-finale interview, he says that 'Nandor is never going to have sex with Guillermo', even if the show left that door open with the last scene. And then there's Harvey, who was the first to say Guillermo has feelings for his boss, who is now championing the repserentation of platonic gay male friendships on tv. In his case, I can give him the benefit of doubt, because he must have his own experiences with that and it's not my place to dismiss or doubt them. I do find the change strange and have complained about it but it's more understandable than Kayvan's. (EDIT: I didn't read this interview after the finale but it just makes things even more confusing, if I'm honest.)

I tried to be as coherent as possible and write out all my thoughts about this topic but I most likely still missed some things. I don't really like to talk about my feelings and thoughts this elaborately because I find it difficult to fully express myself but I tried my best because I felt like I was going insane.

[sibillascribbles08]

Big Ol' Rottmnt Fic Rec List

Hi, I've needed to do this for a while, so here's a big bundle of fic recs from me !

I've broken it down between one shots, chaptered fics, and series. I'll try to mention what the character focus is along with a brief summary and some personal thoughts. If you need more details I encourage you to check the fics summary and tags for yourself! I will only include an author's tumblr account if it's easy for me to find haha

One Shots

Mama's Boy - ashtreelane: Technically two chapters but it feels like a one shot. Casey Jr. angst, involving him finding out that maybe you can fix kraang infections and that he failed to save his mother. I love when people really pile the grief on Junior after all the fighting is over and the fic does it so well.

Forget-Me-Nots - GibbousLunation (AKA @klunkcat ): Hi, oh my god??? Leo and Mikey centric angst, in which saving Leo from the prison dimension has an insane ripple effect. Mikey dying? Nah he's going to start getting erased from every timeline and Leo slowly watches it happen (and refuses to do nothing about it). I utterly adore how this fic handles this concept. You see almost all of it from Leo's POV, noticing the little changes but writing them off as memory failures, because of how subtle some of it is.

Fight or Flight - pickledcarrotsandradish: Leo centric, post movie, Leo keeps waiting for his family to start lecturing him about all the dumb stuff he did during the invasion, and they aren't, so it's getting to him. A very neat narrative about how self loathing can warp our perception of how others see us. A++++

The Friend Zone Sounds Pretty Good, Actually - Cryptvokeeper: Eating this, eating this. You probably already know I love aroace Leo and this fic is an INCREDIBLE exploration of that. Even as just an ace person it hit SO many notes where I was just like "Oh god... I've been there buddy". And as a bonus the dynamic between Leo and Yuichi is v sweet. Love this a lot I've read it like five times.

Pink in The Night - unnamedmystery: Incredible April/Sunita fic. Like seriously this author wrote April's crush so well I think I was starting to fall in love with Sunita. Just incredibly cute all the way through, and great April writing, adore it.

《 until then, matriarch 》 - chiangyorange: HI OH MY GOD A nice chunky oneshot about Karai, about her being a leader, and it's phenomenal. It hits and hits and does not miss, really going in depth about her emotions involving her father turning into something wicked and having to destroy him, and how it ruins all of her good memories.

The Kindness of Collision - SpoonerizedSwiftness (AKA @splickedylit ): Hi I still remember the fic and the art suddenly showing up in the tag and then I was thinking about it for the next like five weeks aslkdjf A very interesting idea that when the turtles reach the age they were in the doomed timeline before things got reset, all the memories of their other life more or less hit them like a train. All of them have to comb through that information and it's a wonderful and emotional ride.

Chaptered Fics

Hamartia - Punable (in progress): Hi this is one of my all time favorite rise fics, mainly because in a way, it helped me come to terms with my chronic pain. It's Donnie centric and smack full of angst in all the best ways. Shorthand summary, an explosion in Donnie's lab almost takes him out (or kind of DOES take him out) and the recovery is not only long and agonizing, it may only go so far, and Donnie doesn't cope well with that.

Kick It Up a Notch - Brokenpitchpipe (completed): Hi this is my other all time fav rise fic. Donnie centric separated AU in which Donnie is raised by Draxum. My love for it stems a lot from the characterization of Donnie though, and even Draxum in this case. Not to mention that in a lot of cases it matches the vibes of the show. And in spite of all the humor, there's a few really gut wrenching moments. 10/10 will re-read.

Lightning in Our Fingertips Today - DaFlangsLairde (AKA @daflangstlairde-art) (completed): Leo and Donnie centric, mostly angst, with body swapping between the twins which results in Donnie finding out that Leo's ninpo hurts him. Love love love the character writing in this, and also how the swap is written.

Under Pressure - ParvumAutomaton (completed): Not sure this is a single character focused fic, but basically April goes cave diving and is out for a while, and the turtles get worried and go looking for her. This might be personal bias but as someone who gets really into caving stories, this fic hits the spot for so many reasons. A really great emotional ride, and if you wanna see April go through it then I super recommend it.

Nothing Haunts Us (like the things we don't say) - mad_and_thick_as_theives (completed): A lot of great fics by this author btw, but this one personally stood out to me. It starts of silly and light only to sweep in with the emotional weight. Turtles are all cursed with a truth spell, basically, but I think my favorite bit is who gets out of it first (and why). V sweet.

Creation of a Philospher's Stone - IgnisCanis (completed): Whoooo boy, if you want some Draxum centric character exploration this is a great one. It really fleshes him out as a morally grey character and also does a fantastic job at writing Mikey when he finds out.

The Ol Switcheroo - radishhqueen (AKA @radishhqueen) (completed): Haha not going to lie I have a few by this author (so I'll only tag them once) but MAN. Hands down my favorite take on future leo coming to the past, and maybe I'm biased because I like when those fics actually explore Junior's character in the process buuuuut I love it. Junior's already struggling to adapt himself to the present, and after getting caught up in a foot clan spell which summons his sensei to the present too it really doesn't get any easier.

Vigilantism for Fun and Profit - radishhqueen (completed): The Cassandra Jones fic ever. Zero contest. If you're uncertain about writing Cassandra because she had so little development in the show I encourage you to read this for inspiration (I know it inspired me a lot). It does such a great deep dive into her character post show and a bit of the movie too. Honestly anytime radishh has a Cassandra fic I am clicking.

Tried to Grow Up Good - Sroloc_Elbisivni (AKA @sroloc--elbisivni )(completed): The Casey Jr. fic ever. CRAZY in love with this post movie take on him. It's messy, it's fun, it's so so real and you get a good chunk of Casey Sr. in here too. Adore it.

Hold On (Or Three Times Donatello's Soft Shell Almost Killed Him, and One Time it Saved His Life) - dunk_on_em (AKA @spockazilla )(completed): If you ever want a bit of angst involving Donnie's shell this is my go to. Every chapter has an emotional swing, even the positive ones. And shows something most people might see as a disadvantage as a good thing, actually.

Atlas, My Brother - swampcryptid (AKA @the-name-is-rizzotherat)(in progress): Get your Raph angst, specifically involving him always shielding his siblings, this time via a curse. My guy is already going through it and I think it'll get worse if a solution isn't found.

I've Got You Under My Skin - Cass_Phoenix (in progress): More Raph angst, and some Donnie, a truly chilling exploration of the possible consequences to connecting with the kraang. This fic constantly has me on the edge of my seat, and constantly stressing for Raph.

What We Leave Behind (How We Start Anew) - iam57311 (AKA @iam-57311)(in progress): Any Baronjitsu fans here? An alternate take on canon in which Draxum and Splinter co-parent the kids since they're first born (made?) Hilariously while I love the Baronjitsu content in here, I think some of my favorite parts are actually with the sisters, Big Mama, and Draxum's sister who is so so cool I love her.

Proof of Redemption - iam57311 (complete): Another one of theirs! A short and sweet lil close to canon fic about Draxum steadily gaining the trust and affection of the Hamatos, with each chapter focused on a different character. I love how they're all paced out from each other, really hits how some are much slower than others to trust Draxum hehe.

No Crime* Only Brooches - OllieTheScribe (AKA @olliethescribe) (in progress): Well I have to get THE HypnoWarren fic in here. Such a fun take on these characters, I love love love the backstory they built up for Warren too, plus the dynamic between these two and the turtles after (eventually) become friends haha.

Minor Interference - bambiraptorx (AKA @bambiraptorx) (in progress): What can I say? This fic is delightful. Between the hilarity of the turtles going with Draxum just to mess with him, the lore additions for yokai and the Hidden City, HoH Donnie, and their slowly building dynamic, always eager for a new chapter with this one.

Series

A Butterfly with a Mechanical Wing - Amethyst_Goldenwind (AKA @amethystgoldenwind ): Donnie centric series about being a non-verbal autistic. I'm always fond of non-verbal/mute explorations of characters, and so far I really like how, because his family has grown up with it, all of it is very normal for them. The various forms of communication are delightful. Excited to see further entries.

Analogous Hues - alwerakoo (AKA @alwerakoo): It's a separated AU with similar titling themes as my own, needed to check it out. The titles are just about all they have in common though! This AU focuses a lot on the turtles (Raph and Leo with Splinter and Donnie and Mikey with Draxum). I love how this explores not only the dynamics of the two groups and how different they are, but also the dynamics between each of the siblings, also how some magic sibling connections can influence that. Not to mention the different home life in more ways than one. If you're into separated AUs that really dig into the turtles dynamics try this one out !

[sleepynoons]

hi op feel free to ignore everything under - all you need to know is i love your writing *shakes head vigorously*

there are several things i think were immaculately done, but that'd require me to churn out an entire research paper, which i don't have the brain cells for anymore post-finals. so here are some scattered thoughts yep and yap

-

i don't gravitate towards mysterious or reserved characters because my personality simply doesn't mesh well with them. in fact, when i was watching wbk, i was always so wary of suo, and felt lowkey a lil uncomfortable with him LMFAO

but strangely enough, i think this discomfort became a very integral and driving force throughout my reading experience. of course, this was already the case due to the violent and dark nature of yakuzas, underground sex work, etc., but emphasizing suo's yandere-ness and how he doesn't shy away from it really completed the tone of the story. also, i feel like i came to terms with suo's character, which i rarely ever experience in general. really, this is all to say that it makes total logical sense in my brain to imagine a route where suo evolves into a yandere, and part of me strongly believes his real background in the wbk manga/anime won't be too happy-go-lucky either (otherwise the alternative would be like him wearing an eyepatch for the shtick bc he's a chuuni??? idrk????).

anyway, the reoccurring theme of redirection in suo's tactics really sealed the deal for me, and i think it was a good way to tie in references to his relationship to his master, the martial arts that we know he's especially good at, and how all of these things he's kinda exploited and sullied to "become a worse person for you." suo being very knowing and intentional is so snakey and creepy but also, i get a lil fucked up when it comes to men who are obsessed, so also incredibly erotic LMFAO i also just want someone to buy me a luxury penthouse out of concern for my safety *sad fist bump*

one thing i did find unexpected is suo's leadership within the yakuza. yes, necessary for the plot, otherwise he wouldn't be able to pull any strings. but because source material heavily emphasizes leaders as individuals like umemiya or sakura or even hiiragi, it's interesting to place suo in juxtaposition with them. not sure if it's bc i don't find suo particularly reliable in general, but i think this fic made me realize that he's still wise beyond his years and very, very ruthless. it's def very telling that, throughout the story, suo resorts to fear to assert power. anyway, i j think it was a particularly interesting detail to add in his role in the succession conflict.

btw, i do like how suo's change and transition isn't fully told or revealed. it's not a story meant for us, as it's a truth really for suo and reader. but even reader can't really keep up with him at times, and i find that dynamic really charming, as sadistic as that sounds. i like that reader is so vulnerable. i like that reader is not afraid to be vulnerable around him in the ways that matter, even when she's aware that he's fucking insane. and i really like that reader is aware of how much it takes to be vulnerable, so she doesn't push him. i think reader restrains herself (un)knowingly, and that's her way of loving him. obv less romantic in real life lol (don't try to fix anyone, been there, done that, lost myself, and still finding myself), but i do like how reader is suo's salvation :,,, even if she doesn't think she's particularly patient, she really is - like girl, Fuck Him Already!!!!!!

(could go on and on about how juicy the friction and tension is between suo and reader but that's for pt 2 hehehe)

this is kinda my half-assed transition into talking about reader, and honestly, my thoughts from earlier encapsulate the general thesis i have about her: she's really a lot like suo, way more than she thinks. i think she operates in very similar ways, just goes about it differently.

i think reader is way more reckless. she's very self-sacrificing. she's very good at putting up a front, even when she's internally low in confidence and self-respect. i think she just wants to be happy with suo, and hopefully, with their other friends as well.

and truly, i think suo has very similar end goals. i just think, with how things turned out, suo made the very calculated yet risky (also aggressive?) decision to do the things that he did. making their underlying principals and values and reactions so oddly similar, from my perspective, is sooooo neat, and it adds more depth to why they go so well together.

also, reader is so brilliantly the comedic relief in this whole thing. usually, in storytelling, it's someone else and is used as fodder. i really like how reader is a lil awkward and bad with timing and everything else, cause it makes the reading experience flow so much better. really helped with the pacing of the story, gave it the character + breathing space needed to process everything. i also just like my readers a little fucking hilarious.

anyway, op, so beautifully written - see you in pt 2 gg

TOKYO VICE | part 1

You knew that if you agreed to move in with Suo, you'd be setting yourself up for a life without autonomy. You also knew that these alarming behaviours were all signs that he desperately needed therapy to process his master’s untimely death. Living with a man in constant grief, who refused to talk about his trauma unless he was making up a lie related to the nation of China, was probably not a good decision. Doubly so when this man was clearly paranoid about losing you, and triply so when he was a high-ranking member of a violent syndicate. Unfortunately for you, you rarely made good decisions. (Or: After joining the yakuza, Suo develops the concerning habit of controlling every facet of your life. This is somehow less worrying to you than your uncontrollable lust around him.)

8.7k words. suo x fem reader. deeply unserious yakuza au. yandere suo (not abusive and reader is into it), dark comedy, a little angst, smut. warnings: borderline sex work, off-screen criminal violence. nsft – no actual smut in this chapter, but there are still graphic discussions of sex. mdni. thank you to @sleepyqinfei for beta reading and to @/cafekitsune for the banner!

sequel to sincerity and this sakura/reader wip

part 2 here

You’re not exactly sure why you and Suo have never fucked.

It’s certainly strange, given that you're pretty sure that Suo has expressed at least passing interest in you over the years, and you have felt a lot of interest in him. (By ‘interest’, you mean that you feel an insatiable lust around him that you fight to ignore on a daily basis.) You can't exactly pinpoint why nothing has ever happened despite this mutual attraction, especially given your profession and indifferent feelings toward casual sex.

You can think of a number of probable reasons, which are separate from those you classify as stupid reasons. The latter class comprises silly concerns like a fear of rejection, fear of abandonment, fear of not being pretty enough, fear of not being good enough, et cetera. All very juvenile feelings—insecurities that you had in your teenage years, the days in which Suo ran around Makochi as a delinquent while you worked an honest job at a bar. (It was a girls’ bar in the red light district, but that's neither here nor there.) Your circumstances have since changed, and those anxieties have since faded. None of them have any material consequence for your current life, so you don't see any point in thinking about them.

The stupid reasons, then, definitely don't have anything to do with why you've never fucked Suo. But you can think of a few, more concrete reasons that may explain it. For one, Suo has been your friend since childhood and it’s generally a bad idea to have sex with your long-time friends. He was also your roommate for a while and it’s an even messier idea to have sex with your roommates. And now, in your adulthood, he’s your landlord in addition to being your boss, which makes him the worst possible person you could have sex with. You could lose both your home and your livelihood if things go south—both severe, material consequences that should theoretically keep your lust at bay.

Also, he's also a member of the yakuza.

Now, strictly speaking—you're not really opposed to having sex with violent criminals. It’s definitely not a good idea, but you don't usually have good ideas anyway. But for the past several years, you’ve been pissed at Suo for joining the yakuza in the first place, which actually does keep your blatant attraction to him in check. You simply dry up when you think too hard about all the feelings of betrayal.

When Suo was on the cusp of graduating from Furin and thinking about his future, you’d grabbed him by the collar and made him promise not to join the yakuza. They constantly tried to recruit from Bofurin, and they especially wanted Sakura, Suo, and Sugishita. You were adamant about chasing them off from Suo and Sakura whenever they approached—you had no need to worry about Sugishita, as Umemiya had already said he shouldn't talk to them, so there was no chance he was going to—and you begged Suo over and over not to join. Delinquency was fine, but a crime syndicate was something else altogether.

Suo seemed serious about it when he said he'd listen to you. He even applied to colleges, talked about maybe becoming a teacher and eventually supporting you so you could stop working in the mizu shobai industry. Back then, he often teased you by saying that you should marry him and be his housewife (or he could be your trophy husband, if you so wished). You thought he was joking, but with the way he always talked about his life after his degree, you wondered if he would seriously suggest it.

Of course, it was most likely just teasing, and you were fine with that. You were simply excited that he'd found a career that would make him happy. Nirei had also been accepted to university at that point, and even Sakura had an honest job lined up on Keisei Street. The future had looked bright for everyone.

Then Suo’s master died, and he lost his fucking mind.

The two of you buried Suo’s master in a Chinese funeral. He had never had children of his own, having satisfied his paternal instincts by picking up strays, and he didn't have much in the way of family in Japan either, so you and Suo performed the shou ling yourselves. One person kept a constant vigil over his body while the other searched on Google for what arrangements should be made next. After all, while Suo’s master had immersed his foremost disciple in his culture, he had never taught Suo any funerary customs. He hadn't thought there would be a need.

Suo didn't cry nearly as much as you, but he was probably in more pain. Your master had trained you a little bit when you were a kid, and he'd taken you in for a while after your parents kicked you out, so of course you were gutted. But he had practically raised Suo, so it was naturally worse for him. More shattering.

You often think about the first night you decided you'd sleep with him in the same futon because he was crying so much. He insisted he was fine, but he didn't complain when you got under the sheets with him and started thumbing away his tears. When you took off his eyepatch, you found, to your astonishment, that he was crying from his missing eye as well. Both of you thought the tear ducts had been destroyed in either the accident or the enucleation, but it appeared that not even that prior trauma could mask his grief over this one.

Nevertheless, by the time of the funeral procession, Suo had stopped crying.

“Master supported us and taught us to stand on our own two feet,” he said as the joss paper burned. He took your hand in his and smiled. “So it'll be fine. We’ll be okay on our own. I'll make sure of it.”

At the time, you had found this very comforting. You didn’t think too much of it, as you had a bad habit of relying on Suo for your emotional stability. His master had raised him to be an emotionally intelligent person, so it had been fine, even though you had a track record of reckless decisions. He’d still exercised endless patience with you. He never once got angry with you, nor did he ever force you to do what he felt was the right thing. Instead, he gently redirected your self-damaging behaviours—not so different from the martial art that he practised.

He disapproved of the run-down and lonely conditions of your apartment, so he spent a great deal of time there and helped make it into a proper home. He didn't like how dangerous your job at the girls’ bar was, so he walked you to and from work every night until you never left without him. He worried when you started having sex with your customers, especially when you began having nervous breakdowns over it (you were, after all, still a teenager and really only interested in having romantic vanilla sex with Suo), so he staged an intervention with Nirei and Sakura. In this way, Suo convinced you that you were loved and protected and didn't need to do something you hated so much. They would get you out if you felt trapped. And you didn't feel trapped, per se, so you left on your own—but it was still only because of them. You promised them afterwards that you'd never do it again.

This was Suo’s brand of kindness as a teenager. He always taught people, guided them away from harm rather than steering them—a behaviour he’d mimicked from your master. Your master, in general, had defined all of Suo’s values and his way of living, which was honest and gentle and conscientious. It was one where he used his abilities to protect the weak and care for his friends. He even kept his spiteful and alarmingly violent tendencies under control, though sometimes he slipped when fighting genuine assholes. But he still tried. He tried because he strived to be as kind as his master—who represented everything that Suo wanted to be in his adult life.

Thus, the death of Suo’s master meant the death of his principles. It changed the kind of man that Suo wanted to be. You don't want to say that he became a worse person, but he absolutely became a worse person.

He especially became a worse person with you.

As it turned out, Suo’s idea of making sure that the two of you would be fine on your own was, well, not really fine. It wasn’t that he became cruel to you, per se. It was more that whenever he saw a problem with your behaviour, his approaches to redirecting it became—put as nicely as possible—heavy-handed.

After your master’s death, you got a job at a high end, yakuza-owned club. Two weeks later, Suo broke his promise to you and joined the yakuza. So I can stay close to you, he explained gently, wiping away your tears as you cried hysterically, but you're convinced to this day that he did it partly out of spite. So a few years later, when you started having sex with your customers again and he tried to stop you, you decided to spite him back. I need to stay on top of the rankings, you'd explained dispassionately. The mamasan said it's fine, and the manager doesn't care. He even thinks it's good for business.

Suo’s response was to simply become the owner of your club.

This move was very extreme, but also very effective. Any customer who so much as brushed against you on the premises was instantly thrown out, and the mamasan started watching you like a hawk to make sure you weren’t going to any love hotels after work. Douhan were off-limits. For the first time since your teens, you became completely celibate—not only because of your new workplace circumstances, but because you simply didn't want to find out what Suo would do if you got together with a man he despised (and he despised every man you dated).

His most absurd play was when he became concerned about your living conditions again. Your latest apartment was too plain, too small, and the area was too dangerous. It didn't even have a shower, and the other tenants behaved concerningly toward you when you went to the bathhouse at night. But the rent was cheap, and it was still an upgrade from your last place, so you shrugged it off when Suo suggested that you move. Even when someone tried to accost you at night, you were nonchalant about it. You kicked the shit out of them in a fight and continued your routine unbothered.

The next month, Suo bought a luxury penthouse and suggested you move in with him.

His offer (command) came with conditions. One of the bigger ones was that you'd let him accompany you out at night if you ever needed to run errands in dangerous places. Or—nevermind, actually. He should really just accompany you everywhere at night. Maybe during the day too. And—ah, there was no way you'd be going to work alone, nor coming back by yourself—you were now always to be driven by someone in his organisation, if he wasn't available himself. Rent was a point of contention, when you asked about it: you wanted to pay at market rate, and he insisted that there was no need to pay at all. He ended up proposing a highly discounted price, which would give you ample financial freedom, but questionable financial independence.

These were insane terms. You knew that if you agreed, you'd be setting yourself up for a life without autonomy. You also knew that these behaviours were all signs that Suo desperately needed therapy to process his master’s untimely death. Living with a man in constant grief, who refused to talk about his trauma unless he was making up a lie related to the nation of China, was probably not a good idea. Doubly so when this man was clearly paranoid about losing you, and triply so when he was a high-ranking member of a violent syndicate. Case in point—he was likely connected to the brutal accident that later befell the man who tried to assault you.

“I'm not sure what you're implying, but at least he didn't die,” Suo said cheerfully when you confronted him about it. Which really meant: At least I decided not to kill him. This was a flag bigger and redder than any other you've ever known, and you consider yourself an expert in red flags. You knew you should run in the other direction.

So naturally, you put your arms around him, tenderly said, I'm sorry I've been worrying you, and then you moved in the next day.

While Suo treats you with endless patience, you have personal limits to the patience that you exercise with him. Specifically, your patience with how he treats you.

You don't mind the lack of social freedom, nor the lack of personal freedom, nor the lack of freedom of movement. You also don't mind living with a man full of intractable trauma surrounding the death of every parental figure in his life; in fact, you'd rather be by his side than not, if he needs to cope with something so painful. And anyway, your friendship is otherwise unchanged if you ignore the heavy restrictions he's imposed on every facet of your life. So that's all fine.

But the celibate lifestyle that he's cornered you into? You simply aren't built for it. Holy shit, do you need to get laid.

Nearly two years without sex has brought you close to another nervous breakdown (there have been few better sources of entertainment or validation in your life), and worst of all, it has made your profound lust for Suo incredibly hard to ignore. Waking up every morning to him in a towel, his hair still wet from the shower and his broad silhouette exposed, tests the absolute limits of your self-control. The contours of his lean and muscled form are distracting enough; coupled with the vivid colours and lines of his irezumi, the sight of him becomes maddening. It is a horrible thing to be exposed to when you haven't gotten any dick nor strap in over a year. It gives you thoughts about him that are overtly sexual, which is bad, as you have materially consequential reasons for not wanting to fuck Suo.

Things with him must absolutely stay platonic. But with sexual frustration like yours, being platonic with him means that you need to get erotic with someone else. A boyfriend or girlfriend is out of the question; you don't want to be responsible for yet another brutal accident. So you instead decide to quit your job at his club and start working on Keisei Street. At least this way, you can start fucking your customers again.

It’s a perfect plan. Suo’s oyabun is very indulgent toward him, and everyone else in the family respects him too. He consequently has a tight grip on his organisation and the territory they control, despite his relatively young age. Not a single person is ever to touch Keisei Street—largely because Sakura is part of Roppo-Ichiza, and Suo is nearly as weird about Sakura as he is about you. Plus, many of his other fellow Furin alumni are in the gang as well. If Suo’s men ever started fucking with people on Keisei Street, it would not only have grave implications for gang relations—it would be personally upsetting for Suo. This means you can fuck all the Keisei Street customers you want, and not get a single one of them threatened or killed.

A pretty brilliant idea, if you do say so yourself.

Suo’s expression doesn't change when you break the news to him. He delicately places his teacup—custom-made from Yixing, just like the matching clay teapot—down on the mahogany tabletop, and he looks at you with a calm smile.

“Come again?”

“I'm quitting my job at Red Dragon,” you repeat. “I already gave the mamasan my resignation.”

“And she accepted it?” Suo asks, in a tone that is so carefully nonchalant that you know it means he is actually furious with her. “How interesting,” he muses. “What brought this on?”

“I've found a better paying opportunity on Keisei Street.”

“I'll give you a raise,” he says easily.

“A raise?” You cock a brow. “The pay is mostly commission-based at Red Dragon. You know that.”

“Then it would be unwise to leave. You have a loyal customer base at Red Dragon. All very rich, and”—his smile grows sharp—“very polite.”

Polite. An interesting word. It actually means: None of them will ever proposition or harass you because they know they'll be maimed if they do. An easy thought to use to your advantage.

“It's loyal but it's small. Everyone who's anyone in this part of town thinks that we’re married. Do you know how hard it is to pull new customers in when they're scared shitless of my yakuza husband? And anyway”—you frown, trying to look as pathetic as possible—“I'm lonely.”

Suo stares. He looks surprised, possibly because you absorb every minute of his free time with silly conversation, new restaurants, and skiing trips. (He likes snow, so you ask for these trips more for him to relax than anything else.) You also text him frequently on days he's working, and he very diligently replies, even if he's in the middle of something like a raid or a hit or brokering a massive deal. Suo still very strictly keeps to his rule of never touching his phone when in conversation with other people—unless he needs to text you.

So his suspicion is fair. Suo is very attentive and doesn't allow you much opportunity for loneliness. In turn, you’ve always been very happy spending time with him, even when it's only him.

“Lonely?” he repeats. “Are you, now?”

“Yes. You work so much,” you complain, which is not a lie, “and I don't have any friends to spend time with when you're gone.”

“You have friends from work.”

“No, I have competition at work. The hostesses are so cutthroat about rankings, they hate me. And each other.”

“You like Shuuhei and Hanzo,” he points out, referring to his men who most frequently chauffeur you.

“Yeah, they're friendly, and they're very funny. I like them, but I can't be their friend.” Suo stares at you, nonplussed, so you spell it out: “They're too scared of you to get close to me. What if it looks like they're trying to fuck the boss’ wife?”

“Hm…” Suo studies you, looking thoughtful. Perhaps for the first time, he's contemplating the consequences of restricting your freedoms and marking you as his. That is to say—maybe he's finally realising that you have no friends and no life.

The beads of his earrings glimmer as he tilts his head at you and frowns. Suo almost looks innocent with that confused face of his. “And how would working on Keisei Street help?” he asks.

“Because all our old friends are there!” you exclaim. “Sakura’s in Roppo-Ichiza now so he’ll definitely be coming by all the clubs. Tsubaki too. And Nirei and Kiryu visit them quite often—and even Tsugeura does sometimes, even though clubbing isn't one of his virtues.” You grab onto his arm, pull yourself close, and give him your most disarming, pleading expression. “Please, Suo?”

“Hm.” He strokes your cheek and looks at you fondly, in the way that one would do with an adorable and slightly annoying kitten. “I don’t think so. It’s not very safe there.”

He isn't wrong. Not only are you untouchable on his turf because of your association to him, Suo has also just crushed all the han-gure and petty criminals in his territory with brutal efficiency. His part of the red light district is, quite ironically, one of the safest places in the city, and certainly safer than Keisei Street.

But undeterred, you point out, “Shuuhei and Hanzo can still drive me there and back if you want. But I don't think it's necessary. Do you really think Sakura would let anything happen to me?”

This is the true brilliance of your plan: capitalising on the fact that Suo is as nearly as weird about Sakura as he is about you. He pauses as soon as you bring up the point, and you can practically see the gears turning. “Well, if it's him…”

“I even texted him about it. Look—here!” You whip out your phone, receipts ready. The corner of Suo's mouth lifts at your obviously rehearsed pitch. “He says he'd make sure I'm taken care of. And he says it'd be nice because he misses seeing us. Can you believe it—Sakura actually admitted that he misses us! Typed it with his own two hands and pressed send! I bet he was super embarrassed about it.”

“Huh. He even used a sticker. I've never seen him do that.” Suo smiles as he reads through the chat. He looks like his old self. You suddenly feel a little wistful, and also a lot bad. This started as a ploy to get laid, but it’s made you realise that you really do miss your friends—and Suo probably does too.

“If I worked on Keisei Street, then you would have plenty of reason to visit,” you point out, feeling somewhat tender.

“I guess that's true,” Suo says. Your heart aches a little bit at the look he gives you. It's a platonic ache, of course. Or at the very least, it isn't an erotic one. It doesn't really make you want to have sex with him anyway. But if you could lean forward and press your lips to his—platonically—then you definitely would.

Suo's civilian friendships are complicated by his double life. Quite unusually for yakuza, Suo’s syndicate insists on using pseudonyms and false histories to avoid anti-yakuza laws, on the off-chance that the police decide to do their jobs and actually enforce those laws someday. Lying for comedy is one of Suo’s greatest passions, so he was happy to manufacture an absurd backstory: his name is Yanzhao, and he learned kung fu in a Shaolin Temple before moving to Hong Kong and working for the triads. He wears the eyepatch because he lost his eye in an altercation with the cops, which he won. By the way, you're his criminally beautiful wife who he met in Macau. The two of you had to leave for Japan since he killed a police officer and now he's wanted by the governments of both China and Hong Kong. Also, he's a very devoted husband, so if anyone lays a hand on you, he’ll kill them too.

Somehow, everyone has bought into this story. Every criminal organisation in the red light district now fears a high-ranking yakuza known as Yanzhao, who is easily recognizable by his eyepatch and tassel earrings, and who is also homicidally obsessed with his beautiful wife.

In some ways, his infamy is convenient. No one wants to fuck with Suo, or with you by extension. But it also poses some issues: Suo has to keep a low profile in areas controlled by rival organisations, or else he might be ambushed. It also means he cannot easily go out and see his old friends. Even though he always masquerades as a civvie when he does, wearing stud earrings and a glass eye, it's still a little risky—especially since he likes to visit the strongest member of Roppo-Ichiza. While Roppo-Ichiza aren’t yakuza, they're still han-gure, so some of its more criminally entangled members might recognize him anyway.

But Sakura himself, bless him, has not put two and two together and figured out that Suo Hayato and Gui Yanzhao are the same person. This is partly because Suo lies very convincingly about his fictional career in the tea industry, but you think it's also because Sakura is so gullible it's endearing.

I use the glass eye now because it's better for networking, Suo had explained before Sakura could interrogate him too much, his voice too smooth and too quick for the other man to get in a word edgewise. My business partners find the eyepatch too silly. The tassel earrings too. By the way, would you like some Baimudan tea? I thought of you when I smelled it—I know you like fragrant things—so I picked some up for you on my last visit to China. I was there for business a couple of weeks ago.

He, of course, neglected to mention that said business involved meeting with the 14K triad.

Despite the enormity of Suo's omission (lie), Sakura is none the wiser whenever he meets with you. He thinks you're just a regular hostess who has freedom of movement and various other human rights, and that Suo’s just a regular guy who isn’t homicidally obsessed with you (a detail of Suo's fabricated life story that is unfortunately grounded in reality). All this to say, Sakura doesn't think twice about mentioning the fact that you have a routine of going to love hotels after work.

Suo, as always, remains calm in the face of unsettling information. He sets down his tea (just tea, without shochu), and politely says, “Pardon?” He's once again using the nonchalant kind of tone that suggests mortal danger.

“She's always going to love hotels after her shifts.” Sakura is frowning at you, pink but scowling. “I thought you said you were done with that stuff. You promised us you wouldn't do it anymore. Suo—are you really okay with this?”

On the one hand, you find it exceptionally sweet that Sakura, after all this time, remembers your promise and wishes to hold you to it. He was so worried about you when you started having those nervous breakdowns as a teenager, and he probably still is. On the other hand, you're shitting bricks at the fact that Suo is now aware of your activities. Because sure, he likely won't fuck with Keisei Street—but you realise, as he stares at you, that you can't be certain of this. After all, your fake yakuza husband has very real homicidal urges.

“Um,” you say. “It's just business.”

“Business,” Suo repeats.

“You don't have to do that stuff to keep good business,” Sakura grouses, unaware of Suo’s carefully suppressed rage. “You're real popular already.”

“Are you?” Suo asks, looking right at you.

“I mean—I told you the pay would be better, right?” you reply, voice oddly high and nervous, and this is when Sakura notices that something is wrong.

“Oh,” Sakura says, looking between the two of you. “Suo, you didn't know?”

“I didn't,” he says. “Actually, she told me specifically that she wasn't going to do that if she worked here.” He turns to you, still smiling. “That's the only reason why I allowed this at all, remember?”

A chill travels down your spine. You did, in fact, commit to a perpetually sexless lifestyle in order to be granted some semblance of freedom: Of course I won't sleep with any customers, you'd said. You know I don't really like doing that anyway. I promise I'll behave! I’ll be out of the clubs and right back home. Sakura said he’d make sure I’ll get to a cab safely after the bar closes and everything!

“Um,” you say again, but this time you have no follow-up.

“Wait,” Sakura demands, “what do you mean by ‘allowed her’? What, do you need to give her permission to work now or something?”

Suo smiles disarmingly at Sakura. Without missing a beat, he says, “Generally no. But we’re dating now, which complicates what she’s allowed to do with other men at her job.”

Sakura spits out his drink. You choke on your spit.

“I… um?!” Sakura’s staring at you, so you quickly recover. This is a mortifying lie, but it's better than Sakura finding out just how batshit Suo has become since his school days. “I thought we were going to keep that a secret, dear?”

“Ah, you're right. Sorry, I got too excited.” Suo gives you an endeared look before turning to Sakura. “We were going to keep it to ourselves unless we got serious about it. But we've been talking about marriage lately, so I thought it was fine to mention.”

“...”

You’re going to have an aneurysm. Why does every cover that Suo comes up with involve a marital relationship between the two of you?!

“Oh… holy shit.” Sakura’s expression is complicated—somehow, more complicated than yours, even though you’re the one getting cornered into a fake engagement. It's unbelievable how shy he still is about this kind of thing. Maybe it’s just particularly embarrassing since he's known you two for so long, you reason. Regardless, he remembers his social cues enough to say, “Congrats, guys. That's great. That's really great.”

Suo gazes fondly at you across the table. “We were thinking you could be our best man,” he adds, and you consider violently kicking his leg.

“O-oh. Uh, yeah! Sure! But what about Nirei?”

“Rather than having a maid of honour,” you say reflexively, used to lying through your teeth for Suo, “we’d like him to be our best man as well.”

“Oh. That makes sense.” Thrown off guard, Sakura completely forgets about the love hotel business. He whips out his phone. “When were you thinking of having your wedding? I'll put it in my calendar.”

“I’m not sure.” Suo turns to you. “What were we thinking again, dear?”

You're going to die. You're going to die and it's a good thing because if you survive this embarrassment, your future will be bleak. As soon as Nirei finds out about this, he’ll want to start helping you with wedding planning, and then it would just be too awkward to cancel things. You’ll have to enter a fake marriage with Suo, which will be completely sexless, because even with a vow of everlasting love, there are still too many concrete and materially consequential reasons for not sleeping with him.

Condemning yourself to a lifetime of sexual frustration, you reply, “I think we were talking about a summer wedding.”

The drive home is awkward.

Hanzo and Shuuhei pick the two of you up. Suo mentioned that he wanted to talk to you and you alone, so they bring the Rolls Royce with the privacy suite. The two of them are entirely cut off from you thanks to the soundproofing, which traps you with Suo, who’s drinking a bottle of oolong tea as the two of you sit in complete silence. You think he's waiting for you to squirm—which you do.

You stay like that for five, agonising minutes before Suo finally says, “So you're sleeping with your customers.”

You swallow. “Yes.”

“For business?”

“Yes.”

“How much do you make?”

You blink. “Huh?”

“How much do you get paid for a single night of work, including gifts that your customers give you in exchange for sleeping with them?”

You're halfway through citing your earnings when you realise where he's going with this.

“So you make less than you did at Red Dragon,” Suo concludes, “and you're very smart with your money, so I know you know that, and you probably went into this knowing that you'd end up at a net loss.” He turns to you, gives you a look so sharp that it almost scares you. All made worse by his civilian disguise, which makes him feel unfamiliar. His glass eye shines strangely in the light, and his scar tissue is hidden by the makeup you helped apply. You wish he'd taken it all off before having this conversation.

“So,” he says, “what’s the real reason you changed jobs?”

Already knowing that he’ll figure you out sooner or later, you admit, “I just wanted to start having sex again.”

Suo blinks. “You… what?”

“I wanted to have sex with people,” you repeat. “I hadn't been touched for nearly two years, okay? I needed to get laid or else I'd go insane.” You cross your arms and look away, suddenly feeling petulant. “I'm sure you've noticed that our arrangement makes it impossible for me to see people.”

He doesn't answer, because of course he's noticed. He’d designed his house rules with precisely this intent. If he accompanies you everywhere you go, then you can't exactly go on dates, and you definitely can't meet people for sex. Not unless you feel like having Suo watch as some anonymous guy fucks you, and you don't. As hot as the idea is, it’s definitely not platonic behaviour, and it would probably trigger the whole homicidal obsession thing.

“Do you like it?” Suo asks, startling you. You look at him, confused.

“What?”

“Do you enjoy having sex with your customers?” he asks. His voice and gaze are even. Unrelenting. “Does it make you happy?”

You stare at him, a deer caught in headlights. You didn't expect Suo to actually care about whether you enjoyed it or not, and you didn't really expect to care yourself either. But truthfully, you hated it. You simply weren't feeling it with most of your customers and avoided intercourse with all but one. Then in that one case you let someone earnestly fuck you, it was a complete letdown. Possibly the worst sex you'd ever had. You spent the whole time watching the clock, wondering how long it would take, and it turned out that your hookup had remarkable stamina but absolutely no technique. To pass the time, and in an attempt to feel something, you tried to imagine it was someone else who was inside you. You cycled through a whole list of people, including all of your exes, a few of your past customers, every single member of BTS, and then—finally, inevitably—your long-time friend, roommate, and landlord.

To your complete horror, when you imagined that it was Suo who had you folded in half, his cock so deep inside you that you could feel it in your throat, you came so hard that you drenched the sheets.

You lay there afterward as your customer showered, alone in the bed. Normally you'd be getting dressed at that point, but you were too distracted. You kept thinking about what it would feel like to be held by Suo after having your guts rearranged by him—embraced tenderly like you know he would do with you, kissing him platonically like you've always wanted to do with him—and you realised that you didn’t actually want to have sex with anyone else. Despite all your life experience, sexual experience, and job experience—in that moment, you felt like a lonely nineteen year old girl who wanted nothing more than to have romantic, vanilla sex with her best friend, but who was instead having impersonal, disappointing sex with various salarymen.

This was a feeling so disgusting that you’ve decided to never tell anyone at any cost.

“Yeah, it's fine. I guess I like it.” You pretend to study your nails. “Sometimes I cum, which is all I really want.”

Suo keeps staring at you. “That’s it?” he asks, voice measured and careful. You raise a brow, playing dumb.

“What do you mean?”

“That's all you want? Just to get off?”

You gaze out the window, trying not to look at his lips.

“Yes, that's all.”

No matter how batshit Suo gets, he always maintains a certain kindness and maturity in how he handles conflict with you. It's a lesson that he learned from his master, which has perhaps been distorted over time, but remains important to him nevertheless.

If you do something upsetting, Suo is never forceful about getting you to act differently. Sure, he has fucked up ways of either getting you to behave or making you understand the consequences of your actions, and perhaps he has his manipulative moments. It was probably not a good thing that he coaxed you into indefinite house arrest, for instance. But he never threatens you, and he never hits you, and he never disrespects you. In fact, more than anything, he makes it a point to never let you feel like you aren't loved.

So when Suo abandons you after that conversation in the Rolls Royce, you lose your fucking mind.

Suo doesn’t come home in the days following that evening, without any note nor explanation. For the first time in years, he stops replying to your texts. Your immediate thought is that he's been gravely injured or perhaps even killed, which sends you into a panicked spiral. But every one of his men who's come by to check on you has implied otherwise—but I'm not allowed to tell you anything else, anesan, I’m sorry, they all say. And when you realise that Suo is actually fine and he's just playing a fucked up mind game with you, one that makes you feel distinctly unloved, you feel simultaneously heartbroken and apoplectic. The man is not allowed to corner you into de facto imprisonment and then just fucking leave. In fact, if he tries, you might imprison him.

You spend a few days sitting at home and crying over this, as well as torturing yourself by thinking about useless things (fear of rejection, fear of abandonment, et cetera). But eventually, you get tired of wallowing in self-inflicted misery, and you decide to just track your fake husband down. His men have been adamant about not letting you out of their sight—presumably so you don’t fuck any more of your customers, because Suo can be spiteful like that—so you have to be strategic about your plan to find him.

You decide to do it during work. You tap out in the middle of a shift, feigning illness, so nobody bats an eye when you put on the most shapeless hoodie you own and throw on a face mask. Your chauffeurs (handlers) don't notice as you sneak off—and for the first time in years, you walk through the red light district all alone.

It feels strange not to be protected, and even stranger not to be surveilled. You marvel at the unfamiliar experience of complete freedom, and at the possibility of being able to run off and disappear if you so wished. But you don't, of course. Not only do you care too deeply for Suo to abandon him, you're also pretty sure he has your driver’s licence and ID card locked up somewhere. At least you haven't been able to find them, and Suo was oddly evasive about it when you asked. (I haven't seen them, he'd said, but I don't think you’d need either of those things immediately, anyway, do you? And you nodded in response, because it was true that you liked being his passenger princess too much to care about your licence.)

So rather than bolting for the subway, you head straight to your old workplace. The gleaming doors of Red Dragon welcome you as you cross its threshold, and you're greeted immediately by the scent of luxury colognes and expensive cigars—both evoking a strange nostalgia in you. Even the click of your heels against the marble floor feels familiar. You realise that you've missed the place despite its cutthroat culture and its owner’s authoritarian control over you, which you suppose isn't surprising. This club was more or less your home for years and, thanks to said owner, was the safest place you've ever worked.

And being that you feel you've returned to your very safe home, you don't expect it when you're abruptly stopped by the bouncer.

“Can I help you?” he asks, his arm in your way. You don't recognize him, but you see the edges of his irezumi peeking out from the rolled-up cuffs of his shirt.

“Yeah, actually,” you say. “I'm looking for Gui Yanzhao. Is he here right now?”

The bouncer—or chinpira, you guess—bristles.

“You're looking for who?”

“Yanzhao?” you say impatiently. “Eyepatch, tassel earrings? Owner of the club? Probably your boss?”

The bouncer steps forward and reaches for something in his pocket, which makes you suddenly nervous, and also makes you realise that in a hoodie and a face mask, you ordinarily wouldn't be allowed in this club, let alone into the room of its yakuza owner. You're so used to VIP treatment here that you simply forgot.

You take a step back. “Um. I think there's been a misunderstanding.” You lower your face mask, which doesn't help as you've never met this man, and he must be new. You’ll need to complain to Suo about his onboarding process later, if you aren't killed before you can find him.

It turns out that this yakuza rookie has a knife in his pocket, which is not the worst thing he could have been carrying, but is also not the best. You're getting ready to run in the other direction when a more senior member of the gang comes by. He gives you a startled look, which then turns alarmed when he sees his younger brother’s knife.

“Anesan!” he yells hurriedly, and he snatches the chinpira’s knife straight from his hand. His lunge for the weapon turns into a hurried bow. He pulls his colleague—whose face has turned very white in a very short amount of time—into an even deeper one. They look on the verge of prostrating.

“Oh, Yamashita. Hi! Is this guy new?”

“Yes! My sincerest apologies for my younger brother’s idiocy, and his insolence in raising a weapon at you.” There's a sheen of sweat on the back of his neck. “If you would like him to atone, then he would be more than happy to—”

“No, that's fine. I'd really like him to keep all his fingers.” If you have to see a rookie cut off his pinkie today, you think you might actually change your mind on running away. Fuck your documents—Suo can keep them. Surely life without proof of identity can't be that hard. “By the way,” you say, trying to change the topic before Yamashita can suggest alternative acts of atonement, “have you seen my husband?”

Yamashita hesitates at your question, looks conflicted. You feel a little bad for him, and for every other gang member who needs to worry about accidentally offending Suo. You watch him sweat for a full ten seconds before he says, “You can follow me. But anesan, you might find it unpleasant upstairs. I can find someone to drive you home instead, if you'd like.”

You give him a funny look. This was your workplace for a very long time—you can’t think of many things that would happen here that might seriously upset you. “What, is he cheating on me?” you guess.

“What? No! Aniki would never!” Yamashita seems genuinely shocked at the suggestion. “He's crazy about you!”

“Then I'm sure he’ll be happy to see me,” you say, although given that he's ignored your texts for four days straight, you aren't so sure. Regardless, this seems to be good enough reasoning for Yamashita, and you’re taken to the top floor of Red Dragon. You ponder the whole time, on the elevator ride up, just what exactly Suo’s been up to that's made Yamashita this nervous about letting you see him.

Then the door opens, and you’re given your answer in the form of several body bags—all cleanly zipped up and conscientiously laid out in front of the elevators in a single, neat row. A sight that is significantly worse than a rookie cutting off his pinkie finger.

“Oh,” you say faintly. You try not to throw up. “So this is why he hasn't been home.”

“Exactly!” Yamashita replies, beaming. “See, anesan, I told you. He'd never cheat on you!”

Suo is in the lounge of the top floor, which has been cleared of both civilians and corpses for the night. He's sitting on one of the couches, leaning back with his one eye closed, as if asleep. The golden tassels of his earrings are draped over the expensive leather of his seat, intertwined with his dark hair. A cup of tea sits in front of him, steaming. Even this far away, you recognize it by the scent alone: jasmine, probably from Longjing. One of the most expensive blends he has, and that which he saves for days he’s stressed, though he never admits it when he is.

The sight of him would almost look tranquil, except for all the blood on his knuckles and his cuffs.

Off to the side, two of his younger brothers are chatting away. One is pouring cups of some doubtlessly expensive liquor, and the other is smoking a cigar. There's karaage on the table too. You recognize all of this as part of a ritual that some of the guys like to do after a hit or a shootout, not dissimilar to getting ramen or McDonald’s after going to a club.

You catch a bit of their conversation as you approach. One of them holds up the liquor bottle (Isojiman sake, you now recognise from your girls’ bar days, one of the rarer bottles costing around nine million yen) and asks Suo if he wants to join. “No thanks,” he says predictably, “I'm on a diet.” Then he turns and looks right at you—startling you, because you had thought you were being fairly quiet—and gives you a smile so genuine that it reminds you of his Furin days. “Would my beautiful wife like to drink for me, though?”

���No thanks,” you reply, “but your beautiful wife would like to talk to you.”

The two guys clear out to give you some privacy. You’re left alone with Suo, feeling awkward after several days of resenting him for no reason. (You’d rather die than go to therapy, but the whole fear of abandonment thing is probably something you should start addressing.) You don't even know where you want to sit. Eventually, you settle for placing yourself next to him, which is a decision that Suo quickly overturns by pulling you into his lap.

A flutter erupts in your stomach as he settles you on top of him. This physiological reaction is absurd, as not even ten minutes ago, you were trying not to throw up at the line of corpses in front of the elevator. It should also scare you somewhat that Suo’s hands—delicately adjusting your body—are still covered in blood. But truthfully, you can't help but be happy when he makes you feel so loved.

You take one of the napkins on the table and start wiping at his knuckles. Tenderly, in case they're bruised or skinned.

“You didn't call or come home,” you start.

“I thought it would be too dangerous.”

You frown, thinking of all the bodies outside. “Was this a rival organisation?”

“No. They were ours.” He sighs. “A succession conflict. There are a few people who don't like how I'll run things if I take over.”

You nod. Suo is very old-fashioned in his ideals about the yakuza, which you think is an imprint of his master’s influence, and something that appeals to his current ‘father’. He values chivalry. He likes protecting the weak. His filial devotion to his deceased master has now extended to every member of his yakuza family, especially his oyassan. He’s almost certainly the top candidate for taking over after the oyabun dies, but being that part of his old-fashioned principles excludes lucrative projects such as sex trafficking, you suppose it’s natural that some people in his organisation would prefer him dead rather than in charge.

“You’ve never ghosted me during violent conflicts before though,” you say. “I was worried that something happened to you. Or that you were upset with me.”

Suo’s hand drops to your waist, pulling you a little closer.

“They knew where we live. They tried to get to you, you know.” Your eyes widen in alarm, so he cups your face with a palm. His thumb glides along your cheek, and your response is almost Pavlovian: your heart rate immediately slows at the comfort of his touch. “It’s fine. They won't bother you ever again.” The cheerful smile returns. “And if anyone else ever does, I'll handle them too.”

Your heart swells. Enthusiastic pledges of murder are not a healthy sign of affection, but after so much loneliness—whether from the past several days, or the years before that, you aren't sure—you can't find it in yourself to be disturbed. You feel and sound painfully fond when you reply, “I know.”

Suo’s expression dims a little then. “I thought you'd like the space anyway.”

“What?” You give him a confused look. You have never once given him any indication that you want even an inch of space from him. You'd crawl into his ribcage if you could. “Why would you think that?”

“I thought you felt suffocated. You left my club just so you could have sex with other people.” You blink, lingering on his wording. Other people. He continues before you can ask about it, sighing, “You didn't even ask me who I'd give permission to touch you. You just went ahead and decided on your own.”

“...”

You try not to look disturbed. Suo’s apparent wish to control your sexual decisions is news to you, and somehow more alarming than the murder pledge. And even worse—you immediately clench in response to his words. The thought of Suo dictating who does and doesn't get to touch your cunt is… well, your mind is heading in a distinctly non-platonic direction.

Trying to ignore the heat in between your thighs (but at the same time encouraging it), you ask: “Who would you have been, um, okay with touching me?”

“Sakura or Nirei,” he says immediately. “Though only Sakura would be interested.”

“What.” You gape at him, all arousal forgotten. “Bullshit. He would never.”

“Yes, he would.” Suo tilts his head. “Haven't you noticed?”

“I don't think there's anything to notice? And also—he’s so shy, I don't think he'd ever agree even if he were interested!” You give him a bewildered look. “He couldn't even look at us when we said we were getting married, he was so embarrassed!”

“Embarrassed?” Suo stares at you, an amused glint in his eye. “Is that what you thought was going on?”

“Was there anything else?”

He studies you for a moment, clearly entertained but not explaining why. “Well—it’s fine,” he says. “It doesn't matter for now. Especially since he's helping us plan a wedding and all.”

You make a face. “I still can't believe that's the cover you went for.”

“Are you upset with it?” he asks smoothly, and you huff and say yes, but from his sly look, you think he knows it's a lie.

Naturally, you deflect before he can further interrogate you. “So, given that you are now my fiancé, am I no longer allowed to work on Keisei Street and see customers after my shifts?”

You don’t expect it when Suo says, “No, you can.”

You stare. “What?”

“You can keep seeing customers if you'd like. You said it makes you happy, so why would I stop you?” Suo’s brow furrows, his usual calm replaced with concern. “Do you really think I do the things I do to make you miserable?”

Guilt gnaws at your heart. He looks so disappointed. “No,” you tell him. “I just thought it'd make you miserable that I was sleeping with people without your permission.” It is partly why you hid it from him in the first place, after all. You don't like to see him sad—you’re still haunted by the deep grief he was in, after your master died—and also, his misery tends to bring bodily harm to other people these days.

Cognizant of both concerns, you ask, “You’re really okay with me sleeping with my customers? I can stop, if you want.”

“No, it’s fine. I still don't like it, but you can continue for now if you want.”

Suo’s mouth curls—not in a gentle way, as has been his expression since seeing you walk in, but in a way that sets off your flight or fight response.

“I'm sure we’ll reach a mutual understanding soon enough.”

END PART 1

thank you genuinely if you read all that because this is a deranged au and I still can't believe I wrote it sldfkjsldfkj. please do let me know if you enjoyed my yandere suo delusions. sorry there was no smut in this chapter. I promise there is a ton in the next one (probably too much... lol. it's a 10k chapter and literally half of those words are about orgasm denial sldfkjalskdjdf). it's completely written and I hope to edit and have it up by next week!

also here is glossary of terms and world building notes if you are interested!

tagging @kweenkatsuki-fics !! <3

[cressidagrey]

The moment I could see it - Part 4

Pairing: Max Verstappen x Ariel Cane (Original Character)

Summary: 5 Times that Gianpiero Lambiase thinks that Ariel Cane and Max Verstappen are weirdly similar…and 1 time he is just happy that the two of them are no longer pining after each other. 

Warnings: 

GP's POV, mention of cancer, mention of parent's death

Author Notes: I am back to my old tricks...which means I write from the most random of POV's just because. (I once wrote a chapter from a dog's POV so like, GP doesn't even really count.

Quite frankly… GP had expected fireworks. 

He had expected Max and Ariel to have explosive disagreements. He had expected her to give up 6 months in. He had expected them to clash at every turn. A battle of wills.

What he hadn't expected however...was the fact that the two of them needed less than 2 months to be completely and utterly besotted with each other.

Or Best Friends as they had titled themselves.

They got along creepily well. They didn't have disagreements. Or if they had, then they didn’t have them anywhere GP or any other staff member was privy too. 

Max and Ariel had an almost...terrifying dynamic. It was like they were on the same wave length, like they thought the same things at exactly the same time.

And the way Max would look at her sometimes...

It was like he was mesmerized.

But more than that...Max also actually... listened to her. 

She could say something to him and he would actually stop and think about it. She had a way to say things to him that made the cogs in his brain spin and Max actually reconsidered. It was almost unbelievable.

Max Verstappen: renowned wild child, and international racing car river… Was hanging on the words of a young, attractive girl. Not only hanging on her words, but taking them into account and adjusting his behavior according to them.

GP sometimes wished he could bottle some of that when Max was being unreasonable to him. 

But it seemed to be something that was just…utterly Ariel. 

Ariel who turned the mighty Dutch Lion off the race track into a domesticated kitten that looked at her adoringly and who GP had found more than once in his driver’s room napping with his head in her lap, while Ariel drew her fingernails over his scalp and answered her emails one-handed. 

Max clearly wasn’t the only one who was besotted. 

That was the part that was most concerning to GP. The fact that Ariel seemed to be just as head over heels for Max as Max was for her.

It was a mind-boggling turn of events. Gianpiero still had a bit of trouble wrapping his head around it, and it had been almost one and a half years since these two started working together.

It was crazy. It was insane. It almost felt surreal.

But there was no denying it. Max Verstappen was actually paying attention to Ariel's opinions and advice.

GP still couldn't decide if he was impressed, confused, scared or all of the above.

The rest of the team spent much of the 2020 season not worried about a global pandemic but wondering when the two of them would figure things out. GP had to admit, he and the other members of the team had more pressing things to worry about than the relationship between Max and Ariel. Between dealing with the restrictions and disruptions caused by the global pandemic, as well as Max Verstappen's actual races, there was plenty to worry about.

However, the ongoing...whatever was going on between the two of them was a frequent topic of conversation.

"Do you think they're dating?" one of the mechanics would ask.

"Nah, they're just friends," another one would reply.

"No way, there's something going on there," yet another person would chime in.

The constant chatter and speculation about Max and Ariel's relationship went on for months.

"I bet they're dating in secret," one of the engineers would say.

"Not a chance, they're just friends," a press officer would counter.

"I don't know, they seem pretty cozy together," a member of the marketing team would chime in.

It was like a never-ending game of “guess the relationship status”.

And then... Silverstone 2021 happened.

Gianpiero still winced when he thought about that day. 

It was one of the most intense and stressful races of the season. The mood around the Red Bull team was tense as the race unfolded. Everyone was on edge as they watched Max battle it out with Lewis. And then Max and Lewis Hamilton had come into contact. 

GP watched as the two cars came together at Copse corner, a sickening feeling of dread settling in the pit of his stomach.

The Mercedes was fine. The Red Bull careened into the wall.

GP would never forget those moments after the crash. The seconds that ticked by as they waited for confirmation that Max was alive and conscious. The silence, as everyone in the team held their breath, waiting for news.

He didn’t know how Ariel had reacted to it. He ha been so focused on the radio an the life stream to the accient sight, that Ariel hadn’t been on his mind. 

He did later hear that Ariel had been waiting in the medical tent by the time Max had been brought in there… that she had been in the hospital with him, when they had scanned his brain and sent him back to the hotel with a concussion and bruises but thankfully, gloriously alive…

The next morning he showed up at Max’s hotel room with definitely nutritionist unapproved cinnamon rolls and coffe, because the guy had nearly died, so the least he deserved was a sugar rush. 

Ariel was the one who answered the door.

There, standing in the doorway to Max's hotel room, was Ariel. She wore a simple t-shirt and a pair of sweatpants, and her hair was tousled, indicating that she had just woken up.

GP blinked, momentarily taken aback by her presence. "Ariel," he said, his voice carefully neutral. "Is...Max still asleep?" 

He was also quite sure that she was wearing Max‘s shirt because it was too big for her, hanging loosely off her slender frame.

“I would be, but somebody insisted on waking me every hour,” came the grumbling voice of Max from inside the room. 

GP quirked an eyebrow at Ariel, who just rolled her eyes. He couldn't help but notice the look of fondness on Ariel's face even as she rolled her eyes in response.

“Good Morning, GP, I hope you slept well,” she greeted him drily, opening the door for him to enter the room. 

“And just for the record, it was Doctor’s orders because of his concussion,” Ariel explained. 

It made sense, but still...GP couldn’t help but find it slightly amusing that Ariel was the one who was apparently tasked with waking Max up every half-hour.

Max sat on the bed, still looking a bit groggy. He gave GP a sleepy nod in greeting, while Ariel closed the door behind him. 

GP couldn’t help but notice the domesticity of the scene. The two of them just woken up, in Max’s hotel room, and Ariel...wearing Max’s shirt. He returned Max's sleepy nod and turned his gaze towards Ariel, who leaned against the closed door with a fond yet slightly weary expression.

As he observed the domestic scene in front of him, GP couldn’t help but notice how...natural and effortless they seemed together. Max, still weary and in his pajamas, and Ariel, wearing his shirt, standing by his side.

"How are you feeling?" GP inquired, addressing Max. His eyes flicked between the two young people in front of him, trying to gauge the situation.

Max shrugged, running a hand through his messy hair. "Like Lewis Hamilton shunted me into a wall," he replied his voice quiet.

GP gave a sympathetic wince at that. "That bad, huh?"

Max nodded, a grim expression on his face. "Yeah, that bad," he said gruffly. "My head feels like it's been used as a boxing bag, and my back is killing me."

GP grimaced again. "Well, that's to be expected. You took a pretty hard hit."

He paused, studying Max's face for a moment before adding, "I know the doctors said you'll be okay, but you scared us all there for a bit."

Max grunted in acknowledgment, "Yeah, I guess I did." He looked a bit sheepish for a moment before returning his gaze to GP. "Sorry for worrying everyone," he muttered, but there was a hint of humor in his eyes, like he was secretly pleased with the attention.

Gianpiero gave a dry chuckle. "No need to apologize. You didn't plan on getting shunted into a wall, after all."

He glanced around the room, taking in the mess of clothes, blankets, and various medical supplies scattered around the bed.

"Looks like you have a good nurse keeping you company, though," he noted, shooting a look at Ariel.

She was still standing by the door, her head propped up against it lazily, watching the two men with a small, fond smile.

Max's mouth curled into a smirk. "The best nurse there is," he said with a shrug. “Even when she has a horrible bedside manner,” Max added drily. 

"Yeah, and you told me to fuck off," Ariel shot back.

A smirk tugged at the corner of GP’s mouth as he watched the exchange between the two.

Max reached out and patted the bed beside him, signaling for Ariel to sit down. She pushed off the door and padded over, sitting down beside Max and letting him wrap an arm around her.

GP found himself raising an eyebrow at the sight, taking notice of how comfortable and natural the gesture seemed to be for these two.

GP couldn’t deny it; the sight of Max’s arm wrapped around her like it was the most natural thing in the world, didn’t surprise him as much as it should’ve. There was something about their dynamic that was strangely magnetic…and a little disconcerting.

Max grumbled a bit, but there was no heat in his voice. "You deserved it," he muttered. "Who the fuck wakes someone up every hour after a concussion?"

Ariel rolled her eyes, a hint of amused irritation in her tone. "Someone who doesn't want your brain to leak out your ears," she shot back. "And I don't have a horrible bedside manner, you're just a pain in the ass when you're concussed."

Max huffed in mock affront, feigning offense. "I'll have you know, I'm a model patient when I'm concussed," he said, a hint of amusement in his voice. GP let out a snort, silently disagreeing with Max's statement.

"Yeah, right," Ariel said, her tone dripping with sarcasm. "Because a model patient throws a pillow at the person trying to wake them up every hour."

Max shrugged, looking entirely unapologetic. "You shouldn't have said I was being cranky," he said with a sly grin.

Ariel rolled her eyes again, a hint of fond irritation in her expression. "I was only being honest," she said dryly. "You were being grumpy and moody and impossible to deal with."

Max feigned offense once more. "Grumpy and moody?" he repeated, sounding offended. "I wasn't being grumpy and moody! I was just...in pain. And tired."

Ariel shot him a disbelieving glance. "That's just a nice way of saying grumpy and moody," she pointed out. Gianpiero quietly chuckled, finding their banter quite entertaining.

Max pouted, his lower lip sticking out in a pouty expression that would have look silly on most people. On him, it looked...well, adorable. "I was being justifiably grumpy," he protested, and yet there was a hint of a smile playing at the corners of his mouth.

Quite frankly, GP had expected Max to be...well, furious about the crash. About the fact that he had had pole position and would have probably stoo on the podium if not actually won....

GP would’ve been furious if he were in Max’s shoes...but Max wasn’t angry. He seemed more resigned than anything, and strangely...comfortable. GP had to wonder if it was because of Ariel’s presence by his side.

There was something about Max when he was around her, like a transformation from his usual hotheaded, fiery self, to a calmer, gentler version of himself

"You seem surprisingly calm for someone who was on track to win the race before you were shunted off the track," GP noted, fixing Max with a curious glance. "I thought you would be angrier," he said carefully.

GP studied Max curiously, noting the slight wince of pain on his face as he shifted on the bed. Max's response was a nonchalant shrug, coupled with a grimace. "Oh, I am angry," he replied gruffly, a hint of annoyance in his voice. "But somebody really smart has to me, that being pissed off won't change anything. It's not going to un-crash the car or heal my head."

GP couldn’t help but let out a dry chuckle at that. Max’s grumbling response combined with the way he looked so disgruntled and resigned was rather amusing. "Somebody really smart, huh?" he repeated, looking pointedly at Ariel.

Max’s mouth curled into a half-smile, and he shot a sideways glance at Ariel. "Yeah, somebody really smart," he said with a hint of emphasis. Gianpiero noticed the way Max looked at her, a mixture of affection and something else in his eyes.

"And she also reminded me that nothing would hurt Mercedes more than to lose the championship," Max continued. “Looking back won’t help me win either.” 

GP’s eyebrows rose. "So...you're going to win the championship out of spite?" GP inquired, half-joking.

Max shrugged, a wicked grin on his lips. "Why not?" he said, his voice almost nonchalant. "If it'll really piss Mercedes off, I'm all for it. Plus, I get a championship. Win-win situation, right?"

"Powered by spite and Red Bull," Ariel said with some amusement.

Gianpiero chuckled at that, watching as Max nodded in agreement. "Nothing like a little spite and Red Bull to fuel a championship win," he agreed with a grin.

[fiddler-on-the-starship]

The thing about SkyStar that really drives me insane is that what launched the ship was one (1) episode where Starscream briefly (and I mean very briefly) shows an unusual hint of depth beyond his role in the show, which is to be a scheming backstabbing egotistical asshole, fail at everything, and get slapped upside the head by Megatron. That's it, that's all he does most of the time. It's par for the course because this is a 20-minute commercial for robot car toys in the 1980s, you can't expect the characters to have a lot of depth (or any depth at all).

Which makes it all the more interesting when suddenly a character in a show like this does appear to have some depth, even if it's only for a moment. You have to wonder if it was an accident, just something the writers stumbled into in the course of trying to write a sufficiently entertaining story to keep potential toy-buyers interested, or if someone decided on a whim to deliberately slip a little something Extra into a character in between all the Robot Punching Action.

The contrast between how Starscream behaves 99.99% of the time and how he behaves immediately after finding Skyfire is kind of jarring, actually. Why does his voice sound so soft in That One Scene? Why am I getting the sense that he does genuinely care about Skyfire? What is going on here?

Of course, nothing comes of this; after Skyfire switches sides their history is never brought up again. No time for silly things like character development, we need to keep the focus on the Robot Punching Action in order to sell those toys (and honestly, I can't bring myself to complain about it because Robot Punching Action is, in fact, why I'm watching this show in the first place).

That One Scene sure did give fanfic writers a lot to work with, though.

(Also, props to Chris Latta because his performance is a major part of what makes that scene stand out so much. He was like, "Okay, time to imbue the screechy evil jet plane with some actual PATHOS.") (Say what you will about G1, but there's no denying how good the voice acting is.)

[unnameablethings]

#i have so so so many thoughts on this aaaaauugh...#one day i might just publish a series of venn diagrams aksjfhjghkhj#'all the people in the world' (eight billion) ->#'all the people who have a hypothetical interest in what you're making' (as in enjoy the genre etc.) ->#'all the people who actually are into what you specifically are trying to make' ->#'people who use the internet in the same language as you' ->#'people who use the same websites as you' ->#ok tumblr tags make for really poor diagrams#my point being: depending on how and where and when and what you're posting#anywhere between five (5) and a few thousand people might happen to scroll by it#of those people#something like 2-7% have any interest in what you've posted and have stopped to take a closer look#of those people most did not feel anything in particular and scrolled on#some thought it was neat and scrolled on#some thought it was neat and hit like and scrolled on#and a very tiny percentage thought it was super neat and maybe they also checked out your otther posts and followed you and reblogged etc.#AND NONE OF THOSE PEOPLE ARE WRONG.#none of those who didn't care about your post are 'unappreciative' or 'ungrateful' or 'not giving you a chance'#they are simply into different things#you can improve the chances of your work being seen by more people#(using specific tags which people are likely to actually check/follow)#('original writing' or 'poetry' or 'fantasy' aren't that. imagine if a recipe blogger posted a recipe only titled 'food'? how would anyone e#and you can improve the chances of your post being seen by more people who are into the thing you're posting#but you can't force people into being interested in something they aren't#you HAVE to realise that it's insane to take it personally that most people scroll by.#just. think about it seriously. peer reviewing tags because YES EXACTLY @appelsiinilight you get what I'm getting at

god not to get into the discourse but like. we gotta discuss the dialectics of Getting Attention For Art. Two things can be true simultaneously.

1. it is TOTALLY NORMAL AND EXPECTED to really want people to give your art attention/notes/love/care. That is a deeply fulfilling and necessary part of the process of creating art.

2. You are not entitled to attention/notes/love/care just because the art exists, and you HAVE to find a way to drive yourself to keep creating in the absence of those things.

Maybe people aren't paying attention because your art is not good. Maybe they're not paying attention because your marketing is not good. Maybe it's just not the right timing Maybe it just got lost in the vast morass of internet content. The only way to fix these things is to persist in creation and improve in the process.

We can discuss the role of the audience in helping art thrive, but I think it's more useful to focus on your own contributions. Are you leaving detailed enthusiastic comments on everything you love? Are you reblogging with tags and commentary? Are you sharing the things you love? You cannot control the behavior of anyone but yourself. You can take your disapproval of art culture as a prompt for your own behavior, but it's pointless to resent Society for your art not doing well.

Wrt writing specifically, am certain you have all heard/read the stories of your favorite authors getting umpteen rejections by publishers before getting published. I feel like in some ways the system of traditional publishing allows for more ego-preservation. You can think "I KNOW people would love it if The Gatekeepers would give it a chance."

But now it's just out there on the internet and nobody's watching or reading it at all. Turns out maybe the gatekeepers were right about this one. And that's genuinely really difficult to deal with, it's something I struggle with frequently.

But oh my god. oh my god. listen to me. if you take anything away from this post. YOU CANNOT BULLY OR GUILT TRIP OR LOGIC PEOPLE INTO READING YOUR SHIT. It either hits or it doesn't. If you can't handle that, DON'T POST YOUR WORK.

[zigrethsnotebook]

I love your writing! I saw you wrote Stan with a chubby reader- it was great!

Could I request some Ford x chubby/self conscious reader?👉👈

Thank you and have a great day!

thank you so much and absolutely!! have fun<3

Chubby

Ford x Reader

words: 1,009

tags: sfw, fluff, insecurities, talk about weight

"You two are horrible, you know that?" Stan's gruff voice broke the silence in the living room. He was in his old recliner and Ford and you had made yourselves comfortable on the ground with some blankets and pillows.

"What are you talking about, Stanley?" Ford's voice sounded vaguely annoyed already. You stifled a chuckle, knowing he reacts that way because they're brothers.

"You two never go out. Which means! I never get an evening for myself." Now you looked up at him as well, untangling yourself a little from Ford’s arms as you did so. Ford must have frowned at him because he tried to make his words less harsh really quickly.

"Don't get me wrong, I love ya both but come on! When was the last time you two went out to eat, or to the movies or... anywhere, really? I had kinda hoped a partner would get you out of the basement more often, Sixer." As you thought about it, you realized he was right and immediately felt bad.

You never made an effort to go into town for a date because you didn’t like the way people stared at you both. You knew you weren't skinny but to stare at you like that? It hurt and was making you worry if you really deserve to be with someone like Ford.

He was so fit for his age, insanely handsome. Meanwhile you were just... you. Heavier than most people and while you tried to hide it as best as you could, you weren't very successful. Your weight had reached a point of not being able to be 'covered up'.

You had never spoken to Ford about this, your insecurities about your weight, and that that's why you didn’t enjoy going into town that much. Funnily enough, with Ford you had found someone who wasn't big on socializing like that either. He usually kept to himself down in his lab so he never brought it up.

But now Stan did. You swallowed heavily. Meanwhile Ford seemed to light up at the idea. "You're right, we should go on more conventional dates! It could be fun!"

Ford's voice got a little louder in your ear as he turned to you for the next sentence, squeezing your belly a little tighter in the process. "And I would get to show you off to the townsfolk while we're out."

Your expression had turned into a frown and without a word you took his arms off of you, got up and left the living room. Stan and Ford looked at each other in confusion for a moment before Ford got up to follow you.

"Love?" He called out and quickly found you in the kitchen. "What's wrong?" His voice was a lot softer now that he saw how upset you were. You sat at the table with your hands holding your head and eyes squeezed shut.

"I know I'm not much to look at but you don't have to mock me." You spat the words out more harshly then you meant to. "What?" His voice was barely above a whisper now, unable to grasp what you were talking about.

"I'm fat. I know, okay! You don't need to make fun of me for it." You had opened your eyes to look at him, anger flaring in them. Meanwhile Ford looked at you with so much concern, love and care that you felt like something was wrong. But the anger was already there.

"Why would I ever make fun of you for that?" His question was honest and the fiery rage started to flicker. "Wh- Because- You just said 'show you off' while squeezing my belly. I've seen the way the people looked at me the last time we went out together. How was I supposed to interpret that?"

Ford looked down at your belly for a moment and then locked eyes with you again and you could see the pain in his eyes. Making you feel bad was the last thing he wanted! He was only being honest. He loved you and wanted everyone in town to know about it.

"As... an honest sentiment? I... I love you, all of you. You know that, right?" Your anger was barely holding its own against the wind of his words that was trying to blow it out. Instead, his words now brought tears to your eyes.

"I said I want to show you off to the townsfolk because I do! I want to take you into the townsquare and yell: Look at my beautiful partner! They chose me! Aren't I lucky?"

Ford was kneeling in front of you now, reaching one hand out to cup your cheek. You leaned into his touch, a single tear rolling down your cheek and being immediately wiped away by Ford's thumb.

"I squeezed your belly because, well first off all, because that's what I was holding in that moment. But also, because I love your belly! It's a part of you that I love like any other part. And the fact that it's a little bigger is a plus in my eyes! It means that when we fall into another dimension we'll have more time to find a solution before we starve to death."

You furrowed your brows and chuckled lightly. "If... If we fall into another dimension, right?" Ford averted his eyes, his chuckle sounding more nervous than reassuring. "Right. If."

He looked back into your eyes, letting his thumb caress your cheek. "What I mean to say is: You are the most beautiful person in my eyes and I don’t care what anyone else thinks, okay?" His eyes held nothing but honesty and genuine affection for you.

You believed him. "Okay... yeah." You shook your head, the realization of all the stupid things you accused him of setting in. "God, I’m so sorry, Ford." "Don't be."

His voice was as gentle as before and he reached his other hand up as well to wrap you in a tight hug which you happily reciprocated. "Thank you."

[donnerpartyofone]

What was the process like for writing the novelization for Splice? Would you consider writing a novelization of an existing work again?

Eek I'm being interviewed! I'M SO FAMOUS. There are a lot of parts to this answer. The shortest answer is that I really just watched SPLICE in tiny sections every single day for a very, very long time. I had a certain version of the script to work from, but it wouldn't contain the exact things that were said and done in front of the camera (no script would), so I just studied the movie. I scanned the sets for objects I could not identify, of which there are a LOT -- things I've never seen before, and things I've seen but couldn't name -- and searched online until I learned to describe things like hay trolleys and circulating baths. To me, the point of a novelization is that it produces an interior and sensorial experience not offered by a screen, so I tried very hard to expand on the material qualities suggested by the movie.

It never once occurred to me to change anything. Apparently this is an expectation of novelizations. I had a writeup in Fangoria that was very kind about my ability to make psychological sense out of the things people do in SPLICE, but that expressed disappointment that I hadn't added scenes or anything. I'm such an inveterate, pathetic sort of rule-follower, I didn't even ask myself about this. I did change one exact thing, regarding the kind of candy that Elsa eats, because it was meaningful and amusing to me to do so, but I don't think anybody will ever get it. I also included just a little bit of material from the script that didn't make it into the movie, because it was completely in line with my psychological interpretation, which was what I was most concerned with.

I never thought of SPLICE as a perfect film, but I had a lot of thoughts about it, and I think my main contribution was to explain what these characters are thinking and feeling as they wade into this life-changing and profoundly icky experience together. That became very personal very quickly and I was a little bit afraid that maybe this would be how everyone would find out how totally insane I actually am, but I'm told that that part worked out pretty good -- by Vincenzo Natali, among other people, who is SO NICE AND SMART AND SUPPORTIVE. Best guy! When I turned in my draft to the publisher I thought there might be a little back and forth, I did not expect them to send the raw document directly to Vincenzo and I was very alarmed when I heard from him before anybody else, but I really had nothing to fear. He's one of my favorite people now.

I would definitely do another novelization. Actually I think I'm uniquely suited to this because I have a good dose of aphantasia. I didn't even know until recently that it's statistically weird to think mostly or exclusively in words and to have a very hard time visualizing, like, almost anything. When I started telling people this about myself I was asked, among other things, "How do you do anything if you can't picture what you're going to do?" And I was like, uh...I don't know. Maybe this is connected to my extreme executive problems and my problems with goal formation and followthrough. I mean I think this is true, now. And I developed this sort of half-joking self-mythology that I have to be watching movies every second of the day because I suffer from an image deficit and I need external infusions. Like even when I used to draw (trauma took that away, long story, but I drew all the time for like half my life), almost everything I ever made was swipes -- and I think they're pretty good, like it's worthy as art. But I guess for me, art has to be made out of something external that I manipulate. All the art I've ever made without a reference point has been maybe technically OK but really lifeless, you can tell something is missing. So I think the novelization process was a lot like how I used to draw, where I had a completely concrete external referent and I would just sort of tour it very extensively until I had created a twin of it out of my interpretations. And the twin is like, the same but different, it's a clone made out of feelings and reactions. I think that's a worthy sort of art object to make.

There's a thing I'm working on now that I'm sure I won't be able to talk about for a long while, but it involves writing things from preexisting sketches and prompts, and that's a little bit the same. I don't have as much to go on, but I can tell what the shape of it could be, I just turn it over like, what if it's like this, what if it's like this, what if it's like this. And I know that what I'm turning out is really made out of tropes and archetypes, it's kind of a collage, but if the collaging is really earnest and you're feeling your way along with reasonable naturalness, it can turn into something. It's not that different from describing experiences you've had, if you really think about it. The following comment is NOT MEANT TO COMPARE MYSELF TO A GENIUS but I had this nice moment of synergy recently when I rewatched Kiyoshi Kurosawa's CURE, which to me seems so forcefully unique, but in interviews he says things like, "Well I just really wanted to make an American horror movie," and talks about how his starting point was not personal at all, he just wanted to play with the established tools and ingredients people use to build a certain kind of product. And I thought, I guess that's what I do -- not as intelligently or deliberately, but I get how you can work in a way that sounds so formal and empty, and have it produce something distinctly personal.

Thanks for your fun question!

*Virginia Madsen voice* Oh yes. I forgot to tell you. BUY MY BOOK!

EDIT: Oh I kind of lied, I changed *just some of* the music that Clive listens to, to something that would be easier to communicate to a reader. Like I wouldn't use the exact band on the soundtrack because it was too obscure and specific, but I would talk instead about his genre choices because they went with what I was trying to say about him as a person. I think all of it was still pretty in line with the sounds, and the Clive, that appear in the film.

[backwards360]

tell me about your headcanons about the cultural differences between layers plss

- your favourite sister ever

takes a deep deep deep breath. hello niki. my beloved sister. my favoritest sister ever.

the noob layer (before the evil champion)

very very community oriented

block parties (get it) are really popular!!

a lot of sharing and stuff going on

music!! music is a really big thing!!

accent sounds a bit like theyre singing, almost like theyre dancing with words!! they dont pronounce their vowels fully!!

the noob layer (after the evil champion)

community??? no chance, everyone dies before you get to even know their name (which is why evbo never bothers asking anyone)

really the only sharing they do is when someone is sick or theres a child and occasionally family units share food

cannibalism. yeah. its normal for people to go insane, the noobs probably refer to it as some kind of curse or something bc thats fun

the pro layer (before the evil champion)

everyones neighbors!! less community oriented than the noob layer

more focused on helping each other get better!! regularly helping each other learn fun new parkour things

their accent is kinda like. how do i explain this. their voices tend to be softer and tbh i wanna say they sound like a weird mix of southern and british. dont ask questions.

i dont have much for the pro layer if yall have fun things hand 'em over

the pro layer (after the evil champion)

music is HUGE here between moral boosting events and also playing songs for parkour !!

community oriented but more in the way where family units stick together and everyone else is like. a coworker. like you might be friends and occasionally you might get close with someone but like. ehhhhh

mostly just like. yeah i work in the same general area as this guy

the fighter later (before they were banished)

this layer has the most people because its so hard to rank up so its the one with the most stuff going on!!

libraries!! this is the layer of scholars and shit!!

theres so many people here that the masters come down and hang out here a lot too!!

this is where everyone learns things, theres no schools on the other layers because everyone has the chance to rank up !!

this ones just fun, its got a mix of everything because its the most populated \o/

they have a fun accent i think, tbh i wanna say its similar to new york? idk

the fighter layer (after the banishment)

devoid of basically everything that made it what it was

the most sparsely populated now

everyone is hostile as fuck, by the point we see it in canon everything's been combed over tens of hundreds of times so if someone sees someone else its safe to assume one of them is getting mugged

unless its a seawatt situation but whatever

some bonds still remain and theyre as strong as ever now

everyone either has fashioned masks out of their clothes or just has the most fucked up throat from the frequent sandstorms.

the master layer (before the evil champion)

not much going on up here!! they normally hang out on the fighter layer

huuuuuge showoffs but like in a fun way!! performances!!! wow!!!

theyve got a bit of twang in their voice i think bc yes.

the master layer (after the evil champion)

showoffs but in a bad way

big on spreading rumors

really reclusive, never visit lower levels or each other

battling is common for any reason, the more people youve defeated in a battle the higher up you are on the social ladder

ok heres some!! i hope u like it it took me like 45 minutes to write all this bc i kept getting distracted

[dandylovesturtles]

Now that 2024 is coming to a close:

1) Of everything you've made this year, which ones are you the most proud of?

2) What are a few of your favorite things (art, comics, fics, etc) that someone else has made this past year?

(Gonna apologize in advance that this answer won’t have specific links because I moved fast)

1. Well, this year I finished I May Be Invisible, But I Still Look Good, which was a major accomplishment for me! It’s the longest thing I’ve ever written, and I was really proud of myself for sticking it out to the end. It got way bigger than I ever expected, and big thanks again to everyone who came on the ride with me.

Of the things I started this year, my favorite has been the emotional support water bottles AKA Room Fic. Kind of insane to think I came up with the first one while eating lunch and dropped all my plans for the afternoon to write the whole thing in one day lol! I hope to get the last followup done soon, I’ve just had a little trouble getting my mojo.

There’s another project I started this year that I hoped to have out already but maybe sometime in the first part of next year. I’m excited to share it when it’s done!

2. Oh boy I’ll try to get everything!

I of course enjoyed some ongoing projects this year, including Replica AU by @kathaynesart, Sep Leo AU by @dianagj-art, 2 Arms Left by @intotheelliwoods, Adagio in Green by @boxfullaturtles, and Empyrean Weeping by @cupcakeslushie! Also shoutout to the @tizeline Sep AU where Donnie is the most chaotic only child, and @vangh17a ‘s Wanderer comic which is beautiful and intriguing.

@remedyturtles broke all our hearts with Firefight this year and I had a great time teaming up during the AU Comp! Also LOVED their fic about third man syndrome, but I’m always a sucker for Leo and his papa.

I love everything @goodlucktai has ever written but I especially loved the recent A Team fics and also the Archer AU! Gio is so precious

On the subject of lost siblings, I am privileged to be the beta reader for @kiaxet ‘s fic Siblingquest. Cissy is also precious, and I’m really excited about Kia’s future plans for the story!

And there’s just been a ton of great art this year from so many people, including @e-turn @trilobitepunch @koolaidashley and so many others. I know I’m missing so many people but this community is just full of talented, amazing artists!

And finally, my biggest love and shoutout for this year goes to @untitled-tmnt-blog , who not only makes GORGEOUS art pieces, but who made me a whole physical BOOK for IMBI!! Seriously the most touching thing anyone has ever done for me. PLEASE check out untitled’s art (and writing!) because everything she does is amazing.

And so many others who have talked with me about this fun show and who listen to me rambling about my endless AU ideas. You are all so cool. Here’s to 2025!

And thanks for the ask!

[faithhopeloveandtherapy]

I’ve been here lurking and reading and writing posts in my head that never quite make it into reality. Miss 5 and Mr 7 are still with us, they have made amazing progress but their care continues to challenge us on a daily basis. It’s looking likely we’ll have some support care in the new year, one weekend a month, which will hopefully keep us from the brink of insanity. Their final court hearing will be early in the new year but I don’t expect that they will leave us any time soon.

d1 d2 and d3 are all home from uni for Christmas and have been a f*cking nightmare. We went to visit H’s family last weekend and it was truly awful. The girls stayed with one family member and me H and the children stayed with another. The girls got themselves into a bit of an echo chamber about how awful their life was and took it out on me the whole weekend. I made a big effort with H’s family and felt like it was unappreciated so wished I hadn’t bothered. I spent the whole weekend wanting to cry but forcing myself to put a happy face on because I was trying to carry everything. It all blew up when we got home and we’ve had the Cold War here for five days. It was horrendous. Thankfully we had another family chat/cry/scream and I think cleared the air on a lot of things and everyone came to a new understanding of each other. (That is a very summary version of events!)

d1 is moving out after Christmas and going to live with her boyfriend and family. I’m partly sad and partly it will be a relief. They are off travelling for big chunks of next year so it makes sense for them to live together.

I’m so tired. I can’t wait for Christmas to be over.

[pharmaciacatholica]

Someone once told me that suicide isnt like a "you're going to hell rn" situation because its often done under extreme stress/altered mental states and people aren't always in full control of themselves. I am sure the "instant hell" sentiment is probably a protestant thing but do you happen to know more on this?

I actually have a post in my drafts about this but is a subject that I do not love to speak on because it is inherently sensitive and it can often be difficult to express hardline truths without coming off as callous.

The cool part about being Catholic is that I often do not need to wade into the waters on my own. For the most part, I am able to point to the words or a far more learned and pious man than myself. In this case, I have the written words of Pope Saint John Paul II:

Suicide is always as morally objectionable as murder. The Church's tradition has always rejected it as a gravely evil choice.(x)(x) Even though a certain psychological, cultural and social conditioning may induce a person to carry out an action which so radically contradicts the innate inclination to life, thus lessening or removing subjective responsibility, suicide, when viewed objectively, is a gravely immoral act. In fact, it involves the rejection of love of self and the renunciation of the obligation of justice and charity towards one's neighbour, towards the communities to which one belongs, and towards society as a whole.(x)(x) In its deepest reality, suicide represents a rejection of God's absolute sovereignty over life and death, as proclaimed in the prayer of the ancient sage of Israel: "You have power over life and death; you lead men down to the gates of Hades and back again" (Wis 16:13; cf. Tob 13:2).

Evangelium Vitae (paragraph 66)

So you are partially correct and partially incorrect in your assessment. For some people, and I’ve seen this before, to go around telling those who have had a loved one commit suicide that they are burning in hell is completely insane and unjustifiable. It is also extremely dangerous to play off suicide as something that isn’t a grave sin or that every time it happens the person isn’t culpable for their actions. Suicide is one of the sins that landed Judas in hell, because he chose despair over repentance and mercy. I also think G.K. Chesterton spoke very poetically on the subject here:

Not only is suicide a sin, it is the sin. It is the ultimate and absolute evil, the refusal to take an interest in existence; the refusal to take the oath of loyalty to life. The man who kills a man, kills a man. The man who kills himself, kills all men; as far as he is concerned he wipes out the world. His act is worse than any rape or dynamite outrage. For it destroys all buildings: it insults all women. The thief is satisfied with diamonds; but the suicide is not: that is his crime. He cannot be bribed, even by the blazing stones of the Celestial City. The thief compliments the things he steals, if not the owner of them. But the suicide insults everything on earth by not stealing it. He defiles every flower by refusing to live for its sake. There is not a tiny creature in the cosmos at whom his death is not a sneer. When a man hangs himself on a tree, the leaves might fall off in anger and the birds fly away in fury: for each has received a personal affront. Of course there may be pathetic emotional excuses for the act. There often are for rape, and there almost always are for dynamite. But if it comes to clear ideas and the intelligent meaning of things, then there is much more rational and philosophic truth in the burial at the cross-roads and the stake driven through the body, than in Mr. Archer's suicidal automatic machines. There is a meaning in burying the suicide apart. The man's crime is different from other crimes - for it makes even crimes impossible.

Orthodoxy

This is just the writing of an overrated layman poet, but it really drives home the point.

[fluentisonus]

working in a factory has you thinking so much about the insane chain of labor & transport that goes into making literally anything

[mephoj]

nickel and balloon would be so much more interesting if people explored the way nickel became everything awful that balloon used to be but so much worse ironically all in the name of "protecting" everyone from that history repeating. and not softboy tsundere yaoi or whatever is going on in those tags rn

[himbohimhoe]

Holding out hope that the writing in veilguard will get more bearable but rook saying to lucanis that it's "not nice that Spite hurt him" and he "shouldn't accept that it’s fine bc it wouldn't be ok if a person did that" like. That is a demon. Built off a single emotion called SPITE. Rook I am finding it really hard to believe that u have lived in thedas for more than 30 seconds.