#which i along with many people really did not like

[proshippers-against-censorship]

Hey all, as a proshipper, I wanted to warn people of the "Clovers" Discord Server on Disboard, they're a group of antis who primarily target young and mentally disabled proshippers to reveal sensitive information before using this, along with false allegations of Neo-Nazism, CSEM, racism, transphobia, etc. to "ruin their lives" for entertainment, including doxxing and spamming these things to their family and friends.

I joined the server a while back, realized they were strange, and stayed so I could lurk to see what they were doing. I've personally witnessed them do this to 3 people, and there is about 7 or 8 more instances I could find while scrolling back through the messages.

I won't say any of the victim's names for obvious reasons, but here's a list of descriptions of the people they targeted and what they did to them:

The first one I witnessed was a trans man around 16 (forgot his exact age) who had ADHD and PTSD if I am remembering correctly. They coaxed him into sending embarrassing videos of him back in 2020 when he was about 12 and cosplaying from what I think was Danganronpa (never played it) to turn around and use them to humiliate him, as well as making disgusting rape jokes about him (despite that he was either a preteen or early teen in the footage), and then go on to accuse him of being a Neo-Nazi, leaking nudes, and being an abuser, claiming he emotionally manipulated one of the moderators (as far as I know, they never even spoke outside of the server). They proceeded to doxx him and spread these allegations to, as far as I know, many of his family members and friends.

The second one I witnessed was a girl who was openly 13 years old, yet was allowed in despite that their server is advertised as being 16+, as well as having pretty severe autism. This girl was actively being groomed online while she was in this server, and they used this against her, making continual horrible jokes about her situation and blaming her for being manipulated, saying that the groomer " was the real victim". They then similarly went on to accuse her of being a Neo-Nazi and a "pedo-baiter", as well as accusing her of distributing CSEM (which, while technically true, they were images of herself she had been manipulated into sending to her groomer, and wasn't out of malicious intent or of other children like they made it out to be). Similarly to the first boy, they spread these allegations to all of her online friends (though did not doxx her).

The third one was not as severe as the other two since I messaged them privately to let them know what they were doing, and they left the server + blocked all of the members before it could go down. He was another boy who claimed to be 16, but I'm pretty sure is only 13-14, and he had Autism and ADHD. They didn't have time to do much to him yet, but they had begun planting the seeds for abuse, asking him to reveal personal information like what city he lived in, his real name, if he wanted to introduce them to his other friends, and childhood stories. Once he left the server, they had a short-lived episode of talking badly about him, encouraging other members to report his account, and trying to contact any of his mutual connections to spread rumors, but dropped it pretty quickly when they realized they didn't have enough information on him to really "ruin" him yet.

Also, keep in mind, the antis running this server are all between 18-27, grown adults, which makes their behavior even worse. Not only are they fully aware of what they're doing, but they intentionally target those significantly younger than them to make the job easier.

For the other 7-8 instances of people I did not witness that I mentioned earlier, they were all basically the same scenarios. Mentally disabled minors between 13-16 being baited into revealing info, just to have their reputations smeared with allegations and inevitably being forced to create new accounts.

They also tend to target other proship servers on Disboard, one example being the "Creepcest" Server, which they continually accuse of being "run by Nazi Pedophiles" and being "a Child-Porn farm" (while I've never joined that server, knowing them, it's most likely just more bullshit allegations), and sending their members off to raid, stalk, and harass the people inside of these servers.

I am still in the Clovers Discord Server, and I intend to keep it that way so I can hopefully, like the third victim, interrupt their plans before they can fully enact them, and I feel terribly guilty that I could not do that to the first 2 I witnessed.

I won't reveal too much information about myself so that, on the chance they see this, they won't be able to remove me from the server. But don't worry about my wellbeing, I am an adult and am not susceptible to any of their abuse; my account is essentially a blank slate with no information to use against me.

Sorry for the text wall, but overall, please stay away from this server. They change their theme quite frequently, so by the time this ask gets submitted, they'll have most likely already changed the name and profile picture, but it's run by 2 users named "Jett" and "Renny". So, if anybody reading this joins a Disboard-advertised Proship Server, and you recognize those people's names, please leave immediately.

Do not argue with them, do not fight with them, just leave. If you stick around, you will become a victim, if you make a scene, you will become a victim, hell, I've seen them flame random people who join and leave without saying a word for no other reason than that they dislike their profile. They love harassing people, they feed off of negativity, their entire server was created for no other reason than to prey on innocent people.

And to anybody reading this who has been in this server before, please reconsider. Ask yourself if these allegations they made are actually real, ask yourself if they're good people, ask yourself if they actually even like you, or if you're just another vulnerable person that they're trolling. They're antis, they're malicious, and they're predators.

Thanks for reading. Once again, sorry for the text wall. Read over this time and time again, tried to summarize it as much as I could, still ended up being pretty long lmao.

That's...terrifying.

[laurellala-comics]

I've been having so much fun with my Ace Attorney comics lately but I've been feeling the pull to do original stuff again. So to ease into the transition, here is my (very first!) comedy zine. You may spot some familiar faces B)

Thanks for reading my goofiness! I'm including some nerd thoughts about zines under the cut

Zines are sooo cool and I assume most people have heard of them since this is tumblr BUT if you haven't! Zine is short for magazine (pronounced "zeen" it does not rhyme with vine). It usually refers to handmade pamphlets that can be created by folding and cutting a single sheet of paper, which is what I did, but it can be used for any sort of self made publication. The goal is to make something that can be reprinted and shared so mine is technically not in the spirit of that because of all my little interactive details but shh that's fine. Zines have been used in sooo many ways (Was Martin Luther's 95 theses not in a way the first zine (this is a joke)) but they are especially recognized as part of the punk movement as a way of fighting back against mainstream media and of sharing information around! It was a way to get around censorship and spread the word about social movements and political messages buuuut it has also always been used to share fun things, like music recommendations OR FAMOUSLY. STAR TREK SPOCK KIRK FAN FICTION (this is real and there are academic papers about this). Some of the earliest m/m fanfic was passed along through zines because they did not have ao3 back then! All they had was a typewriter and a dream! It's actually sooo silly, but I took a class in college that heavily emphasized these zines as leading to the fandom culture we had today, so they really did shape the world we live in today. Tumblr posts are like our own little zines that we share, with our own messages and thoughts and yes even hand drawn gay people...

Anyway, like I mentioned, in these fandom spaces you had queer zines that were about explicitly romantic and sexual relationships between fictional men. At the time, slash shipping was not the most common way to engage with fandom, but today it has become very mainstream and widely accepted amongst the fandom. But you know what queer behaviors are still not mainstream within fandom spaces, even within queer fandom spaces? Aro ace rep babyyyy. With that in mind, I feel like what is considered radical and abnormal these days in queer fandom spaces is to engage with fictional men (or any characters) from an aromantic or asexual lens. And so I am here to hold your hand and walk you through the wonderful radical world of imagining non-romantic scenarios with fictional guys. You can have so much fun with it and I think more people should do it. What if you stood in line at the bank and your favorite anime man was in front of you. What if you had to go in for jury duty and the guy from five nights at freddy's was there. What if you went to the library and spock and kirk were both there researching the history of zines. In a world that expects us to prioritize one normative romantic and sexual relationship as the big thing that will bring you happiness and fulfillment, it is radical to say "actually, i could probably still be really happy and fulfilled if i had some cool friends to hang out with and do mundane things with. And also what if those friends were fictional lawyers."

Anyway. Thank you to all the spirk shippers who worked hard to get us here, I will pick up your mantle and continue to push against societal norms but with fewer sex scenes this time around. Not that you aren't valid for that, this is just personal preference. The end. Go make a zine everybody.

[annabelle--cane]

i wasn’t here when tma reached the height of its popularity (i only joined last year) so could you describe the Vibes (how bad the drama was, did it feel like there were too many people, etc.)

only if you want to :]

I've said this before, so this may be a familiar spiel to longer term followers, but 2020 tma fandom was honestly not the worst fandom I've ever been in, it was just by far the biggest thing I have ever been actively into at peak popularity and so the 1% of insane people that are found in every fan space were 1% of a much bigger total population. most people were fine and chill, but there were a vocal minority who Weren't.

major ingredients in the discourse pot:

from my observations, tma had a small but devoted listener base for its first few years, then it got a little bump in mid 2018, then a considerable bump in late 2019, then hit proper virality in early 2020, so there were a lot of people with hipster complexes about being Real Fans who were there first and weren't just part of the masses.

at this point I'm not even sure if this part was true, but the above was compounded by the perception that the earlier og listener base were mostly adults and the new wave of fans were mostly tweens and teens. whether the different waves actually fell along those age lines or not, a lot of people felt like the fandom was split into 80% Cringe Zoomers Who Are Here For Ships And Memes and 20% Millennials and Gen X'ers With Media Literacy Who Are Here For Horror. nice dichotomy, idiot, now what lies outside it, etc and such and such. our blessed fandom etiquette vs their barbarous dni lists.

which isn't to say that suddenly having a huge number of people, including young people, become interested in a single piece of media at a time of global stress where everyone had to be much more online and the content of the media itself was at its darkest and most socially relevant had no downsides. oh no. Oh No.

"my headcanon is not only objectively the best headcanon but it actually invalidates all of yours and if you hc something different then it's an act of bigotry against my Correct Headcanon." / "I have drawn up a list of Good Characters you have to like and aren't allowed to criticize and a list of Bad Characters you have to hate and can't acknowledge exist unless it's to make fun of and completely condemn them." / "I saw her username in the kudos of a jonelias fic" "girl what were YOU doing in the kudos of a jonelias fic" / "this latest episode handled a social issue unforgivably badly, I haven't experienced it myself but the vibes were off, everyone demand accountability and boycott the rest of the show" "hey that one was actually based on jonny's personal experiences" "ah fuck not again. well boys let's remember this for next time. this latest epis--"

honestly most of the discourse was down to like two or three friend groups. there was one group of people who you will probably remember if you were there at the time whom I have sometimes seen referred to as the Clown Gang. Clown Gang were ground zero for a good 90% of fan discourse ("hcing melanie as ace is ableist and lesbophobic" "fan content that focuses on jon's asexuality is biphobic. what's pansexuality I've never heard of it." "desolation tim aus are inherently ableist and racist"), but eventually they had a big falling out with Clown Prime and things calmed down. to be very clear I hold no ill will towards any of these people for four year old bad takes, hence why I'm not using any names, but god was it a time.

and this is only about the tumblr side of things. I was barely active of twitter so idk what it was like there but I was on tiktok for about a year during that time and the vibes were wildly different. iirc people there were less confrontational and there wasn't really a callout culture like on tumblr, but the extremes of the takes were FAR worse.

[bemusedlybespectacled]

since @sketchy-scribs-n-doods asked why birth certificates are racist:

preface: read this post about eugenics so that I don't have to write that overview again.

anywho! the very very short version is that there was a guy named Walter Ashby Plecker (hereafter "the Plecker fucker") who was a doctor in Virginia in the late 1800s/early 1900s. like he was born right around when the Civil War ended and his family owned slaves, if you want to get an idea of the time and place we're talking about.

the Plecker fucker, along with a couple of his good buddies John Powell and Ernest Sevier Cox(1) from the Anglo-Saxon Club(2), wrote and lobbied for a law called the Racial Integrity Act (incidentally, one of the blueprints the Nazis used for their own laws), which did a couple of things:

it legally categorized every person into either "white" or "colored," with "white" being only people with a completely unbroken and provable white European heritage – with a teeny tiny exception for people who were less than 1/16th Native American that he was bullied into including(3) – and "colored" being literally everything else, with no specificity as to whether it meant Black or Asian or Native American or whatever;

it prohibited white people from marrying colored people (though notably not banning having sex with them: we're talking about a guy whose family owned slaves here, so you can do the math on that)

it allowed for the sterilization of certain undesirable people, such as the mentally ill; and, most importantly for our purpose:

it required all births and marriages to be registered in a big state-wide database, with the races of all parties listed.

and he also set himself up as the first guy in charge of that registry, so that it would be done exactly the way he wanted it.

prior to this, if you could get away with passing as white, you were (generally) treated as white. this was to prevent any white-passing mixed race people from marrying into white society (because their birth certificate records would show that their parents had nonwhite heritage), and eventually eliminate mixed race people, period.

now, obviously birth certificates weren't in common use before this law, so at least the first wave of people affected by the law could still (in theory) lie about their ethnicity and establish themselves as white on their birth certificates, thus allowing them to continue marrying "real" white people.

not a problem! the Plecker fucker fancied himself a bit of a genealogist (meaning he thought everyone with the same last name was related, somehow), so he'd just go in and edit people's records to say "colored," invalidating their marriages in the process, and ordered all of the people under him to do the same. like, there's a letter he sent out to the county-level people that was like, "anyone with the last name Collins [yes, really] is actually mixed race, DO NOT LET THEM GET MARRIED TO WHITE PEOPLE, EDIT ALL THEIR RECORDS."(4)

outside of the obvious negative effects of the law in general not allowing interracial marriages (until it was overturned by Loving v. Virginia in 19-fucking-67) and sterilizing anyone disabled or "feebleminded," him going in and literally erasing Native heritage from records has prevented Virginian Native Americans from being able to claim federal tribal recognition, because it's all just "white" or "colored," which could mean anything nonwhite.

anyway, that's why birth certificates are racist. they were made up by a racist guy to do more racism. and then that racist guy got hit by a car and died.

I stg this is the short version. the longer version was idk how many pages before I melted into a depressed puddle of goo and almost flunked out of my senior year of college.

(1) Ernest Sevier Cox was a weird fucking dude in that he was really good friends with Marcus motherfucking Garvey, to the point that they attended each other's events, dedicated books to each other, and wrote each other a lot of letters even after Garvey was deported to Jamaica (and Cox personally tried to get Garvey released from jail when he was imprisoned for mail fraud). This was partly because white nationalism and black separatism accomplished the same ultimate goals (i.e. Black people leaving the US) from different angles, but I think they just also genuinely liked each other? For some reason??

(2) Basically the KKK but for genteel, refined, upper-class people instead of violent, disorderly peasants (yes, they legit disliked the KKK because it was a poor person thing). Also, I can't find it again, but at one point when I was researching all this in college, I was looking through old school newspapers and either William & Lee or William & Mary had a junior Anglo-Saxon Club, sort of like a Young Republicans, and one of their contributions to the student newspaper was a piece about how they definitely weren't racist and how dare they be accused of racism, they just didn't want blacks or whites mixing! How is that racist? (Yes, they used the word "racist," and I have no idea what their definition of racism was, if it wasn't what they were doing) Anyway, I think about that a lot.

(3) This is informally called the Pocahontas Exception, because a lot of really, really influential, prominent and rich Virginians actually took a lot of pride in claiming to be descended from Pocahontas and John Rolfe (even if they weren't), and without the exception, they'd all be classified as "colored." Plecker didn't want any exceptions at all (he was, at the very least, not a hypocrite about what he thought "white" meant), but given that some of the people the law would make "colored" would potentially be voting on the law, he had to include the exception or risk it not being passed at all.

(4) The reason I even got into this subject in the first place is that one of my family tree names is on that list and we're pretty sure they moved to Kentucky because of it, but it doesn't necessarily mean they're related to us OR that they were white-passing mixed-race people: they could well have been just plain white people who happened to have the same surname.

[meglosthegreat]

So... everyone pretty much hated Veilguard's "secret ending", right? Beyond speculation about the Executors themselves, I haven't exactly seen anyone excited about its presence, and for that matter, haven't seen many people talking about it at all.

The closest way I can describe my initial reaction to it was an immediate, visceral disgust. I think I remember uttering at my screen something along the lines of "Fuck off! What the fuck?! Are you fucking kidding me???" and ever since then I've wanted to put into words exactly why it made me feel that way.

For the 88% of you (according to Steam achievement statistics) who didn't see this ending due to not picking up three very specific codex entries by complete chance, you can watch it here. In short, the clip depicts a mysterious voice who sounds suspiciously like Matt Mercer talking about how a group of shadowy figures has "balanced, guided, and whispered" over scenes of villains from the previous DA games, implying that these shadowy figures have been at least partially responsible for all of the bad things happening in Thedas, towards some unknown nefarious purpose.

Now obviously, this sucks. This is hamfisted, unimaginative writing that simultaneously retcons and re-contextualizes elements from DA's past that absolutely no one thought needed further explanation, as well as being exactly the kind of irritating sequel-bait tactics that people have largely grown tired of these days. But why does it suck so much? Why did I feel such palpable distaste for this scene?

For starters, it simply reeks of entitlement, and a lack of respect towards Bioware's own past games. Remember those villains you loved and thought were compelling? Well, their own personal, very complex and thought-out motivations were really just the Executors whispering in their ears the whole time! Loghain making a difficult and calculated decision at great personal cost for a greater good he truly believed in? Executors. Bartrand succumbing to his own greed to the point that he betrays his only family and devolves into a tragic husk of himself? Executors. Corypheus and the Magisters breaching the Golden fucking City??? Executors.

Ignore the infuriating lore ramifications for a second and consider: what do all of these things have in common? They're all instances of complex character motivation; of people in this world doing things for their own reasons that ended up having massive ramifications. In short, they're not events that can be explained easily in terms of black and white morality. And from what we've seen in Veilguard, the current dev team has a serious inability to work with any story elements that do not have absolute moral clarity: the Venatori and the Antaam are Evil. The Shadow Dragons and the Crows are Good. Any nuance; any potential questioning of this duality is quickly explained away or snuffed out.

And that's exactly what they're trying to do, retroactively, with the rest of the series. Having a hard time deciding whether Loghain was right or wrong? Well, worry not, the Executors are Evil and if they were guiding him the whole time, then what he did must have been Evil too! Grappling with how the plot of DA2 was about the inevitable tragedy of a series of oppressive systems reaching their natural breaking point? Well, wrestle no further, for if the Executors were involved then Meredith and Bartrand must've been Evil, no question! What the Magisters did was definitely Not Great, and what do you know, there were consequences for it that they and the whole world very much did pay for. But if the Executors were behind it all, then it was someone else's fault, some Evil power reaching in and making them do what they did, rather than their actions being the result of a horrific series of power abuses done by actual people.

Which leads me to where my initial disgust comes in. Because in a world which has always had core themes of power and its many abuses, actions that have consequences, and the idea that there are no true higher beings; every horrible thing that has ever been done was done by people, the simple act of putting shadowy figures behind key moments in history completely debases and neuters all of those themes. The whole point of Dragon Age as a series up until this point has been to illustrate the complex relationships people and societies have with power, choice, and morality. To remove that link - to place an external force between those characters and their choices - is to rob the series of any meaning whatsoever.

There is a staggering difference between the messaging of a game that tells you ordinary people are to blame for society's wrongs and a game that tells you a secret shadowy faction of evil forces are to blame for them. The former invites thought about one's own society; it has the potential to be uncomfortable and difficult to reconcile with. The latter assures its audience of the fantasy it is couched in. It gives the audience a boogeyman to be angry at, and in so doing deflects any potential for introspection. And that, I think, is the real point of the scene in question.

In a time where our media has become inundated with bland, unchallenging liberal politics, the idea of "cozy" stories have become a growing trend. These types of stories often sport a broad rejection of complicated themes, painful emotions, and nuance, preferring instead to provide a "safe" place to escape to. And with that "safe" space comes a directive not to engage in critical thinking about a work, and not to draw any message from that work and apply it to the real world. Yet this is exactly where Bioware seems to be heading nowadays.

Veilguard has already been faced with heavy criticism about playing things overly safe; removing anything that might be potentially uncomfortable for the player. And the end credits scene is no different. Don't think about things too hard, it whispers to you seductively, in Matt Mercer's soothingly Evil voice. See? The Bad Guys were behind everything, all along.

[hooked-on-elvis]

ELVIS GEMS

Hey, friends! So, @buglass suggested a while ago for me to share some less known (or less mentioned) Elvis songs. I guess today I felt inspiration to. Note: This is my personal selection, based on my taste and vision - not necessarily meaning all the songs are not as appreciated as they should be or that they are technically and content-wise flawless. I just think they're great for different reasons, and that they should get more plays. Oh... song 5 in this list contains wisdom for life in the lyrics and it's something that's really meaningful today as we reach Elvis' 90th birthday. Hope you enjoy this short list!

"Blue Moon"

Album: "Elvis Presley" (1956) I don't think it's that unknown but when I see people talking about the ballads E recorded, this song is not much remembered. I love it very much!

"Fool, Fool, Fool"

Recorded during a studio radio session. KDAV Radio - Jan 6, 1955. First released first in the album: "The King of Rock 'n' Roll: The Complete 50's Masters" (1992). This song is great Rock and Roll. When the guitar solo comes (0:56), it's impossible not to move.

"Dark Moon" and "Tennessee Waltz"

Album: "Elvis: The Home Recordings" (1999) Although the poor audio quality, those are songs I, particularly, get the most intense feeling of what it would be like to jam and harmonize with Elvis among, probably, all of his home/jam sessions recordings. I love to sing along with those tracks. Plus, I can always visualize E with his friends gathered around the piano he's playing... it's a plus. In "Tennessee Waltz" they mess up with the lyrics, it's annoying and fun at the same time.

"Once Is Enough" ♥

Soundtrack: "Kissin' Cousins" (1964) That song came to me randomly right now on my Spotify playlist but it fits like a glove in the mood today. I think the lyrics is pure "words of wisdom" material, and the melody is fun. And hey, it's Elvis' birthday! In this song he sings: "What's the good of reaching 90 if you waste 89? You got one life so live it If you don't it's a crime." Elvis didn't live to reach his nineties we would be celebrating with him today, but he lived quite the life in just forty-two years walking on this earth. People tend to pity on him, thinking he had such a tragic life story but, the way I see it, Elvis lived more than many of us ever will get to do. This song represents quite well the way he did things in life... not waiting 'till tomorrow, just going for it. "As a lightning-bolt" ⚡ El, you're amazing for leaving so many precious life lessons for us. We couldn't thank you enough, King. By the way, there's great gems among the soundtracks from his movies... this is just one of my favorites.This song is really a gem. ♥

"You Better Run"

First released in the album "Elvis Presley: Amazing Grace" (1994) Traditional arranged by Elvis and recorded during an informal gospel session filmed for the documentary "Elvis On Tour" (1972) on March 31, 1972 at RCA's Studio C, Hollywood.  This gospel tune was never officially recorded by Elvis, but he did sing it in concert on a few occasions. "You Better Run" was sung in a medley with "Bosom of Abraham," that's why they're quite similar in melody. Note: I love the latter song, one of my favorites by E, so "You Better Run" as similar as it is, it's like an extension but not as well known as "Bosom of Abraham" because wasn't featured in the documentary.

The footage below is composed of random scenes from "Elvis On Tour." As mentioned, the footage in which Elvis harmonizes "You Better Run" with his close friend and musician Charlie Hodge, plus JD Sumner and The Stamps Quartet didn't make it to the final cut of the 1973 music documentary and (for what I know) wasn't even released yet as an outtake. As we know, director Baz Luhrmann is working to get never-seen-before footage from Elvis' two documentaries finally out, so maybe this footage will be released in the not-far-away future. Fingers crossed.

"Almost"

Album: "Let's Be Friends" (1970) I'll never get over how sweet this song and the scene from the movie "The Trouble With Girls" in which Walter Hale (Elvis) performs it playing the piano are. I think 1:50 is way too short for such a beautiful song, it actually pissed me off how quick it ends.

"Loving Arms"

Album: "Good Times" (1974). When this song gets to 1:47 it hits hard in the soul. I just feel like crying every time (how did he do that?) Great song!

"It's Easy for You"

Master released on the album "Moody Blue" (1977), but here's the X-rated take 1 because it's so fun! This version below is on "Way Down In The Jungle Room" (2016)

"Pledging My Love"

Album: "Moody Blue" (1977). The lyrics is just so precious! "Making you happy is my desire, dear... Keeping you is my goal."

I could go on but Tumblr has limitations of 10 videos per post, unfortunately. I think I'm gonna share more in a bit. For now, I'd love to see what are the songs you think fits this list.

[witchofthesouls]

There are many iterations of MegOp I can believe in... but not TFP.

Feels homoerotic or queer? Sure. A lot of tension? Definitely. A yearning or upon the cusp of something? I'm fucking dying right on that edge.

But TFP Megatron and Orion Pax couldn't even understand each other's histories and motivations, let alone have a hard conversation on their own philosophies, back up plans, and direction for society besides the pretty stuff. Y'all really think they fucked? Even if it's angled as 'hate sex' or casual, they fucking misread each other all the damn time, even if they vibed on the same level, which is so painful to watch. I wouldn't be surprised if one of them tried to subtly hit on the other in their own caste-derived/in-group's specific doublespeak... just for the other guy, who's an outsider, to understandingly not pick it up, but all their associated caste buddies did.

Honestly, I wouldn't be surprised if that's why Ratchet and Soundwave have several tons worth of beef with each other's respective friend/war leader. Besides destroying life and civilization as they knew it.

The thing is to remember, Megatron is very much a social butterfly in a way. He genuinely likes people. He likes interaction. He has the flair and disposition for it. His inherent sense for the dramatics just enhances it. But the most important thing, Megatron was literally reared within the structure of the city-states. He intimately knows the social equations for his caste, has a lot of support in terms of emotional via friends, allies, and mecha with similar grievances, and is deft enough to wade through the avenues that are available to him and he takes them with both fists (gladiatorial clades into the political arena). Violence (and emotions) is a language that's easily available to him.

Orion Pax, on the other hand, is more careful. He has to be. This guy literally came from the boonies of Nowhere and got snatched up by a really powerful figure within Iacon inside the very heart of its machinations. People were beyond rage at that treatment. Orion isn't stupid but he's playing really dangerous games with colleagues that despise his very presence and multiple frameworks that literally eat people alive to keep a very brutal status quo. Then accounting Alpha Trion's own status as an Ancient Prime with the very relic with the power to foretell future events across the multiverse... it doesn't paint a kind picture on reasons why the hidden Prime plucked up Orion. The repression and stonewall tactics that Orion, and later Optimus, use really make sense with this in mind. The Iacon Archives are a keystone of the higher castes. Orion had to moderate his entire self around those people that would absolutely snitch if they caught a whiff of 'insubordination' or 'illegal' activities' or 'strangely sympathetic to those undeserving' along with the weird little side quests with Alpha Trion. Orion had to learn really fast how to bend before breaking, especially if he can only rely on himself in a perilous environment.

All I'm saying that these two spoke Neocybex, but absolutely missed all the cultural context of each other's backgrounds that would have easily explained the 'whys, whats, wheres, whens, and hows' of their decisions and behaviors. They legitimately did see something really amazing in each other, but never actually dug deeper thinking that the other mech would immediately understand their motivations and that's what so fucking infuriatingly tragic on why they felt so betrayed by one another.

[scintillyyy]

Hi. I love every second of your blog going "Fuck Chuck Dixon. All my homies hate Chuck Dixon." concurrent with "Dixon could often be remarkably competent as a writer with legit interesting ideas." Please never stop writing metas.

listennnnnn i hate dixon he's awful. he's also written stuff i really enjoy despite the many glaring faults.

the thing with dixon that i'm always trying to suss out tho. like, i think because current day dixon has been radicalized in a truly awful and horrendous way, there's a lot of desire to place his current day radical beliefs onto every aspect of his past works and blame everything on him and him alone as this one terrible writer who ruined all characters for ever and ever just because he's a conservative. but like. i think that because he's an awful person it's easy to place blame on him retroactively for some things that weren't necessarily solely a product of his conservatism or his fault alone.

and mmm. i never ever deny the conservatism present in his works. it's present in his robin book with tim, it's present in his nightwing book with dick, and it's present in his batman books with bruce. but people sometimes act as if he was working in a batoffice that had the current day issues it does where writers are given a carte blance to do whatever they want with all characters with little regards to continuity or character growth. that did not happen during his tim under denny in the 90s--denny o'neil was known for running a fairly tight ship (i can't find the interview but there's an interesting retrospective interview he does wrt jason where he talks about his failures as an editor and how he was too hands off and not firm enough allowing writers to do what they pleased which led him to become a much stricter and firm editor following jason's death because he learned from the experience). dixon in that interview i posted made it clear that o'neil wouldn't even let dixon touch the joker until dixon had demonstrated to o'neil he had a grasp on the character that o'neil approved of. dixon would not have been allowed to do whatever he wanted with characters like robin/tim. without o'neil putting a stop to it if he had gone too far. and for the record, o'neil was a big old bleeding heart liberal that, at the time at least, dixon is noted to have gotten along with very well despite their political opinion differences even at that time. dixon says he was an avid read of grant's work on batman. he's awful now, but at one point he was probably younger and a bit more willing to entertain ideas that weren't his own too.

so when i look back on his work as a historical work, i'm always trying to tease out the following - is this representive of dixon's brand of conservative views in particular or is it representative of a different, overall more conservative time era. and there's a lot of things that fall under the second umbrella that get attributed to the first tbh. listen i love no man's land and understand that despite my love it is full of copaganda and downright conservative ideals by today's standards. but NML wasn't written solely by dixon to push a uniquely conservative pro-cop view--o'neil approved of the story and was the editor of the office at the time. rucka was a huge player in helping tell this super pro-cop story (he even wrote the novelization!!) and nobody ever really puts blame on him for these things the way they do dixon afaik. NML being written in a 'democrats trying to be tough on crime' era absolutely means it's not solely the fault of dixon and his evil conservatism, but he often gets the flack as if it were despite the fact that he was getting these stories okayed by people on different ends of the political spectrum than him + these stories were not his evil conservative brainchild alone.

so these are the things i'm thinking when i read through his works. and maybe that gives me a rosier view than it should, but a lot of my thoughts come from "what can reasonably actually be attributed to showcasing what dixon's views actually are" vs "what might actually not be his fault and his fault alone".

and when i say that tim generally isn't the one who showcases his personal views, i'm not trying to minimize the fact that there is inherent conservatism baked in to his character along with everyone else written by dixon, i'm saying that we need to be realistic and realize that dixon did not have as much freedom to do with tim what he had freedom to do with tim's side characters. tim, after all, had to ultimately fit in o'neil's batbible framework of what he was supposed to be because tim was ultimately an IP character who was part of a batman and robin mythos that o'neil was very, very protective of in the 90s given his previous failures to maintain control of the ship. so when you consider dixon's particular conservatism in tim's books you need to consider that the vast majority of it came from the characters surrounding tim (such as his dad, dana, steph, etc) because dixon had more freedom with those sorts of characters, rather than tim himself who often doesn't have any particular opionion of his own--he's just reacting to all the different opinions being presented to him. and that's not to say that those character should be evil conservatives forever and ever--in fact, i personally think they shouldn't. but take the racist and classist inner city kids are bringing guns to school storyline in robin #25-26. as a whole it's a conservative story. o'neil allowed dixon to do the story in the first place when he could have said no. in the story tim wanders around not knowing what to do about karl bringing a gun to school--which is why he has to go to his dad and dana, who represent "go to the cops/don't be a narc options"--his dad is the one who tries to talk to karl's dad--karl is the conservative one who thinks that they need to protect themselves from inner city kids compared to tim who thinks that guns shouldn't be in school. but tim also thinks that they shouldn't go to the cops and wants his dad to handle it by himself, but eventually comes to the realization that he should have gone to school administration to begin with. in these issues, steph is also the one who dixon uses to link karl's shooting to the inner city kids who are getting bused in to the suburban schools--we talk about that panel of steph declaring herself the protector of the suburbs, but also that panel in context is within the confines of the story--steph is essentially saying "maybe the suburbs need a spoiler (to protect themselves from the inner city people coming to bring crime out to them)" which absolutely is a conservative dixonism that you can pinpoint to his particular kind politics in comparison to the milquetoast of tim's "i don't know what to do/talk to a trusted adult to get help before tragedy happens PSA/overall conservativeness" that happens. that the story itself that exists in tim's book is conservative, yes, and i won't deny that tim also has a few conservative dialogue here but to me the difference is that o'neil would not let dixon use tim drake to go on any overtly political rants or represent any specific ideology *himself* that could make him controversial with readers of the time given how protective o'neil was of not repeating his previous mistakes. you're generally going to find the more egregious dixonisms outside of tim. like "robin 1993 is a conservative book that has a pro-life storyline" (true) =/= "tim goes on an anti-abortion rant" (not true, literally never happened). tim shares blame because ultimately it is his book that presents a conservative worldview but tim as a character tends to exist as a more moderate (not completely, but more) character to have other characters present options and opinions to him rather than he himself saying he has those opinions. robin cannot take sides like that. o'neil wouldn't have let that happen.

and like. when discussing dixon my goal is never to completely absolve tim of dixon's writing. i just don't often see a need to completely rehash the tim-conservatism points because it's been discussed already over and over again to the point there's a pretty widespread misconception that tim is the ultimate dixon conservative mouthpiece who is solely at fault for all of robin 93's conservatism when actually there's a lot of other interesting places dixon's conservatism presents that are almost never discussed in comparison. my goal is not to be "tim's not at fault" or anything but it is to seriously consider and think about where i see dixon's personal opinions shining through more overtly based on what i know of the conservative mindset (as much as i don't agree with it). dissecting dixon and how he writes in consideration of his beliefs is fascinating and fun to me.

anyways he's awful.

[shiny-jr]

Loved all your info about Empyrean with my last ask and left comments/reblog to it, and so sorry to spam your asks especially when you’re still working on this idea, but I’m just curious and want to hear whatever ramblings you’d like to share!

You mentioned Heartslabyul being inspired by Europe with a dash of volcanos via borders and I’m sure there’s going to be lots of references to the regions of origin for the fairytales/Disney movies for each. But are there other places of the world you’re drawing inspiration from, whether in real life or from Genshin too?

You’ve given teasers about Leona and Idia, along with the original premise post for a few of the other archons, are there any other backstories you’ve been developing for the archons or even the other characters?

Again, sorry to spam your asks but the more I look into Genshin, the more I’m excited by Empyrean and wishing you all the best in writing~!

So if y'all recall, my biggest qualm with Genshin Impact was the amalgamation of cultures and cultures as costume. I am NOT trying to do that here. However, here's the problem when it comes to implementing the twst x genshin au: a majority of the stories are based in Europe or have European origins. So that means that most of the world, if we go by that logic, would be European, which doesn't sit right with me.

So for story's sake, I think I'll imply in the story that the seven nations are the ones of the known world, and the most recognized due to their archon's power. I've considered maybe changing the setting of a nation, but that doesn't exactly sit right with me either. So that's why I stated here and like I said, it will be implied in the story, that there is another part of the world not even really known. That being said, I probably won't lean too heavily into the cultural aspect of the story. However, there will be mentions here and there. Keep in mind though, I belong to none of these cultures, so I'll try to research to the best of my ability but it's also why, like I just said, I don't want to heavily into the cultural aspect of the story, because by no means do I want to get something wrong and offend anyone.

Here's my thought process for the inspiration of each. Keep in mind, this is still very much a work in progress.

Heartslabyul: British Isles

If you thought this was gonna be any other place, then what the hell are you thinking? Riddle definitely has a British accent. The tea, the tarts, all that stuff? Very British, if you ask me. Of course there's the fact that the original author of Alice's Adventures in Wonderland is from Britain.

Savanaclaw: East Africa

After bit of research, I found several things. Such as the fact that many of the names from The Lion King movie are based off the Swahili language. Zulu is apparently also spoken in the opening song, The Circle of Life. Additionally, the Pride Lands are said to be set in either Tanzania or Kenya.

Octavinelle: Scandinavia(?)

I know a lot of people like to debate where The Little Mermaid takes place, but I'm basing this on the origins of the author, as he is Danish. Also, if you recall, I believe there's in game dialogue where one of the Octavinelle characters mentions how ice often makes it difficult for them to return home, thus suggesting that their homeland is very cold. Originally I did want to add a tropical location, but this complicates things.

Scarabia: Arabian Peninsula(?)

Yes, yes, there's the fact that the movie of Aladdin takes inspiration from Indian and other Southeast Asian cultures, but from what I've seen, the story seems to mainly derive from Arabic cultures. Aside for the fact that the story of Aladdin is said to come from the Islamic Golden Age and is from a collection of Middle Eastern folktales. If you research names like Kalim or Jamil, they do have Arabic origins.

Pomefiore: Central/Eastern Europe(?)

We all know the Brothers Grimm, yes? Authors of many fairytales, one of which being Snow White. Well, they're German. And, I mean, the archon is going to be Vil SCHOENHEIT, if that's not German sounding last name, then I dunno what is. Why did I include Eastern Europe? Because I personally HC a lot of the characters with accents and the accent I imagine Epel with is some type of Slavic. God, I love creative freedom.

Ignihyde: Greece

This one isn't even a debate. I don't gotta say why.

Diasomnia: Western Europe(?)

It is said that one of the earliest records of Sleeping Beauty was in a French book. If we look at some of the inspiration from the movie, it's said to take place in a French medieval kingdom. So yeah, it just made sense in my mind.

[st4rd0lly]

ＴＯＮＧＵＥＳ ＆ ＴＥＥＴＨ —

CONTENT WARNING : this fic series will contain DARK content , smut , age gap (reader is mid-late 20s while Nikolai is in his 30s) , probably inaccurate detective work descriptions , and religious themes. this does not follow canon and it is a non ability AU

chapter warnings : suggestive themes (angry sex gets mentioned once) ; firearm

𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝐎𝐍𝐄 : 𝐖𝐇𝐎 ?

A detective.

That’s what you are.

Or well, that’s what you were. You had left that life behind you, swore on it. You weren’t a terrible detective by any means, quite the opposite. You were notably the smartest detective in your city. Sharp and witty, reliable and smart. That’s what you prided yourself on. But with making bigger shoes, you made yourself nearly look like a clown when you stepped out of them. All it took was one case, one case to make you step down.

And like that, you were out of the game.

With no interest to push yourself forward in your career, you sidelined yourself much to everyone’s dismay. You had people relying on you, people who needed you. But a normal life is what you desired after what felt like an action film that lasted forever. It’s what you deserved.

You didn’t lose all that much like you expected though. People still respected you for what you did, your ex-coworkers still treated you like their own, they still come to you for advice and you gave them your best. You became a mentor for younger detectives, a rowdy but loveable group who wanted to follow your footsteps.

You were content with the life you led. All trauma considered, you’d say you’re doing pretty solid for what you’ve been through going through cases.

You were happy for once, you were content with this domestic life you’ve made for yourself. 

"Someone tells me you’re sick of old games. Let’s play a new one. =)"

You repeated the note left on your window to your ex-work partner, Mikhail, on the phone. Staring at it with furrowed brows, you cursed to yourself. "I quit this shit for a fucking reason." With a groan, you slam yourself back down on the couch. 

"Did you check security cameras?" Mikhail questioned, groaning along with you. He’s been by your side since your guys’ first day together, two peas in a pod. You still remember the days where you were just young rookies together. You guys weren’t Sherlock Holmes and Watson by any means, but some might argue that your dynamic duo could come close.

Your face fell into a deadpanned expression, "You really think I wouldn’t?"

"Hey, I’m just trying to make sure we covered all bases. But knowing you, you probably already did that so I guess it was a stupid question— which is besides the point though." You could tell that he was just at a lost as you are.

"Misha, I wanted to leave this stuff behind me." You said, a little more solemnly than you’d liked to admit. "I thought after I faded out in the system for a bit, things would be okay for me. Sure, we’ve made our enemies—"

"You especially."

"Yes, me especially. But I know that most of them are in prison and the others are respectable enough to do this stuff to my face instead of… whatever the fuck that is. I wanted out."

"And you will be out. One day, I promise you." Mikhail reassures, his usual lighthearted tone softening. "Do you think it could be the same guy from our last case together?" He asks.

And you wished you had an answer. The last case you ever took on as an official detective left you in pieces that you’re still trying to pick up to this day. There were too many missing factors but so many were coming to a horrific realization. There were no hints one moment and then the next, there were. Each step closer you thought you took, set you 10 paces back with little time to catch up. That case had flipped your life upside down and around. Like some sick cycle. 

If it was the same bastard behind that case, you were sure that the old you would’ve jumped at the chance.

But you aren’t the person you were in the past, and you haven’t been for a long time.

Maybe this was exactly what the guy wanted, what they came here for. To wait for things to get calm till they could hit hard again. Or maybe, there was a chance that this note could’ve come from a new, completely different person. Someone who wanted to take out an old big shot to make themselves look even bigger. There was just too many open spaces with a huge gap of no information. It could be anything from anyone.

"I don’t know Misha, with the little to no info right now… it literally could be anyone." You admitted, not trying to even hide the defeat in your voice. Your brain searching, scanning, and recalling for anyone that stood out to you in your life. Someone who would mess with you like this, taunting from afar. It hits you like cold water in the morning. "Oh my god. What if it’s my ex?"

"You think you got yourself caught up in like a weird crazy ex revenge situation? What was the guy’s name again?" Mikhail questioned.

"Nikolai. Nikolai Gogol." You responded, rubbing at your temple. Fuck, if it really was Nikolai…

But that was so long ago, way before your last case. And that relationship was never going to last, the both of you knew that. You wanted different things, you two were different…it wouldn’t have worked out. Maybe he wanted Bonnie and Clyde, turn you away from the so called righteousness and justice that is detective work. Live out a life of crime. You never were aware of what he did for work, you were able to tell it was dangerous. And maybe in another life, he was able make you his Bonnie. 

You made sure that this wasn’t that life.

Thinking back to all the times you’ve spent with him makes your heart has plunge into your stomach. You were aware that he wasn’t the greatest person to date. You said through heated kisses and angry sex that it was just the rush, the thrill of it all in the relationship you had with him that kept you around. Each time he could only laugh in your face. All his talk about freedom definitely added a new perspective to your life, but it was so extreme. 

And oddly enough when you wanted to end it, he was very much less than pleased even though that’s all he’s ever wanted. To be free. He’s a walking contradiction though and he left your life without a trace. You refused to look back.

It wouldn’t make sense to mess up your life now.

….

When did he ever make sense?

"I’ll check in with the database, see what I can scoop up on him." Mikhail attempts to reassure you, though it does little to soothe your thoughts. He never knew about the complexity of your relationship with Nikolai. Just that it was strange. He didn’t know how dangerous he was.

But you weren’t about to tell him right now, not while it felt like someone was watching you. "Okay…"

"Did you ask your neighbors if they saw anything? What about that one neighbor across from you?" Mikhail suggested. "Take a picture of the note and I’ll drop by with some of the team by your place so we can investigate more. Better to not tamper with evidence so just use the picture to show your neighbors."

"Okay, yeah I’ll do that." You agreed, it wasn’t a bad idea. "Thank you Misha."

"I’ll be there in about fifteen. Go chat with your neighbors. Don’t die."

"Trying not to." You chuckled, hanging up the phone. You stood back up from the couch, looking at the window with disdain. The note was still there, staring back at you. Though you knew nothing was confirmed, you tried to find any hints of Nikolai’s presence. The only thing sticking out to you was the smiley, and that wouldn’t be viable evidence of anything. You shook your head, opening the camera app on your phone and snapping a picture. 

Now  that was done and over with. Time to talk to your neighbor.

Your neighbor was a relatively tall and attractive man you would say. You’ve never talked to him before, only seeing him for a brief moment when you walk to your car or when he goes out. Your window allows you a somewhat good view outside. Though you could also say that his appearance did make him stand out too. 

Tossing on a jacket, you hoped your neighbor wouldn’t judge too hard if you were in your pajamas. It was still early in the morning when you woke up to that note. 

You bite your tongue, you shouldn’t leave the house unarmed. Taking a quick trip back to your room, you put on your belt that you wear to do your mentor work. The one that’s meant to hold your firearm. You grab your gun in your drawer to put in your holster.

You opened the door, shivering a bit as the cool air hits your skin and hugged yourself tighter. Whoever put that note there must be really motivated to mess with you because who on earth would put a stupid note on a window when it’s this cold?

Taking a couple of steps towards his door, you placed a firm knock. You really hoped he was here. It would be an even shittier day if he wasn’t and you were waiting out in the cold longer than you needed to be. But thankfully, the door opens.

"May I help you?" The rich Russian accent caught you off guard, making you blink in surprise. You weren’t sure what to expect when he did speak but it wasn’t that. 

You gave the man an apologetic smile, "Hi I’m so sorry to bother you early this morning but I was wondering if you had heard anything strange late at night or earlier in the morning? Or if you had seen anything weird?"

The man looks down at you for a moment and you could tell he was studying you. His eyes were probably the most vibrant shade of a deep purple hue that you had ever seen before. You couldn’t tell what he was thinking, he had a good poker face you had to admit. He only tilts his head to the side, looking concerned. "I had not heard anything out of the ordinary. I usually am not here all that often because of work, but when I am here, I like to stay in my bedroom and rest."

He sounded genuine, and he definitely looked genuine. But those years you’ve spent as a detective grew your skills, and you’ve kept them sharp. You wouldn’t have been earnestly praised highly as a detective if you weren’t good at catching onto the small things. A blessing and a curse. There was something off about this neighbor of yours that you couldn’t place your finger on.

You couldn’t let him know that though, so you only shook your head again and waved your hand. "Ah, I’m so sorry again then. There was just a note left on my window and I was just wondering if anyone saw anything. It’s okay, thank you for your time."

"That sounds terrible, forgive me if I’m overstepping but are you certain it wasn’t your roommate playing some sort of prank?"

……

You could feel the gears in your head pause abruptly. You blink at him in confusion.

Roommate? 

"I don’t have a roommate?" You clarified, raising a brow at his comment. But he only reciprocates your confused expression.

"Is that so? I was sure you did. There was this man I’ve seen at your place before quite often whenever I’m here." He tells you, and your mind goes into a frenzy. What the fuck was he talking about? Was he talking about Mikhail? 

"I’m sorry, could you explain more?" You kept your tone polite, and it was obvious you weren’t expecting this. You were too distracted by the thoughts swirling in your head that you didn’t realize that you were shaking a bit from the weather.

"Here, you should come inside. I have some tea prepared for myself but there’s enough to share. I’ll tell you what I know. Part of it is that it’s bad manners to keep a guest outside in the cold." He opens the door more, stepping out of the way. 

Jesus, you really did want to stop being dragged into these games.

[inseparabiles]

And yeah so about this being fun? Funny? Yeah I remain incapable of that. Like I've written a lot of horrible shit but this easily ranks among the most difficult scenes I've had to put up. Just for the concept of the whole thing. It hits bad in every sense.

---

“We have a decision to make,” Lucilla said then.

Her voice had a hint of sorrow to it, and when Acacius looked at her, she was looking across the table at the two young men - boys, really - seated there, waiting for their judgement. The day’s wait, and whatever had passed between them after Geta had left the courtyard, seemed to have defeated any fight in them. Perhaps they’d come to feel their circumstances again; the reality of death which lingered so close now, inevitable if not for the hope that enough of their enemies would prioritise their execution lower than a mere chance of a smoother transition toward the Republic which they wished to bring forth.

They were not good odds. It was strange to Acacius to feel his own pain at this knowledge: it was becoming harder and harder for him to look at them now, in all their vulnerability, and see the enemy he’d so desperately wanted to be rid of. He could not get past the two frightened children, and the dawning awareness that perhaps they’d never stood a chance to begin with - no one had ever told them how to rule, and here they were, waiting for the final judgement on that inability. How would he have fared, elevated to such a status with nothing to guide him at their age? Once more, he was glad that it had not been his burden to bear, yet he could not help but feel that it was unfair to have placed the twins in this position. In other circumstances, perhaps they could have lived longer, healthier lives; lives which had not ended so many others, and cast thousands more to destitution.

So much damage for such simple incompetence.

“We all have our grievances,” Lucilla continued. “Put them aside; we must think of Rome first, our own feelings second. Before us sit Geta and Caracalla - the Septimius twins, Emperors and tyrants of Rome. The goal of our plan was to put an end to this reign, the suffering it has brought the Empire and its people. Though many things changed along the way, our ends did not, and here we are, at the final turn of that path, and the beginning of another. Of the options we have, each must be carefully considered: the vote after shall be binding. General Acacius; if you could.”

Just barely, he thought. Standing up, he cleared his throat and shifted the now empty goblet out of his way. It felt improper there, as if the occasion was a celebration.

“Our first option, which we have at length discussed: the Emperors will be brought to public trial for their crimes against the Empire, her people and the Senate, and judged accordingly.

Our second option: to bypass trial for its obvious outcome, announce the transition of power alongside its reasons, and finalise the verdict with a public execution.

Our third option: to change nothing so fast, allowing for a natural, slow-paced transition from one form of government into the other, at the cost of withholding trial and punishment.

In every case, our ultimate goal will come to pass - merely the means of how, and the messages we send the people of Rome, differ. The decision is up to the majority. Votes will be cast by hand.”

---

unhinged concept (I'm entering that stage): Lucilla actually does adopt Geta and Caracalla which ruins Acacius's life but also makes him their step-father and they finally get an actual father figure who teaches them how the fuck to hold swords and not be the worst people ever.

and we just cancel Macrinus entirely, which, I don't know what the hell happens to Lucius but that's someone else's unhinged concept to worry about.

And we put Caracalla on a leash because the boy cannot behave. That's no way to treat your mother

[wandering-alien]

This is just me rambling but I'm rewatching Killing Eve and I feel like there was so much potential for symbolism- they could've done something with lots of characters being good at languages/language in general because it gets brought up a lot- but they just never really do anything (at least from what I remember, I've only just finished s1). Don't get me wrong, s1 is absolutely amazing, but I think it would've really elevated the story as a whole (and maybe made it easier to tie up?)

[toomuchdivergentformyneuro]

probably the most constant thing of my life has been the social isolation and loneliness i experience

since i was a young child, i’ve always struggled to make and find friends, and often was left alone

for a long time, nothing could defeat my spirits and will to make friends, and even the loneliness wasn’t enough to make me stop

nowadays, it gets to me, the loneliness, and i often wonder if i’ll have all the friends i’ve deserved all along

[666silco]

This is something I’ve wanted to do since my first one, I have updated my character tierlist from s1 to s2 now that it’s finished! I always think these are fun so I just wanted to post them. As you can see my opinions on many characters changed quite a bit. Also these are in order, even for very minor characters. The “first” one is accurate to the one I made in 2022 when I first watched the show, I just remade it so the tierlists match.

[pens-and-paperbacks]

Endeavor is almost a perfect allegory for what the society in the mha universe does to people who can't be heroes or use their quirks in a way to benefit society, which is cast them aside or pass them over without over giving them a second glance until uh-oh! Suddenly they're worth being noticed because they're a threat.

He apologizes to his family, which is good! If you're a bad person and did terrible things, the first step in your own transformation and atonement should be to acknowledge what you've done and to apologize to those you've wronged. Great!

Thing is, Endeavor set off a chain reaction with his abusive, neglectful and downright irresponsible choices that it damaged everyone in his family for life.

I don't think someone who causes one of their own children to literally go up in flames, crying because they're finally getting attention from their father and family in the very end, ever deserves to be forgiven.

[empty-blog-for-lurking]

My vld time travel au is really just- Beautiful morally grey women, who have close but concerning platonic relationship with Lance, and want Lotor dead/trying to violently murder him, not out of malice or vengeance or anything personal but simply because of pragmatic "it's for the greater good" reasons and they are sorta?? Right about it