#which had the only interesting take on the Antony-Cleopatra relationship since shakespeare

[ghoul-haunted]

one (1) sympathetic mark antony comic

[meta-squash]

Brick Club 1.3.7 “The Wisdom Of Tholomyes”

Oh my god there’s so much in this chapter, I’m so sorry for how long this is.

It’s probably just me, but this speech, or at least the beginning of it, reminds me of the way Shakespeare tends to write characters that are obnoxiously lecturing other characters (Polonius in particular comes to mind for some reason).

Tholomyes drunkenly stands up and tells everyone to slow down, to both eat and talk more slowly. But two chapters ago Hugo said they had finished eating. Go home, Tholomyes, you’re drunk. Tholomyes compares Talleyrand and Grimod de la Reyniere, one was a connoisseur of wine, the other of food, which is probably a “these people say savor your meals” statement.

Everyone else wants him to shut the hell up so they can continue their conversations and/or singing, which is funny. Also, I see so much Grantaire in this entire speech. Only, instead of a “down with your claws” remark going ignored, Tholomyes’ “You are it’s marquis” pun makes everyone quiet down, which he obviously takes as an invitation. 

Tholomyes first segment about puns absolutely sounds like Hugo being extremely self-aware. He has an unlikable character criticize and disparage the excess use of puns, fully knowing the amount of puns that will be used later on in this book. Hugo mentions irony in conjunction with Tholomyes in 1.3.2, here he’s really displaying it.

According to wikipedia, the Jesus/Peter pun is due to a Greek translation, where “Peter” is translated to “Petros” and then the same sentence also contains the word “petra” (rock), so that Jesus is saying “Thou art Rock, and upon this rock will I build my church.” The Polynices pun is from Aeschylus’ play Seven Against Thebes. At one point the play’s chorus describes Polynices and his brother Eteocles as being “true to each other’s names, both truly lamentable (eteokleitoi) and both full of strife (polyneikeis).” The Cleopatra pun is basically Cleopatra mocking Antony, who is upset that Caesar is late to battle, calling Caesar’s tardiness harmless. The “prudence of Amphiaraus” is also a pun, since Amphiaraus was a Greek king and seer who continuously did things knowing they’d go wrong or fail. The “baldness of Caesar” pun is a play on words because “Caesar” means “hairy child” and Caesar himself was balding.

I’ve just realized that the “Est modus in rebus” (Moderation in all things) line is what reminds me of Polonius. I can’t help but think of his “neither a borrower nor a lender be” lecture towards Laertes.

Tholomyes suddenly gets a little more ominous and foreshadowing as he talks about how love should not be overloaded, and there must be restraint and ends to things, even love. “The wise man is he who knows when and how to stop. Have some confidence in me.” I love this for a few reasons. First, Tholomyes is pretty drunk here, and he’s the one calling for moderation in all things. Ha! Second, it’s funny that he’s telling people to have confidence in him when they all seem to want him to be quiet. Third, he’s got an interesting way of interpreting “how to stop.”

Which is actually a line that’s interesting to me. Previously I kind of thought this cruel prank was a thing he’d done to women many times before, with other friends. Except this “the wise man is he who knows when and how to stop” line sounds like he’s talking about trying to extricate himself from this whole situation. Maybe he’s never knocked up a grisette before; certainly he’s probably never had one actually fall in love with him before, since usually everyone’s on the same page. He wants out of this relationship that’s more than he signed up for. It’s definitely time to stop, and this is apparently the only “how” he knows?

Sylla was the first republican to seize power via military coup; but at the end of his dictatorship, when he had imposed all the changes he wanted, he abdicated and retired. I don’t understand the Origenes line, but I think that’s due to my cluelessness when it comes to the way different areas of Christianity work.

He pronounces “friends” in a few different languages, which I can only imagine as being very slurred and with sloppy, ridiculous gestures. He waxes poetic (or something) about how to have no passion or love. I can’t tell if he’s talking about having an affair without falling into marriage/love, or feeling nothing at all. In the next lines he certainly seems annoyed with himself for getting mixed up with someone who has actual feelings for him.

Here’s more shades of Grantaire. Tholomyes has this whole rant on each country’s measurements; Grantaire has his rant on each country’s popular trade. But Grantaire’s is a political and social critique, while I think Tholomyes’ might be a dick joke?

Tholomyes isn’t even subtle about his affair with Favourite here. He straight up insults Zephine and calls her ugly, I think he insinuates that Dahlia is boring, and then he basically dismisses Fantine and calls her an airhead. And in the middle of this he sings Favourite’s praises. He specifically calls attention to her mouth. Also, he refers to her with “tu” instead of “vous,” the first time he uses the familiar with her, at least with company around.

God, he talks about Fantine like she’s not even there. What an asshole. I hate him so much. He talks about Fantine like she’s not there, and she doesn’t do or say anything to contradict that. Again, she gets no dialogue in this chapter. Where is Fantine at, mentally, in all of this? Because Hugo does this a lot: he’ll describe someone or something in idealized tones, and then a chapter or two later a character will have dialogue describing that same person/thing, but in much more down-to-earth ways. Fantine and Cosette are both described in conjunction with birds. Only, Cosette is a bird, and Fantine is staring off into space, imagining birds. Honestly if we’re still going about this with the headcanon that she’s on the spectrum (which I am, I love it), this sounds like an overstimulation shut down. Hell, my adhd brain does the same thing when I’m in places that are really loud and busy and there’s not really a point of focus. If everyone around them is yelling and laughing and singing as much as they are, then it’s probably horrific in this pub.

Tholomyes is so blatant here about his intentions around Fantine. “I am an illusion--but she doesn’t not even hear me...” I think this piece of dialogue is twofold. Tholomyes is again hinting at his plan to leave, to end everything; his relationship with Fantine is so fake as to be an illusion. But it’s also here to describe Fantine, who is dreaming up a relationship that doesn’t exist. I kind of get the feeling that Tholomyes hasn’t been very nice to Fantine for a while, hasn’t been trying to keep up the pretense of this relationship, and yet Fantine is so wrapped up in her own personal illusion that they’re in love that she is unable to notice or see his assholery.

Yet another shade of Grantaire here. This monologue describing Fantine made me think of R’s “Chowder is ugly” monologue. Tholomyes describes Fantine as the “daughter of chimeras” while Chowder is a chimera. They both get classical allusions: Fantine is a nymph, while Chowder is a gargoyle instead of Galatea. Chowder gets hair like lead, while Fantine is a jewel. Both men are drunkenly harassing women and being real obnoxious about it. The difference is a) Chowder is probably used to it as waitress and Grantaire doesn’t seem to mean genuine harm and b) Tholomyes is “in a relationship” with Fantine, and that’s no way to treat someone, and it definitely sounds like he’s mocking her in front of her face to other people.

The “too much sugar” rant goes with the marriage one, I think. According to Tholomyes, women are too obsessed with the fairytale-type nice things, spend too much time imagining sweetness like a wedding. I’m not sure how popular trash romances were at the time (I know Hugo mentions that Mme. Thenardier reads them) but I wonder if he’s referencing reading those as well.

“Make conquests. Rob each other without remorse of your beloved. Crisscross and double cross. In love, there are no friends. Wherever there’s a pretty woman, there’s open warfare....” You know what, I think Tholomyes actually really wants Fantine to figure it out. At first I thought he was being an annoying asshole and acting like this because he knows she doesn’t get it so he doesn’t care. But I actually think he wants to see her put it together. He’s still talking in metaphors and references, but I think he wants Fantine to realize that he’s cheating, that he doesn’t love her back and this is just a fling. He wants her to be on the same level as everyone else. I don’t know if he wants it so that there’s a better chance of them getting away without consequences, or if he’s a cruel bastard (he is) who wants to watch her world collapse. He’s been saying it louder and louder and more and more obviously as the speech goes on. But as he says just a paragraph before, Fantine just doesn’t get it. Either she truly doesn’t notice, or she refuses to see. He describes her as so distant here, I think she truly doesn’t notice or get it.

This is also a bunch of references to women who were historically raped. He basically seems to be saying that when you refuse to settle down, you get the “benefit” of being the enemy and taking other people’s partners. Gross. Hugo really knows how to write a slimy, unlikable asshole. And even his friends seem to think he’s going to far, because they tell him to stop talking, and when it seems like he’s going to start up again, they sing some annoying rhyming song. Why they thought that would shut him up, I don’t know.

He really does spend this whole speech dropping hints. “Let’s finish our course of study with folly and food” sounds like he’s talking about messing around with the women, but also definitely sounds like a hidden “ooh, you’re about to get tricked and feel so stupid.”

He spouts off a bunch more springtime allusions (comparing nightingales to the opera singer Jean Elleviou, Jardin du Luxembourg, pastorals about various upper-class streets, etc.) The pampas line is interesting. Pampas are big open fertile lowlands in South America, as compared to the covered arcades of the Odeon theatre. Again I think this is a twofold joke: on the one hand, literally the Pampas is a place Tholomyes could go and become a landowner and be a rich independent colonizer, but he feels he does perfectly fine shmoozing at the the theatre in Paris. Less literally, this could also be a sex joke, similar to Grantaire’s “if only I wanted to,” only worse. Basically he’s saying “look at all these girls I could go fuck in other places, but I get enough tail in the theatres of Paris.” Gross.

He then kisses Favourite “by mistake.” I think at this point he knows Fantine is never going to get it. But Favourite is clearly in on the joke. He doesn’t even care anymore, he’ll cheat on Fantine in front of all of them because they all kind of know except Fantine--who isn’t going to figure it out, obviously.

[profoundnet]

Thank you to all these amazing people for participating in the Profound Bond’s Fairy Tale Exchange 2019! I hope everyone enjoyed their amazing gifts. The next round opens up soon, so keep an eye open on that! And special thanks to @foxymoley​ for creating this beautiful banner for us!!! 

If you’d like to join the exchange, then head on over and join our discord! Information can be found on the wiki which you can access here.

List of creations below the cut.

A Kissing Story by @nickelkeep​ for morrigan (eliza_sugarcane)

Dean is nursing a cold and because he wants to make sure his immune system stays up to snuff, he refuses to let Cas heal him. Cas plays along and heals him in the old fashion way. With Orange Juice, Chicken Noodle Soup... and a Bedtime Story?

General Rating

Tags: Fairy Tale Retelling,  Domestic Fluff, Established Destiel, Story within a Story, The Princess Bride References

Pearl Diving and Other Magical Acts by @drawlight​ for JessJessTheBest

There are no such things as fairytales. Except maybe the one about the angel with the human heart. How does it go? Oh yes, that's right, Once Upon A Time.

Teen Rating

Tags: Soulmates, True Love, Pining, Fairytale Elements, The Snow Queen Elements

Turning Pages by @tobythewise​ for saltnhalo

When Dean and Castiel find themselves thrust into the pages of a storybook, Dean has flashbacks of Gabriel's tricks. He assumes that if he can go through with how the story is supposed to be told, he can navigate himself back out. But can he really go through with what the Book expects him to do? OR The one where Dean attempts to be Prince Charming five times and fails and the one time Castiel succeeds.

General Rating

Tags: Canon Divergent, True Love's kiss, Fairytale elements, Crack treated Seriously

I Found by @unholy-wine​ for Jess [thatpeculiarone]

On the day his new neighbor moves in, Dean finds a plant on the sidewalk in front of his house. Perhaps it’s generous to call it a plant: it’s small, and doesn’t seem like it has much of a life left without interference. He hesitates. Maybe the plant is his neighbor's. He should go ask.

Teen Rating

Tags: Fluff, Witch!Cas

With Conviction by @profound-boning​ for iCeDreams

Once upon a time, a simple encounter changes the course of two boys’ lives forever. It all begins at the market.

General Rating

Tags: No warnings apply, historical au, royalty au, fantasy au, alternating POVs, love at first sight, happy ending

The Hunter and the Angel by @a-insominia​ for snarkysnartes

The monsters are still around, but so is the angel. And on the darkest of nights when your blood could freeze, when you hear a creak on the floorboard, see a shadow at the window, hear a whisper on the wind - that's when he comes, fulfilling a promise he made to the hunter.

Teen Rating

Tags: Major Character Death, Post-Canon, Heavy Angst, Post-Canon, References to Canon, Winchesters in Heaven, Future Fic

The Happiest Place on Earth by thatpeculiarone for robotsnchicks 

Somehow Team Free Will 2.0 end up in Florida and somehow, they end up in Disney World. Dean finds himself in a land of fairy tales and make believe but is ultimately prepared for a day of nightmares. Yet, it turns out Disney World has a lot of surprises.

Teen Rating

Tags: Disney World, First Kiss, Canon Universe, Dean's Fear of Heights

Aladdean by @alessariel​ for profound-boning

There’s no nice way to put it: Dean’s a thief (among other unsavory things). But no matter what the palace guard claims, Dean only steals what he and his brother need to survive. Down on his luck and starving, Dean is approached by a strange man offering him the chance of a lifetime. It’s supposed to be an easy job. What could possibly go wrong? *** After the storm summoned by his rage and desperation had died down, Castiel collapsed on the smooth metallic floor. Castiel‘s mind wandered back to the one thing occupying it since he’d found himself imprisoned here once more. For an ageless being of insurmountable powers it was kind of pathetic how he couldn‘t stop thinking about one lowly, inconsequential human. Only Dean was anything but low or inconsequential, at least to Castiel.

Mature Rating

Tags: Fairytale Fusion, Angst, First Kiss, Wingfic, Djinn!Cas, Mentions of Prostitution, Desperate Dean, no smut, minor Charlie/Meg

Kiss Me Like One Of Your French Frogs by @nox-lee​ for sunny/blueeyesandpie

When a routine hunt goes sideways, Cas is hit with a curse and turned into a frog. Sam and Dean hit the books to find a cure, and Dean finds more than he bargained for.

Teen Rating

Tags: canon universe, fairy tale curses, animal transformation, true love's kiss

(Pillowfort)

Disappear in the Trees by @wildsofourhearts​ for MalMuses

In a library that once entered, can't be exited, Castiel, against his will, works as the lone librarian, doing his best to make the people who wander inside comfortable in their final moments. Forced to weave human lives into storybooks for the library to devour, he hasn't seen the outside world in decades. Enter Dean Winchester. Can the chains of the library hold Castiel with another, more profound, bond forming between he and Dean?

Teen Rating

Tags: Hunter Dean Winchester, Librarian Castiel, Dark Fairy Tale Elements, Castiel and Dean Winchester Have a Profound Bond, Falling in Love, Hurt Castiel, Protective Dean Winchester

Under the Red Hood by iCeDreams for noxlee

Do not go into the woods, do not go when the moon is full and the wolf howls, hiding in the thicket. Having been under Wolf’s Night for more than ten generations, Dean trained under the Order of the Hunters to slay the wolf that has been taking the children from Chesterford. Donning his red hood, he seeks out this monster to make Silver Ash safe again.

Teen Rating

Tags: Injured Dean Winchester, Mentor/Protégé, Snarky Castiel, Alternate Universe - Fantasy, Red Riding Hood,

(Fanfiction.Net)

Of Bears and Dinosaurs by @elizasugarcane​ for canadduh 

Dean sometimes wonders what he did to deserve this.

Teen Rating

Tags: Fluff, parent cas, bedtime story, cute

You Broke Up With Me by turningthepages for Pimmy

"Fairytales ain’t real and if they were I wouldn’t wanna have that shit. I mean who’s that happy all the damn time? If you always have sunshine coming outta your ass then where’s the passion?"

Mature Rating

Tags: Alternate Universe - Modern Setting, Friends to Lovers

What All Fairy Tales Have in Common by @blueeyesandpie​ for Insominia

Dean is struck by a sleeping curse, and there doesn't appear to be a cure...

Teen Rating

Tags: Fairytale elements, Sleeping Beauty, angst with a happy ending, canon compliant, Sam feels guilty when he shouldn't

i'm where i'm meant to be by @hanneswrites for usarechan

DeanCas Tangled AU || Fluff Dean has been crushing on Cas since they first met, their feelings come to a head during the yearly Lantern Celebration (from Tangled).

General Rating

Tags: Shipper Sam, Oblivious Dean, Alternate Universe - Tangled (2010), First Kiss, Getting Together

Old Tales Made New by @malmuses for sternchencas

Cas enjoyed a quiet, pleasant life. A little lonely in the love department, perhaps, but he had a pleasant rhythm to his days thanks to running his basement bookstore, Subtext. His days got a pleasant little shake-up when a hurricane blew a fantastically beautiful book-lover into his store; Unfortunately, Dean wasn't from Sioux Falls, and Cas wasn't sure if he was interested in any more than a dry place to pass the time. Obviously, Cas didn't pine. He was far too sensible for that. Or so he told himself.

Teen Rating

Tags: Alternate Universe - Bookstore, Bookstore Owner Castiel, Mechanic Dean Winchester, Mutual Pining, Epistolary, POV Castiel, First Kiss, Awkward Flirting, Castiel recites Shakespeare

Shifting Stories by @malmuses for turningthepages

Gabriel had seen a lot of pining in his time. Over the slow passing of millennia, he’d observed some of the world’s greatest love stories. Antony and Cleopatra. Orpheus and Eurydice. Mary and Joseph, not to toot his own horn. But these two… these two might be the death of him... Gabriel had only been in the bunker three days, but he was already totally done watching Dean and Cas dance around each other, awkwardly no-homoing their way through life. So, he came to a decision. He was going to make them fake it. He might have been a little low on grace, but pocket dimensions and reality manipulation? Child's play, for him! Time for some new roles for Dean and Cas, in their very own fairytales. "Changing Channels" but with fairytales. Or, when Gabriel gets fed up and forces the hunter and the angel to play at getting together... repeatedly.

Teen Rating

Tags: Alternate Universe - Canon Divergence, Inspired by Changing Channels, Fake/Pretend Relationship (or kind of), Dean Winchester Needs to Use Actual Words, Friends to Lovers, Gabriel Ex Machina, Miscommunication

Groundhogs in Sweaters by @saywhatjessie for unholywine (floor)

“You ever think about what our lives would be like if the monsters looked like how they were supposed to?” Or Dean muses over what life could be like and Cas is too cute for words about it.

General Rating

Tags: Castiel/Dean Winchester, Dean Winchester, Sam Winchester, Castiel (Supernatural), Canon verse,  fairytales - Freeform Profound Bond Gift Exchange, Crack

[jazzworldquest-blog]

USA: Alex Sipiagin & Dave Kikoski-Bonnie and Clyde(2017)

Bonnie And Clyde, a set of original music inspired by ten unique pairs of characters, is the latest accomplishment in the very productive and creative career of arranger-composer-trumpeter Dave Lisik. A Canadian who taught high school in Winnipeg, Canada and college in Memphis, Tennessee, Lisik has been a resident of Wellington, New Zealand since 2010 where he teaches at the New Zealand School of Music and has been a very active part of the jazz and creative music scene. While Lisik has written for many larger ensembles, symphony orchestras and his own quintet in his career (with over 450 compositions), Bonnie and Clyde features the duo of trumpeter Alex Sipiagin and pianist Dave Kikoski interpreting his music. Sipiagin, along with Bob Sheppard, had been the principal soloist on Lisik’s 2011 jazz orchestra record Walkabout – A Place For Visions. In 2014, Lisik’s quintet recording Machaut Man and a Superman Hat featured Sipiagin and tenor-saxophonist Donny McCaslin along with the rhythm section of the Mingus Big Band which included Dave Kikoski. “Alex and Dave are both incredible players, technical masters and artists on a really high level,” says Dave Lisik. “As a trumpet player I have a particular appreciation for Alex's ability on the instrument but his inventiveness really stands out for me, even when compared to some of the other top trumpeters playing today. Music just flows out of both of these guys. Alex was in New Zealand for the national jazz workshops in January 2016 and he was already planning some duo gigs with Dave Kikoski. Rather than just writing random tunes for them, it seemed more interesting, given the two-player format, to create a collection of new tunes based on famous pairs from history.” The adventurous music on Bonnie and Clyde was a challenge for the two players but they quickly came up with fresh and inventive ideas that perfectly fit the pieces. “A few of the tunes start with chord progressions like standards, others are more modern harmonically, and a few are based on ostinatos with melodies and no harmonic progression. It is easy to worry about there not being enough variety with only two instruments but then, as always happens with players at this level, they took the music to places that I had not imagined. The improvisations and interplay are so interesting that it is fun for me to hear what they did with my pieces.” Bonnie and Clyde begins with “Kourke ‘N Spock,” named after Captain James T. Kirk and Mr. Spock from Star Trek. “The odd spelling of Kourke is a nod to the way that Alex, with his Russian accent, pronounces Kirk. It’s identical to how the Russian Star Trek character Pavel Chekov said it, which I found humorous.” The wide intervals played by Sipiagin somehow sounds effortless and relaxed, giving this piece a futuristic feel. “Samneric,” the twin boys Sam and Eric from Lord Of The Flies who were so close that they melded into one character. This dramatic performance has Alex Sipiagin and Dave Kikoski engaging in dramatic interplay as they play off of each other’s ideas throughout the piece. “Antony and Cleopatra,” historic figures who were immortalized by Shakespeare, are musically portrayed by Sipiagin (who hints at the melancholy of Miles Davis on this piece even during his faster runs) and Kikoski, who takes an extended solo filled with twists and turns. “Porgy and Bess,” the lead characters in George Gershwin’s famed folk opera, are saluted in a thoughtful piece that is a bit nostalgic. “Henson and Oz” celebrates the creative partnership of Jim Henson and Frank Oz who together created Kermit the Frog and Miss Piggy and Ernie and Bert. This high energy romp has Sipiagin and Kikoski engaging in playful moments and fiery stretches that jump around with the energy of a children’s television show. About this track Lisik says, “Jim Henson and Frank Oz were one of the most important modern comedy duos. Henson passed unexpectedly in 1990 and Frank Oz eulogizing Jim Henson at his memorial service is one of the most touching moments I’ve seen and a wonderful tribute to the relationship between these two men. “Bonnie and Clyde” is for the Depression era criminals Bonnie Parker and Clyde Barrow who were depicted in a colorful movie of the same name. Lisik’s music is worthy of a memorable chase scene. “Arwen and Aragorn” is dedicated to two characters from the Lord Of The Rings, a saga that is particularly popular in New Zealand where the films were shot. The particularly lovely chord progression of this romantic jazz waltz is borrowed from “Fairy Tale” by Bob Washut, Lisik’s former teacher at the University of Northern Iowa. The cat and mouse interplay throughout “Holmes and Watson” is perfect for a tribute to Sherlock Holmes and Dr. Watson. The whimsical yet mysterious piece conjures up the image of a Sherlock Holmes tale. “Rosencrantz and Guildenstern” are Shakespearean characters from Hamlet. On this performance and briefly elsewhere, Dave Kikoski is heard on Fender Rhodes, sometimes playing electric and acoustic pianos together with one hand on each. The unisons and general theme on this original are quirky, witty and difficult to predict. Bonnie and Clyde concludes with “Fred And Ginger,” a warm ballad dedicated to Fred Astaire and Ginger Rogers. Too much praise cannot be given to the two musicians who interact spontaneously throughout the ten pieces with the same confidence and relaxed creativity that they would have displayed if they had been stretching out on much more familiar standards. Dave Lisik became involved in music early in his life. After playing organ for five years, he switched to trumpet in sixth grade, performing regularly in his school bands. “Both of my junior high and high school band directors were trumpet players so I'm sure that helped me.” Lisik developed quickly and, while still in high school, he performed for two years in the big band at the University of Manitoba. Always interested in writing, he experimented with electroacoustic music while in high school and mostly wrote classical music while in college, but gained experience writing jazz before and during his doctoral study at the University of Memphis. “I wrote for the guest artists who came to the school including Marvin Stamm, Bill Mays, Luis Bonilla, Paul Hanson, Carl Allen, and Kirk Whalum. Once my dissertation was finished, Luis was particularly encouraging and helpful in getting players to record my first big band CD.” Among those jazz composers and arrangers whose music inspired him early on were Bob Brookmeyer, Jim McNeely, Maria Schneider and Thad Jones. In addition to teaching at the New Zealand School of Music in Wellington, Lisik co-directs the New Zealand Youth Jazz Orchestra, founded and produces the NZSM Jazz Festival, and is a trustee of the New Zealand Jazz Foundation. During the past year he has co-written with Eric Allen the book 50 Years at the Village Vanguard: Thad Jones, Mel Lewis and the Vanguard Jazz Orchestra. He has also recorded many inventive CDs of his music with several new projects scheduled to be coming out in the near future. For the future, Dave Lisik says, “I hope to keep writing music for inspiring performers, both in classical music and jazz. I want there always to be some urgency to evolve and keep getting better rather than having my projects be too similar.” Bonnie and Clyde, which is unlike any of Dave Lisik’s previous recordings, succeeds at being fresh, new and full of inventive music. Scott Yanow, jazz author/historian and author of 11 books including Trumpet Kings and Jazz On Record 1917-76 via Blogger http://ift.tt/2pPSHwe