#which can mean that there's no way to escape that implication

[hephaestuscrew]

“This has both our names on it”: Viewing Fleet and Clara’s relationship in Victoriocity through a queerplatonic lens

TL;DR: By Season 3 of Victoriocity, Fleet and Clara have developed a committed emotional partnership that certainly moves beyond the purely professional. Whilst very much operating as a duo, they can be interpreted as often rejecting or subverting romance-coded elements in their relationship, instead embracing a unique dynamic that can be read as resonating with the concept of a queerplatonic relationship (QPR).

Buckle up because this is over 2,500 words long! If you'd rather read it as a document, you can access it here: Fleet & Clara QPR Google Doc

Disclaimer: I'm not making any claims about creator intent, nor about how anyone else ought to interpret Fleet and Clara's dynamic. It's also worth acknowledging that queerplatonic relationships are inherently defined by the people in them and any attempt to apply such terminology to a story set in 1887 is obviously anachronistic (although whether that should matter when said story also contains a cyborg Queen Victoria is up for debate). 

With that said, if we define a QPR as a committed personal partnership which is not entirely captured by the typical expectations of either friendship or romance but may contain some elements typically associated with either (other definitions of QPRs are available), I enjoy viewing Fleet and Clara's relationship through a QPR lens, and I want to talk about some of the reasons why I think this reading works.

***Spoilers for all three seasons of Victoriocity and the novel High Vaultage***

Detective duos

Even before we actually get into Fleet and Clara's particular bond, detective / crime-solving duos as a general concept have QPR energy to me (which probably predisposed me to this interpretation). It's the Holmes-and-Watson legacy. It's the use of the word 'partner' in a non-romantic context (‘associate’ or ‘companion’ can also serve a similar purpose). It's the intense trust and reliance on each other. It's the sense of being a recognisable pair, always appearing together, known as a duo, with skills and attributes that complement each other. 

Romantic assumptions

Moving on to Fleet and Clara specifically, one aspect of their relationship that can be read through a QPR lens is how they are often in situations where other people believe or imply that there is a romantic relationship between them. Sometimes this is a deliberate strategy of theirs, and sometimes it’s imposed upon them by others. But I’d argue that there’s never a point where they both simultaneously seem entirely comfortable with that romantic narrative for their relationship. Usually one of them will actively deny the assumption or react negatively to the implication:

When Mrs Hampshire interprets Clara and Fleet as a couple experiencing “young love”, Clara might be happy to adopt this as an effective cover story, but Fleet seems unsettled and keen for them not to be perceived this way: “No. No. You’ve misunderstood, we are not, that is to say I am…” (S1E2)

When Warden Hughes assumes Fleet is the new Warden and Clara is the new Warden’s wife, Clara says “I am certainly not”, with emphasis on the ‘certainly’. (S2E2)

Fleet definitely doesn’t sound enthused when he realises Clara has gone for a married couple as their cover story at the Grand Salcombe: “I am sure I’ll regret asking, but by any chance am I [Mr. Theasby?]” (S2E2)

When Titus Byrne tells the pair “I take it you're happy sharing [a room]”, Clara responds with a horrified “What?” (S3E4) (Obviously sleeping in the same room isn’t inherently romantic, but it is often perceived that way.)

Of course, fake dating and external assumptions of romance are very common tropes in romantic will-they-won't-they dynamics, and these moments could definitely be interpreted that way for Fleet and Clara. But I prefer to read these instances as reflecting a different kind of closeness between these two characters. They have a sense of emotional partnership that allows a marriage cover story to seem plausible to others and that other people sometimes automatically assume to be romantic (obviously with some period-typical heteronormativity at play). But to me, it doesn't seem like either of them are fully comfortable with their relationship being perceived in a directly romantic way. Perhaps they are a couple in a different sense…

Proposal via door plate 

The way that Fleet asks Clara to be his business partner has always seemed to me like a platonic version of when people find personal ways to surprise their romantic partner with a proposal:

CLARA: You bought me a door plate for your office? [...] This has both our names on it. FLEET: What do you think? CLARA: I like it. (S2E7)

Fleet could have just asked Clara outright, without going to the trouble of buying a sign that would have been useless if she’d said no. If it was purely a professional business proposition with no emotional meaning behind it, I think he would have just asked verbally. But instead, he gifts her a sign with their two names paired together: Fleet-Entwhistle Investigations. There's something so intimate about that to me: about Fleet asking Clara whether she would like to be a duo with him in a more formally-defined but still non-romantic way; about him choosing to present this offer in the form of a gift; about the way he presents her with their two names joined together etched into metal and asks what she thinks; about the significance that this gesture attaches to their partnership; about him having enough trust that she'll say yes that the effort and vulnerability of presenting her with that sign seem worth it for him. And the gesture means an awful lot to Clara:

She thought about the door plaque he’d had engraved with both their names on it as his way of inviting her to be his business partner – typical Fleet, refusing to tell her so much as his favourite breakfast food and then to go and do something like that. It was the nicest thing anyone had ever done for her. (High Vaultage, p187). 

Anniversaries

In the special episode ‘Murder in the Pharaoh's Tomb', Clara says “And you know what else is a big occasion Fleet? It's our one-month anniversary.” She wants to celebrate the anniversary of Fleet-Entwhistle Investigations. Their partnership holds a significance for her that means key dates associated with it are worth remembering and remarking upon. 

When Clara first mentions their anniversary, Fleet nearly chokes on his drink, which seems like an instinctive reaction to the usually romantic connotations of an anniversary (see my point above about Fleet not being comfortable with their dynamic being perceived as romantic). But when Clara clarifies what she means, Fleet seems much more cheerful about the notion of their anniversary: “Ah, so it has.”

“Miss Clara Entwhistle, my partner”

I get extremely strong QPR vibes from this moment, when Fleet introduces Clara to the sailors at Grave End:

FLEET: This is Miss Clara Entwhistle, my partner - in business, my business partner. CLARA: I'm also his friend, but he doesn't like to say it. (S3 E3)

Fleet and Clara are partners, but not in the way the average person might assume from that word, which Fleet realises mid-sentence here. This is another instance of Fleet reacting negatively to the idea that their relationship might be interpreted romantically (see above). And yet, 'partner' (rather than, say, ‘colleague’) is the word that comes naturally to him in this moment to describe who Clara is to him. He then frantically emphasises the professional element of their relationship so as to avoid the romantic implication, but Clara is keen to proudly assert that there is a personal, emotional aspect to their dynamic too. They are first-and-foremost partners, and they are friends, and they do not want to be seen in a romantic light - this post basically writes itself... 

“Her ridiculous detective.”

When Clara fears for her life at the display of the Lanterns, the narration tells us:

“she thought of her brother, her sister, her parents... Her ridiculous detective.” (High Vaultage, p172) 

The fact that Clara thinks of Fleet in this moment of fear clearly indicates his importance to her, but I think the phrasing of this quote is particularly interesting. The narration lists Clara's immediate family: two of whom are dead (her sister and father), one of whom is publically mourning Clara's life choices (her mother), and only one of whom we have any real evidence of her having a positive relationship with (her brother). And then, separated from these complicated familial relationships by an ellipsis, the narration tells Clara also thinks of Fleet, “her ridiculous detective”. 

Parents and siblings are familial relationships that tend to come with established expectations, in which the use of a possessive pronoun (i.e. her brother) to indicate the relationship is a norm. ‘Detective’ does not fall into this category; unlike ‘brother’, ‘sister’, ‘parent’, ‘friend’, ‘partner’ etc., ‘detective’ is not a word that inherently implies a relationship or that we'd usually expect to see preceded by a possessive pronoun. The idea of ‘her detective’ therefore stands out, giving the sense that there is a unique relationship being indicated here. The way in which Fleet is ‘hers’ is something that Clara has chosen for herself, something that they have shaped together. Who they are to each other can't necessarily be fully expressed using standard phrases that traditionally describe relationships between people. But Fleet is Clara's detective, of which she only has one, and who she'll think of in the midst of “the screaming of the heavens at the end of the world”.

Fleet is also the only one in this list of Clara's loved ones who gets an adjective - her love for him has detail. And while “ridiculous” might often be perceived as negative (it's certainly not a classic romantic endearment), it seems to me like there's such fondness in it in this context: the recognition of and affection for eccentricities, the idea that his importance to her is not (purely) based on his professional strengths but on Fleet as a whole - perhaps at times ridiculous - person.

“Settled”

When Clara and Fleet talk about Clara's mother’s expectations for her, they have this exchange:

"She's still living in hope that one day I'll settle down."  "You're not settled?" asked Fleet. "I am." (High Vaultage, p259) 

By ‘settle down’, Clara's mother of course means ‘marry’, ideally into “at least a minor baronetcy”. But Clara already considers herself "settled", just not in a way her mother would understand or appreciate. She's not looking to "settle down" into a lifestyle other than her current one. She is settled in a situation where Fleet is certainly her closest personal connection in London (and perhaps anywhere), and where the two of them work closely together, operate as a duo, and then go back to their separate homes. And this partnership with Fleet is a comfortable set-up that feels right for Clara exactly as it is, rather than being a precursor to, or a distraction from, the marriage ambitions that her mother wants for her.

I think this exchange also contains an implicit sense of the commitment between the two of them. Fleet wants to check that Clara is ‘settled’ in her current situation, of which working closely - and platonically - with Fleet is obviously a major element; Clara confirms she is. There's a subtle indication of their shared intention to be in this for the long haul.

As a sidenote, Fleet and Clara’s implicit assumption that their partnership is a long-term one can manifest itself in joking contexts as well as serious ones. Look at this exchange from S3E5: 

FLEET: We're not bandits, we're just going to flag it down. CLARA: We'd be terrific bandits! FLEET: Let's just see how our current line of work goes.

I think it’s notable that, in this joking speculation, both Fleet and Clara use ‘we’ and ‘our’. The joke could have been phrased just as effectively if they were imagining only Clara becoming a bandit. But the suggestion is that, if either of them was a bandit, they’d be bandits together. Even if they changed their lives entirely, they'd still approach life together.

Inseparable 

Fleet and Clara have become a nearly inseparable duo in a way which is noticed by others. For example, after Clara and Fleet fall out in High Vaultage, Fleet meets with Keller, who says: 

"You're here with me instead of barrelling across town with her, so I'm just assuming there is some thickheaded puffinry for which you need to apologise to Miss Entwhistle" (p335)

Keller, hardly the most emotionally perceptive man in Even Greater London, automatically infers from the fact that Fleet is on his own that he has had a falling out with Clara, rather than that they just happen to be in different places. When all is well, Keller expects to see the two of them together, whether or not they are in a position to be actively working a case.

Going back earlier in their partnership, Keller makes a similar assumption about Fleet and Clara being inseparable in S2E6. When Clara shouts her name amidst Keller's anti-Vidoc booby traps, Keller asks "Entwhistle? Which means… Fleet?" Again, there's this idea that if one of them is there, the other is likely to be there too - they come as a pair. (It's worth noting that this scene takes place less than two weeks after they first met.)

“Like a friend might?”

At the end of S3E7, Fleet suggests that he and Clara go to the theatre together. It would have been easy for this invitation to have been explicitly framed as a romantic proposition, or even for the nature of the offer to have been left more ambiguous. But Clara says "Archibald Fleet, are you inviting me to a social activity? Like a friend might?" The use of the word 'friend' directly labels this as a platonic interaction. And it's with that platonic lens on it that Clara is extremely excited to spend non-work-related social time with Fleet.

“Maybe it'll just be my good luck charm.”

CLARA: My grandmother's ring, I don't suppose you managed to hold on to it? [...] FLEET: Oh, it's been crushed.. I'm sorry Clara [...] CLARA: No, you keep it. FLEET: What? No... CLARA: Keep it. Maybe it'll remind you not to run towards trains. FLEET: Maybe. Maybe it'll just be my good luck charm.

In S3E7, Clara gives Fleet a ring, which - as a gift from one person to another - is traditionally a symbol of a particular, legally recognised, kind of personal commitment. But when Clara tells Fleet to keep the damaged ring, down in the Underground tunnels after the destruction of the beast and Fleet's latest brush with death, it is quite a different situation to a wedding or a proposal. A married man would traditionally wear his wedding ring on his finger for all to see, but Fleet won't ever wear this ring like that. The ring itself has been bent into a different shape between the wheels of their misadventures, subverting the usual associations of a ring given from one person to another. (In a heteronormative world, those associations are particularly strong when the two people in question are a woman and a man.) 

That ring is not an engagement ring, but it is Clara’s grandmother's ring, an inheritance from the blood family she never really felt she belonged in, now given to the man who might be a very different kind of family for her in London. That ring - with which Clara saved Fleet's life - is a symbol of their bond. And it therefore serves as a reminder for Fleet “not to run towards trains" and as a “good luck charm”. I like to think he'll carry that ring with him, perhaps in his jacket pocket - a little piece of his partner, kept close to his ticking heart…

Thank you for reading all of this!

If you’ve read all of this, I'm assuming you also enjoy the concept of Fleet and Clara as a QPR (unless you're really a glutton for punishment) and that makes me very happy! This was long because there's so much to say about them… And I wrote all of the above without even getting into: the potential to headcanon Fleet and/or Clara as aspec (which I don't think is necessary for QPR headcanons, but which is also fun); Clara's baggage around and discomfort with marriage in general; the speed with which Fleet and Clara become a ride-or-die duo; and the many other demonstrations of care, understanding, trust, respect, and affection between them that didn't feel as directly QPR-coded to me but are nonetheless wonderful. Please do feel free to share your own thoughts!

[godblooded]

do you ever realize how funny living in gotham must b—

looks at madison square garden as i drive by

……..yes. oh my god. yes.

[retrosabers]

𝐘𝐎𝐔𝐑 𝐏𝐄𝐑𝐅𝐔𝐌𝐄’𝐒 𝐇𝐎𝐋𝐃𝐈𝐍𝐆 𝐌𝐄 𝐑𝐀𝐍𝐒𝐎𝐌.

logan howlett x fem!reader

summary: the scent of you is driving logan crazy.

contains: mild 18+ content. MINORS DNI. mentions of masturbation (m&f), a steamy little make out, and implications of future smut

word count: 1.8k

a/n: not me trying to capitalize off the hugh jackman renaissance and revive my dead blog…anyways, this is my first time writing for logan! hope you all enjoy <3

i feel like we don’t talk enough about logan’s enhanced sense of smell.

the man can catch a whiff of someone the second they walk into the room, even the building sometimes if their scent is strong enough. it’s especially heightened when he realizes he’s attracted to you. at first he thought maybe it was because you were always wearing perfume, the aroma lingering around the mansion wherever you traveled. but then it became such an intense, all encompassing sensation that he knew it was something deeper.

his suspicions are confirmed one night as he walks past your room. if the faint whimpers he heard weren't enough confirmation of your activities, then the scent that fills his nostrils seals the deal.

you’re touching yourself. and he can smell your arousal.

it makes something stir in his stomach. the animal-like urges he always tries so hard to keep at bay threaten to make their way to the surface the longer he stands frozen in the hallway. logan attempts to shake the heat that spreads across his skin as he makes his way back to his own room, but it only ends with him cumming hard into his hand an hour later.

the next day, when he catches you on your way out of charles’ office, you offer him the same kind, beaming smile you always did. then that damned smell fills his nostrils again and his fists curl at his sides once you’re out of eyesight.

there’s only one explanation for it.

you’re ovulating.

which means there’s no escaping his desires unless you stay out of reach.

so for his sake and yours, he decides to just avoid you completely until the week is over. he can’t risk caving to those urges and doing something stupid and irrational.

of course you’re completely oblivious to it. you think that he’s just being weird, going through another rut of being a standoffish loner like he was when he first arrived at the mansion. because after about a week, he’s back to being a bit friendlier, to being the logan you had grown to call a close friend.

then the cycle seems to repeat itself and you notice it’s just you he’s avoiding.

you try and wrack your brain to think of anything you could’ve done to warrant this kind of isolation. you hoped if something upset logan he would just talk to you about it instead of playing this childish game of hot and cold.

after a couple months, you decide you’ve had enough.

cornering him was a difficult task. but you were observant enough to know certain parts of his routine, including exactly when he would be lingering in the common areas after all the kids had gone to sleep. after two failed attempts of trying to catch him in the kitchen, you finally managed to find him alone and unsuspecting.

“why have you been avoiding me?” you blurt, wanting to cut right to the chase. you’re expecting him to flinch a little bit, perhaps even be stunned.

but he knew you were coming. logan knew it was only a matter of time before you noticed his schtick.

still, he decides to look for an excuse, any excuse, to cover up the real reason.

“m’not avoiding you” he grumbles halfheartedly around the rim of a beer bottle. taking an extra long swig, he finally turns to look at you; leaning against the doorway with your arms folded and a look akin to annoyance plastered across your pretty face.

you cock your head to the side, clearly unimpressed with his answer.

“a few days ago, i watched you back out of a room the minute you realized i was in it,” you start to list off, counting with your fingers. “last month you avoided the wing where the gym was altogether while i was going through a new training regimen.”

logan winces at the memory. the scent of your pheromones was intoxicating. so much so that he couldn’t step foot anywhere near the gym without feeling like he needed to rub one out.

“and the month before that,” you huff out a sad laugh, voice suddenly soft and quiet. “you didn’t even say goodbye before you went off on that mission with scott and jean.”

guilt overtakes him quickly at the pain in your tone.

you’ve never looked smaller as you pick at a loose thread on your sweatpants. “did i do something wrong?”

“no,” logan reassures, jumping out of his seat at record speed, though still trying to maintain some distance. “you didn’t do anything wrong.”

“then what is it? you sigh exasperatedly, desperate to put an end to this nagging feeling that’s been eating away at you. “logan, you know if something’s bothering you, you can tell me.”

and he wants to. he so badly wants to, maybe even see if you’ll offer to help him out. but you’re you. the sweetest, kindest thing he’s ever known and he’ll be damned if he lets his curse of a mutation ruin whatever relationship the two of you have.

but then you’re inching closer and his skin starts buzzing again. his senses are consumed by you. by the way you look up at him with big, wide eyes, the softness of your skin as you reach to place a comforting hand on his forearm. it's all too much, and he finds himself pulling away from you with a grunt.

it hurts to see him retreat from you so aggressively. his jaw is clenched tight, his fists at his sides even tighter as the veins in his arms bulge bigger than you’ve ever seen before. he looks pained. like he’s fighting something internally.

“logan,” you approach him cautiously, unsure of what exactly to do. “what’s going on?”

his eyes squeeze shut at the sound of your voice. “just, please go back to your room.”

“i’m not leaving you like this.”

“m’not asking you,” he grits out, almost like a growl. “i’m telling you. go back to your room.”

now he was starting to piss you off. you narrow your eyes, leaning your hip against the counter.

“or what?”

suddenly he’s crowding your space, chest heaving up and down as he stares at you with pupils so wide his eyes are nearly black. logan’s voice is scarily level when he utters his final warning.

“or i’m gonna do something i regret.”

when you shift closer to him, his nose twitches with a sniff. the raise of your brow doesn’t go unnoticed, and he knows that you’re not leaving this room until you get to the bottom of what he’s been hiding.

that’s when something inside logan decides to throw caution to the wind, just for a minute.

“i can smell you.”

curiosity morphs into confusion at his admission. you shake your head.

“i don’t understand.”

then, the man’s gaze travels to the waistband of your pajama pants, the tension in his jaw growing more taught by the second. his hands flex at his sides, trying to keep him grounded and calm as he finally admits what’s been driving him mad.

“i can smell you.”

the emphasis on the last word takes a minute to register. logan watches as the gears turn behind your eyes, catches the exact moment of realization as your gaze softens and your lips part.

oh.

oh.

slowly things start to piece together. how logan’s behavior seemed to fall around the same time these past couple months. a few weeks before your cycle.

he wasn’t avoiding you because he was angry, or upset. he was avoiding you because you were fucking ovulating.

logan expects you to flee, to be completely weirded out and steer clear of him for the foreseeable future. what he’s not expecting, is the words that come out of your mouth.

“i can help you with that if you want.”

you say it with such nonchalance, such casualness that he wonders if you’re even really grasping what you’ve said.

the wolverine shakes his head. “trust me, you don’t want this.”

he doesn’t quite believe his own words as he watches you close the distance between your bodies. something you’ve been desperate to do for as long as you can remember.

the thin fabric of his tank top and the soft cotton of your t-shirt is the only thing standing between you both. your chests are mere centimeters from touching and logan can feel the heat radiating from your bodies as his confession hangs heavy in the air. then that fucking smell comes back tenfold and he groans.

“you don’t get to make that choice for me,” your voice is sickly sweet, dripping with desire as your fingers ghost over the waistband of his jeans. he feels like a horny teenager as he preens at the barely there contact.

logan breathes your name, a last stitch effort to get you to run, though he knows it’s futile. if there’s one thing he knows about you, it’s that you're stubborn. unmoving in your ways.

and that when you want something, you don’t stop until you get it.

your hand comes up to cradle the side of his face, a rather gentle touch he wasn’t anticipating. his eyes flutter shut as you swipe your thumb over the expanse of his cheekbone.

your words are barely above a whisper. “i trust you, logan. completely.”

that’s all he needs to hear before he throws any sense of self control out the window.

he surges forward and captures your lips in what is possibly the most heated kiss you’ve ever experienced. you nearly stumble over at the sheer force of it. logan’s large hands fly to your waist, yours to the back of his neck as his tongue prods for entrance into your mouth. it’s messy, almost primal as you let him ravish you like he’s been thinking about for weeks.

you moan and he swallows the sound greedily, desperate to hear it again, and again, and again. when his lips move to press against the column of your throat, you know this is going to escalate into exactly what you hoped it would.

“logan,” you breathe out as he focuses on your pulse point, his hands wandering further south to knead at the globes of your ass. “not here.”

“why not?” he mutters, all smirky and smug as he continues to press wet hot kisses against your neck.

“because i would prefer if you didn’t fuck me where our friends eat.”

he laughs, a deep vibration felt against your chest as you absentmindedly grind your core against his. it makes him bring his mouth back up to yours, stealing one final kiss before he pulls away.

looking at you like he wants to eat you alive. and by god you might just let him.

pressing a playful smack against your backside, he gently nudges you in the direction of the corridor.

“lead the way sugar.”

thanks for reading! <3

[skk-fan-page]

What does this:

Mean in the context of skk, 15, stormbringer, and dazai acting like a lovesick puppy.

Well, the first thing I notice is that it's heavily implied that dazai didn't say shit and hasn't in his entire employment at the ada. Everyone talks about the mafia with a certain level of "hey I heard about you because my mom's dad's aunt's best friend's knitting club was talking about you and one of the members' dog's coparent said they saw you at Walmart."

Between akutagawa, higuchi, and now chuuya, it's like they know nothing that might help them with the mafia.

Why wouldnt yosano know though, she used to be mafia? Well that's what I thought at first too. I figured maybe rumors had just spread throughout the mafia in her time there.

But, at the same time, add up these numbers and then tell me if the math is mathing for yosano to know anything about chuuya

Chuuya is 22 and joined when he was 15, meaning he joined 7 years ago. 14 years ago (11 when she finally escaped) means not only would she not have met him, he would've been 11 by the time she left.

Not only that, but she was an 11 year old child-doctor, which means she would've had no contacts in the Mafia and no friends to tell her anything.

And, most damning of all, in 15 phase.02 mori says this when asked about suribachi city.

By the time chuuya was awakened, yosano was already out.

So maybe it's kyouka. But here's the thing: she doesn't seem to know shit outside of her (old) job description. She was in such an information silo that she didn't know what a crepe was. That makes her out of the picture for me, especially considering she was the subordinate of the subordinate of the boss's subordinate.

So that leaves 2 options: word on the street, and dazai.

If I can get information on the second highest ring of your underground murder organization by asking around, your organization is getting shit on by the feds in 4 seconds flat.

So that leaves one option: dazai.

But he doesn't seem to be much of a sharer, so why would he share about mafia things? Well we have precedent for it.

There's this incident, proving he's totally chill with sharing about the mafia. And then, there's something so gay it will make you want to claw your eyes out and join the witness protection program to get away from how single you feel

I wish someone would look at me the way dazai looks at chuuya's corruption form. And he's even bragging about him and how cool and powerful he is.

Regardless, this proves that he does totally talk about chuuya when he's not listening, and that he's not the inscrutable clamshell of a man he pretends to be.

Now: the other implication. Chuuya just assumes dazai was talking about him, meaning this was a pattern in the past. We can see this pattern manifest in the party that dazai tries to throw in 15, as well as the fact that ango knows chuuya in dead apple.

How many times do you think dazai genuinely set up challenges for chuuya back in his mafia days, to the point where upon being recognized, his first thought is "dazai did this."

Just put a ring on it already guys.

[audliminal]

Survivability Bias Pt 2

Masterpost

Danny spends the next few days exploring the town more, while he considers the implications of everything he’d learned  at the library. He’d taken notes, but they’re not exactly the best. Danny’s never been that good at taking notes, after all, but he has a pretty good memory, so the various key words and few quotes he’d scribbled down are plenty useful in reminding him of all the wild shit he’d read about.

There’d been a lot of history involved in the whole meta situation. It seems like these so-called meta humans, and various other races (species? Danny doesn’t know nearly enough about the cultural implications of that) have been around long enough to have had a significant impact on the world at large. And yet, at the same time, there really hadn’t been a lot of personal information on any of the heroes. Oh, there’d been plenty on some of the villains - and of course there’d still be villains here, he’s not lucky enough to escape that - but aside from various speculation about their romantic lives, and a few acknowledgements of family ties here and there, there’d been very few details about where most of them actually came from.

Superman, for example (he seemed to be this world’s go-to example of metas and superheroes), is listed as being an alien, who’s powers come from his biologies unique interaction with this planet’s atmosphere, although it doesn’t explain anything about what that means. Interestingly, there seems to be almost no speculation about Superman’s so-called secret identity. Only about half the listed heroes seem to have one according to the public, but Danny knows that song and dance too well to fall for it. Honestly, they’re even more likely to have a secret identity than Danny himself, seeing as Danny’s alter ego is literally dead. Not that ghosts seem to be much of a thing here.

He’d felt so silly looking up information about ghosts, right before leaving the library. Compared to the deep dive into recent history, googling “are ghosts real” must have looked insane if anybody could see it. The answer he’d returned had been not unlike the way things had been when he was ten or twelve. Before the portal, you’d see dumb ghost hunter shows where they never actually saw much of anything. Ghosts were, like, poltergeists that moved your furniture around and slammed the doors shut. The results here had been a little more interesting - clearly in a world where superheroes are a fact of life, fantastical stuff is a little more rational, and the speculation was clearly affected by that fact, but it still had been, seemingly, all speculation.

Of course, none of that really mattered when it came to Superman. Danny was at least ninety percent sure he wasn’t a ghost. And even if he somehow was, it didn’t change the fact that he either has a secret identity, or he basically never takes part in society. And if he doesn’t have a secret identity, then the question very much becomes why not. Because that means he either has no real reason to care about anyone here (which seems implausible), or he’s unable to spend that time in public. It’s that possibility that’s knocked out any chance of Danny approaching any of the heroes. Because there’s always the possibility that the endorsed heroes are being used to lure other metahumans in. And Danny doesn’t know nearly enough about this world to make any kind of judgment on what’s most likely here. After all, historically there’s plenty of examples of governments that  work with specific people among targeted groups, in order to more successfully take out the others. it tends not to end well for those people when it’s all over, but anyone who’s short-sighted or even just backed into a wall enough can fall for that.

Hell, the GIW had actually tried that line on Danny once or twice, not that he’d ever accepted. After all, they’d never realized that was actually sort of alive, so their pitches had always been... less than convincing. 

Danny blinks, reaching out to touch the brick wall in front of him. He hadn’t meant to come back here, but honestly at this point, he really shouldn’t be surprised. This random little alley on side street wouldn’t be interesting at all to anyone else. But if Danny stares long enough, he can almost see the green-tinged light of the portal that brought him here. Not that he’d ever seen the portal from this side. He hadn’t turned to look until after the light had faded. The idea of seeing his friends’ faces through the swirling green had been too much.

They had all known exactly what it meant when he came here. The difficulty of the journey was the point. Between the anti-ecto acts gaining not just mainstream awareness, but support, and the GIW gaining access to better funding and training, well, the second the GIW had started successfully ending ghosts, it seemed like all the denizens of the zone had collectively decided to stay the fuck home.

At first Danny had enjoyed it, had relaxed and been excited to finally be able to focus on just being a teen. But the GIW hadn’t calmed down, had just started going even more on the offensive, and the second he and Jazz had noticed agents showing up casually at their house, everyone had gone into full alert.

That’s how they found out that the next goal was to apparently take the fight to the zone itself.

The conclusion had been easy from that point. The portal needed to be destroyed, and fast. But with the ghost zone blocked off (and Danny’s death being the unknowing link that made the portal ever work in the first place), that would leave Danny as one of three remaining targets.

They’d all immediately agreed that Vlad could figure out his own solution. Dani- well, she had been traveling, but the second she turned up, the others had made plans to send her on her own one way portal trip too.

Of course, the likelihood that she’d end up here is probably minuscule. So he’s alone.

“Hey,” a stern voice cuts through Danny’s thoughts. He glances over to the person who’s standing at the door to a building. “There’s no loitering here.”

Right. It’s almost easy to forget, in the face of his life’s inescapable absurdity, that to everyone else in this town, he just seems like a possibly-homeless delinquent. Not that the delinquent part is unfamiliar.

“Sorry,” Danny mutters belatedly, realizing that the person is just waiting as he stares at them like a weirdo. He’s not very good with people anymore. Not that he was that good to begin with. Phantom had been a Ghostly Menace, constantly destroying the town with his fights, nobody had expected him to function as a person. Nobody had thought he was a person. But as Danny Fenton- well, he’d fallen short of just about every expectation set at Danny Fenton’s feet.

Distantly he wonders if his friends even bothered to disguise his disappearance. He’d always kind of wondered if his parents would ever notice if he and Jazz just- left. School definitely noticed, though most of the faculty would probably take it as completely expected. After all Danny Fenton was a terrible student, constantly skipping class and never doing his work, and even when he was in class he was usually halfway to falling asleep anyways. Lancer had certainly lectured him about his lack of discipline more than enough. So they might just come to the conclusion that he’d dropped out and run away.

He doesn’t know if he’d prefer that, honestly. The truth is messed up and complicated and frankly, unbelievable. But maybe if they knew the truth at least one person might feel a fraction of sympathy for all the bullshit that he’d been dealing with. Funny, Danny thinks, how coming here feels more like a death than when I actually died.

[trulyumai]

befitting for an emperor

pairing: emperor geta / wife! reader

synopsis: you were Geta’s, and he was yours.

warnings: pure smut. Geta secretly loves soft moments, pulling, kissing, reader gets manhandled.

enjoy!

18+ mdni

A laugh sprung out from the man’s chest, it bubbled in his throat for only a moment before escaping and making its way around the room. it made blood seep to your face, in embarrassment your hands tried to cover your cheeks.

“my wife,” Geta teased, his own calloused and rough hands bumping into yours, making sure to remove them entirely from your pinked face. “how can one be so worked up over mere skin? skin you’ve seen before, no less.”

“I’m— im not. It was just startling, husband.” your eyes met his briefly before they took interest in the stone wall behind his naked figure. He had just gotten out of his bath, and instead of calling the servants in— like he usually did, he was silent, slowly making his way to your distracted form.

you were enjoying a light reading, marking the pages with your inked pen until the man suddenly interrupted, grabbing at your frame with wanted impulsion.

his fingers gripped onto your chin, urging you once more to look up at him—always up.

you granted such a wish, and met his fiery brown orbs with a softness. his fingers were light against your smooth skin, but there was an implication there, a show of force to be applied.

“my wife,” the words were so low, barely leaving his lips as he inched closer with a caution. “you’ll sleep with me?”

your eyes widened.

“sleep… or make love?”

Another mean laugh left his mouth.

“Make love?” Geta chuckled so close to you, that you swore the vibration could be felt within your throat. “It’s fuck, silly wife. we will fuck.”

Violent, angry eyes met with your calm and soft ones. And a hand came between the two of you, reaching for the back of your gown to slip it off entirely.

It came undone quickly, sweeping off your form in one solid movement before bunching down at your feet. Your figure stood in front of him, now as bare as his own.

The fingers made there way up, to the swell of your breasts, slowly caressing and gripping with newfound addiction. Pushing forward, Geta made sure your body fell upon the mattress, his palms came crashing beside you, each on the side of your head in a protective display.

Leaning down, the emperor kissed and sucked around your neck, making sure to leave pink and purple bite marks in every direction. soft gasps escaped you, along with little mewls of pain and pleasure— to which the man ate up generously.

“please,” you begged, already hooking your smaller legs against his backside, opening yourself up for him once more.

“please what, pretty wife?” Geta growled, meticulously digging his fingers in your hair before pulling back, showing off the slobbery marks he left behind.

“M—ah Geta—” the emperor smiled, his hips lowered teasingly onto yours, pressing his member so close to your warmth.

“please—” to embarrassed to say the full sentence, your arm covered the top portion of your face and your chest bucked up, only pressing further and further to the drooling man above you.

“if you want me to make ‘love’ to you, little wife, you have to beg.” tears began to wet at your lashes in desperation. seconds— or maybe minutes passed before your arm moved from your face. with pink cheeks and pouting lips you kissed Geta.

slowly at first, making sure both of your mouths synched before the movement sped up, before your tongue sped up and before your words fell upon his ears.

breaking apart, a trail of saliva followed both your beings. It made Geta quiver; ever the impatient man he was already holding his wet tip in his hand, moving it until it kissed your oozing entrance.

your watery eyes were so squinty, so love filled and tired at the same time.

you knew what he was waiting for. what he wanted you to say.

so, with a tight grip on his waist, your legs hooked around your ankles before the man could blink. a doting, messy smile graced your features as you spoke.

“please fuck me, my emperor. until you can’t anymore. until I birth you an heir, until auh—!” He didn’t even let you finish before entering you in one go.

He was so big. Too big. Stretching you painfully without any warning.

“If that’s what you, ugh, want— pretty wife, I’ll give.. it to you.” Stomach tensing, his arms hooked around your waist, pulling your entire lower body off the bed as his hips rocked back and forth.

Arms now entirely behind your head, your vision doubled. his pace was so fast— so rough.

The sound of skin slapping emitted through the chambers, his cock slammed into you over and over, making the tears overflow your lashes for the second time that night.

“—mmh!” high pitched moans left you, they sounded clipped and interrupted as his movements knocked the breath out of you with every push his dick made in your soft mound.

Geta’s brows furrowed, biting down a scowl he slapped at your chest, wobbling your tits in front of him. He was getting close already, and could you blame him?

To have your drooling, submissive body on display, gods, it was torture.

He had to get you to cum first. His pride wouldn’t allow it another way.

“—auh, cum for me. cum for me sweetheart, cmon.” sweat inched its way down his chest and met with the other liquids upon his crotch. The slapping only got louder from how dripping you had came to be. It ran down your thighs, drowned his manhood and dribbled onto the sheets with ease.

You felt the coil in your stomach tighten, it felt so hot, so warm. You thought you might pass out from the sheer heat of it all.

His hands brought you back. They found their way under your armpits, and with a jerk, lifted you in the air, dangling off the emperors lap as he still rutted into you like some wild animal with your legs flopping around with every shove he made inside.

Suspended in the air, your thighs opened up more, fully allowing the man to pummel and bully his way into your slippery mound, hitting that spot over, over and over.

That was all you could take.

A sharp cry left you as your back arched into the pale man’s hold. His grip tightened, you swallowed him so tightly he nearly stopped such harsh movements.

You came in a quick, violent flash. It tingled around your belly before delving down to your toes, making them tense and separate with how the orgasm invaded your senses.

Geta couldn’t last after that.

He came too, sheathing his pulsing cock into your folds, spilling his seed as deep as it would go.

You didn’t remember much after that. Only that everything was so warm, and that your body felt too heavy to manage.

Geta was the one to clean you up, sneakily pushing the drops of white back into your warmth with silent touches. He was the one to wrap you up, bundle you in so many blankets that none were left to be spared.

And he was the one to kiss and stare at you for most the night; never straying too far from your crumpled form.

[etfrin]

❝ꜱᴏᴜʟꜱ ᴛᴏ ᴄʀᴜꜱʜ❞ — chapter one | coriolanus snow

「ᴡᴀʀɴɪɴɢ:」 SFW | Coriolanus is his own warning, elitism

「ᴘᴀɪʀɪɴɢ:」 young! Coriolanus Snow x fem! Reader

「ꜱᴜᴍᴍᴀʀʏ:」 Coriolanus finds out the plint prize won't be his, at least for now but the district twelve girl belongs to him

「ᴀ/ɴ:」 here's the first chapter ;)) hope you like it?! Remember to give feedback guys! And beta read by @nowitsmissing

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previous : prologue

Coriolanus Snow wakes up to his grandmother singing the Panem national anthem. He quickly takes a shower, trying to ignore the squeaks of rats in his bathroom. He rubs himself clean, turning his skin red from the raw scrubbing. He stops as his fingers brush on the scar tissue he has on his wrist.

He takes a deep breath, not letting his mind wander off to you. It's the reaping day. It's the plinth prize. A prize he was going to win. You were of no importance today, or ever for that matter.

But still, he can't help but imagine that the date was etched on his skin. The numbers were written with ink darker than the night, now all that remained was an ugly scar that gave him a nastier remainder.

He shakes himself out of it. His hands grab a towel to dry himself. He fixes his curls, trying to make them as stylish as possible. He has a reputation to keep up after all. Thankfully, today wasn't one of the days in which his eye bags were obvious, the hollow of his cheeks too obvious due to lack of food.

He looked surprisingly healthy like any privileged Capitol citizen would look like.

He gets out of the bathroom to go to his grandma’ams. He gives her a note on her singing of the national anthem before asking her where Tigris is. Just on cue, Tigris bursts in.

Her voice was excited, her face all smiles. She hands him a shirt, his dad's old dress shirt renewed with tesserae buttons. He wore it, letting his cousin rant about the process of it all. Even though he had no interest in listening, it was a thank you in his way.

He pins the rose given to him on his shirt. Teasing his family members about new dresses and chocolates. He was going to win the Plinth Prize, nobody could take this away from him. It was his right.

In the academy, he chats with his inner circle. Making snide comments about Sejanus and his Ma. That's when you come in, a drink in your hand. Your eyebrows are raised as you look at Arachne with barely hidden disgust.

Fuck, you looked stunning in your dress. He has to dig his nails into his palm to remind himself not to stare. Why are you torturing him by being so pretty? You're just a district girl, you had no business having such beauty.

“Tell us who won,” Arachne said with her haughty voice, “Your boy toy surely would have spoiled it by now.” You laugh in response.

A small giggle escapes your lips. You don't take offense by having Sejanus being called your boy toy. Coriolanus wants to furrow his eyebrows from your reaction. Were you and Sejanus dating? No way in hell. Even if you're district, you're better than Sejanus in every way. He wants to scowl at the implications.

(You're his, his, his)

“I wouldn't dare ruin his big day, Arachne,” Sejanus's voice rings out instead, him standing behind you. His arm around your shoulder. “People may not like my father but they do love his money. Surely you can relate?” Sejanus grins.

“Funny,” Arachne replied with a sneer.

You rolled your eyes, “Don't be mean, Sej.” You sip your drink and Coriolanus’ eyes can't help but follow the movement of your tongue poking out to lick your lips clean of the drink. His eyes also glare at Sejanus's hand on your shoulder, a part of him wishing he could break his arm.

You turn to Coriolanus. “Nice shirt,” you comment with a smile, and Snow can tell it's more genuine than anything you flashed at the rest of your classmates. He feels himself flush at the compliment. Not even stopping you even though he should because why should your dirty hands touch him? But he doesn't stop you when your fingers reach out to delicately touch the red rose pinned to his shirt.

“Such a beautiful flower,” you mutter in fascination, “and fresh too.” You tear away a rose petal, crushing the poor thing between your fingers, the tip of your fingers turning red.

He watched, no thoughts in his mind but he knew he should be offended. It has been ten years of your behavior he had endured, yet not once could he open his mouth to insult you.

How weak had you turned him since day one. If anyone knew, he would be ruined.

“Did you have to do that?” Clementia frowns, “Flowers are significant to the Snows.'' You only smirk in reply to Clementia. “I see,” you comment, before taking Sejanus's hand in yours.

You begin to walk away but Snow sees you turn around for a split second. Your eyes meet his and your lips form a word. Sorry. He mouths back, ‘ It's fine. ’

You smile at him and turn back, walking towards the chair where the top 24 seniors are supposed to sit, waiting for the announcement. You had let go of Sejanus’ hand by then, letting relief fall over Coriolanus.

Coryo's fingers rub the scar tissue over the fabric of his shirt. It was going to be fine. Over the years, both of you have grown up a lot. Despite having district blood, you consider yourself Capitol more than Sejanus did. You had adjusted first, and even if your peers didn't accept you, their families were certainly charmed by you during the galas.

You were smarter than Sejanus. You were better than Sejanus. Certainly, you couldn't be compared to the Capitol citizens, but you were worthy in Coriolanus' eyes. That doesn't mean he accepts you as his soulmate. That's something that won't ever change, however, the pride he felt towards you is something he couldn't control.

Coriolanus sits between you and Sejanus. He liked the fact that he was in between like a border neither of you should cross. Sejanus whispered to him, his voice grating but Coriolanus heard what he said.

“I know you had high hopes for this,” he whispered, “But there won't be no Plinth Prize. Not today.”

Coriolanus freezes as he hears what Sejanus means. What does he mean by no Plinth Prize? Never in history is that possible. Sejanus must have been mistaken. That's it because otherwise, everything in Coriolanus Snows’ life would go to hell.

However, Sejanus wasn't a liar nor did he make a mistake. Dean Highbottom soon revealed that the 10th annual Hunger Games and the mentor who won will win the prestigious prize Coriolanus needs. Livia Cardew, the girl he loathed, got someone from district one. Sejanus, the lucky bastard, had gotten someone in district two.

You had gotten the boy from district twelve. Someone named Jessup. The boy was healthy, fit, someone who could win under your guidance. Anger blooms in Coriolanus' chest, he tries hard to control the urge to not throw a chair at Dean Highbottom.

Even God wouldn't be so petty as the dean is. For reasons unknown why. The district twelve girl was his. Lucy Gray Braid.

Her makeup is jarring, she was wearing a dress that reminded him of clowns if they used more colors than red and white. The only thing good about her was how she captured attention despite the fact she had already insulted Snow by creating a facade in the reaping.

You can't take my sass

You can't take my talkin'

You can kiss my ass!

He looked at you when he heard the last part. A part of him craved your reaction, surely out of everyone, you wouldn't mock his tribute. You were district yourself after all. You wouldn't mock your people.

What Coriolanus Snow forgot was that you were his soulmate. And in no way the fates would allow his lover to be a saint, an angel as he had hoped for. You were anything but.

You had cruel amusement gleaming in your eyes. A smile of triumph on your lips as if you're sure that you will win the Hunger Games and not him. You turn to him, your eyes hiding the cruelty. You lean forward and Coriolanus counts to ten in his head so his eyes don't fall on your lipstick-stained lips.

“May the best man win,” you whispered, a smirk on your face, filled with the mockery all too familiar like the rest of his peers.

He was going to fucking show you.

“And hereby I declare the beginning of the 10th annual Hunger Games. May the odds be in your favor,” Dr. Gaul's voice calls out to the students.

Odds will be in his favor, whether it be willing by the Lord or his brute force.

Next Chapter

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[kazumist]

THROUGH THICK AND THIN .ᐟ

✩ — in which soshiro had forgotten the lengths of your love for him.

✩ — request: hi, can i pls request an argument with hoshina and how u resolve everything 🥹🥹🥹

✩ — includes: hoshina soshiro x gn!reader. hurt/comfort, angst if u squint. cw: arguments, implications of soshiro being injured but thats just it, soshiro is kinda mean Uhm, ooc!hoshina this is another experimental fic help me. wc: 1440. reblogs and feedback are much appreciated !!

if there was one thing sharper than the blades hoshina soshiro wielded, it would be the words that escaped his lips.

hoshina knows how to sugarcoat his words. he considers himself a good talker—negiotiator, if you would. however, when it comes to more sensitive topics, that’s when it all starts to crumble down. 

he never expected for him to catch feelings, especially with the line of work he takes. it’s too risky. dangerous. worrying. but he fell as deep as the ocean could get for you. you accepted it. him and his line of work. him as a whole.

yet soshiro seems to forget that sometimes.

getting out of a mission unscathed was impossible. he would always have at least one injury planted on him. it was a repetitive game of russian roulette where either his injuries would be severe or light. and unfortunately for him, today was sadly the former. 

a knock was heard at the door of the hospital room he’s staying in. a mission had recently just finished—about three days had passed, and soshiro was unconscious for the first two due to how he overexerted himself. “come in,” he says. and to his surprise, he saw you opening the door.

soshiro hasn’t told you about him being hospitalized yet—so how?

“captain ashiro told me.” oh. so that’s how. well, he was aware that you had also built a friendship with his commander. and that was completely fine with him. it was awkward when you walked over to the bed, pulling out the chair for you to sit on. you refused to make eye contact with him while soshiro just stared at you.

neither of you has an idea of what to say.

“i wish you told me as soon as you woke up. i was worried sick when i heard the news about the kaiju attack and all.” you said, keeping your gaze focused on your fingers as they played with each other. he flinches slightly as guilt starts to bubble up inside of him. it was already five in the afternoon and he’s been awake since ten in the morning. he wishes that he told you as soon as he woke up as well.

however, there’s one thing that has started to creep onto soshiro lately—fear. insecurity, perhaps. he gets haunted by the thought that you would definitely be happier in someone else’s arms and that you would be more happy being bathed in someone else’s affection. being with a man like hoshina soshiro was dangerous, as if it were a gamble to play.

because you never know if you’ll still wake up to him being alive the next day. and believe it or not: hoshina was scared—terrified of that possibility. he doesn’t want you to be sad, he crumbles at the thought of you crying in the first place. so he made it a task for him to push you away. to be distant.

to be someone you would hate.

that’s the only way he could keep you safe.

“sorry. i didn’t want to disturb you.” bullshit.

“why…” you trailed off. soshiro noticed that you werent playing with your fingers anymore and that you were now clenching your fists. “why would you think that? soshiro, your health matters to me.” his heart also clenched when he heard the slight crack in your voice. “why would it matter to you? i could die any day.”

“are you being serious right now?” he hates it. he hates the way that the first time he saw your eyes today, they were filled with such negative emotions. anger. hurt. confusion. “do i look like i’m kidding?”

“soshiro, why are you acting like this? did i do something wrong? i know we haven’t seen each other a lot because we’ve been both busy.” no, you didn’t. this is my fault, but this is also for the best. is what he wanted to say—but he just swallows up his words. “it’s nothing.”

“no, it’s not just ‘nothing.’ tell me what’s wrong, please? so we can fix it. it pains me when we’re like this.” it pains him too—it pains him so fucking bad. but hoshina soshiro is stubborn. so he will find himself accomplishing his task, whether it pains him or not.

because all he wants is the best for you, even if he wouldn’t be able to provide that.

— — — — — — — — 

he doesn’t know how things got so heated between the two of you. and he’s sure that you both might disturb the other patients who are confined in the room next to his.

“why won’t you just tell me what’s wrong? i feel like an idiot, soshiro! what am i?! some fucking mind reader on what goes on inside your head?!”

“like i told you, it’s nothing for you to worry about! what can’t you understand with that?!”

“what can’t you understand with me saying it’s not just nothing?!”

“and what can’t you understand with me implying that you shouldn’t care anymore?! dp i have to spell it out for you?”

you weren’t sitting down anymore, and hoshina doesn’t dare to speak anymore. fighting with you was the worst. and this time, he fucked up real bad. “i… it’s getting late. i should get going.” you say, and soshiro could feel a part of him shattering when he heard you hold back a sob.

the next time soshiro saw you, he was on his day off (a day off he didn’t really want to take but captain ashiro forced him otherwise since the doctors told him he shouldn’t be making his body engage in strenuous activities just yet). and the first thing he did? he visited you. he knew you get off work early on fridays, making you free for the rest of the weekend earlier.

he knocks on your door, although hesitantly. he’s nervous as he waits for you to open the door.

and he’s grateful that you still opened the door for him in spite of your last conversation with each other. you didn’t say anything as you opened the door further, inviting him in. the awkwardness gave hoshina a rush of deja vu about the awkwardness in the hospital room.

“i’m sorry.” although these two words don’t just cut it so easily, he thinks.

“do you really mean it? what you said in the hospital?”

his breath hitched as he found the right words to say. if hoshina was going to be honest, he hasn’t thought much about what to do at this point. surely, he had achieved his goal that night, right? “yeah.”

“liar.”

he turns to you immediately, and you were already looking at him to begin with. “you’re lying, and i could tell that because you’re nibbling on your lip. you always do that when you lie. just tell me the truth, soshiro, please.”

why should he? would you accept his reason? would you accept the insecurities that haunt his every waking thought? would you accept him even though he said such mean things to you the last time you saw each other?

would you still love him despite it all?

you would. you always would. 

and so he explains from the very start—when and where these thoughts started in the first place. and you listen to him intently, absorbing every single detail he says. once he was done, you took a deep breath. 

“god, you’re so stupid. did you know that?” soshiro lets out a weak chuckle at that, avoiding your gaze. you cup his face with your hands, making him face you. “look at me,” he refuses. “soshiro, look at me.” he then complies, slowly trailing his eyes across your features before resting them on your gaze.

“you don’t get to decide what’s best for me when it comes to this type of thing, okay? i love who i want to love. you don’t get to decide that i’d be happier with someone else. because i love you. i love you more than you could ever imagine, more than you could ever feel. remember that. engrave that inside your mind so you can never forget. you are the one i am helplessly in love with, soshiro.”

i love you. i love you. i love you. it repeats inside his mind. you are the one i am helplessly in love with. it echoes. soshiro feels stupid for attempting to become someone you hated in the first place. there was no way he could ever bear the possibility of you actually hating him.

how could he forget? you had already accepted him as a whole. through thick and thin, you will stand by his side.

[libingan]

period sex with ghost???? sign me tf up!!!! it’s been such a long time since i last wrote any fanfiction, so forgive me if it’s dogshit im just rusty

a loud groan escapes you as you doubled over, another wave of pain rolling through your lower abdomen. pressing a hand against your stomach, you feel the familiar dull ache that had become a monthly companion.

they weren’t that bad earlier in the day, but by the afternoon, that faint discomfort had transformed into sharp, persistent stabs that made it difficult to concentrate on literally anything else.

you’ve tried pain killers, heating pads, every distraction you could think of, but even the slightest of movements exacerbated the cramps, sending jolts of pain through your body.

simon, your loving boyfriend, had been trying his goddamned hardest to help you through this. eventually, after one particularly bad outburst from you — which he won’t hold against you, you were in pain — he opted to stay still, letting you cuddle up against him as you groaned out in pain.

unbeknownst to you, simon had been on his phone, searching up more ways he could ease your suffering. he scrolls through each website, seeing the same results over and over and over again.

that is, until, he sees the words ‘an orgasm can alleviate menstrual cramps’ on his screen. for a moment, simon just… stares at his phone. he’s not against the idea, but considering your earlier outburst, he’s unsure of how he’s going to bring it up.

in the end, he decides with a simple ‘fuck it’ and speaks, “says here orgasms can help relieve your cramps,”

you blink up at him in surprise, knowing the implications behind your lover’s words. “does it?”

“yeah, it does.” he flips the phone over to show you his screen, letting you read the article yourself.

something about endorphins… “feel good” chemicals… natural pain relief…

“…we’ll make a mess.” you say.

“i’ll get a towel.” simon replies.

“don’t you think this is… well, gross? i mean, it’s blood…”

“is that a serious question?” simon asks with an incredulous expression, raising a brow at you.

upon seeing your embarrassed expression, simon lets out a sigh, placing his phone done on the nightstand. “listen, love, if you don’t want to, and you think this is gross, we don’t have to do it. all im saying is that im more than willing to help you out.”

you let out a sigh of your own, biting the inside of your cheek as you mull over simon’s suggestion. your cramps hurt like hell, and if orgasms really do help…

“i’ll try anything once, i guess…” you mumble, and simon wordlessly gets off the bed to grab two towels from the closet.

simon spreads both towels on the bed, on top of each other, beckoning you to lay on it. “took two, just in case one isn’t enough.” he explains, crawling over to you.

“are you sure this is okay with you, si?” you ask, reaching up to gently cup his cheek. simon instinctively leans into the palm of your hand, pressing a kiss to your wrist. “should be askin’ you that, lovie. this okay with you?”

“if it helps get rid of these damn cramps, fuck yes.”

that’s all it takes for simon to lean in, one hand slipping behind your nape to pull you into a deep kiss. his free hand slides downwards, tugging at the hem of your shirt, eager to slip it off. the two of you pull away from each other to make quick work of discarding your clothing and throwing them to the floor… or wherever they end up landing.

simon takes a moment to appreciate your body, eyes raking up and down, the tip of his tongue darting out to lick his lips. he gently grabs onto your thighs, pulling them apart to leave more space for him to settle in between. “gonna take these off, okay?” he says, hands moving to toy with the waistband of your panties.

“okay, okay, take them off,” you mutter, legs instinctively shutting the moment you’re left bare. simon clicks his tongue at that, pushing your thighs apart once more. “you hidin’ this pretty pussy from me?”

he gazes down at your cunt, feeling a rush of heat flow through his veins and straight to his cock. simon lets out a low groan, parting your lips apart to expose your sensitive bud.

simon wastes no time and dives right into it, licking a flat stripe on your clit, flicking his tongue against the sensitive bundle of nerves. he revels in the way your legs twitch, the breathy whines that leave your lips.

“simon… simon, oh…” you moan, hands tangling in his blonde hair, holding his head down. this only encourages simon, wrapping his lips around your clit, lightly sucking on it.

he keeps his eyes focused on you the entire time, watching the way your chest heaves and how your back arches into a perfect bow. the sight of you completely lost in the pleasure has his cock throbbing and he can’t resist grinding against the sheets with a few grunts.

simon knows you’re close with the way your legs start clamping down his head and how your hands tighten around his hair. he places a quick kiss to your clit before pulling away, eyes gleaming with his desire and need for you.

a needy, high-pitched whine escapes your lips, but simon softly shushes you, promising a world of pleasure if you behaved. “be patient, love, gonna give you what you want in a bit.”

he reaches out to the nightstand, opening a drawer to take out a condom. simon quickly rips the wrapper with his teeth, hastily rolling the rubber around his cock.

with a careful hand, he brings his hand down to grab the string of your tampon, slowly pulling it out of you.

“jesus…” you muttered, face scrunched up in disgust as simon grabs a few pulls of tissue paper, wrapping it around the tampon and tossing it somewhere he can’t really be bothered to care about.

“simon! if that stains our carpet, i swear to god…”

“i’ll clean it up later, damn it…” simon grumbles, one hand grasping his cock as he positions himself against your entrance. “you ready?”

you sigh, wrapping your legs around simon’s waist. he takes that as a sign to keep going, slowly pushing his dick into you.

“jesus, fuck…” he curses, hissing as your warm walls envelop his cock so deliciously. “so fuckin’ tight…” simon murmurs, leaning towards you, lips finding their way to your neck.

once he bottoms out, simon takes a moment to enjoy the feel of you around him. “feels so good ‘round me, love,” he whispers, nibbling gently on the sensitive skin on your neck.

“move, si,” you nudged him, and simon wordlessly obeys.

he starts off with slow, shallow thrusts, letting you get used to his size before gradually picking up the pace.

simon glances down, admiring the red ring around the base of his dick, the blood staining your labia and a bit on the inside of your thighs. a low groan escapes him at the sight, hands holding onto your hips as he readjusts himself, fucking deeper into your cunt.

“makin’ a bloody mess on my cock, love… literally…” he teasingly whispers. you had half the mind to smack him for making such a joke, but with the way his cock fills up your pussy so snugly, you can’t find it in yourself to do so.

“s-si! feels—feels s’good!” you mewled, head thrown back in pleasure, your hands twisting around the sheets below. sex with simon is always good, but right now? you feel like a virgin being touched for the very first time.

simon reaches down to draw circles on your clit with his thumb, groaning as your gummy walls clench down on his cock. “y-yeah? you gonna come for me, love?”

“yes, yes, yes, please-!” you moan out, eyes squeezed shut. the additional stimulation on your already sensitive nub brings you closer to edge, and you’re damn sure simon can tell, especially with how your sounds seemed to have increased in volume.

“come, let go for me,” simon pants, his own orgasm fast approaching. “come on, love, come on,” he coos, his hips stuttering as he circles his thumb faster.

that’s all it takes for you to tip over the edge, eyes rolling into the back of your head, mouth hanging open as a loud moan erupts from your throat. your walls clamp down so tightly on simon’s cock, drawing his release out of him.

simon gently takes his hand away from your clit before laying on top of you, crushing you with his weight.

“how do you feel? still cramping?” he asks, burying his face into the crook of your neck.

“no,” you reply, lifting a hand to gently scratch simon’s back, “thank you,”

no words are exchanged after that. just you and simon basking in the afterglow. that is, until, you remember the fact that you’re still on your period.

“you’re cleaning everything up, simon. this was your idea.”

simon pulls away, exhaling a heavy sigh. “yes, ma’am,”

[wordslikesilver]

I am once again thinking about Hoarah Loux, the only man Marika ever trusted and the only man she ever loved. It’s such an insane thing to think about the fact that the second last boss of Elden Ring is Some Guy. He is literally just A Human Man. Marika looks at this fucking raving barbarian man and decides to My Fair Lady him into a Lord like the deranged woman she is by assigning him a babysitter to perpetually gnaw on his neck whenever he’s in public. As insane as all that sounds, let’s break down that imagery a little because it’s actually really good! His babysitter is the king of beasts, a lion named Serosh, who digs his claws and his fangs into Hoarah Loux’s body to keep him suppressed and restrained enough in temperament to now be fit to be named Godfrey, The First Elden Lord of Queen Marika.

Serosh is frankly quite mysterious as far as what he actually is goes but as far as story themes go, he’s a really interesting symbol of lordship. The lion basically IS Godfrey’s crown, it’s what makes him Godfrey. The symbolism is essentially stating in a very overt way that this man is more savage than all the beasts of the world. In Elden Ring, beasts with five fingers indicate an enlightened or elevated intelligence, blessed by the greater will. It’s fascinating how it’s basically stating that Serosh is more intelligent, refined and noble than Hoarah Loux, that this man is more wild and savage than the greatest of all the beasts in the world. That only a beast king could teach this man to be a Lord. Godfrey can rip him apart anytime but he doesn’t. It takes more than strength of body to wear a crown and he knows it. He needs Serosh to honour and do right by Marika. He is showing his opponents a courtesy, as he puts it. Morgott takes after his example and so too is Radahn inspired by him. It’s really wonderful imagery.

There’s more to the symbolism. My knowledge of alchemy is, I completely admit, too surface level to elegantly speak at length but I’ve done some light reading online to back up my confidence in what I’m saying. We know Miyazaki loves dark edgy anime like Berserk and I posit that he also gained inspiration from the anime/manga Hellsing, in which the main character recites the line “I am the bird of Hermes, eating my own wings to make me tame.” This line comes from the Ripley Scroll and is theorized to have many meanings but popularly is presumed to mean giving up higher philosophy and knowledge to live normally on the earth as a human. Miyazaki uses lots of alchemical symbolism in his works, Elden Ring especially (go watch Quelaag’s videos!) so I could be totally full of shit about hellsing but I’m completely confident that Godfrey is meant to be an inversion (like literally everything else about his character) of what the Bird of Hermes represents. Godhood is a prison, a shackling. The entire plot is Marika (and Ranni tbh) trying to escape that imprisonment. Godfrey loves Marika enough to chain himself down, to eat his own wings, to pull out his own teeth and claws for her to make himself tame and ascend to lordship.

What’s especially fascinating about him is that he carries Serosh out into the badlands with him, as the opening cutscene shows. Cut dialogue indicates he already knew the Elden Ring would shatter and the tarnished would be beckoned to return. That Marika told him her plan in full before she took from him and his warriors the grace of gold and sent them away. A line from him saying to trust in gold, always, that it will guide our fates to our true destiny has wonderful implications I would certainly love to expand on in another post maybe. Hoarah Loux was just a human man and Marika trusted him enough to tell him everything. Trusted him with her gambit to escape the shackles of godhood. This is the fascinating part about taking Serosh with him. Keeping himself disciplined enough to remain a Lord when he returns. To hold back his aching heart just enough that he could follow through on this dark plan and allow his wife to protect him from the machinations of the greater will by sending him away. Also note that in that opening cutscene, he’s being crucified, with a lion about his shoulders and spear buried in his abdomen. They could not be milking the Jesus imagery harder if they tried. The Bird of Hermes is also thought to represent Christ, more points for that symbolism.

I love Godfrey so much as a character. He loved his sons and he loved his wife. The tenderness that he holds Morgott with is enough to make me cry. How he wished he could’ve seen him sooner, I’m all too sure. He’s the only other character we see guided by grace in the entire game. Marika guides you and her beloved husband, that’s it, that’s how much she trusts him. When he rips Serosh from his shoulders, you understand how Marika felt such faith in him. In Elden Ring, it is through battle that you face the true self of an opponent. Godfrey reveals to you Hoarah Loux, Warrior Chieftain of the Badlands. It is a test. Are you worthy to free her? Can you do what I could not? I have shown you courtesy enough as a Lord. You served me well, Serosh. I relieve you of your burden and feel only gratitude for your service. Now begins the test. Are you, tarnished, stronger than the only man who was strong enough to bear the burden of Lordship? Are you stronger than the only man that Queen Marika ever trusted? Are you stronger than the only man she ever loved?

[cosmicmordecai]

Im so tired of the Ki-Adi-Mundi hate just because he is not in direct favor of some fandom favorites here:

It’s not crazy he didn’t believe Qui-Gon initially like DAMN that does sound crazy and unlikely if you really thought the Sith were dead for a millennia. This also ignores the fact that the Jedi Council believed his claim had merit , something FANDOM ignores in general because people were too focused the Council dared to tell True Jedi™️ Qui-Gon “no” on training Anakin & how “mean” they were to Anakin to realize Mundi was the one to point out the events undergone would draw out the Queen’s attacker (Maul) & Windu tasked Qui-Gon on unearthing the attacker & believed it was “the clue needed to unravel the MYSTERY of the SITH”.

It’s not his fault Ahsoka looked hella guilty & he believed it. It’s really hard not to say Ahsoka didn’t shoot herself in the foot when she went through all of Barris’s traps to make her look hells guilty, which included:

Killing Leta whole hiding her presence to implicate Asoka while having also told Leta prior Ahsoka would help her should she get in trouble before the operation to set her up.

Leading Ahsoka to escape a detention facility while making it look like she killed guards on her way out (mind you, it’s Clones making this call that she’s doing this) [Had Ahsoka stayed in it, she would of saved herself a LOT of the trouble she ended up in.]

Seen later conspiring with Ventress, a known war criminal with ties to the Sith & CIS. Like given Ventress wasn’t even of interest to the case initially, it literally didn’t help Ahsoka because it made her look even worse. Her only counter to that on trial was they had a “understanding”

She both resisted arrest & then was found in the same place that made the nanotech bombs used in the Temple bombing.

Like i’m sorry, I would of thought Ahsoka was guilty too if she weren’t a protagonist and we didn’t watched that unfolded . That is not Ahsoka or the Council fault because that was some methodical planning & improvising on Barris’s part, which is the real problem or one of the big ones on that arc.

Also, Mundi’s marriage is not the result of anything Lucas did when he was still spearheading nor is it involved in the actual canon stuff. The fact it’s dubious even in LEGENDS & never hinted in any of the big media should tell you a lot.And even if it was, its not a legitimate argument for Anakin. The Council in that alternate continuity gave that exception with caveats & expectations which Mundi adhered too under special circumstances involving birth rates, which is weird but a hella lot different situation then the notion Anakin can shoot his shot & be both married & adhere to Jedi commitments.

I mean really, Mundi is hated for daring to be a character whose idea contrasts other “favorited” protagonists & thinking he is a case of exceptionalism in contrast to someone who gets it way more often than he should.

[starcurtain]

A Very Rambling Rant about Alhaitham and Aranara

Sigh. Everyone on twitter is all excited over this idea that Alhaitham can see aranara, and I don't mean to be downer but like... I kind of hate this. Not the idea of Alhaitham seeing aranara, which is very cute, very nice, yes, but more the way this kind of thing unfolds.

It's a classic example of unconfirmed material, extraneous to the actual game, getting put out on social media like it's canon: Someone tweets "ALHAITHAM CAN SEE ARANARA!!" and suddenly it's running rampant in the fandom and people are completely convinced it's canonically true, without the actual game or any confirmed story-relevant materials genuinely supporting the idea. This is exactly how misinformation gets spread. (I'm looking at you, "Jade enslaved Aventurine" Star Rail fandom brainrot.)

And it's this "bandwagon canon" that leads to constant issues in the fandom when people point out that even some widely accepted stuff is actually fanon. People are literally vicious over defending things that don't actually have any evidence in the game itself.

I really wish this fandom was better at distinguishing "This thing is factually true" and "This is a really cool idea and there might be a few hints for it! I'm going to make this my headcanon!" Watching stuff in fandom go un-fact-checked genuinely makes me terrified for people's ability to fact check real world issues sometimes!

Not to mention the way this conversation is happening is just really unpleasant too?

I saw multiple tweets with thousands of likes going around saying things like "Of course Alhaitham can still see the aranara; he has child-like wonder while Kaveh is traumatized and had to grow up too fast, so it makes sense he can't see them."

Which like... This is so gross to me? Are these people just missing the massive unfortunate implications of their own words--the idea that traumatized people can't experience wonder for the world anymore? That they're somehow broken and can't experience any child-like joy??? It's a deeply unpleasant take to me.

And not only that, it directly contradicts actual canon, because Yoimiya's entire second story quest was about a girl going through a traumatic illness that confined her to a wheelchair and led to her experiencing guilt and depression--and about helping her to see that everything that made life worth living was still there for her, and that she had never lost her wonder or will to live in the first place.

And the whole thing just smacks of a fundamental misunderstanding of why adults can't see the aranara in the first place. It's not because there's some sort of magical "You must be 18 or younger to see aranara" rule. It's because the aranara themselves choose not to be seen by adults. They protect themselves by making themselves invisible. They're not invisible by nature! Everyone can see them--when the aranara want to be seen. Conversely, this means that adults with "childlike wonder" are not just automatically seeing aranara left and right. No matter how happy and childish at heart an adult is, they will only see an aranara if the aranara personally trust them and want to be seen.

The aranara trust children because children are generally good-hearted (and also probably easy to escape from), so there is usually no need to keep themselves invisible to children, but even among children, they are invisible until they choose to be seen. (I think everyone forgot the quest where you find the child who was kidnapped by the Fatui in the forest, saved by an aranara who chose to reveal itself to her, but then she refuses to go back to the village, so you leave her at the aranara nursery--only the aranara there at the nursery choose not to reveal themselves to her because they don't know her yet.) Even with children, aranara don't just go running up on them--they're incredibly cautious creatures who only show themselves after they're sure they'll be safe. They distrust adults because adults deliberately use "growing up" as an excuse to abandon simplicity, kindness, and gentleness in order to embrace concepts that include getting ahead of others and seeking profit--two things which could be particularly dangerous for a vulnerable forest fairy population.

There's also an extremely complicated intersection between the aranara and memory, as they represent and upon "death" return to being the forest's living memory itself. Avin, the girl in Yoimiya's story quest, is a child--but still loses the ability to visit her aranara companion because her illness keeps her away from the forest so long that she simply forgets her aranara buddy ever existed. Even aranara who would love to continue playing with their human companions find themselves forgotten over and over again, because they simply don't linger in human memory well. It's a giant metaphor for how fleeting and temporary human existence is in comparison to the natural world! It's a metaphorrrrrrr.

(There's also the fact that aranara freely move between reality and dreaming--something which Sumeru's adult population only recently regained the ability to even do.)

And like... does no one remember that Yoimiya could only see the aranara because Traveler was there to introduce her to them? She doesn't just automatically see them even though she has all the childish wonder possible in her heart.

I even saw tweets saying that anyone who thinks Alhaitham doesn't have child-like wonder in his heart and wouldn't automatically be able to see aranara fundamentally misunderstands his character and I just... First, see the point above--this is already a misunderstanding of how aranara work.

Second, am I just crazy, or is there absolutely nothing about having wonder and curiosity and passion for the world around you that is confined to children? Are we really going with "Having an imagination is for kids" as our takeaway from all this?

Alhaitham absolutely is passionate! He loves Sumeru as much as Nahida does! The mysteries of the world fascinate him, and he wants to be doing nothing more than ravenously learning and taking in new information at every opportunity!

But finding wonder and joy in life's mysteries is absolutely not restricted to children!

There's nothing inherently "childish" about loving fiction and the fantastical world of books, having a vivid imagination, being passionate about learning new things, and just plain out enjoying life. I'm sorry everyone else has apparently become such miserable adults that the only way they can believe Alhaitham finds joy in the world is by assuming he must have maintained a "child-like" inner nature. Please go read more books and touch more grass and maybe you too will experience adult wonder and joy???

Alhaitham's vivid curiosity about the world isn't remotely "child-like." It's based on the same sort of philosophical obsessions that drove Plato and Aristotle to redefine human thinking. To Alhaitham, Sumeru is likely much more vivid and beautiful and full of intrigue because he is now an adult who has the ability to freely think, formulate deeper questions, and the means to pursue research into his personal passions. His teaser trailer is literally about how he took the job of the Scribe because the Scribe records truth--not child-like faith in the magic of the world, but a constant unfilled yearning to get closer and closer to what is real.

If Alhaitham can see aranara, it's because he's earned the trust of the aranara by his deeds, not because he's secretly still an innocent, sweet baby boy deep down who has chosen not to grow up. (And like, if "traumatized people don't see aranara" is really what we're going with, are we actually arguing Kaveh is the only traumatized, "grew up too soon" one here? Did everyone just forget Alhaitham is an orphan with zero surviving family members left in the world and that he spent his entire childhood friendless, at least as far as we've been shown?)

Winning the trust of the aranara is something anyone could do if they show strong enough positive traits--just basic kindness, gentleness, and patience, which I promise you, adults can have.

At the very least, if we're going to suggest Alhaitham is child-like, can't we at least point to his actual childish behaviors, such as constantly pulling Kaveh's pigtails like a schoolboy with his first crush? Throwing hands with anyone who pisses him off too much? Being a jokester who continually sends Paimon books because she picked on him for his choice of reading materials once? At least y'all could have started there... Come on, now.

Phew, this really was a whole rant, but I just needed to get that off my chest. The Hoyo fandoms on twitter are so, so bad. Like man, don't claim people are mischaracterizing someone while not even knowing the lore yourself... Sorry if that sounds harsh, but...

[saltywinteradult]

How is Dany is abusive to Jon?

Honest question, I’ve never given it a thought

I'm sorry this took me so long, anon, and I am really sorry for how long this post got. I had a lot of thoughts on this.

Before we begin, I'd like to point you to this compilation of Jon's reactions to Dany, which hardly paints a picture of a man who is happy and in love, as well as this post and this gifset, both pointing out the parallels between Jon's relationship with Dany and Sansa's relationship with Littlefinger, the latter being a relationship I hope most people can agree is abusive.

It's absolutely crucial to remember that in this relationship, Dany is the person with the power. She is the one with the dragons and the biggest army, and she is willing to both use and abuse that power to get her way.

Furthermore, Dany wants the North's loyalty, but the North needs her help. (The fact that it's Dany's duty as well as in her own best interest to help fight the Others is a different discussion; she doesn't seem to understand this anyway.) She has agreed to grant that help, but she could easily withdraw it if she chooses. She has more power than literally anyone else and there's simply no escaping that power imbalance - it permeates every single interaction Dany has with Jon and all the other Northerners for all of s7 and the first half of s8.

I want you to remember how Dany treats Jon on Dragonstone. His weapons and his boat are taken away immediately upon his arrival. She says Jon is "not yet" her prisoner, but 1) that line very clearly implies that she could make him her prisoner if she chooses to, and 2) how much does it really matter that Jon is "not yet" her prisoner when she's already taken away his means of defending himself or leaving the island? Remember how she later tells him "I haven't given you permission to leave." Girl, what happened to Jon not being your prisoner?

I think it's also very telling that Dany never once addresses Jon by his proper title of King in the North, even before he bends the knee. As you may recall, Dany cares a great deal about titles. She never grants Jon the same respect she demands for herself, and she likes to remind Jon that she is his Queen even during a supposedly intimate, romantic scene.

(Gif by yocalio via gameofthronesdaily)

Earlier in this scene, Dany pointed out that they could stay here in this secluded spot, away from the kingdom and its politics, and no one would find them. Yet even here, away from the rest of the world, she makes a point of referring to herself as "your Queen".

I point all of this out to illustrate that from the very beginning and throughout their relationship, Dany views Jon as a subordinate, not an equal. That is very much not a good foundation for a healthy and equal romantic relationship. Her constant expectation is that Jon will submit, obey, give things up to benefit her, and ensure that the people he has power over act the way she wants.

Case in point:

"Your sister doesn't like me. [...] She doesn't need to be my friend, but I am her Queen. If she can't respect me..."

The implication is that Sansa is doing something wrong by not liking or respecting Dany (meaning "not acting deferential enough for Dany's taste"). The fact that Dany is saying this to Jon and not to Sansa herself implies that it's Jon's responsibility to ensure that Sansa behaves acceptably. "If she can't respect me..." Then what? What exactly is she implying will be the consequences? That their romantic relationship will end? Something worse?

At this point, the North has bent the knee to Dany. As their monarch this is not an entirely unreasonable thing to ask of her subjects - but it's not a very reasonable thing for a girlfriend to ask of her boyfriend, is it? The line between Jon and Dany's political relationship as monarch and subject and their personal relationship as girlfriend and boyfriend isn't just blurred, it's practically nonexistent. To state the obvious, there is a reason we decided that absolute monarchies are bad here in the real world. There is also a reason why a boss dating a subordinate is frowned upon in the real world. Big power imbalances are a bad idea in general and in romantic relationships especially. They should at the very least be considered and navigated carefully. Dany not only fails to do so; she is only happy with her and Jon's relationship when she has power over him.

For proof, let's look at how she reacts when that power imbalance is upended by the revelation of Jon's true identity:

This revelation is a bombshell for Jon. Everything he thought he knew about his own origins turns out to be untrue. However, Dany's first and only thought is how this affects her. Her first reaction is denial and scepticism; the second is to turn cold as soon as she realises that this makes Jon a threat to her ambitions.

There's also this line:

"A secret no one in the world knew, except your brother and your best friend. Doesn't seem strange to you?"

Which implies... What, exactly? That Sam and Bran made this up? Why? Just like with Sansa in the previous scene, we see Dany questioning the actions and intentions of Jon's loved ones. Remember that.

Things escalate in episode 4:

Dany is faced with the notion that Jon might hold more political power than she thought, that they might actually be on somewhat equal footing, and this makes her unhappy.

"I want it to be the way it was between us."

Her desire is to continue their sexual relationship and to return to the previous status quo where she held more power than him and therefore didn't consider him a threat. Jon having a stronger claim to the throne than her threatens Dany's sense of her own identity and purpose, and she reacts by trying to deny and suppress this reality:

"You can say nothing, to anyone, ever! Swear your brother and Samwell Tarly to secrecy and tell no one else! Or it will take on a life of its own and you won't be able to control it or what it does to people!"

(Imagine this with the genders reversed. Yikes.)

Dany is demanding Jon keep his own identity secret from his own family. That's not a reasonable thing to ask of a person you love. Not for one second does she show any consideration for how Jon might feel or what Jon might want. It's all about her. Her expectation is that Jon suppress his own identity, his own reality, to benefit Dany's ambitions. Never once does it seem to occur to Dany that what Jon does with this secret is up to him to decide, not her. His agency is of no concern to her.

Jon: I have to tell Sansa and Arya. Dany: Sansa will want to see me gone and you on the Iron Throne. [...] She's not the girl you grew up with. Not after what she's seen, not after what they've done to her. [...] Jon: They're my family. We can live together. Dany: We can. I've just told you how.

Here we are again with Dany questioning the motives and agendas of Jon's loved ones. Now she's no longer implying but outright stating that they're working against her. What we have here is a pattern of Dany implying that Jon's loved ones are up to no good and can't be trusted. I don't need to explain why that is a dangerous and manipulative thing to do to one's partner, right?

I also want you to pay extra attention to how Emilia delivers that final line. Throughout the whole scene Dany is distraught and desperate, but at this point she turns cold and closed off with an unmistakable anger that Jon won't agree to do as she demands. It is very hard not to read a threatening undertone into that line. "Keep it secret, or else."

Before we move on to episode 5, I'd like to highlight this line, spoken by Dany to Tyrion and Varys in episode 4:

"Speaking to Cersei will not prevent a slaughter. But perhaps it's good the people see that Daenerys Stormborn made every effort to avoid bloodshed, and Cersei Lannister refused. They should know whom to blame when the sky falls down upon them."

Let's be clear on one thing here: Cersei could choose to back down and surrender to avoid bloodshed - but, and I cannot stress this enough, so could Dany. Cersei and Dany are both being selfish and power-hungry by refusing to give up the throne in order to avoid bloodshed. But to admit that would ruin Dany's deeply rooted self-image as morally superior to her enemies. So what does she do instead? She deflects blame. She's the one with the dragons, but if she makes the sky fall down on people, as she puts it, it's not her fault. Keep that in mind.

Now for the absolute low point:

"What did I say would happen if you told your sister? [...] She betrayed your trust. She killed Varys as much as I did. This was a victory for her. Now she knows what happens when people hear the truth about you."

Okay. Varys was conspiring against Dany, which he could've chosen not to do; I guess Dany was within her rights to punish him. She still could've chosen to imprison him, or at least give him a trial. Nobody made her kill him. But as we've just seen, Dany doesn't like to accept responsibility for her own decisions. She'd rather deflect the blame onto the people who displease her.

What's more, she's not just blaming Sansa for Varys's death but Jon as well, for telling Sansa the secret in the first place - which Jon was well within his rights to do! He never agreed not to tell anyone. That wasn't up to Dany to decide in the first place. Jon did what he wanted to do and not what she wanted him to do, so now everything Dany does as a result of Jon's actions is Jon's fault? Do I even need to explain how shitty this is?

"Far more people in Westeros love you than love me. I don't have love here. I only have fear."

This is entirely true. She never stops to think about why Jon is more beloved in Westeros than she is, but whatever. What's important is that after this, Dany initiates a kiss and Jon rebuffs her.

(Gifs from snowsource)

"Alright then. Let it be fear."

Again, what exactly do we think she's implying here? Remember the context. During this conversation, Jon already told her "you will always be my queen". He hasn't rejected her as his queen (which at this point he damn well should), he's just rejecting her sexual advances. And yet, Dany's reaction to his personal rejection of her is to embrace "fear", which again refers to how all of Westeros sees her, not just Jon. Dany already deflected blame for her previous actions onto people who displeased her including Jon, and now she's deflecting the blame for her future actions in the same way. And we all know what she did after this, don't we? I don't know how the line "let it be fear" can mean anything other than "you rejected me and that's why I'm going to embrace being feared, so whatever I do now in the name of being feared is really your fault. Look what you made me do." If that isn't abuse, I don't know what is.

[jthealien]

I was going to do a quick analysis on the comic’s title in relation to Buddy and uh. here I am now 900 words later. hope at least one person enjoys this,,

TLDR: Maybe the real Cinderella Boy was the weird goth friends we made along the way.

So I was doing my routine pondering of Dreams by Night (because symbolism and parallels are like crack to me) and this line right here might my favorite piece of dialogue in the whole comic:

Really this scene as a whole might be my favorite moment, but that line in particular — and its implications — are so fascinating to me.

Chase yet again breaks the conventions of a story, but this time it's the story of Cinderella Boy itself. In this case, Chase relinquishes his title of The Hero — or more accurately — The Protagonist. I don’t think it’s any coincidence that right after this moment is our first glimpse of Buddy outside of Chase’s perspective. Outside of the narrative up to that point of him being a villain.

I also don’t think it's a coincidence this is something as unreliable as a dream: a (quite literal) look inside Buddy’s head and thought process. Again, further establishing the unreliability of the story’s narrative as we know it.

I’ll stop before I go full blown analysis mode on the comic’s meta themes of narrative and conventions (saving that for another time). But I do bring up all this stuff about changing the view of the narrative, because I want to talk about another implication of ”This can be your story too.”

Which is that the title of Cinderella Boy actually refers to Buddy (or at least also refers to him).

Chase does fit a lot of the qualities of Cinderella and that story. I mean, it’s the very first story we see him in. But, I also think the Cinderella story fits Buddy even more.

List:

—A young person trapped in a horrible situation, stuck wearing rags and being treated as a pawn for a higher authority’s bidding. (Cinderella being a servant for her “family” and Buddy being a servant for Ex Libris).

—Said higher authority being cruel (The Evil Stepmother and the Old Man)

—The young person is assisted by a lady who gives her nice clothes and an avenue to escape reality. (Violet acting as a fairy godmother-like figure).

—Young person falls in love with a man who can rescue them from their troubles (the Prince and Chase), but doesn’t reveal their identity to the man

—Both Cinderella and Buddy are just nicknames, but that’s how everybody refers to them.

So yeah, lots of parallels to Cinderella with Buddy, at least based on the little we know about him.

I also want to bring up something we see in the very beginning of Cinderella Boy. In the first episode, we get a cliff notes version of Cinderella’s story. Colors (especially background colors) are really important in the comic, representing emotions and characters. And what is the main color that reappears again and again in this episode?

Purple.

The petals and roses that surround the snippets of story and the revealing of the main character, all Buddy’s signature color. The petals only turn pink — Chase’s color — when Chase actually appears.

Side note: The inclusion of both purple and pink side by side in this episode also alludes to the fact that, from the start, this is both Buddy and Chase’s story. (Seriously, go check it out, there’s so many instances it’s hard to unsee when looking for them).

Also, where else have we seen purple roses? Oh yeah, Chase’s dream in Dreams by Night. I’ve already rambled about its importance to shifting the narrative. Granted that’s not the only place purple roses appear, but it’s the most relevant.

Beyond just the colors, the actual descriptions of the heroine in the first episode should sound pretty familiar. A person “unknown to all” and “dressed in humble rags.” Sounds a lot like Buddy, from what we see in his dream at least.

Ok, so having discussed all of Buddy’s connections to Cinderella and the comic’s title maybe being about him, this is the part where I start speculating and jumping fifty different sharks. I want to make some predictions about Buddy based on the Cinderella story.

List (the sequel):

1- Buddy is an orphan. (Not far-fetched of an assumption to make about him in general, since in Beach Boys VI he expresses what seems to be confusion about the idea of having a family).

2- The palace’s clock is important in Cinderella, and Buddy’s dream heavily features a clock. So, Buddy’s likely running out of time for something. To find the keys or just being able to see Chase, either/or. What’s going to happen when that time is up? Well…

3- Mimicking Cinderella running away at midnight, Buddy’s going to be forced to leave the stories for good, likely as the season finale.

4- I think Buddy’s going to leave behind a metaphorical glass slipper, an identifier. What do I think it’ll be? His name. (Considering the current relationship between Buddy and Chase. And the fact we’re getting close to the end of the season and therefore a Buddy name reveal, I don’t think this is too improbable).

4.5- This is the most out there one, but Buddy’s name might be related to the name Ella, which is Cinderella’s original name in many interations. Maybe Ellis, Elliot, or Elijah.

It’ll be fun to see if any of these are actually close to what’ll happen. And with that, I’ll end my red string board session for now. :]

[rafesapologist]

the setback ─ rafe cameron; part ten

summary: it's been two years since your departure from the outer banks and rafe cameron has seemingly convinced himself that he can go on with his life as if you never happened, except now more than ever his addiction is at an all time high. whether he was snorting lines of cocaine at wild parties or drowning himself in alcohol to numb the pain, rafe couldn't escape the memories of you. despite his efforts to bury his feelings, your absence lingered like a shadow, haunting him at every turn. meanwhile, you've been navigating life outside the outer banks, trying to carve out a new path for yourself. but no matter how far you've traveled, the memories of rafe cameron still linger in your heart, leaving you with a sense of unfinished business. as you find yourself facing new challenges and opportunities, you can't help but wonder if fate will eventually bring you back to the place where it all began.

warnings: sexual themes, mentions of m*rder, swearing

You found yourself back at the chateau, retreating into the sanctuary of your room with the heavy weight of indecision pressing down on you. The door shut behind you, enveloping you in a cocoon of solitude as you sought refuge from the turmoil swirling outside.

For the past few days, you had confined yourself within these four walls, venturing out only when absolutely necessary – for snacks or brief interactions with your friends to assure them of your well-being. Work obligations pulled you out occasionally, but other than that, you remained hidden away, grappling with the multitude of thoughts and emotions that consumed you.

The encounter with Topper at the golf course had rattled you more than you cared to admit, stirring up old wounds and unresolved feelings that you had buried deep within. And while you had managed to maintain a facade of composure in front of the others, the truth was that you were struggling to make sense of it all in the solitude of your room.

The news that JJ had delivered to you only added to the weight on your shoulders, casting a shadow of uncertainty over the already tumultuous situation. You found yourself torn between conflicting loyalties, unsure of which path to take and what consequences awaited you at the end of each.

As you sat on your bed, bathed in the soft glow of lamplight, you couldn't help but feel a sense of exhaustion wash over you – both physical and emotional. The events of the past few days had taken their toll, leaving you drained and depleted, yearning for a moment of respite from the chaos that seemed to follow you wherever you went.

But even in the midst of the turmoil, a part of you longed for clarity, for a glimpse of the path forward that would lead you out of the darkness and into the light. And as you closed your eyes, you whispered a silent prayer, hoping against hope that the answers you sought would reveal themselves in due time, guiding you towards a resolution that would bring peace to your troubled heart.

In the solitude of your room, the weight of your decision bore down on you like a heavy burden, squeezing the air from your lungs and clouding your thoughts with uncertainty. It seemed like a simple choice on the surface – spy on Rafe and risk betraying his trust once again, or refuse and potentially jeopardize the safety of your friends, including John B. But as you wrestled with the implications of each option, you realized that there was no easy way out of this dilemma.

On one hand, agreeing to spy on Rafe would mean betraying his trust yet again, potentially driving a permanent wedge between you and the person who had once held a special place in your heart. The thought of hurting him again made your stomach churn with guilt, but you couldn't ignore the gravity of the situation – Ward's threats loomed over John B like a dark cloud, and any information that could help protect him was invaluable.

On the other hand, refusing to spy on Rafe would mean letting down your friends, particularly John B, whose safety was now at risk more than ever before. You couldn't bear the thought of putting them in harm's way, but at the same time, you couldn't shake the feeling that betraying Rafe's trust would be a betrayal of your own moral code.

It was a war waged within your own mind, a battle between loyalty and duty, between friendship and integrity. And as you grappled with the weight of your decision, you couldn't help but feel a sense of frustration and resentment towards the two people who had unwittingly placed you in this impossible position.

They didn't understand – couldn't understand – the commotion that churned within you, the agonizing choice that lay before you like a noose tightening around your neck. And as you stared out into the darkness beyond your window, you knew that whatever choice you made, it would come at a cost – a cost that you would have to bear alone, with no one to share the burden but yourself.

The knock on your door came as a sudden shock, breaking you out of your own mind and thoughts. You jumped up immediately, not wanting to leave the person on the other side of the door to worry. When you opened the door, you were met face to face with Sarah, who greeted you with a warm smile and a plate of cookies in her hands.

"Hey, Sarah," you replied, returning her smile as you stepped aside to let her in. "Thanks for stopping by, and for the cookies. They smell amazing."

"I just wanted to stop by and check in, and give out some cookies cause I made some because I was bored," Sarah explained, her tone light and friendly as she stepped into your room and set the plate down on your desk.

"Well, I figured you could use a little pick-me-up," she continued, her eyes filled with concern as she glanced around the room. "You've been cooped up in here for days. Everything okay?"

You hesitated for a moment, unsure of how much to reveal. But as you met Sarah's gaze, filled with genuine care and compassion, you felt a wave of gratitude wash over you. "Honestly, I've just been… sorting through some stuff," you admitted, a hint of vulnerability creeping into your voice. "It's been a bit overwhelming."

Sarah looked at you with her eyebrow raised, concern etched on her face as she inquired further. She sat down on the edge of your bed next to you, her expression urging you to open up.

"What do you mean? What's been going on?" she asked gently, her voice soft yet insistent.

You sighed, feeling the weight of the words you were about to speak. "It's... complicated," you began, searching for the right way to explain without overwhelming her with the details.

"I've just been feeling torn between... different things," you continued, choosing your words carefully. "And I'm not sure what the right choice is."

Sarah's head tilted slightly to the side, a gesture that conveyed both curiosity and concern. "Torn between what, Y/N?" she asked gently, her eyes searching yours for answers.

You hesitated, knowing that what you were about to reveal could strain your friendship. "Well… it's about this whole John B situation and Rafe," you began slowly, bracing yourself for her reaction. "I understand that this is a big deal and we have to deal with your dad and all, but JJ told me the other day that you guys need me to spy on Rafe again and I just… I don't think I have the strength to do it. It's not right, Sarah."

Sarah nodded slowly, her expression contemplative as she looked down at the cookie in her hands. Taking a bite, she seemed lost in thought for a moment before speaking. "Look," she began, her tone measured, "if anyone understands your position, it's me. I mean, I was forced to choose between John B and my dad at one point, remember? It wasn't an easy choice, Y/N. But I followed my heart and ended up doing what was right for me, not what everybody else wanted."

Her words resonated with you, reminding you of the difficult choices she had faced in the past. You nodded, grateful for her understanding and empathy. "I just wish it were that simple," you admitted, feeling the weight of the situation bearing down on you once again.

"it's never going to be easy, Y/N, but you can't let everyone make decisions for you. Do what feels right for you." She reassured, looking at you with full sincerity draped across her face.

"I know, but JJ is really counting on me for this, and I can't imagine his disappointment if I tell him I won't do it."

"Y/N, stop worrying about what JJ thinks. JJ is always going to want you to live up to the idea of you he has in his head, but in reality, that's not you. If you feel like it's wrong to do, then don't do it. I, for one, don't want to be the reason you're heartbroken because you were forced to spy on Rafe again. And besides, there are other ways we can spy on Ward."

Her words sank in, and you felt a sense of relief wash over you. Sarah always had a way of cutting through the noise and offering a clear perspective. You nodded, grateful for her advice. "You're right," you admitted, feeling a weight lift off your shoulders, "Thanks, Sarah. I needed to hear that."

Sarah grinned, rising from the bed. "Anytime. Now, try not to worry too much, okay? Everything will work out in the end."

You nodded gratefully, feeling a sense of relief wash over you. "And thanks for the cookies too."

With a reassuring smile, Sarah opened the door. "Just remember, I've got your back no matter what. See you later." And with that, she left you alone with your thoughts and a plate of cookies.

As Sarah left the room, you found yourself alone once again, the silence of your surroundings amplifying the weight of your thoughts. Each passing moment seemed to stretch into eternity as you wrestled with the decision looming over you. Sarah's words were a balm to your troubled mind, offering a sense of solidarity in the midst of uncertainty. You nibbled on a single cookie, its sweetness a small comfort as you leaned back against your headboard, the soft warmth of your room enveloping you. With each bite, you felt a semblance of calm washing over you, allowing you to momentarily escape the weight of the world outside your door.

As the minutes ticked by, you found yourself inching closer to a decision, the weight of Sarah's words guiding you towards a path illuminated by your own convictions. With a renewed sense of resolve, you knew that whatever choice you made, it would be a reflection of your own truth, untainted by the expectations of others.

As you sat there contemplating your next move, the weight of the decision pressing down on you like a ton of bricks, you couldn't shake the feeling of being torn between two worlds. The thought of spying on Rafe again filled you with a sense of dread, yet you also felt a sense of obligation to JJ and your friends. It was a moral dilemma that seemed impossible to resolve.

After a moment of internal debate, you finally made a decision. With a deep breath, you reached for your phone, its screen lighting up as you unlocked it. Your fingers hovered over the contacts app for a brief moment before you mustered up the courage to tap on Rafe's name.

With a deep breath, you pressed your finger to the screen, summoning the courage to make the call. Each passing second felt like an eternity as you waited for the phone to connect, the anticipation building with each ring.

Finally, after what felt like an eternity, you heard the click of the line connecting, followed by Rafe's voice on the other end. It was a familiar sound, one that stirred a multitude of emotions within you.

"Hello?" Rafe's voice came through the phone, tinged with curiosity and uncertainty.

"Hey, Rafe," you began, your voice betraying the nervousness you felt. "I… I need to talk to you about something."

"Okay, what's going on?" Rafe's voice held a hint of urgency, his curiosity evident in the question.

You hesitated for a moment, gathering your thoughts before deciding to confront the issue head-on. "I think we should talk about it in person," you finally responded, your tone firm yet tinged with apprehension.

There was a brief pause on the other end of the line before Rafe replied, "Sure, where do you want to meet?"

You took a deep breath, steeling yourself for the conversation to come. "How about at the docks? It's quiet there this time of day."

"Sounds good," Rafe agreed, his voice carrying a mix of emotions. "I'll see you there."

You hurriedly threw on a gray jacket over your white tank top, knowing you needed to shield yourself from the cold ocean breeze at night. As you zipped it up, you contemplated your exit strategy. Going through the living room was out of the question; JJ and the boys were there, and they would undoubtedly inquire about your late-night plans. The only feasible option left was the window.

Approaching the window, you took a moment to ensure it was unlocked before sliding it open with a soft creak. Peering out into the darkness, you gauged the distance to the ground below. It wasn't too far, but still a risk. With a deep breath, you swung one leg over the windowsill, followed by the other, and carefully lowered yourself down onto the grass below.

Once your feet touched the ground, you straightened up, brushing off any dirt or grass clinging to your clothes. Casting a quick glance around to make sure no one had noticed your unconventional exit, you set off toward the docks, the cool night air swirling around you as you made your way through the quiet streets of the Outer Banks.

In typical Outer Banks fashion, the roads were dimly lit, if at all. You were lucky if you found a light pole within a mile of the roads at night. But luckily, the docks weren't too far, and you knew your way well. The only downside was the wind from the nearby ocean, whipping through your hair for the entirety of your walk there.

You began to shiver, your arms crossed tightly against your chest as you approached the docks. The old wooden planks creaked under your weight as you treaded cautiously, scanning the area for any sign of Rafe. The faint sound of waves crashing against the shore provided a soothing backdrop to the eerie silence of the night.

You stood there for a moment, your arms wrapped tightly around you as you gazed out at the vast expanse of the ocean, mesmerized by the rhythmic crashing of the waves against the dock. Lost in deep thought, you waited patiently for Rafe to arrive. You knew his trip from Figure 8 would take a bit longer than yours, but you expected he would be driving, so you wouldn't be waiting all night.

As you stood there, contemplating the gravity of your actions, you couldn't shake the nagging feeling of guilt gnawing at the edges of your conscience. Meeting up with Rafe while still technically with JJ felt like walking on thin ice. The potential fallout, especially if JJ were to find out, weighed heavily on your mind. You knew that it could irreparably damage your relationship with JJ, especially given his history with Rafe.

As the raindrops gently peppered your skin, you couldn't help but feel a sense of frustration rising within you. Each droplet seemed to mock your predicament, adding to the complexity of the situation. You cursed softly, your breath visible in the cool night air as you stood alone on the deserted dock.

Then, like a beacon in the darkness, headlights emerged in the distance, cutting through the night like a knife. Your heart leaped with anticipation, hoping it was Rafe's truck finally arriving. As the vehicle drew closer, the sound of its engine reverberated against the wooden planks beneath your feet, creating a symphony of anticipation and uncertainty.

Your heart skipped a beat as Rafe emerged from the truck, his familiar figure providing a sense of comfort amidst the uncertainty of the night. Despite the hoodie pulled over his head, you recognized his tall silhouette immediately. Relief washed over you as he stepped out, hands tucked into his pockets to shield himself from the light drizzle.

With each step closer, his presence felt more palpable, his figure becoming clearer in the dim light. You couldn't help but feel a surge of emotions as he approached, a mix of apprehension and longing swirling within you.

As Rafe closed the distance between you, each step seemed to echo in the quiet night, emphasizing the tension that crackled in the air. His familiar silhouette emerged from the shadows, the hood of his jacket casting a shadow over his features. You could feel the intensity of his gaze even before his eyes met yours, a silent conversation already taking place.

When he finally reached you, his presence loomed over you, his height accentuated in the dim light. The subtle scent of rain mixed with his cologne lingered in the air, adding to the surreal atmosphere of the moment.

Standing mere inches apart, you found yourself lost in the depths of his gaze, a myriad of emotions swirling beneath the surface. With every beat of your heart, the anticipation grew, the unspoken words hanging between you like a delicate thread.

You gave him a weak smile, knowing what you were about to tell him was anything but good. Taking a deep breath, you continued, "Thanks for coming to meet with me, I know it's kind of late."

Rafe's expression softened slightly at your words, his gaze softening as he replied, "Of course, y/n. I'll always make time for you."

Feeling a surge of guilt wash over you, you looked down at your hands, fiddling with your necklace nervously before meeting his gaze once more. "Look, I don't know if this is going to make sense to you, but I felt awful if I didn't tell you, especially after what happened in the past," you started, your voice wavering slightly. "JJ came to me at the golf course after the whole incident with Topper, and he asked me to do something, for John B."

Rafe's brows furrowed in confusion, his expression shifting to one of concern. "What did he ask you to do?"

You swallowed hard, the lump in your throat making it difficult to speak. "He… he asked me to spy on you again."

Rafe looked at you, his expression shifting from concern to confusion. "Spy on me? Again?" he repeated, disbelief evident in his voice.

You nodded, feeling the weight of the situation pressing down on you. "Yeah… I know it's messed up," you admitted, your voice barely above a whisper. "But JJ thinks it's the only way to find out what your dad's next move is."

Rafe ran a hand through his hair, his eyes searching yours for any sign of hesitation or doubt. "And what did you tell him?" he asked, his voice strained with emotion.

You sighed, a solemn look on your face as you continued, "I told him I don't know if I can do it, because I… I can't hurt you like that again and it's not right. He's been mad at me ever since and wants me to 'think about it,' but I can't do it, Rafe. I… I can't make the same mistake twice, not to you." Your voice trembled with emotion as you spoke, each word a struggle as tears welled up in your eyes.

Rafe remained silent for a moment, his expression unreadable as he processed your words. Then, he reached out, gently wiping away a tear that had escaped down your cheek. "Hey," he said softly, his voice a comforting presence amidst the turmoil, "you don't have to do anything you're not comfortable with, especially if it means hurting yourself in the process."

You looked up at him, grateful for his understanding, but also feeling guilty for burdening him with your dilemma. "I just don't want to disappoint anyone," you admitted, feeling the weight of the situation pressing down on you.

Rafe cupped your face in his hands, his gaze unwavering as he met your eyes. "You're not going to disappoint anyone by following your heart, y/n," he reassured you, his thumb brushing gently against your cheek. "And if JJ can't see that, then that's his problem, not yours."

His words were a balm to your troubled soul, offering you a sense of clarity and reassurance in the midst of uncertainty. You leaned into his touch, finding solace in his presence as the rain continued to fall around you, the sound of the ocean providing a soothing backdrop to your conversation.

Rafe looked up into the distance, sighing before he spoke, "If anything, I'm more pissed at the fact that JJ is still plotting against me and thinking I won't do anything about it."

You nodded in understanding, feeling a surge of frustration coursing through you at the thought of JJ's actions. "Yeah, I get that. But I also think JJ's just trying to protect John B, even if it means making some questionable decisions," you replied, your voice tinged with sympathy for your friend's predicament.

Rafe let out a sigh, running a hand through his hair in frustration. "I know, I know," he muttered, his expression conflicted. "But it still doesn't sit right with me, you know? I thought we were past all this."

You nodded, unable to speak while your emotions were caught in your throat like a foreign body unable to be swallowed down. Your red, teary-eyes gazed back up at Rafe, trying to regain your composure while your mind tried to put together a cohesive sentence. But as if reading your mind, Rafe spoke up again.

"And thank you for not agreeing to do it. I know your friends mean a lot to you... and JJ," Rafe swallowed hard, his jaw clenching at the mere utterance of JJ's name, "I know that wasn't easy for you." His tonality was sincere but his expression remained almost stoic as if there was a war waging within his mind.

You remained silent for another moment, your eyes flickering back and forth between Rafe's azure optic hues as you wondered what was going on in his mind that cause his sudden change in demeanor, "What is it, Rafe?" you questioned.

"Nothing I," he hesitated for a brief second with his hand combing through his hair — an emphasis of his presumed trepidation, "I just hate the fact that they keep setting you up to spy on me s'all. I mean the first time was one thing, but to do it again? I don't get it." You sighed at his admission, feeling a wave of guilt wash over you knowing that you were partially to blame for being a part of the set up in the past.

"It's not necessarily you, it's your dad. He's been out to get John B since we left this island," you avoided Rafe's lingering gaze with your eyes glued to your feet, "and the reason why he ever was is the same reason I hated you when I got back here."

Rafe's body perked up at your comment, both intrigued and confused by your testament. You could tell he had no idea what you were referring to, which only made you feel more unnerved to bring up the topic figuring it was a touchy one for him. Surely he didn't think you knew about his secret, but at the same time, word gets around quickly.

"Rafe.. I know what you did." You blurted out without a second thought, wanting nothing more than to just rip the bandaid right off right then.

"Y/n, what are you talking about?" Rafe crossed his arms defensively with a cocked brow, looking at you as if you were the one who was acting crazy.

The next few words to come out of your mouth were painful, not only for you but for Rafe as well. They fired off like bullets that would leave a gaping wound with it's fragments engraved into anything that surrounded you. But you couldn't lie and hide the truth, you had already said too much to shy away.

"I know you killed Peterkin."

You announced the news rather recklessly and rushedly with your words barely hitting your tongue before they came out. What you said was true, at least to your knowledge, but it didn't make the situation any less uncomfortable and treacherous. You knew that by putting out there what you knew, it made everything all the more real, and it left a bitter taste in your mouth. You watched Rafe practically wince in response as he took in every single word you said. You still felt guilty nonetheless, but you had to confront him sooner or later.

"You don't know what you're talking about. Is this something else one of your Pogue friends lied to you about me?" Rafe spat, inching intimidatingly closer as he backed your against the wooden railing of the dock.

"It doesn't matter who told me.. why else would your dad be trying so hard to frame John B? I'm not stupid, Rafe."

"So what, are you scared of me now? Do you think I'm some kind of monster like the rest of them do? Are you gonna run away like you did two years ago?!" He expectorated right in your face, so close you could practically feel the anger coming out of him like a smoking gun. It was a side of Rafe you had never seen before, even after he found out about your ploy against him, you still saw a glimpse of humanity in him. But this time was different. He looked like he was full of nothing but spite and betrayal, even a hint of humility. What did it mean to him for you to know his darkest secret, even when he wouldn't flat out admit it was true?

"When I found out I was," you blinked, your voice betraying you by the dryness in your throat, "I resented you a lot because what you did put my friend in a terrible situation. He had to go into hiding and so did I." Rafe watched you intently as you spoke, each word given a second thought before coming out of your mouth in fear of setting off a ticking time bomb that was building within Rafe.

"But then I saw you for the first time in two years and every ounce of logic I had just kind of left. Call me crazy I guess," you shrugged with a glimpse of shame displayed in your body language and the averse look on your face that was evident to Rafe. You could see clearly that he was at a loss for words, unsure of what the right response was to the revelations you laid out before him. He gaped at you as if he wasn't entirely sure that you were real in a way that made your cheeks feel hot and flushed, small underneath his menacing stature.

Time seemed to stand still for a moment, torn between remaining in an uncomfortable silence that was louder than any words could say, or letting yourself do damage control and simply hope that Rafe would disregard everything your just poured into him shamelessly. You felt like an idiot the longer it took him to respond and merely just gaze down at you. It felt rather daunting with the uncertainty of if he thought you were insane or understood every word you meant.

But just as the silence began to weave a lump in your throat that nearly suffocated you, a sudden force nearly knocked you a few inches back from where you stood, your lips suddenly being greeted with a pair of soft ones that moved against yours with ease. Butterflies erupted in the pit of your stomach once you had came back to reality and realized it was Rafe kissing you, passionately at that.

His hands snaked down your waist and behind your back, just before the would holster you up against the dock railings. You could feel electricity fire off inside your body once you heard Rafe groan against your lips, his hands eager to touch every inch of you as they aimlessly rubbed and gripped up and down your hips, thighs, and chest. As though it were instinct, you wrapped your legs around his waist with an eagerness to feel his body pressed closer to yours. Both of you were practically feral, bodies grinding against one another as you both silently pleaded for more.

"You're not crazy," Rafe breathlessly spoke as he tore away from your lips to stare back at you as he grabbed your face with sincerity, "you're perfect. So, so perfect." He mumbled as he kissed down your neck swiftly, making your thighs clench together tightly.

"I don't give a fuck what any of those Pogues say," Rafe moaned against your skin while his hands inched up your thigh, "you're mine. And I don't give a fuck what I have to do to let them know it."

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[autistic-robin]

Why “Hiding in the Light” Didn’t Work: Stranger Things’ Psychospiritual Implications

Supplementary Sources: Jungian Theory & A Wrinkle In Time

Alright, buckle in. I’m running on a year’s worth of spiritual awakening, deep dives into Jungian theory and non-dualism, and my own ego’s primary coping mechanism: immersing myself in media as escapism. The purpose of this analysis is to break down the themes of non-dualism and light/darkness in ST (and maybe predict some character arcs), and also to position the narrative of ST as a psychospiritual wake-up call.

For some context: last year, I discovered the work of psychoanalyst (or philosopher, depending on who you’re talking to) Carl Jung. He had a pretty extensive theory about the human psyche that I immediately connected to the themes throughout Stranger Things, specifically Vecna’s mind control and curse. I’m going to break Jung’s theory down as succinctly as I can, and then delve into how it plays out in our favorite gay monster show.

But before I delve into Jung’s ideas, I also think it’s important to define selfhood (you’ll understand why in a minute). For the purposes of this analysis, the experience of the “self” is an illusion created by our senses, perceptions, memories, and consciousness, all of which are impermanent. Therefore, the self is what we call “conditioned.” There is no you or me, just the ideas we have of ourselves.

Now, we can get into Jung’s theory. He posited the following:

1. Every individual has a “persona” they show the world (a constructed self) to feel like they belong. Underneath this persona, everyone has a personal “shadow,” or the part of themselves they don’t want to acknowledge. This shadow is always projected onto others— every negative thought we have about someone else is a product of our own unintegrated shadow. Note: The shadow is NOT bad, it just “is.” It’s actually there to HELP us grow and integrate all the unhealed parts of us.

2. Individuals’ shadows are usually part of their unconscious, meaning most people are not aware of their shadow side or cannot bear to delve into their trauma/darkness and begin to heal it.

3. All of human consciousness is CONNECTED. This means two things. 1: There is a “collective unconsciousness” that contains the sum of all of our unintegrated trauma, and 2: We can heal our collective unconsciousness by healing our own unconsciousness.

How do we heal our own unconsciousness? By becoming AWARE of our shadow side, accepting and forgiving the conditioning that created it, and working to encourage others to do the same.

What— or rather, who— does that remind you of?

Also— great use of lighting here.

We know Vecna has direct access to his victims’ consciousness; not just their memories, cognition, and emotions, but also their awareness itself. This is how he’s able to target and trance people. But it’s not just their consciousness Vecna has access to; it’s their unconsciousness. Their shadow. Their trauma. Yes, he has psionic abilities akin to El’s, but as far as we know, El can’t access the collective unconsciousness like Vecna can. She is only capable of “remote viewing” via the void or piggybacking into people’s minds. So why is Vecna capable of this?

If you want my take on it: the only way to access a collective shadow would be through accessing your own shadow. So is Vecna really Henry, or his unintegrated shadow? And is either really condemnable, considering the larger themes of the show?

We see this theme of non-dualism echoed in Brenner’s NINA pep talk with El:

It’s fascinating to me that they’re communicating these bigger thematic ideas through the show’s “villians”— while the above conversation could be taken at surface-level as Brenner being manipulative, it’s important to acknowledge the truth of what he’s saying. NINA is only successful because El faces “the good and the bad.” This is why “hiding in the light” is a no-go for Max.

Focusing only on happy memories is a form of emotional bypassing. Throughout the show, we’ve been told time and again that hiding doesn’t work. Neither does running away. The only way out for our characters is through their own shadows.

Now, the fun part: predictions. Looking at all of this with a Jungian lens, it doesn’t make much sense to villianize a character or to end the story by “defeating evil.” In non-dual theory, there are no evil people, only unhealed ones.

We know what worked for our characters temporarily (Will in the UD, Max in her first trance, El using her powers against Vecna) was the memory and vibration of love.

This reminded me of A Wrinkle In Time, which is a science fiction novel that’s been noted more than a few times as one of Stranger Things’ primary influences. In the book, a girl and her brother travel through time to rescue their father from an alternate dimension where all beings are controlled in a hyper-individualist suburbia by a giant, all-knowing brain. The climactic “defeat” of the brain is shockingly simple, but incredible impactful— Meg, the heroine, tells it over and over that she loves it. This love ultimately brings her father and brother out of trances they are in, and they’re able to remember her and travel back home.

(Tangent: And God. The implications of that, outside of analyzing ST, are powerful. How do we live in a capitalist hellscape that is so caught up in the mind— in acheiving, obtaining, securing, protecting the ego— that many of us have forgotten our hearts? The answer is love. Loving ourselves more deeply to love all beings more deeply, “the good and the bad.” But love does not negate accountability, and it does not excuse harm.)

Our characters are all struggling with self-acceptance and self-love in some form or another. Each is wrestling with secrets and lies, and the desire to hide parts of themselves they think others can’t accept.

Mike is clearly struggling with self-loathing, guilt surrounding what happened to El in s1, and a crippling hero complex.

Will is also on the self-loathing train, continually self-sacrifices to his own detriment, and is hiding his identity out of fear (not at all villifying that, just for the record.)

El struggled to reconcile her abilities and forced weaponization with her identity outside of the lab pre-s4.

Max was suicidal and had a lot of self-hatred after B*lly’s death.

Nancy parallels Mike in her survivor’s guilt post-s1 and exhibits the same lack of self-preservation and self-sacrificing tendencies.

You get my point. So how will these characters overcome their trauma? Not through hiding, or running, or bypassing. Not through the light alone. Through love— acknowledgement of their own darkness, compassion for the unhealed nature of others, and commitment to being honest with themselves and their loved ones. We know Will is El and Henry’s mirror/foil and will play a central role in S5, and with all of this in mind I think it’s safe to say he will break the cycle of bypassing and hiding from trauma and pain once and for all. He won’t fight it like El, hide from it like Max, or run from it like he did as a kid.

Only by integrating their shadows can our characters become truly “themselves,” or as Brenner puts it, “whole.”

I will probably have much more to say about this after my re-read of A Wrinkle in Time, but for now, that’s all I’ve got. :) Hope everyone is doing well!