#which I don't think they'd do

[kaythefloppa]

I feel as though Wild Kratts is going to redeem one/more/all of its villains before Season 7 ends; I don't know, I feel it in my bones and I don't know how to feel about it.

[egophiliac]

don't think I'm not still obsessing over 7-12

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[danwhobrowses]

Goodness this is like the third episode in a row begetting discourse among the cr fandom. For me this discourse has two perspectives where the division depends on whose perspective you're looking at;

For the armies it was 'We've been sent by the gods and are here to help you stop Predathos as we pla-wait, you're a vessel of Predathos? Isn't that just like Ludinus planned??' which yeah is valid from their perspective

For the Hells it was 'We just came out of 4 back-to-back battles with Ludinus and Predathos itself, we have a solution to save the gods but change the dynamic but we want to discuss it privately with the gods first and now you're trying to kill us!?' which is also valid

What puts me more on BH's side is that we have the context; BH are allowed to be terse when people try to kill them and fail, least of all allies who don't ask for an explanation before asking their god to come down and smite them. They're not villains because they snarked at the person who attempted to sic their god on them, and it's not as if Imogen sic'd Predathos on them in retaliation. Once again they are met with the thankless job and burden that they neither wanted or asked for, but was thrust upon them anyway. With all the times Bells Hells have been criticized for being aimless and indecisive it seems a little strange to criticize them now for being focused and decisive.

Could they have explained from the start? Maybe. Would it have caused a different reaction the moment they said Predathos is in Imogen? Probably not. I can't tell you why they didn't come out of the Cage and immediately explain because I'm not the players; perhaps they wanted to avoid the hysteria and conflict, perhaps they were drained from the fight and wanted to wrap up the episode, or perhaps it was just down to Bell's Hells, as with all CR campaign parties, being infamously bad at communicating, I don't know.

But it's times like these where it's worth reminding that this is a DnD show, nerdy-ass voice actors having fun, it can't always be clean and clear-cut storytelling every second. And sometimes as a fandom we need to take a step back so we don't get ourselves stuck, because we're probably making it deeper than it is and getting annoyed at each other over our interpretation of two groups from the same side getting annoyed at each other. Just, take a breath.

[claitea]

thought it would be fun to put alto in a plasma grunt uniform and it was a good excuse to doodle the ranger n i keep thinking of as well

[transfemstarscream]

FIRST PANEL: Optimus: "Are you all right? Starscream?" SECOND PANEL: "Commander... what is this? Hey! what are you two doing?!" THIRD AND FOURTH PANELS: Starscream: Optimus... are you ashamed? Are you ashamed to be with me?

star/op manga panel edits, based off of transformers: allspark and henkei! henkei! transformers. read from right-to-left!

[welcometogrouchland]

I'm going to be so real I do not understand tim & steph shippers who feel that Steph dating Tim again would save her character. You can make an argument that giving Tim a more compelling love interest would be beneficial for him! And you can at least make an argument that the fujo mischaracterization of Steph would stop. However she'd still, inevitably, be treated as a prop character/extension for someone more popular 😭 it also wouldn't make her appear in more books! Tim doesn't have many frequent appearances at the moment either! You can just say you like the couple and want them back together without acting like you have some kind of moral stance

[scoriarose]

The Language of Love

If you are already convinced snakes are incapable of love, this post is not for you. But if you are open to the possibility that maybe they do, and maybe they love us too, this post explores that thought. Perhaps snakes feel it differently, perhaps they feel it the same humans do- though even humans experience love, be it platonic or romantic, differently from individual to individual. Different people also show their love in different ways as well! Yet still even with a divide between species most of us have felt love from our furry and feathered friends. Perhaps our scaly friends are also telling us they love us, we just might not understand.

When I first got my girl Scoria, if I could tell her only one thing it would be, "I love you." When I held her, I wondered if she understood how much I cared about her, and would do anything to protect her. When I pet her, I wondered if she knew how amazing I thought she was and enjoyed spending time with her.

And then I started watching livestreams of wild snakes, and how they act toward each other. (The above still is from Project Rattle Cam!) When the babies see a trusted adult, they slither all over them! How many times had my girl happily slithered all over me going no where in particular? I imagine that my finger petting her soft as a feather was probably quite similar to another snake greeting her in such a way.

Sakura is much more shy, yet wants to form a bond with me. I see it when she fights her fear to vibe with me. Sometimes she'll sit for hours at the edge of her tank nearest me, not wanting to come out, but just be near me.

Snakes like rattlesnakes and garter snakes will vibe peacefully with each other, with baby rattlesnakes sleeping near the adult rattlesnakes they trust to keep them safe.

Perhaps, when our shy snakes sits with us, facing their fears they're saying, "I'm scared, but I want to be closer with you." And maybe when our snakes slither all over us, going nowhere in particular, like their wild counterparts do with each other they're saying, "I'm so happy to see you! You're my favorite to be with!" I wonder if they could tell us one thing it would be "I love you, best friend!" And it's okay, best friend. I love you too, and already know. <3

[spookythesillyfella]

remember when i had that dream where you [Y/N] have a sleepover with tumblr sexyman tony and sketchbook where you guys just end up in a polyamorous relationship ??? well . i tried to find a fanfic that would even slightly line up with the description. even if it was only vaguely

but uhhh ....

there were none . so i had to do it myself

[gingermintpepper]

I would love to hear you talk about Kassandra???

So, what can I say about Kassandra.

Well, firstly, I've been thinking about how I want to answer this question since I got it however many months ago and I figured I wanted to speak about my own interpretation of things rather than formal stuff - half because I don't want to cite anything since going through Iliad based papers brings me little joy and half because I figure I could treat it a bit more casually this way. So here's like, a very brief selection of thoughts I have about Kassandra, Saintess of Troy.

I view her tale as a microcosm of the wider tale of the Fall of Troy from Apollo's perspective. A human is given a choice and, of their own free-will, they make the most destructive decision ignorant of the way they're sealing their own fate and no matter how much their patron will want to save and help them, they will be unable to so much as lift a meaningful finger because the choice made is one that is sealed in Fate and powers far beyond any one god. The themes of doomed love are also shared; Kassandra loved Apollo just as Apollo loved her but she couldn't be what he wanted of her. She couldn't accept what it was he was offering, no matter how much power, honour and love he tried to tempt her with and in a lot of ways, I think of her devastating visions of doom and death(tm) as a physical parallel to the feelings Helen must be tormented with knowing that she will be cited as the reason of such mass death, destruction and violence. Likewise, I see Apollo's inability to save Kassandra up until the end as representative of his wider inability to save Troy. All his love and blessing were not enough, even though all she had to do was take his hand, it simply wasn't meant to be and so I imagine that must be a fresh hurt for him with each beloved mortal he loses during the campaign.

Kassandra is genuinely so interesting? Both as a character and as a narrative idea; she sits almost in the center of so many fascinating parallels and foils that it gets me so excited whenever she comes up in conversation! I've mentioned it briefly before but she forms a very neat triad with Iphigenia and Troilus which runs parallel to the three dominant male powers in Iliad - Agamemnon, Achilles and Apollo. They're what I somewhat refer to as the sacrifice trio, innocents who must ultimately be abandoned and stripped away for the sake of the desire of their sacrificer, in turn revealing something intrinsic about the nature of the man. For Iphigenia, she reveals that Agamemnon truly values his ambition over all, that his image and status as a leader is more meaningful to him than the love of his family (which, of course, dooms him in the end). Likewise, for Achilles, Troilus' sacrifice reveals that no matter the glamour or glory that crowns Achilles' head, his rage is ultimately his most powerful feeling and it burns bright and hot no matter the circumstance, opponent or arena. For Apollo, Kassandra's sacrifice (which is much more symbolic as he is a god and therefore need not actually physically kill her) reveals his position as the 'loser', one who will be scorned and reviled and lose all the things he loves no matter how closely he cherishes or adorns them. He can't protect the mortals he's blessed, he can't protect his children - he can't even save one woman. She also has that aforementioned triad with Helen and Andromache - the sequestered women; doomed to wait and pray but each, in their own ways working to save and support their own in the conflict. They're all haunted by the promise of what awaits them - Andromache's hopes and future lies with Hector and with her son yet she is the embodiment of a war-wife, solid and stoic in her support when Hector returns but suffering deeply knowing each fight could be his last. Helen, of course, carries with her both the suffering of the greek women and the hatred of their men - if Andromache fears death taking the breath from her beloved fighters then Helen bears the weight of death upon her shoulders, all grief and scorn is bore like a crown upon her head and she must bear it. It is her duty to bear it. Kassandra then becomes the suffering of the young women - they who are surrounding on all sides by throngs of death and do not know why it has come, they whose screams intermix with that of the dead upon them. There is no avatar for Kassandra to experience the war through, no reason for her to be stoic or strong or upright. She tears her hair, hysterical at the suffering that is poured into her mind day in and day out, wild and unrestrained where her elders must hold their grief and tame it. In this way, she gives voice to the voiceless, she screams for those who cannot and is reviled for it - a young woman surrounded by death yet ordered not to speak a word of its stench or horror. There's many more things I can talk about too such as the whole Kassandra as Apollo's living Palladium thing or the Kassandra-Electra-Clytemnestra trio or even Chryseis as a reflection of Kassandra and how the taking of a priest's daughter could be seen as tantamount to trying to steal away Kassandra (and how this eventually wraps back around to the actual incident of Kassandra being stolen away and ending up right back under Agamemnon's care just as Chryseis before her) but like, we would be here all day.

Y'all maybe this is a hot take but scorned woman Kassandra is like, the most boring interpretation of her ever. She has so much life and passion in her, so much joy, so much despair, so much love - making her jaded and cynical towards both her fate and her god is such a slap in the face to me of what her character could and generally does seem to stand for. Kassandra never stopped loving Apollo - likewise, Apollo (at least to me) never abandoned her. All in Troy suffer heavy, cursed fates - Kassandra is one of the few who at least had some awareness of how hers would turn out. I like that she's a fighter. I like that she screams and cries and spits and is expressive and ugly in her torment and grief when so many of the women around her cannot afford to be. I like that she said no and despite how much she suffered for it, she never begged for her yolk to be taken from her because she knew that the choice she made was the right one for her. She's raw, she's vivid, she's human and more than anything, that's what I love so much about her.

[aelswiths]

Aelswith x Alfred + Hand Holding (& killing me 😭😭🥺🥺)

[peridots-pixiwolf]

in honor of TF2's sweet sixteen and repostober, one Pyro from just about six months ago 👍

@friendlyengie since i heavily referenced off your pyro here! Hope you don't mind me tagging you, your stuff is cool and I'm a big fan of your femfortress designs especially :]

[finemealprompt]

DP x DC Prompt #71

When Stephanie first discovered her father was Cluemaster, she knew what she had to do. She knew she had to spoil his plans, and make it known to the world. She had to be smart about it, however. If he found out it was her behind it, he could do something bad to her. Or worse, bad to her brother, Danny.

[lucabyte]

Taking pride in One's own appearance.

[hsslilly-blog]

rehashing an old post but i think a lot about how in trying to absolve hunt instead of seriously addressing the power imbalance/impropriety of the relationship between him and the mc, pixelberry chose to make it so it’s the mc “pursuing” hunt and being really forceful about it. in this case, it’d be okay because it’s not him being weird and, well, the mc really, really wants this! this was not an well thought out decision because 1. it doesn’t remove the need to address a professor dating his student, and whatever that means for both parts + the story they’re in, and 2. in the process they make mc a person with no respect for boundaries who quite literally stalks this man and assaults him under false pretences. not to mention how the writing in these quests is confusing and contradictory (the mc is written in two different ways at different times, whatever the plot is in need). just… really bad on all fronts

[celtrist]

Why does Vassago already have merch, we haven't even met him yet