#which I apparently failed at but that's it I'm done no more

[rederiswrites]

Slavic Anderfels inspiration.

Sources linked in images where I have them.

[running-in-the-dark]

I'm so tired I want to just go into the woods and hope a wild boar sees me as a threat and kills me

[glow-in-the-dark-death]

A Week (He Will Take You)

~

Danny moved to Gotham for school, while there he noticed that Gotham's ambient ecto was really murky for lack of a better word.

This didn't really affect him too much besides a mild headache every once in a while but that also just might be stress from all his school work so maybe not.

Anyway

This murky ecto seemed to effect the people who lived there or more importantly the ghosts,

They were visible to the human eye like most ghosts back in Amity but instead of looking very much like a ghost they still looked like humans if a bit off putting.

They all seemed to be continuing their normal lives as if still fully alive, with the people around them none the wiser.

Danny noticed this and began approaching them to figure out what was going on.

Apparently the murky ecto in the city had made it so that they were strong enough to still continue a somewhat normal life but not be able to cross over to the GZ.

In other words they were stuck in Gotham

Danny was the Ghost King so he could easily fix this problem, all he needed to do was give them a bit of pure ecto for around a week to fully stabilize them them then he would just open a portal into the GZ and they could cross over with all their things also transferring into the GZ for their new haunt.

Unfortunately this looked rather worrying to an outsider,

Imagine you're used to your neighbor being very outgoing so you and others see them a lot suddenly this man seems to appear in their life out of nowhere an at exactly one week, your neighbor and all their belongings in their home disappear no trace to be found.

You tell people and they begin saying the same story they knew someone and them a man with black hair and blue eyes appeared in their life, then they and all their things disappear in exactly one week.

Of course the police in Gotham do the bare minimum so they're no help.

But it starts to begin a trend, especially online.

"Oh careful or the blue eyed man will make you disappear in a week"

This of course after time catches the bats attention, Gordon had already given them all the information he had.

"Young adult early twenties, dark hair, blue eyes"

That was it.

The bats look into it and from their point of view Danny is a serial killer.

But they can't find the connection between all of his victims, they range from young children and the elderly from different backgrounds absolutely no connection,

Worrying enough he doesn't just make one person disappear he has taken entire families up to over a dozen, without anyone figuring out how he's doing it or why at all.

The disturbing thing also being that he seems to take everything in their home, leaving it like it has always been empty

Like no one had been living in it.

People have tried to take photos of Danny get some kind of evidence of his existence, but when they try to do it, it either comes out completely corrupted or their devise simply shuts down fully.

Danny of course has no clue what is happening he's just happy that he's able to help so many ghosts, and is trying not to fail his exams.

~

Danny leaving the house he just helped: "That went easier than I expected!"

Neighbor peeking from the window: "Shit it's that guy! "

~

Red Hood marching down into the cave: " The fucker took many from my territory without me even realizing it!"

~

Tim: "I'm pretty sure his kill count is nearing the hundreds and he just started like maybe 4 months ago, this is bad."

Barbara: " I think I got a theory, this matches up with the new school year beginning so maybe their not a Gotham native which narrows down my suspect list."

Bruce: "Hn."

Tim: "Yes thank you B for the insightful commentary"

~

Danny trying not to fall asleep while on his way to class: "Strange I keep seeing shadows following me, oh well must be the stress!"

Bats who are pretty sure Danny is the killer: "Has he done anything suspicious yet?"

~

Just an Idea

[tititilani]

I can't stop thinking about if Simon had taken Edwin's offer

Like Charles finds Edwin in the hallway as ever but this time there's another boy there too, cowering against the wall next to him. Maybe the dollhead spider doesn't care about Simon, too busy focusing on its favorite target, so Charles is left standing in the hallway with Simon when Edwin is taken.

They get out of hell, but Edwin doesn't confess due to Simon hovering behind his elbow. He doesn't want to confess his emotions in front of his killer, who he probably hasn't even properly figured out how he's feeling towards yet.

The Night Nurse is pissed they came out with an extra soul but Niko's same loophole still applies and Simon stays.

"This is Simon," Edwin says when it's all said and done, finally introducing the boy that's been hiding behind him since the door closed. "He was a...classmate of mine."

"He saved me," Simon says, looking up at Edwin moony-eyed and Charles knows that look and something settles heavy in his stomach.

"Glad to have ya, mate," he tells him even though the words taste sour. This other boy knew Edwin when he was alive, the thought is slightly terrifying to him.

Simon settles in fine with the agency even if the agency feels a little crowded now with five people in it but he continues to moon over Edwin and Edwin just...never tells anyone how they actually knew each other. He reasons it just doesn't matter, that he can't find the right time, whatever.

Charles never really warms up to him, though he tries to hide it, but he sees the looks Simon gives Edwin, a soppy smitten look that is somehow worse than anything Monty or the Cat King ever tried with Edwin because of all of them, Simon arguably knows the most about like Edwardian courting. That, like Edwin, Simon has also survived hell. Charles hates the idea that someone could potentially understand Edwin more than he does.

He hates it so much that nothing further happens between him and Crystal because the idea of Edwin being left alone with Simon bothers him so much. He sees Simon adjusting Edwin's collar one (1) time and it makes him feel sick.

And then there's the fortune-teller.

They only go to her sometimes for cases because she never fails to freak Charles out but her prophecies tend to be accurate like 60% of the time which is pretty good for a fortune teller. She looks at the two of them at the end, because it is just the two of them for once, and then looks just at Edwin.

"How kind you are," she says, the words a compliment but the tone snide. "To house your killer. Pray tell it doesn't come back to you."

"What." Charles says. "The fuck."

Charles is furious, of course, and it takes Edwin a long time to talk him out of smashing Simon's face in with the new cricket bat.

"He's like me," he insists in that quiet but firm voice. Charles wants to scream that Simon is nothing like Edwin - that he doesn't have a fraction of Edwin's kindness or pissiness, that his blue eyes are not nearly as beautiful as Edwin's green - but before he can even open his mouth, Edwin continues. "He...He likes boys, Charles. He likes me."

Oh. Oh.

Charles stares at Edwin who is looking back at him, trying and failing to hide the fact he's terrified, and Charles doesn't give one shit that Edwin likes boys because he's his best mate forever. He's still pissed that Simon is apparently staying but he has to hug Edwin at that. "I'm still pissed you didn't tell me about him," is all he says, swallowing back the other words he wants to say.

Charles grows even more paranoid about Simon being around, who has to get used to the fact that Charles takes to swinging his cricket bat ominously every time he comes within ten feet of Edwin. He finds out that adjusting clothing was an Edwardian courting thing and wants to break something. The very idea the very person who killed his best mate is now trying to put the moves on said best mate pisses him off.

It also makes him think of numerous times Edwin had readjusted his collar or jacket in the past and it makes his non-existent stomach flip.

Eventually, Simon decides he's ready to move on to his after-life and Charles keeps his hands from fisting when he looks at Edwin with that same soppy look. He knows Edwin has forgiven Simon by now but Charles has always been better at holding a grudge and he knows what is going to come out of Simon's mouth before he even asks. He knows that if Edwin says yes, he won't stop him.

Charles also knows that if Edwin does, there is no way he is going to find any kind of his own afterlife.

"You could come with me," Simon says hopefully and the moment after is the longest in Charles' life.

"Thank you, Simon," Edwin says kindly and Charles has to keep himself from crying. "But I have no interest in going anywhere without Charles."

He steps back - away from Simon and back towards Charles. Ears suspiciously pink, Edwin links their hands and they watch as Simon follows the Night Nurse.

[bogleech]

I still can't fathom what in the entire world I could have ever said or done to make that gerrysherry (also known as spot-the-antisemitism) person come after me, and try every possible way of reframing every anti-war feeling I have as somehow, secretly, anti-jewish. Unless they don't actually believe that, but they hope saying it enough will make people believe it?? I don't know them, never did anything to them, and yet this person has reportedly still spent weeks and weeks boosting the same thread over and over, in which they urge people to boycott my book - something I'm depending on to even be able to afford my home in the future - because they apparently insist I have only antisemitic reasons for wanting to support Palestinians. How would that even make sense?! Jewish people aren't doing anything to Palestinians, a government is. They failed to make any dent in my follower count which just keeps jumping up every day, and I'm technically making more income off my art than ever (even if it still only barely covers cost of living), but I can't get over the sheer principle of someone hoping they could spread misinfo like that with the hope of impacting my ability to live. I've never run into anything that personally vicious before, all over sentiments they just up and pretend I have? For what??

[woso-dreamzzz]

Second Time's The Charm V

Alexia Putellas x Reader

Summary: You feel terrible

"Mama! Mama! Maaama!" Little Maya said.

At two years old now, she was fairly active and enjoyed such things as continually saying your name and poking you in the cheek.

"Maya-bear," You croaked out," What is it?"

You felt horrible. A sudden bout of flu came over you this week leading to you spending all Thursday and Friday in bed and not coming into work.

Alexia had been out of her mind but you'd still insisted on making her go into work.

"Mami made pancakes." Maya wiggled her whole body in excitement and you allowed yourself a weak smile, reaching a hand out to cup her face.

"That sounds nice Maya but I'm still feeling sick."

"Feel sick?"

"Yes, Mama is feeling sick. My tummy is being mean."

Maya waved an accusing finger at your tummy. "Bad tummy!"

"That's right so Mama can't have pancakes right now."

"No pancakes?"

"None for me. Why don't you head down and tell Mami that I'm giving you all of mine?"

Maya was loathe to leave you but after much coaxing, she disappeared from your room. That let you bolt off to the en-suite to throw up your guts.

You'd spent most of last night hunched over the toilet bowl so it wasn't much of a shock that you found yourself there now.

"Amor?" Alexia asked, creaking the door open," Maya said you still felt ill?"

"I'm fine," You insisted," Go and help Maya with her pancakes before she gets all syrupy."

"Amor..." Alexia looked close to tears. She'd always been like this whenever you got sick.

Eli used to joke that Alexia would come it in a sympathetic sickness whenever you were ill.

She took it as a personal failing whenever any of her family were ill, always stressing about what she could have done differently even when none of it was her fault.

Just last week Maya had gotten a bad case of the sniffles and Alexia refused to touch her after remembering that Pina had sneezed in her general direction which prompted Alexia to blame herself as to why Maya had gotten ill.

"Is there anything I can do?" She asked.

"Ale, I love you but please go downstairs. I don't want to get you sick too. You've got matches coming up."

"Amor, I will gladly get sick if it means helping you."

"Alexia, go. We've got a little girl who I know is about to cover her head in syrup. Go look after her please."

You remained hunched over the toilet as Alexia pressed a firm kiss to the top of your head before retreating out of the room.

As soon as she was gone, you reached for the cabinet under the sink.

It was long shot and you knew it.

The rate of first round successful IVF was stupidly low. You were a doctor. You knew that.

Fertility was never your speciality but you knew the statistics. You knew the process. You know all the risks attached and everything that could go wrong.

But, still, you reached for the pregnancy tests that Alexia kept there.

You had been a little confused when you first moved into the house to find Alexia was keeping pregnancy tests in your bathroom. When you questioned her, she'd confessed it was make her come on her period.

She swore up and down that when she was late, she would pee on the stick and suddenly start her period the next day. Apparently Alba did the same and Eli swore by it.

You'd never heard of such a thing but you were glad for your wife's absurdity in this moment as you tore open the packaging.

"Maya-bear!" Alexia said," Let's keep the syrup in our mouths please."

Maya didn't answer her, merely shovelled more and more torn up pancake down her throat as Sinky and his sisters padded around ready to catch any dropped pieces.

Lady sat at the bottom of the stairs, pawing at the closed baby gate.

"I'm sorry, Lady," Alexia said," But she's sick. She can't have any visitors right now."

Alexia felt so defeated as she stared up the stairs. She was meant to be the family protector and she prided herself on doing a good job but this whole week had been one defeat after another.

First, Maya got pushed over at nursery and came home with a big bump on her head. Next Mr Stinky had to be taken to the vet for a strange lump on his legs that the results for still hadn't come back. Then Sinky and his sisters had lost their favourite ball toy at the park and some disgusting boy dog tried to mount Lady while Alexia was looking for it.

It seemed to be a terrible end to a terrible week when you suddenly fell ill and had to stay home.

You'd barely moved since getting sick, barely able to gather enough strength to shower or eat before hunching over the toilet to throw it all up.

Alexia swiped her tears away furiously as she dragged a wet cloth over Maya's chubby cheeks.

"Mami!" Maya giggled," No!"

"No?" Alexia repeated," You're all covered in syrup!"

"I like syrup!" Maya insisted," Syrup, my favourite!"

"Don't tell your Mama, she will be sad if you don't like her cooking anymore."

Maya looked like she was considering it but turned her head immediately at the sound from upstairs.

"Alexia!"

Lady barked loudly at the noise, jumping up and down and Sinky and his sisters joined in as well. Even Mr Stinky looked up from his regular napping spot at the noise.

Alexia nearly tore a fingernail off trying to unclip Maya out of her high chair and practically vaulted over the still closed baby gate to hurry towards you.

The last time she had heard you so panicked was when you were nearly married and appeared at her house in tears after being kicked out by your parents.

You were sitting on the toilet when Alexia and Maya burst in.

"Amor?" Alexia fell to her knees in front of you, still balancing Maya on her hip. "What is it? What's wrong? Tell me, it's okay. I'm here!"

In answer, you showed her your positive pregnancy test.

"I...You're?"

You nodded through your tears.

"We're having another baby, Alexia."

[niccolites]

green cliffs: - lessons in mortality. chapter one

highlander!soap x fem!reader. cw attempted sexual assault. read on ao3 here

On the same patch of land that you once took your first step, you are dragged out of your home by your hair.

There are things of little consequence: the blinding beam of the sun, how its heat doesn't reach you, snatched up by the snapping wind. The peeling paint of your broken fence, the pitchfork that has been abandoned in a bale of hay instead of with the rest of the tools in the barn.

You focus on this, the bite of the cold on your cheeks instead of the nails that are digging into your scalp. Easier to try and distance yourself from the fear that is gaping in your stomach, instead wondering if it was you or your brother who left that pitchfork out like that. You decide that it must have been your brother, he had been the one in the rush to get to the river to catch the ‘better’ fish this morning.

There are three strange men around you. You don’t know any of their names. You had seen them in the distance, the stark red of their coats along a distant hill, barely even a day prior. Your village had seemed to suck in a breath, air stilling with their approach. Now, the wind howls, the noisy exhale after that tense beat.

Trouble, your brother had warned you. Told you to stay in the house as much as you could. Tend the crops, feed the animals and keep your eyes down. He would go out, speak with your neighbours to get information on who these men were and what they wanted.

And you had done what you were told, had darted across to the barn, to the coop. Like a horse jumping at the sight of a snake before it even coils to snap.

It didn’t matter anyway. A spooked horse gathers more attention than a calm one. Your brother is sitting by still waters somewhere else, and you are here, gritting your teeth at the sting of your hair being ripped out by clumsy fingers.

Seemingly bored of dragging you, you are shoved to the ground, collapsing in a pile of skirts in the dirt. The men guffaw at you. They’ve clearly been drinking, the stench of whiskey is foul, and one of them still holds a bottle of it. Swings it around and you feel some of it catch the end of your dress. The laughs have a bitter edge to it. They’re angry, you realise, a new spike of fear shooting up your spine. You have just met these men, but they are treating you like you have wronged them in the past. Here to exact their revenge.

Soldiers, likely. One of them is still holding their bayonet, the other with a pistol slung around their waist. You don’t know how high-ranking these soldiers are, you don’t know if that would make a difference in how they are going to treat you. Worse, likely. Not even a month past and one of your neighbours had been strung up to the post, back bloodied with a whip until he collapsed. The punishment for not welcoming God’s own into your home, apparently.

Usually the English presence in your village is more official. A battalion, passing through and making sure that everyone is minding their own. There had been another Jacobite uprising, somewhere to the west of your village. Scottish men gathering to try and overthrow King George, reinstate the Catholic Stuarts. It had failed, but English law recently had become a lot more permanent, tangible in light of this rebellion.

These may be soldiers on your land, but they were operating as men. English law placed to the side, it’s overseeing eye shut for just long enough for what they were planning for you.

You are pulled up, arms yanked behind your back. Held in place by the first soldier while the other two prowl around your home.

“You know, I'm sick of you stuck-up cunts,” the first soldier hisses in your ear. There’s a twist in the muscle of your shoulder which makes you whimper. “You'd bend over for your sheep before you would us. I bet you have as well.” You can see his dark hair in the corner of your eye, smell the whiskey on his breath.

“Oh, come on, Grahams,” the second interjects, reaching over to catch your chin in his clammy hand. “She looks like a good girl. I bet you haven’t even been touched. Am I right?” His thumb pushes on your lower lip, his own mouth parting beneath the heavy curl of his pale moustache. Salivating, the way a rabid dog does before you put it down.

You stay silent. Feel his skin on yours, how he pulls your lip down. The parting of where you were and where he drags you down. Feel that ugly gap of space, an inch but it feels like a mile.

“Alone in that house?” the third asks, not even sparing you a glance. He’s pouring his drink over the edge of your field, just outside the second fence. The border between your yard and the crop you and your brother had laid down, scarcely a few weeks before. The third soldier has small eyes, and a pig nose, turns to give you a horrible, hating look. “Bet she’s had the entire village between her legs,” he sneers.

The first soldier distracts you, breath polluting you as he huffs a laugh. Tightens his arms around the lock of yours and ignores you as you grunt in pain. "Well, I’m sure that she wouldn’t mind the King’s own men from taking what they are owed, yes?”

The third man, apparently done with talking, throws the rest of his bottle over your fence and strikes a match. The catch of fire always surprises you. The match is suspended in the air for a flicker of a moment before it connects to the pool of liquor. A blink, and the fire roars, summoned into life and it eats all of the crop that you and your brother had laid on that once tilled field.

The memory of you and your brother, on your hands and knees as you planted that crop. The acceptance of exhaustion that comes with physical activity when you know it must be done and so you do it. Body connected to mind, an idea and then the yield.

Impossible to reconcile what had taken hours to do, lit up within a second. The fire branches across everything, almost licking the third soldier himself. Everything swallowed up, a horrible demon, brought by these men, a senseless cruelty that you can barely comprehend.

You howl, a wounded animal sound, lunging forward and then yanked back immediately. Everything is separate, suffocated by sensation. There is only the connection between the fire and your eyes, the conclusion that your brother is going to have to bow in that dirt again.

You shriek again, when you are stopped from preventing this, arms protesting in the twist that the first soldier forces them into. Told to stop your squealing. The second soldier steps back into your eye-line and grins down at you. Yellow teeth, dark eyes. Another demon on your land, seeking retribution in something that you have not even committed.

His mouth moves, but you barely hear it, blood rushing in your ears. Your face is hot, molten with tears. Brain and body disconnected. The socket of your shoulder is boiling, every yank pulling a tense groan from between your clenched teeth. You know that you are going to hurt yourself if you keep struggling, or maybe one of these men are going to hurt you. But you keep pulling, huffing with fruitless effort.

The second soldier reaches down, fingers digging into the collar of your dress. His fingers cold against the hot flush that has spread across your chest. A tear in the cotton cloth that covers most of your clavicle. Another shriek, ripping up your throat and into his face. He barely flinches. You are a cat with its tail caught, it doesn’t matter how sharp your teeth are anymore.

The first soldier with your hair in his teeth. The second with his hands groping down your chest. The third man, kicking your fence to get it to buckle and catch in the flames as well. Paralysis like a fist around the base of your spine. A yell that starts in the bottom of your lungs, builds until you are almost sick with the force of it.

Another yell, one that does not fully register until the soldiers take notice of it.

"What on -" the first soldier starts to say, before the rest is lost in a strangled noise. The second soldier steps out of your vision and you see what is stopping him.

Your father was no soldier, although he had been when he had to be, god rest his soul. He used to tell you about the true highlanders, the real soldiers and the swords that were as broad as they were, and how they would swing them as if they were an extension of their own arm.

It sounded like folklore. Mythology, until you see the swing of that broadsword, splitting the third soldier at the waist like the crack of an egg.

You barely have time to catch sight of the fourth man before you are thrown to the ground again, dirt catching on your palms and digging in.

It feels generous to call it a fight. There is a brief tussle between the new man and the two soldiers that had been holding you prone, before they are brought to heel. Blood seeping into the dirt. Half of the second soldier’s face thuds to the ground, his moustache halved. He stares sightlessly up at the sky, half an expression stuck and immortalised.

You lie in the dirt, watch as your tormentors are silenced, lives ended and left to pool in the soil that you used to dance across when you were younger. It is entirely unfair, the three men that were able to drag you around like a ragdoll, cut into like slabs of cheese.

It’s breathtaking, watching this man save you like it is the easiest thing in the world. He finally stills, the first soldier lying limp on his knees before he is kicked aside. You hysterically wonder if that is what would have been done to you, if these three Englishmen had gotten their way. A passage of time interrupted, snipped like the threads of fate. Time redirected.

You stare up at him, barely able to connect that your arms are your own now, even though you had been wrestling for them to be this entire time.

Your saviour, a bloody mess on his kilt and three dead men around him.

"Thank you," you manage. Voice crackling as you form full words now. The stench of gore is another presence in the yard with you. Thick, you resist the urge to gag as it seems to catch in your teeth as you inhale noisily through your mouth.

The man who saves you is silent, breath heaving out of him. He is massive, with dark hair that is pushed back out of his face. A light beard and red in his kilt. Red everywhere, actually. Staining the white of his cotton shirt beneath the crossover of his kilt, staining his skin. His broadsword is almost the same height as him, almost as wide. Metal catching the sun, glowing red as it drips blood.

It takes the man to stumble back to force you into action. You force yourself up, staggering towards him. You reach the centre of his chest, his breadth suffocating you, encompassing. You catch his bicep to right him, the equivalent of smacking your hand against stone. Now that you are standing chest to chest with him, you realise if he were to fall, you would not be able to catch him.

"Are you alright?" You ask, staring up at him. The blood on his face doesn't seem to be his, for the most part. There is a cut across his brow, leaking a lazy trail of blood down his temple and you almost reach up to touch it without thinking, before you catch yourself.

His eyes are blue. The sky brought down to you.

You almost laugh, delirious. Self-conscious under his rapt gaze. You tilt your head and catch sight of the fire again. As if other sensations had been halted under this man’s gaze, you are brought back to the present with the crackle of fire. You curse under your breath, stepping out of the pull surrounding this man, darting away to get a bucket to extinguish the flames.

You feel the ghost of a hand across your back before you are gone, furiously pumping the handle of the well and tossing the water across to the fire. It takes a few journeys, something that has your hands fumbling as you try to work faster.

The man is there, pulling the bucket away from you even as you try to stop him. He is able to swing the water further, catching more of the flames. His gait is longer than yours, but you notice that he seems to be stumbling as he is putting weight on his right leg.

After you pass him two more full buckets of water, the fire is finally put out. You take stock of the blackened field. All of it razed, deader than the men who are still sinking into the dirt a few feet away from you. You swallow harshly, angry tears pricking at your eyes. It will take a month, longer even, to fix this. You can imagine the devastation on your brother’s face when he sees this. Resist the urge to turn to the corpses and give them a few good kicks.

You want to give into the lump in your throat and cry over this, but the man fills you with purpose. You roughly swipe at your face before you face him, catching him already watching you. “Your leg - is it alright?” You ask, trying to keep the burned field out of sight. Better to focus on what can immediately be fixed.

The man stares at you for a beat too long. Almost as if waiting for you to speak again before he does. "One of the bastards caught me in the leg," he says. His accent is thick, deep in a way that has you flushing. He tilts his leg, lifting his kilt enough for you to see the gash on the back of his calf. The flesh looks torn open, which makes you wince.

"I can patch that up," you offer, grateful at the opportunity to take your mind off of the events of the past hour. You step closer, hands hovering, unsure if he should be walking. "My brother cut his arm on a scythe once, wrist to elbow, and I managed to stitch that up,” you add, even though the man doesn’t seem to care about your past experience with wound tending.

"You the village nurse then?" the man asks, reaching over to drape his arm over your shoulder. There is a moment of his weight pressed into you that almost makes your knees buckle before it is lifted. His hand stays though, warm on your opposite shoulder. He seems to be guiding you into your home more than you are. He is a hot line along your side, hip to hip. The sway as you acclimate to his walk, sturdier on your right leg as if to compensate for his.

“Hardly,” you manage to respond, kicking the door open for him to get inside. “My brother is just clumsy.”

You set him on the chair in your kitchen, bustling around for some cloth and a needle and thread. Your kitchen is like a picture in a book, just how it was when you woke up this morning. Time has not moved here, your mug is still by the sink. Your brother’s boots by the door where he had forgotten them this morning. Life before the fallout, perfectly preserved.

“It’ll look ugly, but it’ll do the job,” you warn, tossing a cushion on the floor to kneel on, gesturing for him to elevate his foot on the other chair.

“I trust you to make my leg as handsome as it was before,” he says, a smile that slips from his mouth when you come back to his side. You kneel down, a wet flannel in your hand that you cover the wound with, wanting to the extent of the damage beneath the aftermath that covers it.

You glance up at him, finding him watching you. Eyes dark now, water before a storm. You give him your name, suddenly realising that you haven't yet. Admonish yourself for being rude.

He breathes it back, like he wants to hold it in his mouth for a moment. “John,” he replies after another pause. “I get called Johnny.”

“Am I allowed to call you Johnny?” You ask, turning back to his leg. You catch sight of his chest stuttering over a breath. You tuck your hair behind your ear, frowning to yourself. You know if your brother were here, then you would not be speaking to this man so casually. That knowledge makes you feel like you are doing something inappropriate. Something to be ‘caught’ doing. Extra dash of sugar before the whip of the belt across your backside.

“Absolutely, angel. Well, dependent on the work you make of my leg,” he adds, tone musing. He seems amused by you, mouth smiling even as his eyes stay that dark colour. Trouble, your brother had described the soldiers. You aren’t so certain he wouldn’t describe Johnny in the same way.

You resolve yourself to your work. It’s not a bad gash, when most of the blood is wiped away. One of the soldiers must’ve stabbed it in, and then pulled it to the side, splitting the flesh. You wonder how he was able to stand on it, nevermind help you with the fire. You murmur a warning before you stab the needle in, threading the wound closed. A thin layer of poultice along the loose white cloth you have, an attempt to prevent any swelling before you wrap this around the wound. Tie the ends. The beginning of a thank you for what Johnny has done for you. His blood stains your hands, sticky into the crevices of your palms.

You squeeze the red out of the flannel and stand, roles reversed. He looks up at you, gaze reverent in a way that makes you faintly embarrassed. “The cut on your brow doesn't seem as bad,” you murmur, half-excusing yourself. You’re not doing anything untoward, but you feel the need to pre-emptively explain yourself. 

You wipe the blood on his face away, other hand hovering uncertainly, before you cup his chin. Hold him in place as you clean him up. It's something that you think would be normal, but feels outrageously intimate with how hot his gaze is on your face. Swallow and watch as his eyes drop to observe your throat move.

You avoid his eye, difficult when you can see that flash of blue darting around. You feel swallowed up by it. His attention feels like the sun has finally reached you, reaching through the wind to land on your skin. Scalding where his eyes land. You’re suddenly aware of the rip in your bodice, how it looks like you are bending over to show him the view down your chest. You snap up straight when you realise that he is looking.

You’re being ridiculous, you decide. This is the man who saved you from those horrible soldiers. A fate worse than death, most likely. Raped, murdered and burned most likely.

The cut on Johnny’s brow as stopped bleeding. “I think you’ll live,” you pronounce, voice falling flat at the end.

Another gap of quiet. Standing over a man who saved you, his blood on your hands. Three dead men in your yard. The burned crops, that smell wafting in, ruin and death.

“You live here alone?” He asks, accent catching on the ‘o’ sounds.

“No, my brother…he's away, fishing,” you explain.

Johnny barely seems to hear you, hand on your wrist. Thumb on your pulse, like he's listening to more than your words. “There may be more soldiers,” he says, gaze dragging away from you to the window. Darting back again as if he can barely stand to not be looking at you. “We have to go.”

You stammer, something in your spine locking at the idea of leaving your home. “I can't, no, this is my home - my brother - Ian - he’ll be -”

Johnny stands, a wall of muscle in front of you. The size of him silencing you. “There are English men dead on your land,” Johnny tells you, fierce suddenly. The snap of teeth. “Now, they may not believe that a sweet thing like you could do this, but they’ll make an example of you anyway.” His words blow the air out of your lungs, a shudder in the shape of a breath. You think about what he’s saying. You, on that post with your back whipped until everyone can see beneath your skin. Saved from the lawless and delivered to the law, the punishment eerily similar.

You shiver, fear worming through you. The scowl on his face smooths out, and he reaches up and cups your face. Sticky with gore, you can feel the print of hands left on your cheeks. “We have to go,” he repeats, firm. The full force of his will is something to bow to.

Your shoulder twinges, familiar with that sensation of being caught and forced into position. You twist your mouth, that ignored lump in your throat making itself known again. You blink up at Johnny, blood in the light beard across his face. The blood of the men who hurt you. Offering to save you. Again.

Your saviour is a stranger in your kitchen, and when you murmur your assent, he smiles like a wolf.

[miyukisu]

Need Your Lips On Mine .ᐟ

❤︎ | You'd think he'd be more enthusiastic to get his hands on you because of the whole 'secret relationship' thing, but maybe it's time to turn the tables (2.3k wc) ╰ feat. osamu dazai (bsd) x afab! reader

kinktober entry no. 9 | kinktober masterlist

tags - reader works at the cafe, dom/sub dynamics, dazai is mean and annoying, edging, implied mutual masturbation, semi-public smex, toys, light bdsm (he's bound by the hands lol), blowjob, no p in v, p*rn with plot, reader is feisty, profanity

minors do not interact

"Take your hand off... I swear... they're gonna catch us sooner or later."

Your words fell on deaf ears as one bandaged hand kept itself under your skirt and on your ass. "If you keep quiet, then maybe no one will get caught. Hm?"

You let up, settling for nasty side glances at him every once in a while instead. Of course, you were met with Dazai's cheeky smile. This bastard really thought that by having a secret relationship—he could be annoying anytime he wanted as long as it was done in secret.

His job required to keep the existence of your relationship confidential—at least that's what he said. You were the cashier at the cafe located beneath their detective agency's office. Dazai was a detective, that's all you knew and that was more than enough apparently.

A secret is a secret, you figured.

Kunikida was starting to give you weird looks from the booth. You flashed an awkward smile and tried waving at him, failing to look normal.

Well... maybe Kunikida knows.

Why else would Dazai be standing behind you while you were at the register? It was either you were up to no good or Dazai's begging you to forget about his hefty tab.

"Who're you waving at?" he whispers into your ear. You failed to realize how close he leaned down to you.

"Kunikida. He's starting to realize something funny's going on."

"Funny you say?" Dazai repeats before humming in thought. Whatever it was that was running through the detective's head—it probably wasn't anything good or innocent.

Dazai finally lets go of your ass, opting to drape an arm across your shoulders instead. It wasn't anything unusual—surprisingly—because Dazai has been known to be 'friendly' with the cafe staff.

He calls the attention of all the customers i.e. Kunikida, Atsushi, Kenji, and Ranpo who is sound asleep. "I'll be accompanying our cute little cashier on her break. Don't miss us!"

It was highly unlikely that anyone would. Kunikida doesn't even give him the time of day while Atsushi offered an uneasy smile. Kenji was his usual upbeat self and Ranpo—was still fast asleep.

────────────

It felt like an eternity of tongues clashing and breathless whispers blending into each other. Your hands were all over his lanky build while his hands remained firm on your behind. If you were to guess which body part he liked the most on a woman—you'd probably get it right.

Dazai pulled away first—not that he was breathless or anything; he just wanted to see what expression you had on your face.

"Someone's eager," he says in a lilted tone.

"Oh stop it. You disappear for a week... A WEEK!"

He laughs it off—disappearing for a week is business as usual for him. "Shhh... I'm here now though, aren't I? Besides, I find it quite cute how excited you are to get your hands on me."

That earned him a weak punch on the chest from you. "You're so annoying."

Dazai lets out another small laugh, amused by your irritation at him. "Oh, darling. You haven't seen the worst of it."

Knowing him and all the shit he pulls, those words should've made you run for the hills soon as you heard it. Dazai leans in, breath fanning the sweaty skin of your neck. It felt cool against the humid air of the cafe's storage room.

"I've got an idea," he whispers. "Don't move, okay?"

You hear a slight ruffling. Perhaps he was retrieving something from his coat pocket. Then, you feel something cold—something metallic—drag along your thigh. Though, you were unsure what it could be.

The feeling kept getting higher and higher, until it was at a place where you most dreaded it would reach. Dazai smiled as he dragged the unknown metallic object against the fabric of your panties.

"Wanna guess what that is, darling?"

You had a hint, but you decided not to indulge him in his silly games.

"You don't know?" he asks. "Well, I hope this helps!"

Dazai, skilled with his fingers, swiped the fabric out of the way and plunged the vibrator in one fluid motion.

"Good thing you got insanely wet from kissing me huh?"

Your first instinct was to close your legs, but Dazai was quick to put a knee between them. "W-what the fuck are you doing?"

"Thought I'd make things exciting," he says with an irritatingly bright smile. "Also because I have to go now."

Grabbing him by the collar, you pull him down to your level. "The fuck you mean you're going? You're seriously leaving me high and dry after basically ghosting me?"

He gives you a half-assed 'apologetic' smile. "I won't be too long. You can do anything to me once I come back."

"Anything?"

"Anything."

────────────

The rest of your shift was—to say the least—downright miserable. Of course, the stupid vibrator could be controlled by him. You weren't sure if it was purely coincidence or if he was secretly watching you, but the damn thing seemed to turn on whenever a customer would come up to the counter.

On the times you thought you could finally sit down and relax a bit, he'll make sure to turn it up a notch and give you a good surprise.

He gave you no reprieve as his antics continued until your shift ended and it was time to clean up. You were the only employee left because it just so happens to be the day when the most arduous clean up task fell into your care.

Once you heard the bell at the door ring and the familiar set of footsteps, you were ready to yell a certain man's ear off.

"Hey, darling."

"You son of a—"

Turning around, you were met with a smiling Dazai with a bouquet of flowers in his clutches. Normally, any other woman receiving flowers from a lover would be over the moon, but not you. Dazai was quite the unconventional man. Flowers were a tricky thing to interpret.

His smile turned lopsided before he slowly approached you. "I got you flowers."

"I can see that."

He chuckles again. "Can't you at least act like you're happy about it?"

"I don't want flowers," you exclaim.

He sighs, placing he beautiful arrangement on the counter beside you. "What do you want then, pretty?"

"You."

Dazai laughs a little louder this time as if what you said was so hilarious to him. "Me? Little ol' me? My sweet thing wants nothing else but me?"

"You're so annoying."

A large hand pats your unkempt hair. "Yes, I know, darling. You tell me almost everyday."

"Liar. I haven't seen you in a week. Besides—what the fuck is up with the vibrator? Do you know how many customers I've had toda—"

He silences you once more, placing a slender finger over your lips. "You get to do anything you want to me now though. Isn't that right, darling?"

The realization hits a bit too late, but it does, and small smile creeps on your face. This was going to be revenge for disappearing and for the stunt earlier.

You ask him to get the vibe out and he obeys without complaint—the metal apparatus stuffed in his pocket again. You hadn't realized how drenched you were until it was pulled out. But that doesn't matter right now. You were a woman on a mission.

No words left your mouth as you made quick work of his belt. Dazai's eyes never left your hands as he smiled to himself.

"Getting to the good part already hm?" he insinuates. But you don't respond, only silently walking behind him to bind his hands with his own belt. You've learned plenty of things from him and this was one of those.

"Ah hah... we're doing that kind of thing huh?" he says, continuing to talk seemingly to himself.

You walk right in front of him again, grabbing his collar like you did earlier today. With his face closer now, he should understand the situation he's in. "Be a good boy for me, okay?" you say before planting a soft kiss on his chapped lips.

Thrill and excitement coursed through every fiber of his being as you roughly pushed him back against the counter. He made himself weightless and easy to push around because this was entertainment for him as much as it was for you.

But the glint in your eyes tells him this wasn't simply any kind of entertainment for you. You had a plan and him not knowing anything for once gave him a rush he had gotten only in the past.

With the strength you had in your arms, you pried his vest and button up open—albeit you had to carefully unbutton some of the stubborn ones.

"It's kinda hot seeing you take control for once," he says.

Once all of the buttons were out of the way, you were met by his mostly bandaged abdomen. Even you were unsure of what was beneath these strips, but he was adamant to keep them on.

You ran your palms over his body, stopping at his heaving chest. "I've never seen you out of breath before. Are you that excited?"

"Am I? You should feel my dick," he counters.

You try your hardest to stifle a laugh by kissing his bandaged chest instead. The soft gesture seemingly had a soothing effect on him as his breathing slowed a bit and his expression mellowed out—like you had put him in a trance.

Then the kisses went lower and lower—his chest, stomach, until you were just above the hem of his trousers. His adam's apple bobbed, swallowing in anticipation.

"Wow," you mutter, palming at his aching erection. "You weren't lying huh?"

His laugh came out choppier than usual as if his typical air of confidence had been blown away. Dazai tried playing it cool. "Can you blame me?"

"Guess not," you shrug nonchalantly before working on the button of his pants. Thanks to having the belt off, his bottoms came off pretty easily—not that you needed it all the way off.

Palming at his hardening cock after the thin fabric of his boxers made his mouth water and his palms clammy. Even Dazai was starting to wonder what the fuck was going on with him. Perhaps it was the thick air inside the stuffy room or because someone was finally putting his ass in its place.

Whichever it was, it only served to make him exhilarated.

"This looks pretty painful," you coo at him. Dazai would have loved to gently caress your head as you knelt in front of him so sweetly, but alas, his hands were still bound behind his back.

He found it hotter how well you restrained him actually.

"Yeah, looks like you should do something about it no?"

In response, you pull the pesky fabric out of he way, freeing his leaking cock. Truth be told, you weren't expecting for him to be fully hard after all that. Dazai was rather... hard to impress—for a lack of a better term.

You swipe his weeping tip with a thumb before spreading pre all along his length. Looking up at him, you ask the question: "My hand or my mouth?"

"Be serious, darling. You know you need both to get all of me."

"Fine. Be a smartass and you get neither."

He lets out a labored breath. "Jeez. Fine. I want your mouth. Pretty please?"

For as much of a pain in the ass he is, hearing him be so compliant for once made him hard to deny. You rewarded him with a small kitty lick on his tip—to test the waters—before licking the underside of his length.

You've learned to pay attention to those spots. Normally, Dazai was good at hiding things, but it was easy to catch on his sensitive points. In the bedroom, with you, he was an open book.

You watched him—how his eyes were fixated on you—while you went down on him. It made you particularly satisfied seeing him throw his head back in pleasure.

It egged you on to fit more of him and to go faster. You gagged more than once and it was messy—really fucking messy.

Just how he liked it.

He had grown uncharacteristically quiet which was usually a good sign in this case. It meant you were doing good—so good in fact, that it shut him up.

Feeling his dick twitch, you knew he was painfully close. But he isn't getting that orgasm he craves so easily. No way.

Before he could bust his load, you pull away—a string of saliva connecting your plump lips to his reddish tip.

Innocently, you stared up at him as if you've done nothing wrong—as if you didn't blue ball him just now.

"Hah... darling... I was so close..."

He sounded so breathless... so desperate. His heart fell to his stomach when you got off your knees and dusted yourself off. Was that it? Was he going to be left standing there with his dick out and aching?

You turn away from him, walking a couple of steps. He could tell you were fiddling with your uniform, but he was concerned more about his predicament down there.

"Thought you were the only one who could edge me?"

He tries to get out of the restraint while you weren't looking, but that blowjob quite literally sucked the strength out of his body.

But all of his movements were halted once you turned around, blouse open and tits out all for him to see.

"Well, two can play that game, darling. Sit tight while you watch me, alright? Gonna play with myself for a bit. Hope ya don't mind."

You tried copying his sing-song tone, but no matter what kind of lighthearted tone you use, there probably isn't one that can fix the frustrated frown on his face.

©miyukisu do not repost/reupload/translate any of my works on other platforms

╰ author's note I'm kinda tired of writing p in v so here you go!! Some good ol' edging and teasing for the soul!!

[plussizefantasia]

More Body, More Money

Anthony Bridgerton x wife!reader

Word Count: 1.1k

warnings: Allusion to smut towards the end, references to a female body and that body being bigger

an: holy shit sorry for disappearing for so long. I make no promises as to when I'll come back as I seem to have a habit of breaking those. I've been in a Bridgerton mood recently though and typed this on my phone in like an hour so no promises that it's all that good. I will say though that I've been working on a request recently and it's currently at 4k and counting which is by far the longest fic I've ever written and I'm not even to the good part yet. I've also finished outlining the rest of the parts for my Kili x reader fic. I think that's it though, thanks for reading this far if you did and for putting up with my bs.

“Darling, could you come here a moment?” Your husband called from his desk. Recently you had taken to reading while lounging on the couch in his study. It was a great way to spend time with your busy husband while also letting him get his work done. 

You didn’t exactly know what he was working on at the moment but apparently, your presence was needed to solve whatever issue he had stumbled upon. It wasn’t until you got closer to his desk that you noticed the receipts and ledgers sprawled across his desk. He was updating the families' books and tracking the spending that you and the rest of his family had done that month. 

“Yes, my love?” You moved to rest your hand on his back and traced it across his shoulders and on his neck. It was as if you two were magnets, unable to keep apart for very long. If you were close enough then you would feel your hands gravitating towards him. And if the way his arm moved to rest on your back as well, he had the same urges when in proximity to you. 

“I’ve noticed something odd in the charges from the modiste.” Anthony handed you the papers. Both you and Eloise had gone to the modiste at the beginning of the month to be fitted for some new gowns to prepare for her second season in the marriage mart and your first season as the Viscountess. 

“I’ll admit to not being the most knowledgeable about gowns and other frivolities my love, but is it normal for the cost difference to be this large? I mean when Ben and I get new suits the price is almost always similar.” He pointed to the two prices listed on the bill from Madame Delacroix. 

You didn’t know how to respond to this, you knew the reason behind the price difference between yours and Elioises dresses, of course, it was something that you had thought of already. After all, it was the same reason that your younger sister always got more gowns than you every season that the two of you attended growing up. You were larger, and as the modiste you had gone to grow up with had said “More body means more fabric means more money.” more money that your father had deemed unnecessary so you had only ever gotten one or two new dresses while your sister would be fitted for five or six of the newest and most flattering styles.

But how could you explain this to Anthony? That your dresses cost more than his sisters because you were bigger, and that meant more money.

You knew Anthony loved your body, he worshiped it often in fact but there was a difference between getting lost in the softness of your embrace and seeing the real-life sometimes the financial consequences of living in a bigger body.

“Oh, Anthony, it is uh- just a matter of resources I suppose.” 

He raised a brow at you. “I’m not sure I understand. What do you mean by resources?”

“Well dear husband, you and your brother are very similar in height and build which means the two of you have very similar resource usage, whereas myself and your sister are quite different in the… resource usage department.”

“My love, I need you to speak to me as if I am an idiot.” 

You deeply sighed and prepared yourself to have the conversation that you had been trying and failing to get out of. “Eloise is small, therefore it does not take as much fabric to make her dresses, whereas I am quite well endowed and my dresses require more material. More body means more fabric means more money it is as simple as that.” 

“That is preposterous, are you both not getting dresses?” His tone was getting more defensive, and it warmed your heart to know that he was willing to get upset at the simple fact that Madame Delacroix had charged you more because your dress was bigger. You had expected him to be embarrassed, and deep down somewhat afraid that he would realize that he had signed himself up for these extra expenses for the rest of his life by marrying you. 

“Well darling, think about it, would you expect to pay the same amount for a child as you would for yourself? Do you not pay more for your suits than you do Greg’s?”

“No, I see your point darling.”

“That is all this is my love, different sizes of clothing cost different amounts. If it is a problem I can just see about getting some of my old gowns altered to make them somewhat nicer for the new season, that way you would not have to spend as much.”

“What? No. Darling, this is not about the money, I was merely worried that that woman had tried to take advantage of you, charging you far more than Eloise for the same thing. I couldn’t care less about the money. In fact, I think you should get ten more gowns made, show everyone in the Ton that I am married to the most voluptuous, sensual, and desirable woman in the world.” He pulled you closer to him so that you were standing in between his spread knees, you still standing over him as he leaned back in his chair.

Anthony began training kisses up and down the arm that he had grasped within his hand. Turning your wrist over so that he could place one at the center of your palm. 

“I do not need ten new gowns, Anthony, that is far too much.” You giggled and protested, feeling more enamored with the man you married with every word out of his mouth.

“Perhaps I shall buy you ten diamond necklaces then so that I can have an excuse to stare at your chest as often as I’d like.” You snorted and gently smacked the back of his head. “Anthony Bridgerton, that is scandalous talk and you know it.”

“Nothing is scandalous between husband and wife, especially when the two are alone.” He wiggled his eyebrows at you and lifted the corners of his lips into a sultry grin, one that had your knees feeling weaker by the second. 

“All I really need, dear husband, is you.”

A smile that you could only consider adoring spread across your husband's face.

“And I you, my love.”

“No Anthony, I need you.”

His grin turned to a full-blown smirk spreading across his face, “Well, what the Viscountess needs she gets…” 

;)

[glitter-stained]

A fun, happy dc story for a change

Look I can be very critical of Winick's writing because I'm so ambivalent about it but damn if it isn't, on a meta level, a really satisfying spite story.

At the core of this story, there is Jim Starlin. Now Starlin's writing has many flaws, not least of all the blatant racism and sexism. And if there's one thing Jim hates, it's Robin. He wants to kill that little boy so bad, oh how he hates that bright coloured child in tights that's just holding Batman back from reaching his true potential as an absolute badass... And hey, good news! Dc, in trying to bring a second Robin after the first got a new identity, has dropped the ball, and the new boy is unpopular amongst the fans who miss the previous iteration! This is his opportunity to kill Robin, definitely!

But how? People may not have voted him dead yet, but Jim is already planning, setting up plots and trying his damndest to get him killed. And the thing about Jim- the thing that makes him a good writer, you see, the thing that separates him from those losers who fail to see Batman's true potential, is that his writing is gritty. He's not afraid to write a true dark knight facing the grimdark horrors of a town laden with crime, to shy away from the real dark, gritty topic that are mature and dark like rape. And uh, sexual violence against women. And uh, serial raping and killing women. (I'm kidding, of course, I didn't forget the native american cult leader who bathes in blood to prolongate his life. Or about the kgb agent Batman straight-up kills after he tries to kill Reagan. Or about the suicides, god I haven't forgotten about that. Don't worry.) But anyway, sexual abuse in general is a big theme for Jim. It shows how serious and dark and gritty he can be. So he has an idea: why not make Robin a child sexual abuse victim and give him AIDS? That way that's a justification to write Robin unlikeable (by making him emotional when exposed to situations of sexual abuse, unable to restrain his anger when defending a prostitute...) and at the same time it's the perfect way to kill Robin! DC has been considering giving a character AIDS, it's perfect! It will show everyone how dark and gritty Jim's writing is, he can make Robin even more unlikeable on top of how people are upset about the transition between Robins, and then he can finally kill Robin! It's perfect! Jim is a genius!!!

Now, of course, we know that plan failed: first because dc rejected Starlin's idea for Jason to die of AIDS, and second because as soon as Jason (as a character, which is what DC apparently had a problem with) died, they fired Starlin as a Batman writer and introduced a new Robin, making Starlin's vehement campaign against a fictional fifteen years old completely vain.

So that's it, right? Crisis avoided, we almost had some even worst writing that what already was, everyone sigh in relief and go home?

Enter Judd Winick stage left.

Now, remember how DC wanted to give a character AIDS? In 2003, Green Arrow #43 reveals that Mia Dearden, Oliver Queen's ward and a csa survivor of underage prostitution, is HIV positive, and in #45, she takes on the mantle of the second Speedy, becoming, according to Wikipedia, the most prominent HIV-positive superhero to star in an ongoing comic book. (And also one of my favourite comics characters, but that's unrelated.) An important thing about Winick, who wrote those issues, is that he is personally invested in education about AIDS, continuing his friend Pedro Zamora's educational work after his death of AIDS-related progressive multifocal leukoencephalopathy. (He also wrote a graphic novel about it, called Pedro and Me: Friendship, Loss and What I've Learned). So kudos! We finally got someone who has done research and actually holds respect for HIV+ people writing HIV+ characters. And Mia is so cool, man- but not only is she a really interesting character, she is, first and foremost, a survivor. That's how she characterizes herself, sees what happened to her: she did what she had to do to survive, and now she's a fucking superhero and she's here to help others and you know what she's not gonna do? Die "of AIDS."

Yeah, I haven't forgotten Starlin's terrible writing. And, if Winick's writing is any identification, it seems like he hasn't either. The idea of making the second Speedy a parallel with the second Robin isn't groundbreaking, but it's cool that it's there (and also, incidentally, a reminder that parallels are interesting and fun and backstories are not a finite resource characters can run out of or steal from eachother.) Anyway, this includes Winick altering Mia's backstory and making her a street kid to make it more similar to Jason's, as well as Mia's on-screen murder offering a nice parallel to Jason's ambiguous murder in Starlin's Diplomat Son (a parallel I can't help but regard with vindicative snark, because that's how you handle a teenager who has just caused, directly or not, a man's death out of hopelessness in a situation that felt impossible. A little snark of See? Now this is how it's done. Yeah, Starlin's Bruce isn't winning any parenting against Winick's Ollie, that's for sure.) So there it is! Our fun spite story, Winick taking on Starlin's terrible ideas, a teen vigilante and survivor taking on a hero identity to mirror a teen vigilant's loss and death, a good old fashioned schooling. Cool? Cool!

And then, in 2005, Winick buries Starlin's last remaining impact on DC by bringing back Jason Todd, in a move so audacious in the back-then landscape it would be kinda akin to bringing Ben Parker back to life in Spiderman's life as a villain (please don't tell me this happens in the comics I don't read Marvel and if someone wrote that I would honestly prefer not to know). Now, of course, the impact of Jason's death on the narrative can't and shouldn't be undone by that move, but that's not important, because that's not what Starlin wanted when killing Jason - he wanted to kill Jason/Robin, not give everyone grief-induced hallucinations where Jason/Robin had an incredibly salient place in the narrative, so he didn't get what he wanted anyway.

Personally, my view on Winick's writing of Jason is contrasted (and the fact that there are some elements of Starlin's characterization of Jason that I prefer to Winick's deeply amazes me, incredibly ironic situation. Which only serves to point that even Starlin' goal of making us hate his version of robin failed drastically, as me and my jaybin fan mutuals can attest. Sucks to suck!). But as much as some of the decisions frustrate me, do you understand how much of a power move it is to take this child, this victim who has been victim-blamed for years, and bring him back to life with a vengeance and a demand that his life mattered, that his death was a bad thing that shouldn't be tolerated? Do you know how good that story feels, especially to victims when reading it and see that indignation validated, that rebellion against the status quo and victim-blaming, how good it feels to see a "bad victim" that refuses to stay down ? And in the context of Starlin's intent to write Jason a CSA victim, Winick writing Mia, the HIV+ plot for them both- do you understand the genuine and violent glee I feel, that it's Winick that wrote Jason coming back to life and hunting down the narrative with a machine gun?

So yeah. This is the context in which I talk about acknowledging the csa subtext in Green Arrow: Seeing Red, but this post isn't about lecturing you to accept it as canon or imply that you're bad for not sharing that interpretation. It's about spite -towards Jim Starlin specifically. And it's about that interpretation, but the context in which it was written in general, is not just a victory against Starlin, that guy lost long ago, but the narrative equivalent of that Green Arrow meme about taking a funny selfie over a gravestone. In Seeing Red (specifically in the line that's discussed when questioning the csa headcanon), Jason tells Mia they are similar because of what they had to do to survive, framing the sexual trauma on Mia's part (and thus allegedly also on Jason's) again firmly on the side of survival rather than victimhood. Whether it's by becoming a villain or a hero, there's this rebellion against being an object to the violence, which is at the core of Starlin's treatment of sexual violence. This is fun. We're having fun. I'm repeating myself, but do you understand how satisfying, electrifying it is? I'm filled with unreasonable amounts of glee. You don't always need the context in which a story was written to enjoy it but in this case, doesn't this make it so much more enjoyable? (And on top of that, kudos to Winick for killing Captain Nazi, I hope it was as satisfying to write as it looked.) Anyway, Mia Dearden and Jason Todd, the characters that you are. I love them so much.

[caligvlasaqvarivm]

I've been reading your Erikar posts and I think that they work really well with the idea that moirallegiance really doesn't work the way it's "supposed" to. It's framed in-universe as a very one-sided "stable person pacifies dangerous person" deal, but both Erifef and Gamkar, which are basically platonic ideals of that concept, failed independently because of how unstable that dynamic is -- one person is worn out doing all the emotional labor and the other is not interested in being pacified. Whereas the meowrails, despite also being framed as a "classical" moirallegiance, are much more clearly two-sided, as both parties consistently help, listen to, and advise each other, and the relationship is consequently much stabler and more enduring. I love the way you frame Erikar because it works really well with this by showing both parties taking and giving "pacification" and support in turn, instead of one shouldering all the work.

Yeah! I think this is a good way to talk about something Hussie likes to do that I'm a huge fan of, which is: unreliable narration. This unreliable narration has garnered Hussie the reputation of being a "troll" or even flat-out "wrong" about HS, and I find both of these to be very unfair because the use of unreliable narrator is both deliberate AND thematically fitting.

As part of Homestuck's post-modern stylings (and I mean post-modern in the literature sense, not vis. art, though it has shades of that too), it plays heavily on the ideas of narrator-as-character, author-as-character, metafiction, and we-all-know-it's-a-story-itis. Hussie himself, even in his external commentaries (Formspring, Tumblr, Books, etc.), is fully aware that his additions add to the metatextual texture of the work and change how it's interpreted - that, although his additions technically lie external to the "story" Homestuck is telling, they are also paradoxically part and parcel of that very story.

As a result, they deliberately play a character WRT Homestuck, both in- and out-of-universe, and this character is, by their own admission, buffoonish and oafish. It's really apparent in their book commentary, where they'll sometimes even drop the act, or "realize" they've dropped the act and hurry to put it back on (a standout moment is when he provides a very genuine, honest analysis of Vriska, before going "oh, wait, I forgot, she's literally my wife and has never done anything wrong ever in her life ever"). They also mention how their narrative voice sometimes works antagonistically to the characters, such as when it assures Vriska that she has no choice but to kill Aradia, subtly pushing Vriska towards that option.

Functionally, neither the narrator nor the author (and by that, I mean the caricaturized character of "the author" that Hussie plays) of Homestuck are entities that you can take fully at face value; they need to be challenged and interrogated as much as any other character, have their motives dissected, have their blind spots pointed out.

And why would this need to be the case? Because that's literally one of the main thrusts of Homestuck: malicious entities (in HS's case, LE, Doc Scratch, and Caliborn, who at various times struggle with Hussie for control of the story, before killing him and wresting it away entirely) will attempt to write the narrative. They'll push their version of events, their politics, their biases, their philosophies. They'll try to change the story to suit them and perpetuate their own power and ability to enforce that power. And you can't let them win.

Hussie-as-a-character/narrator himself is not particularly malicious, and, as the narrative prompt serving as Caliborn's guide, is even ultimately sympathetic, expressing that kids need to grow up and mature, achieve self-actualization, emotional catharsis, etc.

However, as a result of his oafishness, he has a tendency to play to the characters' worst instincts, to pick favorites among the cast. The most blatant example of this is his "love" of Vriska, which - contrary to popular opinion - isn't "real". Hussie is not actually in love with Vriska; the whole thing started because - due to misogyny - people accused Hussie of only giving Vriska so much plot relevance because he was literally in love with her. Why else would a female character with an unpleasant personality be allowed to be important, amirite? And Hussie clearly thought that this whole thing was so ridiculous that he 100% leaned into it as a joke. I'm not here to litigate whether or not it was appropriate to do so, just to point out that Hussie's "love" of Vriska was always an artifice - an aspect of Hussie-as-character that he played up to highlight the fact that Hussie-as-character is an unreliable buffoon, and, by extension, that Vriska is not blameless and perfect.

Since this is the Eridan blog, I'd be remiss not to talk about him. Hussie's commentary towards Eridan is especially fascinating to me, because Eridan is one of he characters Hussie-as-character is biased against, in a similar way as he's biased in Vriska's favor. Thus, his attitude towards Eridan is very dismissive, both in the book commentary AND in the comic itself. "Gamzee: Indulge emotional theatrics" and "Jade: Answer this douche bag" come to mind. He also spends the vast majority of the Act 5 Act 2 book mocking Eridan for being sad and alone, with nobody to care about him and nobody who listens to his problems.

Now, the reason I call this fascinating is twofold: the first is that his commentary in the Act 5 Act 1 book has a WILDLY different tone: while he's still biased in Eridan's disfavor, he outright calls Eridan a "good character" alongside Nepeta, and offers genuine insight into his characterization and the powers of Hope - comparing him at one point to Dave if Dave took a much darker path.

So when his attitude changes from "he's a shithead, but fairly complex, I guess" to "he's a loser idiot that nobody likes LMAOOOO", you're supposed to notice that! You're supposed to question that, to wonder why he has a change of heart, why he's suddenly so dismissive of a character he was genuinely writing whole paragraphs about before.

And the answer is multifaceted:

He's playing up his buffoonish character, to let you know that he's about to be wrong as hell. Every time Hussie starts really amping up the Hussie-as-character persona, you're about to be in for an opinion that SHOULD NOT be taken at face value.

He's reflecting a common fandom opinion, because one of his favorite things to do as an unreliable narrator is to speak on behalf of another character or entity, highlighting the biases and blind spots in play - in this case, the audience's. Again, he's about to be wrong as hell, so he's doing this specifically to indicate that the audience members who believe this are also wrong as hell.

Act 5 Act 2 is when we get the one conversation in all of Homestuck where somebody (Karkat) cares about Eridan and takes his problems seriously. During this part of the story, Hussie goes COMPLETELY silent. This is incredibly out of character, as he usually can't shut up, and the commentary is usually dense, packed with words, without pause. Compare:

In those blocks of silence are contained the conversation Eridan has with Karkat where Karkat literally tells him "I know it's hard being you" and that Nepeta's rejection of him wasn't a negative reflection of him. In other words, Karkat cares about Eridan and takes him seriously, COMPLETELY contradicting Hussie-as-character's assertions that nobody does, so utterly that Hussie-as-character has to completely shut up during that entire sequence because he has no way of reconciling his stance with the evidence presented.

Now, Hussie-as-an-actual-person is completely aware of what they're doing, or else they couldn't do stuff like this so consistently and so precisely. So I want to be very, very clear that this is not Hussie "not understanding his own story" or whatever BS the fandom likes to say in order to cast Hussie as the villain. This is masterful usage of unreliable narrator, like, I'm genuinely impressed.

By acting a clown and insisting that nobody likes or cares about Eridan, the audience is MEANT to glean from the text:

That Karkat is clearly an exception, and he quite likes and cares about Eridan,

That those who are dismissive towards Eridan and treat him purely as an object of ridicule are Wrong as Hell,

That maybe it's not a good thing for us - both audience, author, and characters - to be so quick to judge and dismiss others just because they're annoying and nasty - that doing so can have dire consequences, as we see with how Eridan's story plays out.

And I'm not kidding when I say that we have to be constantly fucking vigilant, that there's very, very little that can be purely taken at face value. Not long after this is one of Karkat's memos, where he attempts to warn his past friends about all the murders, only to dismiss past!Gamzee by saying that current!Gamzee going crazy murderclown "barely even concerns [him]." Hussie then notes in the commentary - and not for the first time - that Karkat has a Problem(TM) with not seeing past/future versions of people as contiguous with their current selves, which he does as a defense mechanism so as not to confront his own feelings of shame and self-loathing. Hussie then proceeds not to comment on the following:

CCG: YOU ARE DEAD TO ME CCG: PAST YOU, PRESENT YOU, FUTURE YOU CCG: AND ABOVE ALL, UGLY SCARFNECKED DOUCHEBAG HIPSTER YOU CCG: WAIT I FORGOT, ALL OF THE YOUS ARE THAT YOU

Hmmm... interesting. I wonder why Hussie points out one of Karkat's running character traits, just to "forget" to notice when an exception happens directly after? I'll let this one be an exercise for the class.

So to tie it all back to your ask: why is the exposition on troll romance done the way it is? What are the narrator's motives? Hussie even outright states in the commentary that Kanaya/Tavros/Vriska, which is used as an example of an auspicetism, isn't even a real auspicetism, as Kanaya feels no need to commit to it, and at most is putting out mixed signals - it's just used as an example because it's the closest thing we've seen.

Well, the answer I've arrived at, personally, is that the troll romance explanation is as flawed as it is because the narrator is taking on Karkat's point of view. A movie poster on Karkat's wall, the troll version of Serendipity, is used and namedropped as the ultimate expression of meeting your soul mate in every quadrant - as well as the assertion that "every" troll believes that there ARE destined soul mates for every quadrant, which Karkat definitely believes, but isn't a sentiment necessarily shared by everybody else. Moreover, the explanation ends with a tirade about how Karkat tried to explain quadrants to John, who didn't get it because "he's an idiot".

I'm not saying that Karkat is literally narrating here, just to be clear - I'm saying that the narrator (Hussie-as-character) is relaying factual information as processed through the lens of Karkat's biases, and, as a result, we can't take the explanation at 100% face value (though we can't discount it as entirely untrue, either). It's not so much that "real" moirail pairs work because they're doing moirallegiance "wrong," but that Karkat's view of moirallegiance is simplistic, idealized, and flawed, and we see this play out when he's bitter about his breakup with Gamzee because Gamzee stops "needing" him to keep him calm, even after Karkat has failed to be kept calm by Gamzee in return.

The more I look into Homestuck, the more that I'm genuinely impressed by the way it handles its writing. I hope this was interesting to everyone, too. I feel a little like I'm peeling back a curtain, or opening up a clock to reveal all the little cogs and wheels.

No, you can't trust Hussie as the narrator, but that's on purpose, and it's on purpose because why do we trust narrators? Why do we assume people telling a story are unbiased, benevolent, and have no ulterior motives? Why do we let idiots, assholes, predators, and monsters get away with their version of the truth, when a little scrutiny will have the whole ruse fall apart? Why do we let people tell us not to care about other people, why do we let them tell us that it's okay to be cruel to acceptible targets, why do we let them go unexamined?

And how about the stories we tell ourselves?

[d-dixonimagines]

PROMPT: "Thought you'd be taller.."

I feel like I want to do this one again with a different approach, but I don't know. I envisioned it being something light-hearted and fun, so please excuse my attempt at being funny...! @darylsdelts A/N: It's not edited so there's probably typos

There was a weird buzz of energy going around the camp that you couldn't quite place. The way people whispered to one another excitedly like gossiping teenagers. Eventually you got wind that Daryl Dixon was supposed to be arriving. It was overheard on the radio when your group leader was communicating with Aaron, arranging some kind of supply drop. They had been talking for months and were finally closing on a deal to join forces and create connections.

Sure, you had heard Daryl's name before, but it was strange to see people act like it was some celebrity coming through their town, a behavior you thought was long dead when everything fell. He had been the talk for days, apparently. People telling stories about all the things they've heard he's done, even some you were sure couldn't possibly be true, like blowing up a group with a bazooka? It sounded ridiculous.

He had managed to gain a sort of reputation. He was the lone wolf you didn't mess with. People have said that he mostly kept to himself, some describing him as a grumpy old bear, and good luck if you ever got on his bad side.

You've heard he was mean and intimidating and had a permanent glare, but others say he is kind and had a softness to him. That he had a type of charm that was hard to explain. But it was all the same as rumors go; you didn't know what you were supposed to believe.

He had come to the camp a few times, but somehow you've never seen or met him yourself. It was like he was a myth. A story someone made up, and depending on which version you heard, he was either a scary boogeyman or some kind of hero.

None of that mattered, though. You were determined to find out for yourself who this Daryl guy really was, and if he was worth all of the commotion he seemed to cause.

The sun was just about to set when he and Aaron finally arrived. They were greeted with welcoming smiles and were invited to join you all for dinner. You were appreciative of the large cart of food and supplies they brought, but so far you weren't seeing anything too spectacular. He was quiet, mostly. Handing over crates and stuff, no particular look about him. He didn't look scary, there was no scowl-y expression. So many not a grumpy bear?

As the evening went on and everyone was settled, scattered about around the fire, you sat silently - continuing to watch him. When it was mostly just the two of you remaining, you decided that the silent stalking was getting you nowhere, so you took things to the next level; you approached him..

"Would you like some more?" You offered, extending the kettle of food you had in your hand. He looked up at you for a second before shaking his head, "Nah, I'm good.. Thanks." His voice was gruff, but there was a softness to it, it didn't make sense!

"I'll have some more." Your attention was brought to Larson, a guy from your group, who was sitting close by with his plate stretched out, a friendly smile on his face. Without saying a word, you took a step towards him and practically tossed the kettle in his lap, taking a seat next to Daryl, your back towards Larson.

There was a silence again, aside from the confused mumblings from Larson as he dished himself more food. You tried not to make it so obvious that you were eyeing Daryl, trying to glance at the fire every now and then, but you were failing quite miserably.

"Can I help ya with somethin'?" Daryl finally confronted you. When you didn't respond he continued. "You've been starin' me down since I got here and it's startin' to weird me out..."

You straightened up a bit and put your hands up briefly, an attempt to express you didn't mean anything by it. "I'm sorry. I'm just... trying to figure you out." "Whats'ta figure out, exactly?" he remained calm, but you could tell he had a guard up. Which was understandable.

You have a quick shrug as you tried to gather your thoughts. "The way people talk about you, you're at all what I expected." He gave a sight grunt, like where this was going all clicked. "Should I even ask what you were expectin'?" "Thought you'd be taller.." Your response surprised him a bit, causing him to let out a chuckle. Your shoulders relaxed at his reaction. He definitely wasn't a boogeyman type.

"There were a lotta things you could'a said, but I wasn't expectin' that one," he shook his head a bit and set his dish down by his feet. You could understand where he thought you were going, so many mixed reactions to him, but you were feeling more inclined to believe the positive ones, based on your current encounter with him.

"There was a lot of buzz around here when people learned you were visiting. They talk about you like you're some kind of celebrity. Which, I guess in some sense, you kind of are. With all the stuff you've done, you've made quite a name for yourself."

"Pshh.." he scoffed, "I don't buy into all that. People's opinions don't mean shit." "Even if it's good? People look up to you, from what I gather." He shook his head again. "It's all bullshit. They don't know me or the shit I've done." "We've all done things. Larson here?" you pointed your finger over your shoulder, Daryl's eyes following the direction, "the worst thing he's probably done is kill a rabbit, and that's saying something when it comes to him, and while he's probably not the best example, we all still know he's a good person."

Larson looked up from his plate, his gaze going back and forth between you and Daryl. "It was an accident..." Larson defended himself, a silent look of panic etched on his face. "The rabbit, I didn't see it, it was in the -" "You don't have to explain, Larson, it's OK. No one blames you." You cut him off before looking back at Daryl. "...Why would they blame me..?" "It was a whole thing.. but that's not the point. I'm just saying, the stuff you do makes a difference to people. The good stuff, I mean."

Daryl looked confused for a second, trying to figure out Larson's deal, but brought his attention back to you. "I dunno about any of that. I ain't tryin' to be anythin', I'm just doin' what anybody else would." You nodded, planning on keeping things at that, but there was one thing you couldn't get out of your head and needed answers on.

"I just have one question," you opened. He seemed almost reluctant to agree, but he did with a nod. "Is it true you shot a bazooka at some group? Some people say there was a group of like fifty highwaymen and you just blew them all up." He looked at you for a second like you were insane and let out a sigh. "There weren't fifty of 'em, there was only about eight.." "But you blasted them with a bazooka?" "Yeah?" he responded like he didn't understand what the big deal was. "They were a bunch'a assholes, they had it comin'."

"No, I completely get it," you let out a small laugh. "It's just a crazy thing to think about, you know? A bazooka! Where the hell would you even get one of those?" "Military truck," both Daryl and Larson answered at the same time, causing you both to look at him. "Sorry, I keep forgetting you're there." You almost felt bad. "Anyway, I should get going. It was cool to meet you," you turned back to Daryl and stood up, talking some of the empty dishes. Daryl gave a nod as you walked off.

"... The rabbit incident really was an accident," Larson chimed in after a moment of silence; he was leaning towards Daryl like he was trying to keep it between the two of them. "It was in the -" "Let it go, Larson!" Two other people in the group shouted at the same time. Larson slammed his plate on his lap in frustration as he was interrupted once more and he straightened up. Daryl sat there awkwardly in silence for a moment before getting up himself. He walked passed Larson and gave a quick sympathetic pat on his shoulder. "It's alright, buddy. I believe ya.." Daryl let out an amused scoff as he walked away to find Aaron.

[celestiababie]

A Handful - K.MG

Pairings: Stay at home husband! Mingyu x fem! reader

Genre: fluff, highly suggestive (18+), domestic!au, established relationship!

Warnings: PREGNANT READER, chest fondling (m and f receiving), cursing, Mingyu is a little shit, reader is hormonal and easily annoyed, Mingyu possibly has a breeding kink, reader is shorter than Mingyu, let me know if I need to add anything else!

Word Count: 915 (short but I was on hiatus and this is the first thing I'm writing in MONTHS)

Summary: Your husband is no stranger to being touchy and clingy, but he's been especially annoying ever since you gave him the big news.

A/N: I'M MOTHERFUCKING BACK!!! I hope you guys enjoy this as much as I enjoyed writing this. For reference, this acts as a small prequel to a small series I have about stay at home husband/dad! Mingyu. You don't have to read the other parts, but I will leave a link to the series masterlist just in case people want to read it. Please leave feedback, I'd really appreciate it, especially since I'm a bit nervous about posting again haha.

Series Masterlist

A pair of warm hands suddenly wrap around your growing stomach, engulfing you as a gigantic presence looms over you. 

The shriek that escapes your lips is embarrassing, but not nearly embarrassing as your hands lose their grasp on the plate you were scrubbing, dropping it in the sink and causing the fine porcelain to shatter. 

"Shit—are you hurt, baby?" Your husband's voice echoes through the not yet completed kitchen, irking you more than it normally would. 

Spinning in his hold, you wipe your damp hands on the sides of your sweatpants before shooting him one of the deadliest (and sexiest) glares he's ever witnessed.

"No, I'm not hurt, but I keep telling you not to sneak up behind me when I'm doing the dishes! I don't even understand how your tall ass is that fucking quiet," you start, your brows furrowed as you hold your glare.

Mingyu opens his mouth to reply but can't get a single word out before you shush him with a single finger to the lips. 

"I'm not finished. And this is the fifth. No, the sixth time a plate has broken since we've moved here." 

"That's not that bad, Y/n," Mingyu defends with a pout accompanying his words.

You cock a brow at the tall man, scoffing at his pathetic defense, your tongue pressed into the side of your cheek.

Six plates is a lot for any man, but it becomes comical when it's only been a month and a half since moving into the new house with your klutz of a husband. 

"You've also spilled drinks. Many times. Dropped multiple glasses. And don't think that I'm stupid and don't know you dropped the bottle of wine Minghao gifted us. I was looking forward to drinking that. That's pretty bad, admit it, Gyu," you list off, enjoying how a deep rosiness reaches the tips of his ears, almost as deep as the wine you'd never be able to appreciate. 

Mingyu slowly turned your frame back around to face the sink once again. His hands roamed across your stomach, which was getting bigger and bigger with every day that passed.

 Like always, Mingyu felt his heart racing in his chest as he caressed your stomach, his body flooding with that overwhelming emotion he could only describe as true unconditional happiness and love for both of his girls. 

Okay, maybe he didn't know the sex of the baby yet, but his gut was telling him he was gonna be a father of a little baby girl, and he was sticking to it for now. His intuition rarely failed him, and if he hadn't stuck to his guns, he would have never got together with you. 

"You wouldn't be able to drink it right now anyway, baby. Let's focus on things I'm good at, hm? The kitchen is almost done, and the living room looks beautiful, if I do say so myself. I'm pretty good at painting, so I'll have the nursing done in no time. I just cooked my beautiful wife a wonderful meal that she was moaning about the entire time," he shamelessly declares, the smugness apparent in his voice. 

You bite back a sassy remark when you feel his hands traverse up your abdomen, gently grabbing your swollen breasts in his large hands to massage them carefully. Your head relaxes against him as you let out a deep sigh, your husband's skillful hands rubbing away the ache and soreness. 

Mingyu studied your blissful expression for what felt like the millionth time. He'd never grow tired of how your eyes would flutter shut, eyelashes resting on the tops of your cheeks as your pretty lips parted, taking deep breaths as you savored the feeling of his hands on your body. 

He tilts his head to bring his lips closer to your ear, "And I'm really good at making mommy feel good, isn't that right, baby?" 

Your eyes roll behind your eyelids as you let out a breathy laugh, amused but not surprised by your husband's antics.

"You're so annoying, Mingyu," you moan, practically purring your husband's name, which only inflates his ego more.

"How convenient for me; you've always looked so damn sexy when annoyed."

A light bulb lights up in your head as you watch your husband's back muscles as he walks over to the kitchen sink to set aside the dishes. 

Let's see how he likes it.

A Cheshire-like smirk paints your lips as you slowly come up behind your half-naked husband to wrap your arms around his waist, your stomach pressing against his tanned skin.

But much to your disappointment, Mingyu didn't give you the reaction you hoped for. 

"Gonna keep me company while I wash up?"

You frown and deeply exhale as you crawl your hands further up his torso. Your nails drag along his skin, which generates a shiver throughout his entire being, goosebumps forming on his skin. 

"No, I'm trying to give you a taste of your own medicine, but you're enjoying this too much," you reply, your fingers inching further with every word.

A low moan rumbles out of Mingyu as your hands feel up his sore chest from working out right before waking you for breakfast. 

Shit, his chest got even bigger. Damn, that home gym he insisted on. 

You watch as Mingyu writhes against you as your fingers trail over his nipples, a shaky breath forced out of his body as he grabs the edge of the sink.

He's so annoying.

[o-sachi]

Summer Festivals ‧₊˚ ⋅ childhood friends series (Request)

ଳ somehow sparks still fly long after the fireworks display ଳ character; karasu tabito (blue lock) ଳ tags; floof, afab reader, no y/n

[🐟]: Yes, I decided to make it a series because why not?

Of all the times it could happen, your stupid sandal decided to break now—when you were right in the middle of enjoying the annual summer festival of your hometown. It didn't help either that you were starting to feel feverish. Sweating while being cooled by the evening summer air simultaneously was a combination for disaster it seemed.

To make it worse, Karasu Tabito had to carry you back. He wasn't obliged to do so. You offered to simply trudge back home with a broken sandal and a prayer. But as soon as you told him and HIori that you weren't feeling good—he insisted that he accompany you instead.

You weren't quite sure what was heating you up, the oncoming fever or the concern that the usually nonchalant man was showing you.

You unknowingly tightened your arms that were clasped around his chest. It seems like it snapped him out of whatever train of thought he had.

"Ya doin' fine?" he asked. He hoped you were because your house was still far away.

You wanted to say yes, but absolutely everything made it not fine. For one, you felt like shit—both because of the fever and because Karasu now has to miss out on the festival because of you. But you were dejected since you looked forward to this festival. There was something alluring about its atmosphere, the food, and activities.

Oh, and you wanted to watch the fireworks display.

Thinking too hard, you hadn't realized that you failed to give him a response. "Hey, speak up."

You sigh. "I don't wanna seem like too much of a bother but... no, not really."

His expression softens, but it's not like you could see it. "Yer fever gettin' worse or what?"

"No... I'm okay... I just wanted to see the fireworks I guess."

"Fireworks huh?" he repeated.

"Yup. But I can always go back next year."

He slows his pace and next thing you know he was gently putting you down from his back. The two of you had traveled a good distance away from where the festival was held. You were in the grassy clearing that led to most of the houses in the neighborhood. You rarely stayed here mostly for the fact that there was absolutely nothing to be done here. The place was just trees, grass, and stones—one of which you were sitting on at the moment.

He places his hands on his hips and turns to look at you. "We're pretty far, but I'm sure ya can see the fireworks from 'ere."

A look of surprise appears on your face as you made eye contact with him. After having him carry you for that long—you didn't think he'd indulge you with your request.

"Thank you... and sorry you have to view it from afar."

He chuckles a bit before looking back up at the empty night sky. "Ya know—it's not really 'bout how amazin' the fireworks are. I mean, I know it'll be," he pauses.

A pensive sigh escapes his lips.

"...It's more 'bout the person ya see it with."

HIs words only served to make you flustered. You were sure he knew what he may have implied with what he said. And it made you nervous with how confidently he said it too.

You lost the strength to look at him—choosing to glance at your feet instead... at the sandal that put you in this predicament in the first place.

Karasu took your silence positively, however. He was well aware of how easily flustered you can be.

"I always see the fireworks with Hiori," he adds.

Since Karasu had to carry you back home, Hiori was left to enjoy the festival alone. He would have come with you, but his mother insisted that he wait for them so that they could all go home together. It was the least that he could do for opting to hang out with the two of you instead of his own parents... apparently.

You could only offering a sobering apology for breaking their yearly tradition to which he simply shook his head.

"Nah, I'm sayin' that I'm sick of that guy." He says that with the utmost affection, but more so because he was trying to tell you something.

"I'm telling Hiori," you managed to joke back.

He turns to look at you with his usual lazy smile and with his hands up in defense. "Hey, now... are ya really gon' snitch on me after carryin' ya all the way 'ere?"

You laugh. Of course, not. He has done more than enough for a guy who's supposed to be just a friend.

However, your banter was cut short with a loud bang. The two of you look up at the sky in unison and sure enough—the once dark sky was filled with a plethora of colors.

Your hometown might be incredibly simple in all aspects, but they never seem to go easy on the fireworks. Despite seeing this display every year since you were a kid—it never failed to leave you in awe.

"Ain't this beautiful?" you ask, thinking that he was looking at what you were looking at.

But you'd be wrong because his eyes were on none other but you.

You hadn't even noticed that he sat down beside you or that he was looking at you directly.

"Yeah. It's pretty darn beautiful a'ight."

The softness in his voice juxtaposed the blaring sound of the fireworks. You were expecting a more enthusiastic response and not such a subdued one.

You turned to look at your side where he was now sitting. You were unexpectedly met with a small smile and delicate gaze. It was an expression he spared to no one else but you.

All this time you knew him... you had never seen such a face on Karasu.

It was gentle, kind, and almost affectionate in a way that it had your heart thumping at the same time the fireworks would go 'pop'.

"You're so silly..."

"Yeah? Ya don't hear me blamin' ya for doin' this to me, don'cha?"

The fireworks were slowly dying out and you had missed its finale because you were staring intently at something else.

Now that the gaudy noise was gone, all you could hear was your heart, your combined breathing, and the crickets. The silence nor the impromptu staring contest felt awkward.

It was just you and him—existing.

That being said, there was no need for you to start the conversation again or break the ice because... as you've established—the stillness of the moment felt comfortable.

But for some unconceivable reason, you leaned in. You had offered your lips to his and he was in no position to refuse—not like he'd turn down when you gave it to him so kindly.

You pull away, wanting to keep it innocent and sweet. His gaze was more intense than ever.

"Should prolly bring ya to more fireworks displays huh?"

o-sachi © 2024 pls do not translate/copy/reupload my work on other platforms.

[susandsnell]

Re anachronistic feminist characters, you are absolutely right and you should say it.

Maybe people who want to read "write women who sew" type stuff should just go do that instead of trying to make every single female character fit into their worldview. Because I don't want every character to be Eloise, I'm fine with variety, but a lot of people seem like they can't stand even one woman challenging gender norms.

No amount of faux progressive language will change the fact they sound like highschool bullies picking on girls who are too GNC or too "weird."

Thank you so much! Ideally, you'd have feminist characters more representative of the feminist or proto-feminist views of their era where the work is going for historical accuracy to honour the different points of where we were in history and also acknowledge the flaws of the movement at different points in time (1994's Little Women versus the hilariously bad 2019 version comes to mind), and certainly there's an element of repetitiveness in this character type, but this is seldom if ever the criticism I see. The truth of the matter is that in fact many early feminists did denigrate work designated as feminine, but we can acknowledge this as misdirected anger at having one option deemed valid.

Instead, we've somehow arrived at "wanting to be treated with human dignity is internalized misogyny because it really cramps my ability to romanticize the past". As you say, nothing wrong with valuing the labour more frequently done by women, but the fact of the matter is you can do that and show that there were always many people who resisted or did not fit into the tight boxes that society forced them into. Instead of, you know, ridiculing them for wanting to break the boxes while enjoying the fruits of having to fit into fewer boxes than our predecessors precisely because of women who loudmouthed and fought back and didn't fit into certain people's fantasy of being a submissive little princess. The kind of girls you made fun of and ostracized in high school, one might say.

To address a particular point you raise that I think is the most important in this entire ongoing discussion:

No amount of faux progressive language will change the fact they sound like highschool bullies picking on girls who are too GNC or too "weird."

I keep saying it, but a certain type of liberal feminist are now using "NLOG" the way it was socially acceptable 10-15 years ago to call someone a lesbian/homophobic or transphobic slurs because they didn't wear makeup or want a boyfriend. It is absolutely high school bullying mentality and has gone from an imperfect attempt at addressing internalized misogyny to active misogyny and latent/often overt homophobia and transphobia.

This is what the numbskulls making video essay after video essay about the apparent 'NLOG crisis' fail to grasp. The Heathers and the Plastics are not 'demonized for being feminine', they are accurate representations of how under patriarchy, social capital is gained through strict, obsessive adherence to white, Western beauty standards (which corporations can profit off of endlessly by manufacturing infinite insecurities, so bonus to the rich girls) and excelling at heterosexuality and pleasing others, and this system self-reinforces by the 'winners' bullying those who do not conform as easily. Jo March, queercoded dynamo that she was, took nothing away from the sisters who were happier with more traditional lifestyles because she wanted better for herself and the girls of the future, and represents so many women who fought for just that. You're not actually an intellectual for thinking Daphne Bridgerton has more value than Eloise because she was designated the season's Diamond, a literal in-universe (and true to life) Prize For Being Correctly Female, and unquestioningly accepts being paraded around like an ornament and smiling at being auctioned off to the highest bidder while Eloise fought back, criticized, and wanted an education more than any boy until they forced heterosexuality upon her. You are in fact a vanguard of the very patriarchal system the franchise even presents as backwards, because you don't want anyone raining on your arranged marriage fantasies.

There is nothing, and I mean nothing feminist, about snarking girls who do not like or for whatever reason, cannot or will not perform conventional femininity.

There is a certain sour-grapes defensiveness that comes from beig ostracized and punished for Failing At Your Gender if you weren't good at what was expected of you/resisted it. Femininity is derided, but it is also imposed (the two work in tandem to oppress women); and if you fail at its imposition, it's natural to try and gain protection by participating in the derision. Hell, I theorize that people who proclaimed themselves "not like other girls" in the contemporary age often did so out of resistance at the fact that we're supposed to perform (cisheteronormative) sexiness from the time we hit our teens, and of course the panopticon self-reinforcement that is how Other Girls treat you if you, an adolescent girl, shirk performance of femininity in any way. Certainly, I've also read much about GNC girls (of various identities) and neurodivergent girls equally having turned to this, which makes sense, as they're frequently targets for such bullying.

I do also think - and have personally experienced - it was an often imperfect articulation of queerness in many cases. The societal ideal of women under a patriarchy is cisheteronormativity; our value is derived from our appeal to men, and from the time we start maturing, sexual availability and appeal to men is the highest virtue. Therefore, women whose sexuality is not limited to men - or heaven forbid, doesn't include them at all - 'fail' gender, and accordingly often feel a sense of alienation and ostracism from other girls when they don't get as excited about dating boys. Also, in many cases (anecdotal I admit from people I know, but still significant), people who had a phase of asserting they "weren't like other girls" were in the process of discovering that they weren't girls at all!

And in some cases - again, I've mentioned that I was an Eloise for all the handwringing about how girls of that era wouldn't say that or do that and it would never occur to want more than what they had (...okay, so why are things different now?) - it's a frustration from the outspoken feminists and reformers at not being able to get other girls on board with us, because deviation from expectation will make you the weirdo who gets punished and rejected because ugh, annoying! As one historical costuming youtuber I won't name so charmingly puts it in her godawful video essay, "the women who made a big show of fighting back were freaks." (Way to convince us you care about feminism...)

All this to say the anti-NLOG brigade have utterly worn out my patience, and at best seem ignorant of the battles that have won us the freedoms we have today because it's not fun to consider how your escapist fantasy might be problematic (understandable, you don't always have to reflect on this to be aware), and at worst? They're getting the chance to be the mean girl in high school again/that they never got to be, they're just dressing it up in the bastardized language of feminism.

[omagpies]

since today is a magpie lore day apparently, i feel like oversharing (ya kno, what counts for oversharing for this guy on this here microblogging patform)

when i was very small, i accidentally caught a movie on my grandparents' tv. i was banished to the country house for the summer and bored out of my mind, so i spent my days disappearing into the forest, drawing, reading, and sneaking bits of tv time when no one was there to catch me

anyway. the movie. i remembered very little of it afterwards, just that it had body horror practical effects(?), snakes(?) and small shriveled heads with teeth(?). i was especially afraid of the small shriveled heads, but the body horror was very difficult to stomach too.

i had nightmares for weeks (and couldn't tell anyone why, of course, or that i was even having them, because then i would be Found Out), and even after it more or less left me i would still get jumpscared by the sudden memory of it years into my life.

as i was very young and my memory was very spotty, i couldn't figure out for years what the movie was. i thought, maybe if i could, then i would watch it and find out that it's not that bad at all, right?

(i'm a huge weenie when it comes to horror movies. i can't even watch most thrillers because they are too scary for me. i nearly fled the theater while watching 'i, legend', which was the only time i almost left the movies, that's how bad it is for me lmao)

a few years ago i finally found out what it was. it was beetlejuice (1988). from sporadic screengrabs and general vibes i connected the dots. so that's problem solved, right? i can just watch it and be done with it, right? right?

WRONG

i absolutely cannot watch it. i even tried going for a 'everything great about' video for beetlejuice and failed at minute 4 out of 20 because a jumpscare send me into an anxiety attack. when i was at dragoncon earlier this year, there was so much beetlejuice-related extravaganza and so many cosplayers that i was bombarded with the accursed green-black-white combo almost anywhere i went. it was! an experience! made all the more ironic since i spent most of my time there cosplaying as fizzarolli -- you know, the guy who shares an actor with broadway's beetlejuice, alex brightman

so like. at this moment, the most involved i can get with beetlejuice is looping the same two clips of the musical on youtube and! thoroughly enjoying myself! because alex brightman is fun! he makes it fun! it isn't scary! but underneath all that...the horrors lurk, pinging my buried childhood memories, and the sense of unease doesn't leave me.

i live in a state of both anxiety and utter fascination with beetlejuice. i want to watch the movie so badly, but it terrifies me like no piece of media has terrified me before or since. and yet i can't stop thinking about it and trying to scoot closer. it's my fucking moby dick. striped and with green hair. god damn it