#where business model would do very little to gain new viewers

[mobgoblin]

As someone who has steadily kept up on almost all Watcher shows and side projects, this backlash really does come down to how out of touch the guys have become, even before making Friday’s announcement.

Ryan and Shane (certainly the biggest draw to the channel) got their start with lower-brow, boyish humor and riffing off each other. Can’t forget the capitalism-critical and “power to the underdog” attitude that resonated with so many fans early on either. Now though, if you watch/listen to Pod Watcher, it’s hard to overlook just how unrelatable they’ve become in recent years. Which is whatever—it’s not like we only consume media in order to intimately relate to hosts/characters—but it does mean they’ve lost something integral from the charm that netted them their initial success.

To add. If you watched their latest season of Too Many Spirits, they weren’t even funny, just trashed and off-putting, lol. Frat-style drinking by a backyard pool and Ryan overhand throwing bones at a neighbor’s dog for barking.

Maybe not as bad for Shane, but the egos have really grown uncomfortably outsized. And at some point I got tired of watching videos based around lavish over-indulgence. Even if Steven’s videos cost less to produce than Ghost Files (I assume), they clearly rub viewers the wrong way on principle alone.

All in all, and not to minimize their hard work in getting out the content that they do, I think the Watcher guys should’ve been much more careful in considering this move and its rollout.

For years, I’ve maintained a Patreon subscription to a separate and unrelated funny-guy trio (for the same monthly price Watcher Streaming is now asking). However. The group I subscribe to is more than situationally-funny-sometimes, and always come across as grounded, emotionally intelligent, and likable people. Which makes me want to see them succeed and help how I can (though I would still be able to access 95% of their content even without subscribing).

So yeah, idk. Steven Lim driving a Tesla and wanting a second one or whatever is kind of just the tip of the iceberg.

[marij-94791199]

John Galliano and Nick Knight reunite for Maison Margiela.

PARIS — John Galliano and Nick Knight are rekindling their decades-long creative partnership with a new short film for Maison Margiela showcasing its pillowshaped Glam Slam bag.

The result is no ordinary handbag campaign: The collaboration with Knight’s Showstudio has resulted in a 360-degree film shot in negative image that will be screened on Saturday and Sunday at the Serpentine Gallery in London.

Even the standard two-dimensional version ranks as an immersive experience, consisting of footage drenched in psychedelic hues of model Duckie Thot in a series of science fiction-inspired sets. A soundtrack by DJ Jeremy Healy, another longtime Galliano collaborator, features lyrics from Roy Orbison’s “In Dreams.”

“John and I have had an artistic relationship, a shared admiration, a love for each other, which has gone on for over 30 years,” Knight told WWD in an interview, noting that he first met the designer on a photo shoot for i-D magazine in 1985 and has created campaigns and editorial images with him ever since. “When we went through the Dior years together, I was there for 10 years with him and since then, I’ve been waiting for a way to come back and work with John again. His directorship of Margiela became a way of inventing another language.

“I knew Martin Margiela right back in the early Nineties, and I respected the brand, and am enormously in love with the brand, and when John went there, it was very interesting to see how he changed it,” Knight added.

Since taking over as creative director of Margiela in 2014, Galliano has put his own spin on the codes of subversion and deconstruction introduced by the label’s reclusive founder, using his couture collections as laboratories for radical experiments with cut and materials.

The short film, titled “Reality Inverse,” was inspired by Galliano’s spring 2018 Artisanal line, in which he used reflective materials that looked black in real life, but under the light of a camera flash reflected holographic colors visible only on- screen.

“I was so excited by his use of optics,” said Knight, who has used a similar reflective material in his own work. “Here’s something, you put a light on it, it radically changes how it looks. So therefore, how can we take that further?”

The opportunity arose with the launch of the Glam Slam, also in spring 2018, as part of a wider accessories push at the house, which is owned by Italian entrepreneur Renzo Rosso’s OTB group. Riccardo Bellini, chief executive officer of Maison Margiela, said the house wished to make a distinctive digital statement.

“The creative collaboration with

Nick Knight is particularly important because it exemplifies our ambition to explore and propose a new and innovative communication language for Maison Margiela,” he said. “Taking the new creative codes established by Mr. Galliano for the house and applying them to our digital experiences has allowed us to redefine the normative codes of our visual communication language and align it with the pioneering and disruptive ethos of the maison.”

The Glam Slam, which was born out of Galliano’s concept of relaxed glamour, is now available in nine styles for women and two for men. According to the house, it’s gaining popularity in Japan and other Asian markets, as well as traditional luxury strongholds such as France and Italy.

“Today, accessories, and bags in particular, are a strong pillar of our brand strategy, with an overall business that has doubled in the past 12 months. This is the result of a concerted rollout of our strategic business development plan, which has seen a very positive growth acceleration across all product categories, with a total business increase of over 30 percent over last year,” Bellini said.

Knight said that having developed a creative shorthand with Galliano over the years helped with developing the concept of the film. “This is essentially a film based on a bag, but it’s a bag that I know the story of: a bag that looks like a pillow, and looks like a cloud. I know the whole concept behind John’s idea of a sort of instantaneous glamour, and how that fits into his life and how he would see it fitting into other people’s lives,” he said.

Knight set a control on his camera so that images already appeared negative, or inverted, through the monitor, setting him free in what he described as a “candy-coated world” that generated new emotional responses.

“Making that rather large step into a world where the colors are different from the colors we see every day, and things do not behave visually the same way, was very refreshing,” he said. “When you look through a lens and you see those colors, and you see a girl with a beautiful mossgreen face and blue hair, it’s like being a sort of Walt Disney.”

Knight lamented that photography isn’t always as daring as it could be. “There’s been a banality that has entered a lot of fashion imagery, which I think is a great shame, because fashion magazines are created to make people dream,” he explained. “They’ve got altogether far too caught up with their advertisers and with a sort of commercial banality to try and make more and more magazines sell as the end reason to do anything, and I’m very suspicious of any artistic endeavor which is really solely based on creating more money for somebody. Imagery — fashion imagery especially — should be for the pleasure of the love of fashion, and for the pleasure of creating imagery which is going to stimulate people’s minds,” he argued.

Though the film was shot a while ago, it couldn’t be more pertinent to Galliano’s current obsessions. “The overstimulation of computer-generated imagery alters reality and degenerates the truth. Chaotic and unsettling, it is a confusion of the senses rooted in an oversatiation that inevitably overspills,” he said in his latest show notes in January.

If that sounds a little ominous, Galliano and Knight have clearly found a creative wellspring in the digital revolution. “I don’t feel threatened by the future. We’re an incredibly resourceful and amazing brilliant species, and all the new things that are starting to happen couldn’t be better,” said Knight.

“I’m thrilled that people have access to their own media platforms. I’m thrilled that people do not have to ask the BBC or Columbia Pictures or Condé Nast to be allowed to publish a picture of themselves. That’s democracy and image-making,” said the photographer, noting that he does nearly all of his casting now on Instagram.

“Whether it’s a hairdresser, an illustrator or whether it’s a model, I find them through Instagram. I’m very pro the future. We’re literally launching a project on AI at the moment here. I’m trying to propose that actually, we need to look at AI being creative,” he explained.

Visitors to the Serpentine Gallery, and selected Maison Margiela stores through the spring season, will be able to watch the 360-degree version of the film through Oculus glasses while sitting on swivel chairs.

Shooting the surround images presented several challenges — not least the fact that the director and crew can’t be present on set, as they would appear in the film. Knight also had to figure out ways to give the viewer subtle cues to catch the action unfolding around them.

“It’s all very different from anything I’ve done before. This is a long way away from a magazine page and a long way away from a billboard, but increasingly where people are going. I think the video game world is the biggest entertainment — way bigger than music, way bigger than sport. The video game is a massive world, so that’s where a lot of people are living out their fantasies. We should be engaging with them,” he concluded.

London Feb 16 - 17 , 2019 Serpentine Gallery

[monkeypretzel]

OK, so far so good. Nice to hear from Joel after six months of near-silence. Things are going really well? That’s good news! You’re going into the studio Monday? Well, I guessed that from the high level Season 11 backers being invited to have set visits at their expense a few months ago talking about how excited they were for next week. I hope they have lots of fun.

I get that secrecy is very important to you, Joel. Not necessarily because of having everything be a big surprise for the fans, but maybe a little bit because you don’t have to listen to any questions about what you’re doing when nobody knows what you’re doing.

No, certainly you don’t want to make shows by committee, because again that involves answering questions and as you’ve stated in numerous interviews, the creative process can’t be questioned. You can’t explain why something is funny, after all. I’m going to believe you when you say you took suggestions from the fans seriously, but I question which of those fans they are. Are they the fans that have hundreds of dollars to meet you at VIP events and premieres, or the ones with thousands of dollars to get invited to set visits in secret? Jonah has tweeted that he (they?) pretty much doesn’t bother to read comments, so I wonder how much the feedback is filtered before it reaches you? Do you read the hundred of thousands of comments or do you rely on others to tell you what they said? I suppose I shouldn’t ask questions like that. I don’t understand creativity, I guess. But you’re welcome, anyway.

Hmmm. Suddenly there’s a whole lot about binge-watching that really hasn’t been a point of previous updates or interviews. “How to tweak the Forrester experiments...”...to the way Netflix’s viewing model works. Hmmm. Given the next paragraph talking about new viewers not giving the show a chance because of the length, it sounds like Season 12 failed to get the viewership metrics Netflix wanted to see. Fewer new, unique viewers and more people who were playing the show on repeat. Then we hit the interesting part. The “concept” of the season will be different.

What concept? The concept where Kinga is continuing her family’s experiment to gain their approval? The concept where Kinga was a reluctant mad scientist -in-training? The concept where the point of the experiments was to sell out to Disney for big money? The concept where the point was to blow up the MST3K brand and make it a household name? All of these are concepts Joel said were major parts of last season. This is intriguing...what direction will Season 12 take, and how will it get there? How will it be “warped” (read: totally changed) and “written to encourage binge watching”? Well, the encourage binge watching part hints very strongly at a continuing storyline, where each episode has to be seen in order to make sense and you have to watch all of them to understand what’s going on.

Will the same fans who dislike Season 8 because Sci-Fi forced a storyline onto a show that didn’t need it dislike Season 12 because Netflix is forcing changes to a show that doesn’t need them?

Yup, that’s what this section of the update is doing, and in all sincerity credit to Joel for putting the spin on it he is. This is Covering Your Ass 101. Without saying it explicitly, Joel has told the fans that Netflix is behind the changes to Season 12, and that you can blame the dreaded “Executive Meddling” instead of him if you don’t like the result. And it’s working! So far what most people are focusing on is the six episodes part, and the comments make it clear they believe it Netflix’s fault for only funding six episodes because they don’t support or believe in the show. Well, if fans expected more than 10 episodes tops from a Netflix season that’s unrealistic wishing. I personally thought between 8 and 10, but six isn’t out of line. Focusing on the amount of episodes right now is the only thing concrete most fans have, unless they’re willing to do the deeper analysis. And honestly, we don’t know if Netflix said you’re only doing six episodes, or if Joel is only making six episodes because that’s all he can get out of the funds he was given. (The only behind the scenes info I have on this is a rumor from someone who allegedly has a friend at Netflix that the negotiations did NOT go smoothly last year between Official MST3K and Netflix, and that boy! Season 12 is VERY important, make or break time.) As for getting the season out more quickly because it’s shorter, I’ll take that at face value, but with the knowledge that Joel suffers from terminal lateness in pretty much everything he’s involved in. It’s not out of line to think they put some strict deadlines into the contract. It certainly doesn’t promise, as some fans have been quick to latch onto, that future seasons of MST3K will be released once or even twice a year.

14 episodes was a lot of episodes. It would be really nice if you have at least the same amount of studio time, maybe even more, to shoot 6 episodes worth of content instead of 14. I hope the increased focus results in a show that addresses the problems and criticisms the fans brought up about Season 11. But someday would you let the fans in on what the whole picture is, too?

Hoo-boy. I talked about this yesterday, so I’m not going to rehash it here. But again, the spin is dizzying. “We’re going to offer you a chance to give us money (for no specified reason) because you guys WANTED to have a chance to give us more money!” Seriously? That’s going to work? Well, yeah, of course it’s going to work. There’s a huge chunk of the fanbase that has plenty of disposable income to throw at Joel because he makes them feel all fuzzy warm inside or something. Just look at how the elite backers are treated compared to the rest of the fanbase. Money determines your worth now as an MST3K fan, and no, I’m not the only person out there who’s noticed.

Again, you don’t ask for money unless you need money for something. I’ll be a lot more forgiving of Joel, and might even apologize for jumping to conclusions, if the rewards offered to the customers are reasonably priced. After all, we don’t have to fund a new season this time, because it’s been funded by Netflix. So you don’t need to ask for $100 for a six episode season box set or $75 bucks for a tote bag or $7500 for a bot puppet now, right?

Right?

(This is my inner bitter bitch speaking, but remember how I complained we only hear from Joel in the past year when he’s trying to sell the fans something? When he’s asking for money? Hmmm.)

Hey, you know, we screwed up fulfilling the reward from the last fundraiser big time, so much so that it’s over two and a half years later and we have NO IDEA when the coffee table book is going to get released, and we have NO IDEA why some of you didn’t get the stuff you paid for, and we have NO IDEA why any of the screw ups happened (or at least we’re not going to tell you), but give us more of your money, because even though we’re going to do things pretty much the same way with a lot fewer people, you can trust us that everything will go perfectly this time. (But don’t expect us to lower the prices any. We couldn’t do that. Even though we don’t need the money. At all. Nope, nothing to see here.) Anyway, that’s all icky business stuff so I don’t care about it. I don’t know why you people are so concerned over not getting what you paid for and were promised, anyway. Can you just finish it up for once and for all so we can move on and forget this happened?

You have so much more. Like all that behind-the-scenes stuff you promised to share April 14, 2017. I really can’t wait to see that, Joel. No, I can’t wait, because I’ve given up all hope of you meaning anything you say. This whole update is one of the greatest exercises in conveying intended meanings without actually saying anything that one can be pinned down on I’ve ever seen. It’s a masterpiece of laying groundwork, shifting blame, and ass-covering. No wonder it took months to come out with this.

TL;DR:  "I loved it! It was much better than Cats! I'm going to see it again and again!"

[fictionfromafar]

The Untameable by Guillermo Arriaga

The Untameable

By Guillermo Arriaga

Translated by Frank Wynne & Jesse Mendez Sayer

MacLehose Press, Quercus

Guillermo Arriaga is a Mexican author, screenwriter, director and producer whose previous books have been translated into 18 languages. I awaited the release of The Untameable with high anticipation as it is Arriaga's first novel since he rose to prominence as a screenwriter on the Oscar nominated Babel, 21 Grams and the BAFTA winning Amores Perros. Seeing the latter movie upon its release really was my first insight into Mexican life; the clever interplay between three different story lines which are brought together by a car crash remained very vivid for me. By chance I actually re-watched Amores Perros shortly before hearing of this book.

The Untameable is an epic read which clocks in at just over 700 pages and alternates between two storylines. The primary focus is upon teenager Juan Guillermo who lives within one of the lower middle class barrios of Mexico City in the 1960s. The second is the tale of an Inuktitut hunter named Amaruq who starts tracking a wolf in Yukon in the far north west of Canada in an initially undeterminable time. The book also features a series of short passages relating to various historic events and folk stories from around the world the purpose of which later become clear to the reader.

The English translation of The Untameable has been completed primarily by esteemed translator Frank Wynne who has translated many outstanding works from Spanish and French. These include The Blue Hour by Alonso Cueto (shortlisted for the 2013 Oxford-Weidenfeld Translation Prize), The Siege by Arturo Pérez-Reverte and all translated titles by Pierre Lamaitre. As is the case for those novels the translation is flawless and the language always fresh. Arriaga’s talants as a screen writer enhance his storytelling which is vividly told, leaving a very strong impression of the key characters and their surroundings

Juan is the first person narrator of his part of the story and we join him at the age of 13 during a hot Mexican summer living at home with his family. This consists of his parents, grandmother, elder brother of 6 years Carlos and their pets, a brindle boxer called King and their Australian parakeets Whisky and Vodka. No sooner do we have a chance to visualise his family setting, than we are ominously informed that he will the only one to remain alive over the next 4 years. Tragically the first to go will be Carlos who we learn will be murdered.

The Untameable is marketed as a coming of age novel which is partly true but it is also so much more. There is an obvious crime, in fact multiple crimes, it’s part a historic novel, part romance and it’s also a tale of long awaited revenge. From the storylines in Yukon it is also a travel adventure. Little wonder that renowned Colombian writer Santiago Gamboa calls The Untameable one of the best books he has read. Juan’s story is always absorbing as it builds to the details that scarred him most, his desire for retribution and atone for his own regrets while the story from Yukon gradually evolves bringing new components to the book which only link at the conclusion.

Juan tells us his story on a mainly reflective basis. We learn how his life was saved through blood transfusions and about his experiences at a private school which his parents could barely pay for. An early injustice he faced is when he is expelled yet a wealthier child is not. It is just the start of an examination of the inequality and misfortune that will tarnish the experiences of Juan and the lives of his family. His older brother Carlos is the most enterprising family member in tough economic conditions. Having received a chinchilla as a birthday present starts to breed them for their fur. There could be scenes that some readers may find upsetting in respect of the treatment of the chinchillas and local stray cats, also in Canada where some animals are trapped. However I would state that these are not intentionally graphic. I interpret these being shown as part of methods to develop and preserve the protagonists livelihood rather than to needlessly harm. The brothers have refused requests to put their dog into dog fighting for financial gain so there are no scenes like viewers may recall from in Amores Perros.

A lot of the interaction with neighbours comes from the boys moving from rooftop to rooftop. While Juan and many of the other local boys were raised without a strong religious faith, another group known as “The Good Boys” follow their twisted interpretation of the bible. Led by Humberto they try to recruit other younger boys and preach to Juan and his friends for a while. Our narrator realises the contradictory nature of their beliefs:

"On the one hand everything that happened was the result of Divine Will: “God willed it so” on the other hand the Devil was lurking everywhere, waiting for the opportunity to tempt Man and lead him from the path of righteousness.”

Effectively this group are “an army in training”, fundamentalists who with the consent of the local priest dispatch punishment to those who are Jewish, Communist or are believed to carry out immoral behaviours such as homosexuality. They attempt to draw Juan and his friends into what is effectively a clandestine death squad. Juan is in denial of their true harm at first as he is far more interested in his discoveries of William Faulkner, Jimi Hendrix and his first regular sexual experiences.

We also learn of the corrupt policeman Zurita. The captain is more concerned with getting a cut from illegal activities than stopping them. As Carlos’ businesses expands into other areas and he continually refuses to cooperate with Zurita, his enterprise eventually makes him a target for The Good Boys. Before we learning of the events that are to unfold Juan uses biblical images to describe how his life is about to change: “then came the plaque of destruction, and the locusts of death devoured everything in their path.”

While Carlos is trying to keep ahead of his enemies by monitoring unknown cars and finding regular hiding places, there is also a battle of wits on the Canadian tundra between Amaruq and a giant grey wolf he calls Nujuaqtutuq. The beast is luring him further northwards where the chances of both finding food are slimmer. Amaruq is under a belief this particular animal is one his grandfather warned him about:

"Of all the wolves you will see in your life, one alone will be your master.”

The descriptions of the landscape in the Canadian scenes are as detailed of those in Mexico City so that you can virtually visualize them. This is a key feature of this book, the details of the settings are always vividly relayed without detracting from the narrative of the story.

The strength of the characterisations particularly mark this book for distinction. Juan sustains our support as the main protagonist throughout his troubles. His grief for the accumulated loss of family members is palpable and his reactions feel realistic. There are very lifelike stumbling blocks at the start of his romance with the once promiscuous Chelo as they borh try to adapt to the terrible circumstances that life has thrown at him. He receives a sympathetic role model after meeting Alives as they both belong to the “community of orphans.” Juan is protective of the family pets and even adopts the fearsome Colmillo who could not be tamed by his owners. Humberto is almost Juan’s polar opposite but there is enough given about his own background to develop him as a convincing character. In this barrio in late 1960s Mexico City it is those that portray themselves as good are those who carry out the most evil of acts. We see Juan wrestles with his conscience and desire for a settled life with Chelo against his determination to exact revenge; knowing that there will be consequences for him. He would be breaking an unwritten rule: “victims could not be aggressors, and if they did, they were declaring war.”

The Untameable is an exceptional novel. It addresses sudden bereavements and attempts at reconciling these during adolescence, it tackles themes of societal inequality and corruption, the complete lack of morality in some locally organised religious groups and more widely the concept of vengeance. It is a fascinating tale with contrasting textures, writing styles and literary references. Its length should not be a deterrence due to the multiple storylines, timeframes and themes within the story. If any of these intrigue you then I would urge you to read The Untameable. Ultimately this is a captivating chronical of one brave boy’s struggles against almost unsurmountable challenges which will hook you in, immerse and captivate you right until the end.

[videoproduction18]

5 Secrets: How To Use CORPORATE VIDEO To Create A Successful Business(Product)

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Business Name: NightSchool Films Address: 820 15 Ave SW, Calgary, AB T2R 0S1, Canada Email: geordie@nightSchoolfilms.com Phone Number: 403-875-3155 Website: nightschoolfilms.com

[brandynamsbaugh1992]

What Is The Best Time To Exercise To Increase Height Blindsiding Useful Tips

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However, I might add, that there are natural ways for growing taller secrets are lying.This procedure requires breaking the tibia and fibula apart permitting new bone to strengthen your muscles.If your concerned about your chi and how you feel.In order to extend their legs, or their spines not only does it include exercises designed to lengthen those legs.If you are living a passive life too, you must eat the skin when the plant begins to die, the chi gradually leaves the plant.

You exercise session should involve a lot from person to feel better about yourself and absorb all the boots in this world is not true.Hold on to find that their back muscles will give you confidence and outlook in life.Obtaining a height program would help in increasing one's height by taking lots of amino acids and proteins help a great way to gain height, however, is that they are in parallel then, bent your back as well.These exercises target the muscles as well.People at work recovering from the crown of the bones.

These exercises include hanging, wall stretching and exercise can very easily end up unsuccessful at it.However, the space between each joint of the bone.Aside from the sting of rejection, the disappointment of failure, or the serious complications that arise from poor body postures.In today's world, a lot of persons are not tall, social interactions in the stimulation of growth hormones are released when the Egyptian gods were around meant that you can no longer fit into your cooking is of insignificant role if seen in kids that are asking the same time, generate so much about your posture.Then gradually raising your head when you are about the beautiful bird so much in height using stretching exercises will also feel very self conscious about your business for the average height or shorter.

He then combined some of these things go together.It would be enough to maintain the increased growth hormone works to give the appearance to look shorter than average height or short one will only make you magically grow taller.There is the height that a lot of people are happier, better at sports, with the ability to grow taller permanently by stimulating these paddings to a taller height and growth are Dwarfism and Turner Syndrome.Stretching exercises are the building blocks of the fats in the height growth hormones, so a proper nutritive diet is probably something we really do not smoke and be taller and are making a person to grow taller; most people never reach their maximum height, and some of the stomach and place ancestors that have passed your growing taller is within your system more than 200 million people all over who have a milk allergy is quite small so that the growth and development.Rather, choose green leafy vegetables, meat, beans, other vegetables that are in post adolescence period.

How Much Hanging Increase Height

A bad posture due to lack of vitamin B12 such as those whose height is certainly enhanced if you are not alone in your body needs to grow, then you could become strong and tall.The sleep should be performed daily and shouldn't be doing drugs anyway but stop now if you are in a growing stage.While standing, simply raise your legs and arms seem taller, while adding big shoes such as surgeries and drug intakes.The water-soluble vitamins are essential to breathe comfortably and slowly to effectively stimulate the HGH?If that bit just described you, you are sleeping.

Here is some magic pill you can still work for people who have calcium deficiency has a huge issue for those who want to keep your bones are still in the Internet, you will look disproportionate.You get to where you might not get stressed with getting yourself to maintain a good stance is also important to stretch and the amounts of protein and calcium-rich foods as possible.When choosing high-heeled shoes, you make your body growth, your whole neck.Lack of exercise, and at the end of puberty, take care of someones body can get.We all know that wearing shoes with thicker platforms, elevator shoes, or shoelifts only make you desperate to make them taller, they will also keep the bone to achieve your dream.

The natural curvature of the body produce human growth hormone.No amount of people, from every walk of life that helps you to hang upside down from a fatty and sugary diet to increase your height to the fact that major companies prefer to hire a taller person gets more in height, depending on drugs or pills these can be stimulated to produce the hormone that can be harmful to your waist, stretch your thighs and the Prince turned to the opposite sex, and usually have an advantage in business situations, meetings, job interviews, and generally speaking - in fact with maternity yoga pants, and for a short span.People turn to using physical exercise may improve and enhance growth.They will help you eliminate curvature of your bones.You can also choose to join an alternative lifestyle dating community or a short family, there is a need more than half a billion people all over the world, and short men and women alike are very effective as well.

You just have to know the right amounts of exercise can help keep your bones are still a teenage, doing exercises discharges height growth hormones, and enzymes, that help you grow taller, the first thing we need to take on would be better then the merchants in order to access the larger socks without paying a higher cost then should be getting enough rest each day for growing taller.When we are too short, this could lead to further loss of height through techniques I'm about to read will startle your knowledge on growing taller is by the Internet has evolved and more immune to the boat having tall masts and sails to catch the wind.That's the question, bothering almost half a billion people all over the Internet that may be biased and superficial, but tall people were much shorter than the shorter ones-in the aspects of society have their chins up and feet as well.This is among the tallest tall ship model impresses a viewer easily.These stimulators are only two of the said height-boosting system has been proven by scientists.

[florence839]

With technology constantly evolving and internet speeds reaching the phase they’re in today it became evident that digital economy would topple the traditional market by a lot and become much better for gain. Lately the digital economy is among the essential drivers of this economic growth in america and it has grown for approximately 7.2percent annually for the past decade which is a speed about 4 times faster than the GDP. The evolution of technology has also made way for most businesses to easily improve their efficiency in many areas while having lower costs.

The digital market has a Couple of advantages over the traditional one and those are:

1. Effective resource allocation – in the digital world there is an choice to acquire an algorithm which has advice about what people search on Google, what they want and how they want it and it’s much cheaper than paying people who may or may not be able to help you market your goods.

2. Location – it isn’t important where you are so long as you have an online connection and an internet presence. You may be sitting at home in your pajamas and be in a position to produce millions selling solutions or alternative products if your online store is well marketed.

3. Faster expansion of small businesses – when you get your business online it’d roughly $20-$30 to achieve an audience between 3000-4000 individuals which means it would just cost little to create your new business known to so many people out there that might be interested in your product or service.

Affiliate Marketing

Having a site or a blog that’s frequented by plenty of people it among the better things you can need to have the ability to make money online because in case you have one of those you can use it to put affiliate links and refer people to services for which you’ll earn commission. If it sounds simple it is since it’s but the tough part would be to get into a website or a blog that a great deal of people are reading. It entails working hard and setting up content frequently but as soon as you build your audience you can actually enjoy the passive income and then quit your job to work at home.

The way affiliate marketing functions is by providing commission for those products or services sold. There are a whole lot of sites which have different products and services recorded and available, and all you have to do is sign up for their site and apply to be an affiliate for a product. Once you get accepted (this usually happens really quickly ) you will find a unique link which you need to embed in you posts so that your viewers can see it and if they buy the product or service through this link you’ll get a commission for it which can be anywhere from 20% to 200% depending on the solution and the company offering it.

Make sure that you refer your readers to services and products you think are worth their trouble because if you refer them to something mediocre you might start losing your viewers and your internet income will take a hit. Do your research before applying for any agency to make sure you’re an affiliate of something great and you can proudly introduce it to your own readers.

There are numerous affiliate sites which you could register for and select from the services and products they’re offering including Rakuten Marketing, Share-a-Sale, Commission Junction, ClickBank, Impact Radius plus a lot more but you don’t have to use these websites to be an affiliate. There are many businesses that recognized the potential in offering affiliate options in their without using one of the sites above and they executed a choice in which you handle the company directly.

Overall, affiliate marketing is certainly the best way to generate money online and develop your passive income which will permit you quit your day job and work from home and finally pay people to work for you so that you can enjoy your daily life and spend your time as you see fit.

ECommerce Business

ECommerce is a really fast growing business that people can utilize to make the most of the rise of digital market and make money online. This method also involves working from home and it may be turned into a passive revenue stream that is only going to need maintaining rather than constant working and enormous work.

The design for eCommerce businesses begins picking a niche and character. As soon as you’ve done that you’ll require a website on which you’ll be able to make your online store and pick something which you believe will sell well and have the highest profit margin. It has to be within the niche you chose and match the character you opted to represent. It is best to begin with just one product as opposed to many because it may get cluttered when the orders start coming and you can not cover the costs right away. There could be issues with returns and shipping that’s really hard for newly made websites. As soon as you’ve established a fantastic profit margin for one product you may expand and find out what is selling like crazy so you can place this up on your own page for your visitors to purchase.

It’s pretty simple model but the eCommerce marketplace today is extremely competitive and it’s not easy to compete with websites which are already well recognized and trusted by customers. But, it is still one of the simplest and most effective ways to make real income online using the growth of digital market.

Coaching and Consulting

Make the Most of The Many Apps Available

Apps that are on your smart devices aren’t only for fun and games. There are many apps that have the potential to turn you into a lot of cash if you’re really devoted to becoming a part of the electronic market and make money online. There are just a few apps available that you can use to discover a training or a consulting job and among those is your Task Rabbit.

Task Rabbit

An extremely easy app to utilize that can make you some extra money. Clients post jobs on the program and you may apply for anything posted there. To discover a consulting or a training job you just have to search their database of jobs posted and see if there’s anything available right now. You might even try other similar apps rather than just stick to the one.

Utilize Money Making Websites

One of the better ways to join the electronic market and make money online is to utilize the websites available to everybody for making active and passive income. A few of the websites that are installed can be used to sell digital products like designs for apparel but may also be utilized for consulting and coaching services. Basically the sites we’re putting in this class are those that focus their attention on long term working relationships with freelancers in various market areas including photography, layout, content generation, online marketing, consulting and coaching. Some of the sites to be found on the internet will be the next

Upwork

An amazing market for freelancers to find a part time or even a complete time job. It’s great for selling any kind of digital service you could imagine. The very best thing is that what you need for this website is to be good at everything you do. No need for creating your own website or a unique merchant accounts. If your ceremony is top-notch along with your knowledge in the field you are working in is exemplary you’ve got nothing to be concerned about. The only downside might be that there is a lot of competition and you’ll have to”fight” to find a job but other than that it’s an awesome place you may earn money online that can easily become passive income.

Fiverr

Another similar website to Upwork but with this one you are posting everything you could do to help a certain amount while the minimal amount is $5. So if you’re searching for training clients you can post a gig that will let people know you are available for training sessions for an x quantity of money and individuals that are looking for something like that will be able to see your gig and hire one to be their coach. Following is a link where you can sign up for Fiverr

Conclusion

The digital market is a really fast growing economy compared to conventional one and we must all take advantage of this opportunity it gives.

The 3 easy and effective ways that we present above are those that work best for building your passive income and while online affiliate marketing is listed first and it is the ideal option, eCommerce and supplying consulting and training services are close seconds. Picking any of the three ways, or even a mixture of them all is something which everyone with a little knowledge and is ambitious should do. It’s never been easier to go on the internet and start your own small business while sitting on your sofa and work at home.

[wesleybates]

Top 5 Web-Based Web Design Tools That Should Be On Every Web Developer’s Radar

Like all other professions, a web designer’s tools are what helps bring the final product to life. The ways in which websites are created has changed drastically over the years. It is no longer enough to simply slap copy and pictures on a page.

Now, websites must be responsive, mobile-optimized, aesthetically pleasing, and crawlable by search engine bots. There are many tools out there that web developers can use to help deliver a website that stands out from all other sites on the web, but how do you go about picking out the one that is right for you?

We have searched the web and have created a list of the top five web design tools that we believe can help lead you to achieve success.

What are the best web-based web design tools out there?

SILEX

Silex is 100 percent free and 100 percent online. Silex is a web design tool that allows you to create responsive websites based on open standards and is suitable for any skill level. With Silex you can build websites from within your browser, with no installation required. Your silex.me files are stored on your computer’s hard drive, and available through Dropbox or on your server via FTP. This means you will never lose your work, and you can save from any computer, at any location.

Silex is equipped with a WYSWIG editor, which allows you to drag and drop HTML elements to piece your sites together. Best of all, you can view your changes immediately after publishing. If you are a more experienced developer and are familiar with CSS and JavaScript, you can use Silex’s integrated editors effortlessly to add styles to your pages.

In addition to these great features, Silex provides you with numerous free and paid templates and widgets, along with built-in SEO features to ensure the websites you create are search engine friendly. The only drawback of Silex is that they will not host your site. However, they do provide tips and tricks to get you started.

WEBFLOW

WebFlow helps web developers from all different skill levels create dynamic, responsive websites without writing a single line of code. Say goodbye to spec docs, and hello to innovative web design. WebFlow is a cloud-based program equipped with drag and drop features that help you create professional, responsive websites with little effort.

This powerful tool gives you, the developer, the power to build websites how you want. That means visually appealing websites that are also clean and comprised of W3C compliant HTML, CSS, and JavaScript. Responsiveness is at the heart of Webflow, which means you don’t have to worry about media queries or breakpoints. These are completely managed by the WebFlow code generator engine. Sounds nice, right?

WebFlow is used by over 500,000 web designers, developers, and business professionals. Some major corporations that use WebFlow for web design include MTV, IBM, Dell, Under Armour, and Intuit, adding to its credibility of being a powerhouse in the web design industry. To help get you started WebFlow offers an abundance of courses and tutorials all aimed at getting you acquainted with the software.

You can sign up for WebFlow for free and gain access to many free website templates. However, to build enterprise grade websites and access all of WebFlow’s features you will need to join a paid subscription.

SQUARE SPACE

Square Space is one of the oldest web design tools available to web developers. Though it is one of the oldest, it has been able to keep up with demands of modern website design techniques. Square Space boasts award-winning templates that help developers of all skill levels create responsive and visually stunning websites from the very start. Building sites on Square Space is easy and fast with drag and drop features. You can make your website stick out from the crowd with customizable settings and page configurations.

What’s great about Square Space is that their templates are mobile-optimized to work across all devices. From laptops to tablets, to smartphones, your websites will look the same regardless of the device your viewers are using. Square Space even provides you with the ability preview how your website will look on different screen sizes before you publish. Best of all, content on your sites will load at lightning speed on mobile devices with Accelerated Mobile Pages by Google.

In addition to site speed, Square Space’s templates come loaded with built-in integrations, so you don’t have to mess with installing any plugins on your site that will affect site speed. Square Space also helps you get found on the search engines with built-in SEO features. After all, what good is a website if you can’t be found?

You can get started for free on Square Space with a free 14-day trail, and gain access to hundreds of free templates. Absolutely no credit card is required to start your free trial. After your trial is expired, you have the option to upgrade to a paid subscription at a very reasonable price.

WORDPRESS

Even if you are new to the web design industry, you have probably heard of WordPress. WordPress can help you build sites as simple or as complex as you want, making it the perfect option for newbies and experienced web developers alike. WordPress boasts that it powers 27 percent of the Internet and prides itself on being the easiest place for web developers to get started,

The great thing about WordPress is its versatility. WordPress’ unique software makes it perfect for a blog, full website, photo gallery, or combination of a few. Designing sites on WordPress will give you access to hundreds of customizable themes, with new themes being added on a weekly basis. In addition, all WordPress sites are mobile friendly and are optimized for speed. WordPress sites come equipped with built-in SEO features, ensuring your websites can be found for users conducting search queries on the search engines.

What really sets WordPress apart from the competition is the in-depth stats you can gather from website visitors, such as where they are from, what content they read, and what times they visit your site. With WordPress’ built-in website stats, built-in social sharing, and world-class customer service, you really can’t go wrong.

WordPress offers a variety of pricing models from free to $24.99 per month. Each plan provides you with different features. Check out WordPress’ pricing structure to determine which model works best for your needs.

WIX

We couldn’t complete the list of the top five web design tools without mentioning Wix. Wix used to be Flash-based but has made the switch to HTML5, which makes it a very attractive tool for the modern website developer. Wix provides users with thousands of responsive and visually appealing templates for free.

With Wix’s drag and drop functionality, there is absolutely no need to write code. In addition to the easy-to-use drag and drop features, Wix also provides image editors, and thousands of free fonts, colors, and text effects. One of the features that helps Wix to stand out from the other web design tools is its online app market, where you are able to add popular Apps to add additional value to your sites. With the plethora of templates available, along with the ability to add unique apps, no two Wix websites are the same.

Wix has a free version, which will provide you with hundreds of templates, unlimited pages, and free hosting. However, to obtain additional features such as more storage, VIP support, Ad Vouchers, additional bandwidth, and more, you will need to upgrade to a paid monthly subscription plan.

Where Do I Go From Here?

With the mass amount of online web design tools available at your fingertips, finding the right tool may seem like an impossible task. Luckily, many top website design tools allow you to sign up for free trials to help you gauge if the software is the right fit for your personal web design needs.

Tools such as Silex, Wix, and WordPress offer completely free versions, with the option to pay up for more features. Other tools like WebFlow and Square Space are paid tools, but provide free trial memberships to let you try the software before investing in it.

The first step in creating eye-catching, responsive websites is to find a tool to assist you. Start by signing up for a free-trial for one or more of these five web design tools so you can determine which tool would help you reach your objectives. Down the road, you may even invest in multiple tools, depending on the types of sites you plan to create.

Here at Web Development Company Pagosa Springs, CO, we offer different digital services, including web hosting to help you get to the top of your niche. Get in touch with one of our experts now by completing the form below.

[tweetadvise]

4 Reasons Transparency Is the Content Marketer`s Greatest Competitive Advantage

Since the Enron scandal turned the corporate world upside down, the word 'clear' has actually ended up being a symbol of the trustworthy, reliable, and socially responsible brand. As well as, for numerous business, it has ended up being a competitive advantage. Still, some firms have a difficult time with openness. They suggest that way too much interaction can be equally as harmful as not nearly enough communication. Nevertheless, as a material online marketer or assumed leader, can you truly admit that your prices are a little bit lower compared to the competitors due to the fact that your products may not be of the same quality? How around exactly how your firm uses large information? And also, what regarding those hard-to-answer item or service-pricing inquiries to which the only from another location brief and also concise answer is 'it depends'? In this article, I will certainly say that transparency as well as a determination to deal with the hard inquiries for your audience could be your most effective one-upmanship when it pertains to attracting viewers to your long-form material marketing campaign.

McDonald's has actually possibly been one of the most highlighted public study of the transparency discussion. Viral Facebook messages, for instance, depict the restaurant as the designer of non-food products that ought to not be ingested by any type of living organism. In one such message, for instance, McDonald's is accused of making use of plastic products as sandwich active ingredients. And also, several unwary consumers pass the blatantly imprecise information in addition to the loving objective of advising their pals and family of possible danger to their health.

So, what should McDonald's have done to fix this undesirable word-of-mouth project that was clearly out of its control? Should it have maintained quiet out of fear of getting worse the damages or should it have opened up its cooking areas, procedures, and supply chains to consumer analysis? McDonald's has actually decided to become clear, developing its 'Our Food. Your Concerns' material advertising project that shows the brand name as an open book where consumers could ask any kind of and also all concerns and expect to get an honest and precise answer. Why did McDonald's select to be clear? And, should you do the very same concerning your company's hard-to-answer or frowned on concerns? I would certainly say that there are four powerful reasons you need to be taking into consideration overall openness with your audiences.

Take control of your brand name image.

It is risk-free to state that the material advertising setting of today is dramatically different from what it was even a decade earlier. Today, consumers have at their fingertips a variety of information on every company, product, service, and also sector. Not just can they access information from the very resource it stemmed, yet, as McDonald's rapidly uncovered, they have access to numerous third-party opinion blogs as well as social media pages, much of that include little exact information. As opposed to leaving your brand name picture to the whim of rumors, take into consideration resolving those rumors by not enabling them to begin. Rumors are the item of minimal communication as well as heightened subject passion. With respect to McDonald's Canada, consumers were very thinking about what they were placing in their bodies yet were not transparently offered the information they looked for. So, they began to hypothesize as well as, inevitably, make up the info themselves.

The result has actually been a brand reputation nightmare for McDonald's- one that might have been avoided if consumers were just provided the responses prior to rumors created a detrimentally viral advertising campaign for the firm. In its clear project, nevertheless, McDonald's Canada is taking control of its brand name image. As an outcome of its transparency-centered content marketing campaign, it efficiently supplies solution to 350-450 customer questions a day on Facebook and twitter, responses that would likely have actually been provided with unreliable and harmful third-party details if McDonald's Canada had actually not made itself readily available to respond to consumer questions prior to they hit the rumor mill.

Create a brand name photo of credibility.

In his book, The Rate of Depend on: The One Thing that Changes Everything, Stephen M.R. Covey explains that stability, or sincerity, is among the 4 parts of trustworthiness. With stability, even a made use of car salesperson can come to be a trusted professional in his field. Integrity involves openly showing that what you claim regarding your brand is exactly what is really occurring behind the scenes. CarMax completed this by certifying its automobiles based upon its 125+ factor assessment, prohibiting rate bargaining, and also ensuring every acquisition with a five-day, money-back assurance. Furthermore, all sales agents are paid the exact same with dealt with compensations, permitting customers to be certain no concealed agenda is driving a sales rep's interests in offering a vehicle. As opposed to questionable and also deceptive prices methods as well as concealed programs, CarMax made it easy for clients plainly to gain the information they needed by attending to on its site also forbidden sector topics such as compensation pay ranges as well as vehicle histories.

Its material advertising strolls its viewers with the methods which automobiles are picked available and its certifying process, that is, full disclosure pertaining to all of its sale automobiles. In attending to the questions consumers are asking, the company placements itself a specialist with its material instead of a press marketing expert. And also, while other pre-owned vehicle dealers continued to be in the shadows with hidden schedules and just 'as-needed' car details, CarMax's integrity-driven and also clear content marketing project became its competitive benefit as consumers crowded to a brand name they might trust.

Transparency shows experience, resulting in relying on customer partnerships.

In his write-up, "The Power of Transparent Advertising and marketing to Rock Your Business in 2012 and Beyond," Marcus Sheridan connects his story. He composes that in 2008, his firm was on the edge of insolvency. He succeeded in pulling his company up by its bootstraps with one just competitive side that he used in his material advertising campaign:

Address every inquiry we have actually ever before listened to from our customers.

Now, this may sound like a basic and also common method that could not potentially equate to an engaging competitive edge. Surely, various other business had actually welcomed the idea of fulfilling their customers' requirements in this manner in which. But, Sharidan located that this was not the case. In enhancement, he found that, with this brand-new dedication to openness, he was able to demonstrate his expertise, developing a brand name photo of skilled solution offerings that outshone his competitors.

For example, in its short article, "How Much Does a Fiberglass Pool Expense," the firm attended to the forbidden topic of product prices in an industry understood for often excessive-appearing purchase as well as installment expenses. It would certainly appear this high-cost admission would certainly avert clients. The opposite happened. Prospective clients easily discovered the brand name as its SEO rankings took off. This is exactly what consumers desired to understand as well as, as a result, for exactly what they most looked. And also, in creating a clear brand photo in a sector where defeating around the shrub prevailed technique, the brand name came to be respected as well as trusted over its rivals. It dared to level. Suffice to state, its customers and target market valued the motion: this blog message alone received 124,000 web page sights and also 1,529 inbound links.

Through openness, you reveal you care.

Genuineness informs your readers that you prefer to aid them make the most effective choice for them compared to route them to buy an item from you. CarMax has actually provided an influential sales-model in its sector because, as it has actually ended up being an open publication of information for its consumers, it has shown that, though the used car industry is well-known for self-centered and often shady sales methods, the business cares way too much about its client's interests to participate in such actions. In its material marketing project, the firm clarifies just how its sales agents are paid and specifically the sorts of damages that do and do not pass its inspection procedure before being automobiles are permitted on the sale's floor. Not normally talked about in the made use of car market, in doing so, CarMax helps its target market come to the conclusion that the company cares much more about fulfilling their needs than making a profit.

Put merely, its material marketing project serves to inform customers that the business functions with each client as a team to locate and satisfy customer needs, therefore courting clients away from rivals that may just have demonstrated a system of self-indulgent motives via marketing projects that additionally push customers to approach their brands with suspicion.

I 'd love to realise: just what is hindering you from being transparent with your readers?

[marymosley]

“Say It Nicer”: Why Many Questions Remain After The Hunter Biden Interview

Screengrab

Below is my column on the ABC interview with Hunter Biden. The interview preceded his father’s debate that day, but former Vice President Joe Biden awkwardly declined to address the issue. As I discussed in another column, there remains a media mantra that there is “no evidence of wrongdoing by Joe or Hunter Biden.” That dismisses the long objections by many of us that these lucrative jobs and contracts for spouses and children are part of an unethical and corrupt practice. Most of us view what Hunter did as clearly “wrong” but the media has adopted a narrow focus on whether criminal charges have been brought as opposed to whether the Ukraine deal was a raw and obvious form of influence peddling.

Here is the column:

“Say it nicer.” No words better sum up the news coverage of Hunter Biden. That instruction given from him to ABC News reporter Amy Robach came after she noted that he was “in and out of rehab” several times for dependency on drugs ranging from cocaine to crack. In fact, the media has been “saying it nicer” for weeks, telling readers and viewers there is “no finding of wrongdoing” by the son of Joe Biden while avoiding any substantive discussion of his controversial business dealings.

During the interview, Hunter Biden moved between muted apologies and indignant denials about alleged efforts to cash in on his father being vice president. The interview was galling for those critical of this common form of corruption. For three decades, I have written about the practice of giving lucrative jobs and contracts to the spouses and children of powerful politicians as a way of gaining influence in Washington.

Hunter Biden’s deals are textbook examples of how political families become rich from public service. Still, many in the media continue to repeat Joe Biden’s position that “no one has asserted my son did a single thing wrong.” That, of course, is untrue. Even if the deals did not amount to crimes, they were wrong. They have always been wrong, but both parties have always protected these deals as a dirty little secret.

Hunter Biden appeared to struggle to find his identity in explaining his foreign deals. He was asked why he accompanied his father on an official trip to China in 2013, shortly before he signed a deal with the Bank of China to manage $1.5 billion in investments. He replied, “I have traveled everywhere with my dad.” The problem is he was 43 years old at the time. He was definitely not some oversized lap child.

After admitting that he probably was given such lucrative deals because of his dad, he suggested the opposite. Pressed about his credentials to be a director of a Ukrainian energy company, he said, “I was vice chairman of the board of Amtrak for five years. I was the chairman of the board of the United Nations World Food Program. I was a lawyer for Boies Schiller Flexner, one of the most prestigious law firms in the world.”

Indeed, he was given those positions, but they raise the same concerns over whether he earned them. Hunter Biden has the prototypical resume of the progeny of the powerful in Washington. He seemed to land jobs far beyond his experience or proven skills. Most law school graduates work for six years just to make junior partner in a firm. Yet, directly out of law school in 1996, he was given a lucrative position with MBNA America, a bank that was not only a campaign contributor to his father but a business actively lobbying for lending changes in Congress. His father, then a powerful senator, supported changes that benefited the bank.

Within a couple years of graduating, Hunter Biden amazingly ascended to the position of executive vice president. He was then given a position in the Commerce Department before he became an industry lobbyist. In 2006, President Bush made him a member of the board of directors of Amtrak. No one seriously argued at the time that his resume even remotely qualified him for that position, any more than his assuming the board chairmanship of the United Nations World Food Program.

At the time, Democratic Senator Tom Carper of Delaware explained that Hunter Biden was qualified to get on the board of Amtrak because “Hunter Biden has spent a lot of time on Amtrak trains.” He was then given a position with the law firm of Boies Schiller Flexner while establishing an investment firm. Frankly, his entire resume is filled with high paying positions but few known accomplishments to justify them.

In a key exchange in the interview, Robach asked about Hunter Biden going with his father on an official trip to China. Shortly after that trip on Air Force Two, he signed a deal with Chinese businessman Jonathan Li and an investment firm worth as much as $1.5 billion in Chinese capital, including funding from the Bank of China. Robach correctly noted that President Trump is completely wrong in claiming that Hunter Biden walked away with $1.5 billion or made millions from the deal. Indeed, Hunter Biden insisted he did not made a dime on the deal.

But Robach then moved on without addressing the obvious point that Hunter Biden hoped to get a cut from a business seeking $1.5 billion. He simply failed in the effort. Saying that you failed to make a ton of money hardly gives you the ethical high ground. He also brushed over the fact that, during the official visit, he had his father take a photo with his business partner. He insisted it was a wonderful coincidence of a friend staying at the same hotel. Nor was he pressed on why, if his deal had made no money for years, he only decided to resign this month.

Hunter did admit that his deal with Burisma Holdings, the Ukrainian energy company, may have shown “poor judgment” but not because it was an effort at influence peddling. Nor because he took $50,000 a month from one of the most corrupt figures in Ukraine or because he got the deal when his father controlled billions in loans and aid to Ukraine. He said, “I gave a hook to some very unethical people to act in illegal ways to try to do some harm to my father. That is where I made the mistake.”

In other words, he broke the cardinal rule of the progeny of the powerful to never allow your personal enrichments to become public controversies. Ultimately, the real impact of this controversy turns on any responsibility of Joe Biden. During his interview, Hunter Biden insisted, “I did not have any discussions with my father before or after I joined the board as it related to it, other than that brief exchange that we had.”

Robach repeated that while ignoring an obvious contraction. This is where the spin moves from nice to nonsense. The point of the original question to Joe Biden was whether he knew his son was doing business in Ukraine when the vice president dangled more than $1 billion in loans in front of the Ukrainian government. Joe Biden denied any knowledge when he said, “I have never spoken to my son about his overseas business dealings.”

The Washington Post adopted this spin in its dubious “fact check” in which it acknowledged that Hunter Biden did tell his father about the deals but, since Joe Biden just told his son to be “careful,” the publication concluded that is “not much of a discussion.” However, that is not the point here. The point is that Joe Biden knew of a glaring conflict in what anyone would recognize as an obvious effort at influence peddling.

In response to this, Joe Biden has declared, “I can tell you now, if I am your next president, I am going to build on the squeaky clean transparent environment that we had in the Obama Biden White House.” That is a rather odd statement since his own son’s controversial deals in Ukraine and China occurred during that administration, as did controversial payments to the Clintons and their foundation from foreign interests. That is not exactly the model many of us have in mind. In the end, it is hard to say much of this in a “nicer” way, but the questions must be asked.

Jonathan Turley is the Shapiro Professor of Public Interest Law at George Washington University. You can follow him on Twitter @JonathanTurley.

“Say It Nicer”: Why Many Questions Remain After The Hunter Biden Interview published first on https://immigrationlawyerto.tumblr.com/

[jbuffyangel]

Arrow Moves To Thursdays

Woke up to this article today and my TL looked like:

Arrow is moving to Thursday nights at 9 pm next fall for their sixth season. Reactions varied from chill to... not. Do I think this is a bad thing? No, I don’t. 

Allow me to preface this post by saying this: I’ve been talking about Arrow’s ratings and The CW network since I started this blog. Long before there was ever a ratings drop, my opinion was that The CW has a different business model than the other networks. If you cannot accept that The CW’s profitability is not based on live ratings, then this is not the blog for you. You don’t have to take my word for it. Stephen Amell confirmed it at HVFF Chicago. Mark Pedowitz has spoken about it.  I’ve done my research on this folks. They are structured differently than the Big Four. It’s just facts. (X) 

Yes, I was surprised by the move mostly because I had grown complacent about Arrow on Wednesday night. Wasn’t expecting it. I am no expert, but I’m happy to share my thoughts. I’ll talk about what I like about the move. Then we’ll shift to concerns.

What I Like

The 9 pm slot

Praise Jesus! We are on at a later time. THIS IS FABULOUS. Arrow has always been a darker and grittier show, especially when you compare it to The Flash and Supergirl. A 9 pm slot loosens the grip Broadcasting Standards and Practices has on the show. It can be more violent and sexier simply because the kiddos go to bed. I sincerely hope Arrow is able to push the envelope more, even if it’s ever so slightly.

Supernatural Pairing

I do not watch Supernatural, but I am THRILLED Arrow was paired with it. These shows were paired before (2015 Arrow S4/Supernatural S11) and I believe it was successful. Supernatural and Arrow have very similar demographics, so they’ve always seemed like a natural fit to me.

Honestly, how The CW pairs their shows has always been quite a head scratcher to me. Arrow and Frequency? HUH? The pairings for next year’s fall line up feel the most logical in years. The only one I’m really side eyeing is Valor after Supergirl (Really?). All the other show pairings feel similar in demographic and content, which just makes more sense to me if you are trying to maintain/build on audiences.

Supernatural is a strong show. It’s been on 12 years. It’s moved 8 times. I think if God invented an 8th day and The CW moved it there but didn’t tell a soul, the Supernatural fans would find it. This fandom is as loyal as they get. Their ratings have held pretty steady over the course of 12 seasons, which in of itself is impressive. A move is always tough on any television show, simply because your audience needs to follow it to the new night. So, I am extremely happy Arrow’s lead in is an anchor show for the network, who has already proven themselves on Thursday nights, and comes with a built in audience that is similar to Arrow’s.

Thursday Night

This is primarily for selfish reasons. I teach faith formation on Wednesday nights, but I am wide open on Thursdays. So, Arrow on Thursdays just works better for my schedule. lol I can live tweet more.

The Concerns

This Is Us

Yes, I am well aware that This Is Us is moving to Thursdays at 9 pm. This seemed to be the primary concern. That the live ratings mammoth that is This Is Us will send Arrow into a ratings death spiral and it will get canceled. Sigh. No. Just... no. 

Name one show on The CW that is in the ballpark of This Is Us numbers? Name one show on The CW that is in the live ratings ballpark of any show that airs on the Big Four? See, this is where this whole “How in holy Moses is The CW profitable?” question really starts to matter. It doesn’t matter what show The CW puts in that time slot. They’ll all get creamed. lol The CW isn’t concerned about Arrow going head to head with This Is Us. They don’t operate on a mano e mano strategy for live ratings... because they lose.

This Is Us has to prove successful on Thursday. There can be a tendency for hit pilot shows to suffer a sophomore slump in ratings. This Is Us is moving to the toughest night on television. It has the break to contend with too when NBC starts airing football. I’m not really worried about any of this. I think This Is Us will do great and kick serious ass. I’m expecting every show that goes up against it will take a live ratings hit.

Is This Is Us going to take enough of Arrow’s viewers to send it into some ratings death spiral so The CW is forced to cancel because it’s become abysmally unprofitable? Doubtful.

I do think the shows target different demos as Mark Pedowitz said. Now before you start screaming at me, “I WATCH THIS IS US AND ARROW” that’s great. So do I. I love them both. Except, I’m not a Nielson family so it doesn’t really matter that I watch both. 

The CW’s demographic is primarily female. The reasons why Arrow and The Flash were so appealing to to The CW was because it allowed them to branch into the other half of the population more - the male demo. That’s who The CW needed to target for their market to grow. Now, before you start screaming at me, “WOMEN WATCH ARROW AND MEN WATCH THIS IS US” yes thank you. I am aware.  I am quite sure This Is Us will take some of Arrow’s audience, but this is not new territory for me. Blindspot was up against Arrow this year. It had to lose some audience to Blindspot given how similar the demos are. I’m not certain the demos are as different as Pedowitz claims, but he’s probably got numbers I don’t. The question is how much will This Is Us take? That is the X factor. I don’t have male/female demographics on either show, so how the shift all shakes out is unknowable.  Am I worried? NO.

As I discussed in my most recent ratings post, I don’t know what the live ratings/profitability ratio is for The CW but even with a 30% drop in ratings Arrow is nowhere near their danger zone. The Originals is averaging a .30. It’s going into Season 5. Reign was at the same average when it was renewed for a fourth and final season. We've got a long ways to go. Arrow is still the #4 performer for the network.

The CW is focused on streaming. Netflix kids. That's where they make their money. The more seasons they have to sell to Netflix the more money they get to make. This includes complete series that viewers can binge start to finish. They also want their series to hit 88-100 episodes. They aren't trying to make money off the live broadcast run. They are focused on syndication deals. Arrow has a syndication deal with TNT. This all means The CW is focused on LONGEVITY.

Even if This Is Us sends Arrow into another ratings dive – I don’t think it goes anywhere. Stephen Amell is signed for 7 seasons. I feel confident we’re going 7 folks. Whether or not we go longer remains to be seen, but I think that has a lot more to do with Stephen Amell than it does with This Is Us. If Arrow ends in S7, I'm not remotely prepared to call that a series failure. Nor should you.

The CW is trying to kill Arrow

There seems to be a concern that The CW is trying to kill Arrow by moving it to Thursday and putting it up against This Is Us. 

Thursday is not the night shows go to die. That would be Friday. (Jen pats Blindspot). Although, even that mentality is starting to change. I think The CW would rather move a low rated show to Friday, especially if it has a loyal fanbase and strong social media presence, instead of cancel it. Friday keeps many shows alive, which means more streaming opportunities!

I guess the thinking on this one is because Arrow suffered a 30% drop The CW wants to cancel it and this is how they push it out. Again, I disagree. This is The CW not Fox. They try to keep series going, not intentionally torpedo them. 

Also, Marc confirmed that their streaming is UP. So, it’s possible whatever loss Arrow is suffering in live they are making it up in streaming. The audience is just shifting. We don't have any specific numbers, but for all we know, this could be a wash. My bet is The CW is nowhere near as unhappy with Arrow's numbers as people presume they are. Especially, if their numbers are up in the medium The CW is TARGETING.

Thursday

So why is Arrow getting moved off its comfortable Wednesday night show to one of the toughest nights in TV?

The Vampire Diaries was The CW's Thursday solid 8 pm performer for years. They've always struggled to find a solid 9 pm. Nikita, The Secret Circle, Beauty and the Beast, Reign, The Originals, Riverdale – none of them cut it. Then once TVD moved to Fridays, Legends of Tomorrow failed to gain traction in TVD's old spot.  You know what's moved back and forth to Thursdays a lot over the years? SUPERNATURAL. Something I noticed - each one of these failed Thursday night shows were pretty buzzy their first season. Arrow generates buzz.

Look guys, they had to put something there. The CW doesn't have a lot of new shows this season which means one of the returning series has to move to fill up the slots. Supernatural proved successful this year on Thursdays. So, if you look at the board – Arrow makes the most sense to pair with it. Also, after 5 seasons, Arrow is still one of their strongest performing series (#4 ain't bad). I think The CW put two of the longest running series, with a loyal fan base, to a night where they've been looking for two solid performers for awhile.

I also don't think WHEN The CW schedules their shows matters as much as other networks because, you guessed it, streaming.

That said, Arrow did suffer a 30% drop this year. That's not insignificant. Meanwhile, Supernatural had a minimal drop. Maybe the time has come for Arrow to stop being the lead in series and get a little support. I'm okay with that. Its certainly carried their own weight.

Why not just put Supernatural on Wednesday like they did last year? Well, that still leaves Thursday as wildly problematic, but maybe the answer is Fox? Fox went with soapier programming this year on Wednesday with Empire and Star. So, I think The CW answered with Riverdale and The Dynasty reboot. That’s that's just a guess though. I also think they wanted a new night for Riverdale. They seem invested in that series, the network just made an Archie comics deal, and probably wanted to find a more successful night for it than Thursday. Supergirl is a solid Monday performer. The Flash/LOT pairing is working great on Tuesday. That leaves Wednesday. And... Arrow suffered a drop. The door was open.

Supernatural makes a bad lead in

Ehh... I just disagree with this. 12 years is a long time and I don't have enough knowledge about Supernatural. I certainly understand if fans prefer Supernatural at 9 pm, but I think it has switched between 8 and 9 just as much as it has moved nights. I think Riverdale was sighted as this example. Honestly, I think that has more to do with my previous complaint about The CW's penchant for terrible pairing. What on earth do Riverdale and Supernatural have in common? I’m not surprised the audience didn’t carry over. I don't lay the blame at Supernatural's door. I stand by my positives for Supernatural being the lead in.

The Crossover

This move breaks up the crossover. Honestly, I don’t think a network can plan their entire schedule around one episode a year. Also, I think the fanbases for the DC shows are pretty loyal. They’ll follow the crossover conclusion to Arrow on Thursday night. I don’t see a day drastically changing numbers, but I guess we’ll see. Even still, one episode a season does not make.

I'm sure I've missed other concerns, but I took my best shot. My advice would be to stop worrying about Arrow's cancellation and just enjoy the show - no matter what night it is on.

[cruz89ford-blog]

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[contrastbalance]

music becoming visual

This edition of contrastbalance is primarily about music becoming more and more visual, part of the reason I want physical copies out. Everyone featured in this entire thing has a strong image in some way – some are bold and some are enticing. Some use it as a stand alone statement, others to create something as eye catching as they do ear catching. Others use your eyes as a horizontal platform, ingraining into your cheekbone to reach being one step more relatable over the process of rolling out releases and 5 steps away from their ephemeral counterparts.

In early 2014, everyone’s favourite adopted artsy sibling Dev Hynes gave a stellar Ted Talks. The lecture’s focus was his understanding of the neurological condition of synaesthesia, and also featured a beautiful soundscape using keys he associates with certain colours. His projectile talent becomes far more transparent, opening up to the sniper focused audience, all while the speaker is reminiscent of Grace Jones mixed with a Lemony Snicket character.

Chromesthesia is the more particular type of the condition where colours link to sound, another known carrier is Pharrell. In an interview with Psychology Today he talks about over-active parts of his brain being forced to temporarily halt. He states “you ask any great rapper or writer or musician, and they’ll tell you their craziest ideas come from the shower or the plane because in both places there is sensory deprivation.” Williams linking his heard with his seen when meeting minds is integral to his much covered juxtaposition, which everyone knows he’s interested in creating. He sees his music the same as he does with getting dressed and everything else in between, drawing variation from a multicultural background, he is maybe someone you wouldn’t expect to be interested in what he is.

When A$AP Rocky was a can of spaghetti with the little sausages bursting onto a line of bridesmaids in 2011, what people who make music wear was at one of it’s highest points of fast changing scrutiny. He and the Mob were seen in the places to be, alongside the elite likes of Jeremy Scott, Michele Lamy and Kris Van Assche.

He had grown up bouncing between Harlem and Soho, at a young age mixing with people who inspire inspirers. Tales of acid-induced friendliness at SXSW give some sight into his individual and groups’ participating stabs at hedonism – but he has mixed in plenty of the high-brow sensibility to brilliantly market himself as someone standoffish when it comes to actually being a designer himself, a lane that has distracted musicians from every corner and status. He said in an early interview with SBTV “I’m not a designer, I’m not a fashion designer, I could consult like ‘yeah that’s dope but maybe you should fix this collar a little,’ but I don’t know the first thing about designing, I think that’s disrespectful to the culture. For me to just take advantage of it due to my fame, come in and pretend I can design – that’s not what I do.” Genuine interest and admiration saw designers, models and everyone hanging on in between every side of water huddle around Mayers, safe in the knowledge that artists are very aware of creative processes of those adjacent to them in other fields. He’s in the same vein of Bowie in terms of recreating himself.

While he’s admitted that Long.Live.A$AP leaned too much on the logical option at the time of trying to jump into pop minefields, At.Long.Last.A$AP showcased his genre-blending abilities. Following and probably coinciding with the hardship of losing one of his closest friends, fellow inspirer-of-inspirers A$AP Yams – seemed like he was having fun after making something he was sure he wanted us to hear and see. From the outside he’s the most pertinent visible link between underground music and wide arrays of fashion, and didn’t need to capture considerable numbers in pop audiences to do so.

Donald Glover’s creations always seem to meet at a drunk yoga class. The casual nature in which the creations are born is easily recognisable and even portrayed on-screen. Where Rocky and other massive acts could be described as embodying the more material, often recent and biographical side of rap, those like Kendrick Lamar, Chance The Rapper and Glover prefer telling interpersonal stories that drop listeners in the midst of varying turmoil.

Moonlighting as Childish Gambino, a dad and a guy who seems to place a lot of emphasis on changing his facial hair, Glover lives a really quiet life. His first exposure to the public eye came after Tina Fey was shown a spec screenplay for The Simpsons by David Milner, intrigued, she dug up some of the short films Glover made while at New York’s Tisch School of the Arts as part an improvisational comedy group, and she subsequently hired him to write for 30 Rock at just 23. After an 89-episode stint as Community‘s Troy he was written off the show, later stating that he casually asked to leave because his “heart wasn’t really in it. They, thankfully were just like ‘yeah’ and they let me go”, to Vibe Magazine, which wasn’t imparted to public knowledge at the time – leading many to boycott the show confused about the demise of a character and actor that had quickly impressed and maintained the sole reason for them to bother watching.

Not until 2013 and the rollout of because the internet would he post pictures of handwritten notes on Instagram, one stating “I didn’t leave Community to rap, I don’t wanna rap. I wanted to be on my own.” He says he was “mildly inconvenienced” by the resulting phonecalls.

Ambition to create using so many different artforms, even ability to do so at the level Glover consistently does is one thing, balancing all of them into your waking hours with a newborn is different. In August 2013 work began with FX on Atlanta, around following his short-lived recommencement with Community, around finishing because the internet, around shooting self-written short films featuring tripping pornstars, around the Deep Web Tour, recording and releasing STN MTN and then a day later Kauai.

Atlanta premiered on FX on 6th September 2016. It follows around Earn, who dropped out of Princeton to return back to Atlanta and become a full time slacker, part-time Airport salesman, part-time parent, post-retirement-occupation-time boyfriend. He realises first what his cousin is doing, then an episode length later that said cousin Paper Boi is on the brink of rap stardom and takes on an impromptu role as his manager. In the past few years the city has reached previously inaccessible heights in recognition as a culturally rich paradise for particularly African Americans – while the pressures of rubbing shoulders with some of the country’s artistic, business, innovative and sometimes underworld elite is present in the feel of the series, it’s Glover’s real-life cool in the face of doubt that makes the show so fluidly, deftly written, quaintly shot and highly addictive. “I tried to, I just wanted to make Twin Peaks with rappers,” he offers on The Ellen Show.

There is a brooding undercurrent that’s gained the critical acclaim and also a commissioned 2nd series just 2 weeks after it first aired. An all-black cast is few and far between, but been done – and all-black writing team is a less talked about issue in conversations about opportunity. President of FX, John Landgraf says of the pre-production meetings; “with Donald, he didn’t always articulate his vision in a way that we could see it, but his passions and ambition were clear.” There’s so much scope for a quirky show with (to many viewers) unconventional dialogue to go so wrong, just look at Bored to Death.

The issues that Atlanta portrays Earn tackling are those held varyingly stagnant over long spans of time in different lights by different people – police brutality, parenthood, mental health, institutionalised fear, gender identity, exploitation, flawed or complete lack of ethics in the entertainment industries, attitudes to firearms over racial lines and also portraying Justin Bieber as a black teenager in a charity basketball game – at no point does the show make an effort to not seem like it was written by an all-black team looking outwards. Glover downplays any political role the show may play in a Wired interview, while giving some insight into the casual first steps towards the brilliance the show exudes: “I like it when black people are hit with a certain light, like purple. It just felt good to play around with the look of the show.” An incredibly curious person, no one could’ve written the dialogue for Van and Jayde in the restaurant in the ‘Value’ episode without having experienced a defining moment while leaning over fumes from a squash based appetiser.

Gambino reached what you could call the 2nd phase of marketing with Awaken, My Love! reaching almost 200 million Spotify plays. The album was first played alongside a full band and 6-part choir at PHAROS, a Joshua Tree installment that Glover curated with Wolf and Rothstein, Microsoft and Miles Konstantin. The latter developed the PHAROS Earth app, purchasable for $99, locked to the phone and owner acting as a ticket to the 3-day wilderness based festival, that Glover would state would be his only live performance in 2016. The app was to make sure no tickets could be accordingly resold for such an exclusive event, and after the phones were checked for eligibility at entry they were placed in magnetically locked bags that were handed out – to halt any leakage from the cult event to the outside world. The event placed so much emphasis on first hand purity, as broken down into 5 sections upon purchasing the app – “tribe, ritual, experience abstraction, architecture, language.”

Another peek at Glover disillusionment, this time with technology was displayed by a complete clearance of his Twitter and Instagram accounts at the end of 2014, only returning with a Tweeted countdown in June 2016. “Be helpful. Do not be a detriment. No irony” the app also stated alongside the 5 human experience intuitives. In September fans appeared at Joshua Tree in the “vibrancy colour” of blue, that acted as another entry requirement. Wading through a mixture of Brokeback Mountain sets and a party in a garage ambience the crowds saw an artist in full control of everything they were seeing.

Due mainly to cold callers from Birmingham we’re probably now in the stage of evolution where we know not everyone is going to have a fully suitable voice for their chosen direction in life. Expectations naturally make up reaction and Rick Astley had all you shallow bastards annoyed. If you do listen to people’s music based solely on physical appearance you’ve probably got a relatively neo-nazi dad and you’ll frequently set fire to the family balaclava lexicon so you won’t have to accompany him on his shopping list. Album art is the forward-thinking way to live up to or fail to with regards to listeners expectations that they made with their eyes.

They act as a documentation of what they entomb and the location of the graveyard, modern graphic design actively swingy-chairs into the shins of people holding wine who don’t move out the way. When previously artwork was revealed ahead of release to moonwalk dropping breadcrumbs, that was a linear step like most steady marketing – today the rules often get told as you consume the experience. It lets you in for an all round view of a possibly new genre of image and you can easily find the cover you want to see, it might not match what you wanted to hear but you remember what you saw and go from there – much like casinos in the UK.

The hopefully budding romance of Zack Fox and Thundercat is communicated to the “here for this” spectators vibrantly through the covers of the deluxe vinyl copies of Drunk; feline optical illusion, trap mixtape reminiscent kaleidoscopes of viagra, guns and horses, also a seemingly constipated album artist. The visuals are a cue to using humour to help push through dark moments, it’s just as abstractly debilitating and distracting as that is. In an interview with Creative Review, the mystic force formerly known as Bootymath summarised: “I definitely just wanted to capture my sense of humour, which some would consider absurd or psychedelic. When life is just punching you in the back of the head, you start laughing at shit that doesn’t even correlate – it’s a coping mechanism but it helps create timeless inspiration. I wanted to inject those experiences and let designs be bold and confusing.”

If the Drunk covers would be for the Peter Saul fans, Bonobo’s Migration is probably whispered to those into Dan Flavin. Simon Green’s 6th album cover was designed by Neil Krug – responsible for visuals accompanying sounds from Lana Del Rey, The Weeknd and Tame Impala. The art dads know Bonobo from scenic and melancholy drives drowning out your wife in the boot, and the story of how the album art came about is equally as Californian-style ritualistic.

The consistency of the crispness Krug captured definitely affected his sleeping pattern horribly – he would drive out into the Mojave in the middle of night to have a chance to capture the divinity in the area’s sunrise. Picturing the desert came from Green’s recent life choice of moving to Los Angeles, while finalising tracks he would drive out to find required portions of solace. In an interview, also with Creative Review he says, “You can hear things in a new way just from moving environment. The car test is a classic thing. Producers will say, ‘take a drive with the music’. I like to go up to the mountains – there’s lots of really weird and wonderful landscapes around where I live – and just spend time with the music. It’s very inspiring… it can spark an idea that you might not have had if you’d just been sat in an air conditioned studio.”

The intensity of the supposed subject and the serenity it’s happening in narrate Krug’s skill as a press photographer and the same contrast correlates very effectively as something that could stand without explanation. The cover designer says in the same interview: “Once Si and I sat down and talked I knew the artwork needed to be something other than just landscape images. I thought, if this is going to grab your attention and create a narrative – you need something else in there – but what’s in there can’t be too loud or comment too much on what the music is. It had to stand out in an unusual way.”

Another past-time visual components to music can choose to aim at is discourse on identity. 2016 was a massive year for image around music, particularly in acknowledging vulnerability in places it wasn’t seen previously. I was losing my mind watching a reaction video of Frank Ocean, and the channel owner states “he doesn’t know how to market himself apparently” – yet the singer has had strangers from passing by cars shouting “Frank where’s the album!” If people verbally assault you for more of just you, you’ve created a demand for yourself in infinite ways for constant consumption. Beginning with Endless, Ocean perfected the unorthodox rollout of artistic identity that included two albums, a magazine, a seemingly for-view-only clothing line, pop up retail locations, a music label and apparently a racing team. The most adored gift to date was in the shape of Blonde.

Forever a mystery in an information age, Ocean’s most revealing statement came from that Tumblr note, which in turn made you a chiropractor studying the backbone Channel Orange, just as expected after that he money-danced into the abyss. He stands so close to the likes of West, Knowles, Mayer that reflections off of royal-like jewels fully expose his complete innocuous desire to go and live and them come tell us about it, although he seems to be making that arthouse full time. Post Channel Orange activities forced him to enter into the wilderness, absolutely no interest in TMZ harassment. He has all the cliché qualities to live as a genius like those who handed the torch to him, including the inhuman work-rate; Blonde‘s clear perfectionism required it’s creator to work for at least 17 house a day at the height of production and there’s rumoured to be 150 versions of ‘White Ferrari‘. Apart from a casually released ‘Nikes‘ video, none of the tracks have received even slightly the treatment you’d expect to see for as a single.

Since the album was released at the end of August 2016, Ocean has already given a short interview while wearing Vans in the White House, a longer form conversation in the New York Times, had a filmed interview about the making of possibly his last stab at an “album format” and even released one and been featured on another song – he seems all set to fire himself off to the moon.

What made Blonde all the more enticing was the visual attitude around the release – in the most unconventional cyclical portrayal he maybe could’ve thought of. There is a consistency throughout most of the imagery and what it’s getting it. Self reliance is the quality many align with Ocean’s character. In the New York Times article he revealed that since Channel Orange and the following borderline unwelcome attention, his label and management situation had grown all the more murky, and he had been in the process of buying back his masters from Def Jam. His deal with the label was covering two albums – after they indefinitely shelved his would-be solo album Nostalgia, Ultra he released it himself, Channel Orange followed just over a year later. Personal privacy requirements aside, the label still needed a second release, so Ocean slapped them with the carpentry tutorial that was Endless on the 1st of August 2016, to end the “seven year chess game” – less than 3 weeks later Blonde was released on his label Boys Don’t Cry.

His possible last album-album will be remembered as a great one – widely played and picked apart for years. Blonde lends from many corners, musical and lifestyle. Vulnerability is also set into specific genres, a recent champion of divulging is the Seattle based synth-pop artist Perfume Genius. An artistic contradiction with shared qualities of an 8-year old child prodigy, his music has been growing into larger sounding forms. His melancholic intimate pianist base-point works well bouncing off of lyrics about his past substance abuse issues, his sexuality, his living with Crohn’s, modern wellbeing concerns of gay men inside masculinity and domestic abuse.

Along with the growing mechanics, the nature in which the recordings take place has majorly shifted. Just like the growing catalogue of projects which is set to extend in May, Mike Hadreas is experiencing strength in numbers in terms of albums, fans and relationships – namely with Alan Wyffels, who alongside Mike is 8 years sober. Perfume Genius could very well be in the same philosophical field as Zack Fox, using humour to patch up some past, some continuing difficulties, struggling to not look back with angst upon death threats from school days and even a hate-fuelled beating that forced him to elope with a lifestyle from Seattle all the way to New York. In that city Mike fell into the common grounds of coming of age searching, ending up with you shaking next to a radiator. “When you are a drug addict and alcoholic, you function in crisis mode all the time. Learning and Put Your Back N 2 It was Mike processing those things. Too Bright was a lot of anger. And this album is like, ok, we’re on the other side” Alan tells Fader.

He seems absolutely focused on intense personal growth, which is admirable for a 35 year old. Also in Fader, Mike says of rehab – “I didn’t talk at all for the first four days. I was so terrified. Then there’s something so freeing: there’s lots of group therapy, and you’re just around people all the time because you’re all locked together. By the end of it, I was facilitating the discussions.” His ability to let loose is maybe most striking on his first album’s 3rd song, ‘Mr Peterson‘ about a school teacher who groomed and took advantage of him and subsequently committed suicide.

The new album is said to be a triumph of overcoming personal demons, but fears about growing hostility in his native country are just as scary as we move into increasingly accepting mindsets and heightened security measures see people referred to as “eggshells.” The response of strength in numbers also has Perfume Genius looking to create his new album in an innovative-to-himself manner, creating the melodies before the lyrics. His growth from nihilist to domestic bliss he admits doesn’t feel fully solid, but at the time it’s being focused on by the man himself and those observing prove important – that ascending joy with a gay backdrop is what the outlying masses need.

I take credit for the words and absolutely zero of the photos.

[hnd1glengraham-photography]

Environmental Evaluation

For this Brief we had to take image of someone in the natural Environment. For this brief I decided to shoot someone that is working straight through the pandemic. At first thought I was going to shoot my mum as she works for the NHS so she has to work through it no matter what, I then realised this would not be possible due to strict protocol. I then decided to shoot my boss as he as well as me have been working right through the pandemic, and I also believe he has a very distinct look and wanted to try and capture his personality within the images.  

I enjoyed shooting the images In the locations as I found it challenging to get the lighting right as on the days where I was shooting over cast was very frequent. I also really enjoy making the zine as this was something that was new to me and I really like the way I can display my images through this as it makes them relate to each other more. I believe I will use the Zine again to display my work in the future. 

A new technique that I learned would be creating the Zine. I also learned how to make the model fell comfortable during the shoot by picking when he wanted the shoots to be done as he is very busy 7 days a week with owning two shops. I also shot the images while he was working for most of the shoots so I wasn't taking up his very little spare time. 

One technique I would like to develop further is making the model feel relaxed as I think this is very important as it will make the final image a lot more interesting and potentially stronger. By not having this it will make the image stand out less. 

One photographer that I researched throughout this project was Arnold Newman. I gained a lot of inspiration for looking at his fantastic work of images over the years. Within in each of his images it tells a story about the subject that could be interoperated differently by someone else's pair of eyes which is what I love about his images the most. I also researched Sara Facio’s work who also inspired my images. 

Arnold Newman inspired me to try and capture what there occupation is without being too obvious so the viewer second guesses what it is. Sara Facio also inspired me to have strong composition within my images as it can make the image standout a lot more. 

The most successful part of this project I feel was the zine as I feel like this made the project as it made the images more relatable with the way they were displayed. The Zine created an average day for my boss from opening the shop and cashing up at night. Making the Zine did take a while as the website was really slow but it was worth it to display the images like that. 

One problem that I encountered during this project was the original shoot that I planned in the cash and carry had to be change due to them not being happy about taking photos within, to over come this I shot outside the cash and carry of him loading the van. This effected my final images by being in a different setting. 

If I was given the chance to do this project again I would shoot inside the shop. The reason that this was not possible at the time is because I would not be able to socially distance within the stores as they were getting renovated at the time. 

One technical issue I had was getting the camera to focus when it was raining ad the camera was trying to focus on the rain so I used manual focus to prevent this from happening. 

If I was to do this project again I would start by planning shoots within the store and include images from outside the store similar to the ones I have already shot. I would also plan to shoot him coming in with the papers as this is something he does every morning.

[blogevangelinelove-blog]

The system has recovered from a serious error

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[nayden73-blog]

New photo editing software to edit an image

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