#what would ochako even do if it was Himiko after all this time??

[marimeeko]

I'm back with more for that one post by @dailytogachako (Himiko Toga lived, went undercover, dyes and cut her hair and doesn't use her Quirk for murder and continues to admire Ochako/uravity from afar because love)

Plz help this is becoming an entire ass comic lmao

404 no frame found, but suddenly the train stops and people move, and Himiko gets off the train amongst the crowd, just seconds after Ochako notices her

Ochako chases mystery girl off the train, but it's crowded and she quickly loses her in a sea of people. (Could she solve this by using her Quirk to float above? Yes, but one, would draw too much attention, and if its really Himiko then she wouldn't want that, and 2...

She stops, because what is she even doing? There's no way it could be HER. ....right? )

Maybe part 2 later bc I have more in me but need a break lol

++additional notes: Himiko has an URAVITY Keychain and what I attempted to make of a Froppy Keychain as well.

Ochako is wearing her hair in a Himiko inspired bun!

Ochako has a small heart tattooed on her wrist....it's for Himiko, to always remind her of her, and what Ochako fights for in her work.

Cute little gloves prevent Ochako from accidentally using Quirk while she is out and about.

As I said before, Himiko dyed her hair black, cut it, straightens it as needed(though there's still always a stubborn little Stick-up piece!) Braids to frame her face differently than her usual look, pierced her ears because why not? Darker eye contacts to hide eye color. Face mask to hide the cutest smile in the world!

:') it's all good, my brain is just rotten with these two

[darkcircles4lyfe]

What are your thoughts on the recent chapter?

This is a pretty vague ask but I’m pretty sure I received it yesterday. If not… oops?

I’m actually so excited for the next—that is, the second to last��chapter as someone who was deeply affected by chapters 391-395 and who just loves Toga Himiko in general, so so much. I’ve really grown to love Ochako’s arc too and I’ve come to trust the process here. I didn’t know about everyone freaking out until after I read 428 officials yesterday, and I’m not worried like that. We’ve been in this type of cliffhanger situation multiple times before.

The news that the end of Himiko’s and Ochako’s fight wasn’t recorded hit me hard, just like it hits Ochako, because the world doesn’t get to know who Himiko really is. There’s nothing Ochako could say on her behalf that would compare to actual footage of her pain, anger, joy, love, sorrow, and sacrifice.

…which is to say, Himiko does not serve as a martyr, a tragic, cautionary example. I’ll remind you that that was what the PLF reporter wanted her to be, and she was controlling and patronizing. Let’s think about this as a choice Horikoshi is making, to discard the only ammunition he had to make Himiko into an example and have it be even remotely compelling and satisfying. Boom, gone. There’s no footage. Why?

On the other hand, this is actually an advantageous turn of events if it turns out Himiko survived, because more calculated actions can be taken to keep her safe. I’m starting to see this as a turning point not necessarily for society as a whole, but for the hero profession and its purpose, wherein under Hawks’ leadership the hero commission could become the exact opposite of what it was. It’s no accident that the first half of this chapter is devoted to showing how the next generation and the public were both ~so inspired~ by class A’s actions in a way that mimics the chain of inspiration that motivated class A to begin with. Only this time, Ochako and Izuku are deeply uncomfortable with it! They don’t want this chain reaction to keep going the same way forever. These people look at them and have no idea what they’re actually going through or what they’ve seen. Future heroes who don’t know the real story. That’s very upsetting. Now they are starting to see firsthand how a pattern of collective forgetting is perpetuated. It won’t change until someone like Himiko is actually saved. No bright future without a place for her in it.

I’m excited because this chapter directly confirms Ochako’s awkward, overly cheerful mask for what it is, as it finally starts to crumble. In hindsight, she’s probably done this a lot in the past as well. It casts her whole character in a new light. She and Himiko are so much alike in this way.

I still have high hopes for this storyline because of how much it resonates with me as a queer allegory. Of course, Himiko is also literally queer, but I mean the symbolic stuff about her quirk and her family’s rejection. As a trans person who spent a long time in the closet convincing everyone around me that I was a normal, happy girl, whose pain and rage only festered and grew stronger, who was perceived as selfish and destructive, who was determined to live for myself but still doubted if I had any future at all… I see Himiko’s story as so perfect, so real, that I can’t imagine it ending poorly. And it doesn’t have shit to do with canonizing that ship, either. I’m not worried.

[angy-grrr]

A thought about the leaks:

It makes more sense when you think about Izuku Midoriya as an unreliable narrator who wanted to talk about a hero story.

He doesnt want us, the audience, to know about the depth of his own feelings and emotions, because this is the story of how he and the rest of the class kept reaching out their hands to those in need of help.

Something that kind of surprised me when he talked to Ochako was how he would frame it almost like "you are my hero as you have reached out your hand to me multiple times since the beginning, and I want to also be a hero to you too, so I must help you with everyone else"; he wants to be a hero from the beginning to the end, and this act of kindness for Ochako and need to let out her emotions for Himiko is framed as heroic. This is him being a hero.

Who saves the heroes? Other heroes, instead of being alone. And anyone can be a hero. This is a story about it.

Izuku has no intentions of showing off his trauma, his loneliness, his pain, outside of what's heroic; he cant even talk about romantic feelings without going back to it.

It made me feel much better, to see it that way; its not that the whole story ends with what he said, he is literally skipping all he parts that wouldn't be part of a cool hero story.

He parallels AFO after all.

I think it makes sense considering how much different Ochako's feelings and thoughts are depending on who tells the story; when we have her POV while fighting Himiko everything is personal and emotional, but when she explains her feelings to Deku she doesnt even mention anything related to how much she wanted her in her life, besides the childhood friends comment, and even brings up the uses of her quirk. Its like she is comparing herself to Deku? Like if she noticed those things about quirks instead of focusing on the emotional aspect, then maybe she could have helped her sooner. And in the final chapter, when she is mentioned, its about her heroic work, not about how much they talked, or their hangouts, or anything like that.

Izuku skips the handhold, and I want to believe its bc it wouldnt make it for the hero story. He doesnt talk about what he felt when he sacrificed himself for the first time, but we saw his anger and his uncontrolled pain. He doesnt talk about how he forgives him, but we saw how much he always wanted him in his life. He doesnt talk about Katsuki dying. but we saw how someone else had to tell him they didnt lose anyone yet and he was getting help. Control your heart. Izuku hits his chest, black whip makes a heart, and he focuses in what he knows to do: heroics. He will save, and he will fight to save.

Another reason why he wouldnt bring back his own feelings when it comes to imitating Katsuki unconsciously even if he knows others would dislike it; he wants to be selfless hero Deku, and while he does admire Katsuki and cherish his company, he knows he himself wouldnt get a pass to be rude when he isnt as brilliant as him from his perspective.

And like any hero would, he wants his friends by his side, and forever to help others. That's what he wants to represent in his hero academia, another saving hero like his All Might.

(Also apparently Horikoshi and his team were especially pressured by Shonen Jump during these months and he admits he found it rushed, so once again the capitalistic corporation is the evil to defeat. This is just my own interpretation in universe)

[that-spider-fan-over-there]

BNHA 430: This wasn’t very “My Hero Academia” of you I’ll be honest—

Okay, where do I begin? Uh. So the story reached its conclusion. Congratulations, and all the best to Horikoshi-san for telling the story he wanted to tell for ten years, loved the characters, the little world he created after the cancellation of his previous works, I will cherish it for the rest of my life.

... but in my opinion: the last seven chapters were so bad- I don't think I can see this ending as anything other than a contradiction of what we were shown. Like, I thought we'd get a twist, everyone would be fine, something would change. I'm wearing the clown shoes already.

So, I'm just gonna treat this as a normal chapter, and not a final one, because I'll be here for days if I open this can of worms, which, I will not lie, is very bad (I'll open it at some point, not now.) I'm posting this on the.. 6th? Because apparently there's an announcement in the 5th and I don't wanna spoil the fun.

So, uh, under the read more are my thoughts on the ending, be warned I'm very, very negative about it.

*sigh* Oh boi, how killing the League made this go from an "underwhelming" to a "tone-deaf" chapter- I mean. Jesus fuck, leaving things open-ended don't erase the fact they can't make a single appearence to prove me wrong. And if they were alive, the last five chapters (and eight years!) were a waste of emotions and keeping them hidden was a stupidly cruel move.

Funny, the narration is "people aren't equal but it's because of these differences that people find common ground to get along"- THE VILLAINS WERE KILLED OFF FOR BEING DIFFERENT BRO WHAT DO YOU MEAN- "if lending a hand and caring is being a hero then we all became the greatest heroes". Izuku, whatever you're drinking, I'm taking it and drinking it all by myself. You may have cared (which I can't even say for certain anymore). But Tenko died. On accident. Because you gave him OFA.

I liked the "Midoriya-Sensei" part. For 5 seconds. It's fitting, he loves learning stuff, he's good with kids... until you say "it's only because his embers are gone". Then why use it as a tease for seven chapters only to just get rid of them at the end? Is running to Ochako really the last we get to see him use it? Not even as a part-time hero? (not that it matters at the end-)

Ragdoll works with the WWP, Tsukuachi was head strategist in the final battle, Hawks is the (H)PSC president, Aizawa is Aizawa. Why wasn't Izuku hired at an agency? Intelligence was a huge part of his character, yet the moment he was fully Quirkless again, he had to leave? Men truly aren't created equal...

"Cursed power", "blessing", "special" — the only thing special about OFA was being haunted by a guy whose brother was insane enough to hunt it down for generations. A Quirk's a Quirk; having multiple people/powers in one body isn’t special, Tokoyami and Shoto exist. Izuku was supposed to make it special using it on his terms. But I guess "meant to save, not kill" was a lie, as eight out of ten people who had it died. Nine out of eleven, counting BNHA: HR. Tenko died because his body couldn't handle the Quirk, but I guess Izuku isn't gonna think about any of it? Katsuki was right, I guess. OFA is a curse.

Spinner wrote a book (not a comic, guess he took offense to Izuku. Fair, actually). Mr. Compress got a panel, but no real mention of the LoV? They broke the status quo for months (in-universe), and after all of that, nothing changes? Did Spinner know about Tenko, how he became Tomura? And the people who will read it and pull an MLA? TomurAFO had followers, now he's martyr a lá Re-Destro. I’m hoping Spinner didn’t commit suicide like Destro did.

Ochako’s expanding Quirk Counseling. Reform’s implied (it only said expansion), but Himiko still became what Curious wanted her to be: A cautionary tale. And I’m still asking how Ochako knows Himiko what went through, she only told Ochako she was hated because of her Quirk and how she loves. I wanna think she’s reforming it, but nothing else changed, why should I think she’s the exception? She might literally just think Himiko didn't get help, that's a cruel irony.

(At least she's seen as a hero on her rights… even if it took 429 chapters, messy writing, her face looking like rubber, and still being a girl recognized as a "caretaker", not a kickass hero).

Shoji's travelling through Japan to solve discrimination and got a prize for it. No foundations or mentions of Spinner being the main reason he did it, just "standing atop those who rose up eight years ago", just solving it peacefully, you sure are, buddy. Like, I'm sure you are being successful but how exactly are you solving this? I mean, you "solved" the hospital fight by fighting Spinner with Koda- Oh wait, time constraints, we can't elaborate how. I'm rolling my eyes

Shirakumo showed the noumu state could've been reversed, yet Katsuki, who never killed someone aside from AFO (and that guy was gonna die anyway), fatally exploded him. I hoped it was a misunderstood panel but no. He died because he wanted to save Tenko. Even fucking Gran Torino was alive by the end of this. Why.

I think Shoto is the only main character I’m not really having a problem with (Ochako's ending required Himiko for it to feel somewhat complete. Sorry, Ochako). I’m weirded out that they mentioned the billboard using the guy whose life was ruined by it as an example, but other than that, he’s doing fine. Wish we saw him talking to his siblings though. But alas. No mention of Fuyumi and Natsuo. And Rei's with Endeavor. Fuck I take it back Todofam still deserved better.

Inko got so sidelined when Mitsuki and Masaru were in 424 for half a chapter, by the way. Just one panel for her, the protagonist's mother.

Schedules not aligning is one thing (I get it, my friends and I can't align ours anymore), but Class A not opening an agency together? They survived the same two wars. And you're telling me they wouldn't say "WE'RE WORKING TOGETHER AND TAKING MIDORIYA WITH US"? Also, where’s the "world where heroes have time to spare" when they look so busy? Were they understaffed or working as celebrities? (if someone says it was for the suit I will point out to the three nepo babies of Class A + Momo's Quirk, Katsuki’s a dumbass if he forgot that detail).

We wasted pages on a kid that can throw plates from his hair. To tell him he can be a hero. Coming from the guy who had to stop working as a hero when he lost OFA. I'm not taking this parallel seriously.

I wish Izuku wasn't in "everything’s fine" mode until the end. We're really gonna leave him at "implied" mode, not confirm if his mental state's fine? Being open and emotional was an appealing part of him and now we just get “Yeah that’s just how it is”.

This one's petty and irrational, I know, but since I'm letting some of the steam out: I hate Izuku's new design; face scars (the constant "HE FAILED" reminder makes my eye twitch and I wish that was a joke, but also so many characters in BNHA got face scars, it doesn't even stand out), "perfect tie", normal formal attire- where's the character highlights? The things that make Izuku stand out?

But hey: He gets to be a hero again! Not with skills, heart, intelligence, strength, in spite of Quirklessness. No, he has an Iron Man suit! That Class A paid billions for. The government should be paying the child soldiers- sorry, Class A and B (and Shiketsu and Ketsubutsu) instead, but all they get is a pat on the back. If the suit breaks down, hurts or kills him while in it? I'll laugh (Hatsume and Melissa worked on it? Oh it's gonna happen, I'm hoping). And Toshinori, what happened to him, did he hit his head when he landed on that building!?

Went from: Smiles cover his fear and reassure people, believed saving is about saving body and soul, wanted to help Tenko, only didn't because Gran Torino said it wasn't a good idea. Disliked people were being heroes for fame and not because it's the right thing to do, only used support items as reinforcement and a precaution, never as a full solution, even Iron Might was so he’d have a chance to fight, not a solution.

To: If Tenko died smiling, it wasn't resignation, he was saved, even though he died. Didn't care AFO killed the Shimura - his mentor's - bloodline. Is fine with the billboards existing, even though it caused things like the Todoroki plotline. Now he's giving Izuku a suit, when the last time he did it himself, it didn't save him and his spine was almost snapped? Dude, what?

Also full disclosure, I thought he was paralyzed, but I guess he just had a bad back. Let's not discuss the trauma of almost being snapped in half and feeling your bones break so bad you set a record of how many screws were used, I guess.

... I hated BKDK's conclusion. It's actually so laughable how much I hate it. If it had another outcome, I'd probably be overjoyed as a shipper. But look at this mess:

Thematically, Tenko wasn't rescued, it wasn't a perfect victory because AFO still got away with what he did to him. Save to win, win to save were just nice words. "The End of an Era and The Beginning"? Nothing changed in the world they live in, and they don't stand out among other heroes (these are AM’s successors. And they aren't even important. How.) What new era is this, really?

Their resolutions, relationship rebuild? Offscreen, but Katsuki was the one with the Iron Man suit idea for Izuku and apparently that compensates for it. Because he’s the one who can solve all of Izuku’s problems now, not motivate him to be better anymore. It wasn’t even Izuku’s idea, it was Class A, and sure it’s a nice (condescending) gesture. We’ve seen Toshinori barely come out alive even with one. That's a support item for a reckless little shit who will get himself killed.

Izuku barely batted an eye to any of the things he went through - losing his arms and/or OFA? Seeing Spinner's breakdown? Lady Nagant!? Katsuki or Tenko dying because of Izuku and OFA!? SOME INTROSPECTION?! IT’S BEEN OVER 100 CHAPTERS SINCE YOU’VE BEEN THE EMOTIONAL MC—

Katsuki's insecurities were pointless by the way! Izuku's empathy and heart never mattered, a Quirk was more important to be a hero in the end. BULLIED HIM FOR NOTHING BUDDY- like. Shouldn't have done it at all, but now his character development means nothing because his previous beliefs were the right ones. Changing for the better was pointless. Like Twice's death. Or Katsuki’s own death, since “Control Your Heart” meant nothing as well.

Izuku still remembers Tenko, but has he done anything about it? No one wants to remember him, Himiko or Touya. Spinner's book won't be taken seriously except for Tenko's followers, Mr. Compress was sidelined, Twice's death was pointless. They didn't change society, they've returned to the status quo. Pointless as Izuku losing his arms.

That fucking suit- Wow, he really couldn't be a Quirkless hero, the casual rivalry was just erased for an easy way out of their consequences, there's no catching up because Katsuki paid for Izuku a way to be a hero. Izuku doesn't get there because he still believes Quirks make a hero. This isn't heartwarming or romantic or whatever, Katsuki just proved he also didn't believe Izuku in the end.

And it ends with Izuku seeing Tenko's... Ghost? Hallucination? Vestige? I guess we’ll never know, because Izuku’s following his dreams again! Let's ignore he's doing this during class hours and he definitely should be in UA but who cares, he probably quit, we'll never know. Aside for the BKDK/DKBK fics, being a teacher was clearly a inferior choice for him and he can't do both ignore Aizawa and Present Mic look at him being the world's greatest hero!

It just took 1 year of trauma, scars, following on his mentor's mistakes, losing the thing that "actually" made him be a hero, having the first (Katsuki) and the last (Tenko) people he tried to save dying because of his existence (one literally by his hands), proving anyone can be one! By ignoring the guilt of those you failed, give hands and sparing your thoughts, having superpowers and/or connections who'll give you a suit! And if they still "act out"? Then they deserved death no matter the valid points they've had and you gotta play jury judge executioner. Unless they decide to be quiet like a good entitled citizen.

Fuck this shit I swear- You could’ve had a BKDK proposal with a double spread handhold, and I'd still think Izuku's ending isn't earned. His "happy ending"— actually. BKDK crumbs are the fandom's consolation prize for this ending. I feel cheated out my OTP (like. I'm shipping the version of them in my head, not the canon one 412-onwards because it got worse from there-)

A story about hope bent itself over to give the protagonist an unearned happy ending, when it said it was for every character who wants to connect to that hope, who wants to give that hope. Izuku went from "wanting to be a beacon of hope and save people" to "talk about beacons of hope, but in the end, others are doing this better than you. You had none of the willpower to be one." He's not hope or unity. Act 3!Izuku is just a plot device, I feel nothing for his ending other than irritation, and I hate it because he was my favourite character. Lol, a very useless one in the end.

So. Yeah, those are my thoughts about the ending. I think. I don't know if these are all of them. I feel horrible about hating it, but I've sat on this chapter for days and right now, not a lot can make me like it, especially with the timeskip, which made this "open ending" a rushed and incomplete mess. If you disagree with me, honestly, that is very fair. I'm glad for you if you liked the ending. I'm just disappointed, and wanted to share my opinions. (and I do have more stuff to say about it but I think I've been negative enough)

But for the weeks I spent hoping this wouldn't slap a classic shonen ending in this catasthrophic mess and for making me feel like a dumbass after what we got in the end: Everything after 410 that isn't 421 and 422 is non-existent to me, this epilogue was a freaking waste.

Thank you for reading.

(EDIT.: Fixed some spelling mistakes and added a few more things because I can keep going on how bad this ending is. Also to clear stuff up: I am still a BKDK shipper. But only until 412, anything after that? Yeah, no, keep that shit away from me lol.)

[tklpilled]

cannibal

asking ochako what she and toga are would be like asking if tomatoes are fruits or vegetables. there’s the logical answer, the one that’s objectively correct: tomatoes are fruits, and she and toga are enemies. an undeniable fact. but there's another answer, the one that isn’t technically true but that feels right, like it would be true if circumstances were different: that a tomato is a vegetable. that ochako and toga are lovers.

ochako doesn’t think either answer is entirely right. she thinks they’re too gentle to be enemies. she thinks they’re too violent to be lovers.

toga pins her to the ground, blade in hand, sharp smile on her face. her love is an obsessive kind, one that acts like it wants to consume ochako whole. 

“ochako-chan,” she says, eyes glistening with bloodlust. “won’t you give me a taste?”

ochako squirms beneath her, some mix of fear and exhilaration coursing through her. “you’ll have to work for it.”

toga tosses her head back with a laugh and ochako thinks it may just be the prettiest sound in the world, a high-pitched giggle that makes her sound just like the schoolgirl she is. “you can never make it easy for me, can you?”

ochako grins, and in an instant she’s wriggled her way out and begins to run.

she’s not trying, really. she could easily run much faster, and she thinks toga knows that. it’s like this every time; ochako doesn’t run fast, or she doesn’t go very far, allowing toga to catch her every single time. she lives for the thrill of it.

she feels toga’s arms wrap around her waist before she’s on the ground again in quite a similar position as before, only this time she’s face-down in the grass. she turns her head to look up at the villain, a smug look on her face even though she’s lost this little game of theirs. in a way, she’s still winning.

toga leans in, her breath brushing against ochako’s ear. “caught you~!” she giggles, pressing most of her weight against ochako’s back. she taps her fingers against the hero’s arm. “you’re not going easy on me, are you, ochako-chan?”

ochako smiles up at her. “of course not,” she lies smoothly. “you caught me fair and square.”

toga sighs, her head drooping a bit. “you do look cute when you’re all bloodied,” she says, twirling her knife between her fingers. “but i don’t know…i’m thinking of switching things up!” she picks her head back up, grinning. “are you ticklish, ochako?”

“h-huh?” ochako squeaks out, eyes widening. 

toga continues, an almost disappointed expression on her face. “i see how you always laugh around izuku,” she complains. “i’m getting jealous of him, you know? why don’t you ever laugh like that with me?”

ochako stares in shock for a second before she snorts. “is that it?”

toga hisses, cheeks pinkening. there’s a clattering sound as she tosses her blade aside, manicured nails crawling up ochako’s sides before she can react.

“himiko!” she squeaks, her hands grabbing at toga’s. she tries activating her quirk, but toga is faster than her in this state. she grabs ochako’s wrists and pins them over her head with one hand, her other continuing her merciless assault.

“you’re so cute, ochako!” toga practically squeals, giggling along. “just laugh and i’ll stop, ‘kay? after a while, anyway.”

ochako tries to hold out, but among her list of weaknesses, both tickling and himiko toga are at the top. she falls into laughter, kicking her feet behind her, the only part of her body that she can freely move. she never wears her hero costume when she goes to meet toga, never seeing a reason to, but right now she wishes she had it to protect her.

or, well, a part of her does. the other part of her is undeniably happy, even despite her situation. because toga is smiling with her, and being playful and acting like a regular girl instead of a wanted criminal. ochako’s heart nearly bursts with want, to take her back to u.a. and kiss her and give her every last drop of her blood.

but all she can do is shove the thought away and enjoy the moment while it lasts.

toga lets go of her arms suddenly, grabbing her body and flipping her over to face her. she cups ochako’s cheek with her hand. it’s warm.

“stop frowning like that, ochako,” she says. her voice is always so gentle when she talks to her. “i’m trying to make you laugh. you’re ruining it, you know.”

“i love you,” says ochako before she can stop herself.

“i know,” replies himiko.

ochako looks down at himiko’s hand, still resting against her side. her nails are sharp, pointed. she once thought those nails would rip her apart. she wouldn’t care much if they did.

but they don’t, because himiko has killed and hurt and tortured but ochako is like a goddess to her. so, yes, they claw at her stomach and make her shriek, but no blood is shed and all ochako feels is love. 

“h-hihimikoho!” she squeaks, one hand flying up to her mouth to muffle herself, but himiko pulls it away just as quickly.

“don’t hide from me, ochako-chan,” she coos, lacing their fingers together. “let me see your pretty face!”

ochako falls practically limp, letting himiko toy with her as she wishes. “st-stohohop, stop, tihihickles,” she manages to piece together through endless giggles. the only thing racing through her mind is that it tickles.

it makes himiko laugh. “ha! because i’m tickling you, silly. it’s supposed to.” the tone of her voice makes ochako squirm, butterflies fluttering in her stomach and her face heating up.

there are tears in her eyes when himiko finally relents, brushing messy strands of hair out of ochako’s face. “you’re so cute,” she hums, leaning to place a kiss on ochako’s forehead. it’s one of the gentlest acts that she’ll ever perform.

and when ochako inevitably has to leave, to keep whatever this is a secret, she will give her a kiss in return as a farewell. and himiko will smile and blush in the way ochako loves, and she will place a hand to her lips as if to preserve the feeling forever.

and later, they will meet, and do the same thing again, and ochako does not hurt people and himiko does not save people, but somehow they still fit together perfectly.

[haine-kleine]

Taking a break from doomposting to once again ponder the meaning of the chapter from a storytelling point of view. It fails to complete any storyline point previously established. Ochako is still repressing her survivor's guilt and covering it up with fake sweet smiles. Deku and Ochako don't really reach any understanding nor comfort each other after this traumatic experience: Ochako still blames herself for Himiko's death, Izuku has seemingly moved on from Shigaraki's death using it as a learning example on his way forward. The party is random and the cheer is forced. Eri mutilating herself with the help of an adult hero goes unaddressed. The old lady is the only character exhibiting any development but it falls flat because we don't have much reason to care about the character who is not Tenko that she saves. It was Shigaraki who needed saving and didn't get it.

The one thing this chapter achieves is destroying any hope the readers had left. The next chapter is not necessary, judging by how meaningless most of the epilogue chapters have been so far.

But looking at this from another angle, the one thing Horikoshi can do, after killing the remaining embers of our hope, is subvert our expectations.

The only logical conclusion from the nameless boy looking so much like Tenko was obvious, but his appearance had very awkward timing if all the purpose this character has is to show the positive changes in society. He would have fit in the framing of chapter 427, which was focused on the society's opinion about Shigaraki Tomura and how they perceive him. It talks repeatedly about the collective fear of the next Shigaraki resurging and what preventive measures they can take. The old lady, whose character purpose was to not save Tenko, even appears in that chapter! If the positive change was the intended message, why cut her narrative into awkward parts and squeeze the second one in place of Ochako's supposed resolution? And once again, why show the boy so early? He appeared in the chapter that started slowly revealing the fates of the villains, and his appearance was immediately followed by Touya's. The logical connection is obvious. Teasing that not-Tenko character to leave the audience guessing for a month, seems like a red herring, and if the nameless boy being saved by a person who could have saged Tenko and didn't, is just there to fool our expectations, it's an unnecessarily cruel move from the author. He knew what he was doing. Despite his death, the epilogue heavily focuses on Shigaraki Tomura and various people's opinions on whether or not he deserved to be saved. Horikoshi killing him and saving a new barely introduced character in his place seems like a negative answer from the author himself.

Then, again

Shigaraki's death, despite being confirmed by the characters, was not actually shown on screen, with Kurogiri being conveniently close by, very motivated to save him.

So what if the not-Tenko boy is indeed a red herring, whose purpose is to fool the audience for one last time?

Here are some random ideas how this can work:

• not-Tenko is actually Tenko, his memory is just fucked up. The boy's backstory is about being kept imprisoned by his family in the house against his will. Well isn't that awfully convenient, cause you know who else hated being in his house

• Tenko is not the new boy, but he is alive, out there somewhere. Healing, being taken care of by Kurogiri, possibly trying learn using his new quirk. Watching his name being dragged through the mud on the news everyday.

• Tenko reconstructed himself back from the dust wrong, as it was his first time using the new quirk. Maybe he had accidentally merged himself with Kurogiri. Maybe non-Tenko's memories that he shares are his damaged consciousness' rendition of Tenko's actual backstory. Maybe he decided to leave Japan forever and fucked off to America, who even knows, the author clearly doesn't so go wild with your imaginations

[dekusleftsock]

Sigh… the newest chapter.

Very beautiful, very wonderful. It’s gorgeous looking, so much time and meaning put behind every single panel.

These two panels have been the most interesting to me though.

The first, where the last tear falls away, and the second, where the first leaves flow freely through the spread.

And don’t you worry, I saw that parallel immediately.

“And save people by winning.”

Still, I can’t help but feel as though these panels are still SO DIFFERENT from then!

First of all, the light in Izuku’s eye, the one that really makes the admiration and love pop in this image—it’s missing. Completely.

And, in the second one, where the tears have fallen and the leaves have come, that one is still shaded in darkness. Izuku still has no light.

So yes, has Izuku calmed down? Absolutely, but it still has this underlying melancholic atmosphere. Everyone else has a sense of success, everyone else is THANKFUL that Katsuki has saved allmight from the brink of death, he has won by saving someone—but don’t we all remember Bakugou Katsuki Rising?

You know, the chapters where everyone thought Izuku was just SO heroic and SO amazing, except for Katsuki who knew that something was very very wrong.

And this time it isn’t Izuku almost dying for everyone’s safety, it’s Katsuki—can Izuku’s heart really handle that right now? Right after he just got up?

Can Izuku control himself under all this weight?

(Ofc I gotta throw in the girls, they’re the representatives of love for this series for christs sake)

Izuku is selfish, we all know this now, so where will this selfishness take him?

Because I know for damn sure that, if I have Izuku’s character right, if I have Hori’s themes down…

Idk I just wanna see him lose control. Right in front of Katsuki. Because my god this boy can mask his queerness when he wants to.

Because what happened to THIS?

Where’s that melodramatic passion?

Why is he not allowed to see it Izuku?

So I can see two ways this can go:

Izuku, at some point while Katsuki is awake and alive, loses his shit at Katsuki getting hurt or a comment that targets Katsuki. The way he WANTS to lose his shit.

Izuku attempts to sacrifice himself much like Himiko did for Ochako, solidifying their parallels even more. (Himiko is not dead and I don’t mean that in the “oh I’m delulu!” way. Y’all it just doesn’t make sense you guys realize that right. The same way it didn’t make sense to kill Katsuki. LIKE COME ON)

Personally, while I COULD see Izuku doing that, because he would do anything for Katsuki, I don’t think he’s gonna have the option to. Not only that, but I think that the first option is far more interesting for ALLLLLL the reasons above.

Izuku is known for being sacrificial, it would be far more interesting to have Katsuki have to assure him and calm him down in some way (it’s also the queer connection. I find this extremely important. We need a scene for bkdk like we had for the spirited away scene for tgck). Not only that but Izuku very much needs to have that moment where the story creates that wall that directly tells him he needs to change. It needs to challenge him, emotionally. And not in the panic, big fight way, but in the “Katsuki has to see the things Izuku still performs for him” way.

Katsuki needs to see how Izuku feels, because Izuku isn’t good at telling him that.

AND HE STILL HASNT

HOW LONG WILL YOU DRAG THIS SLOW BURN HORI IM SO.

Anyway, my main point is that Izuku WONT be able to control himself anymore. Just one more thing, one more comment said in just the right way, and it’s over.

That confrontation is the one that I’m waiting for. Because Izuku still isn’t happy, this chapter isn’t happy—it’s laced with insecurity, despair, heartache, and a deep sense of loss.

And it’s hopeful! Very very hopeful, because that’s what mha IS, but you can’t read this chapter and tell me that Izuku right now is happy, in love, over the fact that it’s Katsuki who has to save allmight.

[marronje]

I'm rewatching Hannibal and an AU came to me… unexpectedly.

(Togachako) Hero x Serial killer!AU (feat. pro hero!Deku and Dynamight) ~☆

tw: bad English, lots of rambling, toxic relationship, we're not romanticizing tgck so proceed with caution (and after reading the disclaimer, please), any tw you can associate with Himiko Toga is here (nothing graphic though), overanalysing stuff, amateur psychology and all, dark content in general

Ochako has been unsure what she wants to do after finally starting her hero career, so she basically tries anything she can reach.

Working in the sea with Tsu, galas and interviews with Yaomomo, traveling with Deku (I feel he'd want to spend the rest of his power to see the world and his lots and lots of friends overseas). This time she finds herself getting into the world of quirk-related investigations under the tutelage of Katsuki whose solved criminal case count rapidly approaches the one of Endeavor (his character arc calls to me to be continued after Endeavor's path, please don't pay attention haha).

And with all that, she still tries to save face, knowing that she could've stopped this particular deranged story with just a word.

Why? Well, maybe she knows that no person in the world can leave DNA of people long dead and flaunt bloody confessions on the walls at the same time. No person who's not Himiko Toga.

The traps are set, the cycle starts its turn…

The very start:

° Himiko has genuine fun taunting Ochako with killing civilians while wearing her face

° She thinks she'll give Ochako the "freedom of expressing love" in a way she assumes Ochako wants but can't afford

° Himiko doesn't hide the fact she kills for Ochako and with Ochako's name on her lips

° Himiko torments her victims being transformed into whoever strikes her fancy, but the final strike is always performed so the last thing the poor prey sees is soulful, most gorgeous brown eyes in the world

° Himiko steals blood from the organization Ochako donors for (it's her way of coping with the trauma left by the Final Battle)

° Knowing the traces of her DNA are left at the crime scene even if she certainly didn't leave them there slowly corrodes Ochako's mental defenses

° She starts dreaming and hallucinating about killing those people herself until she can't tell reality from these images

° At one point she sees herself killing people wearing Himiko's face

° Himiko certainly uses it to her advantage. Who'd know when she gets into Ochako's apartment to whisper about all the ways she torments people from the shadowed corners?

° Guilt-tripping Ochako into justifying her actions too

As the madness progresses:

° Ochako can't draw the line between herself and Himiko anymore

° They complete each other in no way that is socially acceptable, but it feels right

° Ochako still tries to convince herself she's a good person and now this applies to Himiko as well because Himiko is "her" now too

° It's like they're drowning and melting into each other, minds a mingled mess of issues and fears, clinging, warping, breaking...

° Ochako's hands are bloody and Himiko hugs her from behind, cooing sweet nothings into her ear as they stare down at the newest "masterpiece" together

° Clay, warm hands and shaking fingers

° Ochako feels phantom touches on her skin all the time

° Himiko is being all giddy and "affectionate" with her victims, calling them "cute little presents" which she leaves for Ochako

The final stages:

° Ochako has a dream of killing Izuku. She fantasizes about it a lot later. There are tons of guilt and self-loathing, but she feels it would be the right thing to do. Become a way to "thank" Himiko by showing her effort isn't one-sided. She somehow knows it'd end the vicious cycle, but she just can't

° The Devil and Stockholm Syndrome (it's kinda questionable, I know, so we're taking it with a grain of salt)

° Dissociation

° Devil's advocate

° Cases named after astronomical phenomena

° Christmas, and Ochaco finds a bunch of vials filled with blood, all wrapped in a pretty thick red ribbon with a pompous bow on top. It's the legacy they've created together

Note:

I don't see the two as a healthy romantic relationship (I don't say you can't, it's just my opinion), so this scenario is relatively close to what I'd call realistic. Ochako who sees herself as a good person in any case (even if she's just too selfish to confront herself deep inside) and Himiko who takes the role of the bad part where Ochako can't.

Psychobabble (I'm no professional, it's more about how I feel than anything):

I based this whole AU on the traits I found in original manga and just extrapolated/exaggerated them into whatever this is now

Ochako loses feeling of what differs saving others and saving oneself and chooses to save "herself" (aka Himiko) in the end

Ochako is outright childish. She can't let the mask of a "hero" slip only because it's her shield against the world. She's torn apart by the ideas society put in her head, she can't imagine the concepts of "protect the weak" and "everyone is valid" existing together

In the end, she just resorts to the Friend or Foe (mine/anyone else) worldview so it's easier to process. Of course, what is "hers" is always considered as right and justified

Her empathy for Himiko has gotten to the point where it starts to consume her. She projects herself, her fears and motivations on Himiko, and it only makes things worse

Although, her empathy is quite selective. She can't empathize with the families of those who are killed by Toga. She thinks she can, but it comes from the guilt brewing inside her (it's still focused on self), not actual ability to put herself in others' place

Ochako feels she can be "like Deku", that she can save and forgive "bad people" like him. She finds comfort in such thoughts and hides behind them so she doesn't need to acknowledge the drastic differences in the situations

About the character archetypes:

For Ochako I can't figure out just one, but if I name the type it'd be "Not Bad But Confused" probably. Issues come from the fact her personality is too adaptive, and her worldview has shifted severely and continues to do so. In this situation, her way of coping happened to be finding an anchor in the wrong person, it happens to people all the time in real life too after all

Himiko shows as a symbolic "Devil", her presence is more phantom/ephemeral. Yes, she poisons Ochako's thoughts greatly, but the most work is done by Ochako and her own insecurities

Deku is similar to her, more of a symbol than a character. He's needed more as a deity-like/almost religious presence. Kinda ironic that his original character is heavily under the Hero Myth's (not sure how it's called in English, sorry) influence which is connected to the Bible in some ways

Katsuki stands out a bit as he's clearly the "workaholic cop" (workaholic hero in our case), no more than that as per his role. He's here so Ochako can value herself as "above his way of thinking". Side by side she clearly comes out as more "understanding" and sympathetic (NOT EMPATHETIC, don't confuse the terms!). Well, he's the person to bring her back to earth. A stoic one without a prominent character arc (it's often considered bad, but a flat arc can also be fine when handled properly)

Dividers are created by me.

If you're willing to take this AU under your wing or do something inspired by it, please credit me (you can tag me too)

my lovelies @dailytogachako @bigclownshoes @luxkycharmz you asked me to tag you, I hope I didn't forget anyone...

[detectivekirigirislays]

i genuinely can't keep up w these iz///oc's arguments istg

"ochako was acknowledged by izuku, while izuku never acknowledges katsuki's actions towards him!" let's break that down, shall we?

ochako & deku:

ochako— at the time deku calls her his hero— is actively mourning the loss of her villain. she is mourning himiko toga, drenched in guilt and remorse, practically clutching her stomach out of the pain from crying so much, from letting out all her repressed feelings post-war

when izuku comforts ochako, he uses iida's advice in hand-holding, he declares that ochako is his hero because yes, ochako has undeniably done so much for izuku already that it had to be acknowleged somehow sooner or later. and can we deny it? ochako is considerably one of izuku's heroes, seeing as to how she has always been there for him since his time in UA.

ochako is already feeling horrible, almost incompetent as she couldn't save himiko, so of course izuku is going to reassure her that she's still a hero to someone, and that someone is him. izuku uses these words as a means of COMFORT.

izuku says these words to comfort her because she is mourning a great loss. what ochako needs is a support system, not a declaration of love, not any love confession or romantic chemistry, just someone to be there to comfort her. and izuku fulfills that role.

claiming someone as your hero doesn't have to be deemed as romantic all the time. it can be in the form of platonically, or idolization, it doesn't have to undermine the platonic aspect of seeing someone as your hero.

kacchan and deku:

izuku n katsuki are the type of duo wherein 'actions speak louder than words' and when there are words needed, those words are short, confusing, unsure, because they have a lot of experience in the field of miscommunication.

however, they're on a level of closeness that izuku doesn't have with any of the other class A's members, which tomura is aware of and exploits to his advantage. moving away from that, izuku has been with katsuki ever since they were kids and even as adults, they're still connected one way or another, so of course the bond they have is different than in contrast to anyone else in class A. they don't need to say much to each other mostly bcuz of how in sync they are.

izuku has always acknowledged katsuki, so the argument that he hasn't is pretty stupid. he says it himself, katsuki is his symbol of victory, katsuki is this amazing person in his life closer to him than all might is, he chased after katsuki for years out of admiration; all his life, he pretty much has been acknowledging katsuki. sure, he hasn't said anything about katsuki's recent developments and whatnot, so i'll explain it in the next point->

i took reference from a prev tumblr post, but izuku pretty much doesn't talk about his actual feelings. same as katsuki, as both of them are known to hide how they truly feel and use a bunch of lip-servicey words. izuku wouldn't initiate a deep conversation about katsuki's sacrifices, revivals and stuff because he'd most likely wait for katsuki to speak about it firstly between them both. at the same time, katsuki doesn't seem to be the type of person to willingly talk about that, so i doubt they'd be having such a conversation out of the blue unless the situation or the setting really needs them to do so.

we see it in the two's CHARACTER TRAITS, where izuku isn't the type to openly state how he feels unless the situation really needs him to do so or when it's already the very end/almost the very end. izuku most of the time would keep his innermost thoughts to himself. katsuki, on the other hand, while very vocal about shallower opinions and his regular outbursts, he rarely shows his deeper vulnerability or his truer thoughts within him (probably to conceal away any of his weaknesses). these two are the miscommunication-we-can't-tell-each-other-shit-kinda-outta-fear-but-also-out-of-love kings and we have to acknowledge it....

additional info: deku vs kacchan 2. midoriya "all might was my hero, but you were the one in my life! this amazing person" izuku.

[doodlegirl1998]

This is pretty much my reaction to the BNHA 430 leaks.

Following that, I don't actually hate the idea of Izuku becoming a teacher to inspire the next generation but the way Hori and the other writers go about it is poorly executed (what a SHOCKER, am I right?). It feels so forced to make Izuku all sad and lonely that he can't be a hero anymore. But like...there are examples of characters who either have weak Quirks or Quirks they can't rely heavily on and they can fight.

Aizawa-This discount version Kakashi and Kalego (from Iruma) can fight off villains and Nomus with his magic scarf even when he can't erase their Quirks.

Little Aizawa Jr. (aka: Shinso)-The only student that Aizawa took the effort to train properly because we all know Shinso before that, he relied heavily on his Quirk. After a few months, he can use the magic cloth just like Aizawa.

Stain-Yeah, he's technically a villain but the point still stands due to his reputation of killing several Pro Heroes. His Quirk allows him to temporarily paralyze enemies by licking their blood but you know, you gotta be able to fight to even do that.

Himiko Toga-Another villain but still worth mentioning, this discount Mystique can only transform into a person physically by drinking their blood (only able to copy the Quirks of those she has a strong connection with) but she is shown to be good at knife combat, being able to beat a Pro Hero (though we don't know how strong Rock Lock really is).

There's probably more but the biggest one I'd like to mention is known other than Knuckleduster. He is literally in the same position as Izuku (having lost his Quirk) but he still remains a hero despite this, his sense of justice not wavering. Heck, KD is basically what Izuku should've been, both in the beginning and in this epilogue (just not as violent and tactical).

Just imagine seeing adult Izuku (an ACTUAL adult-looking Izuku) in class teaching his students and encouraging Dai and after the day is done, we see him in a new costume fighting some petty criminals off the streets. He then monologues (INTROSPECTIVE, a word the writers kinda forgot about for Izuku), saying that despite losing his Quirk, his drive to help people has not gone. He's continued to work out, gaining about 5-12% Full Cowl levels of strength as well as support gear from Mei (honestly, I'd rather see these two together over Ochako. Or even Melissa. They would have Izuku's back far more than his classmates).

Hi @ultimateemerl 👋

That was my reaction to the final chapter too.

Also I agree, I would have loved to have seen Izuku as a Knuckleduster-esque hero (using support gear from Mei and Melissa' support Industries) doing teaching alongside this to show that even after losing OFA, he can be a hero.

Having Izuku waiting on All Might (and Bakugou 🤢) to save the day with the Iron Izuku suit felt OOC and forced. At the beginning of MHA, Izuku would have found a way to act as a hero himself rather than wait on outside help.

Speaking of that, how and why did none of Class 1A act to help Izuku during this time? Especially when Momo, Iida, and Shoto have the funds to do so, and Momo has her creation quirk?

How did Izuku seriously get left in the dust for six years by his classmates and friends (aside from the odd text) because they're "so busy" when now there's a bloating of heroes and a decrease in villains? I sense some fake friends who left Izuku in the dust as soon as he could be of no further use to them.

So yes, I would also prefer to see Izuku working with Mei and Melissa over Class 1A as a collective at this point.

[siflshonen]

when you say there is nothing of substance in regards to izuku, what exactly are you referring to? what would you have liked to see in the ending between bakugo and izuku?

It actually has less to do with Katsuki and more to do with Izuku and everyone else.

I would have liked to see him talk more with All Might about life after all for one and the possibility of loss. I would have liked to explore the drama of Izuku being the last wielder a little more from a personal perspective. It seems like Katsuki did most of the work exploring how Izuku returning to quirkless life would be a big adjustment.

I would have liked to see Izuku grapple more with understanding that while Shigaraki is someone he wanted to save, he also hated him. I would have liked to see him realize that besides just saving Shigaraki, he might have to spare a thought about what might happen next even if it didn’t happen. Ochako did, even in passing.

I would have liked to see more emotional impact regarding Izuku having the epiphany that he wants to save someone who has wronged him in a permanent way that matters. That wasn’t Katsuki, but Shigaraki/All for One, who have put Katsuki in jeopardy three times and Toshinori in the same position at least twice when Izuku was present. We go through this briefly, but it’s more like watching it go by as something we’re meant to expect rather than something we explore.

I would have liked to see Izuku, Ochako (with Ochako lurking on the sidelines and keeping her thoughts to herself a little, just as she was), AND Shoto discussing the very real possibility that the people they might try to save will die, and the public WILL try to martyr them a la Curious to Himiko, and they WILL have to discuss their actions. In the epilogue it seems Ochako has found a way to talk about Himiko with the public without talking about Himiko directly, which is its own thing, but I would like to see Izuku actually try to handle the consequences of his sudden fame since it is directly affected to what Heroes (career Heroes) value and strive for.

Katsuki, I think, also has an opportunity to act as a counterpoint because he killed his opponent and it was never some deep, emotional debate. I wouldn’t expect it to give Katsuki any existential angst, because I feel like it would be absurd if he OR the public gave TWO SHITS about whether All for One lived or died, but he and Izuku did enact two differing functions and methods of Pro Heroing that have to be discussed. Izuku can feel however he likes about his role in Shigaraki’s death, but he should also recognize that the people around him and that he respects and love did arrive with the intention to kill, and even that Katsuki put himself in that position SO IZUKU DID NOT HAVE TO HANDLE IT.

I would have liked to see Izuku questioning, at many points throughout the series, what it is exactly a pro Hero does and what they protect and value before he thinks about extending that nebulous definition to include trying to save Shigaraki Tomura. I don’t even necessarily want him to have to try and fix it in the story, but I would like for him to identify it beyond being “kinda weird”. From Ochako’s comments on finding Himiko a potential heroic purpose (meaning, the fact that she knows saving Himiko must be justified to the public to have some kind of purpose, or even that it COULD be) I think she understands what she is grappling with much better than Izuku does.

I don’t mind or disagree with him being a teacher, but I don’t get the sense how helping pro Hero students, who still have to be incredibly powerful to qualify for the career, apparently, makes him heroic. What the hell is he teaching them if I’m not convinced he learned much besides the taste of failure in his own heroic story?

I’d like for Izuku Midoriya to have more going for him as an individual character with a more extreme internal monologue and desires with fears, doubts, and explored resolutions to any of these things. He has them at the start, but by the end I personally don’t find them interesting or or well explored, and he does not connect with me.

And, yes, as a cherry on top, I do wish he had the balls to tell Kacchan that he has value in his life as something besides a rival. He can smile and have his shiny eyes all he likes and let it be implied or self-evident all he likes, but I would like for him to acknowledge it instead of always being a recipient. It was pretty gratifying to see him take the time to go speak with Ochako and tell her how heroic she is, finally, now at the end, but it would be nice if he did that for Toshinori, his mom, Katsuki, or a slew of other characters who have always saved him, helped him, or held their feelings inside for the sake of him or others.

While he uses stupid machismo and yelling, Katsuki has hidden his true feelings a lot not just as a shield for his fragile ego in the second half, but to keep Izuku from worrying. So nice of you to notice, Izuku.

[makeste]

So before the next chapter translation/recap drops, I wanted to ask what you think of Bakugo very likely being AFO's final opponent? I didn't really see that coming. The rival is always there, but they usually team up with the MC for the final fight or aren't part of it (Vegeta during all the DBZ saga final villains, Sasuke at the end of Shipuuden). AFO isn't even Bakugo's personal villain, like Dabi is Todoroki's and Himiko is Uraraka's. I'm trying to wrap my head around it so it's more satisfying, but while it's REALLY AWESOME, I'm not feeling the *personal* stakes and ngl I spent half the time wondering if Deku would swoop in. I'm guessing he won't, final battle Shigaraki vs Deku, but yeah.

I think it's an interesting subversion of the usual final boss tropes. it's true that AFO and Bakugou don't have much in the way of personal history. they lack the tragic family ties of Dabi and Shouto, or the frequent homoerotic encounters of Toga and Ochako. Horikoshi clearly went a different route here.

that being said, there are a few things I do like about the setup. first, I really like that Bakugou chose Kid For One to be his final villain (and then inverted things on top of that -- you're not my final boss, I'm your final boss, lol). it's very much in line with his usual stubbornness and singlemindedness. everyone else -- Izuku, Shouto, and Ochako -- were sort of unwillingly dragged into their conflicts by fate. but Bakugou wanted a final boss so much that when life didn't conveniently hand him one, he went out and DEMANDED one. literally DIYed his own. that's the most Bakugou thing ever tbh.

second, I like the recurring theme of AFO creating his own demons. he's so powerful that the only thing that can bring him down is his own hubris. he accidentally created OFA by trying to dominate his baby brother. he tormented the OFA users for centuries only to be mutilated by a royally pissed-off All Might. and he has been snidely dismissive of Bakugou on multiple occasions throughout the manga, which is certainly looking like one hell of a mistake right now. not just because he missed the opportunity to kill him off on earlier occasions, but also because we all know that the more you ignore Kacchan, the more determined he is to prove you wrong.

third, I like that AFO is the one who apparently has personal trauma and not the other way around. even if the extent of his trauma is just, "you look like the guy I really hate!!", lol. it's unexpected and mildly amusing and I enjoy it.

and lastly, while I'm probably not super qualified to weigh in on this (seeing as there's a big chunk of the Deku vs. Tomura/AFO fight which I still haven't read yet, so I don't know how much ground has been covered already), I'm not so sure that this is the actual final battle. as you mentioned, those usually involve the rival teaming up with the MC against a single final villain. and neither Tomura nor Kid For One is giving me genuine final boss vibes tbh. I think AFO, and not Tomura, will be the final "final boss", but I'm guessing it will be a different version of AFO. either the AFO currently taking up residence in Tomura's head, or, potentially, the one possibly hanging out in Deku's.

either way though, that also means the final phase of this battle will likely take place not in the real world, but inside the OFA/AFO Mojo Dojo Casa Realm. and I think it will be Deku, Katsuki (since I'm convinced he also has OFA), and Tomura (plot twist) united against AFO. which I think would make for a much stronger final battle than the current setup. we were promised an ending which would surpass Heroes Rising in epicness, after all. a simple Deku vs. Tomura would hardly cut it, especially with Deku having already pushed himself to his limits and revealed all of his current OFA tricks that we know about. gotta be more to it.

so yeah, those are my thoughts. I'm enjoying the current antics, but I do think they are miniboss antics and not final boss ones. any finale that doesn't involve multiple OFA users teaming up against a single AFO wielder is going to feel a bit like it missed the point. it's literally in the name, lol. we need the "all" versus the "one", or else all that foreshadowing goes to waste. that's my hope at any rate.

[darkcircles4lyfe]

Love in Chaos

The way chapter 393 seized me from the inside out, brought me to my knees, smiling with fierce glee—it was all the proof I needed. All at once, a checklist I didn’t even know I was keeping started getting all its boxes ticked. I’ll admit that for some time, I haven’t been sure exactly how Toga’s story should be handled for her to get the care, nuance, and dignity she deserves. So I’ve been resigned, waiting to see what Horikoshi has to say about it. I didn’t know until I saw it, but I can tell we’re on exactly the same page.

This fight between Ochako and Toga—or should I say Himiko, since ya know, they’re both on a first name basis now—it’s a kind of breaking point for the overarching narrative and its themes. Here is where the big questions about hero/villain society are not only asked, but answered. Himiko, more than any of the other main villains, was branded with that label as far back as she can remember, without her having done anything except exist. Thus, she carries the weight of their society’s problems and becomes a symbol of the injustice in prejudice and fear, the brutal agony of being rejected by the world. I’ve maintained this resolve about the story for a long time: I will not be satisfied with an ending that constitutes a return to normal, or even a slightly amended normal. I know that it would be a disservice to Himiko if she were made to fit into society again, whether that be in death or reform or containment. Society has to change for her. After 393, I can tell that Horikoshi knows this too.

It’s the way Ochako steps up to this conversation so boldly and positions herself on Himiko’s side. When Himiko dismisses her words as fickle, claims she’ll go back on them and do horrible things to punish her according to hero society, Ochako comes right back and says no, this isn’t about what you’ve done, this is about you. I see you. I see your beautiful smile and I want to protect it.

Throughout her life, Himiko has not been treated like a real person, so of course this is what she needs. No lecture on morals could disarm her the way acceptance can. It’s also extremely refreshing and reassuring to see Himiko being taken seriously. I’m so incredibly excited for Ochako to accomplish such a completely transgressive act of unconditional love against this harsh world. I could stare in awe of the panels in this chapter for hours, how they’re drawn at the exact intersection of beauty, pain, and honesty. Grotesque violence and elegance. Power and vulnerability. I was so overcome that, for a while, I failed to register a crucial implication.

Enter: The Female Vampire Carmilla

She is referenced merely in passing, but as a rejected villain name for Himiko, speaks volumes. It’s difficult for me to find the words to summarize… perhaps you’ve heard by now that Carmilla is a gothic horror novella about a lesbian vampire. THE lesbian vampire, in fact—the one who popularized the trope. Knowing this, it is simple enough to apply the story of Laura and Carmilla in parallel to Ochako and Himiko, and register it as direct proof of the dynamic’s sapphic undertones being acknowledged and intentional. I mean. Look at them.

Yeah. But that’s not all. That isn’t what really makes it noteworthy. Put in context: Himiko has been called a soulless inhuman vampire since childhood, and shunned for it. To her, this or any villain name would be a reminder of her lack of agency in identity. Add to this the overall themes of 393 I just described, and suddenly it becomes clear that Himiko is set in contrast against much of what Carmilla, as a fearful narrative about the supernatural, represents.

But I’m getting ahead of myself. Let me provide some details about Carmilla for those who aren’t familiar. The story was written in 1872 by Sheridan Le Fanu, and belongs to a genre characterized by a revival of Gothic aesthetics in service of providing mystery, intrigue, and suspense to a very Victorian expression of fear. On top of that, Carmilla directly influenced Bram Stoker’s Dracula, and set the precedent for many vampire portrayals to come. Many female vampire characters reference her at least in their name, and the novella has been adapted and reinterpreted countless times. Because of this, it is admittedly difficult to be sure of Horikoshi’s familiarity with the original, or pinpoint any other potential influence he may have picked up from another adaptation. One could quite literally write a whole book about the many iterations and widespread impact of Carmilla. This is why, however, I believe I can confidently say that Himiko being compared to a female vampire has implications that are felt no matter one’s familiarity with the origin of the trope. Certain things are baked into the definition through generations of media. The female (lesbian) vampire implies predation, deception, lust, a danger to innocent young women. She represents an inhuman desire that must be vanquished.

In the novella, the main character Laura becomes a fast, intimate friend to Carmilla, a strikingly beautiful and captivating young lady who has suddenly appeared in her life. Laura admires and loves Carmilla dearly, but feels conflicted in moments where Carmilla is overcome by a desire that is explicitly compared to that of a lover. She talks of blood, death, sacrifice, and unity all while holding her close and kissing her. Whether or not this is hot, or whether Laura reciprocates any desire is, I guess, up to interpretation. But one thing is for sure: the ending of the story is not in Carmilla’s favor. I’d argue it’s not in Laura’s favor either. Look, I was an English major. I’m very familiar with discussions along the lines of “is ___ gay?” and “is ___ a sympathetic portrayal of ___ ?” It’s definitely gay, but the rest is unclear. There might be a tangent to go on about how Le Fanu’s complicated relationship with religion may have informed his characterization of General Spielsdorf and the other men who hunted down Carmilla’s grave and destroyed her. Regardless, there is narrative injustice in the way Laura is removed from these events, sent home and only told about what happened later. She loses agency. Her narrations become distant and clinical. In the very end, she describes being plagued by visions of Carmilla, sometimes as her beloved companion, and sometimes as a fearful monster. To me, this represents the lack of closure she has, either to reconcile these two sides of her, or mourn her loss.

There is also so much we’ll never know about Carmilla herself. The finality of her condemnation silences the multifaceted character that was only partially revealed to us. There is an inferred humanity to her, a self-awareness, a true romanticism, that gets dismissed by the people’s understanding of what a vampire is: a deception.

Keep in mind this tragedy. Fast forward through countless vampire portrayals to the present, to Himiko. What a contrast indeed. Remember, she does not want to be called “Carmilla,” or “Vampire.” To make such a reference in a chapter that is showcasing Ochako’s acceptance of Himiko implies that the trope is being broken. It is as if Laura were to go running to Carmilla’s grave herself, throw her own body over her in protection, and shun everyone else’s superstition and desire for vengeance.

(footnote: the above is supposed to say “Himiko-chan” but you know who is a buttface)

Here’s the kicker: since female vampires are so closely tied to negative and predatory portrayals of lesbians, this humanization of Himiko also suggests that her queerness will likewise be treated openly and sympathetically, because there no longer exists an allegory that could be used for dismissing it. Ochako has already made monumental assertions in this chapter. By saying she admires her openness and envies her beautiful smile, and by presenting complete vulnerability in offering her blood, she swiftly separates herself from the lifetime of persecution Himiko has dealt with. It all represents so much more than those who mistakenly call it “yuri pandering” could hope to understand. This is the real deal. 

So what is this talk about romance they’re supposed to have? I firmly believe whatever Ochako says, it has to be a very surprising revelation, for both Himiko as well as us, the audience. Otherwise all the hype and mystery makes no sense. If Ochako has something so important to say, it can’t be to confirm Himiko’s assumptions. Whenever I try to dissect the exact possibilities, I get hopelessly tangled up in semantics, but ultimately I just hope to get Ochako’s perspective in full, especially as it relates to what other people think of her.

Actually, I had an idea while writing this. I saw someone on twitter (I think jokingly) bring up the All Might doll, like oh god, what if it comes up again. Ok but listen. There’s a LOT of potential symbolism in the token from Izuku that Ochako has kept being a doll of All Might specifically. We all know it calls to mind Izuku’s emulation of All Might, which resulted in the aspects of Izuku that Ochako herself admired. We can also easily infer that during the mission to rescue Izuku, Ochako saw the darker side of these traits. Okay, so here’s another wrinkle: All Might, as a near mythical figure, represents hero society. He’s the hero archetype, an upholder of the status quo, “peace,” and his weakening under all the pressure implies a flawed system.

Nighteye predicted All Might’s death, but also admitted that a strong enough collective will can change the course of his predictions. Ochako sites Nighteye’s own death as an origin for her beginning to question who exactly in this world needs saving. If you know my meta, you know that I believe All Might needs to die in symbol only. Right now, Ochako is throwing out an awful lot of things heroes take for granted. Things everyone takes for granted. The outcome of this fight could be a turning point in the war that completely changes the tone. If Ochako is to accomplish this by way of an intimate talk of romance, well…

Bye-bye, All Might!

[angy-grrr]

SJ's internal changes (I recall it was the editor in chief, someone really influential) happening JUST at the same time it was announced the epilogue would be 5 chapters (same week) + the ending not bringing up huge plot points (where the other villains are, why theres no actual Himiko corpse and instead we got Ochako's grief over that assumption, what happened to Dabi, what was the All Might vestige, why the bkdk handhold was off screen when its a big deal for them, who is Deku's dad, etc), letting them linger in the air while trying to make an okay ending + that strange two week break because of "schedule conflicts" + choosing to end BNHA under even more pressure even tho its one of the most important manga in SJ + Horikoshi talking about the ending days after the official release and bringing up how grateful he is for being able to work in SJ, as in past tense (like he is grateful he worked here, but isnt happening again; I say this bc I expected him to say something around the lines of "I hope im able to create something good here again soon!", considering we already know he has another manga project, if I remember correctly)

Thinking about it.

Thinking about how he could let it as it is, or try to pick it up and confirm the things that do matter to his story.

Btw, im not talking about the handhold as a shipper -it was genuinely important for them, as it symbolizes both their new mutual understanding and an acceptance as the new All Might duo thanks to their respective heroisms. It wouldn't be weird to add it in the epilogue, especially considering so many characters hold hands in non romanitc ways, so to choose not to when its arguably the most important one... Idk, it felt really weird as it was the only thing I was sure would get sooner or later.

[itsnothingofinterest]

If I may get out one last post for the year, something I thought of when answering an ask recently is that I think I've got why I’m not getting behind the next generation of heroes surpassing their predecessors. The manga’s still trying to make those predecessors so inspiring and right in what they do that it’s stopped acknowledging the flaws that the students are supposed to be surpassing. Like, sure Hawks had his "contributions" to the 1st war; but the manga will still let him get a few cool one-liners off on AFO. He's still presented as someone for the kids like Tokoyami to aspire too. As a result, the students end up doing all the same things as those inspiring current pros would do instead of surpassing them.

I mean I recently saw it said that Deku was surpassing All Might by doing the one thing he couldn’t; saving Tomura. But did All Might not do that because he was incapable, or did he just…get forced into retirement first? We know he wanted to save Tomura. Do we really have reason to say he couldn’t besides not being given the opportunity, and if so, is that opportunity really the edge Deku has over All Might?

And Shoto and Endeavor both conclude their arcs trying to save Touya. They fail at this if you ask me but Shoto at least stops him from exploding…but his quirk is the only reason he manages that. That really ends up being the difference his contribution to the Todoroki finale has over his father's, he had an ice quirk to help cool Touya.

The students have even ended up participating in the really morally grey stuff we'd criticize the pros for, at least on the professional side; like using a hospital to hold Kurogiri, brainwashing Machia, and Deku still seems the only one who wasn't trying to murder Tomura in the Sky Coffin. And they get the same justifications of “but this villain’s so dangerous” and “the greater good” thrown around for them like when the current pros got criticized for doing stuff like this. Which tracks when, like I said, those criticisms didn't stop Endeavor from being shown as a good guy or Hawks from getting a cool one-liner or two off on AFO. Why would Class 1A avoid being like this?

There’s just not a lot of sense of actual improvement going around, I'm finding; the kids are only doing marginally better because the story lets them in this instance (and often in ways not replicable or applicable to their future heroics: I don't think Ochako can date every Toga Himiko-type she'll come across after all. So they're not beating any "treating the League as one-time exceptions" allegations either). Otherwise, they act exactly the same; Deku does what AM would do and (baring Ochako) the rest of the kids do what any general pro hero would do in their circumstance. In the end it leaves me feeling like instead of surpassing the pros, they’re simply ending up standing by their side as equals ready to be the next verse, same as the first. Everything will go back to normal, good and bad, including everything that brought us here in the first place.

It's like the series is now going "C'mon, the old pros weren't so bad, right? All Might wasn't so bad, right?" And strictly speaking that's even correct, All Might wasn't bad. In fact as I went over in that ask, he was frankly the best; the best any hero could ever be. It makes sense how Deku struggles with surpassing him in terms of behaviour while striving the same goals the same way. But All Might also wasn't enough. So if Deku's just acting as an extension rather than an improvement, I don't think he'll be enough either.

And I guess that’s the main problem I’m hoping gets addressed by this series in the new year (or if my part two theory comes true, then in the years to come after Hori takes a long break).

[codenamesazanka]

Ochako went and save Toga by realizing that she was in pain, realizing that Toga had been treated as an inhuman freak her whole life due to her quirk, for how her emotions interacted with her quirk.

The the war is over, and Ochako's recovered, her choices are to: treat Toga as a unique case, been-there done-that over-it; or realize many, many other people, especially villains, are experiencing this pain and she should do something about it.

If she does the latter, then she would have to go digging into Toga's past to understand how a Toga Himiko would come about. Toga's given her a few clues - her parents, her normal house full of bad vibes - so Ochako can go find Mr. and Mrs. Toga to figure out what they did.

If they're still alive, Mr. and Mrs. Toga will probably tell Ochako they did their best, but Himoko still turned out bad. She was just a demon child. That's what they literally said on television when interviewed after Himiko stabbed a classmate (Chapter 226). If pressed, Mr. and Mrs. Toga would probably admit to that one time they slapped Himiko when they found her sipping blood from a bird... but come on. What else were they supposed to do? Wouldn't anyone have been disgusted? Mr. and Mrs. Toga would admit that they were very strict with Toga - but again, what else were they supposed to do? The parents might even admit they cried out in despair a few times that their child was not human, in front of Himiko - but they were at the end of their rope!

Ochako would probably be horrified and consider the parents at least emotionally abusive and toxic - but is there anything she, a Hero (student), can do about that? Could do for a similar case? She can't arrest people - and even if she could, was all this enough to arrest the parents? Best Ochako can do is refer cases like these to Child Services, and then check in on how it's progressing weekly.

Ochako might be able to investigate Quirk Counseling, and how it made Toga feel only more alienated and repressed - but to do anything about that, she would need evidence.(Note that this is probably not the job of a Pro-Hero.) Maybe she can find statistics that Quirk Counseling does more harm than good, but the data might say Toga is the exception - it worked for a bunch of other kids! They were able to be normal (stay deeply repressed) and never turned villain! Or maybe there is lots of testimony that Quirk Counseling made the patients feel worse - only that point has been used by the Meta Liberation Army, a villain/terrorist organization - so it's seen as much less credible. Best case scenario, Ochako can prove that Quirk Counseling as it is has been done in an ineffective manner, but now it's up for the psychologists and scientists and policy makers to do something about it. She, a Hero (student), can't do much about it beyond that.

And that's if Quirk Counseling doesn't get advocated even more avidly by people who, after the war, want more of it imposed on children with unable-to-conform quirks to prevent future Togas. Because maybe Toga didn't get enough and more intensive counseling. Hell, if AFOFA'a backstory is discovered, they can even argue some people are born bad and should be dealt with as early and harshly as possible.

So maybe a cultural change is needed - Ochako has to go and convince the masses that kids with scary quirks and young villains lashing out should be given some kindness and be considered human that should be saved...

Not sure how that will go over a population that just had their country collapsed due to being terrorized by young people with scary quirks lashing out, during which the media coverage has been a reporter screaming about the quirk doomsday theory in relation to Toga.

(along with live streaming All Might in a mecha suit whaling on a monstrous teenager, and then Deku fighting a hand monster, and then all Heroes fighting another monster; then Deku smashing to dust that monster. All creepy looking inhuman monsters.)

...

Then again, people are committed to supporting Heroes even more, so maybe if Ochako says something, people will listen. That's... about the best that can be done, at the moment.