#what is the ship name pls enlighten me thanks

[momocicerone]

alrighty;;;

this is living rent free in my head and I’m not even a Sampo fan BUT, cliche fanfic idea

Because imagine the horrors of waking up in bed with the worst hangover you’ve ever had in your life, and next to you, in all his glory, none other that sampo koski— aka the biggest charlatan in the entire galaxy. So what’s the captain of the silvermane guards to do when he finds himself in such a compromising situation, one that, in all honesty, he can’t fully recollect, but the mercenary is very adamant in reminding him :)

is there a way to guard or even salvage what’s left of your honor, your wallet and— worse yet— your heart after this?

[velvet-tread]

Unfiltered sweary mess: 507 edition

I had thoughts so I decided to this again. Let’s hope it doesn’t become a habit.

Let’s start with the Bellarke of it all, and the sheer joy of seeing them hustle up a plan together on the fly. AND LISTEN I am not on the #bellamysucksnow train, or the #bellarkeisdead train either and as such fair warning there is squee incoming. It feels like the core of the show has returned to us after s4’s barren years and IT IS GREAT. And honestly? I don’t care that romance isn’t in the air between them RIGHT NOW. I thought I would mind but I don’t. It feels right. It feels true to Bellamy, and it feels true to Clarke, and it feels exactly like the vibe I’d expect and want between two characters who love and respect each other and their choices, who have been apart for so long and need to reconnect. Let’s do right by Clarke and Bellamy, yeah? We’ve waited for 4 seasons (the last of which gave us sweet fa) we can wait a little longer.

And seriously, even if it turns out they are just beautiful co-leaders with a lot of professional respect for each other (yeah RIGHT) they could never, ever kill that relationship for me as long as they are in scenes together like this. I don’t care if they don’t bang (call me out on my lies someone), but the concurrent Bellarke scenes in the dining hall, and the triffid room, and then on Echo-watch just gave me so many OTP vibes. Bellarke are at their most effective when they’re together, even better when they have the support of their genius friends. And we got a return of the Bellarke dry-as comedy double act WTF @the100writersroom are you trying to be good at your jobs or something.

Top bantz, as we’d say in Essex.

Too bad the Bellarke unity ain’t gonna last, but thankfully, Bellarke are just as awesome when they are just…very angry and exasperated with each other ok, but DON’T HURT YOUR PRECIOUS SELF I MAY BE FURIOUS BUT WHEN DID YOU LAST SLEEP AND DO YOU NEED SOMETHING TO EAT

Great to have Monty back in the frame cutting through everyone’s bullshit. I thought he’d been relegated to a bit part this season. Oh ye of little faith. Does anyone realise that Monty is the biological weapon earth forgot? Put that angry face in a room with Octavia and see how long it takes for her to crack and wither from Monty’s externalised disappointment with everyone and everything.

Bellamy burning Octavia ow ow ow. I’ve already spoken about this at some length but damn that hurt. And it was deserved, but still spoke to the depth of his contempt for Blodreina.

Which brings me to…BELLARKE V BLODREINA: GRUDGE MATCH

And man, was this grudge match some time coming. To make sure the audience was VERY CLEAR on EVERYONE’S MORAL STANDING, the show helpfully prepped us with some little reminders that Bellamy helped commit a massacre, and Clarke did a load of horrible human testing in Becca’s lab last season. Thanks show.

So, all armed and loaded, the mud slinging began, and boy was it awesome.  First of all Bellarke takes Octavia to task about the worms and TURNS OUT OCTAVIA DIDN’T KNOW which get a grip on power here Octavia because it’s slipping from your grasp faster than you can say Wonkru Barbecue (shoutout to @mego42 – your time is coming). But Miller obviously watched the earlier part of the show and recapped for Octavia just in time because she’s ready for that shit and fires everyone’s dark past back at them. Cue: Bellamy’s best frowny face and Eliza Taylor’s saddest, most regretful Clarke eyes.

Bellarke disarmed and cowed (for now) live to fight another war they don’t want to fight.

But Octavia’s grudge match continues in her office when Indra enters with the intention of being reasonable, which is exactly the kind of shit Blodreina has warned her about before so help her god.

Indra is, obviously, the Queen of Everything and My Heart and delivers some bitchass Truths as Indra is wont to do and Octavia rewards her by throwing what my mind remembers as a skull but was probably a paperweight because why would Octavia have a skull in her office *nervous laughter*

Indra leaves, still Queen of Everything and My Heart, but not before delivering a portentous warning about losing yourself in the dark, which obviously Octavia is not going to listen to because DAUGHTERS, MAN.

Talking of daughters, Madi trying to suck at training was the most adorbs thing I’ve seen in a long time, guys and I am subscribed to a LOT of cat blogs. And man I felt for her. Sucking at anything sucks, and sucking on PURPOSE is just the height of unfair. And she’s in a new school! And the other kids are mean! And maybe they eat people!

Serious question though: from whence did Madi learn her swordswomanship? Clarke? Helios? Roan? (too soon?).

But don’t blame Clarke, Madi! Clarke’s Madi feels are pretty much on a par with mine which means she wants to cry every time she looks at her earnest little face AND CLARKE I FEEL THAT SO HARD YOUR BABY IS ADORABADASS. Which also means MAMA MODE ACTIVATED when Vodka Aunt Octavia starts messing up that precious braid she put in Madi’s hair earlier.

Hey Vodka Aunt, you don’t just get to come in here and make executive choices about Madi’s career, especially given your past efforts at parenting *looks at Ethan*

Oh, oh, oh and WE GOT A RETURN OF THE MUSICAL INTERLUDE! It was like Knocking on Heaven’s Door and Early Seasons feels all over again. But I gotta say Jason, fresh from the Sense8 finale my musical interlude expectations are higher these days and I was a bit disappointed there wasn’t a dance off. Perhaps an orgy or an endgame B/C/E triad instead? *Wanheda jaw clench*

But anyway that whole sequence of Clarke sending Madi off to her first day of training sent me in to a spiral of sadness that lasted for a lot of minutes I wasn’t counting. It was very sad and I am sad about it. Poor Clarke.  Just as well Octavia helped her remember she’s motherfucking Wanheda.

MY GIRL ECHO MY GIRLING UP THE HOUSE.

Let’s just take a moment to appreciate what a babe Echo kom Spacekru nee Azgeda is.  First of all: EVIDENCE OF SPACE GIRL SQUAD and I am all here for that. Second of all Echo is officially the first person on the show to get one over of Colonel Charmaine Diyoza SOMEONE GET ME A FUCKING SHOT.

And listen up everyone who bashes at their keyboards dribbling with rage about the things other women like on television: I love ladies with swords and if you want an apology for that you’ll have to prise it out of my cold dead body. But can we just take a (second) moment to appreciate that for all of Echo’s badass sword skills, she is Clarke Griffining up this joint like a motherfucker. Echo is as Slytherin as Clarke and as sneaky as Clarke and as smart as Clarke and that manoeuvre she executed with Zeke and Raven was 100% a Clarke Griffin move, don’t @ me.

It’s almost like….they’re similar….on purpose….

Shout out to all the smart, insecure girls who aren’t sure if they belong. Learn to swordfight, use your brain, and get yourself a girl squad and a soft space dad boyfriend.

Sidebar: Clarke’s faith that Echo would take the eye down and her admiration when she does will keep me in Clecho feels for months.

But friends…I am the most fervent of Echo stans and Becho shippers and I am AFEARED. She is very much circling the abyss here and it gives me a sick feeling in my stomach. I believe Raven will forgive her (FOR WHAT CAN SOMEONE PLS ENLIGHTEN ME AS TO WHAT RAVEN IS SO PISSED ABOUT??) and I believe the rest of Spacekru will 100% understand what she did because it was presented to us as an understandable choice.  But but but… what’s next?  Diyoza ain’t gonna take the turn the other cheek approach to learning that Echo took down her eye in the sky. What if her next move is to make *Echo* her eyes in exchange for safe passage for Spacekru?

*sweats forever*

That seems like a Diyoza move. And like…where would that leave Echo with Bellamy? Her choice would be: tell him and risk the whole mission and/or turn him into a lying liar to his sister too, or not tell him and risk their entire relationship and hurt him very badly. I think I know which one my loyal girl would choose and how that would end.

Fuck fuck fuck fuckity fuck fuck fuck.

*ugly crying*

I’m not ready.

Okay it’s time for a Raven rant. What the hell is going on with Raven this season? Raven has had some beautifully executed arcs in the past, and I am high key here for her to finally get some NC-17 action now she’s done all that Work On Herself, but if Raven’s arc in s5 amounts to RAVEN DIDN’T GET BONED FOR 6 YEARS AND NOW SHE’S GETTING BONED then Imma flip a table.

Sidebar#2 obviously Raven got boned on the Ring, it’s not like they would have had a space orgy without her, come ON.

And just… I’m sorry I don’t get the Zaven. When they released the s5 pics I thought WOWZA these two are gonna be gr9 together and LOOK HE’S A SPACE EXPLORER. How could this possibly go wrong?  But somehow, they’ve managed to introduce a character who, on his own, is 10x as compelling as Wick, but has about -100% of the chemistry with Raven. Which is???? Some kind of alchemy??? how has that happened? I love Zeke! I love Raven!!! They’re both MAGNETIC on screen. On paper they should be a perfect fit but it’s like whenever they’re in the same scene together I have the sudden urge to check my emails.

And someone, please, just tell me what work Zaven is doing for either of these characters. What’s Raven’s conflict? How does Zeke resolve it? Is it *literally* Raven being presented with a hot dude with a similar skill set? Sorry I’m out.

And before anyone comes at me with the usual packet of whining about how Echo has stolen all of Raven’s screentime, I’d beg you all to remember that there is no law saying that one woman’s time on tv has to be at the expense of another and this is a GIANT SEXIST TRAP DO NOT FALL FOR IT.

Talking of out, Kabby is also circling the drain and [averts eyes from discourse].

But I’m calling Diyoza’s ship name, and if she bangs Kane I hereby pronounce it TEQUILA [whatever Kane’s ship name is, someone hmu].

OK I need to talk about Gaia now before I get shot down by a thunderbolt. The girl creeps me tf out but I SOMEHOW LOVE HER NOW. This is new and unnerving because feverish religious types are not usually my jam ESPECIALLY if they present Clarke’s daughter with a creepy sacred flash drive that they want to insert in her neck, but somehow Tati Gabrielle nails that line, even if my reaction seeing the Flame was exactly the same as my reaction to seeing the worms.

But I believe Gaia’s intentions, while creepy, are pure. And WHO PICKED UP on how fluid her loyalty is? She will serve Blodreina faithfully as long as she reigns. Huh.

In other news McCreary, and more importantly McCreary’s undercut, were absent from this episode I hope they are both enjoying Memori’s couples counselling retreat. I look forward to seeing his glazed expression next week as I cry my Becho tears.

[margridarnauds]

laz and solene pls

THANKS FOR MY LIFE AVERY

Lazare

Sexuality Headcanon: GAY GAY GAY. I mean, the man has a RAINBOW across his crotch at one point. (Now, you could argue that it was a trick of the lighting, but come on. We know the truth.) Possibly with a side of demi, since I really don’t think that he really has any interest in sex until Ronan comes into his life, despite having a longtime (unfortunate and unrequited) crush on Artois and I genuinely can’t see him, say, going to a brothel or even having an affair with another officer or a soldier. I just think the man, with one, single exception, is more or less completely married to his job, and given the emphasis in army training on avoiding libertinism, the idea that “vices” weren’t inherent and could be stomped out, and my own headcanons as far as his family history...it ain’t gonna happen no matter what. Like, there are probably ongoing challenges in court as to who can successfully get the D, with no one being successful. (This has led to a number of young ladies swarming him at any given function in the hopes that they’ll be the one to melt his brooding heart.) In some AUs, like the Polyam AU, he’s obviously bi, but that’s the odd one out on multiple levels and is one of the few I’d really put into its own continuity (Come on, it acknowledges R/O, for God’s sake.) Asexual homoromantic Laz is also Very Important to me, with him trying to deal with everything because Ronan unleashes SQUISHY FEELINGS in him but he still doesn’t feel any sexual attraction towards him, though he’s not 100% opposed to sex in principle, and Ronan taking it personally because it’s Ronan and, in all fairness, it’s not like they have pamphlets on asexuality in the 18th century, though eventually they decide to navigate it in a way that makes them both happy.

Gender Headcanon: Generally, I write him as more or less cis, but trans Laz has a very, very special place in my heart since it puts his need to conform to society in an entirely different light. Like, it could be a Lady Oscar-esque situation where he’s an only child and Mama Peyrol and Papa de Peyrol (mainly Mama de Peyrol because *someone* is probably either in a brothel or on campaign WHOOPS) get worried and just...straight up raise him as a guy from the time he’s about 4-5 years old and he’s okay with it because, well, he is a guy and he’s happy that they finally notice that (and since boys habitually wore dresses until about the age of 7 when they had their breeching, this wouldn’t even be a Major Deal and they could probably come up with some bullshit reason for why they’d had a daughter baptized but now have a healthy son. Or if not, they just, like, bribe the local priest. Because they’re aristocrats and can afford to do shit like that). Then Papa de Peyrol dies, Grandpapa de Fuck comes into play, and it becomes more of a Thing, with always Upholding the De Peyrol Name and Fulfilling His Duty becoming the focus rather than, idk, raising a well-adjusted kid. Like, he gets some points for not misgendering him, but on every other level? Dude’s still an asshole. Because he’s Grandpapa de Fuck.

Laz is taught that he has to be the best grandson and heir that he can be, that no one can ever have a suspicion about him, which also becomes a bit of a strain as the pressure to marry looms in the future and Grandpapa de Fuck dies without even being useful. (Typical). And so Laz tries very, very hard to conform, to not so much as bend a single rule, to be the perfect military man. He gets this reputation for being standoffish from the time he’s a young officer, about the age of 14, never really interacting with the other men, even changing his clothes in secret, always sleeping on his own when he has the opportunity to, and, despite the other officer’s best efforts, never going into a brothel or having an affair no matter how many bets they make among themselves. Until one day some reckless peasant boy charges into his life and Laz really, really tries to fight it because this could ruin EVERYTHING but. It’s Ronan. Ronan’s persistent. And also an oblivious toenail so it takes a little while to get it through his head that, no, Laz is still a man and Ronan’s STILL gay AF. (Sorry, Ronan, you can’t no-homo your way out of this one. Full homo. All the homo.)

A ship I have with said character: R/L is pretty much my be all, end all for Laz, though I also can and do ship O/L and R/O/L.

A BROTP I have with said character: Poor Laz in canon doesn’t really have any friends that we see, unless you count the one time he and Artois conspire. (I don’t.) Even though I tend to have his troops shipping Laz/Ronan, that’s out of selfishness as much as anything else (if he’s getting laid, he might not be so snappish.) In the Abomination (which...obviously doesn’t go with the whole “Peyrol wanting to fire on him”...thing from the Zuka version), I like the dynamic between Laz and Papa du Puget, where you have the latter really helping him out in terms of figuring out where he is in terms of his relationship with Ronan and getting his sense of individuality back. Like, it shouldn’t require a neon sign to say “Hey, maybe not having anything to do with your boyfriend except for when you have sex might be part of the reason why he’s not speaking to you right now, maybe cuddle with him?” but Laz is new to this, doesn’t exactly have a roadmap, and thinks that his relationship with Ronan can be neatly packaged into his schedule. Which...surprise, it can’t be. Since du Puget is also very much a man of the Enlightenment with a HUGE library to match it (really, we know this, because when the Bastille fell he demanded compensation for it), if anyone can help Laz get grounded again, it’s him. And, since Laz is about 24-ish in the Abomination, he’s the perfect age to be Du Puget’s son (with Olympe being about 19), which adds an extra dimension as du Puget (my very, very specific version of him modeled after the historical figure) really mirrors Laz’s father in a lot of ways, from his friendship with de Sade (who Laz *loathes*) to his military career and his habit of occasionally having affairs. (Which is pretty shitty, but not unexpected given the times.) The difference is, du Puget really does get the opportunity to do what Papa de Peyrol never could: Do his best to protect Lazare from Grandpapa de Fuck’s influence, even if the damage has already been mostly done, as well as ultimately give up his career and his post for his family. (For what it’s worth, I tend to headcanon Papa de Peyrol as a wannabe Validad who was just...flawed in his implementation of it. Like, my take on him is this guy who would always bring back his son toys and souvenirs from his campaign, tell him stories when he tucked him into bed, etc., but whose own weaknesses ultimately still led to his death and his widow being left absolutely destitute to the point where she had to make a deal with Grandpapa de Fuck. Because it’s the 18th century and life’s a bitch, especially if you’re a widow with weakened financial prospects and a young child and your father in law is convinced your kid is his second chance from God.)

A NOTP I have with said character: Generally, I’d say Artois/Laz in anything that’s not set pre-canon given that, for all it could be interesting in a fucked up way, there’s no way it’ll end up well for Laz, but I have also seen Danton/Laz and it scarred me deeply. Salieri/Laz is something I’ve also seen a bit, which I don’t *get* because any time they would have met it’d be like: *gay staring*

*gay staring*

*gay panic*

*gay panic*

And then both of them rushing over to their extroverted boyfriends. If anything, I could only really see the two of them bonding over having absolutely ridiculous boyfriends (and, if it gets to postcanon for both, bonding over WHOOPS I ACCIDENTALLY KILLED MY BOYFRIEND).  

A random headcanon: Oh God, pretty much everything I have on him is a headcanon. Like, even the things I take for granted on him (like Sugardaddy!Laz) are headcanons. The man is one massive, walking headcanon because no one in the writer’s room wanted to sit down and work on their contract cop-out; they were just like “fuck, let him keep Maniaque. And give him this new song. And a bit in the opening, where he demonstrates the beginning of his homoerotic tension lifelong hatred with the lead. That’s good, right?”

Laz always liked music growing up; he liked how steady the beats were, he liked the smooth texture of the harpsichord keys, he liked his mother sometimes sitting him on her knee and gently moving his fingers over the right keys, he liked the way he could channel himself into the music. Communication was hard, mired in social niceties that he didn’t always understand, things that the adults treated like they were life and death, but music was simple. Hitting the key one place produced one sound, hitting it in another produced another, every time. When his father was at home, he would sit in the drawing room and listen to the two of them play, applauding at the right moments and praising Lazare enthusiastically. This was the first time young Lazare tasted success and praise, and he basked in it. By the time his father died, when was about seven or eight, he was quite good at it in his own right.

Obviously, since this was a bright, happy period in Lazare’s life, guess what Grandpapa de Fuck did? Yep, it went out the window. A man, Grandpapa de Fuck believed, could only ever be talented at one thing, barring some few geniuses (with his grandson not being among them), and Lazare was going to be a soldier. Everything else was going to go. As with most things relating to his childhood that his grandfather robbed him of, he chose to convince himself that it had been a childish indulgence. He still felt the music, though, in the steady rhythm of soldier’s boots and the beat of the regimental drum, but he could only direct it now, never play it for himself. Once, when he was a young officer being used by enthralled with the Comte d’Artois, the latter took him to a performance of an opera, chastising him when he noticed the way Lazare’s hands moved throughout the performance. Lazare buried it even further, not even talking about it when it could be avoided, much less consuming it.

Then, Ronan comes into his life. And Ronan’s not a music critic; the most he knows are the peasant songs they played at festivals or sang as together in the winter months when things looked bleak and they had little else to do. He probably doesn’t know the difference between a harpsichord and a piano, just that they’re Rich People’s Instruments. But, despite everything else, despite the hard time he gives Peyrol for it at first, he ends up egging him into taking classes again because, Hell, it’s something besides homicide that makes Laz happy and, for all of their differences as a couple, Ronan wants him to be happy. And it’s frustrating, because he should know how to do this; for so long everything in his life has been something that he already knew and could predict and, with this, he can hear his failure. There are many times that he takes his anger out on the keys or scatters the sheet music around. But, over time, he feels himself improving, the keys start to become old friends to him, and, gradually, he starts to play again. And it’s not like it was when he was a child, there is no audience eager to praise him, but, sometimes during a late practice session, Ronan will come over from behind (with some amount of warning, since approaching the experienced army officer from behind tends to have unforeseen consequences), drowsily nuzzle into Laz’s neck, and it’s just as good. (Also, he probably reaches around to play a few notes of “Ah, Ca Ira” or “La Marseillaise” while Laz is briefly distracted because Ronan Mazurier is, first and foremost, a little shit). (Also, they totally bang on the harpsichord at one point.)

General Opinion over said character: MY SON. My useless, emotionally repressed, gay, homicidal, aristocratic son who needs to have some sense knocked in his head but is trying his best and is quite possibly the only officer in Paris who is actually doing his job. Deserves more screentime and/or cuddles from his boyfriend who is STILL ALIVE, thank you very much, if and when he gets into the position when he’ll accept them. I wish he got something resembling character development or an arc, but HE’S MINE NOW. (And, tbh, I’m a little worried that it’ll be a monkey’s paw type situation with him getting more time. Like, I’m fully prepared to sell my soul to the Toho production, but I’m also preparing myself to see a much darker take on my son than I’m used to. Including when it comes to Ronan. And that might be a bitter pill to swallow.) Even though I love all my sons equally, I prefer the opportunity for nuance that original!Laz afffords (and the amount of Done he seems to be most of the time), as the other two lean a little more towards sadistic (though sex dungeon Laz is too good for me to pass up entirely). Also, I still hold Toho!Laz as an ideal faceclaim for Grandpapa de Fuck. 

Someone please save him. I would, but I’m too busy tossing him into the Seine atm.

Solene

Sexuality Headcanon: Solene’s sexuality has always been tricky for me because bisexual Solene is very near and dear to my heart (ONE OF US, ONE OF US), but I could also make an argument for lesbian Solene who separates her working life from her private life. In another universe, she very likely would have ended up with a man no matter what, I’m not sure if she’d have been entirely content, but she probably wouldn’t have questioned it so long as she was decently secure and well-cared for, like most WLW throughout history probably did. Even in canon, I could see her taking up with a man (like in the Zuka and Toho versions where she and Danton have a longer term “relationship”), because it’s a means of security + stability so long as he’s not some abusive assfuck who thinks that he owns her, but as far as actual trust and companionship are concerned? I can only really see it with women, which makes sense when you consider how closely tied Solene really is to women, especially in the French and Toho versions where she’s got “Je Veux le Monde” which is literally her belting out about how awesome women are and how men (specifically Ronan) are too blinded by their own ambition and bloodlust + the fact that we always see her surrounded by the other women, during La Nuit M’Appelle, Je Veux le Monde, and Fixe.

Gender Headcanon: She’s most likely a cis woman. Je Veux le Monde has a great emphasis on childbirth, etc. associated with that, though I could also roll with a significant portion of that being her taking power in her own terms, using the only language she knows, like she also seems to be doing in La Nuit, while still perhaps being a little unhappy with the way gender identity is dealt with in 18th century French society. 

A ship I have with said character: Solene/Olympe. Like...was there any doubt?

“Oh, I think Peyronan’s my OTP and I can’t wait to work on all my fanfiction for them!” *Accidentally writes Solympe fic after Solympe fic*

“How did THAT happen?”

I mean, it does help that they aren’t at each other’s throats for the early part of their relationship, unlike SOME PEOPLE.

In all honesty, given how little Solene actually gets to do, there’s really not all that much room for shipping, save with the women around her and Lucille in the Zuka version. Which is an option, definitely, given that they “become friends” BUT.

A BROTP I have with said character: Despite headcanoning Solene as one of a VERY small number of people who can genuinely scare Laz, I do like to imagine the two of them bonding over Ronan’s more ridiculous moments. Like, at first she’s pissed as HELL at him for obvious reasons, but it also becomes a matter of “What did he do this time?” “He told me that my chess set was royalist propaganda. Then he jumped out the window. I have yet to try to retrieve him” “*Sigh* Let me talk to him.” And, in the Abominationverse, with the advent of the twins, Uncle Lazare is the nearest thing they have to a responsible adult when Solene and Olympe want to have a date night and Olympe’s parents are otherwise occupied, and since the children are already strangely drawn to him, well...there are worse babysitters, especially during the period of time when Ronan is off playing Hero of the Revolution and the twins are the only thing Laz really has to keep his mind off of him.

A NOTP I have with said character: Solene/Danton as a ship somewhat creeps me out, given that (1) He still has the ability to throw her out on the street with nothing and (2) ...Historically, we know how this one’s going to work out. Danton’s married, eventually he’s going to marry a fifteen year old a couple of weeks after his wife dies, and then he gets fucking guillotined. There is no way Solene doesn’t get fucked over AGAIN in this one. (Also, I just...don’t see them as a romantic couple. He was a customer, they did the do, Ronan was SUPER pissed about it and Danton’s probably forever on his shit list for it, but still. It wasn’t a *romance* for her. It was food for the day. It was part of her rent for the month.)

A random headcanon: The pink ring that Solene wears in the “Je Veux le Monde” music video (and, seemingly, in the showcase video) belonged to her mother. When Mama Mazurier realized she wasn’t going to survive her last birth, when Solene was probably about 5-7, she pressed it deep into the girl’s hand, as if hoping that she could press the ring into her memory as well. It was the last movement she would make in this life. As time went on, the taxes mounted up as one disaster after another seemed to befall the family. They sold off whatever they could, with the ring being one of the few things that remained. (And it got to the point where their debt was so high that, really, selling the ring wouldn’t have helped in the long run, and so Papa Mazurier decided that at least Solene could have it, nearly crying for the first time in front of his children when she offered it to him once before firmly putting it back on her finger). She briefly considered selling it off when she got to Paris, to the point where she had it in the palm of her hand, ready to sell to a street vendor before she decided that it wasn’t worth it, feeling the sharp press of metal when she clasped it hard. When Ronan later told her, “When people lose their dignity, it’s the end,” he didn’t know what she’d done to avoid doing just that. Ronan, as always, saw only what she’d lost, rather than what she’d kept.

Also, since I’m just returning home from the angst wars with Laz and he got a nice, long headcanon, Papa Mazurier loved both of his children equally. Really, he did. He was a true validad, which is also why he had to die. But, looking back, Ronan always felt a little bit like he was the least favorite of the two of them, because it seemed like, generally, Solene tended to get what she wanted more. In reality, though, as Solene would later tell Ronan when he, Olympe, Lazare, and her were sitting down together, it was really just that she knew how to ask for things tactfully, including when to wait, whereas Ronan went in guns blazing. Solene learned how to play the long game, and it paid off. (Also, even though she was initially pissed off over her brother screwing their father’s murderer after abandoning her to pursue a half-baked revenge plot, she is also personally amazed at the fact that, not only did Ronan get a gig that her and most of her friends DREAMED of, a furnished apartment with a faithful, devoted, aristocratic lover who is willing to buy him anything he asks for, not the least well-tailored outfits, he did it accidentally. By continuously insulting him. In prison. If Ronan ever screws this up, Solene is going to personally kill him. And then kick Laz’s ass because Ronan is still her brother dammit.)

General Opinion over said character: Hello, continuing evidence of my bisexuality. The Superior Mazurier Sibling, AKA THE ONE WHO ACTUALLY HAS SOME COMMON SENSE. Deserved better writing, hot cocoa, and to have seen Olympe at least one time that wasn’t over her brother’s corpse. She is one of the few things I think the French cast did best with, since later productions really tried to sanitize her, though I love Zuka!Solene directly calling out Ronan in La Nuit m’Appelle. LET HER HAVE A PLOTLINE DAMMIT. Also: WHY THE FUCK DIDN’T WE GET HER SHOWCASE COSTUME?  (Also, Matthieu Carnot would have rocked as her sibling, just saying.) I just...have many emotions about Solene Mazurier and what she deserves and what she got and I will never forgive the show for skimping on her storyline the entire time and then having the last thing we see of her being her crying her eyes out over the brother who abandoned her (and, okay, in other productions, they reconcile, but it doesn’t ACHIEVE anything between the two of them and it’s mainly Solene reaching out to him whereas I want him groveling). It’s a good thing she hooks up with his beard after his funeral, otherwise the angst and overall incomplete nature of her arc might be too much to bear.