#what is she cooking

[onegreasygal]

Hello fellow TLT fans, coming out of my grease cave just to say I’m cooking somethin. It’s a WOP but it’s something TLT related and it’s gonna be gr8. It’s probably gonna suck ass but yknow that’s okay. Just wanted to let yall know, that’s all. Back to my cave I go.

[innocentiusxiv]

[nkp1981]

Back Then, When Phone Relief Was The Latest Craze

found on: tictok

[chloesimaginationthings]

Vanessa made her suit for the FNAF mimic..

[anbaisai]

Jamil: (What is wrong with her...)

[mohntilyet]

i promise i am not veering into caterina apologism i think lucanis and illario fans should unionise to kill her. but it is sooooo fun to me to think of how all her children and almost all her grandchildren are dead and all the terrible, abusive lessons she taught (presumably that she herself was taught by her own parents) were for nothing. it didn’t make them strong enough to survive in the crows. and then she becomes guardians to lucanis and illario and she carries the guilt and the cycle continues. the lessons just have to be even harder this time, and then it will stick. what it creates instead is a man who doesn’t want anyone to suffer as he did, and the spare who is convinced what happened to his family was inevitable. house dellamorte is so cooked

[falllpoutboy]

knowing that mags wins the 11th hunger games a year after lucy did while dr gaul and snow were working together hits SOOO different now

[dcxdpdabbles]

Hi, sorry to bother you, I was just wondering if your planning on updating Congratulations! It's Triplets anytime soon? Because I kinda wanna see what happens once they actually sit down and talk through their misunderstandings because honestly although jazz is probably too busy to go through with it now she was training herself to be one of 2 courses in college which was either neurology or phycology so I figured she'd be the first to recognize that they need to have a sit down and talk with everything laid out or at least partially laid out, it being a really long really difficult conversion with tears trauma flashbacks and probably cake (because let's be honest this convo needs comfort food) and by the end of it they might not even fixed all the misunderstandings they had but it's a start in the right direction :)

"I'm sorry the kids threaten you. They can be a handful," is the first thing out of Jasmine's mouth. She is holding a glass tray with delicious-smelling lasagna, wearing a teal dress that hugs all her curves and seems dolled up for a night out.

She marches right by him, her long red hair falling into wavy curls down her back like waterfalls. They sway with her movement as she leads the way to the dining room.

On the table is a dinner set for two, red candles lit, and the lights dim. It makes him think of all those silly scenes in romance novels he consumed growing up. Jasmine places the tray in the center of the table alongside a salad. She carefully pours some bubbling water into two champagne glasses, humming.

Once done, she turns towards him, taking off the apron wrapped around her front. It reveals a nice but modest view of a split on her dress ending on the edge of her midleg.

"I told them to get you so we can have a dinner date. Bruce offered to babysit for the night." She proclaims, crossing her arms. "I want to see if there is a future for us or if the god of time is just an idiot."

Jason is so stunned by her beauty that he can't find any words to respond. He feels like she just pulled out a live fish and threw it at his face. While he's busy gawking like a fool, the three children squirm in his arms before he feels little hands fumbling around the edge of his helmet.

He jerks his neck away, a warning of bombs on his lips, only to bite his tongue when Dan bypasses his security to pull off the helmet with a laugh. At the same time, Dani reaches up to rip the mask off his face, fast and stiff enough that he swears she was a professional waxer in a past life.

He lets out a yowl, barely able to shift his words from a swear into a substitute. Danny pats his cheek, apologizing for his sibling's lack of manners. Dan doesn't seem to care because he scrambles off Jason's shoulders, head inside of the helmet that was too large for him, and races down the hallway.

"I'm unstoppable!" He screams in glee. Two seconds later, he rams into a wall, hitting it at full force due to the helmet blocking his view. He bounces off the drywall with enough force. He lands on his rear and a soft grunt.

Dani takes that chance to hop out of Jason's arms. She runs at a speed he's sure kids shouldn't be able to reach without having the Allen family gene, tackling Dan before his son can get up. In a tussle that looks too violent for five-year-olds, Dani rips the helmet out of Dan's hands and books it down the hallway, cackling like a loon.

"No! Dani! Give that back!" Dan demands, leaping to his feet and running after his sister. The voice modifiers of their outfits make them sound darker than usual, but it does not make them sound threatening.

Danny sighs heavily. "I better go stop them before that thing blows up. Treat my mom well, or I'll be forced to hurt you."

He patted Jason's cheek again, carefully climbing down to the ground. Despite his words, he calmly walks out of the room, hands tucked into his Prince of Gotham suit pants as if he were going on a casual stroll. The second he reaches the door, he grabs the handle and tugs to close.

Just as it's about to seal, he points two fingers toward his green glowing mask eyes and then points them aggressively at Jason. Once his warning is received, he finishes closing the door.

Jason is left standing in the room, confused out of his mind. It all happened so fast that he was unsure if the kids planned that exit or if they were honestly just like that. It burns to not be sure.

He should.

He is their father.

"Well, sit down. We have a date to get through." Jasmine commands, pushing some of her red hair out of her face. She levels an even calculating stare on him, making him feel she is more prepared for a business meeting than anything romantic. "Let's see what the god of time has in store for us."

[niccolites]

sentinel species - i. canary

victorian, zombie apocalypse au, kyle garrick x fem!reader. read on ao3 here

You have a half-rotted candle, but you leave it in your bedroom so that you are unseen as you creep across the landing towards the stairs.

It is a week before the world ends; you sit on your parent’s stairs and listen to them reject your betrothal. 

This is your third courting season, which has had more success than the first two so far. A few gentlemen have shown interest in you, and your mother has had her hands full managing expectations and courtships on your behalf.

One man shines far above the rest, a distant relative of the Duke, Mr Evans. Distant enough that you don’t think anyone else is aware of the relation, but your mother reminds you every tea time, as if to keep you aware of the benefits that lie down the road of this specific courtship.

This is not the man being discussed in the drawing room of your home, for once.

You recognise the voice in your living room, as he asks to formally court you, as he has every intention to be your husband.

Mr Kyle Garrick is the very picture of a gentleman. Kind and attentive, you remember when he had taken notice of you on your first courting season. Your mother had tried to catch the attention of some of the men, to get them to sign their name on your dance card, but there had been no biters. Left alone for a moment, the picture of pathetic, and Mr Garrick had been there. He led you in a waltz and complimented your dress, your hair, how sweetly you spoke. You had nervously pulled most of your hair out of its updo, but it felt rude to contradict his compliments.

He had been enlisted, you remember, and you hadn’t seen him since that first courting season. You did see his older sister sometimes. You remember asking about him a few times, feeling some kind of obligation towards the man who had been kind to you when he didn’t have to be.

And here he is, back in your living room, speaking with your parents about your nuptials.

You listen to him, outlining his intentions for you. He has saved up his money from his service, and he is prepared to buy a home for the two of you, and start a life together.

You cannot comprehend it, certain that he must have mistaken you for someone else. He must think that there is another girl up here. The hush of his voice, drifting up to meet you. You want to catch it in your palm, cradle it there like a newborn lamb.

He had been kind to you, but you didn’t know each other. Hadn’t seen each other in years at this point, not that you would know with how certain his voice sounds. Vowing to be a dutiful husband to you. Your name spilling out, thudding up the stairs to reach your ears. Any doubt has fled, but has left behind the certainty of insecurity in its wake.

You didn’t know when he had gotten back, some moonsick dream that he came straight here from the train. You shake it off, the thought just a little bit too fanciful.

You know that your mother is going to decline, moments before she starts to. You hear her excuse this given your attachment to the Duke’s cousin - your attachment being that he is taking you for a walk tomorrow - but you know this isn’t the real reason. Mr Garrick may be a decorated officer, a kind enough man. But he barely has any standing in society. His father was a boxer, and you know that his entire family fit into a small house despite the fact that they are not a small family.

Your mother has high sights set for you, and you do not think she has any intention of lowering them. Even if that requires not consulting you in the matter of your future and who you will be spending it with. Your father had passed a few years ago now, and you knew that your mother needed to match you with someone that could sustain the two of you. Your home wasn’t your own, legally owned by some cousin of your father’s, who hadn’t taken an interest, yet.

You shift on the stairs, bare feet on wood, as you listen to the beginning of a protest from Mr Garrick before he swallows it down and thanks your mother for her time.

It’s dark upstairs, you have only found your way to the steps with familiarity. You can see the door of the drawing room open further as Mr Garrick picks up his hat and makes to leave. At the front door, he turns his head, and you swear he can see you. He can’t, you know he can’t, it’s pitch black up here. Your candle is abandoned on your dresser, the white of your nightgown is drowned in the darkness of the landing.

He hesitates for a moment, gaze darting all around you as if to find you before he exhales and turns to leave.

A week later, you can see Mr Garrick on the opposite wall to you, and you think about the defeated slump of his shoulders that night. You think you may be flattering yourself, but you think it’s still there, hidden under the shoulder of his coat. It’s likely improper for him to initiate conversation with you, beyond the level of politeness if you were to bump into each other.

Your fingers twitch underneath your gloves, feel the stitching of the seam scratch against your skin. Mr Evans is somewhere around here, and you know that you will have to put a face on, spin around for a few dances with him. Ask him about his travels around Europe, even though you surely have heard all of the stories already.

For now, you are happy to lean against the far wall and flutter your fan as if to sweep everyone else away. Your mother is speaking with a few of the other mothers, so you only have a few moments to slouch before you are caught and reprimanded.

The band starts playing, and there is a spin of skirts as the first dance starts up. You’ll likely get in trouble for dodging Mr Evans, given he had you booked for the first dance. However, you could always plead that you had attempted to find him, and the two of you had always just missed each other.

You suppose there is nothing terrible about Mr Evans, he is a perfectly polite, even kind man. He is just not interesting, and your mother had to ask most of the questions once when he had come over for tea. Something that had gotten you into trouble later that night.

You can see the mop of blonde hair that could be Mr Evans and you stand up straight, starting an idle, if quick, stroll around the opposite side of the room. There’s a door to the patio off to the side, and you duck through the door and inhale a lungful of fresh air.

It’s quiet out here, the music following you out but it’s caught in the open space, drifting up into the sky, insignificant. It’s the late evening, and the sky burns red, the sun catching on the edge of the landscape, flaming the distant fields.

This is the Oakwood estate, and they usually host the best parties of the season. A large mansion, white and pristine, surrounded by flattened grass. Perfect for playing cricket on, if one wishes. And they often did.

You smooth your hand over the wood of the railing, white paint giving the effect of marble. On the underside, you chip away at it to expose the brown wood. Out of sight, a pathetic rebellion but you take what you can get.

You know that in a few minutes you will have to return to the dance, find Mr Evans and do your usual verbal dance. Apologise for missing him, let him take him for a dance. Perhaps ask him his day was, if he lets you get a word in. You know that this is your lot in life, the idea of truly rebelling and shaming your parents is enough to curtail you, just before you can get too many ideas.

Not that it doesn’t leave you bitter, but you’ve gotten used to chewing on your words. There is a sickly feeling at the back of your throat, and it has just gotten more poisonous over the years. You’re too young to be so bitter, so you resolve to give yourself another minute of fresh air before you return to reality.

At the forest line, you can see a man in a suit shifting, and you squint, trying to make out the shape of him. A dot, with arms and legs, sprinting from what must be a mile away. You stare, unsure of what you are seeing. Inappropriate, you think, to approach this party on foot rather than via carriage, but you couldn’t see who it was to surely throw any judgement.

A call of your name behind you has you spinning around. Mr Garrick stands in the doorway, slowly shutting the door behind him as he takes you in. “Hello,” he greets, bowing his head to you slightly.

“Mr Garrick,” you start, giving an aborted attempt at a curtsy. You falter, unsure as to whether to bring up the proposal that you saw the previous night. You decide not to, settling on something more polite. “How are you?”

Mr Garrick smiles at you, impossibly handsome. You are struck for a moment, about someone so beautiful, wondering for a moment if you have imagined the entire scene from the prior night had even happened at all. “I am well, thank you,” he replies, clasping his hands behind his back. He’s broad in the shoulders, a faint strain in the fabric of his coat that draws your eye for a moment. “Just wondering why you were out here instead of inside.”

You shuffle, unladylike, for a moment. You turn back to the railing, facing the open field again. Easier, you think, to speak directly to the sun if faced a little away from it. “I just needed a moment, it’s a little close in there.” You hadn’t spoken much, before he left, but at the burr of his voice, you slip into memory. Pulled forward before you stop yourself, remembering how easily he pulls conversation from you, a loose string that unravels.

He hums, steps to the railing himself. There is a gap of space between you, the amount that is appropriate, but you still glance behind you uneasily. He had left the door open behind him, the door slanted at an angle so the sounds inside are slightly muffled, but still present. It cuts through the space between you, the constant reminder of the rules of your lives behind you. “I understand the feeling, myself,” Mr Garrick confesses, forearms braced on the railing. His head is tilted towards you, eyes dark and pretty.

“Yes?” you ask, blinking at him in surprise. You hadn’t seen Mr Garrick at many dances like this, granted given he had been so recently away, but for a man whose back was so unbent, you didn’t imagine he was someone to be intimidated in a crowd.

Mr Garrick hums again, giving you a small smile. It’s affectionate, in a way that has you flushing. “Indeed. It’s strange, in France, my garrison had 3-score more men than there are in that ballroom, and yet it felt easier to move through.” He gives you a self-deprecating smile. “I must sound very silly.”

“Not at all,” you rush to say, rocking forward before reeling yourself back in. He watches you for a moment, an amused uptick on the corner of his mouth. Your fingers flex beneath the cotton of your gloves. Count the stitches that rub against your skin. “It’s nice to find companionship in an isolating feeling,” you add, shy at how forward your words sound.

He doesn’t move for a moment, eyes darting around your face. Your name comes out of his mouth, soft, like it’s still sitting on his tongue. You turn towards the field again, see the figure of that man in the distance. He’s closer now, more than a dot now, the faint image of a person.

“I should find my mother,” you say, wanting to hunch in yourself, but forcing yourself to turn back to the doors. Light filters out, caught in the dark of outside and disappearing, swallowed up.

Mr Garrick takes a step closer to you and you inhale, feel the catch of it on your ribcage. You forget how much taller he is than you, until he is this close. The light from inside catches on one side of his face, relieving it into clarity. There is the faintest scar in his eyebrow, a slight blemish in his otherwise perfect face. His hand, bare, slides across the railing, thumb where you think you have picked at the paint.

“Mr Garrick,” you start, eyes caught on his hand, before darting back to his face. 

“I believe I asked you to call me Kyle, once,” he says, giving you an amused smile.

You don’t frown but it’s a close thing. “I don’t think that would be - appropriate,” you manage. The same response you had given him back then as well, you think.

He frowns instead, and you feel guilt curdle like lukewarm tea in your belly. You shuffle, taking note of how he leans back. You want him back in your space, want the heat of his attention.

“I’m sorry,” you add, desperate for him to not look sad again. You think about his face, searching in the dark of your stairway. It’s impossible to reconcile that he had proposed to spend his life with you. And you cannot even extend the kindness of his name towards him. “Kyle,” you add, before you can stop yourself.

His head turns back to your, full lips tilting in a soft smile. Your name exhales again, catches in the air around you and warms you. His hand flexes and he reaches up, a flicker of uncertainty on his face that lingers for a moment before it dissipates. His hand drops. You imagine how it would have felt against your skin. You’re certain that he boxes just like his father, you wonder if his hand would be calloused against your skin, or if it would be soft and deliberate.

Another voice calls out your name, and it ruptures through the slight breeze around you. Once again, you are reminded of the propriety of your situation, and you take a step back, even though you hadn’t been doing anything wrong. You recognise the voice, the uptilt at the end. Mr Evans, and you didn’t want to find out if he reported to your mother that he couldn’t find you.

“I should go,” you murmur, shuffling uncertainly for a moment before you turn around. Mr Garrick doesn’t try to stop you, which makes you feel rotten.

You turn your head just before you step back inside. A painting in candlelight that throws Mr Garrick’s face into real life, like he has stepped out of a painting. The furrow of his brow and the slightest downturn of his full mouth. The stranger out in the field, closer now, the swing of his arm as he runs. You bow your head and turn around.

-

Mr Evans is the dullest man that you have ever met. You try not to think too uncharitably about him, but as he spins you around again and reminisces about another business man who owes him some money, you wonder if it would be better if you were to fall and hit your head. Or maybe if he did. Nothing too serious, but enough blood to scare off any further attempt at conversation.

He isn’t terrible to look at, a strong jawline, his smooth blonde hair. Charming enough that your mother coos at everything he says. It didn’t have the same effect on you, unfortunately.

“Your mother is a very handsome lady,” Mr Evans informs you, something that has you blinking to focus. Your palm pressed against his as you step away and then step back into him. “She has graciously invited me over for afternoon tea with yourselves tomorrow.”

You give him a stiff smile. You had been there when it had been arranged. “Yes, our cook makes the best pastries, and my mother does enjoy letting people experience them.”

“I look forward to it,” Mr Evans tells you. You smile again and let him turn you.

The smooth slide of the violin soothes through the hall, catching on the floor and bouncing back up. You let it wash over you, until individual voices quieten, smoothing together into a mistakable blur that you cannot distinguish.

It is hot in here, a heat that catches in your throat, crawls like a bug over your skin. You imagine walking back out to the veranda, wondering if Mr Garrick is still out there. It’s cool out there, you are parched for the bite of wind in your lungs.

You decide to give yourself one more dance, and then you will go out there again. A reward, for doing your duty.

The bow of the violin screeches, a horrid twang that has you flinching, the entire room stuttering. There is a crash outside, something wooden snapping.

You turn, stumbling in your slippers as everyone looks towards the balcony. You cannot see at first, trying to peek over everyone’s shoulders. Pushing yourself onto your toes, very unladylike, before there is another smash and then someone is shrieking.

What once was a still crowd that you were a part of seems to turn on you, a tidal wave that breathes in before it suffocates you. Everyone scrambles, and you get shoved back, momentarily affronted before the screaming gets worse, more and more voices joining the chorus.

Your foot gets trampled on and you whimper, shoved back until your back hits a wall. Pulled along for a few moments, before the crowd starts to thin and you can see the moment of clarity by the large windows. 

There is a man on the floor, Mr Casings, you think. It is like your mind cannot make sense of the scene before you. There is another man, knelt over Mr Casings, and there is the red of his guts over the floor, red caught in the broken doorway. Thick and malleable looking, you watch as a stranger rifles through the torso of another man and guides his hands to his mouth.

There is a catch in your mind, the click of a door stuck in a jam. The moment before you saw this and now, your mind is syrupy slow, half still trying to remember your next dance move. You cannot make sense of what you are seeing, so you feel stuck in the run up to it, half parsing through recent memory to try and decipher it.

There is the rumble of a keening noise and it takes a tickle in your throat for you to realise that it is coming from you. You lift a hand to your mouth, try to suffocate it.

The creature kneeling over Mr Casings must hear you, its head yanks up in your direction. You think it may have once been a man, but anything human must be gone from it, leaving behind pallid skin, gore in its mouth as it makes a groaning, snapping noise at you.

Quicker than you think it should, it darts up and starts to charge at you, leaving you crying out as you start to sob, scrambling as you try to get away.

You think about lying on the ground like Mr Casings, the useless silk of your dress ripped open until the warmth kept within you went cold in the open air.

You hear the snap of teeth and you scream, an animal sound tearing out of your throat before there is a grunt and another thud.

You’ve hit the wall again, and you can’t stop yourself from looking. Whatever was charging at you is pinned to the ground, and you sob as you watch Mr Garrick grab the creature by its head and smash it into the floor.

You flinch with each thud, unable to look away. Watch as it continues to buck and twitch until it finally stills, blood on the floor where its head used to be. Where before you had felt slow, five steps behind what was happening before you, now you feel stuck, finally caught up. Door no longer caught on a jam, now thrown open, hinges loose and rattling.

You can’t look away from the image of Mr Garrick, sitting on the back of this man-shaped creature that now had a blood splatter for a brain.

Your name comes out hushed, barely able to comprehend that Mr Garrick is crouched in front of you. “Can you hear me?” he asks, and you blink at him, uncomprehending. “We have to go, alrigh’?”

You don’t move, eyes still stuck over his shoulders, the gush of blood. You can see it seeping in through the gaps of the floorboards. Mr Garrick’s head lowers before he murmurs that he’s got you, and then you feel yourself getting lifted up.

Slung over his shoulder, you have enough presence of mind to cling to his back before he takes off. Sound filters through the front of the hall, screaming and yelling. Mr Garrick darts off to the left, towards the balcony with Mr Casings.

Mr Garrick neatly steps over the carnage, shoes grinding in the broken glass. You whimper as you catch sight of his empty eyes staring upwards. Mr Garrick shushes you, smooths a hand over the back of your thigh even as he doesn’t falter.

Outside now, the cool air hits your face. The sun is still setting, the sky red and you squeeze your eyes shut at the colour. The death that you’ve seen in the hall is closed off, and if you don’t breathe in too deeply, then you won’t taste the bitter tang of blood, and maybe it’s all gone.

Mr Garrick curses sharply and you get pulled forward until you're on your feet, and tugged into his chest. He yanks you into the wall and steps in front of you, shushing you again before you can make a sound. Not that you were going to, shaking and clinging to the lapels of his jacket. You peek over the broad of his shoulder, and see why you have both stopped.

Gravel is getting kicked up from under the feet of guests as they run out from the estate. Others are running towards them, across the field and you choke on your breath when they collide. It must be more of those creatures, some type of sickness. You didn’t understand, they had the silhouette of men, but you hear the yowling when they brought a woman down and tore into her.

“Christ,” Mr Garrick mutters, cradling you in his front. “Shit, we need to get a horse.”

The stables were around the front, even though you are several feet away, you imagine you could smell the blood being spilled from here. You whimper again, shaking. “My mother,” you manage, unable to find the words for what you really want to say. My mother must be with that group of people, and we can hear them all dying. There aren't words designed to sit in the mouth like that.

Mr Garrick considers you, mouth pressed in a tight line. “Alright, wait here, do not come out unless I come back, ok?” You nod, but when he steps away, you find your hands still fisted in the lapels of his coat, like you cannot let go. He steps back, smooths his hand over your wrist, just beneath your glove. You jolt at the feeling of his bare skin, some old propriety from a lifetime ago are enough to startle you into relinquishing your grip. “I’ll be right back, keep hidden,” he tells you, pushing you further into the slight alcove.

And then he’s gone. You stare out across the grass. They play cricket out here in the summer. You remember, suddenly, the man running out in the field, wondering if that was the man that killed Mr Casings. His blood stains the edge of your dress, guilty. You want to cry, feel like a sick animal out in this open air.

Your father had a hunting dog once, and you remember how it had looked when he put it down. Mad, he’d called it, saliva foaming in its jowls. Wild eyes that had looked around, uncomprehending and yet piercing. You inhale, shaking, wonder if you look the same.

You refuse to make a sound though, lean against the brick behind you. Shake as you listen to screaming and growling that travel through the open field to reach you. You fist your hands in the skirts of your dress, try to breathe steadily. You don’t know what you will do if Mr Garrick doesn’t come back. You hope he comes back with a carriage, your mother inside to pull you inside. What you wouldn’t give to be scolded for crying and ruining the delicate rouge that she had spent precious time delicately smoothing on your cheeks.

Time is elongated and unbearable until it returns to you with a crack at the sound of a horse. You peek out, and you make out Mr Garrick astride what must be a horse detached from a carriage. No saddle, but reins around its face.

It’s only Mr Garrick who thuds down in front of you, who gathers you up and ushers you towards the horse. “My mother, where is -” you start, pliant beneath the ushering of Mr Garricks hands.

“I couldn’t see her, there’s a chance she got away, like we have to, right now,” he tells you, his voice strained as he steadies the horse, looking over your shoulder.

“I don’t -” you say, but Mr Garrick has had enough talking, and lifts you onto the horse, side straddle, before smoothly pulling himself up behind you.

He kicks the horse into motion, and you set off, quick enough that you still don’t understand.

You feel half your mind is still back on the balcony, trying to decide if you were going to go back inside. You look over Mr Garrick’s shoulder, and imagine you can see her, staring out at you. Seeing you but not understanding.

The band between the two of you pulls until it snaps. You jolt, a wounded noise high in your throat, but hidden in Mr Garrick’s broad chest.

Your father had shot your sick dog, barrel of the gun against the back of its head. Mr Garrick’s hand on the back of your skull, fingers in your hair, holding you steady. Right there, the press of his last finger on the give at the start of your neck. Saliva pools in your mouth, but you swallow it down and choke on it.

[ohlittlebluebell]

jj in s1e17 & s17e6

[yuwuta]

fwb with katsuki feels like an snl skit like you’ve got to be joking with him if you propose that after you two have fucked. hooking up with the boy you’ve known since you were five and then asking to keep it casual between you two is insane. he could bite you, he could threaten to tell shoto (who would pinch you), he could lace your hands together and threaten to drag you both out into heavy traffic if you don’t go out with him, he could just say “get real?” and then proceed to take a nap on top of you for the next four hours, he could flick you on the forehead, he might even cry, he could threaten to tell izuku (who would kick him), he could squish your cheeks between his palms and tell you to stop spewing nonsense, he could threaten to tell his mom (who would pinch the both of you by your ears), he could scream, he probably will bite actually. it doesn’t matter it all ends in him “talking some sense into ya since i clearly fucked your brains out” while he makes you dinner and you agree to go out on a real date tomorrow

[chronicowboy]

you should be with your family. what makes you think i'm not.

[momentomori24]

For as much of a raging, misogynistic monster Jimmy is, especially towards Anya-- sexually harassing her, treating her with no respect, constantly belittling her and her work and worth, being generally extremely inconsiderate, ect-- I never really got the impression that he hated her, surprisingly. He absolutely resents her for the pregnancy he forced on her and envisions it as a monster out to hunt him down, sure, but he still included her in this delusional fantasy of a happy birthday celebration. In his mind, she's shown as encouraging and adoring, referring to him as their Captain Jimmy, showering him that recognition and reverence he always wanted. It's interesting, because given how he acts towards her, you'd think she'd be more silent and out of the way-- or better yet, not included at all considering how hard he tried to block her from his mind in comparison to Daisuke, Curly and even Swansea during the guilt sequences. But she is included, and not at all in a negative light.

To me it doesn't really seem he hates Anya personally as much as he hates everything she means for him. For as little respect as he has for her, he seems fine around her in general. He doesn't really seem to mind her when she fawns over him, when she exists in their group as an active member, because I imagine those traits about her wouldn't be present here if he did. He doesn't really mind thinking about Anya, her being on his mind at all-- until he has to confront what he had done to her, the consequences of his actions, the way her pregnancy would negatively affect him and how he should feel guilty and owe her an apology more than everyone else. Then all of sudden she's physically nowhere to be seen, the memory of her banished to the darkest corners of his fractured mind-- suppressed and buried, where he'll never have to think about her again.

In this celebratory delusion, she's allowed to exist. In the guilt sequences, she is not. Her absence has nothing to do with her and everything to do with him.

[luthqrs]

“I'm not going to explain this entire thing again to another mid-level bureaucrat who can't give me a sufficient answer. Put someone on the damn phone who can authorize what I need.” JENNIFER 'JJ' JAREAU in CRIMINAL MINDS 6x01 | ‘The Longest Night’

[chloesimaginationthings]

Michael Afton draws FNAF tape girl for Vanessa,,

[poorly-drawn-mdzs]

The Quest Continues...

(part 1- part 2)