#what is Cressida's mother on about

[taradactyls]

Cressida Cowper being so excited by the prospect of five thousand pounds and making all these plans of using it to fund herself is so strange, because that money would be NOTHING to the nobility if it's all they had to live off. We're talking £200 or £250 interest a year.

In Pride and Prejudice that's the same as what the Bennets will have when Mr Bennet dies - the paltry amount that will send them into genteel poverty and makes the need for the daughters to marry so urgent.

It's HALF what the Dashwood women have when they're struggling to get by in Sense and Sensibility, and can only afford the most basic of servants and live off a reduced rent in a cottage owned by a distant cousin. Their mother can't even go out to dinners often because they don't have the money to reciprocate the gesture!

Also in Sense and Sensibility it's the amount of income the living Colonel Brandon offers to Edward Ferrars produces - which was considered not enough for him and Lucy to live on.

I mean as a dowry it's not bad for someone in the middle or lower rungs of the gentry, but for NOBILITY??? And let alone a sole income source. With that sort of money Cressida either is being completely delusional that she wouldn't have to marry, or she better rent a room off a respectable woman (a house of her own would be too much - not to mention the difficulties of an unmarried young woman trying to legally sign an agreement), learn how to sew her own clothes, cook, and clean reaaaally fast.

[hamletshoeratio]

Can y'all just be you know normal Marina Thompson for like 5 seconds? Because christ, the sheer Misogynoir that some of you spread about her character is insane and you don't even realise it.

[theceaselessidiot]

tbh i would love one not even just about eloise, but the entire bridgerton family (that was one missed opportunity, not having cressida interact with the other bridgertons except for gregory and hyacinth), like cressida is 100% touch-starved but also completely unable to deal with physical touch.

i can so see cressida interacting with the bridgertons and being constantly taken aback by how physical they are. benedict nudging her with his elbow, gregory and hyacinth punching her good-naturedly when she wins against them at a game, eloise linking their arms and then violet just hugging her goodbye

gonna need a fic about how tactile of a friend eloise is and how it is slowly driving Cressida to the brink of her sanity

[brekker-by-brekkerr]

There's no way you can convince me the writing for Eloise in part 2 of season 3 was good.

We're expected to believe that Eloise Bridgerton, who gets so upset about injustices to women, who cares deeply for her friends, would hear about Cressida's issues and be like "hmm yeah sucks to suck."

And people can't say it's because Eloise is only concerned with herself because we've seen her get so upset about the plight of other people, we've seen her going and engaging with conversations outside her circle, we've seen her empathizing with Theo and his circumstances, we've seen her trying to hunt down LW to help Pen back before she knew the truth.

JUST THIS SEASON we saw Eloise go to Cressida's house to check on her because she noticed that she was acting off. So you can't even tell me Eloise doesn't care about her. I feel like the writers are trying to gaslight the viewers in part 2 to thinking Eloise didn't ever care that much about Cressida when WE LITERALLY SAW THAT SHE DID. Cressida even says Eloise was a great friend to her.

Yeah, I understand that Eloise has a lot going on right now, and so to some extent, I could see her not being as present for Cressida as she needs. That happens. But the level to which they made Eloise act like she doesn't care is so insane and is clearly just to prop Pen up.

Eloise heard Cressida tell her about her circumstances so she should understand why she's doing what she's doing.

It just felt like such an insane 180 for Eloise to turn around and suddenly be like "Cressida is a viper" and "our friendship was falling apart anyway" and "I should never have trusted her," when the last thing we saw before part 2 was them BEING GOOD FRIENDS!! And when Cressida hadn't done anything bad, she just claimed to be LW RIGHT AFTER she had explained to Eloise how messed up her circumstances were and that she needed help getting out of them.

I get that the show was going to put Eloise and Pen back together because they have such a clear bias towards her character, but did they have to decimate Creloise in the process? Is Eloise not allowed to have multiple friendships?

Like, Pen can do all these terrible things and cry and be like "sorry about that" and it's fine El and her can be besties everyone will love her and forgive her. But Cressida was sometimes mean (and the show goes to lengths to show us how she became that way, even explicitly spelling it out with her mother's comments about how she raised her to believe in "every woman for herself" AND shows Cressida acknowledging her mistakes and showing true change and growth) and lies about being LW and she's dragged through the dirt, she's "the absolute worst," every single character says awful things about her while we see snippets of her in this dark awful house with her life falling apart and this is supposed to be something we root for?? Literally why. Why even make Cressida sympathetic if this is what you're going to do with her.

It feels so out of pocket for Eloise to be saying Cressida is soo horrible and etc. etc. when we SAW their friendship before. We saw Cressida taking in what Eloise was saying and making changes, we saw Cressida challenging Eloise's beliefs and making Eloise self-reflect. Eloise got a peek into how awful Cressida's home life was and into the kind of good person Cressida could be and that's just suddenly thrown out the window with such little support to back it up.

Even if Creloise just HAD to stop being friends, weren't there better ways of going about it? Couldn't they at least have waited till after the fake LW paper came out bashing the Bridgertons for Eloise to break off the friendship? Yes, that was Cressida's mom writing that, but Eloise wouldn't know that and that would more logically line up with Eloise's random coldness towards her.

Still, why exactly do they have to stop being friends? Why can't Eloise have different kinds of friendships, especially one like hers with Cressida that challenged her, one where they mutually helped each other become better people? I love that Eloise is going to go off on this adventure to Scotland and meet other people but could she not also have retained her friendship with Cressida??

I would have loved to see the Eloise I know and love in part 2 teaming up with Cressida to help her, scheming together, doing everything in her power to help her bestie because that's who she is. That's what we should have seen. Maybe it would take her a second to get there, since she was already wrapped up in the drama with her brother and Pen, but she wouldn't just completely brush off her friend. She would do something.

And I could go on about how messed up it was for the writers to make it pretty clear how bad things have become for Cressida and then make her face the most consequences ever, while Pen gets to ride off into the sunset all happily ever after despite doing things 1000x worse than anything Cressida ever did. I'm actually disgusted.

[aeternallis]

Colin's "entrapment" line was hard to listen to, but it was most definitely a sign of how unhinged he really is for Penelope.

Ok but for reals, I'm not sure how everyone else reacted when Colin said his now infamous "entrapment" line, but I just love how if one looks at this line a little more closely, it was definitely some semblance of an underhanded (and also a bit silly, lol) attempt to actually keep Penelope entrapped. Haha, the irony of it all. Idk, at least that was my read on it!

Like, it was definitely said in anger as well; he's hurting, and he’s hurting badly, so of course he wants to hit back in some way, however he can. Luke Newton absolutely meant it when he said that Colin reacts to the reveal in the worst way possible, alas.

My very first reaction to that scene: //pauses the screen to yell at Colin at 4am in the morning, “Entrapment????! If you feel trapped, then why the hell are you still going along with it, ya dumb ass!!!

Because really, think about it: Colin was definitely within his rights to call off the wedding, especially when he'd mentioned that Violet had noticed that he and Penelope had not seen each other for some time. It would have been the perfect time to reveal Penelope's secret to his mother, if indeed he felt entrapped by the LW of it all. Violet is family; if he wanted to still protect Penelope but no longer wanted to marry her, he would have been able to count on Violet's discretion. I'm sure she and Lady Danbury would have come up with some sort of plan to deal with the aftermath regarding the Bridgertons’ reputation, as we'd seen with Anthony and Edwina's botched wedding.

Furthermore, it would have probably been the better option to reveal it to her, since the existence of LW does put his family in danger; Penelope herself knows this. Every decision she makes post-LW reveal to Colin is due to the Bridgertons being in danger. Lady Danbury makes a point of this when she said in the last episode, “There is only one other person who loves the Bridgertons more than I.”

Eloise was able to keep the secret with no real consequences because although Penelope was her ex-bff, El still loves her, and besides that, nothing legal binds them as Colin's marriage to Penelope would.

Even when he was getting ready to talk to Benedict about getting funds to fulfill Cressida’s demands, he insisted on making up a lie to shield Penelope’s identity as LW. He knows more than anything that fulfilling a demand like this, all for the sake of his wife and at the cost of using a substantial amount of Bridgertons’ financial assets, may not put his marriage in the best light within his family. He doesn’t want to be forced to have to choose between his wife and his family, so he’s keen on keeping the lie going.

So for all intents and purposes, he doesn't tell his mother, or any of his other siblings (besides Eloise, who already knew); this in and of itself is hella fucking risky. The fact that Colin is willing to take this risk of withholding Penelope's secret identity from his family, the fact that he doesn't think to jeopardize this potentially risky betrothal—already goes to show the measure in regards to how much he wants Pen for his wife. We the audience know this because he waits until the very last minute to tell Violet, and even then, it's not Colin who chose to reveal it to her, but Penelope herself.

Another point: arguably, we can also say that Colin has a lot more wiggle room with his engagement to Penelope to call off the wedding, much more than he ever did with his engagement to Marina.

"A man of honor"? Exactly what "honor" are we talking about here? Colin claimed that he would have married Marina had she just told him the truth, yet when push came to shove and the truth of her pregnancy was revealed for all the world to know, he still chose to take the out Penelope gave him through LW. It’s easier to make a declaration like that when it’s all said and done. Lol Sure, he regretted it and apologized for his behavior later on, but he had made his choice regardless. Y’all can just feel Marina and Lady Danbury judging this dumb ass (affectionate) for dwelling in the past. Silly young man! XD What's stopping him this time around?

"We had been...intimate." Are you talking about the mirror scene, sir? Because let me assure you, you and Penelope have long been "intimate" way before you decided to buy a love nest and take her V-card the very next day you proposed to her. In fact, this is where the significance of their first kiss in 3.02 rings so, SO importantly and WHY it was vital that it was Penelope who asked and said that it would not have to mean anything. Colin knows Penelope would never use their first time together and/or the heated moment in the carriage as a way to entrap him. That first kiss alone should have already warranted that they get married, but Penelope makes it clear that it’s simply a favor, nothing more.

Oddly enough, I’m surprised Colin doesn’t bring up the idea of a long engagement (yknow, as he initially wanted with Marina, but who’s keeping track at this point), considering that would have potentially benefitted their situation. 🤔 His dumb ass (affectionate) was more than willing to stick to the wedding schedule…huh.

Besides all that, I don’t think it’s the showrunners’ intent to “taint” those special moments between them by changing the context through Colin’s (very biased) POV; to believe that to be the case would be, imo, just a bad faith argument. The genre is romance, y’all; these intimacy scenes are on an entirely different pedestal.

Because remember, that “entrapment” line of Colin’s only came about due to Penelope starting the conversation with, “Are you going to call off the wedding?”

Didn’t it almost seem like an afterthought, that he just came up with it on the spot? Hahaha.

I can bet y’all Cressida’s fake ass €20,000 blackmail money that before they’d met up to discuss wedding breakfast plans with their mamas, it had probably never even occurred to Colin to cancel their wedding. Angry and furious as he was, it was never a question of whether or not he still wanted Penelope for a wife.

The fact that it’s Penelope who begins that conversation and opens that Pandora’s box possibility is so, so damn important. Because not only does it show how much Penelope truly loves him in that she would never trap him, it also shows her maturity, in that she’s willing to face the consequences of her actions. She’s willing to give Colin the choice to back out, heartbreaking as it would be to face it, even if she herself would not be the one to pursue that choice.

She gives him the choice a good number of times: the wedding breakfast plan scene, the wedding day itself when she hesitates on the aisle, and the annulment offer after the butterfly scene.

Penelope defends herself softly, but truthfully: she never meant to entrap him, because she really didn’t. And Colin knows this; he would not still love her and want her if he honestly believed she wanted to entrap him. Hell, even if she did, the audience knows it’s a desire that comes from a good place: she loves him, so of course she doesn’t want to lose him. She wants to marry him, because she loves him. That’s all there is to it.

But despite knowing this (imo, anyway), we can also say that this conversation may have contributed to Colin’s downward spiral during the majority of episode 7 and 8, and why he becomes hella fucking desperate to be “useful” to her.

Because unlike himself, Penelope has now begun to entertain the idea of living a life that doesn’t include him—at least, not as her husband. Penelope is brave and strong enough to let him go due to the pain she caused him for her lies and her actions as LW, and as for Colin…well…

(I love it, it’s the same conundrum that Anthony faced in S2: Kate is strong enough to leave him behind and return to India, but Anthony…well…)

TL;DR, Colin’s entrapment line was literally an excuse he gave himself to keep his betrothal to Penelope intact. It’s a line that works in two ways simultaneously: it’s a painful, childish, underhanded thing to say in order to hurt Penelope’s feelings, to get back at her for the anguish he’s suffered. Yet at the same time, it’s also another excuse he gives himself in order to push through with the marriage, to tie Penelope to himself forever.

Because unlike Penelope, the very idea of living without her as his wife, of not having her in his life, is and always will be an impossible notion for Colin to ever entertain.

[im-subtextsexual]

I’m glad so many people picked up on the vibes between Eloise and Cressida. Not a ship I ever considered before, but the tension was palpable. I’ve been a Queer Eloise truther since reading the books. Her portrayal on the show only made it more obvious in my mind. I didn’t think the writers would ever go there, but the set up is just so explicit, now I’m not sure. I don’t think they’d actually make Eloise / Cressida canon, but I do think they’re testing the waters for wlw Eloise. And it makes perfect sense. 

First off, the character is queer (I’ll hold off from labeling her a lesbian outright, because there’s definitely room for other identities like bi, demi, ace…. etc.) Even in the books. I legitimately think Julia Quinn accidentally wrote a sapphic character and then didn’t know what to do with her. So what we got is “To Sir Phillip, With Love”, widely considered to be one of the worst in the series. Believe me, if there’s any story that could stand to deviate from the books, it’s this one. And the story could so easily be adapted to a wlw romance, it would be a wasted opportunity not to do it. Like… the story would be better if they tweaked it to fit a queer canon. AND it could be done in a historically accurate way to shut up the naysayers that “a lesbian storyline wouldn’t fit in this universe.” How? Allow me to explain.

*SPOILERS FOR BRIDGERTON SERIES BOOK 5*

In the book, Eloise strikes up a correspondence with Sir Phillip Crane. Yes, THAT Phillip, the one currently married to Marina from season 1&2. Marina kills herself because she can’t stand to be married to Phillip and deal with their children in the wake of her lover / his brother’s death. His initial interest in Eloise is to find a mother for his children. She is intrigued by his intelligence and decides she doesn't want to be alone, but isn’t necessarily eager to marry or have a family. Due to romance novel shenanigans, she runs away to Phillip's house and is forced to marry him. Even as they grow to kind of love each other, it's far from some grand romance. It’s the very definition of “settling”. The most interesting part is the narrative structure of their story being told through letters in the beginning. We could keep all that, but make it gay. 

*Imagine*

Eloise meets some dapper gentlemen new to the marriage mart. We’ll call him Emmett. Very little is known about Emmett and his family as they keep largely to themselves at their estate in the countryside. The only thing that’s widely known is the family suffered a tragic accident where the man of the house and his oldest daughter died, leaving his son (the other twin) to take on the responsibility of rank and title very early. Emmet is making a rare appearance in London to find a wife (there are rumors of stipulations in his inheritance requiring a match). ALL the debutantes are fawning over him because he’s mysterious and extraordinarily good-looking. One might even say “pretty”… To everyone’s great surprise the season’s most eligible bachelor takes a special interest in Eloise after overhearing her talking about her disdain for the social convention of marriage, and how she would only consider it if it were an in-name-only, marriage of convenience. Emmett strikes up a conversation with Eloise and she is taken by his humor, wit and shockingly deep empathy for the limitations society puts on women. They continue to gravitate to each other through the first few events of the season, but Emmett has to return home suddenly because of a family emergency. Eloise is shocked to find herself disappointed, but they promise to write. Cue the correspondence romance.

Eloise grows more and more smitten with Emmett every letter she receives, but still has the same reservations about marriage especially when she thinks of the intimacy a relationship like that would require. When Emmett hints that he may want more than friendship, Eloise's feelings get the better of her and she goes to visit Emmett unannounced. He is shocked to see her, but let's her stay and she gets to know his mother and two younger sisters. The Bridgertons go looking for Eloise, worried something has happened to her. When she is found to have been staying for days in an unwed man's home without a chaperone, the potential scandal causes Anthony to force Eloise and Emmett to marry. Surprisingly, Emmett actually agrees so Eloise does too (all of this is essentially what happens in the book).

Eloise confesses to Emmett that she's nervous/resistant to physical intimacy, but he assures her they never have to be together that way. In fact, he would prefer the marriage of convenience they always talked about. Eloise is relieved until their kiss at the wedding sparks an attraction she wasn't expecting. They spend the first month or so of their marriage sleeping in separate rooms, enjoying each other's company, and letting the tension build. One night, Eloise's control and curiosity finally snaps and she goes to Emmett's room to initiate a physical relationship. She catches Emmett off guard in his sleeping clothes which makes it VERY clear... Emmett is a woman (cliffhanger of episode 4, and where we deviate from book canon to make it queer).

After the initial shock, Eloise allows her new "husband" to explain. Emmett is really Emma, the daughter believed to have died in a carriage accident with her father so many years ago. It was her twin brother that actually died, but since there were no other male heirs, Emma's family fortune would have gone to a distant uncle who is cruel and abusive. To save them of that fate, Emma's mother conspired with the local coroner to make it look like Emma was the one who died, so "Emmett" could inherit everything. Emma has been living as Emmett ever since, successfully keeping up the deception by keeping a low profile in society. The only reason Emma came to London that year is because her uncle died, and a cousin had come around asking questions hoping to inherit. She thought getting married would help secure her identity as Emmett and the cousin would back off. At first Eloise is outraged. She feels betrayed by Emma's duplicity, and is terrified if any of this ever got out everyone they know would be ruined forever. She agrees to keep the secret to save her family's reputation, but shuns Emma. Eventually, Emma (already aware that she's in love with Eloise) attempts to make amends and Eloise is charmed enough that she relaxes back into the relationship they had before the Big Reveal. The only problem is the attraction is still there, even more so now that Eloise knows the truth. Things come to a head, and they go at it Bridgerton style.

Emma and Eloise live happily in a true marriage for a bit until Cressida and Penelope come for a visit. They both find out about Emma, but are sworn to secrecy. Pen easily swears her loyalty (having already suspected Eloise), but Cressida is sickened. In a rage, she threatens to out them all, and storms back to London. Eloise follows her and begs Cressida to keep the secret, and tries to explain why the "wrong" feelings she has for Emma are very right for her. To Eloise's surprise, Cressida isn't upset about what she's doing with Emma, but who she's doing it with. She didn't know what they're doing was an option; that she was an option. Cressida confesses that if she'd known a life with Eloise was a choice she could make, it's the life she would have chosen. Eloise lets Cressida down easy by explaining they didn't have that choice. Everyone in the ton knows who they are. The only reason her relationship with Emma works is because of the ruse that allows Emma to be Emmett. Cressida takes this in stride, and vows to keep the secret, but her mother overhears and causes the biggest scandal London Society has ever seen.

The Bridgertons and a few friends (like Lady Danbury) are as understanding as possible, but the rest of the ton is rabid. Things escalate to the point where Emma and Eloise have to appear before the Queen. Emma pleads her case about pretending to save her family, and insists that Eloise didn't know until well after they were married so she's innocent. Eloise can't help herself and gets on her soapbox about the way society limits women, and that the Queen should understand their plight. Shockingly, she does. She annuls their "marriage" (because they didn't consummate anything... RIGHT?!) but she agrees to let Emma control her family's estate until one of her sisters produces a male heir. After that, she and Eloise will receive a pension from the Crown so they can live independently (the real Queen Charlotte actually did this for suspected historical sapphic couple The Ladies of Llangollen). Since Emma and Eloise would never be able to find husbands now, they decide that they'll just be two spinsters growing old together in their house in the countryside. You know... just two gal pals. No one believes that shit, but they rarely interact with the ton, so they're largely left alone to live as they please.

Happy ending, close to canon, historically accurate, and super gay. It's not that hard. You're welcome.

[dragon-kazansky]

Bridgerton shade of blue

Benedict Bridgerton x Female Reader

Benedict bumps into you, quite literally, at a ball while trying to escape his mother's attempts to find him a partner. You decide to humour him with a dance, not realising just how entwined you would become with him. It seems the universe will find every excuse to push you and Benedict together, no matter how much you fight it.

{Masterlist}

{Previous Chapter} - {Next Chapter}

Season one

Chapter Fifteen - Rhythm of our hearts

♡♡♡

Daphne, the beautiful duchess, had spent her time in London wisely. She used what sorces she had to help Marina Thompson track down her far away love.

You still had not seen much of Daphne. She had been quite busy, and you were really starting to miss her presence. You had hoped to catch up with her at some point, but you would just have to wait for the next opportunity to present itself.

The concert. You were all dressed up to go. Your mother had been gushing about this. Lord Hardy was going to be in attendance, and according to your mother, he had asked about you only a few days prior. You put on your nicest gown and prettiest jewellery for the occasion.

Who knew? Perhaps something would spark.

There was also the fact that the queen would be in attendance tonight.

When you arrived, the atmosphere was wonderful. You arrived on your mother's arm, and you smile at some familiar faces. You spot the duke and duchess, and you wonder if tonight you may get the chance to talk to Daphne.

Benedict is stood by himself drinking champagne as he watches the gentleman talking to Cressida. He was at the studio. With Henry.

Then he spots Granville and approaches him. Henry turns toward Benedict. "Bridgerton."

The two excuse themselves from the others to talk elsewhere.

"I would simply like to understand your... situation." Benedict says.

Henry sighs softly.

"I would just like to understand."

"It is simple. I am in love with Lord Wetherby." Granville tells him.

"You're married." Benedict points out.

"And our marriage affords my wife her freedoms and protections," Henry explains. "It is a happier union than most of the people in this room have, I assure you."

"What is the advantage for the young ladies Lord Wetherby is courting?" Benedict asks. "Do they all share this understanding?"

Henry chuckles.

"What about honour? Romance?" Benedict continues.

"What would you know of either?" Henry asks in return. "We live under constant threat of danger. I risk my life every day for love. You have no idea what it is like to be in a room with someone you cannot live without... and yet still feel as though you are oceans apart. Stealing your glances, disguising your touches. We cannot so much as smile at each other... without first ensuring no one is watching."

Benedict is silent.

"It takes courage... to live outside the traditional expectations of society. You talk of doing the same... but perhaps it is merely just that... all talk."

Henry Granville walks away.

Benedict is left with his thoughts. As he lets all that sink in, he catches a glimpse of you across the room. For a moment, he feels his chest fill with warmth. He thinks about approaching you, but then he sees Lord Hardy.

You're smiling.

Benedict remains where he is stood and watches quietly. Alone.

A second son without a mark on the world, and now no companion to confide in. Nothing was coming up roses for Benedict Bridgerton.

Inside the concert hall, you take your seat beside Lord Hardy. Your mother sat on the other side of you, keeping her eyes focused on the crowds, allowing you time to talk to your companion.

You smile as he speaks to you. His voice is smooth, and you rather like the way he says your name.

Benedict is stood by the door watching you. It seems your evening is occupied, so much for stealing you away this evening. Then again, perhaps that is for the best. Benedict isn't sure his thoughts are put together tonight.

Eloise comes up beside him looking rather desperate. "How long is this concert?" She asks her brother.

"About three hours... Four?"

Eloise looks less than pleased.

"Though, uh, I certainly have already heard enough," Benedict says, glancing your way briefly.

"You are my favourite brother. Do you know that?" Eloise says, smiling at him.

He chuckles and takes his sister's arm. The two leave the concert hall.

You don't see him go.

♡♡♡

The two siblings sit in the carriage quietly, heading home. Eloise is caught up in her thoughts. She thought she was on a secret mission from the queen to discover Lady Whistledown's identity, but tonight, the queen had brushed Elosie off and stated she had hired people to do the job for her.

Benedict was lost in his own mind, too. He was thinking about you. He had hoped to pass the evening pleasantly by your side. The concert itself was nothing of any actual interest. You both could have talked quietly, enjoying each others company.

Yet it seemed you had made up your mind. Your pursuit to find a husband was possibly baring fruit. Lord Hardy seemed a nice enough man, he supposed. Benedict didn't know too well, but je certainly seemed to have your attention tonight.

So, Benedict should do something to enjoy his evening, too. A thought comes to his mind.

He reaches up and taps on the top of the carriage. "I woul like to make a stop and pick up a friend."

Eloise looks at her brother. "A friend?"

"Should I not have a friend?" He asks her.

Eloise chuckles.

"I'm not bound by the rules of society," he tells her. "Please do not tell mother."

Eloise scoffs softly in amusement.

The carriage pulls up outside the modiste. Eloise looks at the shop front with confusion. "Why are we here?"

Genevieve climbs in.

Eloise looks at her brother.

Genevieve looks at Eloise, surprised to see her.

"This is my sister, Eloise, and we will be dropping her at home," Benedict says.

The carriage moves again.

Silence fills the air.

"How was your night, ma chérie?" Genevieve asks.

"It was... everything I expected. Horrible and terribly boring."

"So this is why you do not wish to lower your hems?" Genevieve chuckles.

"The entire ton were there, and I did not have a single worthwhile exchange." Eloise tells her.

"The entire ton? You mean, everyone except for the Featheringtons?"

"Yes, everyone except... them." Eloise is struck with a thought.

Eloise falls silent.

"Is everything well, Eloise?" Benedict asks.

She looks up at him. "Hmm? Yeah."

Eloise looks at Genevieve again.

♡♡♡

The concert has begun. You and Lord Hardy look up at the stage as the music plays. Your arm rests next to his.

The and duchess have a box. Neither of them look at each other.

Violet sits in a box with Anthony. She looks across at her daughter. Anthony casts his eyes down to the people below. He sees a family face.

Tonight is filled with all kinds of feelings from everyone around the room.

The orchestra was rather good.

Lord Hardy keeps his head bowed low, close to you, so he may exchange words with you quietly. You smile as you respond to him.

Perhaps tonight will change things for you after all.

The duke reaches for his wife's hand. She smiles softly. The music continues to play, and then she looks down. The duke wat he's her. Her eyes meet his, and she looks at him. She flees the box.

Her courses have come.

Violet flees her box to go see Daphne.

Fingers curl around your gloved ones. You look down to see him holding your hand. You lift your eyes to Lord Hardy. He smiles at you and then turns his eyes back to the concert.

Your mother sits straighter in her seat.

Yes, tonight, there are many emotions being felt. Some hearts are breaking. Some are yearning. Yours is racing.

You are glad you came.

♡♡♡

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[shelbgrey]

Dating Benedict Bridgerton Headcanons

Paring: Benedict Bridgerton X Reader

Summary: headcanons about courting and marrying Benedict Bridgerton -SMUT warning

💙MasterList ML2 💙Dating MoodBoard

Every Bridgerton’s love story seems to have some sorta trope attached to it. Anthony and Kate have the pleasure of absolutely owning the enemies to lovers, Daphne and Simon successfully fooled the town with their fake courting, and of course the lovely friends to lovers story that evolved between Penelope and Colin.

But when it comes to Benedict and you it just depends on who you ask. Anthony who you have the pleasure to call your best friend says it's the longest slow burn in history or if you ask Kate or violet they will say with everything they believe in that you and Benedict are soul mates.

Growing up and into adulthood the two of you were practically attached to the hip

You've known the bridgertons since you were about ten. You were getting pushed around and picked on by a couple of kids that were older. Anthony, Benedict, and Colin just happened to see it and started throwing rocks at the bullies.

You've been best friends ever since, but you've always had this connection with Benedict.

You are part of the family, there's no doubt about that. Your mother died while giving birth and your father was always gone. The Bridgertons became your family and you a sepical connect with them that outsiders just don't seem to understand.

“wow, your always around them and not one of those men have corted you... Oh I get it, your the Bridgerton’s pet” - Cressida Cowper

Anthony was your first kiss. It didn't mean anything, you just wanted to know how to kiss and Anthony was close enough with you that he could do it and not catch romantic feelings. No one else knows but you guys.

Later on Benedict did find out. “So, you kissed my wife and never givin a thought to tell me?” he wasn't angry since it was way before you and him courted. “we were 13 and she didn't know how to kiss, I was doing her a favor”

Into adult hood Anthony was rooting for you two the most. There was a point he was getting tired of the 'slow burn' as he calls it.

He told Anthony this. “What is it, truly, to admire a woman? To look at her and feel inspiration. To delight in her beauty. So much so that all your defences crumble, that you would willingly take on any pain, any burden for her. To honour her being with your deeds and words. That is what the true poet describes” Benedict couldn't help but admire you from acrossed the ball room as the words vomited out of his mouth. Even back then he knew those words were about you.

The first time Anthony sees you cry because of Benedict he waists no time talking some since into him. The first time you and Benedict ever kissed was after you found out he quit the art academy. After the kiss Benedict was feeling so many emotions he wasn't prepared for or knew how to handle, he apologized for 'disrespecting your honor' and left. “I kissed Benedict” you told Anthony because he was your safe space.

Anthony spit his wine out in suprise. “and I don't think it mattered one bit to him” after Anthony heard that he went to talk to benedict. Anthony was angry at him for hurting you but at the same time he wanted to help out his little brother and best friend the best he could. “mother told me once it's unthinkable to find someone so special, someone you love”

“I hurt her” Benedict said, shaking his head. Anthony sighed. “real true love is worth it, do not lose her dammit”

But unfortunately you two didn't become official untill the Polin era. During those few months you avoided Benedict and the family knew something was wrong when your arm would be linked to Colin's and not Benedict's during family walk or gatherings. Colin was oh, so confused when he comes back from his travels and finds out Elois isn't talking to Penelope and your not talking to Benedict.

“what? I can't be happy to see you? You've been go for months” you told Colin as you both walked together instead of you walking with Benedict.

You found out about what he was doing all season and the three way an blew up. That's when benedict confessed everything he's ever felt for you. “I never cared for love or maybe I just didn't want it... That was until I met you. I love everything about you. Your compassion, your stubbornness, the way your eyes sparkle. You filled a part of my soul I didn't even relize was empty, you healed me when I didn't even know I needed it. And believe me when I say I loved you the moment we met, I don't care if we were just kids. I love you”

When you got married Anthony walked you down the isle. “I intend to walk all my sisters down the isle”

Anthony and Eloise definitely cheered the loudest at your wedding.

You rarely call him Benedict, it's always my Love, Ben, Benny. He knows he's in trouble or something is wrong when you call him Benedict.

He doesn't care that you're not as prim and proper as most women. He loves the fact you want to fence with him and his brothers or the fact you'd turn your dresses in skirts and wear his brother white shirts that were hand-me-downs.

His love language has always been physical touch even when you guys were clueless to your feelings. He always needs his arm linked with yours or his hand on your hip.

You're the most beautifulest thing he's ever seen and he wants you to know that. He has always been smitten by you.

Before you were together he was always thinking about you, rather he was having sex with another person or touching himself.

He always wants to sketch you or paint a portrait, he probably has a whole sketchbook of just you in different positions and situations, both innocent and not.

You admired the way his brow furrowed in concentration when he works on his art, he looks so handsome just standing there working.

you feel closest to him when you're modeling almost completely nude and he's painting. No matter what you're doing you always feel so comfortable around him and you both share a connection beyond words and meanings.

He loves dancing with you, the best thing for him is to take you somewhere private and just have a dance with just the two of you.

Forehead kisses. He is so much taller than you it's just easier in the moment, but it's also just a sweet innocent thing that's a staple in your relationship.

He loves receiving them too. Like if he's sitting on his stool in front of a canvas painting, he'll definitely accept a kiss on the forehead from you.

Speaking of canvases and paint, you've both definitely covered your skin in paint and had sex on a large canvas and made an abstract piece of art. And Benedict will hang it up in your bedroom or his art studio.

Fighting over macaroons all the time beacuse you both like the same ones. But if you're having a bad day or it's that time of the month he'll bring a whole box for you.

He's soft with you. He's so gentle and delicate and you can tell through the way he brushes your hair from your face or the way he nuzzles his face into your neck that he just absolutely adores you.

This man needs physical contact a lot. He's a big cuddler and just needs you in his arms, it's a comfort and a protection thing.

“Darling, I would love it if you cuddle me” he said, giving you puppy eyes and holding his arms open. You smiled and cuddled up to his chest.

Like I said, he needs contact with you. He loves little and big acts of psycial contact. Like he loves if you stand infront of him and fix the collar of his coat or rest your hand on his thigh during dinner.

He's so flirty with you. No matter how many years you've been together, he still thinks you're the sexiest, most beautiful thing he's ever seen.

“why are you looking at me like that?” you asked, blushing.

“because you're beautiful”

The way he kisses you makes your heart race. He holds your face in his hands and you honestly feel like you and him are the only things that matter in the world.

He is your biggest supporter. Benedict is your absolute number #1 fan, everything you do amazes him. You've never had a man supporting and encouraging you every day and night.

Whatever you want to do in life he'll be there and have your back. “You are my muse, Darling. And I am forever grateful for you”

He'll think it's adorable if you're a book worm and will always bring home new books for you If he sees them. Sometimes the both of you will sit on the couch in comfortable silence for hours together while you read and he sketches.

Benedict is usually if not always very playful and relaxed, but he also has a protective side. If you're hurt or disrespected a fire will ignight and you will see a side of Benedict that's scary.

Like i said before, you never cared to meet society's expections when it comes to activities and clothes. Of course when you go out to balls, parties, and races you dress properly but there's always a hint of your own style that goes against the 'normal'. Stealing Benedict's top hat is great example. If your borde at the races or just want to wear it, you'll take it and put it on your head.

Benedict and Anthony also tought you how to fence, it's one of your favorite things to do with your boys.

Later in marriage you'd have four kids. Atticus, Charlotte, then boy/girl twins named Eloit and Violet.

Charlotte inherited her father's artistic abilities and Benedict has kept every scribble and every finger painting she's made.

He leaves little notes and sketches all around the house for you. You find them everywhere. In your bag, the book you're reading at the time. On top of your pillow. Stuck onto the mirror in the bathroom. He loves those little details. Loves to write you silly or romantic notes because he knows how much you love them.

Your Favorite one he ever wrote was, 'If I were to kiss you and then go to hell I would, so then I can brag with the devils I saw heaven without even entering it.'

Like I said from the beginning, he believes you are his soul mate. There's just this unconditional connection between the two of you no one can explain.

If your in bed he'll always have his arms around you. Rather your the little spoon or your on his chest. But sometimes if his day is rough he'd want to lay his head on your chest. His favorite feeling in the world is your arms around him and your fingers running through his hair.

He absolutely loves feeling your fingers run through his hair. He'll kill to have his head on your cheat while you play with his hair after a long night of dancing.

He's soft with you. He's so gentle and delicate and you can tell through the way he brushes your hair from your face or the way he nuzzles his face into your neck that he just absolutely adores you.

If you're in bed he'll always have his arms around you. Rather you're the little spoon or your on his chest. But sometimes if his day is rough he'd want to lay his head on your chest. His favorite feeling in the world is your arms around him and your fingers running through his hair.

He can be a rough kisser, but mostly he's a passionate kisser. He pours all his love and emotions into it, he makes sure you're the only one on this earth he wants to love.

NSFW headcanons:

If he's had a rough day, he either needs one of two things. A rough fuck or he needs to curl up beside you and rest his head on your chest while you play with his hair.

He's a boob man, He’ll push your bra up and take a nipple into his mouth. His tongue swirls all around while he squeezes your hips.

He'll bury his face into your boobs as he pounds into you. He loves it when you start moaning and tugging at his hair, He honestly can’t get enough.

Hair pulling, he loves feeling your fingers in his hair or he'll tangel his fingers in yours and tug on it when he's getting head or about ready to cum.

He didn't realize how much he actually liked it until you started pulling on his hair while he was eating you out. “Hell... Do that again... Please”

He's very skilled with his tounge, he loves eating you out. your legs around his head. He loves your legs in general and loves leaving kisses on the insides of your thighs. He'd rather pleasure you for hours than receive.

bitting your neck just to hear you moan. When you finally give in to him, he'll lay you down on the couch or bed and start pealing your clothes off to reveal your chest.

You guys are very adventurous in the bedroom. You both have definitely gotten messy with paint before.

One time you both got covered in paint and made love on top of a giant canvas. It made an abstract art that he framed and hung it up in his art studio.

If you come into his studio to tease him it'll usually end with you on top of his desk and smear paint across your cheek as your lips move in a heated rethem.

He'll leave trails of red down your body as he does so. “There's my little work of art, all messy and perfect” He murmured against your lips.

Speaking of which, he refuses to refer sex as 'fucking', he thinks is degrading towrds you so it's just sex or 'making love' in his vocabulary.

He definitely has a Praise kink, he loves making you feel loved and appreciated. He loves how he can easily make you blush. “you're so Beautiful”

“Mmm, you taste so damn sweet” He moans as he continues to pleasure you, his tongue teasing your clit. His hands move to your hips, holding onto them tightly as he devours you.

Even though he's the dominant person in bed he wants to know you have equal control too, if you don't like how rough or fast he's going he'll stop and check on you and make sure you're okay. All he cares about is your pleasure.

“You want it harder, Darling?” He'll comply with her request, thrusting deeper and faster, causing the bed to shake with your movements. He let out a low groan as he felt your nails dig into his back.

He loves missionary, keeping eye contact while he fucks you. He loves how you dig your nails into his back and wrap your legs around his waist to bring him impossibly closer.

Benedict also loves watching your face while you bounce up and down his dick. He loves the expressions you make when he thrusts up into you when you least expect it. “I can't get enough of you, Darling”

If your lips are wrapped around him, he's taking control. It's usually rough, but he'll never do anything to hurt you.

He'll move his hips fast, thrusting himself deeper down your throat, the way you suck him drives him insane “Darling, you're doing so good”

He loves how good you are at making him feel. He loves being at your mercury as he thrusts down your throat. “Darling, you're going to make me cum so hard. I want you to swallow every last drop.”

Benedict is so vocal, he'll let out deep groans and moans as he feels your tight pussy wrap around his cock when you ride him. “Stay with me, y/n... Fuck me back”

Posing naked for him while he sketches you. One time you both sat infront of a mirror, you between his legs with your thighs spread while he used the mirror to sketch you both.

He'll always bury his face in the crook of your neck, kissing and biting as he rides his orgasm out. He'll keep bucking his hips into yours until you're both spent. “Christ you're beautiful...”

his voice is like a siren call, pulling you into the depth of pleasure. His hands moving to your hips, holding you steady as he praises you and drowns you in pleasure.

He can't get enough of your reactions, his eyes always burning with intensity as he takes in the sight of you laying under him, bare and utterly captivating.

One of his biggest kink is cumming inside you, seeing you filled up just makes him go crazy.

He has a thing about cumming on your breasts too. He'll watche in awe as his cum drips down your chest, marking you as his. He'll look at you with so much satisfaction and desire. “You look so beautiful like this”

He'll lap at your clit with so much hunger, circling his tounge over your swollen bud until you're a moaning mess. When he thinks he's teased you enough he'll take it into his mouth, eating you out like a starving man until you're cumming hard on his tongue.

He's very attentive when it comes to aftercare. you want a warm bath? Done. You want massages? Done. You ask, he delivers. All he cares about is your comfort, he insists on cleaning up any mess that's on you or the bed. If he sees any marks or bruises he will apologize for that with a soft smile on his face.“That's a good girl. Just relax and catch your breath, I've got you.”

You'll probably get teased the next morning beacuse Eloise or Colin heard you.

[somedayillbepeterpan]

Penelope and her robe of power

Shoutout to @whistledownbad for invoking and taking this out of my subconscious. I didn't even realise I was thinking about this deeply (I shouldn't be surprised anymore since S3 has burrowed deep in my brain).

A short discussion on the Polisanity discord (a very very lovely, creative, and hilarious discord community of the residents of the Polin brainrot) showed me how this robe represents Pen's power-- not just in sexuality but in her character.

And it is shown on moments where she loses something, where her power was seemingly taken from her.

S3Ep3 - Forces of Nature

The first time we see this robe, Pen has just lost a flirting battle against Cressida for Debling's attention while pretending to be someone she is not. She looks defeated and annoyed which contrasts a similar scene on Ep 2 (after the fan encounter) where she looks more embarrassed and slightly amused at the situation.

S3Ep4 - Old Friends

The second time we see it is at the beginning of Ep 4. Pen is losing her battle from her resolve to follow the familiar tide of the marriage mart (I elaborate more on this scene here because it's not just Pen who is losing their resolve) on the day that Debling asks for Portia's permission to propose to Pen (where we get this poignant statement from Portia about security being romantic. Which I actually agree on coming from a poor family/country. Also, can I just say Nicola looks absolutely stunning in this scene).

She is distraught and seem to be in the middle of convincing herself that she is doing the right thing.

S3Ep5 - Tik Tok

In the middle of the chaotic 24hrs of Penelope's life (where she gets proposed to by the love of her life and experiences her first sexual encounter), she is seen crying and having to write about herself on Whistledown for the 2nd time for the current season (she probably writes about herself regularly in the column so as not to arouse suspicion but she would have most likely focused on mundane things) when we see this robe for the third time.

She loses the chance to feel completely and irrevocably happy about her engagement when Eloise points out that she is harboring a heavy secret from the man who just lovingly confessed that he would rather feel tortured with love for her than to carry on living.

S3Ep6 - Romancing Mr. Bridgerton

Ahhh...Pen and this robe. I'm so curious now what actually is the design on the robe and the decision behind using it for these scenes.

The fourth time we see this robe, Pen seemingly decides to lose Whistledown forever, hiding a part of herself in the "name of love". A crossroad that she never thought she'd have to go through when she began that season, Pen gives up all power and decides (tentatively) to follow her mother's advise. It's admirable on one part as real life will tell you that sometimes, there are sacrifices you need to make for your partner. But this really is sometimes up for debate whether that action is made in love, out of love, or for love (or not at all). I've always thought that Pen also suffers the same hero complex that Colin has albeit more subtle than his. I think this was part saving Colin (from whatever trouble Whistledown brings) and also part penance for what her writing and decisions have put him through regarding Marina.

AND THEN-- the last last time on this season that we see her in it is so viscerally powerful that it probably made everyone forget that:

This wasn't the same wedding night robe (where Colin openly lusted on Pen and stubbornly wasted his opportunity).

That whenever we saw Pen on this robe in the earlier episodes, she seemed to be unhappy and devoid of power and agency within herself.

S3Ep8 - Into the Light

This wonderfully and deliciously short scene encapsulates Pen's embracing of her power-- the parts that she has been losing and letting go whenever she wears this robe. I also love that it's with Colin that she finally embodies the full strength of this power.

Come S4, I need this robe to be slowly taken off by Mr. Bridgerton off of Mrs. Bridgerton please.

[rose-edith]

Being a plus size Bridgerton sister would include:

•All your life you’d felt like an imposter, bigger than your sisters- sturdier- curvier. You felt less than, despite being physically more than. And you felt that no one ever really understood that.

•Your mother and Lady Danbury saw no flaws in you, thought you were absolutely beautiful, and kind and clever- but they believed you were simply crippling shy. So naturally, they went out of their way to help ‘bring you out of your shell’. Which yes, was as utterly hellish as it sounds! It meant rounds of introductions to eligible men, being pushed to the centre stage at all family functions, dressed in more jewels than anyone else. They really wanted to make you sparkle, because to them, you were already a diamond. You had been the apple of your Father’s eye before his death, and everytime Violet looked at you, it was Edmund she could see.

•as for the Queen? You may well not exist. She wasn’t even the slightest bit perplexed or excited by you. Which suited you fine!

•Anthony is SO protective of you, and following his marriage to Kate, she becomes protective of you too. Kate and Anthony stare at any members of the ton who even dream of thinking anything unkind.

•On his travels, Colin makes sure to collect for you the most beautiful jewellery or paintings or fabrics. Colin is tender with all his siblings, but he’s the one who listens to you most when you’re upset- he’s the one who sees it, and does his best to support you and build your confidence. Whether it’s fashionable or not to dance with your own sister, Colin will always take you for at least one turn about the floor; he can’t bare for you to be overlooked or be left ‘on the shelf’.

•Benedict is also your number one fan, at balls and social events he’ll often help you to escape- whether he takes you for a turn about the room, to get a drink, or to help you leave early if you’re just not feeling it.

•Growing up, you couldn’t help but be envious of Daphne, of her looks, her success on the marriage mart, her beautiful life with Simon. But as you grew, she showed you that real beauty comes from within anyway. Simon loves you too, finding you to be amusing, clever and witty. As for their children- well, you’re their favourite Aunt!

•Eloise was aloof as ever, she understood rationally and practically why you were somewhat on the outskirts of society. But she enjoyed not being the only one on the outside looking in; and sometimes when she needed an out you would cause a diversion, and vice versa; Eloise was an ally!

•and hand in hand with Eloise came a friendship with Penelope. You realised almost immediately that Pen was Lady Whistledown, but you never told a soul. Not Pen, not Eloise, not anyone. You were proud of Pen for using the harsh reality of a lonely life to create something meaningful; to carve her own career. Penelope was your friend, though she was Eloise’s best friend. She was at your side when Cressida cut across your heart with her barbs and remarks, and when Cressida “accidentally” cut Penelope up, spilt her drink or split her dress, you would retaliate in kind- most notably resulting in her perfectly smoothed down hair getting dislodged when she “tripped” over your out-stretched foot at the drinks table. ‘Poor Cressida!’ You had cried with devilish delight. ‘What an awful spectacle to befall you!’ The music stopped and everyone turned to look as the mighty Cressida crumbled. What an elated victory indeed.

•Francesca was in and out of your lives, going to Bath and escaping the misery of a lonely life in London. But she would send you music; and suddenly the world wasn’t so blue.

•Your favourite people of all to be around though? Hyacinth and Gregory. They were young, brains like sponges ready to learn and laugh and they love you without reservation. You spend afternoons drilling them with dances, playing archery, games, stealing cakes from the kitchens.

•but like all your family, there’s only one thing you ever wanted really: to find love. You just weren’t foolish enough to believe you’d find it yet, but maybe, just maybe, you’d be surprised when love fell directly into your lap.

[mrs-kmikaelson]

Our Song and Dance⁶

Pairing: Finnick Odair x reader, Katniss Everdeen x platonic!reader Summary: You'd grown used to dancing the same dance over and over again, the victor's dance, but then you start dancing with Finnick Odair and you feel things you never thought you'd feel. So you let yourself enjoy the dance, even though you knew that every song inevitably came to an end. Warnings: mentions of torture, mentions of forced prostitution, exploitation of minors, suicidal thoughts, war, violence, murder, mind games, religious references, very complicated relationships, complex mental health issues, death, and grief Words: 12.8K

Masterlist | Series Soundtrack

a/n: ladies and gents, this is the moment you've waited for! (greatest showman reference, not excluding my enbys y'all). here it is! this is the end! just for clarity, anything in present tense means r is thinking (as always), and there's an additional a/n at the bottom. love u guys!!

When you were younger, you dreamed of being a storyteller. This wasn't your first time dwelling on that fact, but now you wondered if it'd be the last.

There was a saying your mother used to say, before your father died and she went mad. You reap what you sow. It was ironic how backwards it was in your life. First you were reaped, which then subsequently sowed the domino pieces to your fake life, all falling down to lead up to this moment.

Yes, backwards it was.

You'd barely gotten a wink of sleep before faraway booms were waking you up. You didn't flinch this time; you could tell they weren't close, but Finnick's hand on your shoulder still tightened, like he was reminding you that he was there if you so needed it.

"Mortal shells," Gale informed you, looking up at the basement's ceiling. "It's not ours. Peacekeepers must be shellin' the rebels outside of the city."

It surely didn't sound like it. Cressida must've came to the same conclusion because she soon piped up, "That's not outside the city."

Inside, then. They were inside the city. 

That meant it was show time.

You separated yourself from Finnick without a word, going to prepare. In his mind, you must've just been so focused that you couldn't speak to him. In yours, it was that you were so unfocused that you wouldn't.

For the last eight years of your life, you'd been spinning stories with Finnick like there'd be no tomorrow, and now that was about to become a reality. That's why you couldn't speak to him. This was the last chapter, the last dance before the song came to a stop.

So you got ready, screwing arrowheads onto their shafts and strapping yourself with guns, moving slowly as if you were frozen in time with knowledge no one else had. 

This was the end of your story.

This was the end of the song.

Music beat loudly in your ears, but it was quieted by the sound of beeping. Your eyes were drawn to a black box on the table in the corner, similar to the one you once watched Finnick from, now projecting a mandatory viewing. There was no fanfare this time, as if Snow was now realizing that there was no need to sugarcoat what was happening.

The rebels had already invaded the Capitol. If its citizen's didn't know the severity of the situation before, they sure did now.

Finnick lightly snorted behind you as Snow's face came onscreen, making you resist the urge to swat him and laugh. You wouldn't have been laughing at Snow, though—you were much too angry for that—just at the boy who still found the courage to laugh in such terrible times.

You'd miss that.

Snow began speaking right away. "To all Capitol citizens more than a half mile outside the city circle, I am announcing a mandatory evacuation." Your brows knitted together. What? A quick glance at Katniss told you that she was just as confused. "Come to my home," he beckoned. "I am promising you shelter and sanctuary. All refugees... come to my home. There, you will be provided with food, medicine, safety for your children... and you will have my solemn oath to protect you until my dying breath."

Cressida made a sarcastic quip that you didn't hear, like your head was underwater.

This doesn't feel right.

"Our enemy is not like us," he continued. "They do not share our values. They have never known our comfort and our sophistication."

Somewhere in all the muffledness you heard Finnick mutter, "No shit," but it barely registered. Your eyes were trained on the image as if it'd unravel and reveal something to you. You didn't know what there even was to reveal—everything was laid out in the open now.

So then why do I feel like something's hiding in plain sight?

"And they despise us for it. Make no mistake." Snow's voice was filled with certainty and a spite so sharp it could cut through flesh.  "They are not coming to liberate us. They are coming to destroy our way of life. They are coming... to bury us." He put emphasis on his last words before the stream ended, his image cutting out with a flash.

What an interesting choice of words he used. Bury them. The people in 4 had been buried underneath rubble, so much so that you couldn't bury your own mother.

Katniss cut off your thoughts. "Is he still in the mansion?" You turned toward her, seeing her eyes already on you. 

You had to clear your throat before you replied, "Yeah." You'd been in that God-awful room enough times to recognize it, even in your dreams.

She nodded absentmindedly. "Okay, where's that?"

Pointing to a map she pulled out, Cressida answered, "About five blocks away. We're right here, off the avenues." She pointed to another far-off spot. "Mansion's here."

You crossed your arms. That was a long distance. "What about the pods?" you questioned.

Cressida motioned to another part of the map. "Well, they'll probably deactivate the pods around here for the residents' safety." 

"That could work." Katniss looked up at you, that same fire shining in her eyes that reminded you of her nickname. "We could get close enough."

That was the problem. You could get close enough—you could really do it.

But that felt too easy.

You didn't voice your doubts; Gale did. "Every Peacekeeper's gonna be waiting."

"Next to our faces on every billboard," Cressida cut in.

You shrugged. "Well, Snow's offering shelter to all the refugees." You could feel everyone's eyes dart to you, but you kept yours on Katniss. She understood your message right away. This was your shot. 

You had to take it.

The two of you were in agreement and that's all that mattered. Nobody was going to stop you.

Katniss got up, and then after grabbing the last of your weapons, you were heading upstairs.

One shot. You had one shot.

The extravagancy of Tigris' shop was lost upon you as you threw on a large coat, listening to Cressida's directions. There would be thousands of refugees; all you had to do was join them and keep your head low.

She wished you good luck, and then you found yourself hugging this girl you'd barely known for more than a few days. But she gave you trust when you needed it, and you wouldn't ever forget it.

You knew you weren't gonna see any of these people ever again, so you might as well say goodbye.

You were halfway through thanking Tigris when Peeta's voice suddenly sounded. "Katniss, let me come with you, okay?" You saw her face fall out of the corner of your eye.

He wasn't asking; he was begging.

"I can be a good distraction. They- they know my face—"

She firmly cut him off. "No, I'm not losing you again."

"What if Peacekeepers are searching the houses?" Gale spoke up. Whether it was out of spite or concern, you couldn't tell. "And if he's captured—"

He barely got to finish his sentence before Peeta was hurriedly interrupting him. "Then give me a nightlock pill, okay? I'm not going back."

You inhaled a sharp breath. Unconsciously, your hand went to the side pocket you'd tucked your pill in. Peeta's words had reignited a fear in you that you thought you'd expelled, bringing back memories you didn't want to have at that specific moment.

Please- please, I don't want to play anymore.

You didn't know you had closed your eyes until you reopened them to Gale handing Peeta his nightlock pill. Katniss went to unlock his cuffs, and that's when you looked away, getting the feeling you were intruding on something private.

Instead your eyes went to the very person you were avoiding. You met Finnick's blue eyes easily. Pretty blue eyes the colour of the ocean, your favourite colour.

Your favourite person.

A smile crept onto your face without your knowing. This was exactly why you were supposed to be avoiding him, but as you watched your best friend with the boy she loved, disregarding everything just to say goodbye, you couldn't help but want to do the same. You knew you already said goodbye to him, but you were already running out of time; why waste what little of it you had left?

One last time, you told yourself, just one last time to drown in his ocean.

You made your way over to him across the room, and before you could even get a word out, he said, "I want to come with you, too." You opened your mouth to protest— "But I'm not gonna ask you to."

You furrowed your brows. "Wha—"

Finnick lazily draped an arm over your shoulder, yet at the same time there was nothing lazy about the action at all. That, coupled with him brushing strands of hair out of your face, made you go silent. He was quiet, too, just staring at you.

The way he was looking at you reminded you of the way he examined his surroundings in the Quell, trying to remember where everything was.

It was like he was trying to commit your face to memory.

After a moment, he explained, "I know you won't let me." Of course, you wouldn't.

You weren't gonna let him watch you die.

You sighed, "I'm sorry—" 

With his voice as soft as silk, he chided, "Don't be sorry." His lips quirked upward while he caressed your hair. "Just come back to me in one piece so we can have that talk?"

You tried your best to reciprocate his smile. "I will." Liar.

Terrified that he'd see through your façade, you pulled him in, wounding your arms around him tightly. He held you just as tight. Only when your face was no longer in his view did you screw your eyes shut, willing yourself not to cry.

You'd stay like this forever if you could.

But you couldn't.

Behind you, someone cleared their throat, which meant your time was up. You had to go now.

Slowly, you unwrapped your arms from Finnick's body, wanting to hold onto him for as long you could. By the time you fully let go, you felt like something was missing. And there was.

Finnick Odair would always hold your heart in his hands.

You flashed him one last smile before you turned around. You wouldn't say you loved him before you left, and perhaps you'd regret that, but if you heard him say it back, you didn't know if you'd have the willpower to leave.

Déjà vu crashed into you like a tidal wave. You lived this moment before, saying goodbye then turning your back and walking away.

I'll see you at midnight?

Yeah, I'll see you at midnight.

You didn't see him at midnight. But you came back. It wasn't the same you that came back, but you did, eventually.

You came back before.

This time, you wouldn't.

You and Katniss set off, finding the crowd immediately. It was a sea of people, impossible to miss. You joined them easily; if you were tentative, you'd get caught, so you had to march with them like you belonged.

There were dozens of Peacekeepers lining the sides of the path. When you glanced up, you found even more on the balconies of buildings, which quickly made you duck your head back down.

If you so much as removed your hood, they could identify you. And you refused to die before Snow did first.

The two of you were silent as you moved forward. There was that feeling in your chest again, the feeling that you were supposed to be saying something, but if anybody recognized your voice, you'd both be as good as dead. Katniss must've felt that pressure, too, but she didn't speak up about it, either.

On a whim, you glanced up ahead of you. You immediately regretted it when a child's eyes locked on yours.

Shit.

She was clutching onto a woman's shoulder—her mother's, you assumed. You prayed that she was too young to recognize you or too tired to make the connection, but then her head lifted up and you knew it didn't matter. 

She recognized you.

You glanced away from the kid before looking back. Her gaze didn't move but neither did her mouth.

She recognized you, but she wasn't going to say anything.

You were about to breathe a sigh of relief before Katniss tapped your arm, motioning ahead. Your eyes travelled to where she was gesturing, and you could've sworn your heart stopped.

Peacekeepers. 

They were checking people. You wouldn't get past them and you both knew it, so you swiftly turned around without another word. Except they were behind you, too, sweeping through the crowd.

Fuck.

You turned forward again, your heart and your mind racing in tandem to find a way out of this. You don't know what you could've possibly come up with.

You don't even think you were breathing.

Your fingers were inching their way to the gun on your hip just as a hand went to your shoulder. But before either of you could do anything, a loud boom sounded, sending you to the ground.

People were shouting everywhere all at once, mixing in with the music so you couldn't hear a thing. Your ears rang but you could still hear someone bellow, "It's the rebels!"

You glanced backward, and their yell was proven correct. A mob of rebels marched forward in a line, shooting at every guard in white they saw.

Another explosion reverberated through the battlefield, making you cup your ears. You couldn't hold back the pained cry that left you.

You looked forward, your eyes finding the same little girl from earlier, her yellow coat now tainted with dirt. She was kneeling above her mother's body, screaming. Tears sparked in your eyes.

That girl's mother was dead.

But you couldn't end up like her.

Quickly, you gathered your bearing, ushering Katniss up. "Come on!" She was stagnant, but as soon as you pulled her up, she was back from wherever she'd gone to. And then the two of you were running.

You jumped behind a barricade, only stopping momentarily. There was a Peacekeeper lying on the ground in front of you. Good, you thought. You could use his gun.

You untangled the rifle from his hands, kicking him down when he started moving. Then you were running forward again.

You ran like never before, stopping only to check that Katniss was still with you. Explosions went off on your way, shaking the ground. Some were too close, but you kept running.

Whether it was your sheer will or the adrenaline pumping through your body, you couldn't stop, not when you were so close. The gate was in your view now. You pushed through the crowd, not caring if your hood fell off in the process. There was too much chaos for anyone to notice.

The people were restless, a robotic voice trying and failing to pacify them. You were so busy climbing up a tank, trying to get a better a look at the palace, that you barely caught it. The gates will open momentarily, it was saying. The children will be received first. Stay calm. Bring your children forward.

That... that didn't sound right.

No, it did. It did sound right. It was right to bring the children forward first.

And that's exactly why it sounded wrong.

President Snow had never cared about children—why would he start now? It was puzzling; it didn't make any sense. But you couldn't make sense of it. You're forgetting why you're here, Y/N.

You shook your head, trying to bring yourself back to your objectives and not watch as the Peacekeepers lifted children from their parents' arms, but then something else caught your attention.

Whirring.

Your eyes shot to the sky where there was a lone hovercraft flying, Panem's emblem painted onto the wings. Not one of yours.

The hovercraft flew by. You don't know what you could've possibly expected, but you certainly didn't expect for it to drop parachutes in its wake.

"Gifts from the Capitol!" someone cheered.

The pit in your stomach returned, no matter how hard you'd just tried to get rid of it. The parachutes fell like they were in slow motion. You couldn't tell if they were truly moving so slowly or if was just you.

The world seemed to stop. The dance seemed to stop. And then everything clicked.

But you were too late.

Your eyes widened. "No—"

BOOM.

You were thrown through the air, landing somewhere hard. The wind was knocked out of you. At first, you were choking on nothing until you finally gained the ability to wheeze. Tears pricked at the corners of your eyes.

This time, you couldn't hear anything. No screams, no more shooting. No more music at all.

The music came to a screeching halt. The record didn't skip. It just stopped.

It occurred to you then that the fucking needle must've just scratched the vinyl, because the music restarted. But it wasn't the same.

You shot upward, coughing your lungs away and waving dust out of your face. You stumbled as you got up—that was a misstep. 

Dancing, dancing, dancing, dancing— 

Katniss. 

Where's Katniss?

Frantically, your eyes darted everywhere. She wasn't beside you. She wasn't in front of you. You spun around, dancing, and she wasn't behind you either.

You wanted to scream her name, but you didn't. She's fine, you reassured yourself. She had to be fine—she was right next to you when the bombs went off. You just had to find her.

Your eyes scanned the scene in front of you, just now really looking at it. Bodies littered the ground, medics and Peacekeepers alike rushing to the wounded. So many wounded. You'd never seen so many bodies in one place.

You looked for a woman in a blue cloak among them. You didn't find her. But you did find someone else that was oddly familiar.

A blonde. A young blonde in a medic's uniform.

You know, I used to be jealous of you.

Jealous of me?

No, that couldn't be—

You have a family that really loves you, that beautiful sister of yours.

You blinked as if it'd make her disappear, but when you opened your eyes, she was still there, not a figment of your imagination at all. She was there.

And then she wasn't.

You had just opened your mouth, but the words died in your throat. "Prim—"

It all happened faster than you could register it.

You saw the flames first. Light travelled faster than sound. Then you heard it—the explosion. And then you felt it. You felt it more forcefully than any of the other ones, shockwaves rippling through your body.

And then you felt nothing.

The last time you awoke in the Capitol, you could feel that something bad was about to happen to you. Dread flowed through your veins like it was blood, infecting every part of you. It was as if a dark cloud hung over your head, a voice in your ear telling you to keep your eyes closed for as long as you could, to enjoy the rest while you still had it.

This time, your eyes fluttered open on their own accord. Your eyelids weren't as heavy. Your body wasn't as sore. But there was a still a weight on your chest.

The dread was still there.

Then the memories flooded back to you.

Bombs. And Primrose Everdeen.

No. You had to have been hallucinating.

With that thought, you blinked, suddenly becoming aware of your surroundings. The lights were fluorescent, but they weren't blinding like typical hospital lights—and there was an incessant beeping noise, but it wasn't very loud. You gathered that this wasn't a hospital room; it was more like a triage centre.

There was a shuffling to your right that you directed your attention to. It was a blonde woman tending to a sleeping brunette's wounds. You blinked again, and then you realized that brunette was Katniss. 

You let out a sigh of relief. She was okay.

Your eyes then immediately flickered to the other presence in the room. Haymitch stood between yours and Katniss' beds. He was already looking at you.

You didn't greet him; the two of you were past that. "Is it—"

"Yes." He seemed to understand without any explanation. Your eyes fell shut for a moment then, taking it in, and he let you.

The war was over.

You won.

But this didn't feel like winning.

When you opened your eyes, Haymitch seemed to already know what you were thinking. That's what you liked about him: no nonsense, no bullshit, no trying to sugarcoat something that was so clearly sour. Just straight to the point.

"It was over after the Capitol dropped those bombs to defend the Palace. Rebels took it right after." He paused, eyes glossing over with a look you knew all too well. "Everybody felt it—Peacekeepers, Palace guards... kids. It was, uh... it was over after that."

You could remember that. The children reaching up in the air, trying to grab what they thought were gifts from their beloved Capitol. Bombs exploded in their faces. You wondered if they were strong enough to kill on impact.

You hoped they were.

Children crying for their parents. Parents crying for their children. All of the sounds melded together eventually.

But you won. You won, didn't you?

Didn't you?

He changed topics. You think it was too hard for him to talk about, too, and that was almost absurd. You never thought you'd see the day that Haymitch Abernathy shied away from anything, yet here you were.

"Your injuries are minor," he told you. "Damage is superficial. You got off unscathed." Did you? "They wanted to take you right to the Palace, but I figured you'd want to change your own clothes." 

He said it casually, but the implication was there. That made you crack a smile, or at least the best smile you could give. "Thanks, H."

He nodded in acknowledgement but otherwise didn't mention it. The victors didn't talk about those sorts of things, not up until recently. You knew what happened to him, to his family, his girlfriend. And he always knew what was happening to you, but it was never spoken out loud. The things that happened in the dark were never meant to be brought under the spotlight.

So Finnick brought out the sun. And now, every secret, every body, and every monster under the bed was out in the open for everyone to see. 

You just never thought the sun would burn so much.

Your gaze travelled over to the blonde woman, still at work, applying some type of ointment to Katniss' neck. She hadn't said a word.

You suddenly realized that you were staring at Carine Everdeen.

You looked back to Haymitch, then Carine, then back at him, a question lying silently in your eyes. You opened your mouth, but you didn't need to. Haymitch just nodded, a solemn countenance overtaking his face. At his confirmation, you felt yourself physically deflate.

You weren't hallucinating.

Prim was dead.

You sat there with that information for a bit, unknowing of what to do with it. Katniss' innocent little sister was dead, caught in the crossfire of a fight she should've never had to live through. 

Katniss only ever volunteered to spare her sister.

And now she was dead, anyway.

She deserved to be acknowledged. You didn't know what to say, but she deserved the effort. Prim deserved the world.

Your voice was just barely above a whisper, hoarse from either the lack of use or remorse, perhaps both. "Mrs. Everdeen?"

Her hands paused mid-movement. She slowly turned around to look at you. Only, she wasn't looking at you. She wasn't really there.

You could count the number of times you spoke to Carine on one hand. It'd only ever been in passing, a hello here and there. She wasn't close with Katniss, therefore, she wasn't close with you. But right now, it didn't matter how close you were at all.

Somehow, everyone felt so faraway.

You swallowed. "I'm so sorry."

She was silent, but you could see every word she wasn't speaking in her eyes. Sadness, regret, anger, devastation. Grief. For a second, you could see her come back, but she was gone just as quickly as she reappeared.

"Me, too."

The ride from the triage centre to the Palace was all a blur. Somewhere in between everything, you got dressed into your own clothes, not the ones from 13. You briefly wondered how they got ahold of them.

Katniss was still there, sleeping. Maybe she woke up by now. You just needed to get out of there. Haymitch had told you that Finnick was en route, and you asked him to help you get out before he got there, to just tell him that they'd taken you to the Palace right away like they originally planned.

You didn't know why you did that, but you just knew you couldn't talk to him. Not yet.

They gave you a random room then left you there after you asked them to. You were sure they weren't supposed to do that, probably on Coin's orders, but the glare you sent them must've been real bad because they went scurrying out like mice.

You exhaled when they closed the door, finally alone. For a second, you felt like you could breathe again. And then you caught a glimpse of the bed and it was back to feeling like you were suffocating.

Crimson red sheets, gold accents. A ginormous velvet head board. A huge comforter that would likely warm you up— God, you were still so cold.

But you'd lied on a bed just like that before. And you were just as cold then, even with the warm body lying right next to you.

You cupped your mouth, knees buckling, but your other trembling hand grasped onto the chair right in front of you. You held onto that crest for dear life, simultaneously holding back a sob.

Calm down, Y/N. Just stop.

You were trying— you were fucking trying. But then your eyes zeroed in on items on the table in front of you. They blended in with the rest of the extravagant decor of this room, but once you saw them, it was all you could see.

A crown.

And a vase of fucking roses. 

You screamed, letting go of the chair and throwing the vase the ground, not caring if any of the shards hit you. The crown was next. Then you were tumbling down to the ground, too.

The dam in your eyes broke, tears flooding down your cheeks with no sign of stopping. Sobs wracked through your body.

It hurt. It fucking hurt. Not your legs. Not your back. Not your ears. Your heart. You clawed at your chest relentlessly, pleading for the pain to go away.

"Please," you cried. "Please make it stop." You don't know who you were crying to. You hadn't prayed in ages— you didn't even know what you believed in anymore. All you knew was that you were on your knees, begging for any God to listen.

But nobody answered.

You might've sat on the floor of that room for hours—you truly didn't know. You cried until you didn't have tears anymore, until you were numb. You just sat there after that, staring at the ground, at the crown you threw.

So much power that a single object had over you. It was a mask. A contract. A lie. A trick painted in gold. Your legacy.

It was your fucking poison.

Heavy is the head that wears the crown, they said. 

They didn't know the half of it.

After a while, you got sick of staring at it, forcing yourself up and immediately turning to the door. You were exhausted, sure, and you'd sleep eventually, but not on that bed.

You turned the knob on the door and shut it behind you, knowing it was unlikely that you'd return to it. You made your way through the Palace like it was second nature; you knew this place well. Dozens of parties and faux appearances would do that to you.

The Palace only held poor memories for you. Here, your life as a marionette began, and you hadn't known anything different since. What person would want to stay in a place like that, a place that symbolized the moment their life changed forever?

Getting reaped might've been when your life went downhill, but your life became Snow's the second you stepped into his home.

You found yourself pulling the French doors to the backyard open, wanting to feel a cold that didn't come from your own body. The ground was covered in a blanket of white that crunched beneath your feet. Only a thin jacket protected you from the air sharply licking your skin, but you welcomed the feeling.

You didn't know what you were doing, but when you saw two men guarding the Rose Garden, you couldn't help but be pulled to it, like you still had strings attached to your limbs.

You were just reaching the doors when one of the guards stepped in front of them, his hand out. "Sorry, Princess. Can't let you pass."

His statement caused you to intake a deep breath, whether it was from the actual statement itself or the name that so happened to spill from his lips. You had half a mind to argue with him—you weren't sure if you were in your right mind at all—until a familiar voice ordered, "Let her in." 

You turned your head, seeing Paylor stood on the steps you had just walked down.

If you were in a better state of mind, you might've smiled.

"On my authority. She has a right to anything behind that door."

You didn't smile, but you settled for a nod. You weren't sure if your eyes translated correctly, but when she nodded back, you knew she received your message.

You weren't just thanking her for this.

Without another thought, you turned back to the garden. The guards opened the glass doors for you, letting you in. Immediately, your nostrils were flooded with the rich scent of earth. Green plants and bushes were everywhere, the most vibrant colour of green you'd ever seen in your life. You wondered if light hit differently in the Capitol, allowing people to see colours you didn't have back home.

Then you thought back to how people here had ignored the black tendrils engulfing the city for so long, and you realized that: yes, light must have hit differently here. It was impossible to ignore the darkness otherwise.

White roses were everywhere. It made you sick, but you stopped the bile from rising. There were so many. You used to wonder why Snow seemed so obsessed with flowers, why he wore them on his person at all times, but you supposed it was no secret anymore.

Help cover the scent of blood from sores in his mouth that will never heal.

Your eyes were trained on one of the roses when a voice cut through your daze. "That's a nice one."

Instantly, every part of your body stiffened, but you ignored every instinct screaming at you to spin around. You refused to give him the satisfaction.

"The colours are lovely, of course. But nothing says perfection like white." 

Your jaw locked, and you made good effort to relax it before you turned around. Seeing him there with that smile on his face nearly made you crumble, but you stood tall, echoing, "Ironic, isn't it? How a man so tainted tries to fool the world with an illusion of purity."

His grin only widened. "I was hoping you would find your way here. I knew you would." You wanted to slap the grin off his face and strangle him until the smugness in his voice disappeared. Your hands clenched by your sides, and judging by the way his eyes twinkled, he saw. 

He sat down on a ledge, musing, "You always were my greatest achievement."

The words were being spat from your mouth before you could stop them. "I am not your anything."

He tilted his head just ever so slightly, staring at you with pools of condescension as if telling you that wasn't true. It wasn't true, and he knew you knew it.

"I have a feeling your visit will be brief, so let's not waste our time, shall we?" You hated the way the word our rolled off his tongue, but you didn't show it on your face.

Snow cut himself off with a cough, bringing his handkerchief to his mouth. When he lowered it, it was spotted in blood. "Please offer my condolences to Ms. Everdeen about her sister." He tutted to himself. "So wasteful. So unnecessary."

You scoffed a humourless chuckle. "Really?"

"Why, yes, dear," he replied, shaking his head for effect. "Anyone could see the game was over by that point. In fact, I was just about to issue an official surrender when they released those parachutes."

A scowl crawled onto your face. "What the hell are you on about? You released those parachutes."

"You really think I gave the order?" He leaned forward in his seat, his eyes peering into your soul. You didn't once look away. "We both know I'm not above killing children. But I am not wasteful." He stressed the word like it was disgraceful to him. "I take life for... specific reasons. And there was no reason for me to destroy a pen full of Capitol children— none at all—"

He was cut off by another cough. It did little to disturb you; you were already disgusted from the moment he began talking. Every word he spoke was careful and calculated. Listening to him explain his rhyme and reason wasn't something you were interested in. What reason could he possibly have for what he'd done?

He took the lives of everyone he met. Every person you cared about had fallen victim to his schemes. Katniss. Johanna. Peeta. Finnick. He took your mother's life— he took your life.

There was nothing he could say to ever make you understand his perspective.

Once he stopped coughing and looked back up at you, the smile was right back on his face like it never left. "I must concede, it was a masterful move on Coin's part," he admitted. The second he uttered Coin's name, you tensed even more than you thought possible. Humour laced through his voice. "The idea that I was bombing our own helpless children to hold back the rebels... it turned the last of my guards against me. There was no resistance left inside the Capitol or the mansion." He leaned forward again, like he was letting you in on a little secret. "Do you know it aired live? There's a... particular savvy in that, isn't there?"

You were afraid that, if he kept talking, you wouldn't be able to hold back the bile in your throat. He's crazy. This was Coriolanus Snow, a man who rose to the top by knocking down anything or anyone that stood in his way. You couldn't trust a word that came out of his mouth.

Yet you were still compelled to listen to him.

The moment you met Coin flashed behind your eyes as you blinked. You felt the sensation of shaking her hand all over again. Every encounter you ever had with her ran through your mind.

You thought back to when you were in 2 and her and Commander Lyme disagreed.

You've been underground a long time, Madam Coin. This isn't like the rest of Panem. Support for the Capitol runs deep here.

Then there is no sacrifice too great.

Snow pulled you out of your trance. "I'm sure she wasn't gunning for that Everdeen girl, but... these things happen in war." It was as if he could see the gears in your head spinning out of control.

Spinning, spinning, spinning— 

"My failure was in being so slow to grasp Coin's plan," he proclaimed. "She let the Capitol and the districts destroy one another, then she stepped in to take power with 13's arsenal. Oh, make no mistake." He chuckled. "She intends to take my place now."

Your skin was crawling. You felt the urge to rip it off.

Something about his smile became more harrowing, like he was placing down his final piece on the chess board. "But I've been watching you. And you watching me." You dug your nails into your skin. "I'm afraid we've both been played for fools."

No. 

No.

"You're lying." You didn't even sound convincing to yourself.

He tutted once more. "Y/N, my dear, I may have done many things, but have I ever once lied to you?"

You were gonna be sick. You turned around before he could see the tears gathering in your eyes.

This was over.

You went for the door, but just as you were about to knock on it and alert the guards, Snow stopped you in your tracks. "I see so much of myself in you, Y/N."

You felt your lips tremble, but not a single tear raced down your cheek. You didn't allow it.

Slowly, you turned around, your voice quiet but firm. "I am nothing like you," you avowed—to him and to yourself.

You didn't spend another second wasting your time looking at him, going to knock on the door as he broke into a fit of coughing. That coughing transformed into laughter.

Snow laughed maniacally as you left the garden and didn't stop. You could hear him laughing as you powered through his backyard, echoing in the empty space.

And even when you were back inside the Palace, his laugh still followed you.

You found a random hallway in the mansion, the first one that didn't remind you of anything, and you immediately went to the wall closest to you, leaning your forehead against it and inhaling a shaky breath.

Get your shit together, you scolded.

You already broke down once today. You didn't deserve another breakdown— no, you couldn't afford another breakdown. You needed time to think.

Did you believe Snow? Was this just his last way of fucking with you before he died, trying to get the last laugh by absolving himself of the blame? He had to know that he'd reached the end of the line, that he'd be dying at your hands.

He lost, and you won. The war was over—all that was left to do was kill him.

Katniss' voice suddenly rang through your head. This isn't right, she'd said, mourning the possibility of innocent life being lost before it even happened. You remembered your response to that, too.

It's fire catching, Everdeen.

A shiver ran through your body. Was this what fire catching looked like? Children dying. Hundreds of people with their lives forever altered—hundreds of people injured or killed by those bombs going off. Fire caught onto them.

This didn't feel like a win. Mulling over Snow's accusations in your head, it all made sense. There were no victors in an arena. You deluded yourself into thinking this was anything other than a game while Coin was playing her winning card.

You remembered what it was like in the arena, surviving off of ruthlessness, uncaring of what'd happen to anyone else as long as it meant you got to win.

But this wasn't meant to be a game. 

I see so much of myself in you, Y/N.

You didn't want to be like that anymore. You didn't want to play anymore.

"Y/N?"

You turned around, being met with the Girl on Fire standing across from you on the other side of the hallway. That was the name Caesar gave her from her first Tribute Parade, but you no longer found it appropriate.

The Girl on Fire was the girl who volunteered in place of her sister.

The woman that stood in front of you now had her sister killed by the very thing that once defined her.

You made it a point to never call her that again.

Katniss Everdeen was her name. She was The Mockingjay. And somehow, she became your best friend. So then and there, as you stared at one another, you knew that you had to tell her what Snow said, regardless of what you believed.

Softly, you told her, "We have to talk."

Yet no matter how soft your voice was, you don't think anything could have ever softened the blow.

Katniss took you to her room, and there, you told her everything. When you were done explaining, she looked so empty but so full of so many emotions at the same time. 

Do you believe it? she asked you.

I don't know, you responded. I don't know.

You sat there with her and gave her time to absorb it, not saying another word. The two of you sat there in silence until Gale came and fetched you, saying that Coin wanted to speak with you both.

You got up and left the room but closed the door on your way out. She wanted to talk to him—she needed to. 

You were there waiting for her when she was done, and you pretended you didn't watch Gale leave the room with tears in his eyes. 

Side by side, you walked to Snow's cabinet room with you leading the way. No one told you it'd be there, but you had a strong suspicion that that'd be Coin's choice. When you found two armed guards in front of the double doors, you were proven correct—and you didn't know why that unnverved you so much.

About 20 feet away from the doors, you held your arm out in front of Katniss, effectively stopping her. You had sat in silence with her for who knew how long, but now was one of those moments when you felt like you had to say something, and you were gonna take it before you got within earshot of those guards.

You stepped in front of her slightly so you could look at her, and for a moment, you lost your footing. It wasn't like you saw Katniss anything other than indifferent often, but this look struck you to the core. 

Perhaps it was the thin line of her lips. Maybe it was the emptiness in her eyes, no emotion in sight. Or maybe it was how you felt like you were staring into a mirror.

But she deserved so much better than being you.

Katniss Everdeen deserved the justice you never had.

You didn't know how to say all of this, nor did you know if she was in the headspace to listen, so you made sure she was looking at you when you spoke. "Do what you have to do," you whispered.

She stared at you for a few seconds, empty, but in all the darkness of her eyes you could see a faint light shine. Clarity.

She understood.

She gave you a small nod, and then you were moving out of the way, finishing your walk to the conference room. You might've been vague, but you knew your point was received. Whatever she wanted to do from this point forward, you'd stand by it.

The ball was in her court now.

The men in front of the doors gave you short nods of acknowledgement before stoically opening the doors. When they did, you weren't met only with Coin. This was a room full of victors.

And even though you suspected they hadn't been chatty before you entered, they were now radio silent.

Your eyes immediately locked with Finnick's, and you would've exhaled if you weren't under the microscope. He's okay. He's okay, and you knew that already, Y/N. You knew he was okay, but being told that wasn't the same as seeing him in person.

You didn't think you'd get to see those blue eyes again.

But you were.

Finnick flashed you a soft smile. It wasn't his classic Finnick smile, the one he'd throw at cameras and crowds. He was visibly exhausted, but he still found it in himself to smile at you.

It was the least you could do to smile back, even if it wasn't as dazzling as his.

"What's this?" the brunette beside you questioned, knocking you out of your trance. Her voice was cold and detached, but you noticed something now that wasn't there before. Deep underneath that ice was red, hot anger.

From Coin's response, you doubted she caught it. "The remaining victors." She gestured to the table. "Won't you join us?" Behind her, Johanna held out her arms, too, a mocking smile on her face that would've made you laugh if you weren't so tired.

You followed Katniss' lead, taking the last two seats at the table while also taking a cursory glance of the room. Beetee, Enobaria, Haymitch, Johanna, Finnick, Peeta, and Annie. You frowned. She was supposed to be on her honeymoon, not back in the Capitol—probably never back in the Capitol. But she glanced at you and you smiled, anyway.

"I have invited you all here for several reasons, but first, I have an announcement." Both Coin's words and her tone of made you look back at her, but then something else caught your attention.

Even under the glare of all the chandeliers in the room, you could still see the glint in her eye.

"I have taken the burden and the honour of declaring myself interim President of Panem." 

Oh, you could've laughed. Even though there wasn't a single thing funny about it.

You settled for narrowing your eyes; meanwhile, Haymitch scoffed. "Interim? Exactly how long is that interim?"

Coin's hands remained clasped on the table, and she didn't flinch. "We have no way of knowing for certain. But it's clear that the people are far too emotional right now to make a rational decision." Her voice was calm and collected, if not condescending. "We'll plan an election when the time is right."

You hummed, and even though she undoubtedly heard you, she ignored it.

"But I have called you here for a far more important vote." She finally look her hands off the table, leaning back. "A symbolic vote." 

Everyone in this room is a symbol in some way, you thought, but you held your tongue. Symbols didn't mean much to people who had been turned into nothing more than just that, but the thought must've escaped her.

"This afternoon, we will execute Snow. Hundreds of his accomplices also await their deaths. Capitol officials, Peacekeepers, torturers, Gamemakers. But the danger is, once we begin, the rebels will not stop calling for retribution." Dread crept into your stomach. Whatever she was going to propose, you wouldn't like it. "Thirst for blood is a difficult urge to satisfy. So... I offer an alternative plan. Majority of five may approve it— no one may abstain." She gave you a pointed glance. "The proposal is this. In lieu of these barbaric executions, we hold a symbolic Hunger Games."

Somehow, the room got quieter.

You fought to keep your face impassive—though, you were unknowing if you succeeded. You could only hope that the years of pretending paid off.

In lieu? What the hell did that mean? She wanted to spare a horde of evil people in exchange for the lives of innocents? That didn't make any sense.

But then you realized, powerful people. It'd be sparing powerful people. 

Johanna broke the silence with a laugh. It bounced off the decorated walls like rubber. "You wanna have another Hunger Games with— the Capitol's children?"

Peeta monotoned, "You're joking."

"Not in the slightest," Coin responded.

You glanced at Katniss. She was mute, just staring staring straight at Coin. They all might've thought she was in shock, grieving, but you knew the truth.

It was all falling into place for her.

Finnick let out a scoff. "Is this Plutarch's idea?"

If you didn't know any better, you would've thought the look on Coin's face was offense and not pride. "It was mine." There was another scoff in the room, probably from Haymitch that time. "It balances the need for revenge... with the least loss of human life."

The least loss of valuable of human life.

"You may cast your votes—"

"No," Peeta cut her off immediately, voting first. "No, obviously not. This is crazy."

"I think it's more than fair," Jo chimed in. "Snow's got a granddaugter. I say yes." You didn't judge her for that answer, even if you didn't agree with it. All of you had felt pain at the hands of the Capitol, but you couldn't possibly imagine condemning anyone else to the same fate.

Capitol children or not, they were still children. They weren't symbols; they were human. And you refused to join any line of thinking that said otherwise.

"So do I," Enobaria said, her red lips curving into a smile that made you remember when those lips were once coated in blood. "Let them have a taste of it."

"You guys, this way of thinking is what started these uprisings." Peeta's voice was incredulous.

Annie spoke up. "I vote no. With Peeta." Despite the decision in her tone, she cast a worried glance your way right after. Why haven't you said anything? her eyes read.

You looked away from them.

"No," Beetee voted. "We need to stop viewing each other as enemies." 

Finally, the voice you were waiting for sparked. "You have to be kidding me right now." Finnick had a baffled smile on his face, and you had a feeling he was going to start saying a few choice words.

And you didn't know why just yet, but you couldn't let him.

Before he could get his vote in, you blurted, "Yes." His head immediately snapped to yours, and you felt instant regret when his eyes met yours. In the swirls of all the blue, you could see betrayal.

The bile that you worked so hard to suppress earlier was back rising, but you wouldn't let it leave. He had to understand. You had to make him understand. 

You kept your eyes on his, no matter how sick it made you feel, pleading to him silently. His own words echoed through your head.

Please just trust me.

Trust you to do what?

I just need you to trust me, Y/N, please. Trust me.

You did. You trusted him, even when you didn't understand it at all, and now you were just begging him to return the favour.

You closed your for a brief second. Please just trust me, Finnick.

"Yes." Your eyes flew wide open to see him already looking at you. He maintained your stare before looking back to Coin. "You've got my yes, too."

He said yes. But really, he was saying so much more than that.

I trust you.

Coin nodded, disclosing, "It's down to Katniss and Haymitch." Majority of five. Only one of them had to say yes for her plan to take off, and you already knew which one of them it'd be.

Coin's eyes narrowed while Katniss remained expressionless, and in that moment, it was clear that The Hunger Games wasn't the one Coin was proposing. It was this, and President Coin was the Gamemaker and engineer behind it all. This was a game of cat and mouse.

Only Coin wasn't the cat.

After a beat of silence, Katniss finally spoke. "I get to kill Snow," she dictated.

A few pairs of eyes flitted to you, but you only focused on one of them. Coin glanced at you, and when you didn't object, she obliged, "Of course."

The room was back to silence, but your mind was anything but. What you heard were strings, brass, percussion, and a whole orchestra of instruments. A cacophony of noise and voices singing about a necklace of hope, only getting louder, and louder, and louder, and louder—

And then the beat dropped.

"Then I vote yes." That's five. For the first time since you entered the room, there was a crack in Katniss' voice. "For Prim."

That was nearly a warning, but if Coin caught the edge to her voice, she didn't say anything about it. You think she was so consumed by satisfaction that she wouldn't have been able to notice, anyway.

She turned her attention to Haymitch if not just to stay true to her words. No one may abstain. "Haymitch?"

Katniss and Haymitch shared a gaze for a few seconds, and then he looked to you, and to Finnick, before he was looking back to Coin. He didn't agree with this, but he still lied, "I'm with the, uh, Mockingjay."

Coin nodded, poorly stifling a smile. You wondered how anyone could smile at the news of a slaughter. "That carries the vote. Excellent. We'll announce The Games tonight after the execution."

And that was it. She got what she wanted. She won.

But as you glanced at Katniss to see the emptiness returning to her eyes, you had a feeling that wouldn't last very long.

Stylists brought you to your room and did your hair for you, taking the locks and forming them into the braided updo that the people had grown to love. It was a crown—that's why they liked it so much. You would've preferred to leave your hair as it was, but you compromised that you'd do the hair if they didn't make you wear that ridiculous costume.

Cinna was an impeccable designer, but if you could go forever without wearing that suit, it'd still be too soon.

On your way into your room, the stylists ignored the broken glass on the floor, stepping over it and sending each other looks that they thought were discreet. They weren't.

When they saw the crown lying on the floor, too, they didn't dare ask you to wear it.

They left soon after little small talk, though you didn't think they blamed you. You looked like shit before they got to fixing you up, making you look like you'd actually slept. 

Your lips were no longer pale, coated in lipstick that didn't look like lipstick. You supposed the "natural" element was part of the Princess façade. They did something that made your cheeks look less hollow and more rosy, and they concealed the bags under your eyes pretty nicely.

Now, you looked like the Princess.

But she doesn't exist, a voice reminded you. She's not you.

You tilted your head at the woman in the mirror. She wasn't your reflection; she was a mirage. You didn't see yourself in any of it, but you didn't see yourself before they added all the glamour, either. 

Who are you, Y/N?

You swore to yourself you'd find out.

After slipping on your coat, you left the room, promising never to see it again. You were walking to the front when you saw a woman in five inch heels and silvers tassles exiting a room, a big blonde wig on her head with sharp silver ticks pinned into it that looked like they could stab her if she fell the wrong way.

She glanced to the side and saw you before you could greet her, beating you to it. "Oh, Y/N!" A big grin came to her face as she marched her way over to you, heels clicking against the floor adamantly. You think she would've skipped if she could've. 

Her arms wrapped themselves around your frame before you could even think about protesting. "How lovely it is to see you!" she exclaimed.

Your humour trumped your discomfort, making you laugh and reciprocate the hug. "Hi, Effie." When she pulled away, you were quick to cut to the chase, knowing she'd talk your ear off for ages if you gave her the chance. You nodded to the doors she walked out of. "Is Katniss in there?"

"Oh, yes— yes, dear!" She ushered you to the doors. "Go right ahead!"

"Thank you." Effie uttered something along the lines of 'no problem' before opening the doors and practically closing them within the same breath.

The smile that was on your face promptly dropped when you saw Katniss, looking no better than earlier, but you made quick work to bring it back. "Hey, Everdeen." You tried to make your voice light, but the heaviness in the air didn't dissipate.

She turned to you after just a second too long, almost like she hadn't heard you. A grimace crossed her face, but you could tell it was her attempt at a smile.

You stood there for a bit, keeping your hands at your sides. There wasn't much more to say—this was it. After this, you didn't know what'd happen. What would life even be like without being crushed by the Capitol's thumb? Would you go home? Did you even have one?

You didn't know how any of this would play out, but you did know that whatever ending Katniss wrote, it would likely end in the two of you separating. You'd both go home, and you'd no longer see the girl you got so used to. Realistically, you'd only been in close quarters for a month, but before that, you were isolated. Katniss helped you get acclimated with the revolution and gave you hope for a better world, and now you'd be going into it without her.

She wouldn't be at your side anymore, but you wanted her to know that you'd be standing behind her regardless.

In two strides, you were embracing her in your arms before you could think better of it. She froze, stiffening, and you were just about to let go and apologize when she engulfed you with the exact same fervour.

Your lips curved upward, and that time, it wasn't forced.

Eventually, you pulled back, resting your hands on her forearms. Her eyes didn't look so empty anymore. 

You wanted to thank her for everything she'd done for you without knowing it, for saving your life in more ways than one. You wanted to tell her you loved her.

You opened your mouth, but she cut you off before you could even try. "I know." She nodded, the slighest quirk of her lips visible. "I know." Pause. "Me, too."

She knew. You didn't need to say it, and neither did she. 

Things weren't okay—they probably wouldn't be for a while, but in that moment, you knew they'd get better one day, even if you wouldn't be around each other to see it.

You nodded back at her, and you squeezed her arms one last time, whispering, "Don't do anything I wouldn't do, Katniss."

And then you were letting her, walking away and leaving her alone while you still could. If you'd stayed any longer, you don't know if you would've left.

There was nothing left unsaid, and those were the best kinds of endings. But it was an ending, and that left you with bittersweet feelings you couldn't name.

Deep down, you knew you probably wouldn't see her again, and perhaps that was why you didn't meet the cars waiting for you at the front. If that was the last you saw her, you wanted that to be your last encounter.

And, so, your last memory of Katniss Everdeen was in that room.

The word revolution, in the least words possible, meant change. That's what'd been happening for months now, if not years, and your reality was on the cusp of being turned on its head.

Yes, things changed.

And yet some things never did.

West of the city, there was a big lake; you found yourself there when you were supposed to be watching Snow's execution. A certain part of you was disappointed that you wouldn't get to watch him die; it was all you wanted ever since you got to 13, your sole motivation for staying alive.

But the other part of you was relieved. He would die, yes, but he wouldn't see you again before he did. He wouldn't get another chance to exercise his power over you ever again. So instead of being there, you were here, watching the water.

It reminded you of home. Back in your days at the Capitol, you didn't get do much sight-seeing of the city. You'd be brought in for a day or two, really only for the nights, and then you'd be sent back by morning. But once you met Finnick, he started walking around with you, and some nights you'd end up here.

You'd stare at the lake together in silence. Back then, the water was as close to freedom as you'd ever get. You supposed that was one of the things that did change.

You were free now.

What does that mean?

You pondered over that question for a while. For so long, you dreamed of even just tasting freedom; the thought was unattainable for so long, but now it was in your hands and you didn't know what you'd do.

The war was over.

But it wasn't.

The fight was over for you, but that didn't mean it was over for anyone else. Homes were destroyed. People were dead, and even more people were left here just to grieve. The nation was broken.

What did that make you if you just went home and left things like this? Maybe you'd done enough. Maybe you should just go home and retire the crown, finally get the rest you'd been longing for. But you didn't want that.

Who are you, Y/N?

Maybe you could be more than Panem's Princess.

"Y/N."

You were startled by the call of your name, spinning around. When you were met with eyes that matched the water behind you, you were calmed down.

"Finnick." A smile graced his face, eliciting one from you like it was contagious. "Hi."

"Hi." So many words to say, and yet that was the only one that either of you said. 

He walked up to you, turning his gaze to the lake, and just like old times, you did the same. Just like old times, the two of you stared out at the water without saying a thing. Just like old times, for a little while, you were just Y/N, and he was just Finnick.

And just like old times, all of that came to an end eventually.

"You weren't at the execution," he said at one point.

"No," you replied. "I wasn't."

"But you already know what happened." It was set up like a question, but it wasn't.

You turned to see him already looking at you. His eyes weren't angry; they were just curious. You quirked one side of your lips upward. "I had a feeling." Judging by his statement, your feeling was correct. Your lips quickly drooped downward. "Is—"

He nodded before you could finish. "Katniss is alright." A breath of relief left you. "Paylor's gonna pardon her eventually. She'll probably be taking over." That confirmed it.

Coin was dead. And Snow was, too.

When you got your bearings, you shrugged. "I'd vote for her." You might've said it just to bring some humour to the conversation, but it wasn't a joke. You had no doubts that Commander Paylor would lead the nation with courage.

Finnick chuckled, agreeing, but as soon as he stopped, the light disappeared, reminding you of the weight of the conversation you were about to have. You didn't think you'd even be alive to have it, but you were, and now there was no avoiding it. 

He must've seen the shift in your demeanour. "Y/N—"

"I love you," you breathed, cutting him off. If you were gonna have this talk, then that was the way you needed to start it. "I love you, and I have loved you for years. I'm so happy that I get to say it out loud now, because I never thought I'd get to, but Finnick, I—" the quivering of your lips made you stop. Realization dawned on his face, and that made tears come to your eyes. "I don't think love is enough."

He stepped closer to you, grabbing your hands. You let him. "Y/N—"

A tear raced down your cheek. "I don't know who I am when I'm not pretending. I lost myself trying to love you," you confessed, more tears falling down your face, but in the blur, you could see tears in his eyes, too. "I need to find myself again. I'm not— I'm not in the right headspace for a relationship right now, and it wouldn't be fair to you to jump right into one like everything's okay." Your voice shook. "It wouldn't be fair to either of us."

You were just about to pull your hands away when he squeezed them tighter. "No, I can— I can wait."

Your chest tightened as you held back a sob. He was so frantically trying to hold onto you when he shouldn't have been. You shook your head. "No, you don't understand. I need to stay here— I need time—"

"I can give you time!" he exclaimed, his voice cracking, simultaneously cracking your heart. "I can stay here— I can wait. Y/N, I will wait forever for you if you need me to."

This time, the sob did leave you, and there was nothing you could do stop it. "You shouldn't have to! You should just go be happy—"

"I can't be happy without you," he argued, stepping even closer to you like his every action was begging you to see his perspective. 

At his interruption, more sobs fell from your lips, and he promptly pulled you into his chest. Instinctually, your arms wrapped around his torso, and his hands went to your head, caressing your hair as you cried.

You cried, and cried, and cried, and he held you all through it, letting you soak his shirt with your tears. He held onto you tightly, and not just physically, either.

Finnick Odair would never let you go.

Never again.

Somewhere in the haze of it all, you calmed down. You don't remember when you did or what happened after that, but eventually, your eyes were fluttering open to a white ceiling. Your hands grasped at your surroundings, feeling linen scrunch beneath your fingertips.

You glanced to the side where a big window was, light shining in from the moon. You furrowed your brows. How long were you out—and where were you?

Slowly, you stood up, soreness hitting your body immediately. You held back a hiss. Sleep must've given the bruises time to marinate; you decided to ignore it.

You walked through what was clearly a bedroom and opened the door. It opened into a hallway; noise was coming from the left, so that's where you went.

You didn't know what exactly you were expecting when you reached the end of the hall, but it certainly wasn't Finnick in front of a stove, frying something out of view. 

"Finnick?"

He turned around, eyes widening. "Oh, hey— let me just—" your brows raised as he turned back to the stove, picking up the pan and dropping its contents onto two plates on the counter. Eggs. You blinked, and memories flashed underneath your eyelids of scenes just like this one.

You didn't think you'd ever see him cooking again.

When you opened your eyes, he was back to facing you, a sheepish smile on his face that looked just a touch out of place. "Sorry, I was cooking us some food." He gestured behind him then added, "Since you can't."

You scoffed, almost like you hadn't just been bawling your eyes out, almost like you were back at home and everything was still fine. "Okay, first of all, screw you—" he let out a chuckle, "second of all, thank you. And third of all, where the hell are we right now?" Your eyes scanned the area; this wasn't a hotel room. It was an apartment. "Last I remember, we were at the lake."

"This used to be Cressida's old place," he explained. "Said we could crash here as long as we wanted. She doesn't really wanna be here either way."

"Oh." We. We could crash here, he said. You were brought back to reality. "Finnick—"

"Let's eat," he cut you off, an easygoing smile on his face. Easygoing, but not easy. You could see the nerves churning behind his expression, so with a sigh, you nodded, letting him lead you to the dinner table and pull out your chair.

You told yourself you did it for him. But really, you wanted to prolong this for a little while longer, too.

He put your plate and cutlery in front of you. You wondered how he managed to procure eggs that weren't expired, but you didn't ask him aloud. You just picked up your fork and started eating.

Whether it was your hunger or your desire to hold onto this, you stayed silent as you ate. You even caught Finnick eating slower than usual; he wanted to hold onto this, too. He was determined to do so.

You and Finnick did what you did best: you pretended. You pretended that you didn't just lose it and cry yourself to the point of passing out. You pretended that you didn't have to talk after this. You pretended that you were still living in the life you had before the Quell, eating dinner every night just like this. And in remembering those dinners, you pretended that you weren't pretending then, too.

But you couldn't pretend forever.

You finished your food first and waited for Finnick to finish his. He took his time, and you let him. You let him twiddle with his fork when he was done, and then you let him take your plates and wash them afterwards. And once they were on the drying rack and he had no more excuses, you stood up from your chair with reality ready to spill from your lips.

"Finnick—"

He took no more than second to get to you. "Please, just— hold on." 

You closed your eyes and took a deep breath. "We can't avoid this forever."

"I know." Despite the shake in his voice, there was undeniable resolution in it. "And if... if what you said is really what you want, I'll give it to you." Out of sheer surprise, your eyes opened. The face you loved so much looked pained, but he still gave you a smile. This time, you could tell it wasn't real; it was purely for your sake. "There are countless things I need to apologize to you for, and I'd spend the rest of my life making it all up to you if you let me, but I'd do anything for you. So if what you want is for me to walk out that door right now, I'll do it." He swallowed, like he was scared out of his mind. "I just want to ask you one thing first."

The rational side of your mind screamed at you not to entertain it, to say no and get him to leave while you could both still bear it. He was willing to give you an out—that's what you wanted.

Was that what you wanted?

No, what you wanted was to feel better, and sometimes, Finnick did that, but other times, he did the exact opposite. Most times, the rational you corrected. Most times, he made you feel worse. But the happiness he gave you in those few times overrode everything else.

The other version of you, the one that remembered the good just as equally as the bad, nodded and gave him the greenlight.

He enveloped your hands in his, and the warmth made you realize just how cold you were. "Dance with me," he pleaded. "Dance with me and then decide."

No. Don't do it—

Transfixed by the way he was staring at you, you found yourself agreeing and ignoring your inner voice. "One dance," you told him.

The smile on his face became a grin. Real. This time, it was real. "That's all I'll ask," he promised. You took his word for it.

One last dance. 

He led you to the open area between the kitchen and the living room, keeping your hands in his hold and pulling you closer. You rested your head on his, listening to his heart rattle against his ribcage. God, you missed that sound. 

You missed this.

Finnick swayed you slowly to the music, nothing external or tangible, but the music you were dancing to was more real than any song you'd ever heard.

You realized now that the rational you was right. Finnick set his trap, and you lied in it. Because now that you remembered what this felt like, how could you willingly give it up? How could you ever leave?

The song might've been filled with heightening moments, and there might've been times when you just wanted to throw the damn record player into the wall, but it was your song. 

And this was your dance.

Minutes passed before you pulled away. Finnick's hands immediately tightened on yours, and you squeezed them right back. You were pulling away, but the song wasn't over.

It wouldn't be over for a long time.

You warned him, "It's gonna be a lot of work, Finnick."

"I'm okay with that."

"We had a life back home— you had a life. I wouldn't be blaming you if you wanted to go back to it." 

He was shaking his head before you were even done speaking, eyes earnestly poring into yours. "I'll build any life so long as it's with you."

You searched his eyes for any sign of doubt or lying but found none. When you were sure that you believed what he was saying, that he believed what he was saying, you released the smile you were holding back.

"Okay."

His eyes widened. "Okay?"

An involuntary giggle left you. "Yeah. Okay—" without warning, he picked you up and was twirling you around, making you squeal. "Finnick!"

Your laughs resounded throughout the apartment, and when he put you down, it was just to engulf you in his arms again. You wanted to kiss him, and he wanted to kiss you, but you'd have to work your way back up to that.

And eventually, you would.

No, your song wasn't over.

It was just restarting.

In district 12, Katniss Everdeen and Peeta Mellark stood inside their home. They started to live together after some time had passed, and while they weren't a couple at that moment, they were still together. That was more than enough for the both of them.

Katniss chopped up vegetables for the dinner they'd be having later with Haymitch while Peeta read her a letter, addressed to them both. They didn't get mail often, not in 12, so they didn't know entirely what was happening with everyone else, but this letter informed them of all that they'd missed.

You'll be happy to hear that Katniss' mother has been training new medical units in the Capitol. Thanks to her, we'll be able to heal many more people at a much faster rate.

Gale has been promoted to a captain in district 2 to help keep order and security. He's doing well there.

Johanna has gone back to district 7 where she is taking the healing process one day at a time. She'll take as much time as she needs.

Annie and Julian are back in 4, along with Mags. They spend every day loving their son the way we all should've been loved, and it's a beautiful sight to see.

I am in the Capitol. I run a centre for children all over Panem who have lost their parents. One of the children has been staying with me personally for a while; she reminds me of you, Katniss. I'm thinking of adopting her.

Finnick has been here with me. We're happy together. One day, not any time soon, but some day, I'm gonna marry him, and the two of you better be there for the wedding.

We've all suffered so much. But we owe it to the memories of everyone we've lost to do our best with these lives. 

I hope you're both finding some peace.

As Peeta read the last lines, Katniss smiled for the first time in a long time.

Sincerely,

Y/N

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additional a/n: see what i did there at the end—our song and DANCE ;) you guys, this is it. the song is over (for us at least). i'm in a mix of like pride and sadness. this has quite literally taken a year to finish. it's one of my fav things i've written to date, and at one point, it was the only thing i was writing. to those of you that have stuck around to the end, thank you. i really hope u enjoyed the series and its ending! i'm thinking of writing little blurbs for this and whatnot if ur interested, all revolving around their journey. eventually, i'll post a list of canons ab y/n and where i think she ends up. once again, thank you all so much for your support. reading your comments has never failed to make me smile. i love you!! have a great day.

[everythingbridgertonbxm]

Champagne & Shenanigans

Summary - You and Benedict become not so sober at a ball.

Notes - 760 words. She’s a short bean, but we love her anyhow. Fluff, my grammar, neck kisses?, drinking/being drunk. *Don’t repost or translate this without my permission.*

🥂🎨

You couldn’t remember how you ended up drunk, but you did. One moment you were entering the ball, the next you felt a buzz running through your body. You weren’t drunk enough to do something outrageously embarrassing, but you most certainly didn’t have your manners completely attached. Both fortunately and unfortunately your husband was just as drunk as you were. You had just finished a glass of wine, and replaced that glass with a glass of champagne when you realized you hadn’t scene your husband in a while.         

You approached his mother. “Have you seen, Benedict?”       

Violet Bridgerton shook her head, smiling. “No, my dear. Not recently. I last saw him in discussion with Lord Raemwork, discussing the colors of the wall.”       

You thanked her and made your way through the crowd, making sure to not spill your champagne. You found your husband, observing the painting on the wall. You quickly approached him and found him with a glass of wine in his hand. He was muttering under his breath about the colors working naturally well with the light.       

“Ben, dear?” You said, approaching him and placing a gentle hand on his shoulder.

He turned to face you, smiling upon realizing who it was. He pulled your hand up to his lips and placed a kiss on the back of it before doing it again and one more time for good measure, making you cover up a giggle. A few heads turned your war.     

“We are at an event, Benedict,” you admonished as best you could but your husband was too busy observing your face to pay much attention.             

He only grinned in your direction, before reaching for the fabric of your dress, playing with the skirt a moment. He let out a happy, thankfully quiet, gasp. “You see how the wall color complements your dress so well, dear?” Benedict noted proudly. He looked between your dress and the wall once more. “Perhaps we should repaint the drawing room. I like this blue.”      

You laughed before reaching for his hand and downing the rest of your champagne in one swig. You pulled him away from the wall, that dumb grin that made your heart pump like wild spreading over his face.        

You passed Lady Cowper and her daughter, Cressida. Neither of them were very pleasant. You leaned towards Lady Cowper’s ear as your walked by. “You have something on your bodice.” You relished, maybe too much, the sudden look of horror on her face as she stepped away to check what you were referring too. It was more exciting to know that she had gotten herself riled up over nothing.       

Making your way through the crowd, as quickly as you could without being impolite, your husband smiling all the way. You pushed the doors open that lead out to the gardens, breathing in the night air. You were barely out the door when Ben pulled you towards him, placing a kiss on your cheek, then your other cheek. You giggled against his touch before pulling him farther into the gardens. You both paused before a statue of an angel above a fountain. “What a pretty face,” you mumbled, looking at it.         

Benedict hummed in agreement, as you turned your gaze back to him, realizing he wasn’t even looking at the statue. “Yes you do,” he said stepping towards you and placing a not so chaste kiss against your lips.          

You laughed in response as your husband’s arms wrapped around your waist, before looking back over at the angel. “Now imagine that statue in the blue you’re in now,” Benedict whispered into your ear before kissing it.       

You let out a small hum in response before stepping forward and dipping your finger into the fountain and then pulling it out again. You weren’t really sure why but you just really wanted to do that. Benedict stepped forward again, an arm going around your waist, the other lifting up to the side of your face, his finger twirling a loose curl in your hair. He leaned forward ever so slightly placing a kiss on the side of your neck before looking back up at the angel.      

“Unfortunate you don’t have paint on you,” you whispered as if whispering the most important secret out there.        

Benedict laughed, placing another kiss to your neck.       

“Time to go home?” You asked him. Benedict has a tendency to become a needy man-child when he was drunk. You didn’t need to see Ben’s face to know he was grinning from ear to ear.              

“Time to go home.” 

[fruity-phrog]

Season five, Eloise and Cressida have made up and they are homoerotic besties once more. Eloise goes to Violet, begging for her to let Cressida stay at Bridgerton manor until she is able to get off the ground, safe from Aunt Joanna and her father. Violet is a saint, she says yes. Cressida is extremely grateful and also tries every way she knows how to show she has no ill intentions and is truly repentant for everything she's done.

Smart Violet sees that Cressida and Eloise are in gays together and she doesn't care about gender, she just wants El to have a love match, so the entire season's plot for Eloise is her mother desperately trying to hint that she is okay with El and Cressida being gay. Violet and Lady Danbury spend the whole time going to further and more inane lengths to hijink the two of them into finally epressing their feelings. I don't know where I'm going with this but I think I should be in charge of writing season 4 I know what the gays want.

[sapphicbluebelle]

I love how Bridgerton always takes these stereotypical female archetypes and then subverts you expectations and makes you rethink everything you thought about that character. And they don’t do it right away either, they let you get comfortable with the archetype for a while and then boom, they’re suddenly not as superficial as they seemed.

Lady Featherington seemed like the typical mean mother with selfish goals and underhanded tactics. But throughout season 1 while building up her villain persona they also set the stage for her arch in season 2. They showed Portia being ruthless blatantly but they also showed her being constantly let down by her husband, though that was less subtle, they also showed how she was money hungry, but didn’t highlight that the money she wanted was usually FOR her daughters. Th en in season two they continued this with Jack featherington. It was the scene at the end of the season where Portia says her iconic “I am a mother” line that was the turning point in her story I think. It took all of that set up she had had as a woman who had been constantly let down by the men in her life and showed her building herself and her daughters back up even when they had been taken advantage of time and time again. Portia Featherington isn’t a villain, she is a woman who fought for herself and her daughters to have power in a world that sought to demean her and give her no power.

Cressida Cowper for the first two seasons was plain and simple: a mean girl. That was her character through and through. Season 3 takes that mean girl persona and shows Cressida in a new light. Cressida is not a mean girl with high status. She is a girl with no power in the world. Cressida is not unlike Penelope, but rather than using a quill to try to desperately give herself power, she uses insults and jibes in person. She is not desperate for a husband for status or power like we were made to believe, she is desperate for a husband so that she may be free, free from her father, and free from the confines of her mausoleum of a house.

Philippa Featherington is considered the unintelligent woman. For the first two seasons she is treated by bother the other characters and the narrative as this ditzy lady who doesn’t know much. Season three keeps this narrative for the lost part. But it also starts to show her as less ditzy and more misunderstood. It shows that Philippa is not unintelligent, she has just not been given the tools in life to build her knowledge. Phillippa’s defining moment to subvert expectation was her “bugs” moment where everyone had seen her as being very naive and ridiculous for wanting to release bugs during a ball. But when she releases them you see that what she meant was butterflies. Phillips Featherington is not unintelligent, she is just unapologetically herself.

[writtenfangirl]

Dancing

A short one this time! I just wanted to write a really fluffy piece without drama although, yes there is a very small conflict if you squint hard enough. I wanted to write another fic that made me feel good just cause life's been extra hard lately.

Although I have a ton of ideas for this one so a sequel if people really enjoy this. I briefly wondered making Y/N be Lady Whistledown and pairing her up with my favorite Bridgerton brother to see what would happen.

TW: People being mean. Gossiping mamas. Cressida Cowper mention.

The ball, as most balls tended to be as the night waned, had grown stale and boring. The dancing had ceased despite the wonderful string quartet that played their music and people had broken off to their own parties. As the guests become accustomed to the taste of alcohol, words began to flow with reckless abandon. 

“Did you hear? Viscount Dotsfield has a bastard with a scullery maid!”

“The Earl of Blackfield is said to engage in… relationships with Sir Lockling.”

“There are rumors going around that one of the Colton daughters has a French paramour whose name is Ravilli. An ambassador of sorts…”

Gossip is what fueled the ton, the very lifeblood that had men and women of varying ages coming to these balls in the first place. No one in the ton wanted to be caught unaware and one could never be too careful of the rumors that could be fabricated about you. According to Y/N’s mama, the only people who didn’t come to balls and to the gatherings hosted by members of the ton were those of them whose reputations were in ruins. You were either gossiping or you were the one being gossiped about. 

So she came and endured even if she was bored out of her mind. 

It wasn’t anything she wasn’t use to anyway. She was a woman and women were seen and not heard. Not only that, but she was a wallflower. Wallflowers were hardly seen at all.

“Lady Y/L/N.”

She knew that familiar voice, smooth and deep yet somehow still bright. If sunsets could speak, Y/N imagined they would have his voice.

“Mister Bridgerton,” Y/N said as she spun around, hiding her smile behind her bejeweled fan. “I half expected you to have taken your leave by now.”

“Under usual circumstances, I might have. But I have yet to dance with the most beautiful girl in the room.” Benedict said with a crooked smile. “And my mother has always told me that dancing is one of men’s greatest assets to encourage affection.”

“There’s hardly anyone dancing,” Y/N said bashfully.

“All the better reason to do so.”

Y/N wasn’t naive. She knew Benedict was only speaking to her because his mother asked him too. She’d always rather liked Lady Bridgerton and she had a penchant for forcing her sons to dance with the wallflowers. At every ball Y/N attends, her dance card, though usually empty, always had three names: Anthony Bridgerton. Benedict Bridgerton. Colin Bridgerton. 

And there was no man who made he heart beat faster than Benedict Bridgerton himself. Because it was Benedict who offered to fill up all of the other spaces in her dance cards even though he didn’t have to.

All the Bridgerton brothers were kind to her but Benedict was more than that. Anthony and Colin were polite but Benedict laughed with her and conversation flowed between them like water from a fountain. And though she knew Benedict was unlikely to return her feelings, she occasionally let her delusions run wild. She often spent her days imagining what their future would look like. Would their children have his eyes or hers? Their hair would probably be different too. And their noses—

“Y/N?”

Blast! What a bloody idiot! She shouldn’t have let her mind wander like that! And now Benedict was looking at her expectantly with those luminous blue eyes and she couldn’t focus her mind to remember what it is he’d asked of her.

“Yes?” She asked, fighting to stop herself from sounding so breathy.

“Excellent,” Benedict grinned with an outstretched hand. 

The dance. She’d forgotten about the dance!

She briefly wondered if she could find a way out of it. Getting on that dance floor would shift everyone’s focus on to them and she already knew what people would say. 

“The Bridgerton charity case.”

“Of all of the young ladies, he chose her?”

“He deserves better.”

She glanced around nervously. Everyone else was too engrossed in their own conversations to pay them any heed but those conversations would instantly stop the moment she and Benedict stepped on the dance floor alone. 

And she knew that if she were to reject Benedict’s advances, her mother would kill her. Though Anthony was but a Viscount, his fortune was considerable large. His father before him had managed their estate well and Anthony was known to make cunning investments that grew their already large fortune, a fortune that would also provide cushy lives for the rest of his brothers. Perhaps not the large estate of a Duke but certainly nothing to scoff at. And Y/N didn’t doubt for one second that the rest of the Bridgerton brothers weren’t as smart as Anthony was when it came to their finances. 

It’s why Y/N had constantly heard her mother’s say, “you will marry a Duke or a Bridgerton. Anything less is unacceptable.”

Luckily for Y/N, her mother wasn’t around to see her reject Benedict. 

Still, with the way Benedict looked at her, it was hard to say no. 

“Just one dance,” Y/N ceded with a sigh, slipping her gloved hand onto his. 

His smile widened considerably. “You mustn’t be nervous.”

“Easy for you to say,” Y/N huffed. “You look perfect everywhere you go.”

“Oh?”

Damn. Damn damn damn. Damn the world. Damn herself. And damn Benedict Bridgerton. 

“You think I look perfect?” He asked, cocking a brow in question. 

“U-uh, I m-mean, that is to say, I don’t—“

“You truly must calm your nerves, my lady,” Benedict said with a chuckle as he pulled her to her feet and led her to the dance floor. “I am only teasing.” 

Y/N could hear the stream of gossip stop as members of the ton watched them. There was a pregnant pause and then the chatter began once again. She couldn’t hear the full conversations but she heard enough. 

“…fat…”

“…ugly…undeserving…”

“…he is too kind…”

It made Y/N want to curl up into a ball so that the earth may open up and swallow her whole. 

“Pay them no heed,” Benedict muttered as he pulled her close, his hand resting on the small of her back as his other hand found hers. “Focus only on us. And tonight, you look beautiful.”

“Only tonight?” Y/N joked in a bid to ease the coil of tension tightening around her core. 

“Every night.” Benedict’s tone was too serious to be called teasing. 

Soon the new music started, washing away the ton’s horrible words. She could still feel their watchful eyes on her skin, felt the way they judged her. 

“Focus on me,” Benedict muttered before he began their dance by swaying them back and fort.

She let the music fill her, weaving through the muscles in her body. Their dance was a complicated one and though she wasn’t an accomplished dancer by any sense of the word, with Benedict leading it was hard to fail. 

In and out, push and pull, with complicated lifts and turns yet somehow always finding their way back to each other. It was as if their bodies were magnetized, attracted only to the other. As the music swelled, she forgot all about the gossiping ton and their prying eyes. Instead she only felt Benedict’s body heat, the hard chords of muscles hidden beneath his jacket, his hands steady around her waist. 

His gaze on her felt soft, like staring at the afterglow of of dusk. She was never much of a drinker but Benedict always had the ability to make her feel drunk, as though each of her inhibitions left her the moment his luminous blue eyes landed on her. 

When the last notes of the song echoed between them and Y/N and Benedict detached from each other to curtsy and bow at one another, the entire ballroom erupted into applause. 

A soft gasp left Y/N’s lips. She’d completely forgotten about the ton watching them with Benedict commanding all of her attention. 

She raised her head, meeting Benedict’s eyes once more. 

“You were marvelous,” Benedict muttered with a grin as he took her hand and placed a chaste kiss against it before leading her out of dance floor. The ton’s eyes had grown less hostile and more appreciative on and, for the first time in a long time, Y/N felt exhilarated. 

“I would like to call on you tomorrow, Ms. Y/L/N.” Benedict said, letting his voice be carried throughout the ballroom. His words brought on another wave of whispers. “If you would let me?”

Y/N was absolutely sure she would be the center of gossip tomorrow. Perhaps until the end of the season if Benedict’s intentions are what she thought them to be. 

To call on her would mean Benedict would like to get to know her better, to suss out if she would make a good wife or not. And with him a Bridgerton and her a lowly Y/L/N, they would make waves with the ton. She could practically feel Cressida Cowper glaring daggers at her back.

But she didn’t care about that right now. She was still riding the high of their beautiful dance. She was no great beauty, that much was true. But with Benedict, she felt beautiful. And his opinion mattered to her more than the Queen’s and the whole ton’s combined.

“Of course you may call on me, Mr. Bridgerton,” she said graciously, ignoring her fast beating heart. “I’ll have the cook prepare that raspberry marmalade you enjoy so much.”

Benedict grinned. “I am much obliged. I shall see you tomorrow. I hope you have a good evening.” He took her hand again, placing another gentle kiss on her knuckles before he straightened and walked away.

[shinysobi]

the kiss (aka that one scene) and subsequently—

*spoilers for bridgerton s3*

ahem...this might be a bit indelicate? Let us think about who Colin is, at his core. he is a dreamer. he's sweet, he's kind to a fault, and he's also the Bridgerton brother most likely to have ao3 in the 21st century.

Penelope asks for a kiss, and Colin cannot deny her that. so much of their relationship is evinced by the fact that they cannot deny each other anything, even if it is at the expense of their own well-being. Penelope has never once voiced her feelings for Colin because she is aware that he would never see her in such a light, and mostly because, she does not think that her feelings are his business. In the books and in the show, Penelope has never voiced her crush.

So, when she's facing the very real prospects of remaining a spinster and firmly under the influence of her mother and sister (Prudence, especially, I don't really think Phillipa would be that bad) she makes a choice to ask the love of her life, mind you, the one man she had always felt safe with, to kiss her. She is waving goodbye to the dreams of being married, finding a place of her own in a world where a woman had no value if they were not attached in matrimony to a man. Yes, it seems pathetic, yes, it seems desperate. It is. It is desperate. Penelope is desperate at this moment, and she is reckless, but she is not pathetic. She wants to be kissed, and she asks for it, it is a moment where we see a woman exercise agency for the first time in her life. Feelings are so very rarely black or white, and so is this scene; on one hand, you feel wronged and angry at the fact that Penelope is pleading for a kiss, on the other, you empathize with her situation and where she is coming from. She wants this moment, and who better to ask from, than her best friend? Colin has always, always been there for her, and she has been there for him. They know each other the best, she has had the privilege of being able to love him. She wants love, and she has it in her hands at this moment, a fleeting, transient glimpse into what her life could be if she were someone else. This is the moment when Penelope Featherington's dreams are well and truly shattered.

And that same kiss turns Colin's world on its axis. It is so wonderful to see on screen how the same action can have two entirely opposite, but just as important effects on people. Colin has always loved Penelope. This is not even a discussion. He took action on behalf of her family (on behalf of her, really) when he found out about her cousin's schemes. He gives Cressida the cut direct when she humiliates Penelope in front of him. He seeks her out at every social assembly. He has always looked out for her and has always loved her. But all this is platonic. He has never felt a physical connection with her, because neither of them has had the chance to explore that avenue. Neither Colin nor Penelope are aware of their latent attraction to each other. For Penelope, it is because she has never been allowed to feel a physical connection with anyone, and Colin because he has never thought of pursuing a physical connection with Penelope. It is their kiss that ultimately awakens that connection in Colin, and by connection, Penelope asking Colin for a kiss is what puts the wheels in motion.

Which brings me to the first paragraph. Colin is the sweetest boy in the Bridgerton family (Gregory I love you, but nine children? Get off that woman, immediately). When he realizes that he likes Penelope, and loves her romantically, what does he do? He internalizes it like he does everything else. So much of Colin's character arc, both in the book and in the show is about him internalizing everything. He refuses to voice his own feelings if they make other people uncomfortable, much to the detriment of his own mental health. After being deceived in the first season, he removes himself from London because he cannot bear to stay in the city anymore, not when he is reminded of how naive and stupid he was, every moment. It is also important to realize that Colin has been viewed as the naive, soft-hearted brother, by everyone else. When he gets engaged in season 1, Anthony, his big brother, the example he is supposed to follow, tells him that he should have taken Colin to brothels and accuses him of getting married to have sex. In season two, Penelope, an outsider, is the only person who gives a damn about his thoughts. His own family refuses to listen to him, and what does he do when he returns a second time? He tells them, "I shall not bore you with the details". He knows, no one essentially gives a shit. This is why, when he comes to the knowledge of the full breadth of his feelings for Penelope, he internalizes so hard he dreams of her. And this is not an indelicate dream. He does not dream of taking her in the back of a carriage or on his yellow sheets, he dreams of her returning his feelings. He is yet unaware of the extent of Penelope's feelings toward him, but he knows he should not force his feelings onto her, and that is why he dreams of her.

I could go on and on about why Colin is the best Bridgerton brother (Gregory, nine children) but it will take up a lot of space, so I shall keep it brief: (in the show) Anthony almost marries Edwina, a girl who is what, thirteen(?) twelve (?) years younger than him, a girl who has no safety net outside of her sister and her mother, her sister whom Anthony was in love with, and refused to confront his feelings for. Literally, no one forced Anthony to propose to Edwina, he went down on one knee while being aware of his feelings for her older sister. Kate would have been content with relinquishing her younger sister to a marriage where she loved someone who would forever love another. Imagine if Anthony had married Edwina as he intended. Do you think, for even a second, that he would look at her face and not be reminded of Kate? Not to mention neither of them took action till the very last second, and Edwina, a bystander, was forced to ruin herself. Half the reason why she married abroad is the fact that not a single person in London would have married her (headcanon: she marries the Prince, fuck you, Anthony) when she was very publicly denigrated as the Viscount Bridgerton's cast-off. Yes, the Queen's favor saves Anthony and Kate's marriage from scandal, but it also saves Edwina, it saves her from further public embarrassment and scrutiny by a ton that not only views her as an outsider but also envies her for securing the title of the Season's Diamond. (Book)Benedict forces a woman from a servant class to be his mistress while he searches for the girl he fancied to be the love of his life. I'm sorry, there's no coming back from that. Colin gets angry when he is aware of who Lady Whistledown is, but his anger is not directed at Penelope herself. It is directed at her lack of thought for her own safety. Colin puts Penelope's safety and reputation over everything. In the carriage scene, he steps back as soon as he hears the words "but we are friends" from her mouth; he takes it as a sign, that this is Penelope telling him I don't have feelings for you, and he is happy to respect her wishes. Colin would have never voiced his feelings a second time if she had rebuffed him then, he would have been happy to remove himself from Society and spend his days on the Continent, writing in his journals. So much of both Penelope and Colin is them learning to voice their wants and desires and fuck, it's the most beautiful thing to watch as it comes to life on my screen.