#west wing script
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youre-fired-s-seaborn · 1 year ago
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Thinking about this video again
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widowshill · 5 months ago
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thinking about how roger is the one to undo the last knot and let her go in the original scripts.
#126.#127.#scripts.#posting both because i'm not sure if i like him calling her by her first name or by miss winters more. both are good#LIKE.#it being roger's knife and burke's hand that lets her go in the version that made it to the screen is delicious.#wire boyfriend vs cloth boyfriend.#roger is sharp; malicious; a threat up to this point. everything collins about him made into a polished edge#that has heretofore been turned against vicki — now; freeing her.#and from a threat that is born out of his family and loyalty to them. matthew's axe; now roger's knife. but it needs burke's hand to#wield it; burke's insistence that they go save her; burke that caresses her; offers to carry her; kisses her.#but she doesn't go free without the weapon.#BUT AT THE SAME TIME.#''there. you're free; vicki.' !!!!!!!!!'#*roger* is the one bending over the ropes; undoing the last knot; ensuring she's okay?#careful; devoted — fingers and hands; not knives — side by side with burke. because their concern (love) for vicki outweighs everything.#(and implied at least to me burke and roger's shared history with the collins fleet from two very different perspectives.#and perhaps shared history with ropes and knots in other contexts. who can say)#the emphasis on *roger* being the one to free her when he's played her rescuer twice before#(once from the west wing and david; once playing white knight rescuing her from bangor)#both times a little less than sincere and the threat a little less pressing.#now delivering her honestly from danger; her white knight in earnest; this time.#anyway. it's a great ep. great scene for rvb freaks like me.
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thesunsethour · 1 year ago
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best early birthday present i’ve ever received in my fucking life. i’m gonna be so annoying about this
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wilwheaton · 4 months ago
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Reporters might listen to Trump and then understandably be reluctant to start typing stories that must feel like spec scripts for The West Wing pieced together by a creative-writing circle: 'The former president, lying about abortion laws, said women murder their own babies in the delivery room. He megalomaniacally claimed that he gets bigger crowds than anyone in history, and compared himself to Martin Luther King Jr. He descended into fantasy by telling a story about surviving a helicopter emergency that never happened with a man who wasn’t there.' Instead, The New York Times ran this headline: “Trump Tries to Wrestle Back Attention at Mar-a-Lago News Conference.” The Washington Post said: “Trump Holds Meandering News Conference, Where He Agrees to Debate Harris.” The British paper The Independent got closer with: “Trump Holds Seemingly Pointless Press Conference Filled With False Claims,” but CNN went with “Trump Attacks Harris and Walz During First News Conference Since Democratic Ticket Was Announced.” All of these headlines are technically true, but they miss the point: The Republican nominee, the man who could return to office and regain the sole authority to use American nuclear weap
The truth about Trump's press conference - The Atlantic
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joshdonnas · 1 month ago
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JOSH LYMAN AND DONNA MOSS THE WEST WING "Tomorrow" (7x22) Script, 2nd Draft, 03/21/06
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metyouinthehallway · 7 days ago
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𝒞𝒪𝐿𝒟 𝐼𝒩 𝐿𝒜 ~ 𝒫𝒜𝑅𝒯 𝟤
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summary; matt & you have been hooking up for quite sometime now, you decide that now is as good as ever to tell him how you feel. even if he doesn’t reciprocate those feelings.
Pt.1 here
a/n: this is so rushed I have work in like 6 hrs & I neeeed sleep
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It’s been nearly two days since your last encounter with Matt. He’s made no effort to contact you and vice versa.
You decide to march your ass over to the triplets house. Hesitant to knock on the front door, you inhale the cold air, bracing yourself for metaphorical impact.
It’s so cold in LA that the forecast calls for snow and you swear it’s Matt’s icy words from the other night thats causing it.
Releasing your breath, you knock on their front door, not even a minute later, you’re met with Chris.
“Hey?” He looks confused. Trying to remember if you all had plans today, you didn’t. You needed to talk to Matt, you hadn’t even prepared a speech. You’re winging it apparently!
“Hi, Is Matt home?” You ask, a tight lipped smile forming across your face, your arms hugging around your torso to preserve as much body heat as possible.
“In his room, yeah. Be careful though. Someone’s gotta stick up their ass…” He lets out a dry laugh, opening the door more to let you in.
Thanking Chris, you head up the stairs and down the hall to Matt’s room. Bracing yourself to face his wrath.
Fists balled up, you knock gently. A groan of annoyance can be heard from the other side of the door followed by the shuffling of feet.
“What-” Matt swings open his door, stopping in his tracks when he’s met with your face. His hair is disheveled and his eyes squinted from the bright light of the hallway.
“Gotta second?” You ask him, scared he’ll just slam the door in your face. But he doesn’t, he nods, inviting you in his room. “Actually, I was thinking we could go for a walk.” You suggest, he clearly wasn’t dressed for the occasion. A grey tank top and basketball shorts would not suffice for the bizarre west coast weather.
“Well, gimme a second.” His tone isn’t snappy but it’s not neutral either. Matt disappears into his room, exiting a few minutes later dressed for the cold in a black hoodie and sweatpants.
“Lead the way.” He gestures, following suit behind you, the two of you start for the sidewalk of his neighborhood.
“So someone shoved a stick up your ass?” You joke, trying to lighten the clearly glum mood. “Why don’t ya pull it out, bozo?” You turn your head to look at him, shoving your hands in your hoodie pocket.
“I don’t have a stick up my ass, y/n.” Matt states sternly. “I’m just confused… about whatever it is you’re starting to feel for me.” He explains, this is good. He’s communicating rather than shutting you out.
“I’m not sure how else I can describe it. I just… I like you?” It comes out as more of a hypothesis than a fact. Your head drops, your eyes staring at the cement below your feet as the two of you continue walking, a fresh dusting of snow places itself on California soil. “It’s snowing.” You giggle awkwardly.
“Mhm,” Matt hums, not sure what to say next. He thinks for a moment before speaking again, “Look, it scares me. Okay? I mean, you’re my closest friend, I don’t even wanna think about what Nick and Chris will have to say about this.” He sighs, running a hand through his hair. Matt grabs your hand, squeezing it gently.
“You don’t even feel the same way Matt.” You scoff ever so subtly, the warmth of his rough hands sending bolts of electricity through your body. “What’s there to be scared of?”
“I handled your confession poorly,” He starts, and you can swear it sounds almost scripted. “You know I don’t know how to process my feelings, y/n.” Matt groans, his hand still holding yours.
“I shouldn’t have said what I said to you,” He admits, dropping your hand, he turns to face you completely, his nose red from the dry air and flurries of snow scatter themselves across his eye lashes. “And I’m sorry. What we do, its… it’s fun f’me. I don’t wanna ruin it. But,” He hesitates, both his hands now gently grip your shoulders.
“Matt, you’re being all weird….” You furrow your brows, his eyes looking directly into the window of your soul as he thinks of how to word his next sentence.
“I don’t wanna keep hooking up with you.” Your expression falters at his words, feeling your heart drop to your ass. “I want you, like more than your body.��� His hands roam upward to cup your rosy cheeks, thumbs padding across your skin. You exhale, you need to be careful with your choice of words now.
But, before you can even think about what to say next, his lips are already on yours. It’s beyond different from the passionate ones you shared in the privacy of his room.
His lips move against yours with meaning. As if to do the speaking for him, he pours all of his emotion into his every movement. It’s quite romantic, the way his hands slide down to grip your waist, pulling your body closer to his, the way you wrap your arms around the back of his neck, moving your lips with his. The snow falling from the grey sky above you adding to the romanticism of it all.
He doesn’t care if anyone sees the two of you sharing a precious moment on the sidewalk. He doesn’t care if it’s snowing, he doesn’t give a shit if he’s freezing his ass off right now, he just wants to be in your presence.
You’re the first to pull away. catching your breath, he loosens his grip on your waist, as if he’s scared to break you. His lips part slightly, searching your eyes for any reassurance.
You didn’t intend on kissing him, you actually came over to tell him how much of a dick he was to you the other night. You wanted to turn the other way and leave his sorry ass on the sidewalk. But god, it was near impossible for you to control yourself.
“I want to start over. Forget about all of it. I know it’s not realistic. But, I wanna take you on a real date. Maybe one that doesn’t end in the backseat of my car?” Matt offers, his voice laced with emotion.
“I think that sounds doable.” You can’t help the grin that’s growing on your face. Matt was all you wanted all along. He was all you needed.
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quasi-normalcy · 2 months ago
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Upcoming Star Trek projects in the order that I'm most excited for them (an asterix indicates projects that don't actually exist. Yet.)
Lower Decks, season 5
Prodigy, season 3*
Lower Decks, revival series*
Seven of Nine series (without Terry Matalas)*
Strange New Worlds, season 3
Untitled prequel film
Starfleet Academy
Untitled Tawny Newsome sitcom
Deep Space Nine continuation anime*
Seven of Nine series (with Terry Matalas)*
Untitled fourth JJ Abrams movie
Wesley Crusher "Doctor Who" Ripoff*
Trek universe "West Wing"-style political drama*
What We Do in the Cube: a wacky slice of life sitcom about 4 plucky Borg Drones as they go about their daily routine (regenerating, processing data, assimilating people)*
"Vikings", but with Klingons* (actually, this would kick ass, never mind)
"Game of Thrones," but with Klingons*
"Bridgerton", but with Klingons*
"Bridgerton", but with Ferengi*
Some kind of Trek universe procedural drama*
Some kind of Trek universe medical drama*
The Erotic Adventures of Neelix: A Prequel about Voyager's Most Beloved Character*
Lwaxana Troi Soap Opera*
Vulcan Love Slave adaptation*
Vulcan Love Slave 2: The Revenge*
Some kind of buddy sitcom about Okona and Jack Crusher Jr. being roommates*
Star Trek Vs. Star Wars: a movie trilogy written by the most obnoxious assholes on Spacebattles.com*
Khan Ceti Alpha V scripted podcast
The Wizarding World of Harry Kim: Harry Kim discovers that all of the weirdness that has always surrounded his life is because he's the long-lost child of a whimsical secret world of wizards. Also, they have slaves.*
A series based on one of those 200,000 nigh-identical grimdark pitches from after Enterprise ended about the Federation going into decline in the future*
Um...
Section 31 movie.
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di-kot-o-me · 1 month ago
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Thoughts on Matt Gaetz and US Democracy...
"I'm a lawyer. Hearing that Trump nominated this pedophile thing to be the nation's attorney made my stomach hurt and it has not stopped hurting since.
I found myself in law school and I marveled at the ability of words and laws to shape justice. I was radicalized when I was supposed to be studying something but sat on my bed, my books ignored, transfixed watching Anita Hill explain why Clarence Thomas was a vile man unfit for the highest bench in the world.
I carry a copy of the Constitution in my purse. I have parts of the Declaration of Independence memorized. It sounds like poetry to me. It was written by a great mind (but a flawed man) writing a great idea.
America has always been an idea. (Aarons Sorkin said that in an episode of The West Wing, which I'm rewatching on HBO Max because I so need a real President now, and Jed Bartlet is better than most, even if fictional.) So far we have done a really shitty job of translating that idea into a reality. But we have never scrapped the idea.
But that's what we did on November 5. People are so offended by transsexuals, people with dark skin, women, and the cost of eggs being inflated by bird flu, that they're willing to give up on the idea. They went with a game show host and the prize he will award to America is hate, despair, racism, and fascism.
2016 Trump was hot garbage. But there were guardrails. He had a team that didn't so strongly resemble the Star Wars Cantina Band. There was Congress. There was SCOTUS. There was the fact he had to run for re-election. That's all gone. He outsourced the actual thinking about governing to the Heritage Foundation and they came up with a doozy of a plan. A fine blueprint for a Fourth Reich. AG Matt Gaetz will be a big part of that. But Trump's so chaotic he may go off script and make things even worse.
And I keep hearing in my head that line that Trump said. "I am your retribution." Trump is a man well acquainted with hate. His own siblings and parents despised him. He is thin-skinned, insecure, and bitter. And he spews out, without shame, who he hates. Taylor Swift, for pete's sake. Trump will give orders that hurt people he hates, and he will get actual pleasure, perhaps sexual pleasure, from watching people he hates suffer. There are names for those people. Biden. Obama. Harris. Clinton. You don't think they'll be exempt from retribution, do you? AG Gaetz will sign their death warrants.
There are no guardrails. Law should be a guardrail. Good lawyers should be a guardrail. That's all gone. Trump's at he head of the most powerful nation in the world, and he has nothing but hate as a motivation. He has no love for America or its people. It has provided him some good money and some adoration. But he's not capable of love, or honor, or even imagination. He is incapable of understanding the idea. He hasn't read the poetry. He doesn't have an American soul. I don't think he has a soul at all, TBH.
What does this mean? It means the Constitution in my purse is about to be a forgotten idea. It means that the fundamentals of this nation are about to be eviscerated. Things will be worse than we can imagine. People will die. Democracy will die. The nation will die. The idea will die. The poetry will die."
-PersimmonTea
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hotvintagepoll · 9 months ago
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Propaganda
Alla Nazimova (A Doll's House, Camille, Salomé)—She was a proud lesbian, she was a director, she was artsy and experimental, she was instrumental in the rise to fame of Rudolph Valentino, she had the worlds biggest strap on energy
Xia Meng, also known as Hsia Moog or Miranda Yang (Sunrise, Bride Hunter)—For those who are familiar with Hong Kong's early cinema, Xia Meng is THE leading woman of an era, the earliest "silver-screen goddess", "The Great Beauty" and "Audrey Hepburn of the East". Xia Meng starred in 38 films in her 17-year career, and famously had rarely any flops, from her first film at the age of 18 to her last at the age of 35. She was a rare all-round actress in Mandarin-language films, acting, singing, and dancing with an enchanting ease in films of diverse genres, from contemporary drama to period operas. She was regarded as the "crown princess" among the "Three Princesses of the Great Wall", the iconic leading stars of the Great Wall Movie Enterprises, which was Hong Kong's leading left-wing studio in the 1950s-60s. At the time, Hong Kong cinema had only just taken off, but Xia Meng's influence had already spread out to China, Singapore, etc. Overseas Chinese-language magazines and newspapers often featured her on their covers. The famous HK wuxia novelist Jin Yong had such a huge crush on her that he made up a whole fake identity as a nobody-screenwriter to join the Great Wall studio just so he can write scripts for her. He famously said, "No one has really seen how beautiful Xi Shi (one of the renowned Four Beauties of ancient China) is, I think she should be just like Xia Meng to live up to her name." In 1980, she returned to the HK film industry by forming the Bluebird Movie Enterprises. As a producer with a heart for the community, she wanted to make a film on the Vietnam War and the many Vietnam War refugees migrating to Hong Kong. She approached director Ann Hui and produced the debut film Boat People (1982), a globally successful movie and landmark feature for Hong Kong New Wave, which won several awards including the best picture and best director in the second Hong Kong Film Award. Years later, Ann Hui looked back on her collaboration with Xia Meng, "I'm very grateful to her for allowing me to make what is probably the best film I've ever made in my life."
This is round 3 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Alla Nazimova:
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HOT as hell. GAY as hell. TALENTED as hell. Producer, director, writer, actress. A silent era superstar who is credited with having coined the term "sewing circle" as a code-word for gatherings of lesbian and bisexual women. Has been called "the founding mother of Sapphic Hollywood" and was the owner/operator of the Garden of Alla Hotel in West Hollywood, which she bought in 1919 and sold in 1928 after deciding she wanted to go back to Broadway. In addition to starring opposite Valentino in Camille, she also had an affair with BOTH of his wives (Jean Acker and Natacha Rambova). In her day, she was one of the most influential women in the business.
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"Nazimova was primarily a star during the silent film era, and her career in film started when she was almost forty. She was openly bisexual, and was engaged in two lavender marriages during her life while she carried on relationships with women (including at least one, and possibly two, of Rudolph Valentino's wives). She was brilliant and an autodidact - when she first moved to the United States from Ukraine, she spoke no English, but taught herself "in about five months" and went on to work as a screenwriter (among other things). Her predilections lay in art film, and she's credited with starring in / producing / directing one of the first American art films, the adaptation of Oscar Wilde's play Salome (1923). She has an elegant and commanding presence in all of her films, and is an absolute sensation to watch in motion."
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Gif link, another gif link
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A great actress who also produced a great deal of her films, Nazimova is absolutely mesmerizing to watch. She was also bi and coined the phrase "sewing circle" for sapphic celebrities.
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Xia Meng:
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onlymurdersintheafterparty · 3 months ago
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OMITB S4:E6 “Blow Up”
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YOU GUYS I AM SHOOK. THIS EPISODE WAS A WHOLE ROLLERCOASTER AND SINCE THE EPISODE ENDED MENTALLY I FEEL LIKE I’VE STEPPED OFF THE RIDE WITH MY LEGS FEELING LIKE JELLY
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There are so many things to unpack that I’m just going to focus on the top 2 moments that had me shook and then a new theory after the reveal in the last few minutes of the episode.
Spoilers Ahead (I’m serious watch the episode first because of all the episodes to get spoiled this one will really have you messed up)
“I’m Watching You” / Double Murders
This is what had me mentally screaming because what do you mean Dudenoff has been dead this entire time and Sazz was right about there being another murderer in the building?! And the handwriting in the texted pic is the same as the one in the first season that appeared before Winnie was poisoned. Now before this episode a LOT of people theorized this very plot about a unsolved murder or cold case so I’m sure they feel vindicated after this episode. Many people think that it’s Lester who is the mastermind and I’m sure are even more suspicious now because he used to be an actor while others think it’s Uma. I agree with the first group and think it's Lester and I think his accomplice is Marshall P. Pope the writer.
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Evidence Against Lester
He was homeless and out of work when he started working at The Arconia; After being hired he could have met Dudenoff in the lobby at some point and while talking film/acting, he could have mentioned being homeless and was brought into the $200 rent scheme and temporarily lived in the West Wing; It would also give him free reign of The Arconia after hours
As doorman, he has access to the different units; delivering the wrong mail gives him a chance to snoop or bug apartments because anyone passing him in the halls will just assume he's doing his job
As an actor, he could have worked with or was taught by Dudenoff
His son is an actor and Lester paid for the classes so where did the extra money come from?
He could be resentful of Charles because he's a successful actor living in a fancy building meanwhile he's stuck as a doorman; Charles being awkward could have been read as rudeness adding to that resentment (Vince thought Charles hated him because of their awkward window encounters)
People constantly bring up Lester returning Charles' hat in season one and it makes me wonder if he's ever impersonated Charles. They both have white hair, I'm not sure about the similarity in physical builds and height because of Lester's uniform and hat, but I've always had a sneaking suspicion someone has been posing as Charles here and there; Plus Charles doesn't really interact with his neighbors like that so if Lester disguised himself as Charles and wore a hat and hid his face no one would know or be shocked at him not saying hi back. And because Charles is friends with Oliver and Mabel, that would allow him to bug their apartments as well because they'd expect Charles to randomly visit his friends
In the 70s after the brothel got shut down, I'm sure the rent prices dropped drastically making it affordable for Dudenoff to purchase the entire floor
Lester killing Dudenoff would give him access to all those apartments and with the money from his side hustle, he can afford to pay off the police or whoever else he needs to keep the trio off his trail
Being homeless would have allowed him to meet some interesting people and if the alcoholism ever led to him serving any period of jail time he could have met criminals that became friends and allies to help do footwork behind the scenes over the past few seasons
This could also be how he got access to the poison in the attempt to kill Winnie
He could have killed Dudenoff out of revenge because he was promised a role that was rescinded or in a parallel to Ben and Charles, he was unfairly fired and held a grudge
Evidence Against Marshall
The biggest theory is that Marshall stole someone's script. I do agree with this theory but I don't think it was Sazz he stole it from, I think it was Lester
Marshall is a fan of the podcast so maybe at some point between seasons he went to go see the Arconia for himself; To get inside he'd have to go through Lester; If they got to talking about the podcast and films/screenwriting in general, Lester who was already spying on the trio could have by then written a film script in hopes of making a comeback; Lester has no connections from being out of work so he and Marshall come up with some sort of deal where Marshall will pitch the script and get Lester cast in the film;
Was Marshall a student of Dudenoff as well? That could be another connection between the two and instead of visiting The Arconia for the podcast he could have been in town to visit Dudenoff and bonded with Lester over that
Marshall knows how to do disguises but who could he impersonate that would actually be believable? I have no clue
If Marshall and Lester are accomplices there's a chance Marshall will be killed off before the season is over in an attempt to keep him from telling the truth
Dudenoff's Students:
Trina and Tawny
Vince Fish
Rudy Thurber
Sauce Family (unconfirmed)
Helga (unconfirmed)
Lester (unconfirmed)
Marshall (unconfirmed)
Other Observations:
I think Jan knows who the killer is and that’s why she went into hiding after escaping prison. As long as she’s lived in the Arconia I’m sure she’s seen some stuff plus game recognizes game so if she encountered another killer I’m sure she’d suspect it.
If Oliver is the second one targeted I wonder if Mabel is next; Jan did say that the killer would keep trying until they get it right
I don't think Howard is the Moriarty anymore and that it's definitely Lester
The Right Westie = Weird, Struggling Actors; The Westies pride themselves on being weird, outcasts and 2/5 are confirmed actors; Helga may have been run off or been paid off to leave and threatened to stay silent because she discovered Lester was impersonating Dudenoff and witnessed him cashing the checks
My attempt at an outline of what all went down with Lester & Dudenoff:
???? Lester becomes homeless and loses acting jobs because of alcoholism
???? Lester gets a job at The Arconia
???? Dudenoff teaches Rudy & Vince at some point
2011 Trina and Tawny meet Dudenoff in his film class; Notice that at first they're only filmed from the back and when we see through Dudenoff's lens, we only see what's within the lens so if the killer was in attendance they weren't seen onscreen
2012 Dudenoff gives the twins his cameras
2018* Dudenoff is killed (three years prior to pilot)
*the twins say the last time they spoke to him was three years ago and that he cut off communication because they moved to LA; Just because they didn't hear from him doesn't mean he actually died 3 years ago; No body = no way of checking the time of death
2021-2022 The trio's apartments are bugged at some point
Remaining Questions:
Who is the person in the Westie group pic with the scratched out face?
How long have the apartments been bugged?
If Dudenoff is dead, who has been impersonating him when addressing new tenants?
Does Dudenoff having replacement joints mean he was a stuntman as well? That would be yet another example of double identities this season
How long was the incinerator broken?
How long has Lester worked at The Arconia?
If Vince's pink eye is so contagious how did Eugene and Charles not get it despite being in close proximity?
If I missed anything from the first 2 seasons or got something wrong please let me know because I need my info as accurate as possible to figure this all out lol
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fiercynn · 1 year ago
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The Gaza Monologues: Audio Production in Solidarity with Palestine!
The Gaza Monologues is a collection of testimonies from Gazan youth in 2010, after the first war on Gaza, collected and adapted for stage by ASHTAR Theatre in Ramallah (@ASHTARTheatre), and performed here by 26 people from several countries for International Day of Solidarity with Palestinian People on November 29, 2023. In lieu of copyright purchases, ASHTAR Theatre requests donations to their programs in the West Bank.
This is an audio-only production of The Gaza Monologues, but is posted as a video to include subtitles. Most monologues are in English, but there are two in Arabic, two in Spanish, and one in French. English subtitles are available for all monologues. Currently, subtitles in Arabic, Spanish, and French are only up for the monologues that are spoken in each respective language, though we’ll try to get subtitles up for others in the near future. The script of The Gaza Monologues is available in those languages and more.
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Produced by me, audio editing and additional coordination by Hannah, and art by @pocketsizedquasar.
Thanks to all the voice actors, including @saltqueer, @to-every-house-you-enter, @hyeoni-comb, @datfearlessfangirl, @shooshopath, @cryptenby, @exsequar, and many others – see below the cut for full credits!
Alt text for art: A digital painting of a Palestine sunbird sitting perched on olive branches. it is a small black and blue songbird with a teal-turquoise shimmer on its head and upper wings. In the background is a faded scene of a beach at sunset in the colors of the Palestinian flag: red, green, black, and white. Handwritten text at the top left reads, “The Gaza Monologues,” and the artist’s signature “@pocketsizedquasar” is written over one of the branches on the bottom left.
MONOLOGUES
1. Ahmad El Ruzzi: Deepa
2. Ahmad Taha: Juniper Hanrahan
3. Ashraf A Sossi: Sam (@morelenmir on twitter)
4. Alaa Hajjaj: Deepa
5. Amanee A Shorafa: KC
6. Amjad Abu Yasin: M
7. Anas Abu Eitah: @priismacolors on twitter
8. Ehab Elayan: Andrea
9. Tamer Najem: @saltqueer
10. Taima'a Okasha: Brook
11. Rawand Ja'rour: Percival
12. Reem Afana: Clio (@to-every-house-you-enter)
13. Reema El Sadi: shambs (@tipsyloki12 on twitter)
14. Sami El Jerjawi: Juniper Hanrahan
15. Sujoud Abu Hussein: Mary
16. Suha Al Mamlouk: Anne (@exsequar)
17. Ali Al Hassany: Rose
18. Fateema Abu Hashem: N
19. Fateema Atallah: Maddy
20. Muhammed El Omrani: PK
21. Muhammed Qasem: p
22. Mahmud Abu Shaa'ban: Essie
23. Mahmud Bala'wi: @hyeoni-comb
24. Mahmud El Turk: Maaytah
25. Mahmud Afana: @datfearlessfangirl
26. Mahmud Najem: @shooshopath
27. Heba Daoud: KC
28. Wi'am El Dieri: Cameron
29. Yasmeen Ja'rour: M
30. Yasmeen Abu Amer: Maaytah
31. Yasmeen Katbeh: TK (@cryptenby)
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ingravinoveritas · 10 months ago
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So came I came across this repost from Al that a fan posted yesterday to which she reposted and to have her say and ad I much I can see she trying to defend ms with the radio getting his name wrong it a common thing for poor ms and I don't think this personally was the guys fault and I think they was reading from a script which I think most radio presenters have I think.
But the thing I noticed also was yes she was trying to defend her parter but also seems complaining that she and the children have to endure listening to the station in the car all the time and that like a another red flag like they literally have nothing in common and I'm still wondering why they still together. Cos I've noticed since michael been London he seems alot happier and heathly cos he closer to his best friend and beaming also. Can we have him stay permanently in London and not go bk to Wales in May.
What ur thoughts on this repost for Al I would to hear
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(Grouping these together for ease of answering.)
I had this sent to me a little while ago and I'm...well, it takes a lot to floor me these days, especially in this fandom, but...I think this did it. Because there is so much going on here, and almost none of it is good.
On the surface, I know this very much looks like AL defending Michael, but I do not think that's what this was about at all. I think she saw BBC Radio 6 tagged in the original tweet and saw an opportunity to gain attention due to the proximity of a high-profile account. The way she did it, however, was by making something related to Michael about her. Again. And again, the wording of this retweet takes it from AL defending him to something else entirely.
Saying that she has to "endure" Michael listening to this radio show in the car is just a terrible look, as if listening to something he enjoys is so unbearably awful, and that she only puts up with because she's stuck in a car with him. It feels like she's literally complaining about Michael under the pretense of defending him, and I don't know how she (or anyone else) thinks this is okay.
The thing is, the whole "Martin Sheen" thing has become a running joke precisely because Michael has been dealing with this not just for his whole career, but his entire life. It's something he has frequently talked about, and I can imagine that it has been challenging on so many levels, but Michael also knows that Martin Sheen has been in the business for 60 years, and more than that, he is also a fan of Martin's. He's even talked about being introduced to him at a party years ago (I can't remember by whom, but Michael described the person as saying "Mr. President, meet Mr. Prime Minister"--referring to Martin and Michael's roles in The West Wing and The Queen, respectively).
So yes, the overarching point is that Michael doesn't blame Martin Sheen for these repeated mix-ups, and actually respects him as an actor and person. And when he has felt annoyed about this happening (as he did in 2020 when an ITV announcer called him the wrong name prior to a new episode of Quiz), Michael has had no problem calling it out himself on his own social media. Which speaks to your point @thetardisisblueandroseistoo about her trying to speak on Michael's behalf, and again doing a miserable job of it.
Also, what Michael hasn't done--and I suspect would be horrified at Anna doing--is go after the hosts of a show that he just appeared on yesterday. Particularly a show with hosts he is a tremendous fan of, as he spent a good portion of his appearance gushing about them and how much he enjoys listening to the show. I think he would more than understand the one host making this mistake--given his age and how much more embedded Martin Sheen is in pop culture--and would certainly exercise a lot more graciousness than to write a nasty tweet like the one AL did above.
That's the best way I can describe it: Shades of what we saw in the Insta story from last week, with that same self-aggrandizing, passive-aggressive (and now also kind of bitter) tone. There are a hundred other ways she could have responded to this, yet what she chose was to get in a dig at Michael, plus QT a fan tweet so that it could be misconstrued as her yelling at the fan. And again, in the cases where Michael has called out announcers or others for getting his name wrong, it's because he felt he deserved to have his name said correctly. In this case, however, it seems that AL wants the presenter to get Michael's name right because not doing so is an inconvenience to her.
Those were my impressions of AL's tweet, at any rate. All I can say is that from my perspective, if this was her attempting to defend Michael, it could not have been more backhanded. Glad to hear from my followers as well about your thoughts on this. Thanks for writing in! x
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jessbakescakes · 4 months ago
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I went to the Paley Museum's exhibit for The West Wing's 25th Anniversary. They had scripts hanging on the walls, much like the ones we all know and love from the Seasons 1-4 Script Books. This particular snippet is special -- it's from the series finale, Tomorrow. I took a photo and transcribed it for joshdonna nation to read!
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utapri-translations-uuuu · 2 months ago
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The Wicked Witch of the West - Translation (西の悪い魔女)
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Translator's notes can be found at the end and are marked with an asterisk.
Please do not repost/retranslate without permission.
I have also made a version which includes the members' notes found in the script.
[The battle with the Wicked Witch of the West - The Witch of the West’s castle]
The sound of a silver whistle resonates. 
The Wicked Witch of the West has sharp eyesight and can see the group approaching. 
Using the silver whistle, she commands various beings.
Witch of the West: Hmm... So there are some fellows heading this way...? Two children, a scarecrow, a tin man, a lion... What an odd bunch.
She trembles in irritation.
Witch of the West: I don’t know what their goal is, but they were probably instigated by Oz. I won’t forgive anyone who dares to harm me, the great Witch of the West!
The sound of the silver whistle.
Witch of the West: Now, wolves! Tear them apart and finish them off!
The wolves rush forward, aiming for the Tin Woodman.
Tin Woodman: Wolves, huh! This is my fight! Even if they bite me, I won’t feel a thing. Their teeth will probably end up getting damaged instead!
The Tin Woodman cuts down the wolves that jump at him with his axe.
Tin Woodman: Your efforts are futile! Even the teeth of a wolf cannot compete with the blade of this axe. Haa! Huff! Yah!
Oz, watching the five through his crystal ball, speaks like a kyogen-mawashi*.
Oz (N): With his axe, the Tin Woodman chopped off the wolves' heads one by one.
Witch of the West: Ugh... Then let's have the crows peck out their eyes! Go!
The sound of the silver whistle. The crows attack.
Scarecrow: Crows? Well, that’s my area of expertise! Go ahead, peck at my eyes as much as you like!
Oz (N): The Scarecrow defeated the crows by twisting their necks.
Witch of the West: What the...?! Damn it...! In that case, next up are the bees! Writhe in agony from their venomous stings!
The sound of the silver whistle. The bees attack.
Scarecrow: This time, it’s bees...! Let’s work together, Tin Woodman! Theo, Terry, and Lion, use the straw from my body to hide yourselves! After that, well, you already know what to do, partner!
Tin Woodman: Yes, the only target left will be me, made of tin. The bees’ stingers are no match for tin, and they’ll all break...!
The Tin Woodman and the Scarecrow high-five.
Scarecrow: That’s right! 
The bees fall helplessly, plopping down. The Witch of the West cannot hide her irritation.
Witch of the West: Oh, all of you are useless! Flying monkeys, this time, make sure to end their lives! If you don't, your friends will die!
The sound of the silver whistle.
The winged monkey attack.
Oz (N): A wise person can probably roughly imagine what happened next.
The Lion asserts his strength.
Lion: Finally, it’s my turn! I am the king of beasts, the Lion! I won’t lose to some monkeys!
He threatens with an even louder voice and a terrifying expression.
Lion: Roar!! If you don’t want to be eaten, get out of here!
The winged monkeys leave, screeching.
Oz (N): The monkeys, who were originally under the control of the Witch of the West, abandoned the unwelcome battle and left.
She stomps her feet in frustration.
The group has arrived at the foot of the Witch of the West’s castle.
Witch of the West: Eek! They’re getting closer and closer! I have to do something… my life is in danger!
Oz (N): Feeling threatened, the Witch of the West decided to use the Golden Cap. This was a magical tool that could summon the winged monkeys and grant the owner’s wishes three times.
The Witch of the West takes out the Golden Cap and places it on her head.
Witch of the West: Now that it’s come to this, there’s no other choice...
She stands upon her left foot, then upon the right, and finally, she stands upon both feet.
Witch of the West: Ep-pe, pep-pe, kak-ke! Hil-lo, hol-lo, hel-lo! Ziz-zy, zuz-zy, zik!
He commands with a big wave of his hand.
Witch of the West: Drop the Tin Woodman from a high place onto sharp rocks so that he’s all battered and dented!
The Tin Woodman is lifted high into the sky by some of the winged monkeys under the magic of the Wicked Witch of the West, and then dropped.
Tin Woodman: (screams as he’s carried through the air and grunts once he hits the ground)
Witch of the West: Serves you right! Next, it’s the Scarecrow’s turn! Pull out every last piece of his straw and throw his clothes on top of a tall tree!
Other winged monkeys under the magic of the Wicked Witch attack the Scarecrow and pull out his straw.
Scarecrow: Ah... stop… please... I’m losing... all my strength...
Witch of the West: Capture the Lion with a rope and bring him here! I’ll work him to the bone.
The winged monkeys wrap the Lion tightly with a rope.*
Lion: Ugh, it hurts...! I... can’t... move...
Witch of the West: Lastly… Take care of those insolent humans…!
Terry despairs as he witnesses real magic.
Terry: What a horrible thing... Everyone has been defeated…! We’re done for, too!!
Witch of the West: Tear them to pieces!!
Terry is about to be attacked by a winged monkey under the magic of the Wicked Witch. 
Theo steps forward to protect Terry.
The silver shoes emit a strong light.
Theo: I won’t let you do that! I absolutely won’t allow anyone to hurt Terry!!
Terry is surprised by the light.
Terry: Theo!! You-!!
Witch of the West: Those are… the silver shoes...! And good magical power is surrounding the children? Where have you been hiding such power? Ugh… I can’t interfere like this.
Theo is unaware of his magical powers, so he can’t control them.
Terry: What’s the matter? Weren’t you going to tear us to pieces?
Witch of the West: … He’s not attacking? Could it be that he is still unaware of his own power? And those pure eyes. If I play it right, this might be something I can take advantage of.
The Witch of the West snaps her fingers and the gate opens.
Witch of the West: Go ahead and enter the castle!
Terry: Hey, are you going in? It might be some kind of trap.
Theo: Even if that’s the case, we won’t get any further if we just stand here, so I’ll go. There must be a reason why she won’t lay hands on us.
Theo and Terry proceed into the castle and reach the Witch of the West.
Witch of the West: So you’ve come, humans... Hand me those silver shoes. If you do, I’ll let you go.
Theo realizes from the Witch's words that the silver shoes are special.
Theo: ... If you want them that much, why don’t you just take them by force? The fact that you can’t do that means there must be something else, right?
Theo takes a step closer to the Witch. The light from the silver shoes grows stronger.
Witch of the West: Hey, stay back…! If you do as I say, I won’t do anything bad to you. That’s right, how about we team up?
Theo: You join forces with me, a mere human?
Imitating what he sees, he reaches out his hand and poses as if gathering his strength.
Witch of the West: N-No... Stop it... Wicked magic can’t win against the power of good magic.
Theo: Magic…?
While Theo is distracted, the Western Witch circles around to grab Terry.
Terry: … What!? Ugh...
Theo: Terry!!
Witch of the West: Separating you two was always my goal. So, do you not care what happens to your companion...?
Theo’s anger reaches its peak and his hidden power awakens.
Theo: … Let go of Terry!!
The magic creates a huge amount of water that splashes over the two of them.
Terry: Uwaaa!!
Witch of the West: Aah!!
The Witch writhes in agony.
Theo rushes over to Terry.
Witch of the West: My body... my body... is melting... Did you know that... water is my weakness?
Theo: O-Of course not! What is this, anyway!? Is this... magic…!?
Witch of the West: … The strength born of purity… The true power that resides in your heart… It’s over… for me.
The Witch of the West melts away to nothing. 
The Golden Cap drops to the floor, making a clattering sound as it comes to a stop.
Terry: Did we... do it? Did we win?
Theo: … I think so. More importantly, are you alright, Terry…? Are you hurt?
Terry pumps his fist in the air.
Terry: Aside from being completely soaked, I’m feeling fine! It seems like it was really just water.
Theo: … I’m so glad~
Terry: … Oh, that’s right! We can’t just stand around, we have to help our companions!
Theo: Yeah!
Translator's notes:
*1 Kyogen-mawashi- storyteller/narrator
*2 Unlike the other lines, they didn’t mention the monkeys here, only the Witch’s magic. I assume this is a mistake in the script, keeping in mind the context and the original book.
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tragantia · 8 months ago
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Been thinking about this for a while, trying to imagine what Severen's life was like at the frontier during the Wild West days. Bill Paxton imagined him as a lowlife, a cowboy, and the term 'cowboy' was used to describe an outlaw, as a legitimate cowboy would have normally been described as a rancher.
I imagine him without proper parental guidance, probably with a violent father and an absent mother (Did she leave? Did she die? Was she submissive to her husband, to the point of becoming numb to everything, including her son?). So, using colloquial terms, he probably had what we call 'daddy issues' and 'mommy issues'.
His surname 'Van Sickle' suggests that at least the father was probably an immigrant from the Netherlands - so a larger support group would have been unlikely.
Chaos suited him well since this is the only reality he knew, so he left home early. He run into more questionable company, but again, he was already good at doing questionable things, probably had stolen since he was very young.
When Jesse met him, he was already a man in his thirties, experienced enough to have done pretty gruesome things by that point, and he took to his new lifestyle as if it was meant for him.
Jesse himself was pretty questionable, but he had something that Severen craved - he was solid. I'm not sure whether to go to the extent of saying that he was a 'good man' in the conventional sense - he wasn't, but he looked after his own. He was protective, he taught him things to help him survive and improve himself. He called him out when needed, despite letting him have his fun. Severen was too old for Jesse to be a proper father figure, but he was close enough.
When Jesse brought Diamondback - Severen realised that it was possible to really love someone, romantically speaking. He would never admit it out loud, but he realised it was possible to build a life, a family. It's something that sounded almost alien to him, and he didn't really know how to express it.
He took Homer and Mae under his wing, so to speak. Behaved like his asshole self, particularly with Homer, and showed Mae how to defend herself. It was his way of showing he cared. He forced himself to do the same with Caleb, for Mae's sake, and ended up liking the idiot (in my reality Caleb stays with the clan and everyone lives happily ever after ok including the horse who never gets punched by Sev like in the script shhhh ride to freedom sweet bby). He looked up to Jesse. He had shown him this life and stayed loyal to him, so he would reciprocate and protect his clan at all costs.
When he finally meets his s/o? He feels like he's been hit by something. He can't understand what it is at first, he finds it annoying, infuriating even. He's had flings before, and plenty of sex, sure, but he's never *cared*, not really. Imagine this emotional analphabet sat in a motel room as his mate rides his cock whilst looking into his eyes, caressing his chest, neck, jaw, kissing him, telling him how much they love him, praising him, whilst he just lays there grabbing their hips and moaning, drunk on the feeling of his cock being swallowed by their warmth, and knowing what it's to be *loved*. He's so touchy during the film, you can't tell me he wouldn't *love* that.
He will never get tired of it. His overall dominant and aggressive persona discarded, during those moments he just allows himself to exist and be given what he's never known that he craved.
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dilfmas · 2 months ago
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That post you made about hoping there was an intimacy coordinator on the THK set actually made me wonder if those are even a thing in Thailand (simply because I don't recall intimacy coordinators ever being mentioned in any bts content for the shows I've watched). I also say that because idk how long they've been common in the west either. In fact, the first time I ever learned of their existence was a few years ago when I watched bts videos for a western show I was into. Before that I just assumed the actors either followed the script (as in, the intimate scenes were already written in great detail in the script, enough so for the actors to go off of that) or just went with the flow/improved (in cases where the writers/director trusted them to understand the characters enough to do a great job with it). 💀 But I definitely agree with you that there should be an intimacy coordinator on THK at least for the kinky scenes because that's a lot to be asking of your actors to do on their own, even if the script is detailed. 🙃 However, as I said, I wonder if they even utilise intimacy coordinators in Thailand, as I feel they're more a (recent-ish) western thing.
okay, i actually didn't have an exact answer for when intimacy coordination became more of a thing in the west, either, cause i actually only became more aware of it a couple years ago when they were using one at my college for spring awakening (if you know ANYTHING about that musical, you know it needs a fucking intimacy coordinator), but! according to my googling, intimacy coordination actually became more of a thing after the #metoo movement back in 2017, so it's actually only really been a thing in the west for less than 10 years, and even then it's not an industry standard unfortunately.
that being said, i figure it's not as much of a thing in thailand from what i have seen because in addition to just now doing a little googling and seeing a thai director very recently mentioning he thinks he's one of the first to use one in thailand, i've heard a concerning amount of actors talk about how they've improvised intimate scenes (fk and freenbecky in their respective first time couch scenes in only friends and gap come to mind). and sure, it could be like a fanservice thing, but also given how common it actually is for directors to tell actors to just wing it when it comes to intimate scenes, i wouldn't be shocked if they really are just telling these actors to go for it. which is personally very conflicting to me because i've been educated on intimacy coordination and even worked with an intimacy coordinator myself for a show i was in, so i know how important that is to do for your actors first hand... but at the same time man do i love that sandray couch scene! though, arguably, it could have been even better if they had had an intimacy coordinator, cause it's not like actors aren't allowed to give suggestions in those incidents, so fk could have still had some involvement in how the scene went, y'know?
that being said, though, i did speculate back when our skyy 2 was airing that they used an intimacy coordinator for the eclipse episodes because in the kiss at the beginning of ep2, you can see khaotung tapping against first's neck, which i interpreted as him tapping out the beats, and you can find that post here. also, i don't remember what show it was from (bed friend maybe?) because i didn't watch it myself, but i had a friend point out that the intimate scenes looked almost choreographed - which is a good indicator that they were likely using an intimacy coordinator, since intimacy coordination at its core its very much choreography, a lot of the time it's broken down into beats in order to time things out and make the actors more comfortable. that's all speculation, though, cause i don't know for sure whether an intimacy coordinator was used for either of those
however, like you said, with scenes like the ones we're gonna see in the heart killers there absolutely needs to be an intimacy coordinator for stuff like that. honestly, i'd argue that there should be regardless of what kind of sex is happening on screen - if your characters are having sex, there should be an intimacy coordinator - but i understand that it's not an industry standard even in the west where it's more common and a lot of directors don't recognize how important it is. and for certain things, i recognize a director is likely to give more detailed instructions to help the actors feel more comfortable, but it's always just better to have someone that does that sort of thing professionally to step in and help - especially because again, the actors and the director are allowed to communicate their ideas for how they want the scene to play out. the intimacy coordinator is there to ensure everyone is comfortable and basically that no one gets traumatized. and i will preface this with the fact that i love jojo, i do, however the fact that he let fk just improvise the couch scene does not give me high hopes for the way the bdsm scenes were handled on set. and i mean, obviously we know that fk are close and have a lot of love and trust for one another, they have a history of these kinds of scenes already, and likely does help when it comes to their comfortability and whatnot. however, it's still like. a whole other thing to be putting nipple clamps on your best friend and tying him down for a camera, yknow?
regardless, i am excited for those scenes, i just do hope we get some bts stuff that confirms they did use an intimacy coordinator yknow sjdkfsd
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