#were the most interesting to me

[apollos-olives]

before october 7th this blog was a meme page btw.

[kensatou]

j… jesus oppa ;____;

[arsenicflame]

Bonus round! Do you use a queue tag?

[starry-bi-sky]

wolfpack. aka: if not friend, then why friend-shaped?

"Hey-- uh, Danny?" There's an almost imperceptible tremor in Tucker's voice.

Danny doesn't look up from what he's doing, his pencil scritching across his notebook as he tries to do another quadratic formula question. "Hm."

"What's -- uh -- what's with the dogs?"

He looks up now, and finally sees where Tucker is -- standing in the doorway of his room with an ashy look on his face and a skewed, nervous smile. He's got a white knuckle grip on the doorknob. Sam is wide-eyed behind him, and using him as a partial meat-shield.

Danny looks down to the two giant ghost wolves sprawled next to him lazily. One large green one with his head in Danny's lap, letting him use him as a prop-up for his notebook. Another equally large black one splayed against his hip, sleeping on her side with her head tilted inward to his calf.

Automatically, a grin tilts across Danny's face, and he lifts his notebook up to scratch behind the green one's ears. He opens a lazy eye, one that is bloody red with a ring of yellow around the pupil, before slipping it shut and leaning his head into Danny's touch. "This is Sirius and Procyon," he says, and reaches down to scratch Sirius' belly. "And they're not dogs, they're wolves."

"Great," Tucker says, his voice suddenly much smaller and faint, "Love that distinction."

Sirius makes a great big groan, and Danny's grin widens, his heart swelling with fondness. His hand slips away from her belly, and before he can put his notebook back down, Procyon pushes his head up his lap until his ear is against his stomach, demanding pets now too.

Sam peeks her head up from over Tucker's shoulder, "I think what Tucker's asking here is what are they doing here, Danny."

He shrugs, scratching under Procyon's chin. "They kinda just showed up. I tried sending them back to the Zone, but they keep returning." And they were weirdly intent on just following him around, which is the only reason he gave up on returning them. They weren't causing trouble, and they knew how to hide around the living. Plus, he just loves dogs. "So now I have two wolves living with me."

This, oddly enough, did not do anything to calm Sam and Tucker down. Tucker's mouth purses into a thin line, and he presses the sides of his palms to his lips in prayer. "How have your parents not found out about this?"

Danny wordlessly raises his hand, and his sleeve slides down to reveal a thin chain bracelet hooked around his wrist. He whistles sharply, and both Procyon and Sirius jerk their heads up to look at him, ears pricked up and eyes alert.

Silently, he points to his wrist and rattles it twice, and in unison both wolves stand up and pounce. Instantly, they turn into a respective, opaque black and green mist that swirls around the bracelet and forms into two, flat wolf charms.

Both wolves are posing in the stereotypical wolf howl, with little stars indented on the sides. Procyon's charm has the Canis Minor constellation engraved on it, while Sirius has the Canis Major.

Danny faces Sam and Tucker, and points at his wrist. "Like this."

[aria-greenhoodie]

You see, @localcanadiancryptid22, I’m a motherfucker who LOVES drama, so I fw anything that can create that.

I’m normal. Btw. In case you were wondering.

[worfsbarmitzvah]

there’s such an attitude among ex-christian atheists that religions just spring up out of the void with no cultural context behind them. like ive heard people say shit like “those (((zionists))) think they own a piece of land bc their book of fairy tales told them so!!!” and they refuse to understand that no, we don’t belong there because of the torah, it’s in the torah because we belong there. because we’re from there. the torah (from a reform perspective) was written by ancient jews in and about the land that they were actively living on at the time. the torah contains instructions for agriculture because the people who lived in the land needed a way to teach their children how to care for it. it contains laws of jurisprudence because those are pretty important to have when you’re trying to run a society. same for the parts that talk about city planning. it contains our national origin story for the same reason that american schools teach kids about the boston tea party. it’s an extremely complex and fascinating text that is the furthest thing from just a “book of fairy tales”

[phoenixcatch7]

Okay but it's super interesting how

Din = Power = Ganondorf

Naryu = Wisdom = Zelda

Farore = Courage = Link.

Because Din, in the hylian creation myth, created the physical world. Naryu then created the laws - gravity, time, etc. And Farore finally created life - plants and people.

Din created the body, naryu the mind, Farore the soul.

And the triforce and its wielders so perfectly reflect that.

Ganon is physical power, he is big and intimidating and he breaks things. He is cunning and determined, but that's not what he focuses on. He is might makes right.

Zelda is wisdom and cleverness. She is stall tactics and information and team work. She is a powerful mage with a spine of steel, but that's not how she'll win. She is the pen being mightier than the sword.

Link is courage and persistence. He is the wild card sneaking behind enemy ranks, always moving, plunging into terrifying situations head first. He's a phenomenal fighter with a keen wit, but that's not what will get him through his challenges. He is bravery not being the absence of fear but the triumph over it.

They sit in perfect parallels to each other.

And ganon is reborn through his body - his resurrection is immortality. No matter how low he is cast, as long as he has a body he can claw his way back. He can cling to his power, build it ever higher.

Zelda is reborn through the magic of her bloodline. It's the accumulated knowledge handed down for generations, the unique power she must master, the skills she must develop to survive and get her kingdom out the other side intact. Even her name, the knowledge of herself, is handed down from all the way from the very first. Her ancestors knowledge of her future presence, her stability, is what gives her the edge.

Link is reborn in spirit. He is not bound by flesh or blood. Just like his wanderlust soul he can reappear in any time or place. His variation, his unpredictability, is exactly how he fights. It's what makes him so hard to pin down.

Ganons need to build strength means he can't chase after link. Links impulsiveness means zelda can outwit him. Zeldas stationary predictability means she's an easy target for ganon.

But the other direction?

Fire melts ice, ice redirects lightning, lightning burns fire.

And that's the very essence of the triforce.

[animentality]

controversial hot take of the day:

game of thrones fans deserved what they got in 2019.

they deserved it.

nine years.

NINE years.

NINE YEARS they circle jerked themselves all over the rest of us, with the "omg game of thrones is the best story ever written in the history of humanity" and "it's so dark and there's so much sex and violence and it's so hot and it's sooo mature, it's not boring and sexless like lord of the rings-"

yeah well, Lord of the fucking Rings stuck the landing, didn't it?

it also had a fucking ending.

game of thrones fans probably won't see a novel ending. so the TV show ending is their canon ending.

and they deserve it.

they talked it up for nine years, acted like it was this perfect beautiful thing that would go down in history as the greatest story ever to grace this earth, and if you didn't like it, then you were called some kind of moron.

by fucking soccer moms with the literary comprehension of a tortoise, and cis white men who think anything with tits, rape, and people being beheaded is "deep" and intelligent.

I remember being pestered nonstop by my peers and my coworkers to watch it, because it's part of the "cultural zeitgeist" and it was a "part of history."

Well, well, well.

Icarus called to tell you your time was up, but you didn't listen until you hit the ground.

But those wax wings sure were beautiful while they existed, weren't they?

[deweyduck]

@pscentral​​ event 25: seasons

↳ HAPPY 65TH BIRTHDAY BARBIE! 💖 (9 March, 1959)

"Positive attitude changes everything."

insp.

[sevenines]

i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.

two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!

[thisisadonaldduckblognow]

all the rise boys get done dirty on characterization by fandom in different ways i think. (not ALL the time every fanwork etc etc these are just like, trends i tend to notice?) every fandom suffers from losing character nuance.

- leo i’ve talked about plenty on this blog, how some of his canon traits (genuine belief in his skill and cockiness, capacity for joy, his manipulativeness whether for good or ill) seem to get watered down or wiped off the board and supplemented with generic sad boy. his struggles with purpose and identity and not wanting to fail somehow morph into “he hates and completely holds no value for himself”

- donnie’s canon personality gets blurred out and largely replaced with whatever list of Neurodivergent Traits. and i think there’s such a fine line to walk between exploring a character that’s been word of god confirmed as on the spectrum and overwriting what’s canonically there. it’s a hard needle to thread. it also feels like a lot of his canon emotiveness gets left off the table for some reason. bc he does have his moments of flat/deadpan delivery, but a lot of the time he’s honestly very emotive. he has the passion of a theatre kid and the vindictiveness of... also a theatre kid. and the mind of a scientist.

- raph loses so much of his rowdy teen boy energy it’s kind of wild? like interpretations sand off that he’s also impulsive and can be reckless and dumb and LOVES fighting and roughhousing and isn’t the most eloquent person. suddenly there’s this pitch perfect soft boy big bro who would never hurt a fly and always says the exact right supportive thing and singlehandedly raised his 3 brothers (which simultaneously sands off all the nuance of splinter’s issues emotionally connecting with his sons and how that affected all of them). and like i LOVE raph, he’s so full of love and care and anxiety, he clearly has learned to put a lot of work into being aware of his strength and size. but there’s a difference you know?

- mikey is like. where raph gets overparentified by fanon, mikey gets over “family therapist”-ed IMO. the impulsiveness, the goofiness, the powerful emotions including a VERY powerful temper, the flat-out dumb teen boy choices... they get ignored. suddenly there’s this only very sweet and earnest boy who has read a hundred psychology books and runs group family therapy weekly or something. he is crying in his room bc leo and raph are arguing about something. which is so. he IS very sweet and can be very earnest and is full of love! he HAS come in with his opinions and unsolicited advice a couple of times and life coached for the greater good. but there’s a difference between what he does in canon and the role he gets in fanon.

[turtleblogatlast]

Mentioned this before but as much as I adore the medic Leo headcanon, my favorite type of it is when it’s basically just Leo knowing the most surface level of stuff and carrying around a super basic first-aid kit in his pack. So he knows how to use gauze, and he’s got a ton of Jupiter Jim branded bandaids, and if you really needed it then he can hit you up with some ibuprofen but other than that? Nothing.

But. I love the idea that that changes post-invasion.

They’re pretty sturdy, all of them, so they can take more than one beating and really only need a bandaid for the fun of it. But the invasion hit harder than ice packs and “lots of rest” would help with, and I can bet that a post being beaten to a pulp Leo would have a lot of time on his hands to reflect and, maybe, learn a thing or two as he waits to get better.

It’s nothing excessive, not at first, but he watches veterinary videos, and live surgeries, and other videos in that same realm (because the books are, uh, a bit too jargon-y for him) multiple times over. Just so he knows. Just in case he needs to know.

In his pack, there’s a first-aid kit. With the use of a mini portal for extra space, the kit has grown to include everything from scalpels to butterfly stitches to sutures to even fiberglass patches.

And obviously the Jupiter Jim brand bandaids stay too.

[sergle]

people being dramatic about "american cheese" (in quotes bc americans didn't make it) is one of my favorite topics because it's funny to see people talk about it like it's a biohazardous waste when it's literally just Cheddar That Has Been Watered Down With Milk, And Then Emulsified

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[madamemiz]

y'know what i find interesting about sun now that hw2 is out?

i've seen various interpretations of him since the game's release with all the new dialogue and scenes we got ranging from "stressed and in bad need of a cigarette and a three year vacation" to "petty bitch" to "caring but pushed to his limit" and like

the thing is, they're all right

he probably played favorites with some of the kids--cassie's testament combined with his general mannerisms certainly make me think so. sun is a little mean to the player character. he insults you, he talks down to you, he treats you like you don't have two brain cells to rub together when you screw up. in the carousel level, he's clearly begrudging that he can't simply do the job himself. he is petty and he is stressed and he is frustrated

you'd think, then, that sun would happily let moon do what he will with the human employees he clearly detests, with the kids that obviously frustrate him. you'd think he'd make good on his threats to turn off the lights himself, to let these people get what they deserve. how many times have we dreamed of petty revenge on the shitty customers and coworkers we've had to deal with in our jobs?

he doesn't. instead, he resigns himself to a life of isolation to keep moon in check, doing whatever he can to keep anyone else from getting hurt or dying. despite all his hot air, sun cares. deeply, selflessly. when we see him during the ruin segments of hw2, he's shaking in fear, hiding in scant light he has access to in his and moon's horrible room, out of easy reach from most, trying in the only way he can to keep more tragedy from occurring. he knows how bad his situation is; he's acutely aware of it in a way most of the other animatronics don't seem to be. his actions speak far louder than his words, and god knows he has plenty to say

sun is a deeply flawed person who tries to do good in spite of it all, and to me, that's fascinating

[somewherefornow]

BRUCE WAYNE/BATMAN & DIANA/WONDER WOMAN in BATMAN (2016)