#wedding photographers greensboro

[jdrphotographysblog]

Unveiling the Best Elopement and Wedding Photographers in Greensboro, NC

In the heart of Greensboro, NC, where love stories unfold against a backdrop of historic charm and Southern elegance, finding the perfect elopement and wedding photographers can transform your special day into a timeless masterpiece. These skilled professionals possess the unique ability to capture the essence of your love, preserving every emotion and detail for generations to come.

Discovering the Magic of Greensboro Elopement Photographers:

Elopements are intimate celebrations of love, and Greensboro boasts a cadre of talented photographers who specialize in immortalizing these precious moments. From the enchanting gardens of Greensboro Arboretum to the historic allure of Blandwood Mansion, our elopement photographers skillfully weave the essence of your love story into every frame.

Elopement Photography Styles to Suit Your Romance:

Each love story is unique, and Greensboro's elopement photographers embrace this diversity with a range of styles. Whether you envision a dreamy, ethereal aesthetic or a vibrant and candid approach, our photographers bring their artistic flair to every shoot. With an eye for detail and a passion for storytelling, they ensure that your elopement photos narrate the tale of your love authentically.

Greensboro's Wedding Photographers: Crafting Everlasting Memories:

For those envisioning a grand celebration surrounded by friends and family, Greensboro's wedding photographers stand ready to craft everlasting memories. From the iconic O.Henry Hotel to the lush landscapes of Tanger Family Bicentennial Garden, these professionals seamlessly blend into the background, ensuring that your day remains the focal point Wedding Photographers Greensboro, NC

Navigating Greensboro's Diverse Wedding Venues:

Greensboro offers a plethora of wedding venues, each with its own unique charm. Our wedding photographers are well-versed in navigating these diverse settings, whether it's the historic allure of Revolution Mill or the modern elegance of The Public at More head Foundry. Their adaptability ensures that your wedding photos resonate with the distinct personality of your chosen venue.

The Artistry Behind Greensboro's Wedding Photography:

Beyond capturing smiles and exchanging vows, Greensboro's wedding photographers are artisans who paint with light and emotion. With a keen understanding of composition and a passion for storytelling, they transform ordinary moments into extraordinary memories. From the pre-ceremony jitters to the jubilant reception, every chapter of your wedding day is expertly documented.

Preserving Your Love Story for Generations:

The true magic lies in the ability of Greensboro's elopement and wedding photographers to preserve your love story for generations. Each photograph is a timeless artifact, a testament to the enduring power of love. As you flip through your wedding album or gaze at your elopement gallery, you'll find yourself transported back to those precious moments, reliving the joy, laughter, and romance that defined your special day.

In Greensboro, NC, the journey towards forever begins with a click of the shutter. Let our talented elopement and wedding photographers be the narrators of your love story, capturing the magic that unfolds against the charming backdrop of this Southern gem.

[mccardellphotography]

McCardell Photography | Wedding Photographer in Greensboro NC

We have a well-earned reputation as the most notable Wedding Photographer in Greensboro NC, with years of experience. Using the latest gear equipped with a range of lenses, we will capture all of your heart-touching moments and click top-quality photos of your special occasions that you can cherish for life. Moreover, hiring us for Event Photography in Greensboro NC, is the best decision you’ll make. Besides covering any of your events, we will also help you with the right posture to make you look your best in the photos. With us, you are assured of having photos with adequate contrast and lighting. So, if you want to schedule our services, give us a call today.

[atlantaartisticweddings]

Atlanta Wedding Photographers capture Beautiful Day at Historic Wedding Venue

This week’s Atlanta wedding photography blog is Jessie and Matt.  They had been planning their wedding for over a year.  Jessie and Matt are great planners and so the big day went smoothly.

The wedding venue is Wild Flower 301 in Greensboro, Georgia.  The historic venue was built on property purchased by the University of Georgia in 1803 in the hopes of making it a UGA campus, however the towns folk had other ideas and the property was sold to a mill owner who built the southern mansion that is there today.  The 5,000 sq. foot estate sits on 2 acres of English style gardens offering on-site accommodations, alongside an additional 7,000 sq. foot wedding venue includes bourbon gardens, first look platform, a private 2 story Newlywed’s Cottage, and Magnolia Terrace. This makes for an ideal backdrop for wedding photos.

I arrived early to survey the property since I had never been there before.  The wedding planner was there and gave me a brief tour of the Wild Flower Estate.  

Tara, the second photographer, arrived and started working with the ladies. They were getting their makeup done by Bombshell Creations upstairs in the main house.   I started on the detail shots of the flowers from Best Life Designs, the in house florist at Wild Flower.  Also at the same time the Dj from Dj Connection was setting up for the ceremony and reception.

Once Jessie was ready I got Matt and got him ready for the first look in the garden on the right of the house.  I oriented him so he would be facing away from the front entrance.  Matt anxiously stood there while Jessie came to meet him for the first time in her wedding dress. She lightly tapped him on the shoulder and turned around.  He was in awe of his beautiful bride.  They then shared letters that they had written each other for the wedding day.  Once they composed themselves we started on the other photos.  

We did a few posed photos with individuals and family.  One of the photos the couple shared with me had a bottle of champagne in it so I brought a bottle of champagne for a fun group photo.  I took the group to the ceremony area and gave the bottle to Matt then told everyone to line up behind him.  He opened the bottle of champagne and shook it, spraying the champagne at the camera.  It was a joyous start to a wonderful day.

When we finished the bridal party went inside the mansion and the guests started to arrive.  They entered through the side garden entrance by the road.  They were greeted with a polaroid camera to take photos with and some cool drinks to take with them to the ceremony area.  Once everyone was in place the bridal party lined up and entered.  Then Jessie’s father escorted her down to Matt who was already on the stage next to Jessie’s brother who performed the ceremony.  It was very sweet with vows written by the couple. Within a few minutes they were pronounced husband and wife.

Everyone went to the reception hall, located in front of the mansion.  Inside there was Melissa Munger a wedding artist who paints your wedding the day that it happens.  Everyone strolled around her canvas and was impressed with the work of art that captured the couple.

While the guests were in the reception area the bride and groom went to the Bourbon Garden.  In the garden Jessie and Matt buried a bottle of bourbon a year before when they visited the venue.  Burying a bottle of bourbon at your wedding location is a southern tradition that is supposed to bring you good luck and great weather on your wedding day.  I must say that they could not have had better weather on the day of their wedding.  They recovered the bottle of bourbon and took a toast to celebrate.

The reception was unique just like the couple.  They had doughnuts and baklava for the dessert table.  For their first dance Jessie changed to a fun spring outfit with custom bridal Air Jordans.  Friends and family celebrated their love by dancing and toasting to the newlyweds.  It was a beautiful ending to a beautiful day.

Thanks for checking out this Atlanta wedding photographers blog! I hope you enjoyed the read and found it interesting! Make sure you keep coming back to our blog to see what the Atlanta wedding photographers at Atlanta Artistic Weddings get up to! If you’d like to contact me go to the contact page and drop me a line at https://www.atlantaartisticweddings.com/contact-atlanta-wedding-photographer. I would love to hear from you!

Thanks again!

Source: https://www.atlantaartisticweddings.com/

Source: https://www.atlantaartisticweddings.com/

[poonamhennaart]

💕☺️💕 #like4like #love #mehndi #henna #art #blogger #wedding #shadi #india #greensboro #sweet #awesome #charm #designer #design #woman #crazy #style #indian😊💕💕💕 #photographer #photo #event #tattoo #tattoos #temporarytattoo #beauty #beautiful #artwork #poonamhennaart

[antoine-roquentin]

Public distrust of the CWP [Communist Workers Party] mobilized sympathy for the white power gunmen. Furthermore, CWP members repeatedly undermined their chance at what justice the court could offer. Several of the women widowed on November 3 confounded the Greensboro community when, instead of weeping or grieving, they stood with their fists raised and declared to the television cameras that they would seek communist revolution.61 Days after the shooting, an article appeared in the Greensboro Record that was titled “Slain CWP Man Talked of Martyrdom” and implied that the CWP had foreknowledge of the shooting and that some planned to die for the cause. This damaged what little public sympathy remained. In language typical of mainstream coverage, the story described the CWP as “far-out zealots infiltrat[ing] a peaceful neighborhood.” Even two years later, when the widows visited the Greensboro cemetery and found their husbands’ headstone vandalized with red paint meant to symbolize blood, they would not be able to effectively mobilize public sympathy.62 Community wariness of the CWP’s militant stance only increased after the CWP held a public funeral for their fallen comrades and marched through town with rifles and shotguns. The fact that the weapons were not loaded hardly mattered: photographs of the widows holding weapons at the ready appeared in local and national newspapers. In the public imagination, these images inverted the real events of November 3, when a heavily armed white power paramilitary squad confronted a minimally armed group of protestors. The defendants, depicted as respectable men wearing suits in front of the Vietnam War memorial, stood in stark contrast to the gun-toting widows.63 National and local CWP members took up a campaign of hostile protest of the trial itself. The day before testimony began, the CWP burned a large swastika into the lawn of the Bureau of Alcohol, Tobacco, and Firearms director, and hung an effigy on his property with a red dot meant to convey a bullet wound. In the trial itself, CWP members refused to testify, even to identify the bodies of their fallen comrades. CWP widows who shouted that the trial was “a sham” and emptied a vial of skunk oil in the courtroom were held in contempt of court. Although the actions of the widows may have “shocked the court and freaked out the judge,” as the CWP newspaper Workers Viewpoint proudly reported, the widows’ “bravery” didn’t translate as such to the Greensboro community.64 Even those who may have sympathized with the CWP after seeing the graphic footage of the shooting soon found that feeling complicated by the group’s contempt for the justice system, however problematic that system was. With the CWP widows refusing to tell their stories, attorneys for the defendants built a self-defense case by deploying two widely used white power narratives: one of honorable and wronged Vietnam veterans, and the other of the defense of white womanhood. The defense depended on the claim that CWP members carrying sticks had threatened Renee Hartsoe, the seventeen-year-old wife of Klansman Terry Hartsoe, as she rode in a car near the front of the caravan. Terry Hartsoe testified that he could see the communist protestors throwing rocks at the car and trying to open the door. Such a statement can be seen as alluding to the threat of rape of white women by nonwhite men, a constant theme throughout the various iterations of the Klan since the end of the Civil War.65 White supremacy has long deployed violence by claiming to protect vulnerable white women.... After many years of ineffective, smaller prosecutions, the Fort Smith trial marked the first serious attempt by the federal government to recognize the unification of seemingly disparate Klan, neo-Nazi, and white separatist groups in a cohesive white power movement, and to prosecute the movement’s leaders in light of this understanding. Affidavits documented nearly a decade of control by Beam, Butler, and Miles, and also named Miles’s home as the command center for the Order.66 “They preached war, prayed for war and dreamed of war,” said Justice Department prosecutor Martin Carlson. “And when war came, they willingly accepted war.”67 The indictments presented a serious enough threat to white power leaders that Beam decided to flee the country, setting off a series of events that would shape the outcome of the trial. Before Beam fled he married a woman whose martyrdom would later rally the movement and appeal to the mainstream. After the fishermen’s dispute, Louis Beam had led a chaotic personal life. He separated from his third wife in 1981, and an ugly custody battle followed the split. Beam took his young daughter to Costa Rica for two years. After his return to Texas in late 1984, he moved permanently to the Aryan Nations compound. He didn’t break his Texas ties, however, and took long trips there frequently.68 Sheila Toohey was a pretty, blond twenty-year-old Sunday school teacher at the Gospel Temple, a Christian Identity congregation in Pasadena, Texas. Beam’s young daughter was one of her students. Perhaps Beam met the Toohey family during the fishermen’s dispute: his Texas Knights of the Ku Klux Klan had run a bookstore in Pasadena. Toohey came from a family that lived in a trailer in nearby Santa Fe, Texas—the site of the Klan rally where Beam had burned a boat painted “U.S.S. Viet Cong” during the fishermen conflict in 1981.69 “Louis fell in love with Sheila immediately,” wrote J. B. Campbell, a white power movement activist who also claimed mercenary service in Rhodesia.70 Campbell’s laudatory essay later appeared on Beam’s personal website under the heading “Love” and framed with images of roses: [Beam had] been visiting her father, talking politics, and couldn’t believe his friend could have such a beautiful, sweet and unaffected daughter as Sheila, who lived at home with her parents and brothers in Santa Fe, Texas. Sheila taught Sunday school. She’d had to wear a back brace from a recent car accident and was in constant pain, although she would never burden anyone by mentioning it. In the following weeks Sheila noticed that Louis was coming over for dinner quite frequently and that he was talking with her more than with her father. He actually likes me, she realized. Within a few months Louis asked Sheila to marry him.71 The passage focused on Toohey as a vulnerable white woman—in constant pain but never mentioning it—and subservient to the man who “actually like[d]” her. Her position as a Sunday school teacher confirmed her innocence, presumed virginity, fitness for motherhood, and, since she taught children at a Christian Identity church, subscription to a white power political theology. That she lived surrounded, and presumably cared for, by her father and brothers emphasized her movement from one set of male guardians to another. It also highlighted the twenty-year age difference of the newlyweds. Toohey was Beam’s fourth wife; the first three had each been around sixteen years old when they married and around twenty years old when they divorced.72 Beam and Toohey married at a Christian Identity church in Pennsylvania in April 1987.73 After the wedding, with seditious conspiracy charges issued, Louis and Sheila Beam traveled to Mexico to avoid trial, taking his seven-year-old daughter with them, though without the proper documents. They settled in Chapala, near Guadalajara, in a community of white American expatriates. Beam spent four months on the FBI’s Ten Most Wanted list before authorities caught up with him in November 1987.74 One night the Beams returned home after grocery shopping. While the couple was unloading the food from the car and his daughter was still sitting in the vehicle, authorities apprehended Louis Beam. Sheila Beam “glanced out the kitchen window down at the car and was appalled to see Louis bent over the hood with a gun to his head,” according to Campbell’s narrative. Sheila Beam would later say that the officers never identified themselves as policemen and she assumed the attack was a robbery or kidnapping. Purportedly defending herself, she grabbed her husband’s weapon and shot a Mexican federal officer three times, wounding him. Authorities detained her in Mexico for ten days while they extradited Louis Beam to the United States, where he spent the next five months in prison during the sedition trial. A Mexican judge found Sheila Beam not guilty for reasons of self-defense in November 1987, and she was released and deported back to the United States. The officer she shot in the chest and abdomen remained hospitalized.75 To white power activists, this story was about endangered white women, but it was also about government betrayal. Rumors flew that federal agents had used phony drug charges as a pretense for the arrest, in order to extradite Louis Beam to the United States. This narrative placed innocent Sheila Beam in the crosshairs of a renegade state.76 However, Beam would most likely have been subject to extradition in any case, with or without drug charges.77 In an affidavit, Beam presented herself as an innocent white woman in need of the protection of white men. She said that she sustained an abdominal injury when the arresting officers threw her over a chair, and was then taken to jail and kept handcuffed for five days. She also said that the chief of police threatened her with torture, and that she was forced to sign documents in Spanish that she couldn’t read. She testified: While I was in the Guadalajara jail, I was physically and psychologically mistreated. I was kept with my wrists handcuffed behind my back for five days; my wrists were so swollen that my hands were turning colors and my watch was cutting off the circulation. I was hand-fed by a little Mexican boy with his dirty fingers. Officers would come into my cell and leer at me and caress their weapons. I was chained to the bed, which had a filthy, rotten mattress, and when I would try to sleep, they would kick the bed to jar me awake and keep me from sleeping. I was refused water for extended periods and medication for my back injury or my back brace. I was denied medical attention for my abdominal injuries and suffered from vaginal bleeding for several days afterward.78 Her testimony positioned her as endangered. It placed her in peril and in the presence of male racial others—the “Mexican boy” feeding her with “his dirty fingers,” and the officers. It presented men of color “caress[ing] their weapons” as they “leer[ed]” at her, invoking masturbation.79 It also placed her in a violated bedroom space, “chained to the bed, which had a filthy, rotten mattress.” Within the broader frame of pro-natalism, this language positioned Sheila Beam’s body as vulnerable to attack by men of color, and emphasized it as a site of combat where battles might be won or lost through the birth or absence of white children. The vaginal bleeding she said she suffered after her imprisonment hinted at both rape and miscarriage of a white child, and would have signified a double martyrdom. Jailed at the moment when the state had finally turned to the prosecution of the white power movement, Sheila Beam acted the martyr in a way that further united activists and appealed to people beyond the movement. Her wounded body served as a constant symbolic reminder of state failure and betrayal. Metzger lobbied for her release; Kirk Lyons, who represented Beam in the sedition trial and would become the go-to attorney of the white power movement over the next decade, sent an associate, Dave Holloway, to help the Toohey family advocate for her return. Back home, the Tooheys answered the phone with the entreaty, “Save Our Sheila.”80 After her release Lyons told one reporter, “It made a Christian out of me again. Her being freed was a miracle to me.”81 In the mainstream press, too, Sheila Beam became a sympathetic figure in local newspapers and major publications alike. A series of articles in the Galveston Daily News focused on her injuries, stating as fact that she had been “severely beaten” and raising the possibility that she “may have been sexually assaulted.” The same reporter uncritically repeated white power claims that FBI agents had refused to arrange her release to the United States, and described “physical and psychological coercion” during her ten-day imprisonment.82 Other articles linked her faith in God to her hopes for the acquittal of all the trial’s defendants,83 and mentioned her pain and injuries with no mention of the reasons for Louis Beam’s arrest or Sheila Beam’s actions in shooting and wounding the officer.84 The Houston Chronicle reported that she returned to the United States sobbing and limping, escorted by her father and an associate of Lyons, and was met by her mother and three brothers at the airport. The article emphasized that Sheila Beam had a swollen abdomen and walked with such a pronounced limp that two people had to support her.85 A photograph of Sheila’s return in the Miami News featured a flattering photograph of her leaning against her brother’s chest, holding flowers and flanked by a pretty, smiling, female friend. The caption referred to her “break[ing] out in tears” upon her return, and to her being “charged with shooting a Mexican federal police officer during the arrest of her husband at their … home.” It elided any reference to Christian Identity or participation in the white power movement, either by Sheila Beam or by her husband. It didn’t even name Louis Beam, much less discuss his pending seditious conspiracy charges or his stint on the FBI’s Ten Most Wanted list. Nevertheless, it made clear that Sheila Beam shot the officer at her home, emphasizing domestic defense beneath a photograph that portrayed her as vulnerable, small, and feminine.86 For her own part, Sheila Beam delivered a political performance of martyrdom both in comments to the press and in her actions. After her release, she flew directly to Fort Smith, where Louis Beam had been transferred to a federal prison hospital following a weeklong hunger strike. White power leaders praised her selfless devotion. “Despite her severe internal injuries and equally severe psychological damage,” Campbell wrote, “Sheila postponed her required emergency surgery and flew to Ft. Smith to reassure her husband.”87 Sheila Beam went to her husband’s side despite her severe pain, the story had it, illustrating the sacrifice of the white female body to the needs of the movement. During the trial, the presence of Sheila Beam’s wounded and wronged body entered the official record in several ways. Lyons invoked her injuries regularly, interrupting testimony about her arrest to ask the pursuing FBI agent what had happened to her back brace and conspicuously leaving court to pick her up at the airport. Sheila Beam continued to speak about her injuries and abuse to the press, and claimed her husband’s innocence with the simple position that since he had quit the Klan in 1981, he couldn’t now be guilty of sedition. In truth, he had quit the Klan to join Aryan Nations and lead the white power movement on a larger scale. She also reminded newspapers that her husband held the Distinguished Flying Cross, the Army Commendation Medal, and the Air Medal for Heroism, staking out his moral authority as a hero of the Vietnam War.88 It is difficult to gauge the impact of such performative acts on the outcome of a jury trial, but Sheila Beam’s symbolic work toward acquittal should not be discounted. Even in the pages of academic accounts that have argued that white power paramilitarism partially or wholly excluded them, women nevertheless appear as historical actors who impact events. In Rafael Ezekiel’s widely cited ethnographic study, for instance, which includes his observation of the Fort Smith trial, he notes that “a sister appears for a young fellow who is already serving a long term for involvement in The Order’s robbery of an armored car … entering the court, she touched her brother’s arm, quietly, as she passed him.”89 With these actions, the “sister”—no name given, as she did not qualify as an activist in this study, but perhaps it was Brenna or Laura Beth Tate, sisters of David Tate—conferred humanity upon her brother, appealed to the jury, and neutralized the racism of the movement.90 Similarly, Ezekiel recounts the presence of Louis Beam’s “young new wife,” Sheila Beam, although she isn’t named in his account.91 Ezekiel describes how the couple make frequent eye contact across the room. She had been the Sunday school teacher of Beam’s daughter. A reporter ungraciously described her to me as “a Yahweh freak.” Here in court she wears a frilled white blouse; during Beam’s arrest in Mexico, she shot an armed Federale who had failed to identify himself.92 In other words, Sheila Beam played her part as a movement activist by creating and embodying a particular narrative of her innocence, the arrest, the justified shooting of the Mexican officer, and her husband’s wrongful detention—one persuasive enough to be accepted uncritically by journalists and academic observers.93

Katherine Belew, Bring the War Home

[owenian745492]

African American Wedding

A McAlister Leftwich House Elopement wedding in Greensboro, NC. Bride and groom exchange their vow in front of Philadelphia Wedding Photographer.

[mishabook]

[katiecbruce]

5 Types Of Makeup Artists

Within the beauty industry and makeup design world, there are several types of makeup artists who specialize in different fields or create beauty looks for certain kinds of clients. Each type of makeup artist has unique skills in makeup artistry that help them excel in their chosen career and beauty genre. If you are embarking on a makeup artist education or are wondering what makeup artist specialties are out there, then read below to explore five types of makeup artists.

Cinematic

Makeup artists who work in the cinematic field of beauty create makeup looks for television and films. On the television side, makeup artists can work on television shows, doing the makeup of actors and actresses or can work in the news world where they do the makeup of on-air personalities or anchors. Usually, to work in these fields you need a mix of makeup skills, including basic makeup artistry skills to create everyday looks and FX makeup skills, if you’re working on shows or films that include fantasy, sci-fi or horror elements.

Wedding

A very lucrative field of makeup is the wedding industry. Makeup artists in this realm of beauty offer makeup services to brides and bridal parties. You will need to be able to work one-on-one with brides in order to create a special look that fits the theme of their nuptials and their personal preference. This type of makeup career requires that you be available for consultations and specific dates.

Beauty Brands

Many big beauty companies and brands have makeup artists in residency who are responsible for promoting the brand and showing off specific products. Usually, those in the beauty makeup world start small, such as working for department stores or working lower-level positions for makeup companies. From there, they are able to move up in the beauty world, and some even start their own companies.

Fashion

Fashion makeup artists work in the fashion industry where they might create looks for fashion shows or photoshoots. As a fashion makeup artist, you must be adaptable in order to work with other fashion professionals, such as designers or photographers, to bring an artistic vision to life.

Face and Body Painting

Some makeup artist jobs can be a little out there, including jobs that include face and body painting. This type of special effects artist creates fantastical, magical and cool looks right on the human body through the use of makeup and paint.

Become a Makeup Artist at Health and Style Institute

If you’ve always had a love of makeup and have gone as far as you can learning on your own, then now is the time to invest in a makeup artistry program. A proper makeup education can help you develop your artistry skills and makeup knowledge so that you will be ready to take on the makeup artist specialties career of your dreams. To learn more about Health and Style Institute’s Makeup Artistry Program and makeup artist jobs, fill out the form below or call us at 1-844-94-STYLE.

Learn more about Makeup Artist Careers

Makeup Careers

New Makeup Artistry Program in Greensboro

Makeup Artistry Training

Makeup Classes

Makeup Careers

5 Types Of Makeup Artists published first on https://healthandstyleinstitute.tumblr.com

[maramkirkman]

5 Types Of Makeup Artists

Within the beauty industry and makeup design world, there are several types of makeup artists who specialize in different fields or create beauty looks for certain kinds of clients. Each type of makeup artist has unique skills in makeup artistry that help them excel in their chosen career and beauty genre. If you are embarking on a makeup artist education or are wondering what makeup artist specialties are out there, then read below to explore five types of makeup artists.

Cinematic

Makeup artists who work in the cinematic field of beauty create makeup looks for television and films. On the television side, makeup artists can work on television shows, doing the makeup of actors and actresses or can work in the news world where they do the makeup of on-air personalities or anchors. Usually, to work in these fields you need a mix of makeup skills, including basic makeup artistry skills to create everyday looks and FX makeup skills, if you’re working on shows or films that include fantasy, sci-fi or horror elements.

Wedding

A very lucrative field of makeup is the wedding industry. Makeup artists in this realm of beauty offer makeup services to brides and bridal parties. You will need to be able to work one-on-one with brides in order to create a special look that fits the theme of their nuptials and their personal preference. This type of makeup career requires that you be available for consultations and specific dates.

Beauty Brands

Many big beauty companies and brands have makeup artists in residency who are responsible for promoting the brand and showing off specific products. Usually, those in the beauty makeup world start small, such as working for department stores or working lower-level positions for makeup companies. From there, they are able to move up in the beauty world, and some even start their own companies.

Fashion

Fashion makeup artists work in the fashion industry where they might create looks for fashion shows or photoshoots. As a fashion makeup artist, you must be adaptable in order to work with other fashion professionals, such as designers or photographers, to bring an artistic vision to life.

Face and Body Painting

Some makeup artist jobs can be a little out there, including jobs that include face and body painting. This type of special effects artist creates fantastical, magical and cool looks right on the human body through the use of makeup and paint.

Become a Makeup Artist at Health and Style Institute

If you’ve always had a love of makeup and have gone as far as you can learning on your own, then now is the time to invest in a makeup artistry program. A proper makeup education can help you develop your artistry skills and makeup knowledge so that you will be ready to take on the makeup artist specialties career of your dreams. To learn more about Health and Style Institute’s Makeup Artistry Program and makeup artist jobs, fill out the form below or call us at 1-844-94-STYLE.

Learn more about Makeup Artist Careers

Makeup Careers

New Makeup Artistry Program in Greensboro

Makeup Artistry Training

Makeup Classes

Makeup Careers

5 Types Of Makeup Artists published first on https://healthandstyleinstitute.blogspot.com

[jdrphotographysblog]

Unveiling Timeless Moments: Elopement and Wedding Photographers in Greensboro, NC

In the heart of Greensboro, NC, where love stories unfold against the backdrop of Southern charm, finding the perfect photographers to capture those cherished moments becomes an essential part of your wedding journey. Whether you're planning an intimate elopement or a grand wedding celebration, the right photographers can transform your special day into a timeless masterpiece.

Elopement Photography: A Journey Into Intimacy

For couples seeking an intimate escape, elopement photography in Greensboro, NC, offers a unique narrative that goes beyond the traditional wedding experience. Our seasoned elopement photographers skillfully craft visual stories that capture the raw emotions and unfiltered love shared between partners. From the enchanting landscapes of Greensboro's parks to the historic allure of downtown, every frame resonates with the essence of your love.

Wedding Photography: Crafting Dreams Into Frames

When it comes to wedding photography in Greensboro, NC, the options are as diverse as the couples themselves. Our expert wedding photographers are adept at transforming your unique love story into a visual masterpiece. From the grandeur of formal ceremonies to the candid moments shared between loved ones, every click immortalizes the magic of your big day.

The Greensboro Touch: Southern Elegance Meets Modern Flair

Greensboro, with its blend of Southern elegance and modern flair, provides a picturesque canvas for your love story. Our photographers understand the nuances of this charming city, utilizing its scenic beauty to enhance the visual appeal of your photographs. Whether it's the rustic charm of the Greensboro Science Center or the vibrant scenes at Le Bauer Park, each location becomes a character in your love story.

Why Choose Greensboro Photographers for Your Special Day?

Local Expertise: Our photographers are intimately familiar with Greensboro, ensuring they know the best locations and lighting for capturing your love story.

Personalized Approach: Every couple is unique, and our photographers tailor their approach to reflect the individuality of your relationship.

Memories That Last: With a keen eye for detail, our photographers immortalize not just moments but the emotions and stories that make your day unforgettable.

Seamless Integration: From the initial consultation to the final delivery, our team ensures a seamless and stress-free experience for couples.

In the vibrant city of Greensboro, NC, where every street corner has a story to tell, let our elopement and wedding photographers be the narrators of your love tale. Trust us to transform your special day into a visual symphony that echoes through time.

[sharonrgoins]

5 Types Of Makeup Artists

Within the beauty industry and makeup design world, there are several types of makeup artists who specialize in different fields or create beauty looks for certain kinds of clients. Each type of makeup artist has unique skills in makeup artistry that help them excel in their chosen career and beauty genre. If you are embarking on a makeup artist education or are wondering what makeup artist specialties are out there, then read below to explore five types of makeup artists.

Cinematic

Makeup artists who work in the cinematic field of beauty create makeup looks for television and films. On the television side, makeup artists can work on television shows, doing the makeup of actors and actresses or can work in the news world where they do the makeup of on-air personalities or anchors. Usually, to work in these fields you need a mix of makeup skills, including basic makeup artistry skills to create everyday looks and FX makeup skills, if you’re working on shows or films that include fantasy, sci-fi or horror elements.

Wedding

A very lucrative field of makeup is the wedding industry. Makeup artists in this realm of beauty offer makeup services to brides and bridal parties. You will need to be able to work one-on-one with brides in order to create a special look that fits the theme of their nuptials and their personal preference. This type of makeup career requires that you be available for consultations and specific dates.

Beauty Brands

Many big beauty companies and brands have makeup artists in residency who are responsible for promoting the brand and showing off specific products. Usually, those in the beauty makeup world start small, such as working for department stores or working lower-level positions for makeup companies. From there, they are able to move up in the beauty world, and some even start their own companies.

Fashion

Fashion makeup artists work in the fashion industry where they might create looks for fashion shows or photoshoots. As a fashion makeup artist, you must be adaptable in order to work with other fashion professionals, such as designers or photographers, to bring an artistic vision to life.

Face and Body Painting

Some makeup artist jobs can be a little out there, including jobs that include face and body painting. This type of special effects artist creates fantastical, magical and cool looks right on the human body through the use of makeup and paint.

Become a Makeup Artist at Health and Style Institute

If you’ve always had a love of makeup and have gone as far as you can learning on your own, then now is the time to invest in a makeup artistry program. A proper makeup education can help you develop your artistry skills and makeup knowledge so that you will be ready to take on the makeup artist specialties career of your dreams. To learn more about Health and Style Institute’s Makeup Artistry Program and makeup artist jobs, fill out the form below or call us at 1-844-94-STYLE.

Learn more about Makeup Artist Careers

Makeup Careers

New Makeup Artistry Program in Greensboro

Makeup Artistry Training

Makeup Classes

Makeup Careers

5 Types Of Makeup Artists published first on https://healthandstyleinstituteblog.wordpress.com

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5 Types Of Makeup Artists

Within the beauty industry and makeup design world, there are several types of makeup artists who specialize in different fields or create beauty looks for certain kinds of clients. Each type of makeup artist has unique skills in makeup artistry that help them excel in their chosen career and beauty genre. If you are embarking on a makeup artist education or are wondering what makeup artist specialties are out there, then read below to explore five types of makeup artists.

Cinematic

Makeup artists who work in the cinematic field of beauty create makeup looks for television and films. On the television side, makeup artists can work on television shows, doing the makeup of actors and actresses or can work in the news world where they do the makeup of on-air personalities or anchors. Usually, to work in these fields you need a mix of makeup skills, including basic makeup artistry skills to create everyday looks and FX makeup skills, if you’re working on shows or films that include fantasy, sci-fi or horror elements.

Wedding

A very lucrative field of makeup is the wedding industry. Makeup artists in this realm of beauty offer makeup services to brides and bridal parties. You will need to be able to work one-on-one with brides in order to create a special look that fits the theme of their nuptials and their personal preference. This type of makeup career requires that you be available for consultations and specific dates.

Beauty Brands

Many big beauty companies and brands have makeup artists in residency who are responsible for promoting the brand and showing off specific products. Usually, those in the beauty makeup world start small, such as working for department stores or working lower-level positions for makeup companies. From there, they are able to move up in the beauty world, and some even start their own companies.

Fashion

Fashion makeup artists work in the fashion industry where they might create looks for fashion shows or photoshoots. As a fashion makeup artist, you must be adaptable in order to work with other fashion professionals, such as designers or photographers, to bring an artistic vision to life.

Face and Body Painting

Some makeup artist jobs can be a little out there, including jobs that include face and body painting. This type of special effects artist creates fantastical, magical and cool looks right on the human body through the use of makeup and paint.

Become a Makeup Artist at Health and Style Institute

If you’ve always had a love of makeup and have gone as far as you can learning on your own, then now is the time to invest in a makeup artistry program. A proper makeup education can help you develop your artistry skills and makeup knowledge so that you will be ready to take on the makeup artist specialties career of your dreams. To learn more about Health and Style Institute’s Makeup Artistry Program and makeup artist jobs, fill out the form below or call us at 1-844-94-STYLE.

Learn more about Makeup Artist Careers

Makeup Careers

New Makeup Artistry Program in Greensboro

Makeup Artistry Training

Makeup Classes

Makeup Careers

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African American Wedding

A McAlister Leftwich House Elopement wedding in Greensboro, NC. Bride and groom exchange their vow in front of Philadelphia Wedding Photographer.

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