#we're seeing DYNAMIC WOMEN ON OUR SCREENS

[hashtag-naturalchickproblems]

How therapeutic was it for AJ and Paget to shoot those scenes?

This is what they deserve😭😭😭😭

[butterflydm]

Kinda jumping off a discussion I was having with @markantonys and @sixth-light the other day, I am really feeling excited about potentially bringing in most/all of the rest of our endgame love interests next season because I think they'll pretty much all benefit with the jump from book to screen.

(contains some book spoilers through Knife of Dreams)

I really enjoy a lot of the choices that the show has made so far, and I think they've done a lot of good set-up for the romances as well. To start with the characters who are locked in already, I really loved that Rand's three love interests all got to spend some extended time with (at least) one of his friends in season 2. Elayne being close with Egwene and Nynaeve is book canon, of course, but I like that the show essentially did that with Aviendha & Min too -- Perrin and Aviendha were so funny together, Mat and Min were also funny but had some great depth and angst. We got to see all three of them shine as individual characters before we got into any romance elements.

Especially with Min, I really loved the choice for them to take Min's self-reported past struggles with her ability and make it a current thing for her. It gives Min an active emotional storyline that is about herself and not centered around Rand, which is a big plus for me.

For next season, it's fairly well confirmed that we're getting Faile, and I think the show is set up to do really well with her:

a. the fact that we're not getting Perrin's internal narration will do so much to combat the 'constantly possessive and jealous' vibe that she often has in the books, because she frequently does not act on it but is just feeling something and if Perrin didn't basically have telepathy, no one would know.

b. Perrin's previous marriage provides a good reason for his relationship with Faile to be much more of a slow burn than it was in the books, and also provide background on why he'll be over-protective of her without falling into Jordan's "Women Are Precious Frail Flowers" trap (which Jordan did realize was a flaw in his writing -- we see him trying to interrogate it over the course of the series. But sometimes he would fall into the trap anyway).

c. And Faile and Perrin's relationship being more of a slow-burn would also make Berelain be a less ridiculous character (if they choose to still have her & her pursuit of Perrin). I'm also fond of the (from reddit!) speculation that maybe Berelain will be Graendal in disguise, which would have the potential of working really well to bring Graendal in sooner and give Perrin a proper Forsaken nemesis.

We are likely to get Gawyn, and if he's our main PoV for split in the White Tower, rather than it being Min (who is going to be in the Tanchico storyline with Mat, if that leak from a couple of weeks ago is true), then the audience will be more inclined towards being sympathetic towards him. We're also not likely to have the huge slow-down in pacing that happened in the second half of the book series, so it won't feel like Gawyn is just marching in place for forever. He's definitely one of the characters who suffers the most from how slowly the plot moves in The Slog.

Less likely but still very possible (especially if the leak about Mat is true) is that we may meet Tuon next season, and the show has done so much to make Mat & Tuon more plausible as a romance, even before we get into anything like character development.

Partly in the difference in Mat's background, in his relationship with his parents, and also in the way his dynamics with characters like Liandrin and Ishamael were played out.

Plus the set-up for what the show is doing with damane & sul'dam is promising in terms of Tuon because the show has established that the sul'dam are very weak channelers (as opposed to being learners), which means that Tuon actively beginning to channel wouldn't be plot-breaking in terms of her capabilities and would just affect her on a narrative level, which makes that feel like a much more likely path for them to choose to go with her and which opens up some avenues for some genuine character growth from her, which would be an exciting change from the books.

And, on a more subjective note, I feel like Jordan really fell down on the writing of Mat and Tuon, especially in CoT & KoD, so basically anyone else taking them over is probably going to be an improvement for me.

The show also really established a strong personality for Mat off the bat, which is something that Jordan was pretty inconsistent about. 'Mat' doesn't really gel as an individual character until the third book when he gets a PoV; and then he changes in several ways between the end of Winter's Heart and the start of Crossroads of Twilight (which is only a week later); I think that 'Crossroads' Mat could have been plausible (if depressing) as a character if Jordan had actually worked up to him over the course of CoT & KoD rather than him abruptly becoming this New Slavery-Neutral "both sides are valid" Mat in-between books (in WH he has an actual ethical & visceral objection to slavery, while in CoT & KoD, he only seems to object to the idea of being personally enslaved and views it neutrally if other people are enslaved). But I've talked about all that before, lol, so I will just say that it feels like the show already knows who they want Mat to be and has taken a pretty bold stand on the subject (re: being a Hero of the Horn), so I don't think we'll see them dumping his brains and empathy overboard between seasons.

So, yeah, I know s3 is still filming, but I am already anticipating it so much!

[bisexual-problem]

How dare we criticize the choices of men. In their opinion, we have to be mocking impoverished, abused women because we're catty women. After all, that's a feminist. It's a prostitutes choice if she wants to be there, or her fault if she doesn't in their opinion. How dare we understand the facts surrounding social dynamics and cultures. How dare we not happily sup from the washed out, pornified pop culture sensory garbage that's on every screen? How dare we point our finger at the man buying the woman or girl instead of spanking her ass too with a leather prod?

Porn and prostitution are poison. BDSM and the women who make up the majority of submissives in the larger community are a symptom of the problem, an outcome to a culture. The only reason they want to see a woman cry is if she's got leather strapping her in contortions that demean her. Boyfriends and husbands would rather slap you across the face or stab you to death than hear you "bitch".

And we're supposed to be happy with this. We're supposed to agree, and ignore that women are still not equal, we're still not seen a human people, not like men are. How dare we criticize them.

when we oppose BDSM, they accuse us of shaming women for liking pain when we're actually criticising men for sexualising and inflicting women's pain

when we oppose prostitution, they accuse us of shaming the prostituted women when we're actually criticising the men buying and selling women's consent

just saying, when liberal/choice feminism views individual choices as simultaneously irreproachable and made in a vacuum, it turns a blind eye and a deaf ear to the larger social construct we seek to dismantle and responds that dismantling that construct would come at the expense of personal choice. it draws the same inverted false conclusion as trans activism: preserve the harmful paradigm to validate the individual. they both end up defending the patriarchy.

[gaydennisreynolds]

Lately I'm seeing tumblr fandom "history" posts about IASIP by emberphantom and sunnyontheside and it's showing a curiosity in me I didn't know I had about this topic. Can you also share about the older Sunny fandom from what you know? I'm only joining since the podcast started so I don't know about the changes. (Sorry if I sound rude, English is not my first lang)

hi anon <3 you don't sound rude don't worry!

I was on sunnyblr the first time around 2014/2015. There were very few active sunnyblr blogs at the time and the show was only up through season 9 so less content to discuss. It was like 10 of us passing around insanity. I remember one of the biggest sunnyblrinas had a url like trashboat and went by the nickname bio or something like that. I can't find their old blog and their fics have been orphaned on a03 so RIP fallen soldier....I've been unsuccessful so far at digging up posts from this time period because all of our old blogs have been deactivated for YEARS (mine included). If anyone has any 2014/2015 sunnyblr era posts please tag me I'd love to see them!

As for what we used to talk about: Mac was known to be gay but it was less salient in our discussions about him (remember he wouldnt come out on the show for several more years at this point) and it was like TABOO to suggest that Dennis might be gay. bisexual, sure. But to "gay Dennis truth" was to be biphobic since he hooks up with women. I'm really glad for that big 180 in thinking because I've always been a gay Dennis truther in my heart.

I don't remember shipping being huge? There were definitely those of us who enjoyed macden and made content for it but most of the blogs just posted like gifs and screen caps with overall less analysis / postulating. I think there was a very real fear of being Cancelled for saying something too nice or pure or w/e about these fucked up characters. I think Tumblr ecosystem is much more accepting and encouraging of "dark" content, which includes exploring amoral characters/subject matter, than it was back then. I don't ever remember CharDee or CharMac being discussed back then either. There was a huge emphasis on Charlie being on the asexual spectrum and it was Discourse Worthy if you wrote him as being sexual in any context. Weirdly enough, I remember Dennis/Dee being more socially acceptable and more frequently discussed. The good old days where incest was fine but speculating about sexuality was NOT (lol /s).

I can't remember any big Discourses or Scandals or hopes for later seasons that we had. Overall, I like this Tumblr better -- it's quiet here, sure, and sometimes we all say wildly OOC things about these insane characters, but i enjoy reading speculation posts and savoring the wide variety of macden content available to me. I like the focus on their fucked up dynamics and trauma backgrounds that we have now. We're all definitely adults and have more coherent thoughts about the content of the show, which is a nice change (I was about 15/16 my first sunnyblr time, as were most of my friends in fandom I think). It's nice to see people pick up on what RCG is trying to do with subtexts and references as opposed to taking things at face value. Older sunnyblr was way more like r/IASIP is today, the more I think about it. Way more rehashing jokes from the show and circle jerking about face value stuff like serial killer Dennis etc.

Glirst was still sooooooo real and all the lesbians have always wanted to fuck him. The one constant for now and for forevermore is that Glenn is sexually attractive and all the sexy ladies woobify his evil character <3

[thejustmaiden]

So out of nowhere I was tagged and quoted by a SR shipper for a blog of mine posted in August of last year. Talk about throwback but, hey, gotta appreciate that level of snooping. 😉

Back in the day I actually used to encourage discourse amongst Inuyasha fans- both shippers and antis alike- but I've since realized that it's a lost cause. But for you, @feministmetalgreymon , I'll grant this exception. Just 'cause it's been a while so why the hell not. haha

I want to assure you, however, that nothing you say will ever convince me that Sesshomaru and Rin are meant to be together romantically or that the story intended it so. Nor will you find any validation here. You can ship them for all I care, but please for all that is good and holy while I have your attention try- I mean really try- to understand why it is so many of us Inuyasha fans are so against this pairing in the first place (newsflash: it's not about ship wars), and why we believe a romance between the two of them is completely and utterly out of character.

For those of you interested in reading this, the blog of mine in question that the above shipper mentions in their counter-argument is here for reference. It's titled "Jaken = Rin's Dad?" I'm going to try and keep this short, but I'm also making no such promises. After all, I'm not exactly known for my brevity. haha Now let's get crackin'!

Like you, feministmetalgreymon, did for your recent blog here where you took screenshots of mine to address certain parts, I will be doing the same and dissecting yours accordingly.

[Snippet 1]

I worked with kids for many years as a teacher, and many people in my family have too or still do. Two of them happen to be just over 5 feet which is quite short for the average adult woman living here. I've also worked alongside many a women of short stature, and never did I hear any of them complaining of issues with their students having difficulty differentiating them from their own peers just because they were short as well. I'm sorry but that's just ridiculous. Kids are quite smart and pick up on a lot more than you seem to give them credit for. Height is not the only characteristic they look at to determine who's an adult and who's not, and it's foolish to suggest otherwise. So unless you're a babysitter who's still in their teens and/or who has very childlike features or behavior then I'm afraid what you're getting at is total hogwash. This is just another example of how you shippers offer nothing of real substance to your reasoning, it's only ever cherry-picking or strawmanning from you guys. Stop deflecting from the real issues please, because this certainly isn't one and only winds up being a complete waste of time for all parties involved.

[Snippet 2]

Okay, calm down now. I wasn't insinuating that relationships between parents and children can't change over time in terms of how they get along. Of course that's possible, as all families experience their fair share of estrangement and abuse. What I was speaking about was in reference to the overall dynamic between the two. Because a bad mother or father can still be viewed as a parental figure to their child even if say they're not in said child's life anymore. Since Sesshomaru and Rin share a healthy bond- and just a friendly reminder that in my blog I even said that he doesn't have to necessarily be labeled her father but that a romantic relationship later would still be inappropriate- I didn't deem it necessary to address what you brought up. Plus, it kinda, umm, misses the point?? Please, let's stay on topic. And it's not captured in the screenshot, but stop acting like there isn't a small part of them that idolizes their parents at some point during childhood. Just like you mention later on how it's normal for kids to have innocent crushes on adults that they eventually grow out of? Well, guess what, the same concept applies here. Kids eventually learn that their parents are far from perfect and make mistakes too. Rin is so damn young in the OG series though that we never even get to see her reach that maturity level.

[Snippet 3]

LOL! Alright, okay, so the "unbreakable bond" bit you're mentioning was actually me quoting you sessrinners. Did you not catch that? I literally spelled it out. *sigh* The whole point I was making is that shippers like yourself make hypocritical and contradictory statements all.the.goddamn.time. One moment you guys claim that Sesshomaru and Rin were essentially strangers and meant very little to each other, only to say in the same breath a few seconds later that they were destined to be together and their bond is like no other. I agree, their bond is special, but why must that mean they're going to fall in love?

That is the root of the matter here. Too many animes/mangas have romanticized this older adult man & young girl growing up falling in love trope that it's become way too normalized and widely accepted across the world- and yes, in some cultures more than others. Sadly, you lack the awareness to recognize how this all works. You know how we know that? When we see that you shippers are so desensitized to sexualized images of girls in the media that you share posts like this one below which *subtly* imply a future romance although one half of that pairing is still just a child in the pic and then try and pass it off as cute. That's like super fucking problematic and it scares me that you can't see that (or deny you do). 🤢

After all that's said and done, Sesshomaru leaving Rin in the village with Kaede is to me the strongest indicator more than pretty much anything else he's done for Rin that proves he is her adoptive father. It's so funny to me how you somehow see the exact opposite though. 🤔 What I think is happening is that you got yourself on some squeaky clean ass shipper goggles fresh out of your little echo chamber. Because I hate to tell you, but what you're fantasizing is what you want to see and not what's actually there on screen or was written into the story. I'm strictly talking about Inuyasha and the manga of course. [For the TL; DR version skip to the last paragraph.]

Parents looking after their kids is what parents are supposed to do. A good parent will do anything to keep their child safe and ensure they are cared for, so what he did for her by leaving her there was in her best interests clearly. Besides, as a babysitter, you more than most people should understand that parents aren't always able to be there for their kids so sometimes others gotta step in to help. Haven't you heard of the saying, "it takes a village to raise a child?" Which in Rin's case is literally true! 😂 Sometimes kids are even sent off to stay with grandparents and that's who raises them instead. Or maybe they have to temporarily live with an aunt or uncle because their single parent's job requires they work out of town 4-5 days of the week so they're hardly home. But that doesn't mean that the parents care or love their kids any less, and it's foolish to assume that Sesshomaru must have thought very little of Rin simply due to the fact that he made the decision to leave her in the village. Come on, y'all are acting like he abandoned her there!!

It's just given the circumstances Sesshomaru finally came to learn that Rin traveling with him was no longer safe. I also like to think it's because he wished for her to live a more normal life and to learn how to fully trust humans again. Plus, continuing to travel with him as young as she was would have proven dangerous and unwise. Now for you to know all this and still manage to turn his past actions towards her while she was just a child into a romantic gesture is what boggles my mind. Regardless of how you look at it, from my perspective or your own, Sesshomaru is in the wrong. Either he's a father figure who impregnates his daughter at the young age of approximately 14. OR he's this man she used to travel with who maybe isn't a father to her but who nonetheless basically rapes her since kids her age can't consent to sex with an adult. Idk about you but it sounds to me like nobody here wins with either scenario we're given. In other words, you should be just as mad as we are. If only one side didn't choose to forsake their morals they know we both have in common for the sake of a ship. Welp. 🤷‍♀️

I agree, incest is disgusting but that's not the only problem we have with this pairing. A romantic bond forming between Sesshomaru and Rin would also constitute as grooming.

You realize that over the years he visited her in the village that he brought her gifts too and essentially watched her grow up right before his very eyes, right? I mean, I know you do, but I really shouldn't have to explain further why pursuing a romantic/sexual relationship with each other is plain and simple wrong. And before you say it's not because he didn't have any malintent, please understand that considering their history and power dynamic up to then that yes this is still considered grooming even if Rin supposedly "wanted it" or "made the first move." Whether you consider him her father or not, as the adult who took on a role resembling that of a caretaker in her early life- a critical developmental time for a child- Sesshomaru is obligated to turn down any advances by Rin and most definitely should not initiate any himself. As the first close adult figure she's had in her life since her parents died, it's unfathomable to imagine how Sesshomaru could go through with taking advantage of this young girl who was under his care and supervision since they met. To think he could be capable of betraying that trust sickens me to the core.

This. Now THIS is how a parent/guardian or a similar adult caretaker (babysitter, teacher, etc.) talks to a child. And, in turn, this is how some young children talk to adults. You'd be insane and delusional to deny it! We see it in our everyday lives, do we not? From where else do you think our stories draw most of their inspiration? Yes, obviously these fictional universes have aspects of fantasy that don't exist in the real world, but so how then do you suppose we're able to relate to them? The reason for that being is because these stories are written by people for people, so naturally there are going to be real life aspects embedded throughout. Sure, a little escapism doesn't hurt as we don't need to take everything so seriously, but ultimately we all need to recognize that the messages in the stories we tell matter. Most stories possess a combination of both light and dark themes, but when it specifically comes to the latter we gotta be careful with how we tackle this in children's media since kids are far more impressionable.

So if at the center of a story we have two of the main protagonists whose mom is basically their same age and to top it off she knew their dad when she was just a girl and who just so happened to help raise her, wouldn't you say that's beyond fucked up or at the very least so fucking weird? Like why would we think it's even remotely okay for our children to watch this garbage?? Really think about it. Try and be objective for once and think about how it would sound explaining this storyline to an outsider who's never watched IY or HNY. Well, antis have tried this before many times and we always get the same reaction: Ewww!

Like I said earlier, if you wanna ship it then fine, but 1) please stop seeking our approval or trying to change our minds - your ship wish came true didn't it, so why do you need us to validate it? 2) even though it's not canon, respect that we don't support this sequel portraying pedophilia in a positive light. It's harmful af to not only allow but glorify the continuation of sexualized images of young girls everywhere. And I shouldn't have to say this, but just because this trope is popular as you say does not make it right. Lolicon themes in the media have been an issue forever and it needs to stop. Yes, even some people in Japan or "the East" would agree. Shocker!

We're pissed off and rightfully so because Yashahime's TV rating is 14, not to mention it airs at the prime time kids in Japan watch TV after getting home from school. That's Towa and Setsuna's age, true, but if Rin being the mom when she's like only a year older than them (please don't argue w/ me about the math- antis have so far been right every time with it) is straight-up disgusting and not something we should be supporting or endorsing. Rin's a whole ass child!! Please don't start with the "but times were different then so her having kids at 15 is acceptable" argument either, because we've already debunked that and every other single excuse you guys throw at us. Besides, how or why would you expect young viewers to know these historical "facts" anyway, especially if as you suggest fiction doesn't affect reality so what does it matter? Yet here we are, arguing over a fictional show in real life almost a year and a half into the "Sesshomaru fucks?" sequel being announced. My ass, your ass, hell all our asses fiction doesn't affect reality!

Look, I do apologize if the tone of this blog came off as snippy or condescending at times. I do not wish you any ill will, it's just I'm not really sure what you expected to get out of all this besides maybe getting on my nerves perhaps. haha A lot of you shippers have been desperately scrambling to interact with us, lurking in our tags, jumping onto our posts screaming canon and getting so defensive even though you sought us out first. We've been sticking to our tags, so how about you stay in your lane too. By the way since we're on the topic, have you seen Twitter or Reddit?! SR shippers there are the actual worst and many Inuyasha fans (not just antis) have complained of not feeling welcomed to engage in fandom spaces anymore. Shippers swarm them and scare them off simply because fans don't like your ship and refuse to accept it. It's pathetic, really. No one should ever be bullied or harassed just because they don't like something you might. We're all fans of Inuyasha, aren't we? So let's act like it. Yashahime on the other hand, you guys are welcome to that pungent heap of trash. Fans have a right to criticize it too, but if you like it then good for you, so keep on liking it and don't mind us.

I'm almost done, but real quick back to Jaken! Let's not forget about how the official Yashahime website- which came out after my blog, mind you- described Jaken. This translation isn't the best one available but it's the only version a fellow anti friend could track down. They do recall a better one done by a native Japanese speaker who was also an anti, and that member confirmed that Jaken is indeed called Rin's babysitter. So you see, I was right in my interpretation. In the original post I did compare Jaken to a brother, but after talking to others (some comments can be found under said post) I did acknowledge that he's more of a reluctant babysitter who's not related. And if he's not at least a brother to Rin, then he's definitely not her father.

At the end of the day, the creator Rumiko Takahashi has the final word. Which is guess what? Hogosha. 💖 Probably should've just started out with that and saved us all the trouble, huh? Good day/night to you.

Papamaru bids you adieu now. 🤞

[outrunningthedark]

I see you're watching fbi and 911ls too. Do you ship oa and Maggie? If you do, do you think the show will make them canon?

I also ship Tiffany and scola (typical enemies to lovers. I mean inknow they're not enemies but they didn't like each other in the beginning hahah), and also Judd and grace ♡

Imo just goes to show how shows can make quality m/f relationships and make ppl ship them when there is actual chemistry and real development (looking at you 911 with bt and eddiana). Wonder how I/we are fetishists now who "only like buddie 'cause they're two hot men"...

I am absolutely, 100% on board with a potential Maggie/OA relationship, nonnie. That wasn't my expectation going into the show because the last time I *genuinely* cared about a m/f couple getting together (back when I used to watch a lot more tv) was the four years I spent waiting for Caskett to admit their feelings. But, as you just said, chemistry cannot be forced or denied, and I cannot wrap my brain around the idea of Zibell finding that same connection with anybody else as long as they're both still part of the show! I hope TPTB are willing to take a chance on those two sometime in the future, but crime dramas are tricky, right? Either your favorite partnership never becomes canon because showrunners don't want to risk messing with their dynamic, or you get what you wanted after YEARS of uncertainty (will they/won't they). So, IF we're lucky enough to watch Maggie and OA realize that their bond goes deeper than friendship, it's probably not gonna happen anytime soon. 🙃 (I'll keep tuning in regardless! Just seeing them on screen has me doing *chinhands* every Tuesday.) Side note that relates to your comment about 9-1-1: I'm finding that it's gotten easier for me to follow m/f ships because the way certain characters are written leaves no room for ambiguity. I support Grace and Judd (as you do!), for example, because there's nothing about their personalities that makes me wonder "Hmmm...what if they're not straight?" (I don't mean headcanons, btw. I mean details in the text that make us question what's really going on the way we have with Buddie since basically day one.) And, on top of that, their relationship is proof that you don’t NEED sex scenes (or even heavy make outs) to convince viewers to root for a canon pairing no matter their gender or sexuality. Do they work well together? Do they make sense? Okay then.  If Tim never included the "jokes" about Buck having a "boy crush" on his new BFF or how he and Eddie should be a couple, OR! Our favorite! Buck accepting the idea of being Christopher's other dad without protest...I can't say I *for sure* would have thought anything of their interactions beyond the surface or even looked at Buck as anything but a straight man. If the scripts were being written to depict them as interested in women, and only women, I would have tuned out long ago because the relationships we've seen so far fail(ed) to capture my full attention: - Shannon was not a good person. She played the victim (Miss "Me, Me, Me") and guilted Eddie into seeing Christopher only to realize she still wasn't cut out for motherhood. (Did she deserve to die? No. But the fact that she did should tell everyone that Tim had no intentions of making her the mother Christopher wanted/needed - which, ofc, is a reflection of reality because kids are abandoned and mistreated by their mothers every single day. Even the disabled ones.) And this doesn't even touch on her ableist remarks that were never addressed, which is a contrast to Eddie, a father who has been deliberately written to acknowledge and atone for his misconceptions. - Ali was fine. I personally don't get the love people still have for her and Buck as a couple because she was around in canon for all of five minutes, but I suppose this is a case of hindsight being 20/20. She was certainly more tolerable than TayKay. - Ana lost me before she came back in season four. I didn't like what she said about Christopher. I didn't like that Eddie was doing the same crap from season two when it happened. Both Shannon and Ana got "passes" for their behavior because Eddie was too busy trying to make amends with the woman he was attracted to/had feelings for. - TayKay...bores me. She just does. I understand the appeal from when she first came on the scene. People were attracted to her and liked watching her get to interact with/have sex with an equally attractive costar. But bringing her back in season four while simultaneously strengthen the bond between the Buckley-Diaz boys did nothing to endear her to me as a gay viewer!!!! I don't care about BT when Buddie is literally RIGHT THERE. ACTING LIKE THAT. Buddie being in a romantic relationship, RASING A CHILD, is a much more compelling story (for ME!!! and all the other gays!!!) than having to deal with two het characters whose chemistry has faded because one actor's performance leaves the audience questioning why they're still employed.

(I'm sure you didn't sign up for this rant, but thank you for indulging me. <3)

[dingyuxi]

z anon again also i agree w yamh!! it's always so refreshing to see no love triangles!!!! also DID YOU SEEEEEE YUMI'S CELLS 2 IS GETTING RELEASEDDDD IN JUNEEEEEEEE. like i was emo over why her being released late but to think that two of my most anticipated dramas are going to be airing the same time *melts* also plus and minus is the first taiwanese bl ive seen but im soooo in love w it!! i swear good bls keep coming out, maybe it's because i'm watching based on what i see you rb/create hehe. also sooo tru, kinnporsche is full of eye candy but i also enjoy the banter and action scenes. like i think it's my favorite thai drama overall so far, altho i'm not too exposed to thai media!! also thank u for validating that i dont need to finish it because it is... definitely not worth it imo. like the more i sit w the fact that they used the slur sm the more i'm like :/// not for me....also i don't mind xu kai but a mutual literally hates him so going into falling into your smile i was expecting like full blown terrible 발연기 but it wasn't bad at all kdgjnkjn. shooting stars is v mediocre which is a shame, and since i'm part black the problematic elements of the drama have caused me to drop it. the only reason i'll watch the drama r cameos since ik we're getting a find me in your memory cameo/reunion!!!!! i hated our blues tbh but i'm enjoying the highschoolers' plot and look forward to han jimin and kim woobin. i feel like han jimin can do no wrong, she could be a murderer for a role and i'd be like "ykno, maybe they deserved it..." also thank u!! i will add these to my watchlist for more dramas! this week and next are my wrapping up as well so it is hectic but then we have summer to relax!! at least i do since i'm not doing an internship this yr!! hang in there and i hope you receive the grades you desire!! also i've been seeing your gifsets for going to you at 493km/h and I LOVE THIS DRAMA SM!!! i think the two leads have great chem and are really underrated actors so hopefully the ratings get better :( also jo hanchul always delivers w whichever role he chooses!! ALSO since my last message i've been watching miss crow and mr lizard and i'm alr on ep 18.. IT'S SO GOOD!!!!!!!!!!!! - z

hiiii this is very late but here I am!! Finally responding 💕💕💕I SAW THE POSTERS YES. i admit I didn’t watch season one but jinyoung is lead this time so!! i might just have to watch now. what’s your other most anticipated drama? the BLs are really stepping up their game recently. it’s great to see. i can’t wait for to my star 2 to drop because we need that natural chemistry back in our screens again and hwang da seul beloved we can always trust her to deliver. I’ve still only gotten a chance to watch the first ep of plus and minus but!!! i really like their dynamic so I’ll probably just binge it eventually. “maybe it’s because I’m watching based on what you rb/create” 🥺🥺 now the pressure is on! hopefully I don’t lead you astray fjsks. LOLLL why does she hate xukai spill the tea. i don’t really have any opinion on him except he had that one set is photos and I was like oh? He’s kinda hot here. I’ll be honest I dropped shooting stars I watched the first episode and then never continued it just didn’t grab me enough I guess. oof yeah I can see how that would hit too close to home, I support you dropping it, you gotta do what’s best for you! i also dropped our blues lmfaoo it was too depressing and also the women keep getting the short end of the stick. i was watching mostly for the high schoolers too but even then the writers chose the messiest plot lines I swear. also the anti-abortion propaganda was going full force. LAP is cute, ngl I was getting a little annoyed at everyone being as*es to taeyang tho and the continuous circling around the big “secret” but at least this week we got some progression in the right direction! MISS CROW AND MR LIZRAD!! Ugh I loved the otp there sm (the ending was annoyingly rushed tho 😔 but other than that! loved them) I’ve been in the mood for crime/investigation dramas recently so that’s what I’ve been watching most recently. Congrats on finishing your semester and I hope you get to spend a really fun a relaxing summer vacation! You deserve it ^^

[tobeornottotc]

Tharn and Type Seven Years Ep 2: Observations and Comments

Wow, what can I say except yes finally after a bit of worry about how this season was going to be especially after being scarred by A chance to love (like Tin and Can are cute but the lack of a good plot and waste of side characters still hunts me to this day), I really came weary into Tharn and Type season 2, but thing is as much as last week the editing, sound issues and some lightning issues worried me, I kind of really enjoyed seeing my couple once again. It was just a bit different to the feeling in season 1 for me (it should be we're seven years in we're meant to have maturity, domesticity, and slower less angsty relationship from Tharn and Type) but yeh because of this different feeling I wasn't sure what to say about this show. But Episode 2 took me back to my love for this couple, and I couldn't help but go through excitement, tears and also just nostalgia for how much it called back to season 1.

 As much as Tharn and Type have grown up and had their issues, the way they settle them now is different, their dynamic is still the same they're still passionate and crazy about each other but its the little things as well that shows how mature they've become, even though Type may curse out everyone including Tharn because that's his personality its the softness from him for me that warms my heart, its the way he's absolutely devoted to Tharn: he still calls out his father and says he'll be a widower without him,(already seeing himself tied to him in a marriage without the actual involvement of the law and people), its the way he ensures that Tharn is protected from being hurt when cooking and worrying about the little scars on his hands, its the way he pridefully tells everyone who he trusts that he's looking at his man and he's not ashamed to look longingly and lovingly at Tharn as he sings their song. It's so beautiful, and it's just so incredible to see his growth and see how absolutely devoted he is to Tharn despite Tharn not fully seeing so. 

Tharn, on the other hand, is the same as always 100% focused Type and making sure Type knows he's his, I just love how they talk to each other, how despite fighting all the time for seven years they find it like a comfort to expose their flawed selves to each other knowing they won't back away. I love how Tharn and Type still have those moments where they show they clearly need each other for comfort and just warmth (cuddle scene and Tharn apologising) and I love how despite having disagreements they go back to normal the next day and ensure that they don't fight for too long. It's just precious and its what I love about them. And of course, their passion which one of the reasons for why they are so great, that chemistry has just gotten better and better and that kiss blew me away in the bathroom. Mew and Gulf are clearly now used to each other, and so much more in tune with each other, their chemistry, sensuality and seductive could be felt from the screen, and I felt like an interloper watching it. It made me scream, made me laugh, but it made me blush, and I remember how much Mew and Gulf engulf the whole show with their chemistry and passion. I'm jealous, to be honest about it all.

Other things to notice

Phu and Cir: They're adorable, their skinship shocked me wasn't expecting the amount of PDA we got from them but I ain't complaining it makes me appreciate this show even more. Phu and Gun are the antitheses to Tharn and Type, they're adorable and soft and proud of their relationship in public, they don't seem to fight or argue, and they have a sweeter dynamic to them, but I do hope for a plot for them instead of just cute stuff because I like their characters and I like the actors. But right now I see what they're here in the show for, they keep being a reminder to Tharn about his own hopes and dreams for what he wants from his relationship; he wants what they have, he wants to be overly affectionate in public and to able to call Type his in front of everyone just like Cir does. So they do have a use, and I don't want people to see them as like just fan service.

Fiat and Leo: Fiat is spoilt, and he gets his way we can see that he goes a bit unstable when Leo is away for a while. Almost he's reliant on Leo, and he's not used to being away from him. Leo is fiercely protective of Fiat as we see his friends keep updating and worrying about Leo's reactions to them not doing Fiats bidding or hurting him. For Fiat I love this actor, he's stubborn and like he doesn't give in typically, childish and immature, and I'm guessing Leo is the opposite. Still, Fiat reminds me of how I felt about Type, he's annoying and flawed, but he's somewhat lovable and intriguing. I can't help but want to care for his character and know more about him, and that's all because of his acting and charisma. I'm so excited to delve deeper into his character, and I can't wait to see how Leo plays a part in this.

The boss: Type isn't someone who likes to be patient so that he will explode later on this person. The question is why is the boss of Type so rude, and disrespectful, he's so like hyperfocused on trying to make Type seem so weak. From what Type has said its to do with jealousy, but I'm not really if that's all it is, he's jealous about Type being so handsome, and charismatic and liked by women that he feels some kind of inferiority complex? Because to be honest just because his girl hit on Type, it's very unprofessional of him to act this way, and I am not okay with it. I cannot wait to see Type punch the living daylights out of him. Eww

Khunpol and Champ: My babies, my soft, cute, sweet babies. They probably will be angsty soon, but I love them already. Champ is one fluffball so much more gentler than he was in Season 1, he's adorable, clueless about love and I'm sure Techno is going to play a massive role snooping and trying to set up Champ and Khunpol. As for Khunpol I can see already that baby boy has a crush on our Champ (even though Champ is so clueless) but the girlfriend mention and the relief on his face when he realises there is none, the way he laughs and gets excited when he saw Champ and a bit of disappointment when he saw Type walk into their conversation pretty much already tells me what I need to know about these two. Khunpol is shy and gentle and wouldn't really try to make anything happen, but he'll probably wait longingly for Champ to recognise how he feels. And Champ is going to be very naive and very dumb about the situation. They kind of remind me of King and Ram in my engineer, Khunpol screams King to me acts innocent and sweet like he doesn't know what's happening but secretly holding and panicking about feelings. And Champ is more like Ram,  a bit distanced from that feeling but soon will realise what's happening. Either way, my babies are making me so excited the way they make each other smile, the skinship from Champ to Khunpol which is automatic apparently and something he just likes to do because he sees Khun as cute and fluffy. Squeal, my heart is about to be stolen by these 2, can't wait to see how they unfold.

Overall this episode of Tharn and Type 7 years has been a blast from the past, I have had so much fun rewatching it and its made me so happy and excited for what's to come. If we get more stuff like this, then Tharn and Type is probably going to stay my favourite show. Still, I am so in love with everything in this so far/  I also wanted to say that it's nice to see them have conversations this episode about work and how they've changed, it's genuine and also very warm to see how they had grown up and graduated from uni when in the past season we watched their immature selves act childish and young and react that way in situations. This show is meant to be a more mature version of Season 1, and I think it's doing that so far. Also can Mew please stop looking so good? Like I can't deal with it, and Gulf as well likes in that uniform like please let me breathe. Haha. I can't wait for the next episode.

[revchainsaw]

Buffy: the Vampire Slayer (1997)

Season 1

Hello and Welcome back my creepy congregation! We will be taking todays service from the Big Screen into your living room for our first Personal Devotional. That's Right! We're reviewing full seasons of television series now and what better way to bring the spirit of the genre film to the idiots lantern that with the 90s Television sensation and all around love letter to the horror genre, Buffy the Vampire Slayer!

The Message

Regardless of how one may feel about Mr. Whedon we can't deny how much we love Buffy Summers and the Kids who live and die in Sunnydale! Season one of Buffy was a spin off/reboot of the earlier film and an attempt by Whedon to course correct the franchise by breathing a little charm and attention into the subject matter.

Buffy the Vampire Slayer (Season 1) focuses on Buffy Summers, a not so typical California high school student who, due to the events of the movie, has been relocated to Sunnydale High. Buffy is not just a cute, athletic, teenage girl looking to enjoy the prime of her life, though she is those things, she is also the Slayer, an anointed warrior who has been reincarnated throughout the generations to protect our vulnerable weak human world from the forces of evil; particularly Vampires. Buffy is a sort of supernatural Captain America, that is a peak human being, but instead of Nazi Science she was born with her powers.

Joining Buffy are; High School outcasts Willow and Xander (a nerd and a nice guy respectively), The ridiculously sexy librarian Rupert Giles (her mentor, guardian, high school librarian, and all around precious papa bear), Jenny Calendar (a technopagan computer teacher armed with all the mystery an ignorant 90s boomer could attribute to the internet), Angel (Spoiler: He's a Vampire, but he's a good guy. A hunky, broody, good guy vampire love interest), and her loving but entirely oblivious mother. The Scoobies as they have come to be called aid Buffy in her quest to protect Sunnydale from Dark Forces.

And Speaking of those Dark Forces, they are primarily vampires, led by the Master; an ancient vampire who resembles to some degree Nosferatu and a Bat, a look that Guillermo Del Toro would later perfect in his own series the Strain. The Master seeks to fulfill an ancient prophecy that would open the Hellmouth (a portal to hell, exactly what it sounds like) and free him in order that he and his kind should conquer the world.

The first season is fairly short consisting of the following adventures.

1. Welcome to the Hellmouth - Buffy moves to Sunnydale seeking to leave her Vampire ways behind, but the vampires just won't let her catch a break.

2. The Harvest - Vampire Shenanigans continues. Buffy learns of the Master.

3. Witch - A fellow Cheerleader is possessed by her witchy mom.

4. Teachers Pet - Buffy vs Giant Mantis

5. Never Kill a Boy on the First Date - Buffy vs the Anointed One (Not Really)

6. The Pack - Buffy vs Hyena Possessed High School Bullies

7. Angel - Buffy vs Angel but actually Darla

8. I, Robot ... you, Jane - Buffy vs Internet Demon

9. The Puppet Show - Buffy and Sid the Dummy vs Organ Harvesting Demon

10. Nightmares - Buffy has bad dreams

11. Out of Mind, Out of Sight - Buffy vs Invisible Nerd

12. Prophecy Girl - Buffy vs The Master (also Buffy Dies)

Overall the short season, while not allowing for too much world building, kept the show to a format that allowed very little filler. So although we mostly only get vampires as villains, we don't have enough time to really be bored of it. Some of the shows dynamics and cultural concerns definitely date the series but overall Season 1 of Buffy is definitely not a difficult watch, and can be enjoyed over and over again.

Let's get to the Benediction:

Best Character: Slay Girl, Slay!

As far as season one goes the titular Buffy Summers is the best character. Sarah Michelle Gellar is absolutely charismatic in the lead role and though at times she may seem selfish or reckless it makes perfect sense for the character. The character is allowed to be weak, to be selfish, and to be unlikeable. She avoids the foibles of a Luke Skywalker or a Harry Potter. She joins the ranks of primary protagonists who are not constantly outshined by their supporting cast. I believe when Buffy is sad, I believe when she throws a punch, I believe she struggles with her destiny. The only thing I don't believe is how ditsy she let's on.

Best Actor: Head's Up!

Anthony Stewart Head. Head as Giles is just fantastic. His balance of frustration with Buffy and genuinely parental concern is heartwarming and absolutely makes Giles one of the warmest father figures in television history.

Best Episode: A 'Master'ful Finale

It all builds up to Prophecy Girl and for good reason. Television shows often have mini-finale's at the end of their first seasons because the teams behind the series are not sure they will have a chance to tell more of their story. For that reason you can see just the first season of most television series and feel like you've heard the whole deal. I wish this habit was kept up in other seasons as we wouldn't still be wondering what the hell happened to Joel at the end of the Santa Clarita Diet. Buffy is no exception to this phenomenon and therefor attempted to tie up much of it's narrative in Prophecy Girl. While that often means big bads will be dispatched, I think it's a small price to pay for not winding up in a cliff hanger. Buffy and Giles just shine in this episode, Angel is given a more heroic role, Willow finally values herself as she should and Xander stops being a fucking horrible human being for once. This episode really satisfies in all areas.

Best Villain: Sweet, Sweetheart Killer

It's such a shame that Darla was killed so early on in the franchise. She is such a great presence on the screen that she overshadows all the villains that play alongside her, even the Master. I would have loved to have seen an alternate season where she offs the old coot and assumes the role of big bad much like Spike does in Season 2. Lucky for everyone that Darla is featured throughout the show in flashbacks and I hear she is even resurrected in Angel. Also, for Scott Pilgrim fans I feel like she and Envy Adams are very much sympatico. Maybe if they reboot Buffy all my dreams will come true.

I'd also like to take this time to recommend the song Angels and Darlas by Say Hi! It's pretty good.

Best Monster Design: Internet Troll!

While I can't speak for where the money in Season 1 of Buffy went, I can say that at least some decent cash was spent on both the forms of Moloch the Corruptor from the Episode "I, Robot ... You, Jane". Moloch was pretty wicked looking as a machine toward the end of the episode, he looked like a Mortal Kombat villain, but it's the green scales and ram horns the actor is sporting at the beginning of the episode that really catches the eye. In fact, I'm feeling compelled to hunt down any Moloch the Corruptor merch that may be out there on the internet. It's certainly no mystery why the demon's face is featured prominently in the theme song. It just looks great! Good job to the make up department there.

Most WTF moment: "Pack"s a Punch on Principle

While not the greatest episode in season one "the Pack" is certainly worth the watch if for no other reason than the horror is kicked up when a group of high school students under the influence of a malevolent Hyena God, decide that the School Mascot is not enough to satisfy their bloodlust turn on the principal, and yes, THEY EAT HIM. I remember being completely caught of guard the first time I saw that scene, and it kickstarted the running gag of Sunnydale high principles meeting their demise in horrific ways.

Worst Character: No More Mr. Nice Guy

When I was in college I often felt bad for Xander. The funny guy who just had no luck with women. He was sarcastic but had a big heart, and used a horny gimmick to mask his loneliness, or so I thought. But now I am older, I am wiser, I have known the touch of another human being and I have to say that Xander Harris is a really scummy fellow. I don't remember thinking so poorly and I wonder if the character develops a more nuanced view of women as the show goes on. As it stands there's barely a point in the series that Xander does not view the female cast as objects for him to enjoy or be embittered towards for one reason or another. It's not charming, it's foul. Xander Harris of season one is absolutely a terrorist attack waiting to happen, if Buffy had happened today it would be much more concerning to see someone so embittered, horny, and entitled to womens time and energy as Xander Harris. Dude is one step away from pulling an Elliot Rogers. Calm down buddy and maybe actually listen to a woman and you may find you aren't as much of a 'nice guy' as you think.

Worst Episode(s): If you're not first ...

It's a toss up on this one. Season One of Buffy is actually so short and concise that the 'Monster of the Week' episodes will have to be up for grabs as the worst episode by default, but even they are pretty watchable and don't warrant the vitriol a "worst" dub usually entails. I'd say there is not a worst episode of season one, just some episodes that aren't as good as the rest. In that vain, take your pick from "Witch", "Out of Mind, Out of Sight", or "The Puppet Show". However, I'd be doing a disservice to those episodes not to mention that each one of them takes what could just be a basic Buffy Vs (insert Villain), and does something unique and interesting with the idea. The villain of "Witch" actually turns out to be a has been cheerleader actually possessing the body of her innocent daughter to relive her glory years, The Invisible Girl is actually the victim of social cruelty, her peers disinterest in her manifesting in her condition becoming quite literal and she is picked up by the military in the end, then the Puppet show, well, it's just about the stupidest most absurd thing that could possibly happen and it's completely unafraid of that fact.

Summary:

Buffy The Vampire Slayer (Season 1) is not the most groundbreaking TV, but it is absolutely evident why the show was such a phenomenon. Season 1 is particularly rewatchable. It does not demand too much investment or attention, but it will get it from you, especially on a first viewing. It's not afraid to take itself absolutely seriously or to plant it's tongue firmly in it's cheeks. It is to a degree a product of it's time, but in many other aspects feels timeless.

Overall Grade: B

[derl30]

ALTERED STATES REVIEW TIME!

OK, this tumblr is, today, a vehicle for me to review ALTERED STATES. And you (the one person who stumbled on this review two-hundred years from n- oh who am I kidding, when the aliens from A.I. who show up to thaw out Haley Joel Osment and the teddy bear who was the real hero of that movie find this) should be very excited about this. Because this movie is insane. And highly entertaining.

Yes, the movie poster looks like ass. If I told you this was a movie where William Hurt (not the William Hurt from that awful 90's Lost in Space remake, or the one who slept through an entire performance as Duke Leto in the Syfy miniseries of Dune. This is before the body snatchers got him) took ayahuasca and got in a isolation tank and it blew his mind so hard he started devolving into a neanderthal and creating dimensional portals and he couldn't stop because he was addicted to finding the truth of existence... Well you wouldn't get that from this poster, would you? So let's move on. Shall we?

The film opens in 1967 with William Hurt's character, psychopathologist Edward Jessup, already immersed in a sensory deprivation tank, whilst his colleague and “buddy” Bob Balaban (he's just Bob Balaban in everything I'm not giving you his character's name look it up yourself if it's bugging you so much) oversees.

Now, you may notice I put buddy in quotes. The reason for that is that Jessup is a self-obsessed ass who seemingly has no reason to be around other people unless he can expound to them one of his various monologues. Bob Balaban barely gets a word in edgewise throughout the entire film. Bob Balaban.

See, Jessup loves the sensory deprivation tank experience. Unsurprisingly, as it allows him to be completely alone with himself for hours.

Later, at perhaps the lamest party ever, a bunch of faculty are chilling out and listening to the Doors. Everyone we see is talking about Jessup. Why? Well, much as Jessup is obsessed with himself, everyone else seems to follow suit by being obsessed with him. One young woman, Emily, (Blair Brown) is introduced to him in this very shot below as he arrives at the party:

Notice how is framed in holy light? There is a closeup after, of him framed in blinding glowing light followed up with a zoom in on Emily's face, enraptured with this incredible dynamic man. So much so that the moment he tries to make a goddamn sandwich she starts grabbing his celery (get your mind out of the gutter) and flirting with him. Which for these two that means talking science, immediately. Talking more at each other than with each other. This is often the way with Paddy Chayefsky's scripts.

PAUSE

Paddy Chayefsky is doubtless one of the great American writers for the screen. He wrote Marty, The Hospital and Network (which is a fucking incredible piece of work). He got an Oscar for all three. He also wrote this movie (Altered States, remember? Good lord) and disowned it completely three weeks in to production. His scripts tend to have very intelligent, driven characters at the center, who monologue extensively at each other. These scripts are not attempting to sound naturalistic.

Ken Russell, however, directed the film. He, like Chayefsky, is top notch at what he does (Direct. I said he directed the film like a second ago, come on keep up). His films, like Women in Love, The Devils, (which was banned in several major countries upon release and has never been shown publicly in its full, uncut form (by the way it's a masterpiece)) the Who's Tommy, Gothic, and Lair of the White Worm are all fucking gonzo nuts. I mean like, when you gave this guy the reins, you were going to Overthetopsville and there will be no stops on this trip. And god bless! I love directors who GO for it!

You're getting the chance to make a movie. Stop hemming and hawing and hit me over the head with what you want to say! Film is a visual medium, USE IT!

I feel I might have made my feelings clear here. So, moving on...

Ken Russell and Paddy Chayefsky immediately started butting heads, right from the start. Chayefsky was a BIG deal, and he wanted control over the picture in a BIG way. Ken would listen to his suggestions on everything to lighting and set dressing, and politely tell him, “No.”, and continue being the director of the film. Chayefsky hated him pretty quickly.

He had much more control over films like The Hospital. Which, if you watch The Hospital, well, it shows. You've got great actors (George C. Scott, Dame Diana Rigg (Dame may be the greatest official title of all time)) saying great dialogue. But its just two very witty bitter people sort of expounding on topics and speaking at each other and suddenly admitting they are in love and discussing what drapes they will have to buy for their new home. It's utterly preposterous, and it doesn't work in the way Sidney Lumet got it to work in Network, by literally making one of the lead characters realize his life is turning into a ludicrous soap opera.

So of course Ken tried to humanize, naturalize, the dialogue sequences. And it works! The film feels more human than the Hospital or Network. Despite the fact that Jessup is literally becoming more and more inhuman throughout the film. One of the ways he does this is by having the character's eat, drink, and work on other things during the dialogue sequences. This is perfectly normal in film, it's called giving the actor “business” to do, during the scene. Chayefsky HATED this. “They are mumbling my precious dialogue! Chewing through it! Sucking it through a straw!” Sorry, Chayefsky buddy. It works for the picture. Chayefsky also felt the actors were too emotional with his dialogue. Right. See, they call that acting.

UNPAUSE

Which brings us back to the first meeting of Emily and Jessup at the party. They are eating during this important scene! I can just picture Chayefsky seeing this, and running to the studio brass to tattle and get Ken Russell fired (as he got Arthur Penn of Bonnie and Clyde fame fired before Ken Russell came on board).

Emily and Jessup are, true to Chayefsky form, extremely intelligent, driven people and hearing them discuss topics such as anthropology and schizophrenia is quite interesting. It's just that what is to come, film being a visual medium, will eclipse just about any dialogue, no matter how good, from our mind thingys.

The two give up on the science talk and go straight to banging on her couch. After, she asks what he was thinking about. His answer is priceless. “God. Jesus. Crucifixions.”

She smiles.

Bwahahaha! Oh Paddy Chayefsky, you sure know women.

He admits he used to have religious visions. She listens to him from the sweaty couch whilst he sits naked on the floor, and starts going on about his father's horrible death of cancer and his loss of faith. And he admits to her that he's a nut. Her response is to call him a fascinating bastard. I think Lucas may have taken notes for Padme and Anakin.

So naturally, they get married immediately.

But none of that matters because Jessup gets back in the sensory deprivation tank and has his first vision. A nightmare of his dying father and lost faith in christianity. It's pretty great, filled with foreboding hospital rooms, his father's face being covered in a burning Shroud of Turin, everything covered by horrible blood red clouds and then THIS FUCKING THING SHOWS UP AND ITS ALIVE AND WRIGGLING

AAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHH!!!!!!!!

excuse me...

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHH!!!!!!

The many-eyed goat is slaughtered over a gold bible and suddenly Jessups screwing Emily again and we enter a blood vessel looking thing and the vision ends and he never mentions this again. Oh. Okay,

Emily continues on about what a nut Jessup is as they make marriage plans. Her monologue:

“You're an unmitigated madman. You don't have to tell me how weird you are. I know how weird you are. I'm the girl in your bed the past two months. Even sex is a mystical experience for you. You carry on like a flagellant... Which can be very nice, but I sometimes wonder if it's me that's being made love to. I feel like I'm being harpooned by some raging monk in the act of receiving God. (Emphasis mine)

"And you are a Faust-freak Eddie! You'd sell your soul to find the great truth. Well, human life doesn't have great truths. We're born in doubt. We spend our lives persuading ourselves we're alive. And one way we do that is we love each other, like I love you. I can't imagine living without you. So let's get married, and if it turns out to be a disaster, it'll be a disaster.”

It's a disaster.

As in, by the next scene. It starts off happy enough looking, they have kids and people are smiling. And hey, wow it's seven years later! But, well, see, whoops, they are getting a divorce. Well, not they. See, he is divorcing her because he considers the seven years with her a complete waste.

She still loves him, desperately. He doesn't give a shit about her or the kids. He tells Bob Balaban this, straight up. And then starts bugging him about deprivation tanks and Hinchi Indians in South America who have sacred mushrooms that can really fuck you up.

It's at this point you would like for Jessup to be hit by a Mack truck. But the movie continues on. By the way, this is one of the kids he doesn't give a crap about:

That's right. Drew Barrymore's first role is a kid that William Hurt doesn't give a shit about. Something that William Hurt would make a career out of with narcoleptic performances in Lost in Space and Syfy's Dune. So, Emily takes the kids to Africa for her anthropology work while Jessup goes to South America to go deeper into his own creepy mind.

The Hinchi Indians agree to allow him to participate in the drug ritual. They enter their holy cave.

This shot is beautiful. At this point the film becomes increasingly gorgeous. Ken Russell has started to go into overdrive, ladies and gentlemen. Buckle. Your. Seatbelts.

The Indians grab Jessup's hand and cut him, freaking him out. They pour his blood into the drug mixture. They begin to drink. Then he takes a sip. The intensity of the film here has quadrupled. The vision begins, fireworks going off all around him. He sees cave paintings of humans and komodo dragons and this:

The proper life he left behind with Emily. He's convulsing, sweating. The Indians are all around, masked. Snakes. He's laughing in pain. Energy spills from the void. A snake under the parasol strikes and begins to strangle him. He and Emily march toward a nuclear explosion as energy pours from the cut on his hand, becoming a lizard. From within a sandstorm, Emily watches him, naked. Jessup looks at her, entranced, as the soothing sands cover them both, slowly.

It's a beautiful sequence. A perfect film sequence. I can't overstate how strong the vision sequences are from this point forward. Great visual effects work and the madman mind of Ken Russell create something unforgettable, with it's own pace, independent from the rest of the film.

Jessup awakens with a komodo dragon laying before him, ripped to pieces. The Indians and the others all claim he killed it in rage. Jessup remembers nothing, takes samples of the drug to reproduce it, and goes back home.

Back home, Jessup keeps doing as much of the drug as he can and having Bob Balaban record results. They can't up the dosage any more so Jessup hops back in to the self deprivation tank to create a more extreme experience.

In his next session, Jessup states he is having a vision of early man, hunting a deer and killing it. Suddenly he states he is one of them, killing the deer. He begins to grunt like an animal. The two pull him out. He's incredibly pale, blood seeping out of his mouth. He can't speak, and has difficulty breathing. He insists they do an X-ray. It shows that there is a vocalizing lump in the front part of his throat. Jessup claims that his body had begun to revert to a simian state. The medical doctor agrees, stating the throat X-rays looks like that of a gorilla.

Luckily his throat returns to normal. So Jessup finishes up his day by having over a student of his and sleeping with her.

Our hero, people!

At this point we hardly feel sorry for him as his body suddenly begins to twist and bulge in the middle of the night, shifting in and out of neanderthal shapes. It's a horrific sequence, disturbing as hell. You certainly didn't expect the film to shift into body horror.

Jessup feels normal after a while. but sees visions of lava explosions, the birthing of the Earth all around him. Not a good sign.

He goes to pick up Emily from the airport the next day. She asks how he is doing.

“Oh, fine.”

Yeah right.

Emily has been told what Jessup has been doing and is worried, which of course pisses off Jessup even more. The guy is obviously obsessed with reaching the truth and root of existence, much as Emily surmised earlier, and we see he has no fear of even losing his own soul, again true to her word. The only thing that allows us to give a shit about him at this point is that Emily cares for him and she's decent people, okay?

So back Jessup goes into the tank with his ayahuasca or whatever it is. Alone. The tank door opens from the inside.

The hand that pushes it open is covered in thick hair. He's devolved.

Ape-Jessup escapes the tank room and chases a janitor around the building. Again, this scene is fucking freaky as hell. We can't get a good look at this screaming animal that was Jessup.

The janitor gets a guard to help and chases after him into the boiler room, where we finally get a good look at him when he assaults the security guard and escapes.

AAAAAAAAAHHHHHHHHHHHHHHHHHHH!!!!!

Ape-Jessup runs through the city at night, making his way to the zoo where he kills a antelope and eats it. The Ape-Jessup sequence goes on way too long, but is nonetheless unforgettable. The makeup is much more convincing than the above picture suggests, and whoever performed Ape-Jessup did an admirable job.

The cops find an unconscious Jessup in the zoo and bring him in. Emily picks him up and questions him. Jessup admits everything that he can remember. He also admits that he probably killed that security guard. And once again doesn't seem to give a shit. Prick. He calls it the most supremely satisfying time of his life.

Even Emily seems disgusted with him. But, she's also fascinated with what he's accomplished. As an anthropologist, his transformation fascinates her. And so, she agrees to help oversee his next session. Big mistake.

Before the big session Emily and Jessup romantically reconnect, and then into the climactic session we go!

Get your popcorn ready!

After a few hours in to the session, the video monitor shows Jessup begin to literally melt apart like goo, reverting to primordial ooze, the very beginning of existence. An attempt to open the isolation tank doors blasts everyone unconscious, as light and energy pour forth. Emily is the only one left. She sees Jessup's life energy pulse from within the tank.

Rain pours down around them. The pipes on the walls twist and turn like jelly. The ground is covered with a pool of swirling fog and energy. Emily advances toward the vortex of the tank.

In the emptiness of the beginning of everything, Emily seizes the energy before her and reconstitutes Jessup.

They take him home. While he sleeps, Emily rages over the fact that she loves such a insane bastard, and can't get over him. And, then, after Bob Balaban leaves, leaving Emily alone, Jessup wakes up.

He sweetly admits that the truth he learned was that there was no learnable truth, just unknowable horror, and all that's real is human experience. And he'll be a good boy from now on. Well too bad!

Because that horrible truth isn't done with him, and it's back to goo-Jessup! Emily tries to help him, grabbing him, but this in turn effects her, turning her into a shimmering lava form of herself. Both of them begin to self-destruct as Jessup, enraged, watching her in pain, struggles to retake his humanity, slamming himself into the wall, reforming himself through sheer will and physicality. He grabs her and brings her back, mirroring what she did for him during the final session. They embrace naked in the hallway. He finally admits, “I love you, Emily.”

Fade to credits.

Awww true love!

What can I say to sum up? Awesome 80's practical effects. Genius wacko go-for-it Ken Russell directing. Out of this world vision sequences. A awake and actually remarkable performance from William Hurt. An occasionally turgid but often fascinating script by the ever ornery Paddy Chayefsky. Whats not to like?

Well, the ending is a little rushed. The ape sequence goes on for a little too long and takes up perhaps too much of the films overall running time. The central love story is, well... a little hard to swallow, but hey, I guess there really is somebody out there for everyone. Even self-absorbed, deadbeat, cheating, sensory deprivation loving, ayahuasca dropping, Harvard teachers with a messiah complex!

And on that note, aliens from A.I. Artifical Intelligence, have a good day, and don't leave poor Teddy alone with no one to keep him company!

Sayonara!

[mdye]

The role of wife and mother is something Jennifer Garner knows well. It’s one she’s played in her last seven consecutive films, an identity that’s boosted her cultural relevance over the past decade, as her on-screen career has taken a back seat to raising a family ... and, err, Ben Affleck. 

Films like “Juno” and “Miracles of Heaven” showed Garner making the most out of the “wife” character, delivering her best film performances to date, exploring the joys and challenges of motherhood. Similar roles in more forgettable fare (”The Odd Life of Timothy Green,” ”Alexander and the Terrible, Horrible, No Good, Very Bad Day” and “Danny Collins”) have fallen by the wayside. And the less said about “Nine Lives” the better. 

Those clamoring for a Garner comeback of a different sort won’t find much to celebrate in “Wakefield,” which opens for a wider release on Friday. Based off the short story by E. L. Doctorow, the film finds Garner playing wife and mother yet again, but the typecasting could be easily forgiven if the material was deserving. Director Robin Swicord, who’s made a career out of bringing women’s stories to the big screen, is at the helm of her first film in years. And yet here these identifiers overwhelm fleeting moments of agency, as Garner’s primary function is to service the evolution of a husband who’s, well, kind of an asshole. 

“Wakefield” belongs to Bryan Cranston as Howard, a man who essentially ghosts his wife Diana (Garner) and children by going on a faux “Into the Wild” quest to find himself. Except instead of traveling all the way to the Alaskan hinterlands, Howard sets up shop in the attic overlooking his house, as he watches his family cope with his disappearance and presumed death. Apart from a handful of flashbacks where Garner gels well with a more adult, edgier tone, her scenes are mostly silent, taking place behind the attic’s glass window pane and through a pair of binoculars.

There’s a certain boldness in telling this story from the eyes of an unlikable protagonist, especially through the lens of a female director, and no one is better suited than Cranston to humanize an anti-hero. The film stays with Cranston’s character, even in his most arrogant and repulsive moments, as “Wakefield” is a deeply internal piece that strongly evokes its original source material. Exploring everyone’s perverse desire to pull the escape hatch on life is fascinating, but not allowing Garner a moment of respite under Cranston’s unrelenting gaze makes for a frustrating and far less dynamic experience. 

In a recent interview with Build Series, Swicord addressed these criticisms, agreeing that the story is the very “definition of the male gaze,” but claiming that the film ultimately subverts this power structure. There is something to be said about Swicord writing and directing a film that unapologetically empathizes with a middle-aged white male in crisis and not his wife. However, if her intention was to provide commentary on the ways men come to view women, she missed a crucial opportunity in the film’s ending to drive her point home.  

While Howard lives in self-imposed destitution, dumpster diving for food and communing with the town’s local raccoon population, Diana is left to her own devices. She later strikes up a romance with Dirk (Jason O’Mara), an ex-boyfriend and former work rival of Howard’s. Through flashbacks, it’s revealed that Howard was only initially interested in Diana because of what amounts to a pissing contest between himself and Dirk. It’s disappointing to say the least that Garner’s character so easily volleys back and forth between the two and is none the wiser.

Dirk’s encroachment on Howard’s so-called territory and an almost laughable come-to-Jesus moment during a rainstorm prompt him to return home months after disappearing. Before he walks through the door, however, Howard imagines the various reactions Diana and his family might have. In one scenario, they’re terrified, and in another, they break down crying. But before the audience is allowed to see her genuine reaction ― and a scene where she exists outside of her husband’s viewpoint ― the film cuts to black. The short story ends in a similar fashion, so the adaptation is nothing if not faithful, but the ending feels like a cop-out that unfairly robs the character of any semblance of justice. 

Curiously, “Wakefield” was filmed during the nearly one-year period after Garner and then husband Ben Affleck announced their separation. The actor was painted by the media as a philanderer in the midst of a mid-life crisis (see: fake phoenix back tattoo), while Garner held down the fort, shuttling kids back and forth from karate class. That’s why it’s somewhat baffling that given the material’s fascination with a husband’s failings, Garner chose to work on this project before eventually divorcing Affleck this April.

As she raises her three children, the actress is increasingly selective with her film work, especially leading parts that require her to be away from her family for long stretches of time. Maybe Garner has fallen victim to Hollywood’s pernicious stereotyping of women over 40, or maybe she’s had trouble finding roles that work within her constraints. She could be seeking out these roles, as she can relate in one way or another. Or perhaps, she just needs a new agent. 

The idea of Garner strictly as a wife and mother in her personal life and in her on-screen roles might be the dominant narrative of her celebrity, but she has already proven that she’s more than her megawatt smile, dimples and Capital One commercials. Five seasons on ABC’s “Alias” shot her toward superstardom, and cemented her status as an actress who could kick ass and emote with the best of them. At least, the Golden Globe Awards thought so. And playing a deranged woman who develops an attraction to a priest in the little known short film “Serena” confirmed that Garner could, yes, go dark. 

Despite making the most out of the little she’s given in “Wakefield,” you can’t help but walk out of the theater asking: What if? 

What if Garner made as many films as Affleck in the last decade? What if “Wakefield” took the time to explore what it’s like to be the one left behind? What if Garner finally found a role that allows her to be the movie star we always thought she could be? 

You can be highbrow. You can be lowbrow. But can you ever just be brow? Welcome to Middlebrow, a weekly examination of pop culture. Read more here.

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