#we say it for funsies on here but i actually think you seriously gotta touch his soul for him to pay you any mind romantically

[kelin-is-writing]

ok - thought

i think most people agree that dabi doesn't like the concept of marriage for obvious reasons and he never thought that he of all people would ever get married or even feel the need to

but then you show up and poor baby is hooked

he can't even imagine spending a single second without you and he tries to convince himself that marriage can work - that he can make it work

but he's terrified regardless because what if he turns out like his dad? what if he ends up hurting you somehow? he wouldn't want you to feel trapped with him but something about being able to call you truly his makes him think it might be worth the risk

so - question

do you think dabi would ever get married or even find the courage to propose? and in case he decides against it what would happen if you propose instead?

- 🥛

i’m sorry for the late answer milk, it’s just that since i got this ask i’ve been thinking about it nonstop. i took breaks from time to time to do things, but hell this ask kept haunting me because damn... this is such a good question honestly.

NOW, onto the answer.

i think that for a proposal to happen there’s gotta be an effort from both sides.

to be able to accept the idea of marriage, dabi first needs to realize his worth after that sorry ass father that he had crushed every single amount of self-love that was inside of little touya, this is something only you can help him with.

how? be genuine with him, never hold an ulterior motive when speaking to someone who has trust issues, because that way you’ll only make them close-up into themselves even more than they already were. if you’re genuine, sincere and warm with him someone like dabi who has never had something of that sort will slowly and naturally start lean into you feeling more at easy, without the need for him to always be on guard and ready to get hurt. because if it happened once, it can very well a second time and by not letting you into his heart (that he thought would be unbothered as of now, he was wrong) dabi is already putting up a defensive mechanism to prevent anything and anyone from getting close to him.

he’s actually someone who’s very sensitive and emotional for me who feels things a lot more than some other peoples, yes even as dabi (i mean, if he didn’t then how do you explain his flames bursting at sekoto peak?), he has also spent lot of time watching others over the years he spent alone and reading someone for him is basically a piece of cake as of now, so his wary attitude towards others intentions makes him very observant on their actions and if he sees something off about you, what you say or do, dabi is gonna distance himself right away; he’s done being hurt.

but (there’s always gotta be a “but...”) the moment he's at the start of opening up to you and letting his guard lower a tad bit, he’s panicking right away of you because what if he disappoints you or lets you down? what if you start ignoring him? what if you end up hating him?

shit he’s in fucking trouble now, because he’s already starting to think that a future with you might actually be not so bad but also... possible?

this is when dabi realizes that he has been lowering his guard as you two kept spending time together, it’s just that... your genuineness and sincerity were so blinding, so welcoming, so comforting, so reassuring, that he mindlessly had gave into them.

he truly thinks that he doesn’t deserve you, you’re too good. a gem, a rare and precious one.

it was seriously a tragedy for him, because now that he realized how he did want a future with you, along with it has also come more and more the fear of becoming like his father.

only the thought of such a thing makes dabi gag in disgust.

this is essentially why he has never dared bring up marriage, things were fine as they were right now for the moment.

if it were for dabi, he would marry you on the spot but as of now he’s too much of a coward to even just mention it, at least not until he has settled what he has to set and grow out of his father’s shadow that was forced upon him from the scumbag himself since a young age.

he knows what are the thing his father did wrong so he can very well avoid them since he’s smart, but he’s also greedy and ambitious... so what if he unintentionally repeats that man’s mistakes? he would hate that and himself.

but you know the say that goes, the more time you spend with someone the more you become like them? you’re such a good damn influence to him and his life, even the league has noticed it by the way he has started to behave with them and this has started to make him more confident that: yes, he can in fact make you happy the way you deserve.

you gave him that confidence.

in a case like this i think he wouldn’t hold back from proposing to you, actually he would bring it up pretty casually and have you dumbfounded by how out of nowhere it came.

but if he still is unsure about himself, still doesn’t have that confidence and you proposed instead— dabi would be shocked, to say the least, before asking you why would you want to marry him and starting to tell you that he might become someone as despicable as his father in future, that you might get hurt if you decide to stay by his side and that he’s bound to disappoint you.

this poor boy only needs to be reassured, he’s seriously too hard on himself by every meaning. so if you want him to say yes that badly at your proposal, you gotta first open his eyes on what a good boyfriend he has been until now (because i’m 100% sure he is) and that he’s gonna be even better in future because you two will go through it together.

if you give him the reassurance and confidence he needs for such an important step in your lives, i don’t think dabi is gonna turn you down and even if he doesn’t look like it he’s actually ecstatic.

a life by the side of his precious sunshine is everything he needs.

that being said everyone—

ALWAYS STAY CLOSE TO PEOPLES THAT FEELS LIKE SUNSHINE!!!!!!

[coffeeandcalligraphy]

10 things finishing my 10th book taught me

Hey People of Earth!

(I cannot believe I typed the title of this post!)

Today, I’m going to be sharing 10 things finishing my 10th book taught me, which means--as of 2:30 this morning, I have finished writing my tenth novel, aka MOTH WORK. I’ve written posts like this for my 7th, 8th, and 9th novels as well!

Enjoy this note no one asked me to write but that I wrote because I was sad: 

I introduced this project on this blog back in June, but actually started it in the notes app of my iPhone (iconic) sometime in January of 2019. At this time, my mental health was *lackin* as I was stressed and in my final months of high school. I needed something to cheer me up, and so Moth Work became a place where I could dump my “bad writing” and also have fun. For more context, you can read more about Moth Work in my various writing updates HERE. 

I didn’t intend for this project to become a novel, but thought I’d write it as a longer “for fun” story (prospective word count was 5k words). I chipped away at it for a few months, but didn’t really start picking it up as a serious project until around May/June. It was only once summer vacation hit that I, under the advice of my therapist to have a “reach goal” for the summer, decided to say fuck it!! I shall write this as a novel (prospective word count now 50k words). This novel has seen me graduate high school + almost finish my first year of university, and I’m so excited to share all the wonderful things I learned while writing it!

1. It is totally okay to take your “guilty pleasures” seriously. 

I was in a mega dilemma writing this book. I’d wrapped up writing my ninth novel just after starting this project, and felt a need to write something that was more “serious”. Though I’m an advocate for writing what you want, when you want, even I struggled not to feel like I was wasting my time writing a project that didn’t have very much literary/craft merit (in my eyes, this changed eventually). 

I am here to tell you--do NOT let anyone, including yourself, shame you out of writing what you like. Allow yourself to let loose and write “bad” things, and remember you don’t have to feel guilty/ashamed for writing stuff that seems “juvenile” or “bad”.

2. Processes change--embrace this.

I took about 4000 different approaches writing this book, and though I really wanted to stick to one (outlining, pantsing), eventually, I let my process be what it wanted to be. For example, I am a pantser and began this novel pantsing. Very quickly, I realized I needed an outline because I could not keep track of events (this book begins very plot-oriented). But, pre-determining events that would happen eventually stopped working as I began feeling constrained, and so I settled for outlining as I went so I could keep track of plot points. 

I outlined 10 of the 15 chapters like this before I sort of... stopped doing this (though I will go back and fill it in just for future reference)! I went back to full-blown pantsing in the last four or so chapters, as what I’d planned would NOT pan out--and I think it’s so important to let your process be what it wants to be. Sometimes this book needed some planning--sometimes it really didn’t. This flexibility has really allowed me to be in touch with my projects more, and really listen to them/understand what it is they need. 

3. Sometimes plans change. Don’t be afraid to follow your gut.

I did not plan for Moth Work to be a novel. But as the project developed, so did its final form. My gut was telling me what I needed to do (continue writing), and another example of this is when I sporadically made this a dual point of view book! I’ve never written a full-length dual POV manuscript, and haven’t written dual POV since I was 12, but I didn’t let that stop me from doing what I knew in my gut, was what the book needed. 

I want to emphasize here--sometimes the vision you imagine changes. Allow this change to happen if you feel it’s right, even if it’s scary. I feel I’ve grown a lot as a writer by just allowing this of myself! It’s easy to beat yourself up for not following your plan, and I did this a lot. Understanding that sometimes plans turn into other plans turn into other plans etc, is the most freeing thing you can do for your writing!

4. Write what makes you happy!

This project began as a means to increase my serotonin lmaooo and I think sometimes as writers, we forget that yes, art is hard, but writing what you like can make that difficulty just a little more tolerable. This book started toiling toward disaster mode for a few chapters in the middle, and I really was not happy writing it. You can feel the difference in the chapters when I felt comfortable writing, versus when I struggled because I felt I “had to”. And so I took a step back and re-evaluated. Since this was not working/not making me happy, what would? This question solved my problems (not easily, but lead me on the right path). The artist! does not! have to! suffer! 

Sometimes problems occur, and critically thinking through them is vital. I’m not saying just to do whatever every time something doesn't work because this isn’t a shortcut. However, my point is not to be afraid to change things up and write what will make you happier and help you finish the book if you feel that’s what you need. I wanted to write a cheesy romance about two boys who both need to chill, and so though I could’ve written something else, I wrote this because it genuinely made me happier! And I love that about this book!

5. Things can take longer than you expect. You’re not a bad writer because of this.

Y’ALL. I wanted to write 50k words of this book over one summer. One month! One! Month! Lots of folks can do this, but I did not! In fact, I hit 50k this month, which is half a year after I projected. 

I think a lot of us constitute speed to being a good writer, and while speed and being a good writer can coexist, speed is not necessarily a determining factor in whether you can write or not! This book took me just over a year from when I started it (nine months from when I took it on as a full-time project), and while sure, I could’ve written it faster, I let it develop as it needed, and wrote it when I felt I could. I am not a professional writer with deadlines (that’s different)! While you gotta put in the time to improve, I think you also gotta look out for yourself! Use your gut, and take your time if that’s what you need!

6. Craft and play can coexist.

This took me so long to grasp, and I still struggle with this today! Craft and play can coexist. Say it with me y’all: craft and play can coexist!!

My manifesto for Moth Work initially was to have it be my dumping ground for shitty writing. While this took the pressure off initially, I then felt like I was regressing in my craft (which was untrue, I just didn’t realize it at the time). So, I decided to begin taking the craft aspect of this book very seriously, trying to write polished, delicious prose (every! time!) and the fact of the matter is that often, this did not happen. 

I beat myself up over this! I was like: Rachel, 16-year-old you was pumping out better prose than this, what’s up? And I put so much pressure on myself to perfect the writing, even though this was only ever meant to be a “for funsies” project. Eventually, I came to understand that, okay, I really do want this to be a for funsies project, but I also want to enjoy re-reading it and not criticizing every aspect of it. I then began incorporating a few passes of line edits after drafting a chapter, until eventually, I stopped circling back to chapters to line-edit them altogether. You don’t have to be perfect on the first draft!

You also don’t have to sacrifice craft to have fun, just as the opposite is true. This book taught me a lot about finding this balance, something I’ve lacked in my writing process for years!

7. Your writing styles can differ from book-to book!

I couldn’t understand why my prose in this book felt “thin” (aka awful in my eyes), why the only thing I felt capable of describing was literally everything shining in some sort of way (glinting, glimmering, glowing lool) or overzealous descriptions of the moon. It was only about a month ago that I realized, after making a breakthrough with my litfic novel Houses With Teeth, that Moth Work was not sucking the life out of my prose--it was just a different book with a different style of writing.

And this makes sense! I was writing with two different characters, in two different perspectives, in a completely different POV than I’m used to writing in the long-form (third-present). Of course things were going to be different! I felt a bit silly realizing this, lol, because it felt so obvious, but I struggled with this for a long time (you can even see bits of this struggle in my video Problems I’m having with writing + solutions). 

I thought I had regressed to being a bad writer because of this book, when in reality, the fault was on my inability to stop comparing a very different book to my very different past works. Sometimes you don’t even realize you’re working against yourself! Acknowledging this, and then letting it go was the best thing I did for this book and it allowed me to draft it much faster toward the end!

8. Writing is NOT linear.

I spoke about this in my Problems video, and I honestly was nervous to see how this hot take would be received. However, I was surprised to see that some folks thought this hot take was actually not a bad one, so I’m re-iterating it here!

I think, because we writers are often always practicing writing, we assume everything we write will be better than the last. Honestly, I feel like at least for me, this was my goal--to always be working linearly in terms of progress. It wasn’t until this book that I really came to realize that this is just not how writing works. The easiest way for me to compare this, also as a visual artist, is to say that sure, practice does make perfect, but I have sketches from last week that are worse than sketches I drew two years ago. Why is it that we expect writing to always be linearly better from one project to the next? My answer is that this is just not how writing works. I wrote some of my favourite paragraphs years ago, and may be embarrassed of a paragraph I write tomorrow. 

I got caught up in this idealism of “I must be writing better each time I write” because I thought this was the most logical progression of my writing craft, but realizing that actually!! progress jumps around, was so important for me. Some days I’m better at writing description, some days I write dialogue worse than I did when I was fourteen! It’s okay not to always be uphill. 

Y’all, if I step down a wrung on a ladder and then step up four the very next day, that’s how it’s going to be! Practice intrinsically will make you grow as a writer, but it doesn't mean everything you write has to be better than what you wrote before (though this can be the case, which is awesome). I feel like I don’t see this spoken about enough, so I do want to know if this is relevant to any of you or if this point is bologna!!!

9. The story wants what it wants.

This is heavily in line with some previous points, but is something that was driven home for me while writing this novel. If I can give one piece of advice, it would be to let the story be what it wants to be. If my story wants to be a YA fantasy trilogy, but I’m trying to force it to be a standalone pretentious character-driven coming-of-age saga (calling myself out), my writing may suffer! Of course, some writers can take control over their story and execute their initial vision perfectly! I am not! one of those! people!

I’m a firm believer that sometimes the story wants what it wants, and it’s often your best bet to follow this path. Write intuitively--if you know something feels wrong, or contrarily, feels right, follow that path. 

I did not know how to end this book. I’d had an ending planned for a few months, though it eventually fell apart in the last few weeks. I didn’t know what I would do instead, but last night when I was drafting the last two chapters of the book, I felt in my gut that I was heading to the end. I wanted to stop writing for the night--I almost did, but instead, I kept at it because I knew I was on a roll toward the finish line, and I felt compelled to follow my instinct. This is how I landed at the end I wrote in, and it was a completely organic process.

Planning out your story is a great thing to do, and I’m not here to start a debate about whether plotting/pantsing is better because they’re both amazing!! But for me, it’s important to let the story breathe, and let it eventually grow into the shoes it chooses for itself. Taking a step back so I could stop trying to mould this story into a place it didn't want to be is probably the best thing I could’ve done for it because I finished the book. Any process is a good process if it gets you to the end healthily, and for me, allowing the story to be what it wanted to be and allowing it to take the lead helped me get there.

10. It’s okay to love your story.

I’m going to end this post on another hot take because it is probably what I primarily felt early this morning as I typed up the last paragraph of this book. I’m not going to lie--I cried finishing this book lol. I ached finishing this book. It *hurt* to finish this book. I didn’t want to finish this book. What I wanted to do was shut my computer, and pretend the end was not coming, and come back four months from now to finish it, maybe. I wanted to hang onto my story because it’s my story and I love it!

Y’all, this book is cringey. It’s melodramatic, juvenile in some places, comically serious in others. But it’s mine, and I love it. Sometimes I’m ashamed of the writing in this book--sometimes I think I’m getting worse. But it’s my story, and I love! it! 

I think so many of us want to please other people! Or maybe that’s just me lol!! oh boy!! There were so many times I wanted to give up on this project because I thought others would find it cringey in places I too, thought were cringey, but simultaneously loved.

I’ve written for other people a lot in the past, and sometimes those ‘other people’ are just me--many critical versions of me. Don’t forget about how much you love a story (for its quirks maybe, its clichés, its “bad writing”) before you finish it. A first draft only comes once and finishing a first draft is so wonderful, and even more so when you love that story. We got enough hate y’all, lets give our stories some love. 

So that’s it for this post! I still have five chapters to write writing updates for, so the party ain’t over til it’s over!!!

For my obligatory Oscar’s speech! A special thanks to @sarahkelsiwrites​​ for reading about these trash people for five years, and for enthusiastically contributing to their trash decisions (#do it for the tea)! And for reassuring me that the prose in this book is actually not as bad as I believe because I would never have finished this book without that pep talk lol. To @imdisappointed​​ for helping me crack some of the toughest plot problems!! You talk me out of problems and it’s magic! And to my MOM @shaelinwrites​​ (for being my mom) and also for all the kind/insightful things you say! Y’all get me through it!!!

And of course!! I thank all of YOU for following this journey of drafting Moth Work. My community on here never fails to amaze me, and I’m a big stan of you all!! Please tag me in your stuff--I’d love to read about what you’re writing!

Here’s to finishing a book, but more importantly, to hoping I don’t make Moth Work a series lmaoo!!! *pops confetti*

--Rachel