#we read like. bloodchild and speech sounds
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arodrwho · 1 month ago
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octavia butler GOOD
#havent read anything of hers since college but i just read patternmaster in 1 sitting and goddamn. that was so much fun#very good very fun#love the worldbuilding as ever#love how quick the stakes are set up#love how we're given just the barest explanation for ages and it SUFFICES and i figured it was all we'd get#and was satisfied with it. and then surprise! little tidbit more as a treat <3#hoping that in the others in this series there will be more lore... as i understand it they're all set before this one so like#i expect so?#ALSO like. as ever she's doing fun things with relationships & sexuality & gender#the only bit of reproductive stuff (at least that i noticed on first read) was the incest and that was surprisingly sparse#like. turns up in the first few pages and then literally never comes up again except in passing references#also REALLY interested in the mutes#delighted by amber. would need to reread and focus more strongly on her#i want to study this book.........#pretty sure we did not read this one in my class at college#we read like. bloodchild and speech sounds#and parable of the sower & parable of the talents#and kindred! and fledgling!#and . what was the one where they were on like a spaceship...#[googles] liliths brood!!!#i dont remember terribly much of liliths brood.. its mostly impressions#i'm actually not sure we read further than dawn...? i Think we did but im not positive#i do know i did more skimming than i wouldve liked and did not re-read any of them#there was a lot to get through in just 1 quarter yknow#and this was all uhh. [checks notes] like 8 years ago#might do some rereading but i gotta read the other pattern books first
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femnet · 7 years ago
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I got introduced to Octavia Butler by Bloodchild, her most famous short story.
And no wonder it was the most known. I immediately got lost into the grotesque, almost surreal universe of hers upon reading it. Her wording are not overflowing with poetical flowery terms, yet how she threads her words feels magical. There is something haunting that got me drawn just like that.
I branched to her other short stories, like Speech Sounds and The Evening and the Morning and the Night, and eventually got lost in the world of Kindred and Patternist and Parable series.
And I realized, how come so little I heard about her? A black woman thrived in writing about time travels, immortals, post-apocalypse cities, and aliens, in the overwhelmingly white and overwhelmingly male world of science fiction
Octavia Estelle Butler born in Pasadena, California on 22 June 1947. She grew up in the midst of segregation, as an only child who watch her black mother, a housemaid treated badly by her white employers. At school she's severely shy and have a mild dyslexia, made her an easy target for bullies. Thus she turn to books as solace and drawn in science fiction magazines such as Amazing Stories, Galaxy Science Fiction and The Magazine of Fantasy & Science Fiction. She got absorbed in the world of science fiction and eventually got into writing at age 10.
She published and monetized her first writing when she was a student in Pasadena City College. She doesn’t stop since. Her short story got praised by Harlan Ellison, who eventually become her mentor, and she forms a friendship with Samuel R. Delany. She goes her way to win a Nebula Awards and two Hugo Awards and become the first science fiction writer that receive McArthur grant.
Her works is honest. It impressed me somehow how she openly claimed that she write herself in her characters, yet it ended up not feeling like a self-insert. In contrasts with how white male creators, until today, blatantly writes themselves in their creations and obliviously injecting their own self-indulgent fantasy. 
The more I read about her, the more I feel it’s her perseverance that I admire the most. She drafted her Patternist series since she was 12 years old. As someone who claimed herself as socially inept, she decided to take a risk in her career by not taking conventional path and prioritized her writing. As a neuroatypical girl who turn to fictions when the real world and pressure to relate to other people overwhelms me and an aspiring fiction writer, she inspired me.
Octavia Butler was a pioneer. She have a huge influence in afrofuturism world and pave the way for black women in science fiction. Hell, her work is ever present in today’s pop culture. Take Beyonce’s Formation music video and Janelle Monae’s Metropolis that take inspiration for her work.
When we talk about science fiction literature, it always about Isaac Asimov, George Orwell, and Robert Heinlein. But we forgot the black woman who break the boundaries.
And to this day, it still pained me to the chest to remember how I would never met her. How she would not hear me telling her how she inspires me like no other authors and public figure. How when someone ask me who I want to be, I would answer "Octavia Butler".
But I still bring her name in my lips. Until the end. Because everyone should know about her legacy and her unrivaled talent.
Rest In Peace, Octavia Estelle Butler.
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essayyard-blog · 6 years ago
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Sojourner Truth, and Kimberley Crenshaw
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Sojourner Truth, and Kimberley Crenshaw
All the writing assignments should be written in MLA format, double-spaced. The font should be Times New Roman, 12 points. A delay will cause a reduction of credits. The grade breaks down into the following sections: Response Papers: 75% (5 x 15%), 4 pages each a list of cited works Response papers are the short written responses on the literary and cinematic materials. Students may choose one or several from the indicated materials and engage with it/them deeply. They can also engage with the films and literature from the former weeks. The response should include a paper title, a clear research question, logical and well-structured analyses, examples from the indicated materials or daily life, and a list of cited worksFor the third week (December 31 – January 6), we will finish the following tasks:1. Read the following five selected stories from Octavia Butler’s Bloodchild and Other Stories: “Bloodchild”, “The Evening and the Morning and the Night”, “Speech Sounds”, “Amnesty”, and “The Book of Martha”.2. Read Sojourner Truth’s speech, “Ain’t I a Woman?” please find it under “Content.”3. Read Kimberley Crenshaw’s social analysis, “Mapping the Margins.” please find it under “Content.”Correction: in the former announcement, I assigned six stories. Please read just five stories instead: “Bloodchild”, “The Evening and the Morning and the Night”, “Speech Sounds”, “Amnesty”, “The Book of Martha.” Delete “Crossover.”In her “Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, After Man, Its Overrepresentation – An Argument,” Sylvia Wynter analyzes the evolution of modern Man that overrepresents the meaning of human since the beginning of the colonization of America and Africa. Instead of universal as how we easily take it, this modern Man a universalized concept that is temporally and spatially specific, which can be historicized as how Wynter did, and became universalized through the colonial(izing) and global(izing) world history. In other words, Wynter is pointing out that we should understand the concept of human which is overrepresented by the modern Man as a social invention that is not irrelevant to the natural and biological reality but shape how we understand such a reality. The marks of human – chosen by the God, reason, mind, intellectuality, consciousness, physically evolved of being able to use technologies, and so on – are all related to a specific epistemic order of things and beings. The evolution of Man has two transitional stages. The first transition transforms the True Christian Self into the Man of Reason. The light side of this transition is the rise of the European modern nation-state, public space, representative politics, and citizenship, while its dark side is the witch-hunting that systematically punishes and murderers the females that are not properly feminine as a reproductive machine for the nation-states and the subjugations of the non-human, animalistic savages all around the world. The Man of Reason is the one claiming that he has the ability to control his emotion with the instrumental reason that no others can. The Reason given by God enables him to become a proper political subject and a citizen that controls the other apolitical and non-citizen things and beings that includes women and non-human colonized people. The guide quote from Pico della Mirandela’s Oration on the Dignity of Man in the Introduction part of Wynter’s article epitomizes this first transition happened with the Enlightenment:”Now the highest Father, God the master-builder, … took up man … and placing him at the midpoint of the world … spoke to him as follows: “We have given to thee, Adam, no fixed seat, no form of thy very own, no gift peculiarly thine, that thou mayest feel as thine own, have as thine own, possess as thine own the seat, the form, the gifts which thou thyself shalt desire. A limited nature in other creatures is confined within the laws written down by Us. In conformity with thy free judgement, in whose hands I have placed thee, thou art confined by no bounds; and thou wilt fix limits of nature for thyself. … Neither heavenly nor earthly, neither mortal nor immortal have We made thee. Thou, like a judge appointed for being honorable art the molder and marker of thyself; thou mayest sculpt thyself into whatever shape thou dost prefer. Thou canst grow downward into the lower natures which are brutes. Thou canst again grow upward from thy soul’s reason into the higher natures which are divine.” As we can see, the modern Man is being able to be political and independent because he is given by God with this unique ability of Reason that differentiates him from other beings in Nature. He is the only being created by God to make decisions with his own intentionality for himself as well as to utilize the natural environment for his own profits. This transition is also called a secular turn of Man. What is ironic is that the logic of secularization is totally based on the logic of the supernatural. The modern Man cannot establish his sense of the Self without the supernatural authority and the condemnation of the senses of selves of human others. The human others were not considered modern and political exactly because they were not chosen by God. The second transition is the Darwinian evolutionism that brings the politico-centric Man to the biocentric Man. The power of this second transition is that it erases the socially defined power relation or what Frantz Fanon calls “sociogeny” and attributes how a person exists to what a person biologically is. Therefore, as Wynter points out, if a person of color fails to become a breadwinner in a society, it is because he is not born that way. A person is not a Man of capital because s/he is not selected by the Natural Law (created by the God and later became secularized) to be the one destined to be a leader or an elite. In resonance with Fanon, we can say that a person is fixed in his/her body that carries his biological inferiority. The biological defines the social. A person is not a full citizen, a political subject, a man of reason and consciousness, a man of knowledge, or a man of consciousness, because he is biologically less than the modern Man. The traces of the first transition of Man’s evolution did not disappear but deeply embedded in the new version of Man. In “Get Out,” a peculiar understanding of human evolution is sarcastically exhibited. Chris and his black folks are considered the medium of human evolution because of their physical bodies. Their bodies are racistically defined as fertile, seminal, enduring, and muscular, which are ideal for the modern Men’s minds to reside.
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