#we never once see their armies battle with the horde lol

[spop-romanticizes-abuse]

honestly spop’s idea of war and monarchy and armies is like little kids playing with dolls.

[guyinlovewitheremika]

Oooh could you expand on why you liked the op?? I honestly don't know what to make of it yet, especially since it felt so different from other ops, but I'd love to hear your thoughts!

Absolutely will do!! This took longer than I wanted cause everytime I sat down to write I started getting distracted from the OP and just listening to it on repeat lmao

To start this off, I should add that throughout the week leading up to release date, I was following a couple of leakers on twitter who did drop some info on the OP; mainly that Shinsei Kamattechan were returning, the title, that it wasnt gonna feature any characters and instead be a metaphor for the “cruelty of war”. Knowing all of that had me pretty excited but also gave me the right expectations, so it wasnt too jarring to see at first. 

But, to jump into this, first of all, I just loooove the visual style in general. It mostly just being static shades of white and light grey, with these very washed out colors exploding and flowing onto the image...it’s absolutely gorgeous! Like I just really dig this color scheme. And it’s highlighted even further by the gorgeous, fluid animation...these explosions look so good! I’m also just a big sucker for familiar characters/entities being represented in a sort of timeless way...be it a portrait, a statue, a monument, whatever (think smth like this), so seeing Eren and the other titans at the end there was just an absolute treat. Whatever that thing is, I want some kind of print/purchasable piece of merch of it because that heap of titans looks amazing. 

The song also just bangs tbh. It’s such a weird agglomeration of instruments and vocals but I find it comes together really well. The childrens choir, the piano at the beginning, the distorted vocals and most importantly that E-violin!!! so fucking good! Honestly I just love the way this song sounds and Im more hyped for the full version than the ost release atm (even tho I love what we heard so far from that too). The combination of the visuals with the music too is great here...I’ve never seen a flamethrower used in combination with the beat of a song before (outside of mad max fury road I guess lol?) but goddamn its just such a cool fucking combination I cant get over it. 

I have some thoughts on the imagery and the symbolism and my interpretations of it all, and I wanna get into those too, but really, the main thing I absolutely love about this OP is how different it is. Just as the marley arc is probably the most different of all in the manga, just as the new studio has made a show that, in many ways, looks feels and sounds vastly different from the old Attack on Titan, the OP encapsulates all of that by just being this new thing and succeeding at it

I love WIT’s OP’s, I love Linked Horizon’s work on the show. But honestly, the “Linked Horizon hype OP” genre pretty much peaked with Guren no Yumiya for me. I still like all the others, but overall, OP 1, 2, 3 and 5 just feel a bit too same-y for me, especially given that I honestly don’t think any of the follow ups surpass the original. Heck all these other songs even reference GnY in some capacity--I cant help but feel like they could never let go of Guren’s success and never tried something else. Except for Red Swan of course, which is also my 2nd favorite WIT OP. It’s slower, it’s sadder, it’s melancholic, and vastly different from all the others, and I really appreciate that. It tries to be its own thing and it succeeded for me. And “My War” even more so feels like it has a very distinct, unique vision, goes all out in that way, and it just works beautifully.   

And it’s that distinct, unique vision that I wanna dig into lastly here, because, just as the marley arc does for this manga, I find that out of all the OP’s, My War most explicitely depicts and visualizes many of the core thematic ideas of Attack on Titan and brings them directly into the forefront. I’ve seen a bunch of cool interpretations of the song at this point, and someone may have somewhere already said all this, but I wanna throw it in here regardless

After countless battles, sacrifices, victories and losses, Eren and the survey corps were able to win the war against the titans that their walled world was stuck in for a hundred years. Their gigantic enemies were defeated, and freedom ought to lie ahead. But no, beyond the shores is just more...more oppression, more war, more death and more sacrifice. The history their king to from them is one of war and oppression, a never ending cycle of violence, spanning back 2000 years, continuing forward. One oppressive regime falls, only for the next to take its place. This has been the history of mankind since the dawn of man, and it continues on and on and on. 

This is what this episode shows us, another military battle around another walled encampment, and this is what this opening shows us...a world perpetually at war. Man’s hatred for one another leads to conflict, to war: it’s continued existence in history and continued technological advancements are the perfect visual representation of this. Man’s capacity for war breeds more war, and it takes lives and it takes freedom and it doesnt stop, it just keeps consuming. 

The Opening starts off with battleships, artillery fire, mortars, flamethrowers, nuclear explosions and a titan spine forming among them all, until the birds of freedom fall dead out of the sky. Neverending armies of soldiers march the streets, airships rule the sky, but all the soldiers, all the military craft, the marleyan military and the paradisian soldiers all fall to pieces and get destroyed. War and conflict rage on and all the pieces fall to the ground, littering the earth in nothing but death and destruction. And at the end, atop this mountain of corpses and mayhem, the titans arise, reaching forward, attacking. They are born from mankinds neverending cycle of destruction, the physical manifestation of our inner demons that lead us to kill each other. 

I thoroughly believe that this sequence of events most perfectly encapsulates all of attack on titan. Look at the marley arc: the years of their attempts to wipe out Paradis island lead the island and the attack titan straight to them, delivering a terrible blow to them during their declaration of war. 2000 years ago it was the warmongering, slave hording king fritz who had a girl hunted for sport who brought about the era of the eldian empire, creating a system to eternally maintain the titan’s ability to wage war and rule the lands that would wind up ripping humanity apart. Look at the final arc: all of humanities hatred towards the island devils birthed the final attack titan and his horde of demons who have come to trample the world underfoot. The titans have always arisen as the consequence of man’s tendency towards conflict and death. Eren’s titan first formed from inside a titan who just killed him, his last titan was born out of his own death yet again. Titans are man’s desire to kill given shape, and the more man kills and fights, the more titans arise. 

It’s a bleak and terrible look at the cruelty of the world, that I think the OP highlights immensly well. It’s a gorgeous looking and sounding 90 seconds, and despite its contents being essentially horrifying, its fun to look at and listen to. Isayama once said about Eren’s attack in marley that “what eren does here is the worst thing. but if you were able to feel just a little bit of excitement from it, then it was worth drawing manga all this time”. Somehow, one way or another, we’re drawn to conflict, despite how terrible it is. And I think this opening manifests this beautifully 

[bd-bandkanon]

so I’ve been playing this game called Kenshi and it’s ruining my life I guess?

I did a short 'noob fail’ playthrough with the Wanderer start and a boring random dude I called “Tiddlywinks”. Within 24 in-game hours he broke both his arms trying to fight without weapons, got beat up by hungry bandits, and then got eaten alive by blood spiders, so that didn’t go over well...

But then I started a new game with the Nobodies start. I got to have five characters, though they started out in the horrifically unforgiving desert called Venge, which has broken skeletons (robots) wandering the sands and giant flesh-scorching lasers shooting from the heavens. These guys were my characters. They survived thus far, and have each developed their own array of skills, and as I kept learning about the lore of the game I also began to build on each of their backstories... So here they are in order of appearance I guess lol

-

First there’s the Greenlander Fujin, a twice-traitor to her former factions and the daughter of a high-ranking samurai. First she freed a bunch of slaves and ran away from her home in the Empire-owned city of Heng, then she joined the Dust Bandits and, after some time, abandoned them as well. All she wants in life is a ‘family’ of her choosing. Seems like she’s got what she wants now-- and she’ll do everything in her power to protect them. 

With a Plank type weapon as her go-to and heavy armor to soak damage, Fujin is definitely the tank of the team, but also the fastest for reasons I might explain later...

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Then we have the Scorchlander twins, both escaped slaves of the Holy Nation and both actively in search of a place they can call home, free of influence from uncaring factions and safe from the dangers of the wild-- like Fogmen for instance. So Mongrel is out of the question. Ares is a vigilante at heart and will be quick to free any slave from their shackles if she sees them, and Vass is constantly prodding the land hoping there’s a place suitable for living. 

Vass is both fast and an excellent dodger, preferring the sabre but capable of martial arts if need be, and Ares is a sharpshooter. (It’s fun to aggro enemies with Vass while Ares bumps them off from a long distance)

-

This next one is pretty long: Leer is a Hive Worker Drone, which are usually dumb and flimsy-- but he’s kind of a rare gem. Stolen from his Hive shortly after his conception by a skeleton named Kite, Leer was raised and educated in Black Desert City, a town run entirely by skeletons in the barren region of persistent acid-rain known as the Deadlands. There he was brought up differently from his Hiver kin, excelling in subjects that even Greenlanders don’t have access to. He was happy there-- until one day Kite vanished, never to be seen again. Leer set off in search of his mentor, but such sudden exposure to the outside world was quite the shock to him. People degraded him for his race, judging his intelligence by it, and used his physical weakness against him. He was a target for everyone and everything, subject to assault and abuse from all angles. It was only a matter of time before he employed the company of two scorchlander twins and a very large woman to protect him on his journey... but deep-set feelings of inadequacy and self-doubt lead him to set his own goals aside in favor of theirs. He truly wishes to be useful to his friends, but at the same time he also wants to be reunited with Kite. Despite all this, despite EVERYTHING, Leer is the brains of the group. A strategist suited for warfare, he has so far orchestrated the most successful of the group’s battles, has prospected the regions, has done all the research-- and very recently he gained the alliance of about 27 damaged skeletons... Very soon people will have to call him Commander Leer. 

On the actual gameplay side of things though, he really IS the best prospector and researcher of the five. I don’t know how I managed this. But I like it. Not to mention he’s pretty formidable with the naginata and other such polearms, though for a while he did tend to have to switch out to katanas because he is indeed squishy and his left arm was quite the target. But now it’s gotten to the point where barely anything can get more than one hit in on him, and that’s not just thanks to his skeleton army.

-

And now for the one we’ve all (just me actually) been waiting for: Ghost. (I briefly considered renaming him Geist because I discovered there’s a canon character named Ghost in the game, but Ghost just suits him better.) Discovered by the group in a ruined lab in Venge, they reportedly witnessed a bunch of skeleton Thralls (headless broken skeletons) working on him. The group wasn’t sneaky enough though and got attacked by these Thralls-- just in time for him to wake up. Just like that, the thralls left without a second notice as if they’d been called away, leaving the four alone with Ghost who quickly got to patching them up. Upon questioning, they discovered that Ghost didn’t remember anything from before he awoke-- not even who he was. It was Vass’ idea to give him the name Ghost, and with nowhere else to go, he chose to accompany them out of Venge and onward. Not long after, problems began to arise. He’d have violent attacks wherein he’d be overtaken by pain and black out. When he’d come to, small memories from his past would become revealed to him. But many of these things wouldn’t add up. As if he’d been in two places at once... Worse yet, he was soon to find that there’s a strange inconsistency with Skeletons, how their memory reportedly degrades over time thus leaving the past in shadows, and yet the way they react to his own plight... Very distressing, one might say. Either way, it’s this plight of his that inspires the group to venture to places they would otherwise never attempt to travel, and uncover things no man should ever see. He’s a driving force, almost as if he’s meant to lead them... somewhere. Who knows where. Only time will tell.

Ghost’s stats are the best out of all of them, all things considered. Mainly relying on katanas, with a hand in ranged weapons as well, he’s more often than not the last one standing. He’s even taken on entire hordes of enemies while his companions lay helpless. In short, he’s a freaking badass. It’s wise not to mess with him, even if you think you have him outnumbered. (But I wouldn’t put him up against a group of crab raiders...)

One final note, I actually had to rework Ghost’s design because honestly? I can’t draw the canon design for the typical skeleton without making it look janky as all hell. So I came up with something --- close, but definitely not the same.

But now that I’ve finally got all that down on paper I can finally go to bed I’ll probably talk more about this later goodnight bye

[nirikeehan]

Power, Politics and Star Wars: Armitage Hux Edition

I read this article that tried to explain what Hux did in TROS and justify it and I was just not feeling it so I wrote a whole thing about it. So I thought, why not post it.

https://dorksideoftheforce.com/2019/12/22/star-wars-tros-general-hux/

I just wanna start by saying yes, I understand the logic of what happened in the film as explained by this article. I'm just here to challenge exactly what happened, why, and the article writer's attempts to justify it, because I don't find them to be an accurate summation of Hux's character. 

"It’s not hard to miss that the way The Last Jedi framed his character was very different from what we saw in The Force Awakens. At first, it almost felt as though he was a completely different character, having gone from Nazi-like general to an officer everyone refused to take seriously."

Right, and I think it's worth trying to examine why that shift in portrayal happened – behind the scenes. The writing changed hands from TFA with Lawrence Kasdan & JJ Abrams to Rian Johnson. So, clearly Johnson decided to go in a different direction with Hux. But why? Was it a continuing ploy to "subvert expectations" like he did so much in TLJ? Hence, if Hux was big and scary in the first film (obvious Nazi parallels in imagery and speech, commits literal genocide while hordes of stormtroopers look on), he had to be... silly, ineffectual and easily mocked in the second? Why?

Maybe it fits into a larger theme with Rian Johnson's writing, like... it seems like authority figures can (and should, maybe?) not be taken seriously? Think of all the authority figures in the Last Jedi. With the notable exception of Leia (who has such an iconic history) and Holdo I guess (random insert without much substance in my opinion), every single character who is, could be or once was in a position of power is cut down to size in some way. 

Luke Skywalker - crotchety old man. 

Poe - too hotheaded, needs to learn his place. 

Kylo - emo boy in a mask. 

Hux - butt of yo mama jokes. 

Snoke - literally cut in half. 

While I like this technique in some ways (I think I'm in the minority as someone who actually liked Luke being a disillusioned asshole lol, I thought it made him more interesting; and pointing out the obvious that Kylo is a conflicted try hard made him way more human and relatable to me), doing it to this extent was excessive. Especially in a film series that is supposed to have clearly defined villains. While I like the murder of Snoke because it was unexpected and it let Kylo actually have some agency to try to take over the galaxy on his own, you can't do it with every villain, or the audience isn't going to think anything is at stake anymore. So it always played really weird to me that Hux was taken from General Genocide to the target of slapstick humor. Which brings me to the next point...

"Looking back, it’s possible to interpret this as the result of how other characters viewed and treated him from that point forward, rather than an actual drastic change to the way he was portrayed. It’s possible that after Starkiller Base, the masses lost great respect for him — on both sides. He is no longer a man to fear. He’s General Hugs. He doesn’t scare anyone."

I just don't see how this is possible, to be honest. Like yeah, Starkiller base was lost, but surely not before it destroyed the entire Hosnian system, which, from what I understand, contained the entire seat of New Republic government. So I assume that means the president, vice president, whoever else was in the executive branch, all of the Senate, etc etc. Like imagine some terrorist leader called down a laser from space and obliterated all of Washington, D.C. while the President and all staff were in the White House, Congress was in session and the Supreme Court was hearing cases. We'd be like, oh my god, everyone's gone, we have no federal government, what the fuck. Even if the American army managed to destroy the weapon that did it, there'd still be basically irreparable damage to the very structure of the government and its ability to function. (Sounds like the plot of a future Michael Bay movie, but I digress.) 

The point is, whoever was responsible for the attack would probably still be pretty fearsome to the masses. And in Hux's case, considering his goal in TFA seems to be to usurp the New Republic and replace it with the First Order, at the end of the first film, he seems to be in a perfect position to do exactly that... which is why I was super confused as to why he spent TLJ chasing down like 30 rebels, who were already basically defeated?? Like, now would have been the time to take over! Don't just leave that power vacuum sitting there, buddy! Someone else is gonna fill it if you don't! (More proof I don't think Rian Johnson has cracked many history books, but the lack of coherent political framework is a major failing of the sequels in general, so it's not all entirely on his shoulders. He did seem like he was trying to engage with some of these ideas i.e. Canto Bight illustrating the evils of the military industrial complex, but they fell so flat because he just wasn't that informed about the socio-political commentary he was trying to make.) 

"This is further evidenced by the way Kylo Ren treats him the moment he becomes Supreme Leader of the First Order. Kylo quite literally begins pushing him around, constantly putting him in his place, belittling him, and making him look incompetent and expendable."

LOL this is such a fundamental misinterpretation of Kylo and Hux's relationship at the end of TLJ. Kylo didn't start pushing Hux around because everyone had lost respect for his authority. Kylo starts pushing Hux around because Kylo killed Snoke and took the Supreme Leader role himself, giving himself a BIG promotion over Hux. He went from like, army commander to freaking king. He's on a power trip, trying to assert his authority not just over Hux, but literally everyone in the First Order. The dialogue (handily linked by the article above) between them after Snoke's death very clearly states this:

Hux: Who do you think you're talking to? You presume to command my army? Our Supreme Leader is dead! We have no ruler!

Kylo: *starts choking him* The Supreme Leader is dead.

Hux: *choking* Long live the Supreme Leader. 

Kylo is subduing Hux by violence and coercion and filling the power vacuum himself (see, that's what happens to power vacuums, usually the most brutal asshole around arrives to fill it!). That's not something Hux brought upon himself in any way; it's something Kylo took by force. Hux isn't the only one following Kylo's orders by the Battle of Crait, the rest of the First Order army is also because they're all too terrified of Kylo to question him. Somehow making this only about Hux and Kylo as individuals is a really narrow-minded, boring interpretation of pretty much my favorite part of TLJ. 

"And here lies the deep change within Hux that leads us into The Rise of Skywalker. General Hux knew he would never regain anyone’s respect. He knew that Kylo Ren would continue to publicly humiliate him. He knew his chances of ever being able to regain power in the traditional sense were lost."

I still don't see how this is possible, especially since as far as I know there's no supplementary canon material to back this idea up. The article writer is grasping at straws trying to make sense of TROS's nonsensical character choices for Hux. There's all sorts of ways Hux could still regain power. I don't even know what "in the traditional sense" means? Hoping for a promotion, maybe? Sure, he could suck up to Kylo and make himself invaluable to Kylo's continued status as Supreme Leader (this is the route I took in my fanfic, since it seemed pretty plausible; Hux is set up to be the brain to Kylo's brawn). He could have Kylo assassinated and take over himself. He could recruit a whole faction of people to mutiny against Kylo. He could even sell out Kylo to the Resistance, sure, which I guess is what he was doing in TROS, but all of that is still in service of regaining power for himself.

"Hux is so angry with Kylo Ren, and filled with so much rage toward all he is and all he stands for, that he decides it does not matter which side of the war wins as long as the Supreme Leader isn’t on the winning team."

Again, I don't think this has shown to be true at all before TROS. By all appearances, Hux's goal has always been obtaining power, and the supplementary canon with his backstory seems to support this. There's so much with his father being an old Imperial and Hux growing up with the old imperial ideology and the belief that returning to some semblance of the Empire would be the most ideal outcome of the First Order's war on the New Republic. And by this logic, shouldn't Hux be thrilled by the (totally outlandish) possibility that Emperor Palpatine himself would come back to rule? Imagine all the Nazi holdovers after World War II finding out Hitler had RISEN FROM THE DEAD. They'd probably be pretty excited, no? 

But this is why reducing Hux's character to some petty asshole who has no personal values or larger ideology and just "wants to see Kylo Ren lose" is so dumb and boring to me. It means he literally no longer cares about his own personal ambitions or that of his larger ideological ones. Everything he worked for his whole life, countless hours of blood, sweat and tears, deciding to commit genocide of billions of innocent people to get the galaxy to fall in line with his vision........ amounts to literally nothing. As long as Kylo loses their little schoolyard tiff. 

Nah, I don't buy it. 

But this just speaks to generally larger problems in the sequel trilogy with the writers not having a strong grasp on the mechanisms of political power in the universe they're working with. In the films, who's fighting who and why has always been painfully vague and often confusing (why wasn't the Resistance just the New Republic army in TFA? etc), but while at least Rian Johnson used TLJ to try to engage with some of these questions of politics and power – albeit at times with cringeworthy naïveté  – TROS abandons it completely. It never once clarifies who's actually in charge here. Ostensibly it should be Kylo since he’s still got the title “Supreme Leader” in the opening scrawl, but he's running around chasing zombie Palpy! And the First Order is still very obviously still just a military operation focusing on the Resistance, so are all of the galaxy's sectors just... self-governing right now? If so, why? 

TROS's complete abandonment of the notion that anyone in this universe could even want power was completely baffling to me. It's always about power. The original trilogy was about power. Even the prequels were about power (to a micromanage-y, super boring degree. Embargoes! Trade disputes! Senate meetings with votes of no confidence!) To bring Palpatine back from the dead to make him some weirdo with a death cult who just wants the whole galaxy to die (I guess?)... none of that's compelling to me. And it seems to completely misunderstand (or willingly sidestep) any kind of interesting real world parallels, of which the original trilogy had plenty (and the 90s era EU/Legends novels in particular were really good at engaging with, probably why they're my favorite entries in the whole franchise). Which does play into my cynical suspicion that TROS was deliberately sterilized of any potential political commentary by Disney to appease the increasingly authoritarian governments in their international market. Can't have those pesky human rights cutting into their profits. :/