#we never once see their armies battle with the horde lol

[spop-romanticizes-abuse]

honestly spop’s idea of war and monarchy and armies is like little kids playing with dolls.

[guyinlovewitheremika]

Oooh could you expand on why you liked the op?? I honestly don't know what to make of it yet, especially since it felt so different from other ops, but I'd love to hear your thoughts!

Absolutely will do!! This took longer than I wanted cause everytime I sat down to write I started getting distracted from the OP and just listening to it on repeat lmao

To start this off, I should add that throughout the week leading up to release date, I was following a couple of leakers on twitter who did drop some info on the OP; mainly that Shinsei Kamattechan were returning, the title, that it wasnt gonna feature any characters and instead be a metaphor for the “cruelty of war”. Knowing all of that had me pretty excited but also gave me the right expectations, so it wasnt too jarring to see at first. 

But, to jump into this, first of all, I just loooove the visual style in general. It mostly just being static shades of white and light grey, with these very washed out colors exploding and flowing onto the image...it’s absolutely gorgeous! Like I just really dig this color scheme. And it’s highlighted even further by the gorgeous, fluid animation...these explosions look so good! I’m also just a big sucker for familiar characters/entities being represented in a sort of timeless way...be it a portrait, a statue, a monument, whatever (think smth like this), so seeing Eren and the other titans at the end there was just an absolute treat. Whatever that thing is, I want some kind of print/purchasable piece of merch of it because that heap of titans looks amazing. 

The song also just bangs tbh. It’s such a weird agglomeration of instruments and vocals but I find it comes together really well. The childrens choir, the piano at the beginning, the distorted vocals and most importantly that E-violin!!! so fucking good! Honestly I just love the way this song sounds and Im more hyped for the full version than the ost release atm (even tho I love what we heard so far from that too). The combination of the visuals with the music too is great here...I’ve never seen a flamethrower used in combination with the beat of a song before (outside of mad max fury road I guess lol?) but goddamn its just such a cool fucking combination I cant get over it. 

I have some thoughts on the imagery and the symbolism and my interpretations of it all, and I wanna get into those too, but really, the main thing I absolutely love about this OP is how different it is. Just as the marley arc is probably the most different of all in the manga, just as the new studio has made a show that, in many ways, looks feels and sounds vastly different from the old Attack on Titan, the OP encapsulates all of that by just being this new thing and succeeding at it

I love WIT’s OP’s, I love Linked Horizon’s work on the show. But honestly, the “Linked Horizon hype OP” genre pretty much peaked with Guren no Yumiya for me. I still like all the others, but overall, OP 1, 2, 3 and 5 just feel a bit too same-y for me, especially given that I honestly don’t think any of the follow ups surpass the original. Heck all these other songs even reference GnY in some capacity--I cant help but feel like they could never let go of Guren’s success and never tried something else. Except for Red Swan of course, which is also my 2nd favorite WIT OP. It’s slower, it’s sadder, it’s melancholic, and vastly different from all the others, and I really appreciate that. It tries to be its own thing and it succeeded for me. And “My War” even more so feels like it has a very distinct, unique vision, goes all out in that way, and it just works beautifully.   

And it’s that distinct, unique vision that I wanna dig into lastly here, because, just as the marley arc does for this manga, I find that out of all the OP’s, My War most explicitely depicts and visualizes many of the core thematic ideas of Attack on Titan and brings them directly into the forefront. I’ve seen a bunch of cool interpretations of the song at this point, and someone may have somewhere already said all this, but I wanna throw it in here regardless

After countless battles, sacrifices, victories and losses, Eren and the survey corps were able to win the war against the titans that their walled world was stuck in for a hundred years. Their gigantic enemies were defeated, and freedom ought to lie ahead. But no, beyond the shores is just more...more oppression, more war, more death and more sacrifice. The history their king to from them is one of war and oppression, a never ending cycle of violence, spanning back 2000 years, continuing forward. One oppressive regime falls, only for the next to take its place. This has been the history of mankind since the dawn of man, and it continues on and on and on. 

This is what this episode shows us, another military battle around another walled encampment, and this is what this opening shows us...a world perpetually at war. Man’s hatred for one another leads to conflict, to war: it’s continued existence in history and continued technological advancements are the perfect visual representation of this. Man’s capacity for war breeds more war, and it takes lives and it takes freedom and it doesnt stop, it just keeps consuming. 

The Opening starts off with battleships, artillery fire, mortars, flamethrowers, nuclear explosions and a titan spine forming among them all, until the birds of freedom fall dead out of the sky. Neverending armies of soldiers march the streets, airships rule the sky, but all the soldiers, all the military craft, the marleyan military and the paradisian soldiers all fall to pieces and get destroyed. War and conflict rage on and all the pieces fall to the ground, littering the earth in nothing but death and destruction. And at the end, atop this mountain of corpses and mayhem, the titans arise, reaching forward, attacking. They are born from mankinds neverending cycle of destruction, the physical manifestation of our inner demons that lead us to kill each other. 

I thoroughly believe that this sequence of events most perfectly encapsulates all of attack on titan. Look at the marley arc: the years of their attempts to wipe out Paradis island lead the island and the attack titan straight to them, delivering a terrible blow to them during their declaration of war. 2000 years ago it was the warmongering, slave hording king fritz who had a girl hunted for sport who brought about the era of the eldian empire, creating a system to eternally maintain the titan’s ability to wage war and rule the lands that would wind up ripping humanity apart. Look at the final arc: all of humanities hatred towards the island devils birthed the final attack titan and his horde of demons who have come to trample the world underfoot. The titans have always arisen as the consequence of man’s tendency towards conflict and death. Eren’s titan first formed from inside a titan who just killed him, his last titan was born out of his own death yet again. Titans are man’s desire to kill given shape, and the more man kills and fights, the more titans arise. 

It’s a bleak and terrible look at the cruelty of the world, that I think the OP highlights immensly well. It’s a gorgeous looking and sounding 90 seconds, and despite its contents being essentially horrifying, its fun to look at and listen to. Isayama once said about Eren’s attack in marley that “what eren does here is the worst thing. but if you were able to feel just a little bit of excitement from it, then it was worth drawing manga all this time”. Somehow, one way or another, we’re drawn to conflict, despite how terrible it is. And I think this opening manifests this beautifully 

[bd-bandkanon]

so I’ve been playing this game called Kenshi and it’s ruining my life I guess?

I did a short 'noob fail’ playthrough with the Wanderer start and a boring random dude I called “Tiddlywinks”. Within 24 in-game hours he broke both his arms trying to fight without weapons, got beat up by hungry bandits, and then got eaten alive by blood spiders, so that didn’t go over well...

But then I started a new game with the Nobodies start. I got to have five characters, though they started out in the horrifically unforgiving desert called Venge, which has broken skeletons (robots) wandering the sands and giant flesh-scorching lasers shooting from the heavens. These guys were my characters. They survived thus far, and have each developed their own array of skills, and as I kept learning about the lore of the game I also began to build on each of their backstories... So here they are in order of appearance I guess lol

-

First there’s the Greenlander Fujin, a twice-traitor to her former factions and the daughter of a high-ranking samurai. First she freed a bunch of slaves and ran away from her home in the Empire-owned city of Heng, then she joined the Dust Bandits and, after some time, abandoned them as well. All she wants in life is a ‘family’ of her choosing. Seems like she’s got what she wants now-- and she’ll do everything in her power to protect them. 

With a Plank type weapon as her go-to and heavy armor to soak damage, Fujin is definitely the tank of the team, but also the fastest for reasons I might explain later...

-

Then we have the Scorchlander twins, both escaped slaves of the Holy Nation and both actively in search of a place they can call home, free of influence from uncaring factions and safe from the dangers of the wild-- like Fogmen for instance. So Mongrel is out of the question. Ares is a vigilante at heart and will be quick to free any slave from their shackles if she sees them, and Vass is constantly prodding the land hoping there’s a place suitable for living. 

Vass is both fast and an excellent dodger, preferring the sabre but capable of martial arts if need be, and Ares is a sharpshooter. (It’s fun to aggro enemies with Vass while Ares bumps them off from a long distance)

-

This next one is pretty long: Leer is a Hive Worker Drone, which are usually dumb and flimsy-- but he’s kind of a rare gem. Stolen from his Hive shortly after his conception by a skeleton named Kite, Leer was raised and educated in Black Desert City, a town run entirely by skeletons in the barren region of persistent acid-rain known as the Deadlands. There he was brought up differently from his Hiver kin, excelling in subjects that even Greenlanders don’t have access to. He was happy there-- until one day Kite vanished, never to be seen again. Leer set off in search of his mentor, but such sudden exposure to the outside world was quite the shock to him. People degraded him for his race, judging his intelligence by it, and used his physical weakness against him. He was a target for everyone and everything, subject to assault and abuse from all angles. It was only a matter of time before he employed the company of two scorchlander twins and a very large woman to protect him on his journey... but deep-set feelings of inadequacy and self-doubt lead him to set his own goals aside in favor of theirs. He truly wishes to be useful to his friends, but at the same time he also wants to be reunited with Kite. Despite all this, despite EVERYTHING, Leer is the brains of the group. A strategist suited for warfare, he has so far orchestrated the most successful of the group’s battles, has prospected the regions, has done all the research-- and very recently he gained the alliance of about 27 damaged skeletons... Very soon people will have to call him Commander Leer. 

On the actual gameplay side of things though, he really IS the best prospector and researcher of the five. I don’t know how I managed this. But I like it. Not to mention he’s pretty formidable with the naginata and other such polearms, though for a while he did tend to have to switch out to katanas because he is indeed squishy and his left arm was quite the target. But now it’s gotten to the point where barely anything can get more than one hit in on him, and that’s not just thanks to his skeleton army.

-

And now for the one we’ve all (just me actually) been waiting for: Ghost. (I briefly considered renaming him Geist because I discovered there’s a canon character named Ghost in the game, but Ghost just suits him better.) Discovered by the group in a ruined lab in Venge, they reportedly witnessed a bunch of skeleton Thralls (headless broken skeletons) working on him. The group wasn’t sneaky enough though and got attacked by these Thralls-- just in time for him to wake up. Just like that, the thralls left without a second notice as if they’d been called away, leaving the four alone with Ghost who quickly got to patching them up. Upon questioning, they discovered that Ghost didn’t remember anything from before he awoke-- not even who he was. It was Vass’ idea to give him the name Ghost, and with nowhere else to go, he chose to accompany them out of Venge and onward. Not long after, problems began to arise. He’d have violent attacks wherein he’d be overtaken by pain and black out. When he’d come to, small memories from his past would become revealed to him. But many of these things wouldn’t add up. As if he’d been in two places at once... Worse yet, he was soon to find that there’s a strange inconsistency with Skeletons, how their memory reportedly degrades over time thus leaving the past in shadows, and yet the way they react to his own plight... Very distressing, one might say. Either way, it’s this plight of his that inspires the group to venture to places they would otherwise never attempt to travel, and uncover things no man should ever see. He’s a driving force, almost as if he’s meant to lead them... somewhere. Who knows where. Only time will tell.

Ghost’s stats are the best out of all of them, all things considered. Mainly relying on katanas, with a hand in ranged weapons as well, he’s more often than not the last one standing. He’s even taken on entire hordes of enemies while his companions lay helpless. In short, he’s a freaking badass. It’s wise not to mess with him, even if you think you have him outnumbered. (But I wouldn’t put him up against a group of crab raiders...)

One final note, I actually had to rework Ghost’s design because honestly? I can’t draw the canon design for the typical skeleton without making it look janky as all hell. So I came up with something --- close, but definitely not the same.

But now that I’ve finally got all that down on paper I can finally go to bed I’ll probably talk more about this later goodnight bye

[tumblunni]

More thoughts and stuff from this weird old dream I had the other day

* I’VE GOT REALLY ATTATCHED TO THE VIRUS HIVEMIND HOLY SHIT Like noooo this poor innocent friend that doesn’t understand it’s the villain I was just imagining its like “hey lets send an envoy of peace to the humans” and being so genuinely offended when they start shooting but... isn’t a horde of viral supermonsters the greatest fruit basket of all? :(

* Also like... Human assistant girl: We must destroy this wretched humanity Virus mind: That means hug them, right?

* Actually ended up thinking a lot about the design of the ‘hugging monster for hugging’! I’m thinking it has big spooky hand-wings and also hands for legs and maybe a hand tail similar to Yvetal? And either it has no head or maybe its like one of those fluffy birdy final fantasy dragons. Also a jewel on its head because Why Not.

like here’s my terrible 15 seconds scribble but i’m thinking maybe the body smaller and the wings super big so it can like.. deliver three power levels of hug hugs all the humans in its massive wings and its slightly less massive arms and then just rolls one last one up in a burrito hug on its tail

* Virus Mind: WHY DOES NO-ONE LOVE MY BEAUTIFUL MASCOT CHARACTER T_T alas they end up being melee attack units instead of making all the humans totally switch sides just at the sight of their cuteness

* it would totally just be like a super cute shoujo sparkles game of love and positivity and weird dark comedy laugh at poor virus mind thinking up silly strategies to make the humans love them, don’t pay attention to the fact you’re destroying 99% of civilization in every level Virus Mind: *puts tiny hats on the human assimilation army*

post is getting a bit long whoops

* I was also considering maybe this might even work better in an olden times jrpg setting? like, I was only thinking modern times cos thats your standard zombie game setting. or maybe future sci fi cos it could be an alien hivemind instead, but i just DO NOT LIKE sci fi so i wouldn’t be very good at writing that. But it could be like jrpg style and just like ‘the mysterious miasma that brings monsters’ and honestly there would be less Genre Rules if we’re defying tradition and mashing two genres together. And I wouldn’t be limited to what sorts of monsters I could design, which is the most important part! Also I wouldn’t really have to make it all super gross and gory and such. cos like.. i know the whole point is the subversion of the Doom Virus Of Zombies And Stuff being actually a good guy, and probably it’d be a bigger contrast if it was 100% stereotypical zombies, but also like.. i just don’t want to do it. It would be less playable by less people, and it’d be stressful to make too if i was designing characters that actually scare me. And when the whole point is that theyre NOT scary, then making them actually look it would probably just make the experience uncomfortable for everyone. But also of course like.. if they weren’t remotely MONSTERY or like SCARY IN-UNIVERSE then it also wouldnt work?? or not necessarily even scary but just like Cliche Dark Overlordy so the contrast exists. I DUNNO LOL I just know that its a hell of a lot more fun to design a whole lineup of fantasy monsters than just a bunch of gory crud. Also honestly wouldnt it be more terrifying to turn into a dragon or something instead of being exactly the same and just rotting slightly? THESE THINGS ARE SO DISSIMILAR IT IS FAR MORE SPOOKY, MY GUY also far more badass man i love dragons

* Also! a jrpg setting is just way less equipped to handle a ‘zombie phenomenon’. All the cliches would just totally not be there, they’d have to think up more creative and interesting solutions. And they also wouldnt have any perspective of seeing a bunch of movies about this, lol! And like.. wouldn’t it be interesting to think about a jrpg world where monsters have like.. a reason for being there? Theyre not a natural thing? And we’re seeing the genesis of when they first appeared in this world? Just imagine being a regular olden times peasant who’s never even seen a giraffe, and you just turn a corner and half your village is being destroyed by The First Dragon Ever And then this mysterious disembodied conciousness virus hivemind comes along and turns all the dead guys into more dragons and just What The Hap Is Fuckening, I Just Wanted To Churn Some Butter Today

* i dunno. I’m just trying to think about what should actually be changed to turn this from a weird dream into a real thing.

* Also like!! More creative ideas for the visuals! of how on earth it works! I was thinking maybe either The Mysterious Dark Fog or like The Black Snow or something? Some sort of ominous sign of reality being subtly wrong that foreshadows the impending approach of the monsters. And then the landscape itself is consumed and converted too, and its like ‘oh god do i try and venture into this twisted alien land to try and rescue my friend who got dragged off by that beast, or are they already dead?’ And then you see like a twisted corrupted reverse world of this town you’ve always known, where even the laws of physics don’t obey anymore. And its like... risking your own sanity with every second you run through this hellscape, and there’s the evil whispers from behind the trees that it would be so much easier to just give up and join the collective. Man, okay, that does actually sound like a good dark horror story, maybe it would be wasted on this premise lol? Maybe could have alternating chapters where you play as the virus and you play as the humans fleeing it? I DUNNO LOL

* I also had a vague idea for how it would work with there being poor sympathetic characters on the human side that you inevitably have to assimilate into the hivemind. I was thinking maybe they could also act like lesser ‘general’ units, like the one little girl assistant character but not quite as powerful. They wouldn’t retain as much sentience as she has, but they’d become particularly powerful monsters that could be super useful to the army. And maybe you could have sidequests to untangle their memories and resolve their last regrets? Like, get sympathetic and super depressed about these characters hours after you killed them. poor virus hivemind! it was all just a tragic misunderstanding!

* One idea I was thinking of was a duo of rival soldier guys, who I guess would be like.. warriors or town guards if this is gonna be olden times instead? Basically just generic early enemies in the first town. They’d be comic relief team rocket type guys, and hilariously inequipped to deal with the problem. And they’d kinda be jerks so you don’t feel bad for assimilating them. Not really bad guys or anything, just bad bosses who’re more obsessed with one-upping each other and getting fame and fortune than actually addressing the threat in front of them. They wouldnt believe any of the rumours about monsters until it’s too late, so its pretty much entirely their fault that the town gets so easily defeated by you. And I’m thinking maybe have them be a classic ‘grumpy and cheerful, serious and laid-back’ duo or something. though they both are equally as egotistical and competitive!

* So yeah you’d defeat them super early on in a tutorialy level, and then they’d become some of your most reliable army units for the rest of the game. I’m thinking they might actually be the ‘hug dragon’ type? And I was thinking of maybe the upgraded general version having more normal feathery wings, and these two would be colour coded. Purple and green rather than the more cliche red and blue, lol. And then like HOOOOOOOURS later you’d actually get some more backstory on these two and find out they weren’t really all that bad, and they never really hated each other. In fact they had a mutal crush that had gone unconfessed before they died, and that’s their last regret you need to fullfill to erase the last of their humanity :( Demon dragon things doing a little nose kiss :) But it symbolizes sadness :( And then maybe its possible to let one of them get away during the tutorial mission, but its impossible to spare both. And if one of them is left alive, he becomes a recurring enemy across the rest of the game and gradually develops from comic relief into a genuine threat because he’s gone mad from grief. And then in the final battle you could get an instant kill on him if you fight him with the monster that was once his friend. He just falls down crying and lets himself be taken so that he can see him again. THIS WAS WHAT I DREAMED ABOUT LAST NIGHT I KNOW I OFTEN ASK FOR SEQUELS TO MY DREAMS BUT THAT ONE WAS REALLY UNFAIR YO

* Tho I was also thinking that maybe in a golden ending you’d be able to restore the humanity of everyone you’d ever taken, at the cost of sacrificing your life. It’d be super depressing because lil girl assistant is the only one who ever knew you existed, and she’ll never be able to adjust back to a normal life knowing that you’re gone. And as far as everyone else knows you were just pure evil :( But i mean on the positive side you get to see grumpy guard and cheery guard all back to normal and like “wait why do i feel like i confessed my love to you while I was asleep, what happened”. And Then They Lived Happily Ever After

* Tho also i was thinking it’d be interesting and kind of a sequel hook if all the generals retained their powers even after being cured. Like they get their sentience back but theyre like.. were-dragons now. Thats one thing I think could actually work better in a modern day setting! Like, even after the whole thing is over, the government rounds up all the victims and experiments on them to try and discover more about the virus. “Hey please report to your local doctor for purely non sinister checkups” So were-dragon guard boyfriends have to go on the run from a shadowy government conspiracy that’s gained way too much power in the wake of this disaster. And maybe the villain in the sequel could be the government synthesizing a clone of the virus or something, and the original virus somehow comes back to fight it?

* I DUNNO LOL i just know it would be cute to imagine a were dragon wedding HOW DID THIS CONVERSATION GO FROM ZOMBIES TO END UP HERE

[nirikeehan]

Power, Politics and Star Wars: Armitage Hux Edition

I read this article that tried to explain what Hux did in TROS and justify it and I was just not feeling it so I wrote a whole thing about it. So I thought, why not post it.

https://dorksideoftheforce.com/2019/12/22/star-wars-tros-general-hux/

I just wanna start by saying yes, I understand the logic of what happened in the film as explained by this article. I'm just here to challenge exactly what happened, why, and the article writer's attempts to justify it, because I don't find them to be an accurate summation of Hux's character. 

"It’s not hard to miss that the way The Last Jedi framed his character was very different from what we saw in The Force Awakens. At first, it almost felt as though he was a completely different character, having gone from Nazi-like general to an officer everyone refused to take seriously."

Right, and I think it's worth trying to examine why that shift in portrayal happened – behind the scenes. The writing changed hands from TFA with Lawrence Kasdan & JJ Abrams to Rian Johnson. So, clearly Johnson decided to go in a different direction with Hux. But why? Was it a continuing ploy to "subvert expectations" like he did so much in TLJ? Hence, if Hux was big and scary in the first film (obvious Nazi parallels in imagery and speech, commits literal genocide while hordes of stormtroopers look on), he had to be... silly, ineffectual and easily mocked in the second? Why?

Maybe it fits into a larger theme with Rian Johnson's writing, like... it seems like authority figures can (and should, maybe?) not be taken seriously? Think of all the authority figures in the Last Jedi. With the notable exception of Leia (who has such an iconic history) and Holdo I guess (random insert without much substance in my opinion), every single character who is, could be or once was in a position of power is cut down to size in some way. 

Luke Skywalker - crotchety old man. 

Poe - too hotheaded, needs to learn his place. 

Kylo - emo boy in a mask. 

Hux - butt of yo mama jokes. 

Snoke - literally cut in half. 

While I like this technique in some ways (I think I'm in the minority as someone who actually liked Luke being a disillusioned asshole lol, I thought it made him more interesting; and pointing out the obvious that Kylo is a conflicted try hard made him way more human and relatable to me), doing it to this extent was excessive. Especially in a film series that is supposed to have clearly defined villains. While I like the murder of Snoke because it was unexpected and it let Kylo actually have some agency to try to take over the galaxy on his own, you can't do it with every villain, or the audience isn't going to think anything is at stake anymore. So it always played really weird to me that Hux was taken from General Genocide to the target of slapstick humor. Which brings me to the next point...

"Looking back, it’s possible to interpret this as the result of how other characters viewed and treated him from that point forward, rather than an actual drastic change to the way he was portrayed. It’s possible that after Starkiller Base, the masses lost great respect for him — on both sides. He is no longer a man to fear. He’s General Hugs. He doesn’t scare anyone."

I just don't see how this is possible, to be honest. Like yeah, Starkiller base was lost, but surely not before it destroyed the entire Hosnian system, which, from what I understand, contained the entire seat of New Republic government. So I assume that means the president, vice president, whoever else was in the executive branch, all of the Senate, etc etc. Like imagine some terrorist leader called down a laser from space and obliterated all of Washington, D.C. while the President and all staff were in the White House, Congress was in session and the Supreme Court was hearing cases. We'd be like, oh my god, everyone's gone, we have no federal government, what the fuck. Even if the American army managed to destroy the weapon that did it, there'd still be basically irreparable damage to the very structure of the government and its ability to function. (Sounds like the plot of a future Michael Bay movie, but I digress.) 

The point is, whoever was responsible for the attack would probably still be pretty fearsome to the masses. And in Hux's case, considering his goal in TFA seems to be to usurp the New Republic and replace it with the First Order, at the end of the first film, he seems to be in a perfect position to do exactly that... which is why I was super confused as to why he spent TLJ chasing down like 30 rebels, who were already basically defeated?? Like, now would have been the time to take over! Don't just leave that power vacuum sitting there, buddy! Someone else is gonna fill it if you don't! (More proof I don't think Rian Johnson has cracked many history books, but the lack of coherent political framework is a major failing of the sequels in general, so it's not all entirely on his shoulders. He did seem like he was trying to engage with some of these ideas i.e. Canto Bight illustrating the evils of the military industrial complex, but they fell so flat because he just wasn't that informed about the socio-political commentary he was trying to make.) 

"This is further evidenced by the way Kylo Ren treats him the moment he becomes Supreme Leader of the First Order. Kylo quite literally begins pushing him around, constantly putting him in his place, belittling him, and making him look incompetent and expendable."

LOL this is such a fundamental misinterpretation of Kylo and Hux's relationship at the end of TLJ. Kylo didn't start pushing Hux around because everyone had lost respect for his authority. Kylo starts pushing Hux around because Kylo killed Snoke and took the Supreme Leader role himself, giving himself a BIG promotion over Hux. He went from like, army commander to freaking king. He's on a power trip, trying to assert his authority not just over Hux, but literally everyone in the First Order. The dialogue (handily linked by the article above) between them after Snoke's death very clearly states this:

Hux: Who do you think you're talking to? You presume to command my army? Our Supreme Leader is dead! We have no ruler!

Kylo: *starts choking him* The Supreme Leader is dead.

Hux: *choking* Long live the Supreme Leader. 

Kylo is subduing Hux by violence and coercion and filling the power vacuum himself (see, that's what happens to power vacuums, usually the most brutal asshole around arrives to fill it!). That's not something Hux brought upon himself in any way; it's something Kylo took by force. Hux isn't the only one following Kylo's orders by the Battle of Crait, the rest of the First Order army is also because they're all too terrified of Kylo to question him. Somehow making this only about Hux and Kylo as individuals is a really narrow-minded, boring interpretation of pretty much my favorite part of TLJ. 

"And here lies the deep change within Hux that leads us into The Rise of Skywalker. General Hux knew he would never regain anyone’s respect. He knew that Kylo Ren would continue to publicly humiliate him. He knew his chances of ever being able to regain power in the traditional sense were lost."

I still don't see how this is possible, especially since as far as I know there's no supplementary canon material to back this idea up. The article writer is grasping at straws trying to make sense of TROS's nonsensical character choices for Hux. There's all sorts of ways Hux could still regain power. I don't even know what "in the traditional sense" means? Hoping for a promotion, maybe? Sure, he could suck up to Kylo and make himself invaluable to Kylo's continued status as Supreme Leader (this is the route I took in my fanfic, since it seemed pretty plausible; Hux is set up to be the brain to Kylo's brawn). He could have Kylo assassinated and take over himself. He could recruit a whole faction of people to mutiny against Kylo. He could even sell out Kylo to the Resistance, sure, which I guess is what he was doing in TROS, but all of that is still in service of regaining power for himself.

"Hux is so angry with Kylo Ren, and filled with so much rage toward all he is and all he stands for, that he decides it does not matter which side of the war wins as long as the Supreme Leader isn’t on the winning team."

Again, I don't think this has shown to be true at all before TROS. By all appearances, Hux's goal has always been obtaining power, and the supplementary canon with his backstory seems to support this. There's so much with his father being an old Imperial and Hux growing up with the old imperial ideology and the belief that returning to some semblance of the Empire would be the most ideal outcome of the First Order's war on the New Republic. And by this logic, shouldn't Hux be thrilled by the (totally outlandish) possibility that Emperor Palpatine himself would come back to rule? Imagine all the Nazi holdovers after World War II finding out Hitler had RISEN FROM THE DEAD. They'd probably be pretty excited, no? 

But this is why reducing Hux's character to some petty asshole who has no personal values or larger ideology and just "wants to see Kylo Ren lose" is so dumb and boring to me. It means he literally no longer cares about his own personal ambitions or that of his larger ideological ones. Everything he worked for his whole life, countless hours of blood, sweat and tears, deciding to commit genocide of billions of innocent people to get the galaxy to fall in line with his vision........ amounts to literally nothing. As long as Kylo loses their little schoolyard tiff. 

Nah, I don't buy it. 

But this just speaks to generally larger problems in the sequel trilogy with the writers not having a strong grasp on the mechanisms of political power in the universe they're working with. In the films, who's fighting who and why has always been painfully vague and often confusing (why wasn't the Resistance just the New Republic army in TFA? etc), but while at least Rian Johnson used TLJ to try to engage with some of these questions of politics and power – albeit at times with cringeworthy naïveté  – TROS abandons it completely. It never once clarifies who's actually in charge here. Ostensibly it should be Kylo since he’s still got the title “Supreme Leader” in the opening scrawl, but he's running around chasing zombie Palpy! And the First Order is still very obviously still just a military operation focusing on the Resistance, so are all of the galaxy's sectors just... self-governing right now? If so, why? 

TROS's complete abandonment of the notion that anyone in this universe could even want power was completely baffling to me. It's always about power. The original trilogy was about power. Even the prequels were about power (to a micromanage-y, super boring degree. Embargoes! Trade disputes! Senate meetings with votes of no confidence!) To bring Palpatine back from the dead to make him some weirdo with a death cult who just wants the whole galaxy to die (I guess?)... none of that's compelling to me. And it seems to completely misunderstand (or willingly sidestep) any kind of interesting real world parallels, of which the original trilogy had plenty (and the 90s era EU/Legends novels in particular were really good at engaging with, probably why they're my favorite entries in the whole franchise). Which does play into my cynical suspicion that TROS was deliberately sterilized of any potential political commentary by Disney to appease the increasingly authoritarian governments in their international market. Can't have those pesky human rights cutting into their profits. :/