#we needed something called character growth | Explore Tumblr posts and blogs

somerandomcockroach · 11 hours ago

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*stretches, breathes fresh cold air in, waters eyes, sits down* Here we go again ~

MMMMMMMMM Prowl's birth and existence starting and being described as nothing AHAH, EVEN MORE, the way to kill him if something goes crazy. MAN, MY BOY, YOU WERE BORN COLD AND COVERED IN COLD ALREADY Wait is it like. Half Prowl's pov. I know it can be described this way but I just, loved how the "Warm hands on his head sounds", more like explaining how it feels for him than a simple fact *sudden cackle* Didn't know translation of hitherto and it sounded like a funny mispelling.

*INHALES* I listen to "Steel for Humans" and it beat SO WELL I've got shivers "He wasn't nothing. He was a void, but suddenly that void had a direction, no matter how meaningless it sounded." NOT A NOTHING, but still not a something, void created out of will just to serve and not have a will "He became his purpose" I SO MUCH WANT TO SEE IT INSIDE HIS HEAD

G[PDFGOPFOWWJ

OH THIS IS SO TASTY. OTHER VIEW ON TAC NET, SO DAMN TASTY AHEFHJADGH. I WOULDN'T HAVE PAID ATTENTION BUT. "HE CALLED HIM PROWL" NOW THAT DOESN'T QUITE MAKE SENSE PFFFHT OF COURSE HE TOLD HIM TO DISAGREE WITH HIM. OF COURSE HE TOLD A CREATION THAT WAS BORN TO SERVE AND AGREE TO BE AND DISAGREE.

AJHEGHRESJGERS OF COURSE WHY NOT. BREAK HIM.

GOOD JOB, MY BOY, GIVE THEM HEADACHES AHAHA

I need them in one room more often, his own scientific amusement and observation Ah so his very first purpose was to help him bring a peace. YES IT IS A NANNY AHAHA

FRIENDSHIP WILL NOT GET YOU TO COUNCIL FASTER OH THERE ARE OTHER GOLEMS. I kind of was wondering if Orion is the only one who will just... make it different Naaaahhh Prowl is already a big bunch of emotions even if not the happiest ones, no wonder he isn't like them "Not allowed artifacts" *Looks at Shockwave* HGASHDGAEHGEAHG I assist Orion and help him, agree.... actually, do not agree anymore, Ratchet now looks like a good friend to help me keep Orion in place. So golems are widely spread occasion. Keeping places clean and other easy stuff. Double-bottom trap. DAMN I LIKE BODY LANGUAGE DETAILS JAHGGEA not sure if Prowl just now made a joke or stated a fact about processor.

NOW, THIS IS A DYNAMIC WITH THEM I LOVE TO SEE

EWHGFHEWFGEWH OH EHWGREHG MMM OH I LOVE HOW PROWL IS JUST. NO WAY TO GET THAT HE IS A GOLEM. NO MORE.

WHEEEEEEEEEEEEEEEEEEEEEEEEEEEZEEEEE W- WAIT. F*** YOU. YEEEEEEEEEEESSSSS HIS STUDENTS ARE SAVAGES SAVED AND GOTTEN TO SHOCKWAVE YEEEEEESSSSSSS “Can read, write, speak, even makes music.” Who's that pokemon? ........Okay here comes the bits of their future destruction... and the fact that they will just. Accept it. Of course! Why not! *lies down* ....PROWL. PROWL NO. PROWL WRONG. NOT THIS WAY. NOT LIKE THIS NO.

PROWL STOP THIS IS A WRONG CHARACTER GROWTH

"When...when a mech commits especially terrible crimes against the will of Primus, the very magic of their spark rises up against them and turns them into a demon. And I just learned today what a...demon looks like." lET Me just. There is no shit like "Primus' will. Primus hangs out with atheist and smiles when someone says that Primus isn't capable of everything. It is the council. AH. Council is capable of extracting the spark. CAN THEY ALSO F**KING TURN OTHERS INTO DEMONS?!? ORION THIS IS COUNCIL I DON'T BELIEVE THAT IT IS PRIMUS, ORION YOU ARE DOING RIGHT THINGS.

This bit. Prowl has done things. He has done and might be chased for it. But he doesn't have a spark. I wonder to whom he resembles with the "I hope he doesn't"...

“I've done something wrong again. It's not moving.”

There was a lot of stuff spread out in front of him. Old spare parts, pieces of armor, tools. Lots of warped plates.

And his creation. A real golem. An entity woven of metal and magic.

Shockwave walked around the table and stopped right above the head of the figure lying on it

“Golems exist to serve, my friend. It won't move unless you ask it to.”

Orion clutched his servos. The figure remained stone still. There was no ventilation noise, no engine sound, not even the barely audible spinning of a spark. It could just as easily have been a long-cooled dead body lying in front of him.

“Wake up.”

___________________

Magical Golem Prowl anyone? ‘,:) This story exists in the same universe as Spellbound au. and Monster hunter au and ties them together so I highly recommend you read all of them.

The fic under the cut⤵️

He seemed to be nothing.

The emptiness that infinitely defined his nonexistent self bounced off the metal plates and glinted in the droplets of still-warm energon. He was nothing, but there was so much around him that the space was like an infinite buzz of cluttered noise. The voices above him sounded excited. The metal slab beneath him was cold and hard.

“Good. Now you need to put a piece of your armor on this. Somewhere it will be in plain sight and easily reachable.”

“Oh...wouldn't it make more sense to hide it under the armor? I mean, it's an obvious weak point.”

He idly thought, his hands felt numb.

“No no, that's the whole point. You're using an artifact you haven't fully studied and you don't know exactly how it's going to turn out. If it goes crazy and becomes dangerous, you should have an easy way to destroy it. Where's the artifact by the way?”

The tinkling of metal.

The sound of a crystal clattering against armor.

Warm hands on his head.

“Here.”

“Excellent. Now. This will be the base on which the entire spell will be held, so you want to hide this artifact very well and secure it carefully so it doesn't break by mistake.”

Did he have hands too? He was nothing, why did he have hands? It didn't make sense.

Orion took a couple steps away from the table and stood pensively.

“I've done something wrong again. It's not moving.”

There was a lot of stuff spread out in front of him. Old spare parts, pieces of armor, tools. Lots of warped plates.

And his creation. A real golem. An entity woven of metal and magic.

Shockwave, hitherto distracted by an almost invisible spot on his shoulderplate, glanced leisurely over Orion's shoulder

“Golems don't need much to function. You made a good shell. The magical structure is strong as well, I see.”

Orion hesitantly pointed to the golem's forehead, decorated with a neat sharp chevron.

“I added some things that weren't in your instructions and I think I made a mistake somewhere.”

“Golem making is a complex skill, don't give up if it doesn't work right awa...you know what, actually no, you did everything right.”

Orion shrugged in frustration.

“Then why won't it move?”

Shockwave walked around the table and stopped right above the head of the figure lying on it

“ Golems exist to serve, my friend. It won't move unless you ask it to.”

Orion walked back over to the table with a quiet “oh” and nervously clutched his servos. The figure remained stone still. There was no ventilation noise, no engine sound, not even the barely audible spinning of a spark. It could just as easily have been a long-cooled dead body lying in front of him.

“Wake up.”

The emptiness that forever defined his nonexistent self stammered. He wasn't nothing. He had a purpose and that purpose shaped him, put strength into his numb limbs and molded his lack of thought into naked intent.

He wasn't nothing. He was a void, but suddenly that void had a direction, no matter how meaningless it sounded.

He stopped being just nothing. He became his purpose. And it felt so right that it was unclear how he could ever have been anything else before.

He opened his optics.

Orion, who apparently hadn't expected that the thing he'd made specifically for it to move would move, jerked back with a funny sound.

On the opposite side, Shockwave nodded proudly, returning to the spot on his armor that even in the bright lights of the workshop only he could see.

“I believed in you.”

_________

“Oh my god! How do you sneak up on me so quietly every time?”

He wasn't nothing anymore. He was a whole long list of instructions and rules. His creator sat him down at a table and meticulously listed everything he could and could not do. Handed him many books and ordered him to attend a huge number of lectures. He now knew who to bow to if he passed them in the hallway and who to avoid. He had learned hundreds of names and thousands of titles. Learned how to pretend to be a real Mech, even though he wasn't.

The world around him was complex and confusing, but he found that this complexity had its own patterns, linked together in a bizarre web of systems and sequences. It was worth pulling on the right end, and the meaningless facts organized themselves into something much more manageable.

Everything made sense. The planet revolved around a star. Mechs rejoiced when they got something that improved their quality of life. Energon burned, producing energy. Big things tended to be heavier than small things.

The world was divided into Mechs and monsters...and him.

He was inclined to be...quiet.

His creator - he'd asked to be called Orion - twitched when he found his creation standing right behind him.

He was very talented at finding Orion wherever he was. And very light compared to most things his size. Like everything else it made sense. He wasn't a Mech, he was just an empty shell. An armor summoned to life by magic. His footsteps were as quiet as a mini bot's. Whatever Orion called it, he wasn't 'sneaking' on purpose.

A few cycles later, Orion accidentally bent one of its finals when he turned around too quickly, startled by the quiet footsteps behind him.

He named him Prowl. It was...not exactly logical, but there was a certain sense to it. Prowl nodded and agreed. He always agreed with everything Orion said, even if it didn't make sense at all. Orion's opinion took a higher priority than anything else.

Until it didn't.

Until Orion gave him a focused look and told him that he should argue if he thought it was necessary.

Until Orion put the servo on his shoulder and said something along the lines of....

“You can disagree with me if you think my opinion is wrong. I'm not asking you to go against me. I'm not perfect and I can't be the one absolute point of reference for everything. You can and I'm sure will be smarter than me about many things. I want you to tell me if I'm wrong and what I should do about it.”

Like…well….like an absolute fool.

This concept was new. Prowl wasn't built to argue. He was made to obey orders and to serve a function.

Orion smiled slyly. At least it was probably a smile behind his mask that made the corners of his optics lift.

“It wouldn't be considered a disobedience of my order if I ordered you to disobey it. Don't you think?”

Prowl opened his mouth to agree out of habit, but then changed his mind mid-motion and closed it back. It...it didn't make sense. It made sense that was breaking under its own weight. It was mercilessly mixing up all of his pre-learned patterns for talking to Orion. If he agreed with that logic now, it would mean accepting its use. If he protested, it would also mean accepting it, but in a bit more embarrassing way. Just when he was thinking of simply retreating silently to the nearest shadow and banging his head against the wall, he heard a quiet chuckle and realized that Orion had been amusing himself for some time now, watching him struggle.

Prowl decided that verbal responses might be overrated and frowned his face in the most believable expression of displeasure he could portray.

Orion broke out into laughter.

________

“What exactly is my goal?”

Orion looks. Curious. He stops talking to Shockwave and leans back on the bench.

“Right now, to study these journals. I already told you.”

Prowl nods to indicate he heard him and continues

“Studying serves a future purpose. Studying for the sake of studying would be meaningless to me. What is my final goal?”

“To assist me” Orion says slightly confused. ”Within the best of your ability of course.“”

“Аh. Assist in the fulfillment of your goal.”

“Well. I'd say so, yes.”

Prowl nods

“And what is your goal?”

Shockwave, who has been sitting next to them the whole time looks like they're a couple of previously unknown to science species he's just personally discovered.

Prowl ignores him.

“I...you remember the separation between Mechs and monsters, right?” asks Orion cautiously.

“Yes.”

“Mechs...are unfair to monsters. Monsters are cruel to Mechs. It's a needlessly violent situation that I want to...try to. Fix.”

Prowl frowns to indicate that the information isn't completely clear.

“You're a member of the order of hunters. And...” he shakes his head toward the nearest window ”...you have a considerable number of hunters under your command. Your job involves destroying monsters.”

Shockwave makes some sort of quiet amused sound and props his chin up with his hand.

Prowl ignores him harder.

“My job is to bring peace.” says Orion “You don't have to kill monsters to do that. You can negotiate with them. Find a compromise. Coexist. I...I guess basically, I'm trying to make the world a little better?”

Prowl doesn't look impressed. He's actually making a special effort to not let Orion think in any way that he might be intrigued by the whole endeavor.

“You do realize that's a disproportionately large goal for just one Mech, right?”

Orion shrugs awkwardly

“That's why I made you.”

__________

Ratchet puts aside his tools and critically examines his work.

“Don't touch that and it will heal normally.”

Orion smiles gratefully

“Thank you.”

Ratchet is important to Orion. They are close and very valuable friends to each other. The two of them look peaceful now, despite the fact that Ratchet threatened Orion when he first showed up in Sick Bay, so Prowl decides it would be a socially acceptable moment to start talking

“Orion, you're wanted at the Council.”

The second half of his line is drowned helplessly in two startled exclamations at once. Orion, to his honor, calms down almost immediately, but Ratchet continues cursing for a while.

Prowl doesn't wait for him to finish. The Council meeting is earlier than usual today and Orion has already had a few occasions of misbehavior. It's in his best interest to at least show up on time this time.

“Shockwave asked me to tell you to hurry. I will add that showing up at the last minute will not be good for your reputation if you are still hoping to convince the council to let you take more units.”

Ratchet .....stares.

“Primus' rusty hinges, Orion, who's that? Did they assign a nanny to you?”

Orion twitches his finals playfully and immediately crinkles in pain, remembering that one of them should have been left to heal.

“Remember when I wanted to find an assistant? Well...”

Ratchet casts an increasingly more suspicious look at Prowl. Prowl decides that friendliness is overrated and limits his expression to a barely perceptible tilt of his head in response.

“...Shockwave recently helped me figure out how to create golems and I figured if I couldn't find anyone I could trust, I might as well...make one. So. Ratchet meet Prowl.” finishes Orion awkwardly.

Ratchet glares at Prowl for a while longer. Then he turns away and starts tidying up Sick Bay.

“I'm not buying it. I don't know where you found this guy, but you're not playing me. Nice poker face by the way.”

One of Prowl's wings twitches

“He wasn't lying.”

Ratchet snorts grumpily.

“Those...” he waves toward the next room ”...are golems.

There, behind the wall, several golems scurry around. They have medical staff symbols painted on their shoulders, and there is not a trace of thought in their eyes. Two are scrubbing the floors, another wiping the shelves and window sills clean of dust. They occasionally mumble softly under their noses or utter an inane “excuse me” every time they accidentally bump into each other. Prowl knows that if you ask any of them a question with more than one variable, they start babbling guiltily and shrugging their shoulders. They're stupid, but they themselves don't seem to care about that at all. They are their purpose. And their purpose is to keep things clean. They are pride because they are good at their job.

Prowl frowns. He's a headache. Because his "purpose" has been distracted by his conversation with Ratchet and will probably add another tardy to his list in the near future.

Orion begins (thank goodness) to move toward the door

“I've made improvements. There might have been...some not exactly allowed artifacts.”

Ratchet rubs the bridge of his nose tiredly. Prowl can see that his face is already starting to wrinkle in that spot. Patient antics probably age Ratchet far more effectively than the passage of time itself.

“I...you know what...go before the Council sends a search party to look for you.”

Orion sighs and without further distraction finally walks out the door.

Prowl decides that Ratchet might be a good ally when it comes to managing Orion.

He nods politely goodbye before leaving.

______________

“I am different from them. Why?”

Orion puts down the document he's been working on and looks first at Prowl and then, over his head, at the other golems scurrying down the hallway with brooms and rags. He doesn't need to interject exactly who he thinks Prowl is different from.

“Do you want a philosophical answer or a technical one?”

Prowl reaches out and pokes somewhere in Orion's document

“ You missed a comma. Both.”

Orion obediently puts the comma in and folds up the document. His finals are twitching faintly. It could be a sign of concentration as well as distraction. Prowl has already figured out that Orion's body language is a double-bottom trap. For a Mech with this level of expressiveness, Orion is surprisingly difficult to read.

“Sometime quite a while ago during one of my expeditions, I found a unique artifact. A fascinating item, granting wisdom to anyone brave enough to use it.”

“I have a feeling a ‘but’ is coming.”

“You're right. The artifact's unique gift was also its curse. It fed so much information through the Mech's heads that it literally caused the processors of its owners to melt.”

“Oh. Good thing I don't have a processor then.”

Orion laughs quietly

“Indeed. You won't have that problem. And about the other part....Think of all the Mechs you know who are savvy enough about politics and available to work together at the moment.”

Orion gives him a moment before continuing.

“ What is the likelihood that the most trustworthy of them would betray me, for their own gain or out of fear?”

“ Twenty-eight percent,” Prowl informs.

And then hesitates a moment.

Orion is obviously a smart Mech. Not smart enough to single-handedly dominate the political arena, definitely not with his ideals and ideas of what's right. But smart enough to realize it. He knows what he wants and he also knows he can't achieve it alone.

Prowl looks at Orion, who just stands there, eyeing him, without in any way trying to continue the conversation.

Orion is idealistic, and therefore often mistaken for stupid. He isn't. Orion doesn't just know that he can't succeed alone, he knows that everyone else knows it too. He thinks this knowledge will be used against him when the opportunity arises. He's right. By Prowl's count, at least three suspiciously clever Mechs were going to sweet-talk their way into becoming Orion's assistant one way or another before... he appeared.

One of the janitor golems runs past them down the corridor. He doesn't turn around, doesn't even slow down or cast a curious glance. His only goal, his only interest is cleaning. The rest of the world might as well not exist at all.

Prowl thinks he's not that different.

Orion apparently reads the understanding from his face, because he nods contentedly and starts walking further down the hall.

“You didn't take yourself into account when you made the statistics, did you?”

Prowl follows him silently on his heels. Not close enough to be familiar, but not so far away that the conversation stops being private.

“The sampling condition was all mechs. I am not one.”

“That's true” Orion shrugs “You have no loved ones that the Council could use to influence you. You have no desires to be bought by their fulfillment. And while I cannot say with absolute certainty that you will never be capable of going against me...” Prowl starts to open his mouth to object but Orion gestures him to stop, “...no no no no, let me finish. And while I can't be sure you'll never betray me, I at least know for sure that before you met me you had no reason to do so. Do you understand?”

Prowl understands. It makes sense. He still feels the need to argue back, because it is part of his function to do that.

“I would never betray you. I'm not capable of it.”

Orion twitches his finals. Without seeing his face Prowl assumes it is a sign of doubt.

“You are a creature of intellect, Prowl. I am a Mech of ideals. Those two things don't always combine well.”

______

“Foolish and presumptuous.”

Prowl ponders that his function could be much easier if he didn't have to constantly try to balance what is right and what is right in Orion's eyes.

“If you were spotted, the Council would have good reason to assume this isn't the first time you've done something like this.”

“No one noticed,” Orion tries, but Prowl doesn't let him finish that thought

“No one has seen you, because you're lucky. You can't count on it being a permanent occurrence! You undermine your own position by giving the Council grounds for suspicion, you...”

Prowl stops, still pointing his finger accusingly somewhere on Orion's chin. Shockwave, who has witnessed the scene, makes an impressed face and steps closer.

“I swear, you're probably the most capable golem maker I've ever had the pleasure of teaching, Orion. If I hadn't seen that guy on your assembly table, I would never know.”

Prowl takes the statement as a compliment, but doesn't feel the need to show it outwardly. Shockwave, as one of the few who knows about him not being a real Mech, doesn't take offense to it in any way.

“Did I interrupt something dramatic?”

Prowl snorts, because the gesture maintains just the right amount of judgment for his situation.

“Orion is once again harboring a monster instead of killing it or letting it escape.”

This news immediately enlivens Shockwave's posture. Prowl knows he's an even bigger fan of collecting suspicious side projects than Orion. Their friendship, frankly, will one day bury either one or both of them. Prowl just hopes his presence will be enough to sway the percentages when that happens.

Orion doesn't try to deny anything.

“One of my squads encountered a ghost near the northern border. I couldn't... listen Shockwave, he's a good guy. He just needs to be given a chance to show it.”

“Can he talk?” there's almost visible stars in Shockwave's eyes..

Prowl slumps his shoulders helplessly, already knowing what's coming next. These two have done this dance a hundred times before. One of Shockwave's favorite side projects was a school for, as they called them, magically gifted and extraordinary Mechs. In fact, it was the largest den of various monsters that Prowl had ever seen. Every time Orion's hunting squads found a monster that could even remotely resemble a normal Mech, Orion would rush with happy optics to hand it over to Shockwave for care. There, the monsters were taught everything they needed to fit into the society of normal Mechs, but more importantly, they were given documents. Precious pieces of paper that granted their holders rights, freedoms, and protections as Shockwave's apprentices.

Prowl could appreciate the noble endeavor. He could also see clearly that with each addition, this school would become more and more of an inconvenient thorn in the Council's side. Just like Orion, Shockwave was happy to paint a brighter and brighter target on his own back for many cycles.

Orion, insensitive to danger that is not immediate, cheerfully begins to recite

“Can read, write, speak, even makes music.”

Shockwave nods happily

“Introduce us?”

Prowl wonders how far Shockwave can stretch the definition of “magically gifted Mech”. One day Orion will pick up a Kraken on the street and then they'll both probably have to do a lot of mental gymnastics to make it's documents. Ugh.

When Orion had asked him to calculate the probability of betrayal, the most reliable mech he was evaluating at the time was Shockwave.

Twenty-eight percent...

Prowl wonders how many students must be on the opposite side of the scale from Orion for Shockwave to choose in their favor. Speculation is actually useless. If the Council decides to nail Shockwave, they will of course use his entire school at once.

In fact, they probably won't even have to force Shockwave to choose between the school and Orion, because Orion himself will choose a bunch of monsters over himself.

This ridiculously dangerous social construct they call friendship rests entirely on their reputation as honest and honorable mechs. Prowl stares at Shockwave's back and wonders how one mech could have so much charisma, that he gets away with keeping a huge number of Council enemies right under the noses of that same Council.

_________________

Orion gently lifts the now graying shell of what was once a monster from the ground

He doesn't even turn toward Prowl.

"Did you kill him?"

Killing...it's a stretch. Does the act of helping a murderer qualify as murder? Or the lack of action that could have saved the now murdered person? In most cultures and languages, “murder” refers to the act of ending someone else's life, but the context implies a physical act. Did you put a knife in his back? Did you push him off a cliff? Did you cut him with a sword?

By those criteria. Well. Prowl never killed anyone. Nor is he likely to, for he has neither the skill nor the strength to do so.

Did he cause death? Absolutely.

Orion's always had this heroic streak that wouldn't let him just pass by the distressed and disadvantaged. Orion has always had a great spark of kindness and principles as strong as titanium alloy as to what is right and what is wrong.

In Orion's world view, murder is wrong. And murder in conditions where it was possible to solve everything by peace is immoral and unacceptable.

Prowl's worldview tells him that Orion could do much better if he stopped wasting his potential on helping those who will only drag him down in the long run. Orion's life depends entirely on the Council's opinion of him. A Council that has been watching him closely lately. Even if Orion doesn't like it, it's Prowl's job to make sure they like what they see.

Orion turns to him, shaking him out of his thoughts.

"Prowl. That mech tried to escape. Past you. And now he's dead. Were you the one who killed him?"

"No," says Prowl, "he ran into one of the patrols."

That statement is missing a good half of the details. Like mentioning that the patrol wouldn't have been there in the first place if Prowl hadn't sent them an anonymous lead.

Orion doesn't need to know that. Orion lives under the idea that every life is precious and, even more inconveniently, equal.

Prowl sometimes feels like yelling at him for it. Because that shiny perfect picture is simply unsustainable outside of Orion's head. The monster, whose graying body now lies on the ground, would be of little use to society. Likely left free, he would have simply continued to attack and kill travelers.

Whereas Orion spends his life making the world a better place. This is an objective fact confirmed by numerous observations.

They are not equals. And they probably never will be. Orion's life is much. Much heavier on the imaginary scales of statistics.

Orion squints at him suspiciously. He's clearly hesitant.

"You could have just let him go instead of killing him."

The trap is honestly too obvious.

"I didn't kill him" Prowl repeats "he ran into a patrol. You can't blame the hunters for doing their job."

Orion places a hand on the dead creature's forehead in a respectful gesture of regret while simultaneously averting his gaze. It's a habit by now.

Look the other way, don't let the council know what you're doing. Sympathize but not in plain sight, help but in secret.

"They had no right to attack him.This is neutral territory. He has the right to run wherever he wants."

Prowl's mouth is twisting with the urge to argue. To say that according to existing information, this monster would have just continued the attacks if he'd stayed free.

He says nothing. Orion is clearly in no mood to argue right now, and he's already questioning Prowl's claim. It's not worth pushing any further.

Prowl only nods, showing that he's heard Orion's point of view.

__________________

He is surprisingly good at lying.

Of course the skill doesn't just come naturally, but he's been known for his straightforwardness. Mechs automatically expect him to either remain silent or tell the unpleasant truth.

All he has to do is give only certain bits and pieces instead of coherent information without changing his usual behavior in any way and the mechs won't be inclined to verify it, filling in the gaps themselves. As a golem, he can't lie, but he can get others to lie to themselves.

He exploits this a lot. Probably more often than Orion would approve, but Prowl doesn't ask him to confirm. Conversations with Orion tend to narrow down his list of options. Because Orion is a real living mech. With a spark. With feelings. And his complex moral code revolves entirely around what he feels to be right.

Prowl has no spark. Prowl has an empty armor that he considers his body and a wisdom artifact that he considers his worth. Both his and Orion's understandings of what is right...overlap...sometimes.

Not always.

______________

"I saw a demon in person for the first time today."

Prowl politely shifts his posture to show he's listening

"A …demon?"

"Demon" Orion repeats "When...when a mech commits especially terrible crimes against the will of Primus, the very magic of their spark rises up against them and turns them into a demon. And I just learned today what a...demon looks like."

Prowl remains silent, waiting for a continuation that never comes. Orion seems gone in his thoughts....

"And what does it look like?" prompts Prowl.

"Creepy. It looks creepy and unnatural and terrifying. Primus' wrath has a very ugly shape..."

"Ah...I see...what did that mech do to be met with such punishment?"

Orion frowns

"I'm not sure. But what we're doing can't go against Primus' will, right? I mean, all beings are his creations! He can't condemn us for trying to make peace between mechs and monsters..."

Prowl is familiar with the concept of punishment for wrongdoing. But something about the very idea...the idea that punishment will find you no matter how well you hide because you can’t run away from your own spark...he has to admit it's disturbing.

"I hope he doesn't."

——————————

Thoughts?👁

Ahsjfjfj

This is the first half of the fic btw because I don’t have enough time to translate the whole thing in one day. I’ll try to post the second half tomorrow🤞

#oh my god no wonder I read so slow if I take time to just comment everything in my head #my eyes are closing they have been staring at screens non-stop for 3-4 days in a row I better go #I swear to god if the second part #is the Shockwave #I might kill someone #out of pure emotion #I like it #Prowl's characterization....#*lies down*#wow....#I so much want to kiss writers recently you all keep gems in your heads and forge them into beautiful rings

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physalian · 2 months ago

Text

Quick Foreshadowing Tip: Misdirection

Nothing quite like a line coming out of nowhere to make you go "Well, that'll clearly be important later."

There's a line to walk between leaving an obvious breadcrumb trail so audiences know the whole time that A Thing is going to happen, and are just waiting for the chracters to realize it, and leaving hints for only the most savvy audience members to pick up on the first read through.

Misdirection is your friend.

If you want to include important details that audiences can but aren't supposed to notice, you should hide them as something else.

I have a natural disaster that needs to happen in a WIP, and then cascading plot consequences coming from it, but "natural disasters" aren't a big focus of this story and tossing in a Surprise!Earthquake to keep the plot moving out of nowhere, even if that's how earthquakes work, is not how quality fiction works.

But if I start mentioning it, it's a concept so out of left field that the reader would immediately notice and wonder why I'm randomly talking about earthquakes.

So: Misdirection.

First, I have two characters talking about fishing, a pre-established concept, and how much of their food survives off hydrothermal vents that are only in their region, reminding the audience that the geography is unstable without saying any of that. We're just talking about fishing.

I have a character already unused to weather and natural phenomena that other characters take for granted, necessitating an explanation of basic concepts like lightning and thunderstorms. But it's not exposition, it's a fundamental trait of this character and their growth and flaws, self-concious about not knowing these things.

I have baby quakes happening during a later scene, ones that every other character would dismiss as just a thing that happens sometimes, meanwhile the narrator notices, as they've never experienced one before, necessitating a call to attention to explain it to them, and thus the audience with them, while the narrator complains about being patronzied to. But we're not really talking about earthquakes, are we? No, we're watching this character get insecure about another gap in worldly experiences.

The whole time, I am priming the audience for the possibility of a natural disaster that you probably wouldn't expect, but would see coming after the fact as something that makes sense for this world and this story.

All this is so Surprise!Earthquake has as much setup as an unpredictable geological event can have because, when you toss in an "act of god" to fuck with your characters, it has no agency, it's just the hand of the author deciding to throw a wrench in things entirely outside any characters' power and independent of their choices. So having it as embedded in the story as possible instead of coming out of nowhere helps it feel less random and contrived.

Misdirection is your friend.

#writing #writeblr #writing a book #writing advice #writing resources #writing tools #writing tips #foreshadowing #misdirection

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captainmalewriter · 4 months ago

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Unconscious Desires

“Aha! I knew I had it lying around here somewhere!”

Aiden joined his boyfriend Jasper on the bed with an old shoebox in hand. He opened it and pulled out a star-shaped birthday candle. The purple candle seemed to glisten in the light as Jasper held it with wide eyes.

“Happy birthday, babe! This special birthday candle should have just enough magic to grant you anything your little heart desires.”

“This is incredible…” Jasper exclaimed. “But are you sure you’re okay with being transformed into a muscle bottom?”

“Of course!! It’s your special day, and I wanna do something extra special for the love of my life! And besides, I’ve been using magic for basically my entire life now. Trust me when I say that anything you can transform me into, I’ve probably already done to myself anyway. So? Are you ready?”

Jasper nodded with a smile as Aiden handed him a box of matches. He lit a match and held it over the candle wick until it caught. Then, holding it with both hands, Jasper raised the lit candle to his face. He closed his eyes and thought carefully about what he most wanted.

I wish for my boyfriend to transform into a himbo— I want him to become the man of my dreams!

With his wish in mind, Jasper blew out the birthday candle with a firm breath. The lights in the house momentarily turned off once the candle flame was extinguished. They came back mere seconds later. Aiden let out a low, purring sound as he laid back against his bed.

“Alright! Get ready to watch magic unfold right before your very eyes!”

Surely enough, Aiden began to experience the effects of the birthday wish. Jasper watched in amazement as his once lanky boyfriend rapidly grew in body size. Aiden’s muscles swelled until the veins in his arms were clearly visible. His clothes were bursting at the seams as his muscle growth knew no bounds, leaving him naked while the transformation magic continued to wash over his body. The peach fuzz on his face thickened until he had a nice, burly beard to call his own. His legs spasmed as they stretched outward, adding several inches to his height, causing the bed frame underneath to creak and moan due to his growing weight. His feet swelled up like balloons as they became several shoe sizes bigger.

As his body grew bigger and stronger, his mind became unintentionally affected by Jasper’s birthday wish too. His academic intelligence slowly but surely dwindled away, replaced by knowledge on all things bodybuilding and sex. By the end of it, Aiden had grown to a healthy 170 lbs with lean musculature to boot. Once he had finished transforming into Jasper’s perfect man, Aiden breathed a loud sigh of relief and spread his body like a starfish. All while Jasper was blushing and salivating at the sight of his wildest fantasy coming to life right before him.

“Wow… I can’t believe it actually worked!!” Jasper exclaimed. His words caught Aiden’s attention. Aiden turned to look at him and grinned. “Hey, how do you feel?”

“Like a million dollars bro!! WHOO I feel FANTASTIC!!” Aiden flexed his biceps while letting out a hearty chuckle. His sudden shout caused Jasper to wince.

“‘Bro?’ Since when do you talk like that?”

“Ayy wassup dawg! Damnnn you lookin’ mad sexy right now… How ‘bout you get on your knees and show me what that tongue do?”

Aiden flashed a wide smirk at Jasper as he groped his growing member. Jasper took a deep breath. While it was true that Aiden was acting unusually, the current circumstances were more likely than not the culprit. It wouldn’t be the first time he got really into character when they roleplayed. Magic just happened to play a supporting role this time around.

“Yo? We doin’ this or what!”

Jasper returned to the present moment and almost gasped when he saw Aiden’s junk standing at full mast. It seemed like the birthday magic left his boyfriend well-endowed! It was the last thing Jasper needed to convince him to just roll with it. He promptly got onto his knees, ready to service Aiden’s cock with his throat, but when he leaned in, Aiden stopped him.

“Woah woah woah. You and I both know that’s not what I meant.”

Jasper leaned back as Aiden made himself comfortable. Once he finished readjusting, his feet were right in Jasper’s face!

Jasper was shocked. He wasn’t expecting Aiden to shove his feet in his face, but even though it was a surprise, it was not an unwelcome one. He couldn’t help but admire how soft and smooth the soles of Aiden’s feet looked. Aiden smirked as he watched Jasper worship him with his eyes.

“C’mon man… You know you want to,” Aiden wiggled his big toe as if to beckon him. Jasper hesitated but just couldn’t help himself. He had always wondered what it would be like to worship a jock's feet, but he could never bring himself to act on his desires. So he simply repressed. He was content never indulging in his secret desires, or so he told himself anyway. Now that the birthday candle had granted the one thing he had always wanted, Jasper knew he just had to seize the opportunity while he had the chance.

Jasper started by pressing his nose against the crevices of his toes. Aiden had clean feet for the most part, but Jasper could still pick up a slight trace of sweat through his nose. The smell of his boyfriend’s feet left him intoxicated and hungry to devour him whole. Jasper continued by licking the center of Aiden’s foot. He pressed his tongue into his soft sole and let it slide around in a swirling motion. Aiden groaned with delight as Jasper massaged and licked his feet, his hand wrapped firmly around his member as he began to slowly pump his cock while he was being worshiped.

He worked his tongue up his foot and licked around and between Aiden’s toes like lollipops. Jasper sucked on his big toe. The feeling of his boyfriend’s warm, wet tongue made Aiden squirm with pleasure. He let out a strained “fuck..” as Jasper continued going down on his feet. The sound of his boyfriend’s moans filled his ears, motivating Jasper to give him everything he got, all while stroking his boner as it throbbed and pressed against his pants, just begging to be released and played with. Aiden noticed this and decided to take it to the next level.

Aiden rolled off the bed and instructed Jasper to lie down, which he promptly did. Aiden then laid his lips against Jasper’s as he proceeded to take off his clothes piece by piece. His cock sprang to life once it was finally released from the blue denim that kept it trapped. Once he was naked, Aiden moved his lips down Jasper’s body, planting kisses along the way until he was at his crotch. He gave Jasper’s dick tip a quick suck, causing him to squirm from the pleasurable sensation, before laying down on the bed opposite to him. Once in position, Aiden grabbed the nearby lotion bottle and lathered his feet with a generous amount of lotion. He then placed his feet on Jasper’s cock and began massaging it with his feet.

“Oghhhhh fuckkkkk…” Jasper moaned. The feeling of Aiden’s soft, smooth soles pressing against his cock was unlike anything he had ever experienced before!

Aiden had god-like control over his feet. Thanks to the lotion, his feet glided smoothly across Jasper’s dick as he jerked him with his feet. Aside from simply moving his feet up and down Jasper’s length, he knew how to control the speed and intensity of his touch. He’d speed up and slow down the pace of his stroking speed, he’d occasionally grip his cock with his toes, he could do it all! Every time Jasper moaned from something Aiden did, he made sure to do it again and again but made sure to ease up just before Jasper could finish. It was a devilish dance, but it was one that Jasper was happily ensnared in.

Unfortunately, though, despite Aiden’s best efforts, Jasper could only last a few more pumps before he blasted his load all over himself. He was panting for breath as he finished leaking, and Aiden could feel his member pulsating in between his feet as he began to grow soft again. Some of Jasper’s spunk got on his toes. When he realized that, Aiden lifted his foot to Jasper’s mouth, who then gladly licked his toes clean.

“Oh my God… That was fucking amazing…!”

“Yeah bro? You like that shit, huh?”

“Yeah! I do, but can you stop talking like that, Aiden? It was hot in the moment but I’m over it now.”

“Huh? Talking like what?”

“You know, the bro talk!”

“Huhhhhhh? What you mean by that?”

Growing irritated, Jasper flashed a mean look at Aiden. However, when he saw the innocent look of confusion in Aiden’s eyes, Jasper’s expression softened. He felt something hard drop inside his gut. Something was seriously wrong.

“Aiden? How do we reverse my birthday wish?”

“The what?”

“My birthday wish!! You gave me a magic candle that would grant me a wish for my birthday! Don’t you remember?”

“Oh shit! It’s your birthday!? Happy birthday brother!! I hope I was able to make it a good one!”

Aiden laughed without a care in the world, while Jasper felt the consequences of his wish weigh down on him. He knew how powerful the magic candle was. He made sure to be careful about what he wished for if he was going to use it to bring his deepest desires to life. Yet, despite his precautions, it seemed like the candle caused changes in Aiden even Jasper didn’t know how much he wanted. Sitting in front of him was a dumb, horny jock who had no idea what magic was or how he came to be. Without Aiden’s magical know-how, there was no telling when or how he’d transform back to his original self.

As the reality of the situation sunk in, Jasper felt the bed shift as Aiden moved up to him.

“Hey man, I helped you get off, now it’s my turn! It’s only fair!”

Aiden then proceeded to lift Jasper’s foot and guided it into his mouth, where he proceeded to lick and suck on it. Jasper moaned as Aiden went to work servicing him. As it happened, he felt something long and hard started pressing against his butt as Aiden moved in closer.

It was definitely not the time for round two— Jasper knew that, but after already getting a birthday footjob from his boyfriend, he figured he might as well finish the job before getting to work on finding a way to turn Aiden back.

All of Aiden’s magic spells and items weren’t going anywhere after all. Might as well enjoy his birthday while he can and worry about finding a solution tomorrow.

#male transformation #male tf #magic tf #muscle tf #foot tf #unintended consequences tf

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asidian · 8 months ago

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One thing I haven't seen talked about is Crystal's character arc, and specifically the way the timing of it interacts with Charles' arc. They stumble over each other in the worst possible way en route to their respective character growth, and from a narrative perspective, it's absolutely genius.

I'm going to preface all this by saying: none of this is a criticism of Crystal. Part of what makes her such a dynamic, refreshing character is that you don't get to see women in fiction written the way she's been written. You don't get to see women with her flaws that aren't throw-away mean girls or villains. You especially don't get to see women with her traits who learn and grow and become better people. So yeah, I'm going to talk about Crystal's character flaws. No, this isn't Crystal hate. We love our girl in this house. Okay? Okay. Let's start.

Crystal's character arc, at its heart, is all about her learning to be a better person because she has good influences that love and support her for the first time.

When the show starts, Crystal is not a nice person. She's abrasive in a way that's specifically designed to push people away. She's used to getting her own way, and it shows. She's used to having no meaningful connections with anyone, and it shows. She's breathtakingly selfish, in the very literal sense of the definition. She is focused on her self. Her problems are front and center to her; everything is about what she needs, and what she wants, and how she's struggling.

Jenny calls her out very early on. In episode one, Crystal is complaining about the boys, and Jenny, for all her cynicism, strikes right at the heart of the problem. She tells Crystal, "Everybody is always thinking about themselves, all the time." People only care about their own problems. And she says, correctly, that that's what Crystal is doing, too.

This moment is a revelation for Crystal. For the first time, she considers what her behavior looks like from another person's perspective. As she says, she gets mad at herself over it, and that awareness allows her to do something selfless for the first time in the series. She takes a step back and insists that instead of focusing on her problems, they go to help a little girl. It's a big moment for her.

But importantly, she's not done growing as a character here. She's only just getting started.

On my first watch through, I didn't realize how often, over the next few episodes, Crystal redirects things to her problems during conversation, but it's quite a lot. She's still focused on herself – selfish, in that most literal definition of the word. The issues most important to her are her issues. She's starting to learn to think about other people, but she's not there yet. The process is still underway.

Which brings us to Charles.

Charles' arc is a different sort of self-reflection. He's terrified that he's a bad person the way his father was and the way the boys that killed him were.

During the course of the show, he gets systematically stripped of his confidence and made to feel helpless, and just like Crystal needs outside influences to help her reach a more stable place, Charles does, too. He desperately needs reassurance that he isn't everything he's afraid he is.

But my goodness, the timing in their arcs is such a trainwreck when you put them together, and it is brilliant.

Let's start with the Devlin House.

Crystal has some amazing character growth here. She displays genuine concern about Charles, makes an attempt at comforting him, and learns to work with Edwin even though she still doesn't particularly like him at this point.

Charles, meanwhile, is beginning to fall apart. He's just had the worst night of his afterlife. He's been viscerally reminded of how helpless he is. He couldn't stop the Devlins from being killed over and over, just like he couldn't stop his own father's abuse. He messed up his attempted rescue so badly that he was completely out of commission until the case was finished. He managed to help not one single thing. He made no impact at all. He couldn't help those girls any more than he was able to help himself, while he was still alive.

So they get back to the butcher shop, and what do we see? Monty immediately coopts Edwin. Niko doesn't know what's happened because she wasn't there and Charles has been all fake smiles with her. And Crystal goes off with Niko, leaving Charles to flounder on his own in the wake of everything. She's still learning how to support other people. She isn't there yet, and it's extremely on display in this moment.

Then we get the lighthouse episode, and they both get put through the wringer here. Crystal gets her hopes and expectations jerked around by the Night Nurse in the very worst way, and Charles gets hit with a whole pile full of trauma. All that helplessness wells to the forefront again. Combined with being forced to relive some of his worst memories and the desperation to keep Edwin safe from hell, Charles lets himself act on his anger for once.

And what does he get in the aftermath? Horror.

Everyone who cares about him is horrified by what he's done. Edwin goes so far as to call it extreme. They don't know the half of it, of course; they haven't seen what the Night Nurse just put him through. But in this moment Charles is at his absolute lowest, and all he sees is confirmation that he's exactly as terrible as he thinks he is.

That's why Charles shrugs off Edwin's attempt at comfort, here. When he needed to be able to do something to protect Edwin and also himself – when he needed to believe that he could be better than what his father always was – all he sees is the confirmation from the people he cares about most that when push came to shove, he really is a bad guy.

Then comes the aftermath. And this moment is such a brilliant, awful clash of both of their character arcs. It is so delightfully messy.

Because Charles starts to open up to Crystal here. He starts to lay himself bare, the way he ends up doing with Edwin in episode 5. He's on the verge of admitting something that he's been worried about for literal decades. He tells her, "I've been angry for such a long time."

And what does Crystal do? She's still in the midst of her own character growth. She's still struggling to support other people. She's still learning how to. In a lot of ways, though she's made progress already, she's still that selfish girl that Jenny called out in the very first episode.

And she shows it here it with the absolute worst possible timing. No sooner has Charles started to talk about what's bothering him than she cuts in with her own problems. She's tired of riddles and spirits and demons and not knowing who she is. And the look on Charles' face. The moment when he visibly sets aside his own problems, because Crystal doesn't need any more disasters on her plate? It's heartbreaking. You can actually track the subtle change in his expression there. The actor does a phenomenal job.

And then comes the kiss. And what spurs it? Crystal saying she needs something real.

This moment isn't about light-hearted attraction, the way the earlier flirting is. It's Charles setting aside what he needs – comfort and reassurance and a moment to talk through the things that have been tearing him apart – to give her what she says she wants. He can't even feel it. And Crystal isn't far enough along in her character growth here to realize how selfish she's being. Like Jenny said way back in episode one, she's only thinking about herself.

And then comes the absolute unmitigated disaster of episode 5.

Straight out the gate, Charles leans in for a kiss. From his perspective, they have something together; there's affection there. Charles "I think I'd miss kissing" Rowland, who has been starved for meaningful physical contact for thirty years, is not in a hurry to give this up.

But Crystal is fresh out of a nightmare where she conflates Charles with her abusive ex. She withdraws; she calls what they had a distraction. She cuts it off almost as soon as it's started, so focused on her own worries here that she misses how damn fake Charles' smile is, to cover up that he's coming to pieces.

To be clear, she's absolutely not in the wrong here. It is 1000% her prerogative not to jump into a relationship again while she's still struggling to work through what happened with David. But the arc of her narrative is still early enough that she does it all without so much as the awareness that her focus on her own issues has hurt Charles terribly.

And then the episode really kicks off, and both of them are in shambles in very different ways.

Crystal is projecting her issues with David onto Charles. She has a lot of history, and David seems as though he's exactly the right sort of toxic to leave lasting a lasting impact. But Charles hasn't done anything to deserve her assumptions, and he takes the brunt of her temper here and throughout the episode.

Charles is desperately projecting onto the dead jocks. He very badly wants them to be good guys, because he sees himself in them and he needs himself to be a good guy. He snipes back at Crystal for the very first time in this episode, and he does it in the worst way possible, accidentally prodding her where it will do the most damage.

They're both hurting. They both say some truly painful things to one another.

She does not need to hear that she has unsorted hangups about David still plaguing her while she's unable to move past them. He desperately does not need anyone to tell him that he has rage issues while he's still struggling to think of himself as a decent person.

They apologize, in the end. They start to move past it.

But it's telling that Charles doesn't try to open up to Crystal again. He goes to Edwin instead, even though Edwin is the one who called his actions regarding the Night Nurse extreme. He gets the reassurance he needs so badly; he gets the connection he was looking for with Crystal from Edwin, instead. (I have a lot of thoughts on why Charles initially tries to open up to Crystal so quickly, but it is very much an aside, and this is already extremely long, so it will have to wait for another write-up.)

But the important thing here is, Edwin is the one to offer Charles what he needs to overcome the self-doubt eating him alive. Edwin provides the physical affection Charles was seeking in the form of that long-overdue hug. Edwin is the one who's able to reaffirm for him that he's not just a good guy, he's the best person Edwin knows.

And for all intents and purposes, Charles' major character arc ends here.

Charles has a few last little moments to go on the path to rebuilding his own self-image, after this, but for the most part his concerns have been resolved. He saves Crystal in episode 6 and Edwin in episode 7, proving to himself that he's able to make a difference in the face of overwhelming odds. He's not helpless, no matter what the Night Nurse told him; he can be a force for good in the world. By the end of the series, his crisis of self-doubt seems to have been largely overcome.

But it's the conversation with Edwin at the end of episode 5 that really allows him to work through his most pressing issues. Edwin is there to help support him when he stumbles. Edwin provides him the comfort he was looking for while Crystal was too worried about her own problems to notice how badly he needed the help.

Crystal, meanwhile, still has a ways to go after episode 5. The last three episodes are where she does her most important character growth.

In episode 6, she learns some hard lessons about keeping secrets and letting people help and appreciate you even when you can't offer them anything in return. And Charles, importantly, is there for her every step of the way. He consistently offers her physical and emotional support. He models for her, in a very real way, what it looks like to have someone prop you up when you need the help.

And in turn, Crystal steps in to save the boys. She's the big damn hero at the end of this episode.

The breakthrough continues into episode 7. She's so intent on helping to get Edwin out of hell that she literally goes to face her own demons, not for herself for once – not for her own purposes or needs or wants – but because she wants to help someone else.

And episode 8, at long last, brings her to the culmination of her character arc.

Crystal is at her absolute lowest here. Her family, the people who were supposed to love her unconditionally, didn't even realize she was gone. Her precious memories, that she's spent the entire series trying to regain, have showed her that she's not the person she hoped she would be. She's overwhelmed enough that she means to flee, to cut herself off from her new friends entirely.

Then the boys get kidnapped. And just like that, she makes up her mind.

For the first time since the start of the series, she sets aside her most important issues in order to let what other people need take precedence. She disregards all of her own personal concerns and focuses instead on others. She's finally stepped out of those selfish impulses that Jenny calls her out on, all the way back in the first episode. She's finally learned how to support other people when they need it.

Crystal has finally figured out how to be there for others, despite having troubles of her own.

It's a lovely arc, and it's beautifully done.

Charles' is just as touching.

And god damn, but it was a brilliant narrative choice to have their character arcs line up in exactly the wrong way.

#dead boy detectives #dbda #dbda spoilers #charles rowland #crystal palace #edwin payne #meta commentary

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sorrelchestnut · 1 year ago

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I've seen a fair number of posts both here and on reddit that question why Tav (or the Dark Urge) would end up as a group leader for any other reason that "game mechanics say so." There's the requisite "okay, well if you play a high charisma character I guess it makes sense," or on the other end of the spectrum, "if you're playing Durge and murder someone right off the bat everyone would be too scared to tell you no." And I get where people are going with this! I really do. But it also fundamentally misunderstands a facet of human nature, which is that the vast majority of people do not actually want to be in charge, because that means being held responsible for the outcome. Accordingly, most people will dither when a group consensus is needed: have none of you ever tried to get a group of friends to agree where to go for dinner? Yeah, it's like that, but waaaay worse.

A lot of times "leadership" is just the willingness to say, "fuck it, y'all do what you want, but I'm doing this." I see it all the time in a corporate environment, where people will go back and forth on group meetings without anyone making a decision until finally one brave soul goes "in my opinion the clear answer is x" and then everyone gratefully goes along with it. Because now it's not their responsibility when something goes wrong! They're just following along with someone else's suggestion, and maybe it works or maybe it doesn't, but at the end of the day they don't have to worry about the consequences unless they're personally affected. In which case they might step up and argue back, and then they're stuck being a leader, too. Welcome to adulthood!

Lae'zel is the only one who ever even tries to exert some kind of control, when she tells you to follow her lead on the ship, or calls you her subordinate in the Grove. But, crucially, she doesn't ever make any serious attempt to take control: you can just tell her, "lol, no," and she sort of confusedly gives way, because she doesn't know how to handle this scenario. In her world there are commanders and subordinates, and everyone knows where they stand and falls in line. She's never actually had to take control of a situation and so at the first sign of resistance she falls back on the dynamic that's familiar to her, which is executing the commands of someone older and more experienced. She goes through a lot of growth over the game, to the point that she can take over as a resistance leader in her own right by the end, but at the beginning she's a wet-behind-her-ears private with some decent combat chops and it shows.

Otherwise, your party consists of:

Shadowheart, who's trained in infiltration and assassination and does NOT want a lot of attention brought to her or her mission for a variety of reasons;

Astarion, who has literally been a slave for two centuries and canonically takes a while to realize that he can exert an opinion beyond complaining about it;

Gale, whose only friend is his cat and couldn't project-manage his way out of a wet paper bag;

Wyll, who was probably trained for command at one point but has been doing the lone-hero thing for a decade and has a very large secret that he's trying to conceal; and,

Karlach, who's only ever been a bodyguard and a soldier and is genuinely just happy to be here.

Honestly, it would be more a surprise if Tav/Durge didn't end up as their unofficial leader, given the general power dynamics at play. The first time Tav/Durge says something like, "fuck it, we need to do something instead of stand around arguing about it, let's go check out those ruins over there," it's a done deal. They're The Captain Now! As long as they don't make decisions that fundamentally oppose something dear and important to the other group members, they're not even going to get any argument. Because at the end of the day, not one of these walking disasters has enough trust in themselves and their decision-making skills to feel any kind of certainty that they can choose the right path forward. If someone else is going to take that decision out of their hands? They're going to follow, no questions asked, right up until the moment they can't.

#bg3 #baldur's gate 3 #meta #some of you people have never suffered through group projects and it shows

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bhaalble · 1 year ago

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Back on my Wyll script doctor because I was talking about it with a friend. Specifically imagining a version of Wyll's big Character Choice that felt like it had some actual teeth.

Imagine a world where instead of a cartoon evil hot lady Mizora and Wyll's relationship actually had some complexity to it and like. some genuine push and pull which gives him temptation to stay. I just keep thinking about this 17 year old who his whole life wanted more than anything to be a hero, who got his chance to do something heroic and selfless and save the city from certain doom, and his reward is getting kicked out because he did it the "wrong way".

Imagine if instead of forcing his silence, Mizora instead comforted him. How unbelievably cruel of your father! Well...since you've nowhere else to go, why not stick with me? We make a pretty good team, as it turns out, and I can get you a whole list of monsters who need killing. Plenty of devils and demons loose in your world targetting all sorts of innocents. Our interests can keep aligning, and you get a place to sleep when you need it.

Wyll makes his peace with it, because he has nothing and no one. And Mizora's not GOOD maybe, not by Ulder Ravengard's definition. But she's fun. She delights in his growth. And she does certainly keep direct him at greater evils, devils who really do need killing. And if she spies on his every waking moment, well, she worries. If she sends him after the occasional innocent, well, she had people who she has to answer to as well. She's a devil, how much can he fault her for her nature? She's always seemed like she knew where the line was...

Karlach (and the player) express their doubts, of course, but for act one at least he's defensive. Yes, she punished him and he hates it and its miserable but....he was in breach of contract! She's NEVER gone outside its bounds, she's always stuck very closely to their agreement. Wyll, who wants so badly to trust others and believe everyone has the chance for good, can't find it in him to believe the worst even of a devil.

And Mizora is FOND of Wyll, loves him even in her way. As a cherished pet, as a trusted tool, as a best-laid plan. Never enough to choose his own well-being over her own agenda, never enough to see him as his own person. He's her little project, the long shot noble brat she gambled on when Tiamat decided to get too big for her britches. And it paid off! Wyll always pays off, currying her all the favor from Zariel she so desperately craves. And who are you, or anyone, to come between them? She's treated him well. As she's quick to remind him, she wanted him when no one else did, aided him while the rest of his city slept snug in their beds. And if Ulder Ravengard didn't want a son with a whiff of infernal, then do you REALLY think he'd want you with lovely horns and Avernus in your blood?

You discover his father's been taken. Beyond igniting a lot of old feelings, it brings up a question of succession. Of course, Florrick isnt giving up on him, but if not...there aren't currently any likely candidates to take over the Flaming Fists. Not trustworthy ones. Florrick will take the position, but everyone knows in the back of his mind Ulder never really stopped planning for it to be Wyll. With the city in chaos and a cult army on the rise, they may need an answer sooner rather than later. Wyll feels the call of the Gate, but knows just as well that Mizora wouldn't want him to return in such an official capacity.

For the first time ever the leash starts to chafe in a way he can't keep pushing through.

Act 2 rolls around. Mizora sends up the Warlock signal. After potentially some encouragement from the player, Wyll (NOT THE PLAYER. I DONT KNOW WHY ITS THE PLAYER IN THE GAME ITS WEIRD) hesitantly proposes that maybe, if he does this....they can do a renegotiation of his contract. Not break it, he assures her quickly! Just....reopen the terms, take a looks at the agreement. Maybe discuss an exit ramp? After all....I mean, neither of us truly thought I'd be doing this forever, did we?

Based on Mizora's reaction. Yeah she did.

But fine. She agrees. And Wyll's not mad that it turns out you're rescuing her, not a nameless "operative" for Zariel. He would've done that on his own had she asked. Its the fact that she apparently didn't feel like being honest, that she let him fret and worry about potentially handing Zariel back some runaway for basically no reason. Its the fact that she came here to check in on the cult that abducted his FATHER just to see if Zariel could make any use of them. And its the fact that she seems surprised and annoyed that ANY of this bothers him.

All this builds, of course, to the final confrontation. The basic elements are the same. Mizora outside the coronation (this time needling at Wyll, "I'll be at camp if you're not too high and mighty to consort with the likes of me anymore"), Ulder tadpoled and fighting it. Mizora makes her offer. I can end the contract now, and you're free to go running after daddy (who won't want you btw! not like I do!). You'll lose all your powers, all my aid, all those juicy quests to chase down the greatest monsters in the hells. Take on your father's job and settle in for a life of misery and compromise and only doing as much good as the nobles will let you. Or: pledge yourself to me, eternally. I'll give you a boatload of new powers and eternal life to boot, so long as you serve as my sword and shield.

From there I think three endings branch out, and with it three classes for Wyll. If he stays with Mizora, accepts a relationship where he will never be an equal or a free agent in exchange for the affirmation he wants so badly from his father, he remains a Warlock, with some juiced stats and extra spell slots, along with shiny new gear. If he pledges to follow in his father's footsteps, he instead becomes an Oath of Devotion paladin, pledging himself in service to Tyr, if with a sense of doomed finality. The Blade of Frontiers is officially retired, and along with it any identity he has outside of being his father's son. Or the third path, break the contract without taking his father's role. He will look for his father, yes, but whether or not you find him he's going back to his roots, travelling around to do some good in the world (as the Blade of Frontiers) or kicking ass in the Hells with Karlach (as the Blade of Avernus). In this timeline he becomes a fighter, with a default preference for Eldritch Knight.

What's important: if he breaks his contract then Mizora is NOT hanging around camp. She will leave in a fury, accidentally bound by her own word to withdraw her influence completely if he breaks his contract. She may still approach the player some night to sleep with the player, framed for high approval/romanced players and her trying to take something back from Wyll. But Wyll will have to learn how to define himself without her breathing down his neck, without keeping her happy dominating his every thought. Its nervewracking, and even lonesome at times...but its freedom. And, perhaps, that's worth a little bit of lonesomeness.

#long post #again i want to be clear because i think wyll fans are a little understandably defensive of him #this is not about wanting wyll to be a bad person #its about wanting him to have an arc that parallels the rest of the companions #and be more firmly centered on HIS feelings and choices #ive done my best to preserve wylls canon temperament here #just give the circumstances more teeeth #bg3 #baldurs gate 3 #wyll ravengard #mizora #ulder ravengard

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byoldervine · 10 months ago

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Writing Tips - Beating Perfectionism

1. Recognising writing perfectionism. It’s not usually as literal as “This isn’t 100% perfect and so it is the worst thing ever”, in my experience it usually sneaks up more subtly. Things like where you should probably be continuing on but if you don’t figure out how to word this paragraph better it’s just going to bug you the whole time, or where you’re growing demotivated because you don’t know how to describe the scene 100% exactly as you can imagine it in your head, or things along those lines where your desire to be exact can get in the way of progression. In isolated scenarios this is natural, but if it’s regularly and notably impacting your progress then there’s a more pressing issue

2. Write now, edit later. Easier said than done, which always infuriated me until I worked out how it translates into practice; you need to recognise what the purpose of this stage of the writing process is and when editing will hinder you more than help you. Anything up to and including your first draft is purely done for structural and creative purposes, and trying to impose perfection on a creative process will naturally stifle said creativity. Creativity demands the freedom of imperfection

3. Perfection is stagnant. We all know that we have to give our characters flaws and challenges to overcome since, otherwise, there’s no room for growth or conflict or plot, and it ends up being boring and predictable at best - and it’s just the same as your writing. Say you wrote the absolute perfect book; the perfect plot, the perfect characters, the perfect arcs, the perfect ending, etc etc. It’s an overnight bestseller and you’re discussed as a literary great for all time. Everyone, even those outside of your target demographic, call it the perfect book. Not only would that first require you to turn the perfect book into something objective, which is impossible, but it would also mean that you would either never write again, because you can never do better than your perfect book, or you’ll always write the exact same thing in the exact same way to ensure constant perfection. It’s repetitive, it’s boring, and all in all it’s just fearful behaviour meant to protect you from criticism that you aren’t used to, rather than allowing yourself to get acclimated to less than purely positive feedback

4. Faulty comparisons. Comparing your writing to that of a published author’s is great from an analytical perspective, but it can easily just become a case of “Their work is so much better, mine sucks, I’ll never be as good as them or as good as any ‘real’ writer”. You need to remember that you’re comparing a completely finished draft, which likely underwent at least three major edits and could have even had upwards of ten, to wherever it is you’re at. A surprising number of people compare their *first* draft to a finished product, which is insanity when you think of it that way; it seems so obvious from this perspective why your first attempt isn’t as good as their tenth. You also end up comparing your ability to describe the images in your head to their ability to craft a new image in your head; I guarantee you that the image the author came up with isn’t the one their readers have, and they’re kicking themselves for not being able to get it exactly as they themselves imagine it. Only the author knows what image they’re working off of; the readers don’t, and they can imagine their own variation which is just as amazing

5. Up close and too personal. Expanding on the last point, just in general it’s harder to describe something in coherent words than it is to process it when someone else prompts you to do so. You end up frustrated and going over it a gazillion times, even to the point where words don’t even look like words anymore. You’ve got this perfect vision of how the whole story is supposed to go, and when you very understandably can’t flawlessly translate every single minute detail to your satisfaction, it’s demotivating. You’re emotionally attached to this perfect version that can’t ever be fully articulated through any other medium. But on the other hand, when consuming other media that you didn’t have a hand in creating, you’re viewing it with perfectly fresh eyes; you have no ‘perfect ideal’ of how everything is supposed to look and feel and be, so the images the final product conjures up become that idealised version - its no wonder why it always feels like every writer except you can pull off their visions when your writing is the only one you have such rigorous preconceived notions of

6. That’s entertainment. Of course writing can be stressful and draining and frustrating and all other sorts of nasty things, but if overall you can’t say that you ultimately enjoy it, you’re not writing for the right reasons. You’ll never take true pride in your work if it only brings you misery. Take a step back, figure out what you can do to make things more fun for you - or at least less like a chore - and work from there

7. Write for yourself. One of the things that most gets to me when writing is “If this was found and read by someone I know, how would that feel?”, which has lead me on multiple occasions to backtrack and try to be less cringe or less weird or less preachy or whatever else. It’s harder to share your work with people you know whose opinions you care about and whose impressions of you have the potential of shifting based on this - sharing it to strangers whose opinions ultimately don’t matter and who you’ll never have to interact with again is somehow a lot less scary because their judgements won’t stick. But allowing the imaginary opinions of others to dictate not even your finished project, but your unmoderated creative process in general? Nobody is going to see this without your say so; this is not the time to be fussing over how others may perceive your writing. The only opinion that matters at this stage is your own

8. Redirection. Instead of focusing on quality, focusing on quantity has helped me to improve my perfectionism issues; it doesn’t matter if I write twenty paragraphs of complete BS so long as I’ve written twenty paragraphs or something that may or may not be useful later. I can still let myself feel accomplished regardless of quality, and if I later have to throw out whole chapters, so be it

9. That’s a problem for future me. A lot of people have no idea how to edit, or what to look for when they do so, so having a clear idea of what you want to edit by the time the editing session comes around is gonna be a game-changer once you’re supposed to be editing. Save the clear work for when you’re allocating time for it and you’ll have a much easier and more focused start to the editing process. It’ll be more motivating than staring blankly at the intimidating word count, at least

10. The application of applications. If all else fails and you’re still going back to edit what you’ve just wrote in some struggle for the perfect writing, there are apps and websites that you can use that physically prevent you from editing your work until you’re done with it. If nothing else, maybe it can help train you away from major edits as you go

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venxomi · 17 days ago

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Jibaku Shounen Hanako-kun Chapter 122 Analysis - Humanization, Determination & Growth

This chapter may have been short, but it is a very important and well written, character-focused chapter that is integral for setting up future content.

It begins where we left off in 121. Nene finally reaches the school in desperation, with the expectations that her friends would be right behind her. But that doesn't happen. Nene realizes, just as we have, that she is now by herself.

This is the first time Nene is truly by herself. Up until now, she always had someone to rely on and support her, whether it was Hanako, Kou, Akane or Teru. But not anymore. Realizing she's all alone, she still calls for Hanako in her mind, the one who would provide her safety and comfort. But he isn't there. No one is. They're dead. As a result, she feels despaired and powerless.

When she meets Tsuchigomori, multiple contrasts and similarities occur, both paralleling Amane/Hanako. Specifically, parallels with Amane in chapter 14, and parallels with Hanako in chapter 111.

The one who lost hope, and the one who regained it

Her traumatic experiences caught up to her, and she can't speak up on them, a completely normal and valid reaction. Though Tsuchigomori of the original timeline offered her to talk to him when she needs to, Tsuchigomori of the new timeline doesn't know her.

Both the original timeline's 1969 Amane and Nene are isolated and despaired, without anyone to confide in or support them. They're put in the same position. However, this is where the differences start.

Tsuchigomori knows everything about Amane, as he is his homeroom teacher and has also read his book. However, he had only pretended to show concern and not a single word of comfort. He only tried to pry into his problems, which didn't have any results. This being likely the last conversation he had with Amane before he ended his own life, which filled Tsuchigomori with regrets over not being able to help him. He did not know how to comfort others, only to show worry.

New timeline Tsuchigomori is different. He doesn't know Nene at all, tried asking her once, but once she saw that she cannot speak up about her experiences, he did not attempt to pry, but provided comfort instead.

This is later revealed to be Amane's influence on Tsuchigomori. When Nene asked him for a morale boost, he performed what Amane had done to cheer up his own students. Comfort is brought through small actions, whether it's through listening, brewing hot chocolate or making them smile with a couple of tricks. It's about being there for them. In a way, Amane succeeded in being a comfort for Nene, even if he wasn't physically there for her.

Would have a few words of comfort changed Amane's path? Who knows. But Amane and Nene are quite the opposite. Amane is someone who is very quick to accept reality and adapt to it, no matter how bleak it is. It's why he thought that, after the Severance, Nene would eventually forget about everything and live her life. He thought that, like him, she would accept reality and move on.

But Nene is not like that. She doesn't want to settle for happiness built on other people's suffering and sacrifices... Because that isn't true happiness. That is not the kind of world she wants to live in. It's one of the things Hanako loves about her, because she's different from him, able to take paths he could've never taken.

So, while Amane made up his mind to "not go anywhere" and gave up on trying, taking his own life, Nene gathered her strength to save everyone from this bleak, miserable present. It's something only Nene is capable of because of her formidable inner strength. The strength to go through the bleakest of moments, to stand up against great difficulties and to retain her kind, selfless self. She is a special, irreplaceable character. She knows her road will be lonesome and incredibly tough, but she gathered the courage and determination to tread it anyway.

Dissociation, Acceptance and Humanization

After her horrible experiences in the Red House, Nene found it hard to admit the Hanako she knows and loves is the same person of the Yugi Amane who murdered all of her friends and several other innocent people. Even if Hanako also did bad things, they were always backed up by his intense love and dedication to Nene. The Hanako she knows may not be innocent, but his love and kindness were always genuine.

This holds true the same to Hanako in chapter 111. He found it hard to believe that Tsukasa, the brother he loved so much, would be capable of such horrifying actions. It's easier to convince yourself into thinking that they're separate entities, that it's just a horrible being masquerading as the person you love.

But Nene soon learns that separating the Hanako she knows from the new timeline iteration of Amane isn't the answer. Because, no matter what one might think, they are still the same person.

Yugi Amane, before his death, was the same caring, understanding and kind person she knew Hanako she loved to be. Learning magic tricks just to make his students smile, letting them freely hang out in the science prep room and listening to them when they have something to take off their heart while offering them a seat and a cup of coffee. He was human.

She knows that Hanako needs to be saved. Yugi Amane needs to be saved from being caught in the Red House's clutches and stripped of all of his love and kindness, leaving him to be nothing but a curse that only exists to kill for "It". This is also visible in the cover page- Yugi Amane isn't represented by the red camellias Hanako is represented by, symbols of his passionate love and dedication. He isn't represented by any flower whatsoever, replaced by the tentacles he uses to kill instead.

Tsukasa is somewhat in the same position in the original timeline. Tsukasa is still the Tsukasa Hanako holds so dear, only possessed by "It", sort of like a parasite. Will Hanako eventually learn from Nene and see the truth aswell?

Her selfless personality shines once again, putting herself through a treacherous path just to save everyone. A path she will walk by herself from now on. Hanako is the one who saved her so many times up until now, but this time, she will be the one who will bring him the salvation he needs.

Conclusions

With this chapter, we're heading into the 2nd half of this arc, or another arc, depending on how you look at it. Nene doesn't know what to change exactly and she knows that, so she will likely keep turning back time until she finds what went wrong. It will be an arduous, long and painful road, but her inner strength will overcome every difficulty. I have faith in Nene.

She may not be strong physically, but no matter what anyone says, no matter how many times she has to fall, she's undefeatable. Until her last breath, she will keep standing and fighting for what she loves. That is Yashiro Nene, the protagonist of Jibaku Shounen Hanako-kun and the true most powerful character in the series.

#jibaku shounen hanako kun chapter 122 #tbhk #tbhk122 #jshk122 #toilet bound hanako kun #jibaku shounen hanako kun #tbhk 122 #jshk 122 #toilet bound hanako kun chapter 122 #yashiro nene #nene yashiro #tsuchigomori #amane yugi #yugi amane #hanako kun #hanako

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piratecaptainscaptainpirates · 9 months ago

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Okay, so, there's one thing that I'm kind of tired of beating around the bush with white fans about, and it's this: if you pretend to "ignore" race in OFMD, you will miss a lot of what the story is trying to tell you.

Now, I do not truly believe that race is something you can ignore in a story. I just don't think it's possible, and when you try, what you wind up with is something like the conservative worldview of "not seeing color." Trying to ignore race will make you sound racist and ignore important racialized themes.

You can't understand Stede's need for character growth at the beginning of the show if you just focus on how he's "cringe" instead. When Stede makes his crew members of color serve them at dinner when the English board, this is gross, and their faces tell us exactly how they feel about it. Stede unlearning his biases here isn't subtle (guy who called him and Pete "fucking racists" I love you forever), and learning to take all of his crew members seriously as fully actualized people, moving away from the sort of Kindergarten-teacher behavior at the start to truly valuing them as people and taking their input and suggestions, it's an important aspect. Stede asking Abshir for intel at the party isn't just funny, it's also proof he's learned to see value in people in positions like Abshir's.

You can't understand the motivations behind Ed's actions, especially the violent ones, if you ignore the racist overtones. Ed is not a randomly violent person - he gets angry at a captain for calling him a "rich donkey," and if you think it's unreasonable for a brown man to want to get revenge on a white man for calling him that? Then fuck I'm glad you can't see the conversations I have with my other black friends, man. Ed's anger and frustration at the party aren't just because he fucked up with some spoons, lol, you can't get it unless you realize he's the only brown guest in that room. Yeah, he's ignoring Stede's advice, but he's immediately under a pressure Stede never has been. Ed's wanted posters in s2, too, rely on heavily caricaturizing Jewish features to make him look grotesque and monstruous. We're supposed to be horrified by that aspect.

And, yeah, when we ignore the racist tones to Izzy's behavior, I think that's undermining an important aspect of who he is as an antagonistic character. Him buying Ed from the English should feel like a gross violation, because it is. When he sits in front of the crew eating and making Fang and Ivan serve him, I think it's a pretty obvious parallel to how the crew members of color were similarly insulted in the pilot. It's impossible to ignore race in the way he dehumanizes Ed and tries to force him back into a caricature of behavior he hates and is horrified by - when he calls Ed a "wild dog" in s2, if that doesn't cause a visceral reaction of disgust in you, I dunno what to tell you. This doesn't mean that Izzy is irredeemable - just as Stede wasn't - but it does mean that racist biases are things Izzy had to unlearn.

OFMD so often takes so much care with how its characters of color are depicted. We get thoughtful, relatable moments (those French boat people getting humiliated and setting their boat on fire after they'd tried to touch Ed's beard is so satisfying, guys) and excellent, supportive friendships between men of color. The characters of color on OFMD are clean, smart, respected, and it's wonderful. And just because these things aren't always relatable to you specifically doesn't mean they're not important parts of the story.

#ofmd #our flag means death

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bekolxeram · 5 months ago

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I'm usually very block happy, but sometimes a couple of hot takes from the opposite side of the fandom manage to slip through. I'm no saint, I admit I do get quite worked up at first, but after some time, I realize they give me new perspectives to scenes I've watched countless times and discover things I didn't pick up before. So this one is for all of you, staunch Tommy haters, thank you for enriching my viewing experience.

In 7x04, when Tommy goes to Buck's loft to talk things out, this line gives some people the ick, because it echoes what Taylor said in 5x05. In that episode, Buck thought his team was off because they blamed him for Chimney leaving. He talked to Taylor about it, she shared her own experience with her boss being sulky around her, and it turned out her boss was just in a lot of physical pain, she ended the conversation with "maybe not everything is about you". While what she said was absolutely right, and she made an effort to make Buck feel appreciated at the end of the episode, but I can also see Buck not feeling supported emotionally at the time the conversation occurred. In a fashion true to her profession, Taylor delivered it in a very blunt, direct and advisory way. Her being right did not cancel out Buck feeling insecure about everyone acting weird around him and him not knowing why.

What Tommy says here though, is in a a completely different context.

Before all of this, Tommy has already reassured Buck that he's not trying to replace him, that his place in Eddie and Christopher's life is irreplaceable.

Look at Buck's smile, he's apparently in a better mood than before. It's like a weight has been lifted off his shoulders.

So going in this next part, Buck is more receptive to what he frankly needs to hear: Eddie isn't hanging out with Tommy because Buck did something wrong, he just enjoys Tommy's company.

We've witnessed Buck's growth over 7 seasons, now he can recognize that getting jealous easily is one of his character flaws, he tends to overthink and make other's action personal when he's feeling insecure in a relationship. He's telling Tommy this probably to signal that he understands he messed up and he understands what he did wrong. He never expected Tommy to validate his feelings.

But Tommy does empathize with his predicament.

Buck doesn't understand what Tommy, the cool, confident (and hot) pilot would be jealous over. And he almost can't believe Tommy gets what he's been feeling.

Tommy tells Buck that he's envious of the ride-or-die familial bonds within the 118 nowadays, as if he didn't also put his career and life in danger just to save Athena and Bobby (probably Hen's career as well), after one phone call from Chimney.

Now it's Buck's turn to reassure Tommy.

Another hot take I've seen from the other side goes like "if Tommy was nicer to Hen and Chimney back in the days, he wouldn't have to be jealous over what the 118 has now". You know what? Judging by Tommy's face here, he probably would agree. This is not the face of a man who is proud of what he did. This is the face of a man who is burdened by guilt and regret, this is a man haunted by his past, this is a man who doesn't think he deserves the praise.

Buck even cites fake mouth static as an example of Tommy's effort in aiding the 118's clandestine rescue mission, and they naturally fall into a flirty dynamic. I have no explanation for that, except, your honor, this is exhibit A against the "no chemistry" allegation.

Buck then spells it all out for Tommy that he also put everything on the line just for the 118, without hesitation. Tommy looks like he still has a hard time accepting it as an act worthy of redemption for his past behavior.

We've all made mistakes, and we all know we can't go back to the past and change what we did, so the best way forward is to change ourselves and be better. Judging by Tommy's "and [Gerrard] didn't make me a better person" line in 7x10, he quite possibly reflected on this a lot. Yet, sometimes you still can't help but doubt yourself over if you've learned enough from your past, if you're a good enough person now. I can't imagine how good it feels hearing Buck say out loud that he actually likes the person Tommy is now.

Apparently Buck likes Tommy so much that he came up with excuses just to hang out with him and get to know him.

Tommy is pleasantly surprised, because he did tell Buck to call him when he wants to go up. In fact, Buck can call him for whatever reason, Tommy accepted the Harbor tour request, there's nothing indicating that he would feel weird just hanging out with Buck. Tommy just doesn't know how much of a overthinker and bi disaster Buck truly is yet, but that's the story for another time.

Buck and Tommy really don't know much, if anything, about each other at this stage, as you can see in 7x05, but they're already validating each other's feelings. We've seen Buck get his feelings ignored, hurt, dismissed and kind of fetishized for 6 seasons, now this is something he's been looking for the whole time, for someone to understand what he's going through. At the same time, this interaction must also be quite freeing for Tommy, who's been haunted by demons from his own past.

#bucktommy #tommy kinard #evan buckley #tevan #kinley #911 abc #scene breakdown #scene analysis

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lennythereviewer · 2 months ago

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Theory: Jax is NOT a self-aware NPC nor is he actually trapped in the circus: He's a hacker who can leave at any time.

Even what little we got in terms of Jax content in episode 3 has been reinforcing a belief I've had for awhile, and in fact Jax's brief standout moment in ep 3 added a new wrinkle to my thought: That he's not some NPC who gained sentience and slipped in with the humans, he's actually a hacker who backdoored his way into the Digital Circus, and he's not trapped there.

Jax seems to have an affinity for keys and getting into places he shouldn't belong. Twice now he's done this thing of spinning a key on his finger while boasting about it. He mentions in episode 1 that "I got keys to everywhere" and in episode 2 he swiped the key to the kingdom from Ragatha, and the candy monster calls him a "Master of Unlocking Things" which I think could be genuinely some subtle foreshadowing. A hacker would potentially be able to do something like clip out of bounds, find security keys, crack passwords, and so on and so forth. All he's done with this however is seemingly just pull pranks and leave things in peoples rooms; he's a troll.

We've all speculated about the mysterious pin-back covers: The official pin merch line showing everyone's rooms except for Jaxs, which only shows his door and peeks of The Void tearing through the wall. We're not privvy to what's in Jaxs room if he even has one at all. His room door might actually be his own sort of exit door since he's not trapped. For him it's like loading into a VRChat server and he can log off any time he wants, he's just always sure to be there when everyone else is active so no one notices.

A small stupid thing but, "Jax" is not too far off from "Hax"

Okay, so if Jax is a hacker who can come and go as he pleases, a question is why? Why does he keep coming back to torment everyone around him? His brief gag in Episode 3 I think filled in the blanks for that: He's not just a hacker, he's a streamer and he's broadcasting everything that's happening in the Digital Circus to a watching audience.

He's the one character who has consistently broken the fourth wall in all three episodes so far, the first two episodes were him mugging to the camera and giving comical shrugs and knowing glances to the viewer, but in this episode he outright addresses the audience while seemingly talking to no one to the POV of the other circus members. He's acknowledging his chat. Plus in merch promotion Jax has openly acknowledged his IRL popularity, another form of fourth-wall-breaking.

This may also explain his overall behavior; the reason he's always causing problems on purpose or forcing the group to go on the most dangerous path or take the most 'exciting' option in their adventures: It makes for a good show. Audiences don't want some stupid silly candyland fantasy! They want car chases and explosions! They want to see what wacky things happen to the other circus members! The show must go on! Jax is chasing content, and when he can't get that content it upsets him like the end of Episode 2. Maybe that ties into his self-worth, maybe he needs that sort of validation from his chat and audience.

This angle also adds a bit of a meta angle to the entire series: We the viewer also tune in to watch our favorite circus buddies suffer through whatever zany adventure Caine cooked up. Are we any better than Jax's livestream audience who tune in to see how they're tormented by Caine this week? Heck maybe in-universe we're the audience Jax is playing to! We too want to see them sweat and suffer to get that sweet character growth so are we part of the problem?

Time will tell whether this comes to pass and whether or not I'm overthinking this, but I've had this thought for awhile and only after this episode did the livestreamer angle come to mind.

#Had this sitting in drafts for awhile #but with the new episode coming out I figured I should drop it #Jax #TADC #The Amazing Digital Circus #TADC theory #Pomni #Ragatha #Gangle #Zooble #Kinger #Caine #tadc caine #theory #Streamer Jax

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luv4fushi · 1 year ago

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omfg i litr read everything uve written off ur masterlist I NEED MOREEEE. i love the way u write megumi especially, i couldn’t get enough of it. i hope you write more of him, my heart aches for more tbh 🥹 tysm for being such a good writer and feeding us starved readers well

tysm! i'm sooo glad i can be a good source of megumi content for you >_< i looove writing megumi so you'll be seeing sooo much more of him, dw! happy holidays!

this december

jjk fushiguro megumi x fem!reader

it’s always colder on your own, especially around this time of year. you should be at home, bundled up with a warm cup of hot chocolate, but here you are in shinjuku, exorcizing curses with your ex boyfriend two weeks after your breakup with him. great.

content: post break up, aged up megumi (19/20), megumi is terrible at feelings, getting back together, fluff if you squint, a bit of angst, miscommunication, one bed (but it isn’t the main plot point sorry), megumi calls you baby like once, gojo is the best wingman, SHIBUYA ARC NEVER HAPPENED AND LIFE IS GOOD, not proofread im very sorry guys pls forgive me, kinda a word dump sry

word count: 5.8k (sigh this was supposed to be 2k words max)

click on my masterlist for more & merry christmas to those who celebrate!

it’s december 19th when satoru gojo tells you that he has a mission just for you. you’re less than ecstatic about it to say the least. the last thing you want to do is be sent to your death just shy of christmas day. you just want to rest your sore muscles and bask in the presence of your best friends. you’re not in the mood to kill any curses, mainly because you’ve just recovered from a previous mission.

“why me?” you groan.

gone are the days where you used to be a goody two shoes for satoru. you’re old enough to talk back now, not like when you had been a shy fifteen-year-old girl. besides, you’ve been around the silver-haired sorcerer long enough to know that he doesn’t mind the bite.

“sorry, kid,” satoru says with a shrug. at least he sounds genuine about it. “the higher ups requested for you specifically. they say you’ll get the job done in the cleanest way. we can’t have things getting messy before the holidays, right?”

“and you wouldn’t be the best choice?” you quip.

satoru only laughs. he ruffles your hair. even with your growth spurt and merciless training, he still towers over you. in a way, he’ll always be your mentor. “hey, i’m going out of town that weekend. give me a break.”

you huff petulantly. something about this mission seems fishy to you. you’re not nearly the strongest sorcerer out of the bunch of kids under satoru’s wings (not that you guys are kids anymore, but sometimes it’s hard to feel otherwise). hell, there’s the kyoto students. it feels like they never have to do anything. you wish that you were rebellious enough to chew utahime out for it.

“why couldn’t they just make yuta or megumi go?” you mutter under your breath. you stammer out megumi’s name and hope satoru doesn’t catch on to the way you can barely say it.

satoru knows about the breakup. why wouldn’t he? he’s basically megumi’s dad, even if the raven haired boy refuses to admit it. satoru’s six eyes mean you can’t hide anything from him (he’d been the first to know that megumi was head over heels for you).

satoru raises a brow. “oh, right. megumi’s coming along too.”

your face twists and you immediately whip around to glare at him. “you’re lying.”

“i wish,” he jokes. “i was really hoping i’d get a wedding invitation one day, you little rascal. i can’t believe you two broke up. maybe this’ll be a good thing!”

“i appreciate your honesty, but—”

“but megumi’s an emotionally constipated kid, yeah, that i know,” satoru laughs. he makes his way to the exit of his office which has you furrowing your brows. is your former teacher actually gonna just leave after making you come all the way here? how rude and so very in character of him.

“please, gojo,” you call out after him, “i don’t wanna go with him.”

“sucks for you,” satoru responds halfheartedly. “merry christmas. try not to take more than a week on this. you’ll have to pay the rest of the fee for accommodations if you do.”

“gojo!” you whine.

“it’s not a hard mission!” satoru insists like it’ll make your life any easier. “y’know, this time of year is when things get ugly. think of it as saving as many people as you can while putting in the least amount of effort!”

and then he teleports. your former teacher teleports away rather than being normal and walking out of the door. you roll your eyes and hope that he can sense it (you know he can’t).

so that’s why you’re here now. with your ex. on the elevator to your assigned room on the tenth floor. you’re so glad that it’s a normal hotel and not a love hotel. lord knows what you’d do if you had checked into a love hotel.

megumi hasn’t spoken a word to you since he broke up with you two weeks ago. it had been in the doorway to your apartment a few days after a particularly rough mission assigned to the both of you—the one you’re still recovering from. he’d pulled you in for a hug, whispering sweet words into your ear. he gave you a look, one of those looks that made him soften his usually sharp eyes.

“i think we should break up.”

and then came the pathetic whimper of yours. he had wiped your tears, even kissed them tenderly, before telling you that it wasn’t your fault—it was his. how cliche.

now as you stand next to him, you want to beat yourself up for not asking for closure. neither of you had explicitly stated that you two were going to be no-contact, but it hurts a lot less to push the idea of forever with megumi away to the back of your mind. besides, you two aren’t confrontational like that. not with each other, anyway.

“need help?” his tone is soft, tender—the tone he reserves specifically for you, the one that tells you he still cares.

you stare down at the luggage at your feet. you’ve always been a chronic overpacker, a habit that megumi knows of by now. he watches you curiously, hands itching at his sides. you can tell that he wants to reach out and grab your suitcase like he always does. he thinks he isn’t obvious, but you can always read through the lines, especially when it’s megumi.

“i’m okay,” you croak out, clearing your throat awkwardly.

the elevator dings and you make your way to your room. as much as you hate to admit it, you’re sort of glad that you and your ex boyfriend are sharing a room. perhaps his’ll be a good way to get closure, though you’re not really sure what closure entails.

what you don’t expect is to unlock the door and be met with a singular bed.

if satoru gojo didn’t have a layer of infinity coating his body (and if he wasn’t the strongest sorcerer alive), you would’ve wrung out his neck.

megumi simply walks into the room, setting his duffel bag down on one of the dressers opposite from the foot of the bed. he doesn’t comment on the lack of double beds, seemingly already aware of the set up.all he does is puff out a weary sigh. you suck in a breath and follow him inside, slipping your shoes off at the entrance.

you lug your suitcase in after you along with your duffel bag and backpack. you stumble forward and megumi’s arm snakes around your waist, steadying you.

“careful,” he mutters, nonchalantly taking your bag off our your shoulders.

it’s a quick series of movements; he swings your bag over his shoulders and places it on the dresser next to the one he’s claimed while guiding you softly to the side of the bed so that you’re not standing in the middle of the doorway.

you scrunch your face, feeling your heart thump against your ribcage. it’s stupid how he still has such a hold on you, even after two weeks of not seeing or talking to him. he’s just so caring, so gentle. it stings, like little the little cuts you get when fighting curses, when you realize that this is something you’ll have to learn how to lose.

“thanks,” you manage to mutter. you don’t trust yourself to say anything else. you know from the way your throat tightens that you’ll be crying soon if you force yourself to talk any more.

“i can take the couch,” megumi says.

it’s that easy with him; he’s a gentleman, so of course he’d take the couch. that’s the way megumi fushiguro is—he offers a solution before you even have the chance to complain. in your year and a half long relationship, that skill of his had been a saving grace.

“no, don’t bother,” you croak. “i’ll book another room.”

“really?” he asks. he stands up a little straighter, awkwardly reaching up to scratch the back of his neck. “i mean, i don’t mind sharing a room with you… we’ve..”

we’ve shared a room countless of times before.

megumi doesn’t have to continue his sentence for you to understand what he’s implying. you part your lips to speak, but nothing comes out except for a long, heavy sigh. your shoulders drop as you let the exhaustion seep into your bones. there’s no use arguing about it, not when you don't’ mind sharing a room with megumi, either.

“we’ve broken up,” you remind him in a quiet voice, like you’re afraid saying it out loud will make it truer than it already is.

megumi pauses. you see his adam’s apple bob as he swallows thickly. “i know that, but … it’ll be fine. we’ve shared a room as friends before.”

he’s right, like he usually is. you two have shared a room before as just friends, but that had been as teenagers—back when you both harbored such hardcore crushes on each other that you two somehow didn’t notice.

“right,” you find yourself agreeing with a small nod.

“you should go get ready for bed.” megumi begins grabbing a few or the decorative pillow off of the bed. he places them gingerly on the brown couch tucked in the corner of the hotel room. “we’ll be getting up pretty early to deal with the brunt of the mission.”

to finish this mission as quickly as possible, you think.

and so you oblige and head to the bathroom. it’s december 19th, just a few days shy of christmas day, and you’re in bed with your ex boyfriend on the couch just a few feet away.

december 20th greets you with megumi hovering over you. he peers down at you with his messy bangs covering his eyes. they’re piercingly blue as he blinks. his lashes flutter perfectly, even in the early morning. your eyes meet his and you jolt awake.

“good morning,” he says. “your alarm has been ringing for a bit now, so i turned it off.”

you blink rapidly, getting the tiredness out of your eyes. “oh.”

he chuckles softly, just enough for you to catch it with your ears. he rises from his crouched position and heads to the front door. he spares you a glance over his shoulder before he heads out, presumably giving you the privacy you need. you let out a strangled breath before you swing your legs over the bed and head to the bathroom.

by the time you’re finished putting on your uniform, you swing the door to your hotel room open and see megumi leaned up against the wall, tapping away on his phone. his dark blue eyes flicker up to you and he turns away to head down the hall.

you furrow your brows. you can’t help but think that he’s being a little cold to you. it isn’t like you initiated the breakup. despite your frustration with his behavior, you can sort of understand why he wouldn’t want to be sweet around you; you two aren’t dating anymore and so it makes sense that he’d go back to being aloof in your presence, the usual way he acts around everyone else. losing that position in his life makes your stomach churn for reasons you’re less than willing to uncover.

your mission is a vague one; all you know is that it’s a clean-up mission. rather than a level 1 curse (or even a special grade), the mission consists of an acclimation of weak curses surrounding shinjuku. these missions are normally given to younger, more inexperienced sorcerers with the help of a senior sorcerer, but for an odd reason, it’s been given to you and megumi this year. megumi could’ve probably handled it himself. actually, you could’ve handled it yourself.

you bite your tongue to hold back on your complaints as you walk just a step behind megumi. he pauses regularly, waiting for you to catch up to his side. you roll your eyes in secret. does he not realize that you don’t want to walk next to him?

“it’s all just bars,” you mutter.

with that, you earn a tiny laugh from megumi. “well, yeah. this is the red-light district of shinjuku.”

you pale. “this sucks.”

“why do you think i wanted to come out here in the morning rather than at night?” he says, his tone strangely light.

“to deal with the brunt of the mission,” you repeat his words from last night sarcastically. you’re unsure as to what he’s talking about, so you think that it’s okay to give him a little bit of attitude.

he raises his brow but doesn’t comment on your sarcasm. instead, he says softly, “no, stupid. it’s because this is the red-light district. it’s unsafe for anyone, especially a pretty, young girl alone at night.”

your first thought is to coo and tease him. you think i’m pretty? it takes you half a second to remember that you two are broken up. you scoff, “i’m perfectly capable of handling myself.”

“i never said you weren’t,” megumi shoots back. “it would just be annoying explaining to the higher ups why you were fighting people and not curses.”

“i’m sure they’d understand,” you retort, frowning. you cross your arms.

“don’t be so pouty,” he says in that stupid, gentle tone he uses with you when you’re acting bratty.

you both decide to split up. well, it’s more like you demand the two of you to split up. you say it under the pretense that it’ll get the job done faster. besides, you both want to be home before christmas day, right?

there’s about two curses you cross paths with every hour. you’re starting to lose your mind. shouldn’t the streets be infested with them? you don’t even need a veil! all you have to do is give the weak curses just one punch and they vaporize on the spot. your head is running with hundreds of thoughts.

that’s when it hits you: the first years at the tokyo jujutsu school did come out here a week prior! maybe they did a bad job? but you remember nobara had been the one to lead the group. she may half-ass almost everything in her life, but she wouldn’t jeopardize her underclassmen for the sake of her freetime.

so why on earth are you here? it’s not like there are enough harmful curses for a mission to be assigned to you right before christmas, and to you and megumi of all sorcerers. you’re both strong enough to the point of having some kind of importance in the jujutsu world. the higher ups wouldn’t send the two of you on some stupid mission for the sake of it unless they’re planning some sort of secret execution. but even then, satoru gojo should’ve known through their lies to not send you or megumi. unless…he wants you two dead…?

you shake your head and bite your nails. the sun begins to set and you realize that you’ve been out here for longer than you expected. you’re starting to feel a chill in your bones—you had argued petulantly with megumi earlier about not wanting to wear your jacket despite it being the dead of winter; “it’s gonna get in the way!”

you always seem to forget the the sun sets earlier in the winter. it’s stupid how bright all the lights are in shinjuku. there isn’t a square foot of anything that isn’t lit up with neon signs reading out the names of clubs and bars. you see couples and large groups of people walking along the streets.

it’s lonely, you realize. it would’ve been less lonely with megumi.

you make your way to the meeting spot with megumi. you both share a few small words before retiring for the night. megumi says he wants to go sightseeing, even though there’s really nothing much to see. he doesn’t return to the hotel room until late at night.

when he slips into the only bed that the room offers, you chalk it up to the slight alcohol you smell on his lips. it feels so natural that you don’t push him away even though you should. his body is warm and you fit so perfectly against his broad chest that you think it’ll be okay for you to be a little selfish tonight.

“g’night,” megumi mumbles in his sleep.

you smile and nuzzle closer.

it’s december 21st as you realize how late it is in the day. megumi is back on the couch. you feel a tinge of disappointment in the bottom of your stomach.

to no one’s surprise, the sun is barely peeking over the buildings when you’re finally back in the red-light district. you’re doing the last bit of cleanup, but there’s really nothing much for you to clean.

tomorrow, you’ll be heading to a shopping mall, so you suppose you should do your best to sniff out the rest of the curses littering the place unless you want to stay here an extra day. the day is, yet again, slow.

it’s nearing 8 PM and you're finally sure that you’ve gotten rid of all the curses in the general area. you’ve been done for quite a while now, but you just haven’t found the courage to let megumi know that you’re ready to go back to the hotel room. a little sightseeing on your end wouldn’t hurt, right?

“hi, pretty.” a gravelly voice, battered by cigarettes, whispers in your ear.

you jump in surprise. you need to remember not to get too far into your head. you should’ve felt his presence coming from a mile away. it’s a terrible habit and satoru has scolded you for years about it.

“hi,” you mutter, pushing past his larger frame.

the man isn’t as nicely built as the men you know (but then again, your friends are jujutsu sorcerers, so it’s kind of hard to beat that), but he still towers over you. he’s got a squad of rough-looking guys behind him, smirking down at you.

“why’s someone like you alone?” he says, shoving his arm to loop around your waist.

you roll your eyes, getting ready to punch the man square in the nose. will you get in trouble? probably yes. will it be a funny story to tell? also probably yes.

“don’t touch my wife.”

the group of men turn their heads along with you to see megumi. his expression is shrouded with a mixture of anger and frustration. you blink in confusion—megumi usually looks pretty pissed off, but this is the most angry you’ve seen him in a while. and ‘wife’? what’s up with that?

“oh, my bad,” the man chuckles. “didn’t know this pretty thing was married.”

“this ‘pretty thing’ wants you to let her go,” you say with an overly sweet smile. your teeth clench and you hiss, “right now.”

the guy scurries down the sidewalk with his buddies trailing along, making fun of him for hitting on a married woman. nobody mentions the lack of a ring on your finger. nobody mentions the lack of a relationship, either.

“wife?” you scowl. “we’re broken up.”

“guys tend to back up when they know a woman is married. it’s the only way you can really, uh, get them to go away around here.”

you glare at him. “and how would you know? you come here often with girls?”

“...no?” he blinks, unable to comprehend your sudden burst of jealousy. “i sometimes get missions around here, though. pretending to be married was the easiest way—”

“we aren’t, though. we’re not even in a relationship.” you seem to be throwing that into his face a lot more than you should. you can’t help it, though. you still feel a little bitter about not getting a real reason as to why megumi wanted to break up.

“i was trying to help you.” he’s calm and collected, as heard through his voice. he walks up to you and takes your freezing hand into his much warmer ones. “let’s go home.”

“i don’t want to,” you argue.

“stop being a brat,” he says, but there’s no bite to his words. “you’re cold and you’ve been out here all day. if i hadn’t stopped those guys, you probably would’ve beat them up pretty badly.”

“i’m not a fucking brat!” you try to retract your hand, but megumi’s grip only tightens.

“baby, stop,” the pet name rolls off his tongue with ease. megumi sighs softly and pulls you to his chest. “why are you so worked up, hm?”

from the way he speaks, you can tell that he already has an inkling. the breakup. cuddling last night. hugging you now. everything.

you don’t realize you’re crying until he gently wipes his thumb under your eye. he has the audacity to have an amused grin plastered on his stupidly pretty lips. your vision is blurry but if it hadn’t been, you would’ve thrown a punch.

“i’m sorry,” he whispers into your hair. “it’s all my fault.”

“it is,” you whimper pathetically. all the tears and the emotions you’ve been holding back bubble up to the surface.

“don’t be upset,” he almost pleads. “let’s go back, okay?”

the night ends with megumi on the couch. neither of you bring up the argument or the fact that he had slept in your bed with you last night. you two don’t talk about the usage of pet names, either.

when you open your eyes on december 22nd, you’re surprised to see that megumi has already headed out for the day. you click your tongue in annoyance—he’s always been good at avoiding his problems when it comes to dealing with them, especially problems involving his emotions. you already know where you’re supposed to be headed, so you suppose that it’s for the best that he’d left before you.

the shopping mall is a long line of vendors and stores among other things. the snow on the ground is fresh—it must’ve snowed late last night after you’d fallen asleep. it crunches underneath your beat-up sneakers with each step you take. you’re not shocked when you end up wandering aimlessly, dipping in and out of stores with no real urgency to finish your mission.

there’s nothing to do anyway.

you’ve killed about 3 curses total and it’s really starting to look like you’ve been sent out here for busy work. you really should’ve figured that out the first day of the mission when you had to practically beg the curses to come out and fight you.

you find yourself in the front of a jewelry store, eyeing a pretty bracelet that you know would look stunning around megumi’s wrist. it’s one of those bracelets that clasp tightly. there’s a thicker band in the center with pretty carvings that seem to resemble some sort of swirly heart. it’s pretty, you have to admit.

without much thought, you buy the gift.

the seller has to clear her throat to get your attention when you don’t answer her question. “um, would you like this to be wrapped?”

you nod absentmindedly. “oh, yes. sorry. please wrap it.”

she nods in return and proceeds to wrap the bracelet in a tiny box, adorning it with a festive bow. you ask her to change it out for a different color, explaining that it isn’t a christmas gift and instead, it’s for someone’s birthday. she offers you a warm smile before switching it with a muted blue ribbon.

you return to the hotel, having to take an expensive taxi. you don’t mind—the bracelet has already made a decent-sized dent in your wallet. why not spend an extra amount on getting home? it’s not like jujutsu sorcerers are paid poorly.

reality hits you when you finally get back to the hotel room. you want to punch yourself for being so stupid. did you really just buy a birthday present for your ex-boyfriend?

you’re thankful that megumi hasn’t arrived yet. he seems to be determined to avoid you for as long as he can. you can’t blame him, either. you did give him quite a hard time yesterday.

you toss the box on to the dresser and head to the bathroom to splash some much needed cold water on to your face. maybe that’ll wake you up enough to clear your mind. you’ve acted out once during this trip already and you’re not really looking forward to any other possible outbursts.

you rinse your face and pat yourself dry with one of the face towels provided to you by the hotel staff. you hang it over the rack again and tiredly make your way to your bed. you halt your movements when you see megumi standing by the dresser, admiring your gift.

he looks up at you in surprise with the smallest grin on his face. it’s so subtle that you would’ve missed it had you not been dating him for nearly two years.

“is this for me?”

“no,” you quickly deny. his face falls and you cough out, “um, i mean.. yeah. i-i didn’t… i… happy birthday.”

he brightens, lips pulling up into a real, genuine smile. “you remembered?”

“why wouldn’t i?” you blurt gently. you bite your inner cheek to stop yourself from saying anything more.

“i dunno.” his voice is distant and low, like he’s trying to hold back his tears. “i just…i didn’t think i was deserving of a gift from you. thank you. i like it.”

you stand awkwardly, shifting your weight onto your other foot. “yeah, well…”

“can you help me put it on?” he asks, sitting at the edge of your unmade bed.

you feel your body heat up. part of you screams for you to stop. you shouldn’t do that. it’s far too intimate and you two are broken up. you’ve never been good at making decisions, though, so you sit next to him and feel the mattress dip.

he gives you a grateful look, one that you willfully ignore, and gives you his wrist. you clasp the bracelet on, fingertips just barely grazing his skin. your heart skips a beat and you have to inhale sharply before pulling away.

“thank you,” he whispers.

december 23rd is a sore reminder that life goes on. you had half-expected something to spark between you and megumi. perhaps he’d beg for you back, or maybe with less wishful thinking, he’d give you his real reason as to why he doesn’t want you anymore.

“i don’t think we need to go anymore,” megumi says when you come out of the bathroom after freshening up.

“huh? why not?”

“there’s nothing out there.” megumi’s voice is flat.

“i know, but we’ll get in trouble if we…”

“gojo probably sent us out here for fun.”

your lips part. megumi turns to you with a slight frown.

“don’t you think so too?” he asks, but you know it isn’t a question he’s looking to find an answer to. “why would the higher-ups assign a mission like this to a special grade sorcerer and a grade 1 sorcerer? if they needed that much manpower, this mission would’ve been deadlier. instead, we’re playing cleanup crew.”

“yeah, but..” you trail off, unable to think of a statement to refute his words. “if we go back now, we’ll get chewed out.”

“it’s just a scolding. you’ll be fine.” megumi stands up and stretches his arms.

you watch him cautiously as he begins to fold his clothes and throw them into his duffel bag. he doesn’t say anything else, letting the silence overtake the room.

“...are we leaving, then?” you ask meekly, not bothering to hide the slight quiver in your voice.

he pauses slightly. “do you want to stay here until christmas? this mission is stupid and you know it. there’s no point.”

why is his tone so cold all of the sudden? it’s as if you two hadn’t shared a moment last night before bed. does your gift not mean anything to him now that he’s cleared his mind with a good rest?

your eyes flicker to his wrist. the gold glimmers underneath the light and you realize that megumi doesn’t seem to hate wearing it. so why is he acting so … unpleasant?

you feel a lump in your throat. it’s embarrassing how quickly he’s able to upset you from just the tone of his voice. even his body language, usually fluid and smooth, is rigid with your presence. you want to tell him that you’ve enjoyed your time with him. you want to shake his shoulders and tell him that if you two cut your mission short, you might not get another chance to be near him again.

“do you still care about me?” you whisper instead.

he stills completely. “what?”

“this entire time,” you begin shakily, “you’ve been nice to me. you treat me like you always do. you’re always hovering over me even though you pretend you aren’t! you obviously still care, megumi.”

his adam's apple bobs as swallows. a beat of silence. then two. then three.

“i do care,” he admits sorely.

“then why did you break up with me?” you blurt. there it is, the question you’ve been meaning to ask. you both had seen it coming.

“because…” megumi winces as if he’s the one getting hurt from the ordeal. “because you deserve someone that’s normal. someone that isn’t a sorcerer. i can’t give you that life.”

you feel your chest swarm with anger. why does he always think he needs to sabotage himself to make others happy? this is something you’ve tried working with him on, but it seems like old habits are hard to kill off, just like your habit of loving him.

“why the hell would you decide that for me? when did i ever say i wanted a normal life?” you snap. your hands clench at your sides.

“it’s too early for this,” he says, his voice straining as he finally musters up the strength to look at you in your eyes.

“tell me, megumi. if that’s the real reason, then that is the most pathetic excuse for a breakup i've ever heard.” your voice cracks and you gulp down the oncoming sob that’s threatening to explode from your throat.

he inhales slowly and makes his way to you, holding you close against his chest. you should push him away, but you would rather let him hug you. you know that you can’t fight him, anyway.

“you…once said you wanted a regular relationship. when you got hurt a few weeks ago, i realized i couldn’t be that for you,” he confesses lowly. “i knew that you’d never find it in yourself to leave, so i figured i should just let you go for your sa–”

“are you kidding me?” you shout incredulously. “i said that when i was fifteen, megumi! before i even knew what being in love was like!”

he flinches against you. “but i…”

“you and your damn savior complex! i don’t need to be in a regular, normal relationship! i don’t need any of that, megumi! i’m a sorcerer, I won't ever get to be normal! in fact, it’s even better that i’m with you because you at least know what this life is like, you idiot! you’re always ruining the good things in your life because you—”

he takes his fingers to grab your chin and he pulls you in for a kiss. if the kiss is a ploy to shut you up, you hate to admit that it’s working. his tongue slips into your mouth and you melt against him. your arms loop around his neck as you desperately drag him down closer to your body. his hand grip your waist while the other clings to the small of your back.

you whimper out of instinct and he pulls away, lips bruised and breathless. it’s been so long since you’ve tasted him and you frown, tiptoeing to capture his lips again. you need to savor him, to feel him lips against yours again.

“baby, wait.” his chest heaves as he looks down at you. “don’t…don’t do this to me.”

“do what?” you ask, an edge to your voice. did he just reject you? even after all that?

“w-we gotta report back to—”

“we’re supposed to leave tomorrow,” you interrupt.

the gears shift in his head. “fine, but—”

“i’m still really fucking mad, but i just need you to kiss me right now,” you whine impatiently.

all megumi does is laugh when he swoops down to press his lips against yours.

it’s december 24th when you two find yourselves in satoru’s office. steam is practically rising from your ears as you try to compose yourself in front of your former teacher.

“... i wanted a wedding invitation.” satoru shrugs.

“you set us up!” you whine angrily. “gojo, are you serious?! isn’t this a little immature?”

megumi stays silent, averting his gaze. he suddenly finds the succulents on satoru’s desk very interesting. he’s never noticed that they’re all nearly dead! how cool.

your eyes shoot daggers at megumi's silence.

"we aren't gonna get married any time soon..." megumi mutters when he feels your pointy glare on him.

satoru raises his hands in mock surrender. “you two can’t blame me! it worked out! you two are back together now, right?”

“but did you have to make us look like fools out there?” you groan.

“you should’ve figured it out on the first day that the mission was a sham!” satoru exclaims, offense taking over his features.

“but still!” you’re borderline hysterical at this point, unable to believe that your former teacher of all people had to set up an entire fake mission so that you and your ex could talk your feelings out. “we would’ve figured ourselves out sooner or later!”

megumi nods. he feels like he should at least give you a little support even if he’s embarrassed out of his mind.

“oh really?” satoru’s voice drips with sarcasm. “you guys should be thanking me—”

“you’re so not getting an invitation to our wedding!” you grumble.

“wha—hey! i’m the one that got you two back together! besides, i’m megumi’s guardian! you can’t just not invite me.”

“watch me!”

“megumi, tell her that she can’t do that—hey! where are you guys going? invite me, you rascals—why are you guys leaving? we aren’t done discussing this! megumi, don’t you dare take her side! she isn’t even your wife yet—don’t slam my door!”

#jjk x reader #jjk x you #megumi x reader #megumi fushiguro #jujutsu kaisen x reader #jujutsu kaisen #megumi x you #fushiguro megumi x reader #jjk megumi #megumi fluff #not my best work tbh

824 notes · View notes