#we have no idea where he is or what he's doing

[smitethestate]

So in terms of what we need to look out for first with the new Trump presidency, I think the first threat to a huge number of people is going to be mass deportation efforts.

One thing to consider about Trump and Project 2025 is that Trump's first priorities will be himself, his money, his power, and his ego. He doesn't care about anyone or anything but himself. He doesn't care about Project 2025. So what comes first will be about his image and what the people who can bribe him the most want.

Immigration is a huge thing with him, tied up in his ego and his racism. All immigrants, even those who have gained US citizenship, are at risk.

If you are an immigrant or have loved ones who are, look up organizations like the Immigrant Defense Project. Find immigrant defense lawyers in your area. Know your rights and which of them will be stripped when he invokes the Alien Enemies Act on 1798. The ACLU and other human rights orgs will be fighting him every step of the way, but prepare for anything. He will be giving ICE a lot more power. He says he won't tag in the military for this but don't believe a word he says, ever.

For the rest of us, if you're looking to help, you can join or revive local groups that work to alert people to ICE arrests and move to intervene. Forming crowds around arrest vehicles has worked many times to stop arrests from happening. That rules.

If you can't or don't want to join an org, get in touch with your immigrant neighbors, coworkers, etc. Start chatting with them, let them know you want them to stay and you're available to help. We must be in community with our migrant neighbors to effectively help them.

Start thinking about what you're willing to do. All the way to do you have an attic or other hidden space in your home where you can hide people? Are you willing and prepared to be arrested? Defying the government puts you at risk of imprisonment, and you need to be prepared for what that means, both in a practical sense and mentally/emotionally.

Speak with your partners, roommates, friends, and comrades about this. Know who is at the most risk to be arrested and what they will likely experience in prison. For example, BIPOC and disabled people are at a much higher risk when dealing with police and ICE agents. Under no circumstances would I recommend trans women/transfemme folks risk jail or prison time. Be prepared to risk sustaining psychological trauma. Draw and maintain the boundaries you need around any activism, resistance, or revolutionary activity.

I'll go more in depth on what migrants have to expect during the first 100 days of the second Trump term in a later post.

Please add more ideas and resources below if you have them, or make your own post and alert me so I can boost.

[hotshotsxyz]

this town is only gonna eat you

(buddie) (s8 spec) (1.1k) already wrote some buck-gets-hit-by-a-car spec, so how about some buck-gets-shot? kept thinking about "take eddie [to the laker's game] and die" and uh... here we are. cw: mass shooting/ gun violence (described vaguely), somewhat graphic description of a bullet wound, blood edit: now featuring a companion piece

Buck is smiling when it happens. Grinning at Eddie like he hung the fucking moon as he points out what must be the hundredth interesting play he’s seen on the court tonight. Buck’s smiling.

Eddie registers the screams before the gunfire. He smells the metallic scent of spent shell casings before he sees the shooter. He tackles Buck to the ground before he realizes he’s already hurt.

Buck was smiling, but now his face is inches from Eddie’s and his eyes are wide with pain and panic.

“Eds,” he says, and it’s barely above a whisper but it’s still too loud.

Eddie shakes his head, a tiny, sharp movement. Buck takes a shaky breath and presses his lips together. He understands. Eddie hates that he understands. Thank God he understands.

There’s something warm and wet slowly spreading between them, and it takes Eddie several wasted seconds to realize it’s blood. He’s almost completely certain it isn’t his, which—

God, that’s so much worse than if it was.

One of Eddie’s hands is still cradling Buck’s head, an instinctive act of protection before they hit the ground. With the other, Eddie slowly begins feeling his way around Buck’s abdomen. His fingers brush against torn fabric and he feels nauseous.

I’m sorry, he mouths before pressing down hard.

Buck gasps in pain. A muscle in his jaw ticks with the effort it must take him to keep from screaming.

“You’re doing so good,” Eddie breathes into Buck’s ear. “I’ve got you; I promise.”

The bullet caught him somewhere along the fifth intercostal space on the right side of his chest. Eddie doesn’t have a way to feel for an exit wound, not without letting up pressure on what he knows is there.

At best, the bullet glanced off a rib and tore through nothing but skin and muscle. At worst…

At worst, Buck is dying beneath him and there’s not a damn thing Eddie can do, not until the shooter is dead or gone. All Eddie can do is pray. Pray and hope like hell that God has forgiven him for his incomplete confession.

Another spray of gunfire echoes through the arena. It’s nearly impossible to identify where it’s coming from, but Eddie’s got a vague idea based on the direction people seem to be running in.

Buck takes a ragged, watery breath.

For the first time in his life, Eddie hopes he’s crying. He draws back, just far enough to look Buck in his eyes. His eyes, which are clouded over in pain but free from tears.

Fuck, fucking goddamn it.

Eddie presses his cheek against Buck’s.

“Slow, steady breaths, okay?” he whispers. “You have to breathe through it, even if it feels like you can’t.”

The tiniest whimper escapes Buck’s chest.

“You have to, Buck, I can’t—” Eddie squeezes his eyes shut and takes a shuddering breath. “I just need you to hold on,” he begs.

A single shot rings out, and nearby, something falls to the ground with a dull thump.

“Suspect is down!” someone shouts. “We’re clear for EMS.”

Eddie carefully extricates his hand from behind Buck’s head. “Hear that? We’re so close, Buck.” He brushes a thumb across his cheekbone, then sits up and raises his hand in the air. “Over here!” he shouts. “I’ve got a penetrating chest wound that needs to be on the first ambo out of here!”

Buck’s eyelashes flutter as he fights to stay conscious.

“Come on, eyes on me,” Eddie says.

With his free hand and his teeth, he tears a strip of fabric from his shirt to wad up and press into Buck’s wound.  The skin there is ragged and torn, almost certainly an exit wound. Eddie curses.

“I need EMS now!” Eddie roars, not tearing his eyes away from Buck for even a second.

“I’m coming to you!” someone calls back.

Buck’s eyes slip shut.

“No!” Eddie commands, rubbing his knuckles across Buck’s sternum. “You’re staying right here with me, you got it?”

Buck groans weakly. His eyes flick back open.

“That’s perfect, you’re perfect,” Eddie babbles. “Just keep—c’mon, Buck, just keep fighting. I need—you have to be okay.”

Buck’s lips part. “Hurt,” he breathes.

“I know,” Eddie says desperately, “I know it hurts, I’m sorry.”

A pained sound falls from Buck’s lips. He lifts one of his hands just high enough to ghost his fingers along the ruined hem of Eddie’s shirt.

Behind him, Eddie hears a gurney roll to a stop.

“Here!”

Eddie turns and find a young woman, no more than twenty years old, wearing a polo that declares her part of a private ambulance service. He doubts she’d weigh even a hundred pounds soaking wet.

“Alright,” he says, turning back to Buck. “I’m going to get you onto that gurney. Let me do all the work, okay?”

Buck’s eyes widen. He makes a strangled sound. “Hurt,” he coughs out again, fingers scrambling uselessly against the concrete floor of the arena.

“They’re gonna give you the good stuff at the hospital,” Eddie reassures. He lets go of Buck’s wound and pulls him into a seated position, then rolls him awkwardly onto his back. “I got you,” he says as he stands.

Eddie staggers beneath Buck’s weight but manages to get him down three rows worth of steps and onto the gurney without the young EMT’s help.

“We’re staged just outside the north entrance,” she says as she begins to push Buck toward a set of doors.

Eddie nods sharply. “He’s got a perforating chest wound, probable pulmonary laceration, and a history of pulmonary embolism. Allergic to naproxen,” he rattles off as he pushes the gurney alongside her.

“Um, okay, that’s—are you a doctor or something?” she asks.

“Firefighter,” Eddie corrects. “We both are.”

The closer they get to the exit, the harder Eddie has to work to keep pace with the EMT. He must be coming down hard as the adrenaline fades. A few spots cloud the corners of his visions. He blinks them away.

The doors to the outside fling open, revealing two paramedics from the 136.

“Diaz, is that you?” one of them asks.

The best Eddie can do is nod.

“Shit, and that’s—”

Eddie’s ears start to ring.

“Diaz, were you shot?”

No, he tries to say. One of the paramedics grabs him under the shoulders, and the other pushes his t-shirt up until—

Oh.

Huh.

He has been shot.

The paramedic in front of him is saying something, but Eddie can’t quite understand it. Over his shoulder, the EMT looks blurry and horrified.

The spots in his vision return with a vengeance, and in his last few moments of lucidity, it occurs to Eddie that the bullet in his abdomen is probably the same one that ripped through Buck’s chest.

Then, the world fades to black, and Eddie thinks nothing at all.  

[jetpackgeneratedcat]

It took literal months, but I finished it!!

Top left: linked universe logo

The jojo's lu logo is sooooo detailed. It is one of the things I love about Jojo's asethetic with linked universe. The detail she adds brings so much life and information about the world of Linked Universe. Great example is all the embroidery on the chain's clothing. Let's you know about civilization, that an item may be magical, etc. It is difficult to keep small details in watercolor, but I think I caught most of the main details in the painting.

Middle left: Soulful legend

This was the fourth of the images I did for the painting, and the first image I really started to get into the painting. I think legend is my favorite to paint because he makes composition so easy. The red tunic adds an easy focal point. I did learn from this that I do not like masking fluid and likely won't use it again. It added to many hard edges that I wasn't intending. Very happy with the sky!

Bottom left: Evening snack

In this image, I liked the idea that wind and sky don't know what Ramen is because their worlds don't have enough space to produce wheat. So sky and wind are super excited about this new food, while legend has no idea why they are so hyped for noodles. I also liked the idea that four found a green pepper in the ramen as a topping and is a hater (this is from a note that jojo left somewhere saying that the chain will eat anything but four in the Manga does not like green peppers, idk where this note is to link it though....). I didn't end up drawing the Ramen noodles as it was just getting too small of a scale for me to be comfortable drawing the thin lines for the noodles in.

Bottom right: Testudo

I am very hyped in the future when we see more collaborative fighting with the chain and them working together effectively. I absolutely love the scene in shifting shadows part 3 where lenged and hyrule work together with the beam and hookshot.

Middle: Legends storage

This is a reference to one of jojo's earliest works where the chain goes to legends storage for him to pick up some gear. I love that scene and I tried to put as many references as I could. The one thing I need to figure out is how I want twilight to look. I can't wrap my head around it. Need to sit down and just try out a bunch of different faces for him. My Pinterest inspo for twilight is all over the place. I want twilight to look different from time because when Malon was trying to guess who was the descendent, she did not consider twilight (she looked at wars and wind (so I typically draw time, wind, and wars looking similar). For my own personal headcannon, twilight and time are very similar in their manner (the way the walk, stand, etc) and personality (their stubbornness (as seen in sunset pt3)) but not necessarily in looks.

Middle right: Boat boys

The first image I did. I like how the water turned out, but I will not be using masking fluid for the same reasons I noted earlier. I did trace the boat (i think this is the reference [L240632 Hornet Class. J. Arthur Dixon Ltd. Beken and Son]). I do regret not doing anything creative with the boat, but I just wanted to get into painting and needed some confidence by working directly from a reference. I also forgot that legend might not be so keen to be on a boat again based on a comment jojo left in 2022 or something. I think she mentioned something in a discord event back then about legend not too willing to be on a boat again. But that doesn't really matter, I put that boy in a boat whether he likes it or not lol.

Top right: Winter storm

Second image I did for this painting. I did trace most of the horse because I do not care to learn horse anatomy (ref. [Winter Save By David Stoecklein]) Favorite part about this is the lighting on the rope from the lantern. I think it turn out well.

Top middle: Heavy armour

Third image I did for the painting and the one I realized I need to spend more time painting people in neutral or back lite lighting. But for my first time I think it is good. I really want to see what jojo does with the armour sets! I like the idea that war's armour is clean and pristine while wild's armour is rusted and beaten from the calamity. In this painting I played with adding pink to the golden armour and I liked it. In the middle picture of the collage (legends storage), you can see i added pink to time's armour.

That's everything! ❤️

[outrunningthedark]

I am honestly shocked (as a pretty unbiased party) at the GA’s reaction to the bucktommy breakup. I’d hedge a bet that Tim and co are too! I think they knew that bucktommy was fairly well received (by the general audience and not the loud minority) but i don’t think that they realised those same people who were so flippant about Buck’s prior love interests would keep caring to the extent they have. That people would care enough to express their disappointment in a rational manner - not resorting to name calling etc etc. I do wonder where they plan to go from here (or if they even have a plan) because the idea that Buck jumps back to sleeping around now or diving head first into another relationship eight seasons in…. is jarring and i do wonder how the GA will react to that after this week

I think you’ve brought up an important point re: the reaction to prior love interests, and the funny thing is Tim and his staff only have themselves to blame.

Everyone Buck has been with before Tommy has been a woman. Buck was, for all intents and purposes, perceived as straight. It’s not that difficult to get an audience on board with a hetero relationship, right?

Except the audience was able to bounce back from every breakup because the effort wasn’t there. In fact, I’d bet the relationship the audience cared about most was BuckAbby, but they can’t do anything about Connie only signing for the one season. (And just to cover all my bases, sure, you could say that "effort" was made with BuckTaylor given how much screen time they had, but the audience also had the entire half of 5B to prepare for a break up after the BuckLucy kissing scene!) Now here comes Tommy. He already has established relationships with members of the 118, relationships that have nothing to do with Buck. His first episode in s7 showed him helping the 118 not only rescue Bathena, but going behind people's backs to do it so nobody got in trouble. Episode four establishes that he has also made a friend in Eddie, which is a first for these love interests! If Tommy and Eddie can get along, this time might be different, right? After the kiss in Buck's loft, which the GA obviously didn't hate, they have a conversation after a disastrous date, about wanting to see where things go. Buck was happy. People were gonna like that. The wedding episode is, IMO, where Tim started to slip up. We didn't just see Buck bringing Tommy as his plus-one and introducing him to everybody. We saw Tommy show up to the hospital still in his firefighter gear after an emergency. We saw that he wanted to keep his promise to Buck to be there for the wedding, to show that he, too, was serious about seeing where the relationship could go. We saw Buck kiss him. In public. No shame, no regrets. We also saw their dinner scene in the finale. Not interrupted by Eddie's drama. We saw Tommy still being important enough to the story in 8x01 to be present for Christopher's "birthday party". And then we saw everything that came with 8x05. The fandom can take its victory lap and say "the writing was on the wall", but the general audience? All they saw were two men slowly (possibly) falling in love. Tommy was never actually portrayed as the wrong partner in canon. In fact, he was everything the previous weren't. Every single thing this fandom used as an excuse for why these relationships wouldn't work? Tommy was the anomaly. First responder? Check. Friendly with Eddie? Check. Forms some sort of relationship with Chris? Check. Makes Buck a priority? Check. Isn't sidelined for Buddie scenes? Check. Yep, maybe Tim really did do all those things so that when the breakup actually happened it would leave an impact. But how fucking obtuse do you (Tim) have to be to not realize just how important seeing Buck in a happy, healthy relationship - what little we got of it! - was going to be for the audience? Especially when much of that audience has stuck with you through six seasons of the same old shit? How can you be unprepared for the backlash when YOU are the reason people care this much in the first place?

[wonderjanga]

The IRS

Billy doesn’t pay taxes. Anything related to taxes, he doesn’t know about.

M’gann: “What’s an IRS?”

Kid Flash “They’re these guys who collect taxes.”

M’gann: “Really? I’ve never paid taxes before. Are they gonna come after me?” *sounds slightly concerned*

Kid Flash: “Maybe-”

Marvel: *comes out of the kitchen with cookies* “No, they’re not. M’gann, the IRS isn’t real.”

M’gann: “It isn’t?”

Marvel: “Yeah, it isn’t. Wally’s just pulling your leg.”

Kid Flash: “Uh… no, no I’m not… Marvel you do know IRS is real, right? It’s important to me that you know that.”

Marvel: “Well, they’ve never come for me and I haven’t paid a single tax in my life.”

Kid Flash: *sounds completely concerned* “That means you’re committing tax fraud.”

Later…

YJ and Marvel: *all huddled around Tim who’s hunched over a computer*

Marvel: “Why’s is everyone here?”

Robin!Tim: “What do you mean, Cap? This is a celebratory moment. We didn’t even know you could commit a crime, yet here we are.” *typing on computer*

Marvel: “Why’d you pull up C.C. Batson?”

Robin!Tim: “Cap, you’re not exactly hiding your face. Anyone could find out who you were if they just dug a little deeper than the surface.”

Artemis: “Your name is C.C.?” *tries to see the computer*

Robin!Tim: “Charles actually.”

Zatanna: “You look like a Charles.”

Marvel: “I do? Huh. Well, anyways, I’ve been legally pronounced dead so I shouldn’t have to pay them right?”

Robin!Tim: “Well, you’re alive now. That means that you technically faked your death and that also technically means that you’re committing tax fraud so…” *types on computer* “You should owe 5 billion to the IRS.”

Marvel: *sounds completely devastated* “WHAT?”

Aqualad: “How could he possibly have racked up that much?”

Robin!Tim: “Well, Cap’s been “dead” *does quotes with his hands* since 1958 so he put off 66 years of taxes. Plus, the price of a dollar went up as the years passed so yeah.”

Marvel: “Oh my gods…” *sounds like he’s about to have a mental breakdown*

Kid Flash: “Wow. You’re actually an egregious tax evader. 5 billion is insane.”

Even More Later…

Batman: *came to check on the kids*

Marvel: *in a corner, rocking back and forth, practically crying*

Batman: “What’s wrong with him?”

Robin!Tim: “He owes 5 billion to the IRS.”

Batman: “…What?”

Robin!Tim: “Yeah, I know, right?”

Batman and Robin!Tim: *watch as Conner comes by and puts a bunch of blankets on Marvel. They then see M’gann come in with some hot coco and hand it to Cap*

Batman: *sighs* “I’ll get the money.” *walks away*

Robin!Tim: “Hey, Cap! You can stop worrying now! Batman is gonna hook you up.

And that’s how, after much refusal from Billy and a lot of peer pressure from both the YJ and Mr. Batman, itty bitty Billy Batson ended up with 5 billion dollars. And since he didn’t want to be arrested for tax evasion, he was too scared to hand it over to the IRS. (It’s not like he knew how to pay them anyways) But hey, Billy now gets to treat himself, Mary, and Freddy. They now have a decent apartment, better clothes, and lots and lots of food money, and potentially toy money? Billy’s been eyeing these Bulletman and Bulletgirl action figures for his and Mary’s birthday coming up. He hopes Mary will like them, or at least the Bulletgirl figure, he knows she’s a big fan.

Also, I have no idea if the 5 billion dollar thing is right, I pulled that from somewhere and I honestly forgot where.

[oediex]

You know what, yeah, that bell hooks quotation wasn't appropriate, it doesn't say what the person who added it think it says.

But I don't think it's fair to say that that man who everyone is pissing on somehow claimed we had to "hold his hand" or "coddle" him or whatever. Or even that women had to do it.

He never once even mentioned the word 'woman' in that post. I'm not excluding that that what he was implying - it's very possible! - but what he said was "the left", and let's be clear, this is his understanding of what the left is. I saw people saying that a "self-proclaimed leftist" should understand that his answer was still drenched in patriarchal thinking. But he never once proclaimed he was a leftist. Perhaps he thinks he is, but all he said was that he got "out" of the "alt-right". For all we know, that means he voted for the Democratic Party and we, who are on the left, all know that's not the fucking left.

The question that was posed was how do we keep young men from turning right wing, and he offered an explanation. An explanation! Not an excuse! Again something that a lot of people just assumed.

And yes, it was a flawed explanation, and yes he has some things to learn, and yes it was uncritical and terribly phrased.

But can we recognise that not everyone has the necessary critical thinking skills to completely dig their way out of the overarching ideology that fucking rules our lives? Critical thinking skills aren't something that we are born with. It's something that is learned, something that you have to train. It's a never-ending project. And from what I know of the educational system in the US? That's not where you get it.

Speaking of bell hooks, at least she understands this. In that book (The Will to Change) she writes that "most men never think about patriarchy - what it means, how it is created and sustained." She writes how the patriarchy sees men's violence and the one emotion they're allowed to have, anger, as "natural". Understanding the patriarchy is something that has to be learned, and you either figure it out yourself by reading, but most of us probably had someone in our lives who talked to us about it, taught us about it, and then we might have started reading more about it.

What if you don't have someone like that? What if all you hear is that the things feminists tell you is bad is what was imprinted on you as "natural" to you?

Here's bell hooks:

Yet no one talks about the role patriarchal notions of manhood play in teaching boys that it is their nature to kill, then teaching them that they can do nothing to change this nature—nothing, that is, that will leave their masculinity intact.

Here's what she says of her own brother:

As patriarchal thinking and action claimed him in adolescence, he learned to mask his loving feelings. He entered that space of alienation and antisocial behavior deemed “natural” for adolescent boys.

She clearly pinpoints the moment of these patriarchal ideas taking hold to be in adolescent, and the question that was posed was, what can we do to stop that from happening? I've seen people say that nothing can be done until we change the material conditions that make it so that men systematically have power over women. And yeah, undoubtedly that is a fight we need to have. But is that truly the only way we can keep (some) boys from falling into the grasp of the (alt-)right? Is there no hope in at least reaching them in the meantime?

I've seen a post saying, "omg of course he goes for misandry" and while misandry isn't real in that men are not systematically oppressed, that doesn't mean that there aren't some out there who express hatred or disgust of men. That's not what the left stands for, obviously, but it is not absent. Here are some comments from the notes on some of these reaction posts (and presumably these are all people who consider themselves leftists):

"you should be hunted for sport"

"makes me want to commit homocide"

"kys right now"

"'leftists constantly said i should die' yeah fucking right"

"we need to double male loneliness and I'm not even kidding"

"I HATE MEN AND THERE IS NOTHING WRONG WITH THAT. THEY HATE US MORE AND THEY HAVE ALL THE POWER TO DO ACTUAL HARM TO US. Misandry is NOT FUCKING REAL but I wish it was"

"we should kill people who don't get it"

Is that hatred of men (non-systematically)? Not all of it, but some of it definitely or possibly qualifies. And it sure does look like some people (who probably think themselves leftists) think this man (or men in general) are the "scum of the earth" and that they want him/them dead. How else do you interpret some of these phrases?

Now imagine that this is something that you encounter online, and with the help of the stranglehold of the patriarchy, whispers of right wing ideology, confirmation bias, and negativity bias? I can imagine you might end up concluding they "hate you for your immutable traits" (remember patriarchy teaches boys that violence and anger is natural to them) and that they "blame you for everything that's wrong in the world".

Is that the right conclusion? No. But as much as being able to use reason is part of being human, so is not being immune to ideology and propaganda. We wouldn't fucking be where we are right now if that wasn't the case.

How do we teach boys that anger and violence aren't "immutable traits"? How do we educate them about the power of the patriarchy? Well, where does it have to come from if not from the fucking left?

Does it have to be you? No. Does it have to be women? Also no. It's probably good if it's men, and especially men who themselves walked with the right at some point (if someone has already been pulled into the right, rather than catching them before).

It can be a woman though, if there's someone who wants to do it. I don't mind doing it if someone wants to talk about it. Will I be nice? No, I won't hold back and I will tell them if what they're saying is wrong. Will I coddle them? Fuck no. Will I keep trying if someone clearly isn't listening? No. Will I be compassionate? Yeah, I think I will.

Because compassion is really important when you're trying to keep people from falling into the far-right, or even if you're trying to get them out of it (which again, isn't what we were talking about in the first place).

Here's Pete Simi, professor of Sociology, talking about Life After Hate, an American non-profit that tries to help people leave the far-right:

The organization was started by former hate group members who have been doing a lot of outreach in terms of providing testimonials and trainings to schools and law enforcement and other community groups across the country. The focus of their message is the importance of using compassion to inform prevention and intervention efforts and aftercare for individuals who want to change their lives but may need various types of support. I think LAH is a very promising development and I hope it will continue to find the resources that it needs to expand the services it provides.

Being compassionate doesn't mean coddling. It doesn't mean holding their hands and it doesn't even mean being nice to them. It doesn't exclude holding people accountable for their views. It does require patience, though. And I understand that if someone is holding the belief that you are not allowed to exist, that isn't something you can do. And that's fine. It doesn't have to be you.

But somebody has to do it, and it has to be someone on the left.

Now none of that means that the suffering of men under patriarchy, and the fact that this has to be addressed loud and clear, are more important than the suffering that women, and especially women whose oppression intersects with other levels of oppression. I've seen some tags on reaction posts that stated "omg of course centring men in discussions of gender" - but the post was about men. That was the whole starting point!

Because men do suffer under the patriarchy. And it's pushing them to the right, towards misogyny and racism, unless they develop the necessary critical thinking skills to understand their own suffering. And you know who thinks so too? bell hooks.

Often men, to speak the pain, first turn to the women in their lives and are refused a hearing. In many ways women have bought into the patriarchal masculine mystique. Asked to witness a male expressing feelings, to listen to those feelings and respond, they may simply turn away.

Since men have yet to organize a feminist men’s movement that would proclaim the rights of men to emotional awareness and expression, we will not know how many men have indeed tried to express feelings, only to have the women in their lives tune out or be turned off.

It is a form of abuse that this culture continues to deny. Boys socialized to become patriarchs are being abused. As victims of child abuse via socialization in the direction of the patriarchal ideal, boys learn that they are unlovable.

The patriarchal model that tells men that they must be in control at all times is at odds with cultivating the capacity to be responsible, which requires knowing when to control and when to surrender and let go. Responsible men are capable of self-criticism. If more men were doing the work of self-critique, then they would not be wounded, hurt, or chagrined when critiqued by others, especially women with whom they are intimate. Engaging in self-critique empowers responsible males to admit mistakes. When they have wronged others, they are willing to acknowledge wrongdoing and make amends. When others have wronged them, they are able to forgive. The ability to be forgiving is part of letting go of perfectionism and accepting vulnerability. At the same time, constructive criticism works only when it is linked to a process of affirmation. Giving affirmation is an act of emotional care. Wounded men are not often able to say anything positive. They are the grump-and-groan guys; cloaked in cynicism, they stand at an emotional distance from themselves and others. Affirmation brings us closer together. It is the highest realization of compassion and empathy with others. One of the negative aspects of antimale feminist critiques of masculinity was the absence of any affirmation of that which is positive and potentially positive in male being. When individuals, including myself, wrote about the necessity of affirming men and identifying them as comrades in struggle, we were often labeled male-identified. The women who attacked us did not understand that it was possible to critique patriarchy without hating men. Indeed, recognizing all the ways that males have been victimized by patriarchy (even though they received rewards) was a way of including men in feminist movement, welcoming their presence and honoring their contribution.

“in order to create loving males we need to love males” means teach boys that they can be themselves without being less of a man. it means being encouraging and nurturing of their emotions so they don’t become cold and hateful. it means showing boys, early in their lives, that they have value outside of what our society deems proper masculinity. what it doesn’t mean is that it’s our job to handhold men who see women as walking sex toys through the concept of empathy, and maybe if we’re really really nice to them and don’t say things that hurt their feelings they’ll stop killing us for saying no

[impactrueno]

Beetlejuice clearly wasn't interested in Lydia when they met, so when do you think he actually fell for her? Was he so impressed by Lydia defeating him that he developed a little crush?

i think this might be the biggest thing i've been turning around in my head since the sequel dropped. how did bro get to this point. i need to know. you weren't like this where we left off, what happened during that huge time gap????

this is where canon ends and conjecture begins, you just have to theorize and fill in the gaps yourself with whatever makes the most sense to you, which is what i've been trying to do this whole time. so please bear with me here.

i don't know how much i want share or save for my comics because i don't know how much he would actually reveal about this but whatever we ball

edit: ok so i scrolled back up to this after finishing writing this and as it turns out i have no self control and i ended up sharing everything that crossed my mind. craziest stream of consciousness i've ever written down. strap on and keep your limbs inside the ride at all times. whatever. we BALL.

let's review their first encounter from his point of view:

you're hired to scare the deetzes, right? so you do just that. excellently you might add. just when you're about to terrorize their teenage daughter, barbara banishes you and the party is over. what fucking losers right? you get the sense that adam and barbara care about this girl so you make some remark about her and it pisses them off. haha. also whoa where did this place come from? damn adam, who could've guessed he had it in him. you forget about everything else and dance your way to dante's inferno room.

after spending a respectably tasteful evening with those ladies, you're chill now. relaxing under your little sun lamp to work on your tan.

someone walks in looking for adam and barbara. don't they know they're dead?

"are you a ghost too?"

"i'm the ghost with the most, babe."

hold on a sec, who's even—

...well hey. it's the girl.

the girl who can see ghosts, and she's talking to you.

target acquired. this one's your ticket out of this hellhole.

"you look like somebody i can relate to," you tell her. relate how? doesn't matter. you're ensnaring her with your affable demeanor like you always do, make people feel like you're pals with them first and foremost. she seems like a nice girl, so this should be easy. you tell her upfront that you want to get out of there and you need her help to do so.

"i want to get in," she says.

whoa there.

what? she wants to get in? she says that in response to you saying that you wanted out. she really has no idea what it's like on the other side, huh. but shit, that kinda stops you in your tracks a bit. this girl wants to die. this young? that's not right. makes no sense.

"...why?"

she just looks at you and says nothing. jesus. ok maybe it's none of your business so let's back it up. you're losing control of the conversation and you're on a mission here. you figure if she helps you get out, you might as well talk her off that ledge or show her how shitty it is on the other side or somethin'. frankly, you can't afford to care right now. you're not entirely sure why she thinks things would be better on the side you're so desperate to get out of, but alright. doesn't matter, right now you gotta get her to summon you. so you begin your little game of charades.

after she correctly guesses your name and almost says it a third time, she recognizes you as the snake that terrorized her family. god fucking dammit. you're losing her. you're getting impatient. your affable act is over. "nah...i want to talk to barbara," she says and now she's REALLY getting on your nerves because fuck barbara, fuck adam, you're SO CLOSE to getting out and you're not gonna let this go now, go go GO GO SAY IIIIIIITTTTTTT

adam and barbara walk in because of course they do. womp womp

ok well that didn't work, but you're not gonna give up so easily. sooner or later another opportunity will come and soon you will be free.

wait why are they moving the model— where are they taking it—

ooohhhhh. business meeting. get a load of these yuppies, trying to turn winter river into a town-sized Ripley's Believe it or Not. a talking marcel marceau statue? and you thought you were a con man. no wonder the deetz girl wants to die, it's bleak as hell here too. but if you get out...you can fix that. hell, you can fix anything.

these bozos are here to see some ghosts, but the girl says they're not going to show up unless the fleshbags stop making a mockery out of the whole thing and that maybe they can all live happy together in the house. ain't that sweet.

of course no one's taking her seriously. she's a kid, what does she know, right? they'd rather listen to the most obnoxious guy in the room (besides yourself) who has no idea what the fuck he's talking about, but somehow, he's got his hands on the handbook.

the girl panics, then immediately says completely deadpan "wait, what am i even worried about, otho, you can't even change a tire" and you're surprised they didn't hear how hard you cackled at that.

despite all that, they seem to have started a séance with their old wedding clothes. bad news for the maitlands. they're about to be dead-dead. the girl cries for them to stop, and these guys are just sitting there scared shitless. you're hearing everything. you knew a new opportunity would arise, so you wait, because this is the part where people remember how good at your job you are. they always do.

she knows you can help. you're the only one who can help. so here she comes. those wedding clothes give you an idea. plan B is now in motion.

well well well.

look who came crawling back.

she asks for your help, and you're happy to oblige, under one condition of course. after all, you don't do anything for free, and she's the only one who can help you with your problem. how serendipitous.

once again, you lay it on her, straight up. you want out. and a way to do it (thanks adam and barbara for the reminder) is through marriage with a fleshbag. you need to get married. a green card marriage, if you will.

she's immediately disgusted by the idea. you don't take that personally, of course, because it doesn't matter. she's just a kid and it's not a real marriage. she just happens to be unlucky enough to be the only one around who can assist you with this, the poor girl. it's a marriage of convenience—or rather, inconvenience—and you're not planning on sticking around because you will get the hell out of there as soon as you can. so there shouldn't be a problem, right? besides, does she know how many women would kill to be in that position? she gets to brag about it to her friends, what's not to like? it's a totally even deal.

the clock is ticking and the maitlands aren't getting any younger. she agrees to the deal. you win, at last.

she already knows what to do, so you sit there patiently with a shit-eating grin on your face, awaiting the three little B words. gloating.

Beetlejuice........Beetlejuice...........Beetlejuice.

it's showtime.

this is your favorite part. you love a dramatic entrance. you decide to show the deetzes and their greedy friends the circus they so wanted to turn this town into. horrible as you are, you're also pretty damn good at calling out other people's horribleness, and you do love an ironic karmic way of dealing with someone. for example tubby here thinks he can escape, but not before you change his sleek black suit into a tacky white leisure suit. the horror! this is why you're a professional at this.

you effortlessly end the exorcism and the maitlands are saved. a little pruney right now but they'll be fine. everything is taken care of, you have fulfilled your end of the deal like you promised. only one thing left to do.

"shall we?"

there's really no need to make a whole show out of this, but you're a showman first and foremost and as a 𝒥𝓊𝒾𝓁𝓁𝒾𝒶𝓇𝒹 𝒶𝓁𝓊𝓂 you'll be damned if you're not gonna let yourself have a little fun with this. everyone looks terrified. this is why you're a professional at this.

witnesses and reverend in place, you can finally begin the ceremony. you're having fun, yes, but let's try to pick up the pace a bit, okay? the closer you get to your goal, the more impatient you get. the girl isn't finding any of this very funny at all and she protests. the maitlands butt in and are now kind of twisting your arm a bit, but you deal with them harmlessly, until they get on your last nerve so you send adam to the model and barbara to saturn. all of this after you honorably fulfilled your end of the bargain and saved the day. jesus christ, are you the only one with some integrity around here or what.

you forget the stupid ring. shit. you're pretty sure you have it on you somewhere, ever since you chopped up delores into pieces for poisoning you. you kept her ring finger as a trophy and as a reminder to never get married again, and yet here you are, but desperate times call for desperate measures. finally, you find the ring (still on her severed finger) and hastily tell your new bride-to-be that delores meant nothing to you. in case she even cares. she doesn't seem to. not even a chuckle? oh well.

almost done with the ceremony. almost there. you're holding the girl's hand with an iron grip to keep her in place as you're about to put that ring on her finger. "i now pronounce you, man and—"

a tiny car crashes against your foot and it catches on fire. you scream. a fucking sandworm crashes into the room through the ceiling. everyone screams. you scream LOUDER.

you're sent back to the afterlife waiting room.

not your first rodeo with a sandworm, but that doesn't make the experience any less shitty. the real annoying part is being in the waiting room again. this could take ages. you're number 9,998,383,750,000 and they're serving number 3 right now. you trick the guy next to you and steal his ticket (number 4) but he's not too pleased about that, so that didn't work.

a long time sitting here it is, then.

movie ends, credits roll.

for reference, that was 1988. winona ryder was 15 when they were filming in 1987 so while lydia doesn't have a confirmed age, i think we can safely assume that she was the same age as winona at the time.

36 years later, it's 2024. or 34 years later, it's 2022. we don't know the exact year because while bob's in memoriam credits scene says 2024 and all the interviews talk about how 36 years have passed in universe as well, there's this other one tiny detail.

jeremy's death passport says he died on march 11, 1999. jane butterfield says he died "23 years ago," putting the movie in 2022. they did film it in 2022 so the math is mathing correctly there. given that the in memoriam scene was more of a joke and jeremy's passport is a canon prop in the movie, i'd say 2022 is the canon year the movie is set in. (small sidenote; the passport also has the roman numerals DCLXVI which is 666. cute detail i loved it)

in the sequel, beetlejuice says lydia has been ignoring him for 30 years. i always thought that was curious because outside of this claim, they always specify how many years exactly have passed since. he doesn't say 34 or 36, he says 30. and for his degree of obsession (and the fact that he remembers exactly how many times he's watched The Exorcist) i think he would be counting even the days so i think he did really mean 30 years. so this would mean at least 4 years passed between getting sent back to the waiting room and the beginning of his stalking.

AND NOW that we established all that, we are finally getting to the answer to the question, "when and how did this all start?"

so okay, he spent a while in the waiting room. a lot of time to think. probably replaying the events at the deetzes' in his head over and over, how he got here, where he fucked up, what's he gonna do once he gets out. cursing the maitlands for ruining his plan when he was soooo fucking close. wondering what ever happened to lydia deetz.

lydia deetz, the young girl who told him she wanted to die.

...

is she alright?

i don't think he's capable of feeling guilt, but we can probably argue that he's not entirely heartless. what she said about how she wanted to "get in" must've stuck with him from the way he reacted when she dropped that bomb. she never showed up in the waiting room so he knows she didn't follow through with that. still, he used a vulnerable young girl for his own selfish gain. ironically enough, he knows exactly how that feels, because he also got tricked into marriage and got used for someone else's gain. the difference being that he dealt with that shit with an axe.

much much much to think about for mr. juice.

after years of ruminating in that waiting room, he's finally out and back to the regular day to day afterlife. definitely gets chewed out by juno, maybe forced to do community service or labor or what have you, he basically just needs to clean up his act now. this freelancing shit is becoming more trouble than it's worth anyway.

he's still wondering about lydia deetz. should he check in on her? maybe he should, he's too curious now.

at this point, lydia is now about 19-21 and in college. maybe he manages to sneak into the model one time she's back home for the holidays or something. and oh my god would you look at that, what a beautiful young woman she's grown into. she's radiant. she's happy. she's no longer that gloomy suicidal kid he met in the attic. seems like what she said about the deetzes and the maitlands sharing the house did come true after all.

that's nice. very sweet. good to know.

maybe he wonders if she remembers him and tries to get her attention somehow, give her a little scare for old times sake or whatever. for a brief moment it seems like she saw something and her expression changes, but she shrugs it off and continues on chatting with her two sets of parents. no such luck.

oh well. curiosity sated! and beetlejuice goes back home and doesn't return.

until the next time he returns.

and he keeps coming back to check in on her, telling himself he's just making sure that she hasn't killed herself or something. and he's not above admitting that with every year that passes, she keeps getting more beautiful. and to think they almost got married, huh.

he constantly tries to get her to notice him somehow, and sometimes she almost does, but ultimately he never really succeeds beyond making her do a double take. very rarely she does catch a glimpse of him. he's seen her mutter to herself that she's just seeing things and she seems a bit frightened every time this happens, but there's nothing to fear, honey, it's just good ol' beetlejuice. he won't lie, he gets a bit of a rush every time and it makes his dead heart beat faintly. he's gotten this far, he can't just stop now. in his mind, this has become their little private game of cat and mouse, where the mouse ignores the cat. but aren't they cute? he thinks they're cute. this is not creepy at all!

before he realizes, he's already learned everything about her. he knows about richard and even watched their wedding from afar like a loser. he knows she gave birth to a healthy baby girl named astrid. he knows they have a blast on halloween. halloween is lydia's favorite holiday, and his too. sometimes he can't help but see the three of them happy together and think it could've totally been him. even if he and richard are nothing alike (in fact could not be more opposite) and the circumstances of their unholy wedding were nothing short of grim and a farce. but in his mind, he's starting to convince himself otherwise.

maybe it's his jealousy speaking, but lydia doesn't seem to be that happy with richard despite everything. even though richard is like, the perfect guy. then one day his suspicions are proven correct: neither of them knows why it happened, but after having a long and emotional talk (that he watched with a bucket of popcorn) they decide to get a divorce. he pumps his fist, feeling victorious for some reason. sure he's a little sadistic at times, but why is this giving him so much glee?

the divorce is hard on lydia's kid, who was always more attached to her father, but they still spend a lot of time together. sometimes the three of them, since richard and lydia kept things amicable after the divorce. lydia tries to move on and see other people, but each relationship fails before it even starts. mostly because she keeps holding back and so fails to connect with anyone else, but also sometimes because, well, he can't help himself but to scare them away from her from time to time. it's fun. in his mind, he's just being protective of her, as a gentleman should for a lady.

then richard dies. fell into a piranha infested river from the looks of it (he saw him at immigration one day, don't ask what he was doing around there, force of habit after constantly making sure lydia hasn't killed herself yet.) it's devastating for both lydia and astrid, straining their relationship even more for the next few years as they both try to cope with the loss. the shock proves to be too much for lydia, so she goes to a survivors retreat to work through her trauma, both from richard's death and "unresolved feelings."

then lydia, at her most vulnerable, meets rory.

beetlejuice was able to clock him immediately. a textbook manipulative opportunist, he himself knows the tactics very well. swoop in to "help" someone in a vulnerable position, pull the wool over their eyes and begin taking control so you can get what you want out of that person.

he wouldn't admit it, but this really irks beetlejuice. you know when you see someone who reminds you of the worst parts of yourself, so you despise them? yeah. he's been there, and he's also been him.

but rory is somehow even worse than beetlejuice. see, rory is her manager, and boy does he manage to get on his nerves. he takes her phone. he controls what medication she takes. he blames and guilt trips her about every mishap that HE causes, making himself look like her benevolent savior and making her feel like she would be lost without him, confusing her with his psychobabble. on top of all that, he's forcing her to do this hacky show called Ghost House where she "hunts ghosts" or whatever. the houses he's been helping newly-deads with in his day job as a bio-exorcist (now with a fleet of employees,) she's "hunting" those ghosts now. it's so dumb. it never works. beetlejuice doesn't even know what the hell she's doing, she's phoning it in most of the time and she knows she's become a sellout. what happened to that "strange and unusual" girl who stood up for her ghost friends when those suits wanted to profit off of them back in winter river?

he needs to bring that back. he's the only one who can.

in his mind, beetlejuice has already rewritten the events that transpired. in his mind, lydia has been his wife this entire time, it's just, y'know, one of those open long distance relationships and she doesn't always remember him, but that's okay. in his mind, they share a psychic bond that allows her to sense his presence or see him in her dreams from time to time. he's got nothing to be jealous about, because other men can't compare. no one else can match what they have.

sure, part of him knows he's lying to himself a little bit. but he's already clung to this idea; these past 30 years wouldn't make sense otherwise. he's in love with lydia deetz. this isn't insane of him to say at all. and if it is, well, you know what they say, love makes you do batshit crazy things.

it's not that complicated, no matter what they say you'll never meet another me it's not that difficult to get my head around i'll never meet another you

the end

don't trick me into writing a fanfic again

[libraryofolive]

okay but hear me out...

featuring: Takuma Ino x gn!reader

genre: Fluff, crack

word count: 600

synopsis: Making a hear me out cake with your boyfriend is just meaningless fun, right?

Like this? You can find my smaus here and my drabbles and other fiics here!

Do you have a request? You can find my rules for requesting here!

a/n: i fear the demons cooked with this idea that would not leave my head until I wrote it

“Kuma!” You called out to your boyfriend from the kitchen, mischief lacing your tone.

“Yeah babe?” He asked, appearing in the doorway of your shared kitchen. You had spent all day in there, shooing him out every time he popped his head in to try and find out what exactly you were doing. He found you stood at the kitchen table, spreading buttercream icing onto a freshly made chocolate cake. “Is that what you’ve been doing all day? Are we celebrating something?”

“I need you to go and print some stuff out for me.” You smiled at him.

“We have a printer?”

“Yes, we have a printer. Now go use it.”

“What exactly am I printing out?”

There was a beat of silence before you answered him. “Your hear me outs.” He broke out in a massive grin, eyes lighting up with excitement. Your own smile widened at his puppy-like excitement, glad he was on board with your surprise idea.

“Is that a hear me out cake?”

“Nah, it’s my friend’s birthday cake.”

“Oh..” His shoulders sunk, suddenly lethargic.

“I’m kidding, idiot. We’re absolutely doing hear me out cake. Go get printing, and don’t you dare hold back.” Ino was suddenly full of energy again, rushing off to print off the photos he needed.

“Erm, baby?” He wandered back into the kitchen, sheepish.

“Yeah sweetie?” You looked up at him, eyes wide.

“Where is the printer?”

-

It was 20 minutes later, and you had your phone set in front of the fresh cake, filming the two of you stood behind it. You had both done the majority of your hear me outs, and it was your turn to reveal your last one.

“I’d, erm, say this is a relatively tame one, but I saved it til last just for your reaction.” You bit your lip, nervously looking at your boyfriend.

“Okay, now I’m kinda scared. The last one you said was ‘tame’ was a headless mannequin.”

You slowly spun your kebab stick around, revealing the photo attached to it to your camera, purposefully holding it close to block Ino’s view of it.

“Babe, I can’t see-”

“Nanami!” You squeaked, hurriedly stabbing the stick into the cake.

“That’s my boss!” Ino gaped at you, jaw hanging so low it was basically on the floor.

“Hey, you can’t deny that that man is very much attractive. A gentleman too.”

“No, I really can’t deny it…” As your boyfriend trailed off, he slowly spun his last hear me out around, allowing you to see the subject of it.

“Fuck off!” You exclaimed, a gobsmacked laugh tearing it’s way out of your throat.

“My last hear me out is also Nanami…” He said to the camera, before putting it in the cake next to your photo of the same man.

“Did we use the same photo?” You reeled, admiring your cake through your phone screen.

“It is a sexy photo of him.”

“I’m telling you, it’s the rolled up sleeves. It’s the same as the mannequin-” The two of you spent the next minute admiring your boyfriend’s superior, all on a video that eventually made its way onto your TikTok page.

-

A few days passed, and the two of you had pretty much forgotten about the video you had posted. The cake had been devoured by the two of you over those days, and the many photos that had been stuck in it thrown away, as if the entire thing never happened. Until Ino received a text, that is.

Would you care to explain what a ‘hear me out’ is?

[arowyn-m]

Viktor's Sequence in S2's Opening, What It Symbolizes & What it Means for the Rest of S2

So Act I dropped and it's great—Lots of plot points to go over in the future—but for now I want to deep dive into some interesting things I noticed about the intro, particularly found in Viktor's portion of it.

The opening is full of interesting symbolism and representations of Arcane's characters in their clearest, "purest" form (pure as in lacking impurities, not as in morally pure).

There's a lot of neat tidbits hidden in the opening, but I particularly want to dive into Viktor's segment because i am biased as hell his shots have some potentially incredible depth to them that I'd like to dissect.

A lot of that potential comes from what exactly the mask represents, which I'm arguing is not a symbol of Viktor's Machine Herald identity.

Hear me out.

Starting off with his first shot: we see Viktor reaching for the mask. Instantly after he makes contact we cut to a shot of Viktor holding the mask and considering it. He even turns it a little as he looks at its face, as if he's not quite sure what it is.

These shots are telling the story of S1 Viktor's experimentation with the Hexcore, particularly the research Viktor conducted AFTER his blood mixed with it...and yet, the mask does not represent the Hexcore itself, so how can it be telling that story?

I've seen a lot of theories of what exactly is the catalyst of Hextech's corruption into the Anomaly, and the most popular one at the moment seems to be that Blood + Hextech + Abuse of Magic = Anomaly/Angry Arcane. This theory seems to stem from the fact that not only did the Hexcore react to Viktor's blood, but so also did the Hexgates themselves.

Corruption found on the base floor of the Hexgates. There's a ceiling to this room, so there's very little chance that this is literally where Viktor's blood landed, but I do think his blood's presence in the Hextech-charged room triggered a chain reaction with the rest of the Hexgate. We may even see this happen in a flashback.

So, assuming these intro shots are representative of the moment when Viktor reached out and touched the Hexcore, and later when he's examining it more closely/experimenting with it, why don't these shots represent the Hexcore itself?

Because Viktor isn't making a move to put on the mask. He's just looking at it, thinking about it, considering what it is. Viktor absolutely made a move to use the Hexcore in S1—and killed his assistant in the process.

So what is he "looking" at?

I believe the mask is representative of the Arcane itself, and, by extension, its hold on Viktor's mind.

He's examined the Arcane and played with its properties—unsure of what to really make of it, but he never had the chance to take on the full potential of it. Once Sky died he realized that something was very wrong. Maybe he didn't realize how wrong, but he definitely concluded that this form of magic needed to be destroyed—thus the "Promise me" scene.

If the Blood + Hextech + Magic Overuse = the Arcane lashing out theory is true...then the moment that Viktor's blood mixes with the Hexcore is the moment it crosses the line from a mindless device to a tool of the Arcane.

This idea is only strengthened by Viktor's next shot—the mask being held to his face.

Viktor himself is not holding the mask—Jayce is. This shot depicts how Jayce used the Hexcore to save Viktor's life—very much against Viktor's will on multiple fronts—replacing Viktor's identity with a false one.

Jayce is putting the mask of the Arcane onto Viktor's face, hiding his true features, his emotions, his personality. The mask wears a flat, serene expression, reflecting Viktor's forcibly suppressed emotions in this Act—as we see with how Viktor interacted with Jayce when he woke up. As cathartic as that scene may have been, Vik was acting wildly out of character, and I sincerely think that was on purpose.

It's difficult to tell in this lighting but Vik's eyes are also their typical golden-amber in this shot. That would only make sense if this is symbolic of Viktor's true character being concealed by a false identity. It would make no sense to use Vik's amber eyes in a sequence meant to symbolize his new identity being concealed by the literal Machine Herald mask.

The final shot is not much different from the last one, but really drives home this comparison and the idea that the mask represents the Arcane, not Viktor's MH arc. The same mask is worn by numerous others, all slowly fading into view.

These faceless people are the Church of the Gloriously Evolved, all represented by the same exact mask that Viktor is poised to take on.

And yet, the mask is never fully put onto Viktor's face, unlike Viktor's followers. He can still back away. He can still hesitate.

So what does this all mean for S2?

It means that this ^ is not Viktor. This is a man either heavily under the influence of (or being fully controlled by) the Arcane.

And it also means that this trancelike state is not Viktor's endgame. I sincerely doubt this husk of who Viktor used to be will end up being the calculating antihero that is the Machine Herald.

Another point for the theory that Viktor's mental humanity will come back to him is the fact that Vik's in-game MH mask has golden eyes, mirroring Viktor's real eyes, not the lifeless—albeit shifting—gray of Viktor's current irises. Assuming Riot will be keeping this iconic part of Vik's design, that signals a change back from the emotionless puppet Viktor seems to be right now.

But I suppose we'll know for certain by the finale.

[multipleoccupancy]

The Inspector nodded to Violet as she greeted him and then gave a short and quiet hum of agreement at her dismissive reply. Taking mental notes of her attitude and deciding he didn't much like it but she was at least holding her own for now and had not done anything outwardly troubling. He turned his attention back to Theo who was still considerably uncomfortable but had put his hand on Mauve's as it rested on his shoulder.

"I work for an organisation who specialise in things like this," he gestured to the monster on the floor, "I and many other agents strive tirelessly and endlessly to keep people safe and on more than several occasions already saved these United States and even the world from this danger and I think that you," he pointed to Theo specifically for now, "might be the sort of person who could help us."

Theo looked over at Mauve, amazement in his eyes as it had been exactly what they had talked about, an official branch helping to save the world from monsters! Their agent idea had already been done and here was a man offering it all to them... or just to him? He looked back to the agent.

"Now I have an offer to make you. You can come with us and we are interested in putting you through school, getting you into the FBI Academy for you to follow that path which you have expressed previously. We'll wipe everything clean, you'll be cleared as innocent and wrongly interned in this ward so that you can walk around free and innocent. Your parents won't have to pay a cent, you will be sponsored through collage and you will work hard to achieve the results necessary to become an FBI agent." The inspector waited for a moment while Theo clearly observed him, he was after all the man who had put him inside in the first place and he was offering him everything he wanted on a plate, just like that. "On the condition that you work for us. You do as we say, you protect our secret from everyone including family and friends, no one can know. You do exactly as you are told and follow every instruction we issue you to the letter."

The Inspector knew that was less appetising as an end point but he leaned forward and looked Theo directly in the eye, ignoring Violet completely for now, she wasn't who he was after. "Or," his voice had dropped to a more threatening tone, "you can stay in here and become nothing more than a drooling mess until the end of your life. Stuck with absolutely no way out. You will stay here, where no one will believe you, where you will one day get one shock therapy session too many." He eyed Theo who gulped loudly, terrified of that thought and squeezing Violet's hand on his shoulder. "This is a one time offer, lad. What's it going to be?"

Theo opened his mouth but it was dry inside, it was as if he had just lost his voice, the man had offered him everything he had ever wanted and now was threatening to force him through his worst nightmare. However, he couldn't leave Mauve. "My friend helped me, Mauve needs to come too." He insisted, "We both deserve to be out of this ward. Please, promise me that she will be freed with me." The Inspector's lip curled and he looked to Violet, one eye brow raised.

"She will have her own deal." He said lowly and then offered his hand out for Theo to shake. "Now or never kid, I am not playing around, that deal has a time limit of seconds. You shake my hand and get out of here today or I get up, walk out and leave you here to rot." Theo's heart raced in his chest, his eyes were wide and his breath was almost frozen in his lungs, stinging him and aching at every bruise, shock, or most recently stab and bite he'd ever had in that ward. He couldn't go through more of it and with Mauve getting her own deal to leave, Theo took the Inspector's hand and shook it.

𝐓𝐇𝐄𝐎 & 𝐕𝐈𝐎𝐋𝐄𝐓 @multipleoccupancy

Violet quickly fell asleep, but she woke up just as fast, startled by a nightmare. After that, she didn't dare fall back asleep, discreetly observing the orderly as he cleaned up the whole cell. It wasn't too hard to pretend to be asleep, lying down next to Theo. After a while, the cell was perfectly clean (save for the dead monster in the corner), but Violet wished the orderly would have given them clean pajamas too. She was still covered in blood, but it had dried up now, forming an uncomfortable layer over her skin.

With her eyes half-closed, she noticed the two men as they stood outside the room. Violet didn't know who they were, but she assumed they were the Delta Green agents sent to offer Theo his "deal". When the orderly went to wake Theo up, she didn't bother acting as if she was sleeping, simply sitting up on the bed.

Theo's warning confirmed her thoughts: this was a Delta Green agent. But not just any agent. The agent who had framed Theo and sent him to the ward. Her look hardened, and she put a protective hand on Theo's shoulder.

The man sat in front of them, introducing himself. "Hello, inspector," she replied coldly. Violet was unmoved by the agent's praise. She really didn't care if he was impressed! As far as she was concerned, he was a wicked man. But she knew she couldn't make a scene, and risk Theo's deal in the process. She had to grit her teeth and swallow all the things she really wanted to say.

"It ain't our first rodeo," she replied dismissively, hinting at Theo's first monster encounter, and her own "encounter", which was in her file.

[nanenna]

The Best Laid Plans

Sleepy King Master Post (for my contributions anyway)

---

“I’m driving,” Jazz announced, snatching the keys from her dad as they all walked to where the GAV was parked on the city hall’s lawn.

“Young lady,” Mom started to scold.

“I only have a limited amount of time to drive with supervision before I’m off to college and driving all by myself.” Jazz gave her parents the biggest puppy dog eyes she could muster.

“And I am more than happy to be that supervision,” Vlad said as he reached for the front passenger seat.

Danny quickly jumped into the back seat, as far away from Vlad as he could get. Jazz adjusted the seat and mirrors while she waited for her parents to get in. Then she looked Danny in the eye through the rear view mirror, “The engine doesn’t start until every last person is buckled in.”

“C’mon, Jazz! Even if your grandma driving somehow got us into a car accident we both know I’d be fine.”

“I’m not repeating myself.”

Danny grumbled as he buckled himself in, Jazz kept her smirk to a minimum as she started the car. While she drove them to Vlad’s home she half listened to her parents explain the situation to him, the other half of her attention being spent watching the cars on the road around her swerve and nearly crash around her. She pulled up to a red light next to another car, the passenger staring up at her dumbfounded. Jazz smiled and waved.

“So you’re telling me Daniel is now the Ghost King,” Vlad asked as they pulled up to his mansion.

“That’s what it looks like,” Dad agreed boisterously. “Right now it seems like a meaningless title, but we’re worried about him getting randomly summoned by those darn occultists!”

“A bunch of fanatics with ludicrous ideas,” Mom said with a sniff. “I’d hate to think what they’d try to do to Danny if it ever happens again.”

There was a pause as they all got out of the GAV, then walked into Vlad’s mansion together.

“That doesn't explain why you're here. Shouldn't you be in school, young lady?”

“Apparently it's school policy to send siblings home in these kinds of situations.” And Jazz was so thankful for that!

“And Danielle?”

“She doesn’t go to our school, now does she?”

Vlad nodded along before turning his attention fully on Mom. “I’m guessing you have a plan?”

“Of course,” Mom replied without another thought. “Since we’re pretty sure the title is attached to the crown, we’re going to destroy it and hope it destroys the Ghost King title.”

Vlad stopped in his tracks, “You’ll what?”

Dad patted Vlad on the shoulder consolingly, “I know, I’m sure Danny would be a good king too, but he’s adamant he doesn’t want to. And the risk of a bunch of wacko cultists kidnapping him is just too big.”

“It’s not like you want me to be king anyway,” Danny added with a smirk.

“Well… Little Badger, you’re so young!” Vlad blurted out.

“And it’s weird, you’ve had the crown for over a year now, but I’ve never seen you use it.”

Vlad sighed deeply, “I’ve tried, but it just doesn’t do anything.”

Danny just nodded, “So if it doesn’t work anyway isn’t it better if no one can?”

Vlad side eyed Danny before shrugging, “You do have a point. I shall go retrieve the crown, one moment.” He turned and left the sitting room he’d led them to.

The Fentons all sat down on various pieces of furniture. Their parents shared a couch, sitting as close together as possible, while Jazz and Danny each sat in a chair of their own. Danny sighed and slouched in his seat.

“Danny, have you let Sam and Tucker know what's going on yet?” Jazz asked. It seemed the easiest way to distract him while they waited.

“Yeah, kinda. I told them I was home safe and would explain everything after school.”

Jazz nodded, that seemed the safest.

“They promised to bring me my homework,” Danny added with a groan. “It's so unfair! I got kidnapped, shouldn't I get- oh shit!” Danny practically threw himself out of his chair.

“Language,” Mom chided.

“Don't sneak up on me like that!” Danny whined as he picked himself up off the floor. Then he froze, eyes glaring at seemingly empty space. “How did you sneak up on me? You didn't activate my ghost sense at all.”

Danny waited, presumably a ghost they couldn't see was responding. Jazz had learned from the Youngblood incident, she quietly pulled out a collapsed boo-staff from her purse.

“You don't know who I am?”

…

“Well yes, but ghosts don't usually call me that.”

…

“How about you tell me your name first?” After another pause he burst into laughter. “Are you for real?”

“Danny, is it Youngblood?”

“Huh?” Danny looked to Jazz, then back to the open space. He gestured, “You can't see him?”

Jazz and their parents shook their heads.

Vlad came back into the room holding a cardboard box, knocking a thin layer of dust from the top. “Here it is!” He looked up and frowned. “Who are you, and why are you in my home?”

Everyone paused for the response.

“He didn't set off my ghost sense,” Danny added, he turned back to the empty space, “Are you even a ghost?”

A window burst, shattering into many flying shards under Batman’s combat boots. Jazz instinctively covered her face and shrieked. By the time she looked up the blond man in a trenchcoat from earlier was climbing through the shattered window while muttering to himself.

“Was that really necessary?!” Vlad yelled angrily.

The blond man pointed at Danny and said something, dazzling light flew from his finger to hit Danny, leaving him standing there braced for impact but looking fine.

Mom squawked, “What'd you do?!”

“Danno! Are you okay?” Dad rushed over to check Danny over.

“I think I'm okay?” Danny said shakily as he straightened up from his protective curl to look himself over.

There was a familiar burning crown floating over his head.

“Huh,” the blond man said, “that was supposed to reveal your true form.”

“Congrats, this is my true form,” Danny said with an eye roll.

“Danny, above your head,” Jazz said carefully. Unfortunately that got everyone's attention, far more than Wonder Woman slipping into the room.

Danny looked up, “What? Where?”

“No Danny, it's the crown,” Mom supplied, coming over to stand next to him while glaring at the heroes and their pet wizard. (That was unkind, Jazz shouldn't think such things.)

Dany reached up and felt around until he found the crown, then pulled it down to look at. “Okay, crown retrieved.”

“We may have a problem,” Vlad said as he pulled an identical crown from his cardboard box.

“What.” Danny looked back and forth between the crown in his hand and the one in Vlad's. “Why are there two?” Danny turned to the pet wizard, “What did you do?!”

“I didn't do anything, that was purely an identification spell, it can't duplicate things!”

“Well clearly you did something wrong,” Mom said while glaring at the pet wizard.

Jazz extended the boo-staff and came to stand slightly in front of Danny, these guys may have powers but Jazz had helped fight bigger, badder beings.

Vlad started to step backwards, back towards the hallway.

“Oh no you don’t!” Danny let go of his crown as he ran over to grab the crown Vlad was still holding, it quickly turned into a tug of war.

“Vladdie? What are you doing?” Dad asked in confusion.

“You don’t need two crowns, and since this one was already in my possession…”

“Absolutely not, you fruitloop!”

“Danny!” Mom and Dad both chided.

The Justice Leaguers had all gathered together and were just watching, seeming unsure what to do after all their silly dramatics.

Vlad glowered down at Danny’s hands on the crown, then his eyes widened. He switched to trying to grab Danny’s hand.

Danny looked down, his own eyes widened as he curled his hand into a fist. “Is that the Ring of Rage?! What the hell, that should still be on Pariah’s finger!” Danny looked at the pet wizard in horror, “What. Did. You. Do?!”

“Danny, Vlad, stop it both of you!” Mom moved over to the two and tried to separate them, Dad joined her and was doing his best to cajole them both into backing down. For her part Jazz kept her eyes on the intruders while the rest of her family and Vlad squabbled.

“Alright, that’s enough,” the pet wizard said grumpily before raising his voice. “Shut up!”

[felassan]

Dragon Age: The Veilguard - very early days concept art/story ideas drawn by Matt Rhodes. under cut due to possible spoilers [source, two].

Art by Matt Rhodes.

Caption on first 3 images:

"A long time ago... All the way back in 2014, before Dragon Age: Inquisition had even shipped, I started sketching out what cool things might come next. We had momentum, so these quick mock ups explored where some of the unfinished story threads might lead."

File name "Last hope". Caption: "The world is falling apart, so the Divine sends out several elite teams to seek out answers. The art team loved the idea of having at least one "parallel party", another group of awesome characters you cross paths with, to help imply a bigger world."

File name "Power vacuum". Caption: "During Thedas-wide chaos, three enemy factions are ready to take advantage of this moment: Tevinter, the Chasind, and the Qunari"

File name "20 years". Caption: "Chaos is spreading, and various factions from around the world come to seek council from the Inquisitor."

Caption on next 4 images:

"More early exploration All the way back in 2014, before Dragon Age: Inquisition had even shipped, I started sketching out what cool things might come next. We had momentum, so these quick mock ups explored where some of the unfinished story threads might lead."

File name "Dwarven refugees". Caption: "There are stirrings in the depths that are disturbing enough for the Dwarves to do the unthinkable: flee to the surface."

File name "Elven exodus". Caption: "Elves from all across Thedas are leaving their lives behind to answer a mysterious call coming from Arlathan forest."

File name "Friendly invitation". Caption: "Meeting Solas in Arlathan forest, and the army he's been secretly building."

File name "Titan rips open the Veil". Caption: "An artist's pitch for a potential end-game. Solas has raised the titan upon which the city of Minrathous had been built, in order to use its strength to tear open the veil."

[mistresscitrusslice]

The Season 2 Opening. We Must Discuss.

First of all, small beans. Instead of static, lifeless statues, this time we get moving humans. Mel features significantly more than I expected, so she'll probably be a much more major character than I expected for a non-champion character and I'm so happy for her. I believe the use of moving people instead of statues signifies that immense change will be happening. What we thought was literally set in stone in Season 1 will be turned on its head in Season 2.

Okay, on to the really concerning matters.

Yuhuh. Jinx moves too fast for me to get a good screenshot, but she gestures like this around her face a lot. I think we all already know about the Caitlyn-Jinx parallels, but my sister suggests it could be a red herring for the actual resemblances she has to Silco.

Sis gets credit for the following observation, but Caitlyn's daydream sequences about shooting Jinx are controlled and clearly separated from reality unlike Jinx's.

However, sis has not seen ep 2 yet, where Caitlyn does have that moment in the arcade where she shoots her vision of Jinx among the wooden dummies. Not only does this more closely resemble Jinx's hallucinations, it also parallels Jinx shooting the harmless crow in s1 e5. By the time the strike squad are about to leave, she can clearly tell that what she thought might be Jinx was really just a harmless wooden standee. Startling, but harmless. She shoots it anyway.

Caitlyn is totally gonna spiral more, and maybe she'll start losing her grip on reality too, but for now, she has more in common with Silco than she does with Jinx. Did anyone else get reminded of Silco's coat when Ambessa put the supervillain cape on Caitlyn? The collars don't look similar but they still eerily resemble each other, you get me?

Ok back to intro stuff

Vi wipes off her name from her face. That's two tattoos that are rendered impermanent in this opening theme. In the Fenty x Arcane video, they mention that Mel's golden freckles are tattoos. Later in the intro song, we also see her golden freckles gone. Change, impermanence. That seems to be a theme here.

Vi is literally erasing her name from her face. In any normal circumstance, I'd say that means she wants a change of identity, a desire to start over. However, I know that Vi's League lore involves amnesia. Does she really drink herself into that bad of a stupor? Jkjk. I assumed that her amnesia was replaced by the Stillwater imprisonment to explain how she got topside and with the enforcers, but perhaps I was wrong. Maybe they do still intend to go the amnesia or partial amnesia route with her.

The teasers implied that Vi shares the genetic trait that has Jinx predisposed to hallucinations. It's possible that this eventually contributes to her loss of memory, but I wouldn't call it quite yet. However, if this happens during her emo era when I'm assuming she has no support system, she'll be very vulnerable, unlike if it were to happen while she was still partnered with Caitlyn, in which case they could easily fill in most blanks in her memory.

I have no idea what to make of this. It's clear as day what they're paralleling, but why? Why the flashlight scene? My best guess is that they're trying to draw on déjà vu, implying a repetition of history, but why this particular moment? They could've easily chosen anything else in Jayce's s1 arc. He has many more memorable moments than this. Let's see, I'm literally making this up as I go.

This meeting was a pivotal moment for Jayce. Both his meeting with Viktor and his meeting with Mel changed his fate. The Viktor one is pretty self-explanatory, but without meeting Mel, they would've both just gotten exiled or locked up again. With Mel, they had someone in power who could vouch for them.

That begs the question, is Jayce meeting someone new? Or is this a reintroduction to someone he's already known before, a new meeting after a long time apart or after a significant change, maybe a change in them both. I believe it must be someone who was involved in the original hallway scene.

Jayce is either looking at Mel again or at Viktor. Given the amount of Viktor/Mel parallels in Season 1, I believe Jayce is looking at Viktor after he's undergone his likely final evolution. That'll obviously be another pivotal moment for him... but will it be a good one like it was with Mel? Viktor has power now. He's performing miracles. He's, like, two steps away from parting the Pilt River like it's the Red Sea. He seems to hold a grudge against Jayce, though, for *checks notes* saving his life? Jk I know he feels like he's losing autonomy and like Jayce didn't respect his wishes with the Hexcore and Jayce obviously couldn't let Viktor die when he'd fought so hard to stay alive before.

Anyway, I feel like this could easily be both a good omen and a bad omen for Jayce. More than anything, I feel like it'll be an epiphany. He is quite literally seeing the light. The light at the end of the dark tunnel? The light of the heavens at the end of his life? The light of a revelation sent by a god he once knew as a man?

Seeing Mel screaming bloody murder during the opening, this was the first place my mind went to. The pose doesn't match up exactly, and Jinx/Powder's screams are definitely wilder, but I feel like there's definitely something here. Is there anyone else who screams like this, thrusting their head forward and keeping their arms back?

We also see the shadow hands from this earlier shot:

I'm thinking of the Black Rose (is that their name?) kidnapping her in thin air, incorporeal hands reaching at her and snatching my joy the love of my life Mel away. It could also represent people grasping at the power Mel wields, both as the wealthiest Council member and as a Noxian princess, one of the closest people to Ambessa, the one wielding the most power right now.

Mel is really out of her depth right now. Her power and influence is up for grabs if she dares to blink and let her guard down. I'm also surprised that we don't see her fight back at all when there's danger around. I thought she might have more battle experience as she was raised by Ambessa. For those people wondering about her magical powers, I think she would've used them by now if she had them. Council attack aside, which could've been Viktor's magic, she wasn't able to do anything about the memorial attack or her own kidnapping. I think they're trying to show us that Mel is not as untouchable as she presents herself. Under the right circumstances, she's just as vulnerable as any civilian.

The sliver of light? My sister pointed out that it looks just like the crack of light between two double doors. Almost closed... or barely open? It appears in pretty much everyone's shot in the opening, but it's right down the center of Mel's face here. Is she torn between two sides? Is this about an impossible choice she has to make?

The spotlight is also on her. That's two sources of light. It looks like a red sun. All eyes on her as the surviving voice of the Council?

And her expression... shock, fear, horror. The heavy breathing, the look on her face... I feel eerily like I've seen it on someone else before. I can't place who, but I'm getting déjà vu from this. Does anyone else recognize this expression and these mannerisms?

[holybibly]

More food play, bunnies? You wanted it, now you get it. Unholy thoughts of the day, bunnies: The idea of serving a luxurious dinner on a naked, hot body has never sounded so appealing, especially when the main course comes with sweet, wet pussy for dessert. Or dirty, perverted idols Ateez discover the exciting, sexy experience of Nyotaimori during their schedule in Japan.

Nyotaimori - often referred to as "body sushi", is the Japanese practice of serving sashimi or sushi from the naked body of a woman. 

Yunho first heard about it from his friend the last time he was in Japan during a break between comebacks. His friend described it as the most vivid, hot, and incredibly sexual experience of his life. And incredibly expensive too. But as Minhyuk assured him, it was worth every damn penny, and he would definitely go back to this special restaurant again to get supplements. And Yunho thought about it seriously. He even did some research and watched some porn on the subject and some hentai videos, and he has to say that it turned him on so much so that he had to jerk off several times in a row to completely empty his balls and quench his need to fuck.

His dick was so hard and pulsating rhythmically as he watched several guys on the screen eating sushi and sashimi from the naked body of a pretty busty girl with a tiny, slime-stained pussy and then fucking her hard in all the tight, wet holes. They were pulling her onto their big cocks, after which they cum all over her body, covering her completely with their sperm. And fuck, now this sweet, haunting image is permanently lodged in his head. 

Of course, his friends weren't left out of Yunho's new dirty hobby. At first he only told Mingi about it, and, as usual, his best friend supported him enthusiastically, and soon they were both greedily glued to porn videos of this style. Gradually, it spread beyond the two of them, and soon the whole group was somehow drawn into Yunho's hot, perverse fantasy of nyotaimori and dirty gangbang.

It got to the point where all the boys unanimously decided that on their next trip to Japan, they would definitely visit this special restaurant that Minhyuk had recommended. And so Yunho found himself in the dark reception area of Deep Dive, one of the most modern and hyped places in Tokyo. And for good reason, as this restaurant offered not only a deep culinary immersion into a variety of exquisite tastes but also into the depths of various sexual practices.

"So, Mr. Jeong, do you have a preference for a host for your dinner?" The woman in front of him looks stunning, but so does the shark looking for its prey.

Yunho clutches the list of preferences that the other members have written down regarding the type of girl they would like to see on the table.

"Ahem..." He clears his throat before he speaks. His cheeks are slightly flushed, but the thought that he is about to make his dirty dream come true makes his dick tense. "We'd like someone juicy..." God, it sounds so stupid, and judging by the way the woman in front of him raises a questioning eyebrow, he is not the only one who thinks the same. So Yunho quickly corrects himself. "I mean with curves, big and heavy breasts, a fat ass, hips, but petite."

"Okay, I get it; continue." The lady encourages him, making notes in her notebook.

"If possible, we want a more submissive girl, maybe into pet play and daddy kink."

"We can give you exactly what you want. What about sexual practices? Do you have any preferences?"

Such a frank, dirty question should embarrass him even more, but instead Yunho's eyes darken and his voice becomes confident and hoarse.

"Voyeurism, size perversion, deep throat, spanking, spitting, objectification, possibly double penetration and squirt, plus of course fingering, cunnilingus, and other classic practices."

"Yes, I understand." She writes something on the notebook again and looks up at him. "Do you want to role play with coercion or are you more attracted to enthusiastic consent?"

"Enthusiastic consent, please. We want her to want it too. Maybe even too much." Yunho bites his lip and drums his fingers on his knee, either from nerves or excitement.

"You're in luck, Mr. Jung; one of our new girls is really into group sex; you'll love her." A dazzling smile appears on her lips, and she looks straight into Yunho's eyes as she begins to repeat his order loudly and clearly. "So, Friday night at eight o'clock, we're expecting Mr. Jeong Yunho, Park Seonghwa, Song Mingi, and Jung Wooyoung at private booth number 8 for a tasting dinner. On our part, we guarantee complete safety and anonymity of your data. The NDA file was sent to you in advance by email.

The menu consists of twelve starters and one main course, which will be served by Miss Y/N, who will also be your host for the evening. Dessert is included. You have chosen the full immersion experience with special services (which implies a full-fledged sex scene). The cost of your dinner is one hundred million yen. Will you confirm your order?" The lady pushed the ATM towards Yunho and batted her eyelashes cutely, waiting for the beep to inform her of a successful transaction.

Yunho nonchalantly swiped Hongjoong's black bank card at the terminal and pressed the confirm button. As soon as the machine made a cute "ding," the receptionist extended her hand across the table for Yunho to shake.

"I hope your Deep Dive experience is truly memorable, Mr. Jeong. See you on Friday."

[puck-luck]

14 of hearts with Quinn 🙏 they finally talk about starting a family after being at a team event where the reader spent the whole night with the kids and after the families with kids leave she gets sad…and a little drunk

Warnings: talk of pregnancy, breeding kink, PDA WC: 578

You have a slight problem. You’re tipsy and there’s a baby in your arms. You’re drunk enough that you’re not sure exactly who the baby belongs to, but Quinn had been carrying her awkwardly, so you’d scooped her up and decided to dote on her. Of course, you’d had to cross the room to get to him and the baby, your vision tunneling as soon as you spotted him. 

Turns out, Quinn was only holding her so that her parents could wish the hosts goodbye without a tired baby in their arms. She’s taken from you far too soon, which you act gracious about, but inside, you’re pouting. You love babies. They’re so cute and so precious and you love the idea of watching a tiny little human, that you made with the love of your life, learn how to be a person. 

Once the parents are gone, taking your new favorite little friend with them, you pout at Quinn outwardly. “I want one,” you whine petulantly.

Quinn rolls his eyes, but he smiles at you fondly. “You’re drunk,” he says.

“Only a little,” you reply. “And that doesn’t change anything. I still want a baby. I want you to give me one.” You bring your hands to his sides and wrinkle the fabric of his shirt in your hands. 

Quinn covers your hands with his own and removes them from his clothing. He fixes you with an unimpressed look. “We’re in public,” he reminds you.

“Then take me home.” You bring your arms over his shoulders, plastering yourself against his front. You touch his nose in a brief Eskimo kiss, ghosting your lips over his. “We should practice.”

“Practice what?” Quinn asks, playing along. He hugs your middle, keeping you close. You’re both toeing the line of acceptable PDA, especially when you’re at an event with Quinn’s colleagues, but you can’t be bothered. You’re horny and you want to make a mini-Quinn. You’ve seen his baby pictures– he was adorable. 

“Making a baby,” you sing-song, toying with his hair. He hasn’t cut it since the start of the season, so it’s growing nice and long. He also hasn’t shaved in a little while, so his facial hair is your favorite length. “I’ll let you come inside me as many times as you want.”

“Tempting,” Quinn laughs. “But, again, baby– you’re drunk.”

“I’m horny,” you correct.

“You’re horny because you’re drunk,” Quinn says. He pecks your lips. “I promise, as soon as we’re both sober, we can do every little dirty thing you could ever dream of.”

“You’re no fun,” you tell him with a frown. 

Quinn allows one of his hands to drift lower and pat your ass. He kisses your cheek, then puts his mouth right next to your ear. “We can have a lot of fun tomorrow,” he mutters. “When you’re sober. I want you to remember every second when I try and knock you up for the first time, baby.”

You straighten your posture a bit, reacting to his words. You sway with him a bit like you’re slow-dancing. It’s certainly out of place in this environment, to be holding your boyfriend so close for this long, but you don’t care. You want to be touching him and you like what he’s saying.

“Gonna look so pretty with my cum dripping out of you, sweetheart,” Quinn continues. “But I’ll have to make sure it stays inside somehow. We can’t take any chances, can we?”

[slvtforoldermen]

SKZ x Sex Drive

How horny are the members of Stray Kids: Most to Least.

Warnings: Smut duh. Discussions of sex drive and boundaries. Pegging implied.

PLEASE REQUEST IF YOU WANT ANYTHING 🤍🤍

Most

1. Jisung

- Are we surprised? He gets so desperate and so clingy like, all he wants is to be inside you or for you to be inside him~ He’s so soft and sweet but he’s so horny and desperate that he can’t help but cum the minute he slides into your pussy. He makes up for it though, he always does, because he eats you are so good after. He gets so upset if you don’t wanna have sex with him if you’re busy or just not feeling it. He’ll be pouty yes, but he would never EVER want you to feel guilty about not being in the mood.

2. Changbin

- Okay, imo this man is HORNY!! Like, his sex drive is high, not creepy high where he’s thinking about sex 24/7, but when he sees even an inch of your skin that you usually cover, even when it’s starting to get warmer after a cold winter and you wear shorts or a crop top for the first time, he can’t keep his thoughts away. He gets frustrated easily, so he’s not having sex with you everyday because he can just go to the gym if he wants to let off some steam, and if you’re not in the mood, he’ll drill it into your mind that he’s not mad before you runs off to the gym. He just, he loves you so much and you have to torture him by having such a sexy body. It’s not fair, let him like… eat your pussy or something, once a day at least?

3. Felix

- Guys, he just, he’s just so lovable and romantic when he’s horny. He’s so gentle. You’ll be in the kitchen and even though he’s stressed and horny out of his mind, he’ll still wrap his arms around your waist and kiss your neck softly, quietly begging asking if he can take you to bed. If you say no, he’ll be so so understanding, all he’ll want is a cuddle and to vent about what happened the day. He’s incredibly horny, yes, but he knows your boundaries and he wouldn’t ever dare cross them.

4. Bangchan

- Now listen here, when this man wants to restrain himself he will, but when he’s horny, he’s a monster. There’s a reason why the man wrote Railway, it’s because he’ll run a train onto you. When he’s mad or stressed, he’ll be rough, grunting and groaning as if he’s a… wolf 😏. But he wouldn’t hurt you, he wouldn’t ever try to hurt you. Even when he’s mad, he’ll still check up on you, and prep you. That’s a must now cmon, have you seen him? If you say no, he won’t even touch you unless you ask him to, he treats you a little too delicately, which sometimes pisses you off, and then you need to prove to him that you’re not made of glass.

5. Jeongin

- BARK BARK!! Sorry, it’s very clear he’s my bias wrecker. Anyway, Jeonginnie isn’t the horniest of the bunch, despite a lot of contradiction, he’s got a lot of self control when it comes to his sex drive. But when Jeongin fucks, Jeongin fucks. He’ll go down on you as if you was addicted to your taste (when he defo is but he won’t admit it), he’ll be sweet sometimes, smiling at you sweetly as you look so pretty under him, he’ll praise you and kiss you for hours. But when he’s stressed, GAWD DAYUM, daddy toast has arrived. Due to being the youngest, he has an inkling of a control kink, he’s not submissive at ALL, so he’ll be rough with you when he’s mad, unless you tell him to stop. If you tell him no, he’ll be slightly confused, because now he has a raging boner and no idea what to do, but always ends up jerking off. NEVER makes you feel bad, he loves you way too much for that.

6. Seungmin

- A lot of people think he’s horny, however, I think Seungmin’s sex drive depends on yours. If he wasn’t with you, he would probably jerk off like once or twice a week. He’s got better things to do with his time. But he finds how horny you get endearing, and that gets him horny. If he is horny and you’re not in the mood, you guys will end up cuddling and he’ll hold you. He secretly loves domesticity. If he’s frustrated he’ll be rough: if he’s calm, well�� that all depends on you being bratty or not.

7. Hyunjin

- Like Changbin, Hyunjin has other vices, but unlike Changbin, he can keep his horniness down impeccably well. Ever since he started painting regularly, he doesn’t feel as horny as often. When he does, he’s so romantic. I can’t picture this man being rough: he’s a soft dom, period, the end. When you say no, he’ll offer to paint you, which is something you can’t say no to, he loves painting you, half of his paintings are just you. Overall, he’s a sweet lover who loves painting you, whether that be on an easel with acrylics, or on your body with his cum.

8. Lee Know

- The same situation as Seungmin. His sex drive depends on yours. He’s a talented lover and he’ll take his time with you. He’s gentle and loving, but when you want him to be rough, his sweet switch will turn off and he’ll be mean easy. I don’t believe this man is cold at all, he’s kind and gentle and loving… until you’re a brat and you break that barrier, then he’ll fuck you into tomorrow, with tomorrow’s aftercare being incredible. If you say no, he’ll be a little confused, because normally you’re the one initiating, so he feels a little insecure, but once you explain why, he’ll smile and cuddle you. Minho’s a cuddler, period.

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