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passionate-reply · 4 years ago

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This week on Great Albums: we are FINALLY talking about the Pet Shop Boys! They’ve only been my favourite band since I was, like, eight. Whether you want to understand the hype or you’re already Team PSB, come check out this video and hear all about 1990′s Behaviour. (Or read the transcript, below the break.)

Welcome to Passionate Reply, and welcome to Great Albums! It’s time for me to finally do a video on one of my favourite bands of all time, and the very first band I obsessed over when I was a kid: the Pet Shop Boys! Their fourth LP, 1990’s Behaviour, is considered by many to be their best work, and it’s also one of my personal favourites of theirs, so it seems like a great place to start.

The preceding Pet Shop Boys LP, 1988’s Introspective, was their deepest dive into densely-arranged, nightclub-ready post-disco compositions. Nowadays, people tend to praise it for its more experimental and baroque qualities, but it’s also very much a party album, blending synth-pop with house and rave influences.

Music: “Domino Dancing”

At the cusp of the 1990s, there was certainly no shortage of interest in upbeat, rave-y party music, and the so-called “Madchester” scene was in full swing. But the Pet Shop Boys’ follow-up to Introspective would take their sound in a different direction. They went to Germany to work with Harold Faltermeyer, best known for his instrumental synth smash “Axel F.” There, surrounded by Faltermeyer’s collection of analogue synthesisers, they would create an album that was...well, kind of a downer.

Music: “Being Boring”

Behaviour’s opener, “Being Boring,” is a track whose reputation probably precedes it--it’s one of the best known Pet Shop Boys songs, and over the last thirty years, it’s become emblematic of its era. “Being Boring” is a stark and pensive reflection on the tragedy of the young lives lost to the AIDS epidemic, and the uncanny strangeness of getting older while knowing a lot of others didn’t have that luxury. But at the same time, there’s something surprisingly jubilant and triumphant about the way that chorus rises up, almost like exultation at having survived, even though the verses feel more downbeat. Lyrically, the focus on “having never been boring” puts focus on having lived a vibrant life moreso than it does the silence of the crypt. Behaviour might be a somber album, but it’s not without a sense of hope or optimism; just listen to the track “The End of the World.”

Music: “The End of the World”

While “Being Boring” deals with the very adult gravity of death, grief, and survivorship, “The End of the World” asks us to imagine the petty romantic squabblings of teenagers, and their magnified sense of importance. While its title is a bit ambiguous, the song itself is quite clear: what is going on here is, by no means, the end of the world! Like I said, Behaviour is far from all doom and gloom, though it has sort of gotten that reputation. While acclaim for Behaviour is certainly as common among hardcore Pet Shop Boys fans as it is anyone else, I’m tempted to think that some of the praise it receives from relative outsiders is connected to this perception of it as the “serious” Pet Shop Boys album, that deals with real issues instead of being packed with fun pop songs. While I like gloomy, serious music as much as anybody, and personally prefer it to the more light-hearted releases, there’s no reason to predicate appreciation for the Pet Shop Boys on their being cerebral or high-minded. But that seems to be a common plague of a lot of music criticism, particularly of that rockist sort. The track “How Can You Expect To Be Taken Seriously?” serves as its own sort of commentary on rock culture.

Music: “How Can You Expect To Be Taken Seriously?”

In “How Can You Expect To Be Taken Seriously?”, the titular question is posed to rock stars whose inflated egos make them think they have something meaningful to say about big issues like politics. The song’s rougher soundscape stands out against dreamier tracks like “Being Boring,” and perhaps kicks it slightly closer to sounding like a rock song. While I can certainly get behind a song that mocks rock and roll self-righteousness, it does seem a bit ironic in the context of Behaviour, an album that would see the Pet Shop Boys making a clear effort to tackle meaty, real-world issues. I suppose that any album released by artists who were already established in their career might be expected to include some consideration for the dilemmas that come with that territory. Another track that explores this theme is “My October Symphony.”

Music: “My October Symphony”

While never released as a single, “My October Symphony” is a popular track nonetheless. It was inspired by the life of the great Russian composer, Dmitri Shostakovich, and portrays the grave uncertainties presented to the artist by the collapse of Communism, and with it, the prevailing sense of mythology and moral values. Given the themes involved, many have interpreted it as a track that obliquely questions where famous queer artists like the Pet Shop Boys were going, in a world that had been devastated by AIDS. While it’s about a very different kind of musician, I certainly like to think it’s a track that “rhymes” with “How Can You Expect To Be Taken Seriously?”, in that it also questions the relationship between artists and the values of the society around them.

Behaviour’s cover art recalls that of the Pet Shop Boys’ 1986 debut, Please, with a strong emphasis on empty, white space, and a small design in the center. While the relationship of its four panels is ambiguous, it could be interpreted as a representation of death--as a face turns away, the human figures disappear, leaving the still, unchanged inanimate objects behind. As children, we quickly learn that not being able to see something doesn’t mean the thing is truly gone, but nevertheless, we sometimes have a tendency to ignore things we wish would go away. Perhaps the cover of Behaviour is an allusion to the way world governments buried their heads in the sand, so to speak, regarding the AIDS crisis, hoping it would conveniently die down and vanish when it wasn’t being observed.

The title of “Behaviour” is perhaps even more mysterious and up to interpretation than the cover. There’s something very detached and clinical about that word--an impersonal ambiance. I’m reminded of the seemingly unsympathetic narrators of several tracks, such as “The End of the World” and “How Can You Expect To Be Taken Seriously?”, that seem to cast judgment on the actions of others without taking an interest in their emotional internality. They discuss “behaviours” as cut and dry phenomena, and focus on the actions that people take. While neutrality can be cold and condemnatory, it can also be a welcome change when introduced to a subject traditionally treated with hostility. In that light, I’m tempted to think of the title as referring to homosexual “behaviour,” contextualizing sexuality as less of a fixed identity, and something that one intrinsically “is,” and more about an action, a decision, something that one “does”--a mentality that a lot of people find rather liberating.

In introducing Behaviour, I described it as an album that’s often considered the Pet Shop Boys’ best work. But their 1993 followup to it, Very, is also a strong contender for that title, in the hearts of many of their biggest fans. *Very* has a lot more in common with *Introspective* than it does Behaviour, going back to rich, dense productions and upbeat, poppy love songs. The fact that the Pet Shop Boys managed to pull off two very different, but both very acclaimed, releases back to back speaks volumes about why people love them as much as they do. Whether you like them or not, they’re undoubtedly one of those artists who some people can turn to in just about any mood, or any season of life, and that’s a powerful thing.

Music: “I Wouldn’t Normally Do This Kind of Thing”

My favourite track on Behaviour is its lead single, “So Hard.” It’s one of my all-time favourite Pet Shop Boys tracks, and almost certainly my favourite of their singles. With its wryly bitter narrative of two-timing lovers, and harsh, clattering analogue synthesiser soundscape, “So Hard” has a pretty different feel to the rest of the album--dark and ominous, without that wistful, sentimental aura. But that’s exactly why I like it. The Pet Shop Boys were among the first artists to deliberately adopt analogue synths for the subjective qualities of their sound, and this track employs them in a way that’s reminiscent of what artists tend to do with them nowadays. It’s punchy, with that clunky, mechanistic analogue quality to it. Not a typical Pet Shop Boys song, but a damn good one nonetheless! That’s all I’ve got for today, thanks for listening.

Outro: “So Hard”

#music #pet shop boys #album review #album reviews #great albums

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aneomeris · 4 years ago

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A Searching Burst of Inane Opinions

Shadow and Bone, episode 1. Snap reactions.

- The flashback *and* narration at the beginning of a show? Not a fan. Pretty picture, though.

- Introducing Mal and Alina. So, I feel like I’m going to ship yet another doomed ship. Bad me, bad.

- Is that discount Marilla Cuthbert blind, did she not see Alina menace the boy with the knife? Is she acting like she didn’t notice a thing on purpose?

- Oh, the cute kid and the cute baby rabbit!

- Oh no, the cute kid and the cute baby rabbit I feel like he killed on Discount Marilla’s request.

- The cute goat won’t make me forget the cute rabbit. The dog might. Oh, and the horsies!

- Okay, so Alina sees Mal, the two have chemistry. If they didn’t clarify that they were “besties only” I’d have thought them together. On the one, long time bestfriends introduced at the beginning are usually doomed love interests, on the other they seem to click, she seems to look at him with genuine interest and affection... My, I’m torn.

- Okay, I’m going to say it once: the town names are making me laugh (especially paired with the preference for whiskey as the drink of choice for a common soldier. Not a fan). The Fold being the name for “evil, mysterious thing” isn’t helping either. Comes with the genre, I know and love it. But the Fold... sigh. Fine.

- Okay, one last tiny thing: Kerch, really? Is there, by any chance, a new, cool bridge? I’m done, I promise!

- Possible favourite secondary character. The sirens are wailing, alert everyone!

- Jesper. His name is Jesper. Smartass, handsome, reckless? Sign me up!

- Okay, smartass with a side of wicked? “Who can hear a whisper here?”, Mr. Brekker you are a strong contender as well. Jesper is handsomer though.

- Ooooh, the painting. Cold mofo. Rising up as a favourite and fast.

- Pretty. Too pretty to be a shadow dwelling person, the Miss Inej.

- Kaz, sorry to say, but your unwillingness to buy out others from slavery because they are “not like you” is making you lose points. Jesper in the lead for fave.

- The food scene showed Mal as brazen, caring and not that bright. Going in an officer’s tent? Oh well. The flirting surprised me. Also, Zoya confirmed that all the magic users are showoffs. Bad for my growing Malina shipper heart, if he’s already having other romantic avenues presented. I knew it would be the losing ship.

- On the one hand, the main character is brooding. Bad. On the other, for once they admit it. Good, refreshing. Fine. Fine.

- Not fine, nothing is fine, what was that almost kiss? Her jealousy I could handle rationally (I’m not invested enough yet to jump from joy), but that almost kISsSISSS?!?!?!?! Are you trying to tell me Mal is doomed to die? No, I’m not a fan of that idea, no way. I’m not invested, you are!

- More horsies!

- First awkward line delivery - check. Alexei (?), I don’t even know what will happen to you, with that line delivery.

- Yay. another flashback. just, stop being lazy, show. You were establishing your characters well enough without them already.

- Oh no. Oh, no, first episode and I feel like punching the female heroine already? Oh boy, they were doing so well, but her selfishly burning important maps, that probably could have cost someone’s life, all to be with Mal? Either it better be True Love for them in the long run, or someone should call her out, at some point, because that was shitty. Shame on you, girl. I liked you, and now you’ve slid under the shadowy hottie I know nothing about and the guy who won’t buy other slaves because shadowy hottie is unique and no other person deserves the effort.

- Hot “infernal”, weird line delivery 2.0. I feel like she is the character of power doomed to die to show us how big the danger is.

- Into “the fold” we go. That came out wrong. No, just no.

- Credit where it’s due - there’s nothing near the darkness we had with the last seasons of got, I can see everything. Btw, not a criticism, I prefer this Pirates of the Caribbean approach, than straining my eyes to see little to nothing. Realism isn’t always worth it.

- Shadow monster dragons? What cool design will we get in this franchise?

- Nevermind. They don’t look cool. Disgusting, yes.

- Great job, Alina. That scared, dead cartographer is on you. The other is a coward, but without you he wouldn’t have been here, or maybe not this early. Just, slap her for the guys being on the ship because of her poor choices, please.

- Is this Mal’s end? They didn’t kiss, but it’ll be horribly tragic? No!

- Oh, they are holding hands, he’s alive... am I not a clown for once? Is he going to be alive and them together, twenty seasons from now?

- So, Alex, I am not sorry for you anymore. Also, to me the transition from Mr. Impeccably Bad Guy was unnecessary.

- Okay, Kaz conning the guard with counterfeit coin, in an echo of Jesper earlier, regains him points. Smart and human?

- Thank you, Netflix, for not creating a convoluted timeline with no distinction between beginning, middle, end, like that one other show.

- The coward was promised freedom? Yeah, that promise is translated as death.

- Called it.

- So, the trio is going to be looking for yet another Stark? Okay then.

#night watches #shadow and bone #impressions and ramblings #spoilers season 1 sab

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benisasoftboi · 4 years ago

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Unorganised thoughts on Trails of Cold Steel I:

So I did like it overall, but I have a lot more criticisms of it than I did of the previous games

Which also means I have way more to say!

Tl;dr - Rean Schwarzer, Estelle Bright you are not

Also, spoiler warning for both this game and the previous ones

So... the pacing in this was weird. Like I loved all the field study segments, they were SO fun, but there’s also the Trista segments between which very boring and felt like filler

I think it’s meant to make the ending feel more important, since you’re defending the school, but it kind of backfired because being forced to run around Thors (which is not a very interestingly designed location, by the way) over and over and over again actually made me kind of resent it. To a point where I low key wanted the ILF to destroy the school. Oops

Like I cared about Liberl and Crossbell because they were interesting, and big, so I never really got tired of them. I got tired of Trista very quickly

Also having everyone in school uniform made their designs less interesting :/

The other places were all super interesting, though! I think if I had to pick a favourite I’d say Bareahard, but they’re all contenders really

Oh also the other issue with the structure was that everyone had to be mad at someone at all times, and it was almost comical how systematic it was - Rean and Alisa don’t get on, that’s resolved, now let’s focus on how Machias and Jusis don’t get on, that’s resolved, IMMEDIATELY we’ll replace that with Fie and Laura, then the moment that’s resolved it’s Jusis and Milliam...

Like, be a little less formulaic in your character conflict

Anyway, characters!

I do not like the thing where the character’s name appears in front of them before they say it. It was irritating

Elliot: The one I would have been in love with when I was eleven. Elliot is good and sweet and did nothing wrong ever. Holy Song is the most useful craft in the whole goddamn game. He also has easily the best S-Craft in a game where most of the S-Crafts are *decidedly* lackluster, aesthetically speaking. I like Elliot. His friendship with Gaius is also very nice

Jusis: The one I would have been in love with when I was fourteen. So, the moment I saw Jusis, my immediate first thought was ‘oh, this guy is one half of a gay ship’. I had no clue who the other guy was going to be, but I knew there was absolutely no way that Anime Draco Malfoy wasn’t getting shipped with a man.

And then Machias opened his mouth, and... every franchise, no matter what, has its gay OTP (its homoTP, if you will) - that one, usually M/M, but sometimes F/F, ship that’s practically got a whole side-fandom just for itself. Up until now, I assumed Trails’ was going to be Olivier/Mueller - but while I haven’t checked, because I don’t want spoilers, I will be shocked if these guys aren’t actually it. They have every making - opposites attract, enemies to lovers, they sing together, other characters make jokes about it...

Like, this was deliberate, surely? Surely?

yes i ship it but like, against my will and resentfully and semi-ironically, because I hate myself for instinctively taking the bait >:(

Something something ‘Turbo-Gehenna’ joke

Anyway, I like Jusis. I think he’s a fun character, easily the most interesting of the boys, and I really enjoyed his development. He has a cute smile

I also thought he had the best voice acting in Class VII, so I looked it up and Ben Diskin! I love Ben Diskin! I couldn’t even tell, I had no idea his range was that great, wow!

I did think it was extremely weird that if you invite him to the Stella Garten, he says he wants to date a woman who is ‘like his mother’. Okay, Jusis.

Machias: The one I would have been in love with when I was seventeen. You ever meet someone who’s like... always right, really, but in such an obnoxious way that you wish they weren’t. Machias. He would have been way more interesting if he was just a really politically minded teen who needed to learn tact, rather than yet another member of the Trails Dead Family Member Club (the fact that it was revealed right after Elliot’s Dead Family Member Club story did not help). Still, he really did grow on me in the end. He’s a little dork <3

Gaius: The one I would be in love with now, if not for the fact that he’s only seventeen and thus a little baby in my eyes. I do love his design the most. Can he say even one line that’s not about the wind, though? I also like that he’s one of very few characters in this franchise to not have a tragic backstory, was very refreshing.

I can only assume, therefore, that Nord will undergo ethnic cleansing in Cold Steel II

Crow: oh boy Crow hahahahahaha. I don’t know how I feel now. Uhhhh... what did ‘the things I do for love mean’? I am curious

Alisa: I don’t like tsunderes much, and I found her ‘being mad at Rean for something that was absolutely not his fault’ thing very, very stupid and it did not endear me to her at all (also, like, if you had to have that - a better way would have been for him to accidentally injure her, rather than... ugh, look, I am a woman with large breasts - accidents really do happen irl. There’s no point in getting that mad about it. There just isn’t. I have no patience for this kind of plot). It also bothered me how possessive of Rean she got, I swear I picked Towa over her half out of spite. I don’t hate her, though, to be clear - I loved her plot with her mother and that scene in Nord. And her relationship with Ferris! She’s great when she’s not talking about Rean, basically

I don’t buy her as Rean’s love interest, honestly. Rean consistently shows more attraction to Emma, and has more (mandatory/canon) moments with Towa. It only felt one-sided to me

Laura: I like Laura a lot. I don’t really have anything to say about her, just that she was consistently good, and I appreciated her maturity and self awareness, I love her and Rean being sword bros, she’s just great

Fie: I think Fie was designed to appeal to exactly me personally. Tiny snarky badass girl with a great design? That’s everything I love and aspire to be! Best girl in the game (didn’t date her though because she’s fifteen and I refuse to date anyone who is younger than the protagonist when I play games set in high schools. Feels weird enough dating teens the same age as my character. Also she had 0 romantic chemistry with Rean)

Millium: She’s fine, good voice acting, want to know more about Lammy, no strong feelings

Towa: I wasn’t going to date anyone, but changed my mind because I really liked Towa... and then I looked at her, and saw a tiny girl with long, light brown hair and soft voice, and realised I just want to date myself

I checked, and according to Playstation Trophies, at least, she’s the least picked girl? The only characters picked less than her are the non-Crow boys (Machias is the least popular, which... I feel a little mean for finding hilarious lol)

Emma: I like Emma herself just fine. Don’t get me wrong. But she’s infuriating as a mystery character, because she’s the worst kind of mystery - the kind that relies on the other characters to NEVER AT ANY POINT ASK THE QUESTIONS THAT A NORMAL HUMAN WOULD ASK

Estelle would have asked

Rean has multiple opportunities to ask her to explain herself, and he doesn’t! One time, she straight up ASKS HIM TO ASK, and he doesn’t! That’s not mysterious anymore! That’s just incredibly annoying!

Lloyd would have asked

And no one else asks either! Some of them, fine - I can understand say, Elliot or Gaius or Millium - but Jusis!? Jusis, who has been there for pretty much all of her mysterious vague magic, and has repeatedly shown himself to be willing to be kind of rude, and may not be that interested in other people but certainly isn’t stupid - while they’re in the Schoolhouse Depths, Jusis isn’t going to grab Emma by the shoulders and demand she explain what she knows? He’s just going to go with it as she refuses to elaborate on things?

Really?

Kevin would have - actually, no, Kevin would have already known because Kevin Knows All, but he would have told everyone else, so same outcome

Rean: And that brings me to Rean. Rean... is a JRPG Protagonist. He is good, and noble, and he gives Inspiring Speeches, and he can date all the girls (which means we don’t really get any interesting opposite-gender friendships, because oh no, a threat to the harem!), and he is so, so boring. My god

Hey remember how I praised Sky for how great it was to have Estelle be an actual person with flaws and personality? No you don’t, no one’s reading all of these, but yeah - Estelle is just as colourful and full of life as the rest of Sky, while Rean is the least interesting character in Cold Steel no contest

Oh he has a super powered dark side, oh, well, that’s a game changer, never seen that before except in every 2000s shounen anime. Also we never actually learn the Super Rean rules, so that dramatic moment where he’s thinking about transforming to fight Scarlet isn’t actually that dramatic because I had never realised it could kill him until he said so in that moment

Oh except he’s also an awakener and can summon a Persona giant mecha suit! Because he’s the most special boy to be very special? I have never seen that in a JRPG before except in all of them

In Sky, Estelle wasn’t special. Except she was, but it wasn’t because she had super awesome secret awesome powers and all the boys liked her best. It was because she was flawed, but always trying, and because she was incredibly brave and optimistic no matter what, and because she was the kind of person who told a god summoning evil mastermind ‘lol no’ and then beat him with a stick, and because she really, believably loved her friends. She loved them. And they loved her. Not the player she was the avatar of. Estelle herself

Estelle Bright has ruined me for all other JRPG protagonists, is what I’m saying

Oh also Rean has that whole speech about how they can’t cancel the festival to protect people from an unknown threat, that’s not fair to meeeeee, and as someone who has lived through the year 2020 - go to Gehenna, Rean

Olivier is back!!! And yeah I’m going to keep calling him that, that’s who I know him as, and also Olivert is a silly name

Even more importantly, Mueller is back!!! And he and Olivier still have the best comedy dynamic in the series, joyous day! THAT is love and peace, baby!

Sara really, really grew on me :) I want to see her interact with Schera so bad

I didn’t really like Sharon up until I worked out OH SHE’S OUROBOROS, because yessssss more of them! Also, yessss, guessed it!

Angie... predatory lesbian stereotype aside, Angie’s super interesting and I want to see more of her yes please

George is like, the most inoffensive character I’ve ever seen, but apparently he has haters? What!?

What is with these games and naming characters/things French words, and then PRONOUNCING THEM WRONG

I do not care that the official pronunciation is ‘Blue Blanc’. I will continue to pronounce it ‘Bleu Blanc’. Because that’s what you guys actually wrote, Christ alive

I have a French GCSE and I will use it for something, goddamnit

I took Jusis on the bike trip and he looked so adorably goofy in the little sidecar. Best moment of the whole damn game for me

I’m trying to imagine what it would be like to have played this game first, as I know a lot of people did. Specifically in regards to Olivier (or Olivert, I guess)

Like... imagine meeting this guy for the first time as a fairly serious leader of an important faction, participating in vital political machinations. Imagine meeting him here and not knowing about the Grand Chardonnay incident. Imagine not knowing about that time he stopped a riot by riding up in a boat and singing. Imagine not knowing he has a rivalry of aesthetics with a terrorist. Imagine not knowing what I was referring to when I said ‘that’s love and peace, baby’ just now

Incomprehensible

Side note, if you had told me, on one of those warm August days when I was first playing Sky FC, that the silly man in the white coat was actually one of the most important characters in the franchise, I would not have believed you for a second

But on that subject, I was also trying to work out who a first time player would be siding with... like, I’ve played Sky and experienced Zero (currently working way through Azure as well), which means that my immediate reaction to all of Erebonia’s politics was ‘trust whatever Olivier and the bracers say, don’t trust anyone else’. But someone starting with Cold Steel has no reason to have loyalties to those factions, so I’m curious

Side note, having played the previous games also massively impacted how I viewed the ILF - I’m very confident that I would have just taken them being evil for granted if I’d played this first, but considering they hate Osbourne... and Olivier does not like Osbourne... that kind of made me a lot more suspicious of who I was really meant to side with

I really liked most of the NPCs in this. I especially became weirdly fond of Beryl

However, I do now also have characters I actively dislike, a series first! Gwyn (creepy old man), Neithardt (sexist jerk, kick his arse Beatrix), and Dorothee (...could write a whole essay on the myriad reasons I do not like that particular archetype) get in the bin

Good god, every interaction between Rean, Emma and Dorothee made me want to smack the lot of them with my controller, Dorothee for being an absolute creep, and Rean and Emma for overcorrecting into low key homophobia (seriously Rean, you’re friends with a lesbian, the idea of the existence of gay men should not shock you this much)

Re: Elise... I heard the words ‘non-blood related younger sister’ and my eyes rolled so far back in my head I was afraid they wouldn’t come back down

Took me a while to figure out, but ideal team is Elliot, Jusis, Machias, with Laura and Fie as back-up

I would like to find whoever’s idea it was to make the S-Crafts unlock as the game progresses rather than just be there when you get the character, and shake them until they apologise. Have them evolve with the story, sure, but not having them at all wrecks the battle flow so much. Emma was unusable to me until chapter-goddamn-FIVE

I loved the Annabelle subplot, and the punchline that the person her family wanted to marry her off to was a Lakelord... I actually yelled

The concert was so hyped, and then there weren’t even any real songs (aside from the re-use of the end credit song from Sky, which made me very happy. And Olivier singing along made me laugh out loud)

TOVAL IS TOBY!?!?!

Man I’m so mad at myself for not reading Carnelia in/after FC (read it in 3rd), but still - what a reveal!

AND WHAT AN ENDING

I mean. At first

They did such a good job building the tension, and then-

The Crow twist, my GOD, when I tell you I freaked the fuck out... I was totally convinced that it was Claire. Or possibly Campanella on stilts. I completely overlooked that there was another major character with a C name, and honestly I’m glad I did because I have not been this shocked by a reveal in a while

And then I stopped taking it seriously when I saw the robots with heelys

It was all.. we had a very final boss-y final boss, right? Excellent final boss fight, very fun, very satisfying. And then the game just... kept going. I accidentally stayed up until 4 AM because I thought I was at the end and it just didn’t stop

And then it did. Very, very abruptly

(no seriously I was making some snarky comment about how goofy the flying robot suits look and then the game just ENDED, what)

(also worst *actual* final boss I’ve ever seen. the fact that they managed to make a battle between two giant robots, one of which was controlled by a traitorous former friend, feel like an anticlimax... that was impressive, honestly)

So Cold Steel I is... easily my least favourite Trails game so far. Again, I did like it, but like I say... Rean isn’t Estelle Bright. And that’s pretty much my main problem, in the end

Sorry, Class VII

OH MY GOD they never explained why it’s Class VII and not Class VI! My theory is that it’s either something about the Sept-Terrions, or the Seventh Division, since Olivier’s specifically connected to them. Or maybe both

Well - I’m excited to find out!

#long post #trails series #trails of cold steel #trails of cold steel 1 #kiseki series #erebonia arc

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that-shamrock-vibe · 5 years ago

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Disney+ What To Watch: My Top 10 Favourite Disney Live-Action Remakes

#2. 101 Dalmatians

Shockingly yes, the mid-90s live-action remake of my favourite animated movie of all time is not my favourite live-action remake, however it is up there as one of the best for several reasons.

First and foremost, real-life dalmatians. Whether or not these dogs are actually real or some of the animatronics provided by Jim Henson’s Creature Shop like the farm animals were, these dalmatian puppies are simply adorable. Seeing these puppies being born and playing around in the Dearly home make me so happy every time I see them and also when they are running across the snowy fields towards the Dearlys after escaping Cruella, heartwarming stuff.

Secondly, speaking of the De Vil, Glenn Close as Cruella De Vil is the original perfect casting just as more modern day Hugh Jackman as Wolverine, Robert Downy Jr. as Iron Man and Gal Gadot as Wonder Woman.

Not only does she embody what the original animated version of the villain personified, but because this movie combines the best parts of the animated movie and original novel, this version of Cruella is both very realistic to how an everyday fashionista is but also comes across potentially more devilish than the animated version.

The story is simple, but I disagree with that being a bad thing. Disney has so many fantastical movies that, for the mid-90s, would not translate well into live-action, they barely do in modern day. So having one it’s earlier more grounded hits to be one of the first mainstream live-action movies I thought was quite a smart move on their part because, even with the animatronics and possible cinematography trickery with the dogs, all they would really have to focus on getting right is the same portion of the movie that both Mary Poppins and Bedknobs and Broomsticks had to contend with 20 years prior.

One thing that never gets old for me is how fresh Glenn Close’s performance is every time I see the movie. It’s almost like every time I see it I find new nuance to her performance that I never discovered before.

Also, as much as I enjoyed the Badduns in the original animated feature, Hugh Laurie and Mark Williams as Jasper and Horace is not necessarily idyllic casting but brilliant casting none the less. It’s also a great introduction to Hugh Laurie for people that didn’t grow up on Blackadder and for Mark Williams about 5 years before the start of the Harry Potter movies.

In fact, obviously making the animals simply animals in this movie rather than anthropomorphic characters draws more attention to the human characters, because while they were important to the animated movie, aside from Cruella the main focus was the dogs.

Here though, Roger and Anita are just as fleshed out as they were in the animated original, in fact Anita moreso as she has a job and more of a solid connection to Cruella than simply being an old school friend.

The introduction of Cruella’s assistant Alonzo. another Blackadder alumnus who actually was technically replaced by Hugh Laurie in the franchise, is also another great addition because, not only does it add more comedy relief, but it shows that Cruella is cruel to everyone not just those who side against her.

Mr. Skinner as well is probably one of the most intimidating characters in a Disney movie, particularly seeing this as a 4-5 year old he was absolutely terrifying and the best part is, as I got older I learned to understand his traumatic backstory of having his throat clawed open.

The movie doesn’t have songs like the original but it doesn’t need them, having that jazzified rendition of “Cruella De Vil” in the end credits is all this movie needs.

Speaking of the ending, elevating the movie forward to the Dearly’s adopting the 84 abandoned dalmatian puppies rescued from Cruella along with the 15 they already owned which forced them to get a bigger place and actually seeing that bigger place complete with a newborn baby was a great ending to a movie, particularly after the establishment that Roger was able to afford it after he finally creates a world-class video game based on the movie’s adventure.

I also really enjoyed making Roger a struggling video game designer, because to me it is more unique than a struggling musician which we have seen countless times before.

They truly kept the best part of the original movie, they had that great meeting between Roger and Anita at the park, they had a different iconic introduction for Cruella than the original where she was introduced through her song, but here just having her march through her office building with her pelt sweeping behind her like the Devil Wears Prada was just so delicious.

The villain’s comeuppance scene also didn’t feel like the typical Disney live-action movie villain getting their comeuppance, it felt earned and it mattered. There was just such a great feel to this movie every time I see it. Right from when that acorn drops down the branches in the Great Oaks Entertainment logo screen to the closing credits with Dr. John singing “Cruella De Vil” I can’t say how much I love this movie.

So what do you guys think? Post your comments and check out more Disney+ What to Watch Top 10s as well as more Top 10 Lists and other posts.

#disney #disney+#disney plus #disney+ what to watch top 10s #disney+ what to watch #101 dalmatians #one hundred and one dalmatians #the hundred and one dalmatians

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scope-dogg · 6 years ago

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Brave Express Might Gaine: Final Thoughts

Might Gaine has become something of an unlikely Super Robot Wars mainstay, having been in the last two games and also in the upcoming SRW T. It’s a series I’ve been holding off on for a while while I waited for its ongoing fansub projects to finish, but with SRW T just around the corner, I was determined to see everything in the roster before the game came out, which led to a change of plans for me. While it’s true that the situation with English subs for this series is really rough and honestly makes it something of a tough recommendation, what we have was good enough for me to make it through and enjoy yet another solid entry in a series that’s yet to let me down.

The story setup is that in the future, the sudden depletion of fossil fuels leads to a revolution in technology, most notably in the form of a global electric train network, as well as the onset of super-powerful artificial intelligence and robotics. At the forefront of this is the Senpuuji Concern, a mega-corporation led by its brilliant teenage CEO Maito Senpuuji, who also moonlights as the leader of the Brave Express, a corps of railway-based transforming robots created to fight evil. Piloting the combined fighting mecha Might Gaine, Maito fights off a wave of robot-based crime that has arisen, although the Brave Express’ true purpose is to fight off an unseen great evil that still lurks in the shadows.

In terms of the other Braves shows I’ve seen, this one is probably most similar to J-Decker, which was the show that came immediately after this, at least in terms of the plot setup. The show’s main plot is a really slow burn up until the last few episodes, with most of the rest of the show being pretty standard episodic monster (or in this case, robot) of the week fare. That’s not to say that it isn’t entertaining though. Like J-Decker, Might Gaine has a pretty wild rogue’s gallery of robot super-villains. However, unlike J-Decker, it has a primary cast of four extravagant opponents - the mad scientist Wolfgang, bent on creating the ultimate battle robot, the Asian mafia kingpin Hoi Kow Low, Shogun Mifune, a man obsessed with recreating feudal era Japan, and Catherine Vuitton, a vain and conceited professional thief who has no issues with bringing misery to people in order to fulfil her strangest whims. Each of these four come up with some bizarre and unusual plots with each new episode, with weird and wonderful robot designs to match. It results in some episodes that I’ll never forget, such as Catherine’s plan to rid Japan of natto or Shogun Mifune’s plan to abduct world leaders to force them to ratify his appointment as supreme leader of Japan. This light-hearted tone is backed up by the cast of protagonists as well - at first, Maito seemed to be a pretty boring guy, being unrealistically skilled and successful at everything at a young age with no real character flaws, as well an a ridiculously rich billionaire to boot. However, it didn’t take me long to realise that it’s all clearly meant to be tongue-in-cheek, with Maito clearly meant as something of a parody of unrealistic main characters in anime. That was further driven home by his love interest Sally - the running joke with her is that she works wildly different jobs every week, and each time just so happens to be close enough to overlook Maito’s escapades and gaze on longingly as he fights.

That said, this early light-hearted, humorous tone actually belies how serious things get later on - firstly in the form of a series of increasingly high-stakes showdowns with Maito’s edgy rival Joe the Ace. It then gradually slowly works its way into the real plot and its surprisingly intense conclusion - this probably had the most serious and unexpectedly violent final arc out of any other Braves series I’ve seen - only Gaogaigar Final felt like it had higher stakes.

I thought the presentation here was something of a mixed bag, although the fact that this isn’t really available to watch anywhere in good quality probably had a lot to do with that. Even disregarding that, this has the same problem that every other Braves series has, that being an over-reliance on stock footage, with the animation work outside of that not being particularly good. That’s offset by a great soundtrack however, plus the mechanical design is overall really good - even most of the jobber bad guy robots are memorable in one way or another, and Might Gaine itself and its eventual upgrade are probably contenders with Gaogaigar for my favourite lead Braves robot design. The supporting cast of Braves are pretty decent looks-wise as well, although it was kind of disappointing not to see each one developed as characters, with them all basically being background to the show’s human characters. I know a lot of Braves series fans loved how the Braves were really-well rounded characters in J-Decker, and even in Gaogaigar. Anybody looking for that kind of thing in here is probably going to be disappointed.

Now for the real sticky topic, those being the status of the subs in this show. The only subs that cover the whole series are a suspect set of Hong Kong subs that range from okay to awful, with the added annoyance of them changing the names of pretty much every major character for no real reason, despite the fact that the subs and the audio no longer match. However, there have been efforts to make a better fansub, which have been assembled into a youtube playlist - it currently covers the first 35 episodes, with more perhaps forthcoming in the future - however, right now the only way to watch those final 12 episodes is the Hong Kong subs. They’re not so bad that you can’t watch and understand, so long as you’re prepared to mentally filter the character names to the correct ones, but they’re still far from ideal.

Overall however, if you’ve got the commitment then it’s probably worth your while, because this was an enjoyable series once all’s said and done, and I enjoyed my time with it. Gaogaigar and J-Decker are probably easier points of entry if you’ve never seen anything in this series before, and personally I think both delivered on the Braves formula better, but even with that in mind and the weird subs there’s plenty to enjoy here. It hasn’t made it into three SRW games in a row for no reason.

As far as that goes, SRW V and X have already set a pretty clear formula for how this show might be implemented in T, although there’s still plenty of source material that they’ve yet to turn into scenarios. Most of all, I’m excited to see how Might Gaine and Gaogaigar play off one another - this is the first time two Braves series have been in the same SRW game.

With that out of the way, I’m getting really close to my aim of seeing everything in the SRW T roster - only Expelled From Paradise and Aura Battler Dunbine and its OVA remain. Expelled From Paradise is next - expect to hear my thoughts on that soon.

#might gaine #mecha #respect the robot

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tocinephile · 6 years ago

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The Morning After - Oscars 2019 Edition

My favourite photo from the 91st Academy Awards

My two favourite moments from last night’s Oscars are better represent in audio, those being Olivia Coleman’s speech when she won Best Actress over the heavily favoured Glenn Close, and when Rayka Zehtabchi exclaimed “I can’t believe a film on menstruation won an Oscar!”

It was fun keeping up with everyone’s reactions and remarks during the awards, and chiming in with many of my own even though I do, as always, find the speed of twitter a little breakneck. Also friends and colleagues who, knowing that I’m a big movie buff, came by or message me to discuss last night’s show. At times we got animated enough that random passerbys and company VPs felt the need to chime in, which is the best gathering of the minds possible in my world.

Here’s a list of the winners and what I thought of each recipient:

Best Picture

“Black Panther” “BlacKkKlansman” “Bohemian Rhapsody” “The Favourite” “Green Book” (WINNER) “Roma” “A Star Is Born” “Vice”

While not entirely classy of Spike Lee to turn his back when Green Book was announced, he was able to joke about it later that every time a film about driving was pit against his own film, he would lose to it (Do the Right Thing lost to Driving Miss Daisy) My silver lining was knowing that TIFF audiences picked yet another Best Picture winner. We do have quite a track record, don’t we? I really thought the Academy was going to make a different type of history in diversity by awarding a foreign film (Roma) with Best Picture. Or at least Black Panther, that would’ve been cool too.

Director

Spike Lee, “BlacKkKlansman” Pawel Pawlikowski, “Cold War” Yorgos Lanthimos, “The Favourite” Alfonso Cuarón, “Roma” (WINNER) Adam McKay, “Vice”

I agree with this win.

Lead Actress

Yalitza Aparicio, “Roma” Glenn Close, “The Wife” Olivia Colman, “The Favourite” (WINNER) Lady Gaga, “A Star Is Born” Melissa McCarthy, “Can You Ever Forgive Me?”

I was ecstatic to have guessed wrong in my Oscar picks for this category. Both Olivia Coleman and Glenn Close were such strong contenders (as was Melissa McCarthy). Glenn Close carried her film, Olivia Coleman elevated her already very good movie to another level.

Lead Actor

Christian Bale, “Vice” Bradley Cooper, “A Star Is Born” Willem Dafoe, “At Eternity’s Gate” Rami Malek, “Bohemian Rhapsody” (WINNER) Viggo Mortensen, “Green Book”

It’s nice that Rami Malek won, and I guessed he would. But I think Christian Bale was still better.

Original Song

“All The Stars” from “Black Panther” by Kendrick Lamar, SZA “I’ll Fight” from “RBG” by Diane Warren, Jennifer Hudson “The Place Where Lost Things Go” from “Mary Poppins Returns” by Marc Shaiman, Scott Wittman “Shallow” from “A Star Is Born” by Lady Gaga, Mark Ronson, Anthony Rossomando, Andrew Wyatt and Benjamin Rice (WINNER) “When A Cowboy Trades His Spurs For Wings” from “The Ballad of Buster Scruggs” by David Rawlings and Gillian Welch

I don’t think any other song legitimately had a chance.

Original Score

“BlacKkKlansman,” Terence Blanchard “Black Panther,” Ludwig Goransson (WINNER) “If Beale Street Could Talk,” Nicholas Britell “Isle of Dogs,” Alexandre Desplat “Mary Poppins Returns,” Marc Shaiman, Scott Wittman

One last time I’ll say this: Where was First Man? After not seeing it on the list I really had no one to root for.

Adapted Screenplay

“The Ballad of Buster Scruggs,” Joel Coen , Ethan Coen “BlacKkKlansman,” Charlie Wachtel, David Rabinowitz, Kevin Willmott, Spike Lee (WINNER) “Can You Ever Forgive Me?,” Nicole Holofcener and Jeff Whitty “If Beale Street Could Talk,” Barry Jenkins “A Star Is Born,” Eric Roth, Bradley Cooper, Will Fetters

I think a writing Oscar is an excellent award for Spike Lee to win. I’m rarely familiar with the original story vs its adaptation, therefore it’s hard to say who did the best job of adapting their source material. That said, any way you slice it, BlacKkKlansman was a great script.

Original Screenplay

“The Favourite,” Deborah Davis, Tony McNamara “First Reformed,” Paul Schrader “Green Book,” Nick Vallelonga, Brian Currie, Peter Farrelly (WINNER) “Roma,” Alfonso Cuarón “Vice,” Adam McKay

While I put my money on Green Book, I can’t fathom why anyone would think it’s a better script than The Favourite nor Vice (I didn’t see First Reformed, and I think Roma is at least on par with Green Book) Destroyer was an original script right? I’m personally disappointed it wasn’t up for any writing awards.

Live Action Short Film

“Detainment,” Vincent Lambe “Fauve,” Jeremy Comte “Marguerite,” Marianne Farley “Mother,” Rodrigo Sorogoyen “Skin,” Guy Nattiv (WINNER)

I didn’t watch any of the shorts this year.

Visual Effects

“Avengers: Infinity War” “Christopher Robin” “First Man” (WINNER) “Ready Player One” “Solo: A Star Wars Story”

Again, please to be wrong in this category. If anything I would have said First Man stood out more in audio achievement, but visual effects were also excellent and I’m glad the film got at least one Oscar because it is such a fine technical achievement.

Documentary Short Subject

“Black Sheep,” Ed Perkins “End Game,” Rob Epstein, Jeffrey Friedman “Lifeboat,” Skye Fitzgerald “A Night at the Garden,” Marshall Curry “Period. End of Sentence.,” Rayka Zehtabchi (WINNER)

Amazing acceptance speech. I want to see this now.

Animated Short

“Animal Behaviour,” Alison Snowden, David Fine “Bao,” Domee Shi (WINNER) “Late Afternoon,” Louise Bagnall “One Small Step,” Andrew Chesworth, Bobby Pontillas “Weekends,” Trevor Jimenez

Also a fine, inspiring acceptance speech by Domee Shi. I didn’t see any other shorts but I did watch Bao several times over and my Torontonian pride swelled when it won. Growing up Asian, there’s a lot of embedded humour in this short as well, the husband character is still my absolute favourite.

Animated Feature

“Incredibles 2,” Brad Bird “Isle of Dogs,” Wes Anderson “Mirai,” Mamoru Hosoda “Ralph Breaks the Internet,” Rich Moore, Phil Johnston “Spider-Man: Into the Spider-Verse,” Bob Persichetti, Peter Ramsey, Rodney Rothman (WINNER)

I really gotta see this movie.

Supporting Actor

Mahershala Ali, “Green Book” (WINNER) Adam Driver, “BlacKkKlansman” Sam Elliott, “A Star Is Born” Richard E. Grant, “Can You Ever Forgive Me?” Sam Rockwell, “Vice”

As expected. Though Richard E Grant is still my favourite, anyone catch his interview with Ryan Seacrest on the red carpet? And how he’s besties with Melissa McCarthy now? Love it.

Film Editing

“BlacKkKlansman,” Barry Alexander Brown “Bohemian Rhapsody,” John Ottman (WINNER) “Green Book,” Patrick J. Don Vito “The Favourite,” Yorgos Mavropsaridis “Vice,” Hank Corwin

Fixing up a film in editing doesn’t warrant it as best edited film of the year! I cannot believe Bohemain Rhapsody won in this category. Especially again films such as The Favourite and Vice, the former’s editing has a hand in shaping its visual mastery, the latter is entirely built from the art of editing. What the hell?

Foreign Language Film

“Capernaum” (Lebanon) “Cold War” (Poland) “Never Look Away” (Germany) “Roma” (Mexico) (WINNER) “Shoplifters” (Japan)

Capernaum was still better ;)

Sound Mixing

“Black Panther,” Steve Boeddeker, Brandon Proctor and Peter Devlin “Bohemian Rhapsody,” Paul Massey, Tim Cavagin and John Casali (WINNER) “First Man,” Jon Taylor, Frank A. Montaño, Ai-Ling Lee and Mary H. Ellis “Roma,” Skip Lievsay, Craig Henighan and José Antonio García “A Star Is Born,” Tom Ozanich, Dean Zupancic, Jason Ruder and Steve Morrow

-and-

Sound Editing

“Black Panther,” Benjamin A. Burtt, Steve Boeddeker “Bohemian Rhapsody,” John Warhurst (WINNER) “First Man,” Ai-Ling Lee, Mildred Iatrou Morgan “A Quiet Place,” Ethan Van der Ryn, Erik Aadahl “Roma,” Sergio Diaz, Skip Lievsay

Just because a film is about music doesn’t automatically qualify it for best sound! Have all the Academy voters gone out of their mind??? If you’re gonna go by that misguided logic then at least give it to A Star is Born. It’s been a day and I still can’t fathom how anyone could think the sound editing of Bohemian Rhapsody is better than First Man, A Quiet Place, and Roma!

Cinematography

“Cold War,” Lukasz Zal “The Favourite,” Robbie Ryan “Never Look Away,” Caleb Deschanel “Roma,” Alfonso Cuarón (WINNER) “A Star Is Born,” Matthew Libatique

This was a pretty stacked category and Alfonso Cuaron did make a beautiful looking film. I don’t know if it was more striking that Cold War or The Favourite, but all in all he did deserve the win.

Production Design

“Black Panther,” Hannah Beachler (WINNER) “First Man,” Nathan Crowley, Kathy Lucas “The Favourite,” Fiona Crombie, Alice Felton “Mary Poppins Returns,” John Myhre, Gordon Sim “Roma,” Eugenio Caballero, Bárbara Enrı́quez

Fine. At least it wasn’t Roma, and I get that more often than not the period film usually wins it, so it’s cool to shake it up. The Favourite is still my fav.

Costume Design

“The Ballad of Buster Scruggs,” Mary Zophres “Black Panther,” Ruth E. Carter (WINNER) “The Favourite,” Sandy Powell “Mary Poppins Returns,” Sandy Powell “Mary Queen of Scots,” Alexandra Byrne

Again, I like The Favourite more.

Makeup and Hairstyling

“Border,” Göran Lundström and Pamela Goldammer “Mary Queen of Scots,” Jenny Shircore, Marc Pilcher and Jessica Brooks “Vice,” Greg Cannom, Kate Biscoe and Patricia Dehaney (WINNER)

I’d have been surprised if anyone else won.

Documentary Feature

“Free Solo,” Jimmy Chin, Elizabeth Chai Vasarhelyi (WINNER) “Hale County This Morning, This Evening,” RaMell Ross “Minding the Gap,” Bing Liu “Of Fathers and Sons,” Talal Derki “RBG,” Betsy West, Julie Cohen

:) That’s the one I picked.

Supporting Actress

Amy Adams, “Vice” Marina de Tavira, “Roma” Regina King, “If Beale Street Could Talk” (WINNER) Emma Stone, “The Favourite” Rachel Weisz, “The Favourite”

I preferred Rachel Weisz and Emma Stone’s performances. Amy Adams even.

So, that’s it for awards season 2019. I did pitiful in my predictions this year because I was way off on the technical awards, not to mention some big ones too like Best Picture.

I’ll wrap it up by recommending that you watch First Man (with a good sound set up as it is superb technical, has a great score, and supporting actress Claire Foy), Destroyer (for its story and Nicole Kidman), The Hate U Give (that delivers a much stronger message than Green Book ever will), and Beautiful Boy (where supporting actor Timothee Chalamet actually has a sizable role).

#Oscars 2019 #oscars

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goindanswingin · 6 years ago

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Les Amis Webshows - Reviews!

So! There’s been a whole two new Amis webshows premiering this January! However, I’ve noticed not that many people are actually talking about them! New content, and we’re not yelling??

So, I’ve decided to give short reviews on their debut pilot episodes, as well as the first episodes of some other Les Amis webshows (I probably missed so many, feel free to add more if you know of them!) in order to maybe spread the word about some cool creators online as well as give y’all a lil more content to consume that isn’t just grim BBC Les Mis discourse atm

(I’ve reviewed them in the order they premiered)

1. Stories From Les Amies

This is a vlog story of the les amis with all the genders purposefully changed! Now this one has an awful lot of content to make up its plot, having premiered in 2013 and wrapped up with an HOUR LENGTH FILM at the end of 2014, so there’s a hell of a lot to digest here! The Enjolras behind this is actually also the author of TextingEnjolras/EnjolrasRising so the plot does bear some resemblance to that also! (Another piece of content I’d highly recommend if you’ve not read yet).

But, to keep it fair, I’m going to stick with just the pilot episode! It’s set up like a big group skype call with our amis introducing themselves, where we are first introduced to their personalities, mostly led by Enjolras although Combeferre acts a beautifully sarcastic arbiter. The video quality isn’t excellent, but surprisingly, the audio quality is pretty great (for every character except Marius), with almost no background noise or fuzz.

Enjolras: All of us make up a society that we call the Friends of the ABC

Enjolras: *awkwardly nods and grins*

Enjolras: Which is actually a pun, because... ABC pronounced together sounds like the word abaissés, which means “lowly” or “abased...

Enjolras: So... it’s... it’s a pun.

I know I’m only reviewing pilot episodes to keep it fair, but I will say yes, the quality of the series absolutely does improve over time, and I would highly recommend giving it a go if you’ve never seen it before! You can find the whole series here.

2. Official Les Amis Vlog

Premiering at almost exactly the same time as number 2 on this list, the Les Amis Vlog is similar in terms of quality but different in style. This is as it says - a vlog channel, with divided playlists for each character in the Amis. Every character uploaded vlogs between 2013 and 2015 introducing themselves, answering questions, and making content on certain themes.

This one took me by surprise - I was very much underwhelmed by the camera quality and lack of plot, but once I started watching, I realised why the Les Amis vlog doesn’t have plot - it’s because instead of making up political issues and action, they actually discuss real politics - in the pilot episode, Enjolras actually talks about a real news article from Reuters and then goes on into an impassioned rant on public surveillance - it’s kind of amazing.

Enjolras: I mean, you wanna hide your face for whatever reason? Well, congratulations! You’re now a potential t*rror*st for having stood in the way of the observational machine!

Obviously this one is much more about the characters than it is any sort of plot like we’ll see in some of our later series, but... these characters are by far some of the most convincing Les Amis I’ve seen! Particularly Enjolars - wow. So if that sounds like your kinda thing, check it out here!

3. Vines de l'ABC

A multimedia webseries that ran from 2016-2018, but mostly confined to Vines, this one in essence is similar to the Les Amis Vlog in that it is more character driven than plot driven - the different characters were all cast and then separately uploaded Vines (and occasionally YouTube videos) as well as answering questions to the main blog.

The first “episode” is, as common for these webseries, a video of our Enjolras introducing Les Amis and his character, then being interrupted by a phone call. The quality is webcam quality, the sound pretty fuzzy, but I do think Dorian here makes a great Enjolras... more on that shortly! Overall, the quality of this first episode isn’t super relevant to the rest of the series though, because as is obvious by the name, it’s mostly comprised of amusing little vines.

*Tik Tok by Ke$ha plays*

Enjolras: Hello? Did you change my ring tone again? ...Again? Well, I mean, I'm trying to do the video... No, I mean, I'm actually in the middle of doing the video right now, you're on camera... No, no I don't know how to edit it out... I mean, does he have a concussion, or..? *sighs* ...How did I know he had a concussion.

Obviously vine is dead, but everything is available here - if this sounds like your kind of thing, definitely go check it out! There is TONS of content for your consumption here.

4. Barricade Boys

Next up is a comedy/parody show from NyxRising, an already established group of YouTube cosplayers who’ve made lots of similar shows previously. This means, for a start, that the production quality here is some of the best you’ll see - great audio and video quality, basic but good set design, great costumes.

Now, let’s make it clear: if you’re looking for a brick accurate show, this is not the one for you. It’s a pretty ludicrous parody, with an unbelievably arsehole Enjolras with no notion of personal space, a Grantaire with weird sideburns and a crush so obvious it’s hilarious, a Marius so dumb he thinks he’s joining a “lonely hearts club” and a Courfeyrac so OOC that I don’t even know where to begin.

But god damn, did this make me laugh out loud a good few times.

Enjolras: You do you, Grantaire. Nobody else will.

This one has a couple episodes out already, and I’d highly recommend if you want some laughs! You can find it here.

5. The Downtrodden

Aaaand... onto our January debuts! I’m super excited to give a review of the pilot episode of Shadow of the Tor’s “The Downtrodden”!

One thing that stuck out to me immediately is that this might be the most diverse cast yet - we have multiple POC, and also a trans Enjolras - in both cases, there’s no self-congratulatory back-patting, but it’s made very clear and very casual, and it’s wonderful. Another point worth mentioning is that our Enjolras is the same Enjolras seen in Vines de l’ABC - and as I mentioned, I think Dorian is great at the role.

The Downtrodden seems to be going for an enjoyable line between plotty and humorous, and so far I’m super excited to see where they take it. The audio and video quality is outstanding, though the cafe background noises could do with being toned down just a tiny bit (as there are occasionally character lines in the background that are a little drowned out), but overall it’s by far the most professional looking alongside Barricade Boys (which had to contend with far less characters!). One comment I will make, though nitpicky, is that unlike Barricade Boys, which moves extremely swiftly through its jokes, The Downtrodden is edited just a pace too slow in one or two scenes, meaning the comic timing falls a little off and the jokes don’t quite get the reaction they really deserve.

Grantaire: You get free coffee refills here if you’re part of a student group. I gotta make that loan last.

Cosette: Do you consider yourself a politically motivated person?

R: I barely even consider myself a person.

C: Oh. Are you alright?

R: Is anyone?

Surprisingly, one of my favourite characters in the pilot episode was Marius! I often find he’s overplayed to death, but in this he appears a little dim but genuinely charming, and he got some of the best laughs out of me. I’d be interested to know how well all the jokes landed with someone who isn’t a Brit, however, since I’m super sold on all these characters being British uni students (student poverty aesthetic and Oxfam shopping bags, goddamn!), and also love Courfeyrac for the same reason - he seems like your typical friendly but laddish uni type, which works perfectly for his character. Also, I own that mug he has.

One of the strongest points, and a very common issue I have with Les Amis webshows (and the 2012 movie NOT GONNA LIE), is losing track of who is supposed to be who - I had no such problem with The Downtrodden - everyone is introduced naturally, gets at LEAST a line or two, and is beautifully acted - go check out the pilot here!

6. The Les Amis Webshow

The last one on our list - the Les Amis Webshow premiered on the last day of January!

First impressions of this webshow are: the most enticing hook yet straight from the beginning, and some of the worst sound quality.

After the introduction - structured as Marius speaking to us from the future - the pilot episode actually centers around a random film student coming up to Marius and asking if they can film him. Is this Cosette? Will we ever find out? Who knows, but for some reason Marius just takes it in his stride and lets this person follow him around, in what I can’t decide is a very weird move, or a very Marius move.

Jehan: Are you wearing your lanyard?

Marius: Yeah. Why? That’s what it’s for.

Jehan: (laughing) You simple little freshman!

Marius: *long pause*

Also Marius: We’re gonna get along great!

The editing is actually fun and a few shots seem to be going for something quite adventurous - I just wish the audio quality were better.

I like Enjolras so far - he seems very confident in himself and a little bit of a rich boy, and I’m really interested to see what they do with Marius, since this is the only webshow so far where Marius has been front and center instead of Enjolras - in that snippet at the start, he seems very anxious and weary - it’s very Empty Chairs at Empty Tables! Overall, this has the most “plot-y” vibe to its initial episode so far, and reminds me a lot of Stories from Les Amies, honestly. I’m very excited to see what they do with it, and am also euphoric at a REGULAR UPLOAD SCHEDULE unlike the other two which are currently running - Barricade Boys and The Downtrodden. Keep up with it every Thursday here!

Thank you so much to @starberry-cupcake for helping me compile this list!

highlight reel: @/SFLA who the fuck makes a feature length movie oh my god, the sheer levels of gay in BB, Marius’ super poshboy accent in TD (sorry if thats just how u speak Ethan), and best of all the German flag taking centre stage in tLAW - the european cynic in me is desperate to know why its there and hopes that you didn’t just mix up French and German flags lmao

#les mis #les miz #les miserables #les amis #exr #bonus points for the first person to make a compilation #of all the pronounciations #of enjolras #of combeferre #and of courfeyrac #every fucking show gets at least one wrong

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extraneousdominomask · 8 years ago

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I don't understand the hate for Sly 4. Can you explain why you think the game sucked?

Alright. I’ll give you a summary of the major issues I have with Sly 4, and try to keep it brief. Here’s an itemized list of 30 years of disagreements (Sweet Jesus):

-First off, the first half of the game is fucking incredible. (If that sounds like a weird place to start, that’s only because it is.) The opening recaptures the spirit of the games wonderfully - and given I was a returning fan, fresh off an eight-year hiatus, that was amazing - Japan is beautiful and builds well, and Cotton Mouth Bluff is probably my favourite level in the entire damn franchise.Even leaving aside how I can’t pretend bad installments of my favourite things didn’t happen - that’s just not how my brain works - part of the reason Sly 4 irks me is because it had so much goddamn potential. It’s an updated Sly Cooper game where he and the Gang go on time-adventures. We were so close to something incredible. This should, by rights, be my favourite game in the series, and also of all time.I’m angry because I care.

-Carmelita’s redesign. She was already a very sexualized character, but she used to have sensible jeans and a sense of vaguely realistic athleticism. Sanzaru insisted on pushing the sexualization further, and since we started at a pretty advanced point, it got taken to frankly disgusting levels. Her waist terrifies me. You can see her ribs. The badass Interpol inspector is now worryingly underweight. It legitimately creeps me out.

-I don’t like the caveman level. This is the least analytical gripe, I admit that. I just… don’t like the caveman aesthetic. Never liked the Flintstones or anything similar. That’s just subjective.What’s not subjective is how the Gang ending up in just the right place and time to stumble across another of Le Paradox’s lieutenants is a strong contender for the least likely coincidence in all of fiction. But whatevs. Them improvising an escape while falling down a cliff was cool.

-Likewise, as Cooper ancestors go, Bob is very underwhelming. He’s a big ugly block who reuses the Guru’s joke. Instead of Henriette or Slaigh or anybody else in the Vault or Henriette, we got this guy. Great.

-The Grizz. Unfunny character with an awful boss fight. Complete bungling of what a graffiti is or does or sounds like. Unnervingly racist.

-The Penelope twist. Good god in heaven, what even was that? I mean, I was interested. I gave the game the benefit of the doubt, all ears for what the explanation was. Unfortunately, that explanation never came. We’re still not sure what the hell was going through Penelope’s head. She’s just evil now. A lovable character, funny and endearing and not overly sexualized (which in this series is rare), just… twisted. For no real reason.There’s zero textual information justifying her decisions. Especially because the focus is entirely on Bentley, giving her no room to explain herself. And sure! Bentley’s great, I love him, but I also love Penelope and I also love(d) their in-practice painfully brief relationship. I want Geeks in Love doing Crimes Together, not a half-assed betrayal twist.

-Ms Decibel. Irritating to watch. Retread of both Octavio and the Contessa. Has no reason for having mind control powers. The fact it’s just “ha ha there is a trumpet in her nose” genuinely irritates me. This isn’t hard sci-fi, but it ain’t Looney Tunes either. Try harder.The Joke Is That She Is Fat And Ugly. Ha Ha Ha.

-The Carmelita belly dance. Sweet CHRIST. If I keep coming back to this, it’s because it’s gotten me progressively angrier ever since the first time I played it and felt an uncomfortable churn in my gut.This shit is genuinely disturbing. She is coerced. Why did Sanzaru think this was a good idea? Everybody in the writer’s room signed off on this; anyone who may have wanted to stop it didn’t manage to. Then it got animated and designed and Grey DeLisle was called into the booth to voice how beloved strong-willed icon of my childhood Inspector Carmelita Fox was deeply uncomfortable with this sexual act three men she was close to were forcing her to perform. I don’t find this shit amusing. Kids play these fucking games, man.

-Carmelita’s (lack of) use in general. She gets some good moments when she’s first dragged along, again making Tennessee’s level the best. Then she storms off during Bob’s. Then, after wandering back and calming down? Next to nothing. She’s barely there.Bentley shutting down over Penelope’s betrayal was a perfect opportunity for her to take charge and show off her tactical prowess as an officer. What did we get? “Uh… let’s go with Galleth’s plan, then walk forward through Penelope’s front gate. idk guys” Outside of objectifying her, Sanzaru had no idea what to do with her, and it shows.

-The underwhelming climax. The finale of Sly 2 felt earned. The original three all had great final acts, but I bring up the second because it resembles the fourth. In both, there’s a last-minute upset where everything the Gang has accomplished so far is suddenly snatched away.But Sly 2 built that feeling. From the moment Jean Bison sees through the Gang’s disguises, things get worse and worse. The time they spend in stony silence, hiding in that battery, really creates a sense of encroaching dread. Things are going wrong, but they’re going wrong slowly. And that’s worse.Sly 4 - perhaps due to a dwindling budget - rockets through where that suspense should be. “Le Paradox showed up and stole Carmelita and then his plan worked and he was king of everything and we were sad but we went to fight him anyway.” wow. my emotions. i’m so invested.One of the lines I can particularly remember is “I don’t ever remember feeling so defeated.” Oh, you don’t, Sly? Not when you lost every Clockwerk Part at once? Not when Clockwerk was reassembled and Neyla merged with him? Not when you watched your parents be murdered in front of you?It’s 100% Tell, 0% Show. That’s not how you do a finale.

-Le Paradox. God. Just… god. Obnoxious in a way that isn’t entertaining. An awful, nasty character who does not receive an adequate level of comeuppance for his overblown, overwrought crimes. Rapey. He hates Sly for something Conner did; Sly has no agency here, he’s just a victim, pulled into the story because he’s directly threatened over something he had no part in. That’s bad writing. Bad writing which retreads other, more interesting antagonists.Doesn’t hold a candle to Clockwerk, Arpeggio, Neyla or Dr M. Unlike them, Le Paradox survives his game, which a) feels like too light a punishment if everybody else got a dramatic death and b) creates the worrying prospect they intend to bring him back. Ugh. Would work fine as an insignificant filler villain; instead, has means, power level, and (intended) gravitas outstripping Clockwerk. Total disconnect between his persona and his stupid, childishly powerful plan.Bigger =/= better.Skunks don’t come from France.

And, of course, the grand finale. The last thing to happen to Sly Prime. To this day, four and a half years later, the current state of the original series, and what may well be the overall ending at this point no matter what Sanzaru originally intended long-term. Everybody sing along at home~!

-A terrible cliffhanger ending with no sequel greenlit!

There. That about covers it. For me, anyway. Everybody has their own take.For the record, every box in that brain meme is a genuine opinion of mine. Sly 4 is most certainly a Sly game. It has amazing art and great moments. It brought in a ton of new fans, and kept the franchise going. That can’t be undervalued.But it’s the most flawed installment by a wide, wide margin. Sly 1 was rough, but a lot of that feels like beginner’s jitters. 4′s flaws feel more like huge, enthusiastic strides in the wrong goddamn direction, made by well-meaning people who are super excited to bring the franchise to places I do not want it to go. Like Sexual Objectification Town.

I don’t hate it blindly, but I can’t pretend I love it. I’m not gonna repress my negativity. This is my blog where I talk about Sly Cooper. And when I talk about Sly 4, I won’t skip over its flaws. In the vague hope that maybe, if I explain how and why these things don’t work, there’ll be less of these mistakes in the world. For my own writing, if nothing else. Straightening out my emotions into coherent, rational analysis. Looking toward the future.

…that and because it’s cathartic.

#iamkel14 #sly 4 #long post #Skunks don't come from France #I will not equivocate on my opinion #I have always worn it on my sleeve #rant

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antiques-for-geeks · 6 years ago

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Game Review : Beach Head

US Gold/Access / 1985 / Originally £5.95 / Commodore 16 & Plus/4

Access were in at the start of the home computing revolution. They’re one of those companies that you probably know the games better than the company that made them; Raid over Moscow was one of theirs, as well as Leaderboard and later, Links. Before any of those arrived though, there was Beach Head.

The game was based on some classic World War II style Pacific Ocean theatre action. Everything about the game suggested it; the cover art bathed in the imagery with it’s fighter planes strafing the beach as the landing craft deposited their human cargo ready for the onslaught. The map that greets you at the start of your campaign could be of any Pacific atoll. You can almost hear Douglas MacArthur shouting “I shall return”.

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General Douglas MacArthur, yesterday.

The game was a hit, and was picked up for distribution in Europe by US Gold, conquering this side of the Atlantic. Players who didn’t have a Commodore 64 or Atari home computer soon wanted in on it so US Gold commissioned conversions from other developers, with Ocean notably handling the well received Spectrum version. That sold well too.

So when the Commodore 16 and Plus/4 came along in 1984, US Gold decided to treat owners of those systems to their own version of the game. Beach Head was given to Anirog to convert, who were gaining a bit of a reputation as platform specialists. The game arrived in 1985, two years after Access had released the original.

Firstly, the developers had their work cut out. Anirog had to contend with a target machine with far less resource than the other systems Beach Head had been converted to. Compromise was inevitable.

Just missed ‘im. This happens a lot.

On other systems, Beach Head is made of four stages - you start with a fleet of eight ships and from a map screen you can choose to take them through an underground cavern, threading your boats between mines and torpedoes to make the later levels easier to complete.

This is then followed by the first shooting gallery section; your fleet has been intercepted by enemy ships and you must launch a defence against incoming bombers who will eventually sink your ships if you don’t shoot them down first. Once the enemy is out of fighters (or just bored, it’s never clear which) this then turns into a second shooting gallery round where your attention passes to trying to sink the enemy’s fleet of shops.

Do that and it’s back to the map screen and charging your ships towards the beach and unleashing your tanks over an obstacle course so they get a chance at the fifth level - destroying the big gun at Kuhn Lin in another shooting gallery level. Inexplicably on this level, the enemy gun takes a long time to aim at you and bizarrely, you have to shoot targets at the base of the weapon. This is what causes the gun to blow up - maybe this is what happens when “we’re tired of experts” extends into the military.

Anyway, can you start to see where this is going?

On the Commodore 16, Gone is the map screen and the underground cavern where you thread your way through mines and dodge torpedoes to bring your boats through. Most significantly, the final level is truncated, removing the tank advance, which was a favourite for many players. Anirog focussed on the three which shared the most in common. What remains is still the core of the game however - protect your fleet first from incoming planes, sink the enemy fleet before they sink you, take on the big gun.

Being so significantly cut down was of course necessary for the small memory of the Commodore 16. It could have been done as a multi-load, but then the flow of the game would have been compromised. Plus/4 users, with their 64k of memory get the same thin gruel as everyone else, the size of that market unable to support two separate versions. It could barely support one, but that is for another time.

With the reduced footprint, it is still not enough.The graphics measure up to the C64 original, the sound is serviceable, but there has been a significant compromise in terms of playability.

Your gun turret - your main interface with the game is incredibly difficult to control. You can aim it just fine, adjust the height just fine and a fire just fine. But not all at the same time.

On other versions, combining actions was taken for granted. Sink a ship in the sea-battle level and you’re already moving across the screen changing your weapon’s angle as you go. It’s part of the game. Every fraction of a second counts. However here, try combining things and the turret just stops. Then there is the disappearing turret; when this happens, you really don’t have much idea of what is going on. It’s like conducting a war via seance. Except you’ve not got the plant in the room banging the table leg with their foot when the fake medium wails “is there anybody there”.

This bizarre situation just about works with static targets once you get used to it, but when defending the fleet from incoming fighters and taking on the big gun? It just doesn’t work. You end up just resigning yourself to keeping the gun in one position and elevation and keep firing, hoping that the planes fly into your shots like a blundering toddler into a set of closed patio doors. The element of skill is removed from the game completely and it becomes a weary battle of attrition with you hoping that you don’t lose too many ships to make it to the later levels.

The fighters gone, a ship starts shelling me. God knows what is going on. Press fire and hope for the best.

Why there is a such a glaring hole in the game is inexcusable and smacks of the kind of half-arsed platform exploitation that US Gold were infamous for. Compare this to literally any other game on the Commodore 16 and it really feels like an unfinished budget title rather than something crafted and worthy of your £5.95.

But! Bill Herd who designed the Commodore 16 and Plus/4 said they were never intended to be games machines. They were meant to be more basic machines that extended at the top end into the business market. They were meant for text editing. Give Anirog a break! Oh yeah? Played Trailblazer?

Buying it today

From what we can make out, it does not seem to appear that often so does have a certain uniqueness to it. The C64, Atari and Spectrum copies are ubiquitous but other platforms a lot less so. It was re-released on the Americana label, though this seems to be rarer than the full-price version. Expect to pay anything up to £10.

Commentariat

Tim : Sad to say, but Beach Head has not aged well. While not a bad game, it is very much of its time regardless of the system you play it on. The game is a nice walk down nostalgia lane and in some ways is one game you yearn to return to, but when you do it’s not as good as you remember. This stands in stark contrast to Raid over Moscow...

Liking this version is doubly hard. The cut-down nature of the game I can understand, being fundamentally unable to play I can’t. Don’t waste your time or money unless you are a completist or masochist or both.

Score Lord : How did you get my number? Don’t call again.

Meat : Back during Christmas 1983, my next-door neighbour’s big present was a Commodore 64. He and his brother were given the machine and also had two games, Gorf which came on cartridge and was great for a quick blast and Beach Head which came on cassette which to begin with, they couldn’t play. Their Dad having only seen a Spectrum and thought he’d save a few quid using by a household tape recorder instead of the necessary Datasette. The idiot.

When we finally got to play it, we loved it. So much so that the following Christmas I got the Spectrum version for my poverty-spec gaming experience. Imagine my surprise when I found out a version of Beach Head existed on the equally poverty-spec Commodore 16.

After eagerly loading it, I was hoping for a smart conversion that played to the strengths of the machine. The reality could not have been further from the truth. Disappointed was not the word. Just for comparison I checked out the Spectrum version again and yeah, the problem wasn’t rose-tinted glasses.

Between them, Anirog and US Gold had managed to take a decent game and make it both uncontrollable and dull. Send for the Inspector, a crime has been committed.

Score card

Presentation 5/10

You get the full-price experience for the time, which is quite nice. At least this is an area where they could be arsed.

Originality 2/10

Coming in 1985, the novelty factor of the original was two years passed. With the compression of the game, it’s lost even more in these stakes. It’s now basically just a shooting gallery game, with the fun sucked out of it.

Graphics 4/10

Not going to win any awards, but tidy enough. Hold on, are those blobs supposed to be ships?

Hookability 1/10

You can’t really play it effectively.

Sound 3/10

There isn’t much, but what there is has been done satisfactorily.

Lastability 1/10

No hook into the game, no point in playing.

Value for Money 1/10

Not worth £5.95 of anyone’s cash in 1985 and certainly not worth that today.

Overall 2/10

A conversion so wretched that at the time you’d have been better off putting the money towards a second-hand C64 and picking the title up on budget. Today, it’s for the collector only.

#Commodore 16 #C16 #Plus4 #Commodore #beach head #afg #antiquesforgeeks #retrogaming #retrocomputing #retro review

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angeloayku942-blog · 6 years ago

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The Best Advice You Could Ever Get About Tribute Band

There are a couple of things. Then search for another one if it fails to play tunes which you would like. So if you'd like your mobile to work with a number of bands, you must have band mobiles.

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The Tribute Singers Awards: The Best, Worst, And Weirdest Things We've Seen

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How To Explain Elton John Tribute To Your Boss

As the corporation will design variety of things that range from signage you've got to supply relevant info and your organization logo. Needless to say, not every business can be this avant-garde within their promotions. There are.

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The Most Pervasive Problems In Wedding Singers

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In the event the performer has lots of information they would like you to share with the audience, either have a bit of paper out on stage alongside you or memorize it. The performance creates. Such classic performances take the nature of the event to a different level.

The procedure for growing out your hair depends upon your intended length. Can you share the methods technology is shifting the experience of visiting the health care provider. The focus now is currently obtaining a couple of songs up to speed.

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Once they get to the awkward stage their hair cuts. Your hair could wind up in your food and will slowly get in the way! Growing hair that is long isn't for everybody.

Acts have turned into a genre all their own. They aren't always welcomed after. The tribute act was performed all over the nation to rave reviews and features 2 sets of Cole hits.

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In lots of ways, the genre has changed into a joke. First and foremost, jazz isn't dead. This music turned into a sort of treatment in the middle of painful experience. In the case like mine and other that are currently posting this audio it's not for monetary gain or material. Everyone has that tune. This album needs to be categorized and also a myth has to be dispelled.

A Beginner's Guide To Entertainment

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It becomes memories you are able to laugh over for many decades when you look back following your marriage! It is important to enquire from individuals people who have organised weddings before. You might need to make sure that everybody is happy and entertained at your wedding . At the same moment, there are several which are well known for playing in weddings. Organizing a marriage on a budget that is tiny nowadays can be a really daunting job to perform on the component of the newly engaged couple.

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Wedding is easily the most special day in the life span of boy and a girl that are likely to begin a new life. At length schedule a one time interview with the individual. You may have a wedding that is stunning without having to spend a lot on the stuff.

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The concert will happen until the Pasadena Civic Auditorium on the plaza.

It is not straightforward to categorize the things that they do as a tribute'. Among the distinctive and original tribute indicates that's survived the test of time.

An individual can receive a collection of premium tickets. The tickets to hear the authentic artist are pricey. Tickets for the first five rows incorporate a souvenir colour booklet.

Nobody under 18 years-old is allowed. The easiest way to celebrate some special event or Christmas Day is to produce dinner reservations in a charming, quiet restaurant. Day of series could be available. Don't neglect to take pictures, if you get a romantic day planned with the man who you love! All you need to do is be sure on the day of this event, you have got great team and security that is able keep and to produce your platform light up like never before. Any moment you are feeling lonely, despair anger or resentment, all you need to do is think about the love that conceived you. You can be confident that you are not going to have a moment's peace till you have taken your children to observe the movie.

Tribute Acts: What No One Is Talking About

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There are a couple of things prior to employing a band to keep in mind. If it refuses to play songs which you would like then look for a different one. Based on what the rings offer, you might discover that the bands are the greater value.

Make confident they understand how to play your chosen songs In case you decide to employ a band. You might have to employ a group that specializes in that type of music along with a caterer who specializes in that sort of food. Bands are eager to accommodate requests.

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husid · 6 years ago

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Uncle Huey’s 2019 Oscars Post!

A confession: I love the Oscars.

A confession, extrapolated: I am an unabashed Oscars fanboy, who legitimately looks forward to the Academy Awards all year long. I love the opening montage where the host skewers self-righteous Hollywood stars, I love the cringeworthy banter of presenters pretending to have a non-scripted conversation (as if they were actual actors!), I love the montages reminding us why we should keep liking movies, I love seeing which recently deceased actors (it’s always the actors) cause people to break the “no-clapping-until-the-end” rule during the In Memoriam clip (Hollywood’s version of “you can only bring Valentine’s Day Cards to class if you give one to everybody”), I love the wildly reactionary vitriol thrown towards the Academy every time they make a decision about anything, I love the Academy reacting one-year too late to everything, I love the politics, I love the self-seriousness, I love the acceptance speeches in which you can tell the actor deeply resents his or her family, I love seeing the loser shots and trying to decide whether they’re legitimately happy for the winner (spoiler: they’re not), and I love seeing the same tired, rehashed Twitter jokes about how long the Oscars telecast is.

Reading back through that paragraph, I realize how disingenuous my love for the Oscars sounds, but I do love the Oscars, if for no other reason than I really fucking love movies. And while I’m no critic, I do fancy myself a semi-educated film buff, and with that, as well as an uncredited extras role in The Flintstones In Viva Rock Vegas! that I ask that you indulge me in the first annual Hu’s the Boss Oscar Preview!

In the interest of full disclosure, this is where I tell you that I’ve only seen 11 of the movies nominated (Avengers: Infinity War, The Ballad of Buster Scruggs, Black Panther, BlacKkKlansman, Bohemian Rhapsody, The Favourite, Isle of Dogs, Roma, Solo: A Star Wars Story, Spider-Man Into the Spider-Verse, A Star Is Born), but whether it’s the utter predictability of some films (Green Book), or familiarity with a director’s work (Vice), I feel reasonably confident in my admittedly underinformed predictions.

You might have heard that the Oscars will not have a host this year, for the first time since 1989, and we all remember how that went! (I was 2 years old, I definitely don’t remember how that went, but the internet does, and yikes, it wasn’t good. Side note: I’d sooner tell my own grandmother that her matzo ball soup was overseasoned than do anything horrible enough to warrant Julie Andrews calling me an embarrassment in an open letter). How did we find ourselves in this predicament? Blame the Academy. Well, also the internet. Maybe Kevin Hart too. President Obama as well. Let me explain.

While in office, Obama had the opportunity to sign an executive order mandating that Amy Poehler and Tina Fey host every major awards show, but failed to do so. Given President Trump’s current feelings towards S&L, it feels like that window has closed. The Oscars are generally hosted by a mainstream comedian, and this year was shaping up to be no different, with Kevin Hart signed on to host. But then the unthinkable happened. The internet internetted, and found that Hart had performed some homophobic material back in 2009 and 2010. The backlash got real loud, real quick, and the court of public opinion sentenced the Academy to 10 years without Kevin Hart as host, with the possibility of parole once we realize that every comic who started writing before 2010 has included something homophobic in one of their sets. So you can blame Kevin Hart, whose jokes were clearly offensive; you can blame the Academy for either not vetting their host, underestimating the research capabilities of internet denizens, underestimating the outrage of the general public (hard to imagine, given the public reception of most of the Academy’s decisions of late), or, depending on your viewpoint, bowing too easily to internet outrage; or you can blame the outraged, for not understanding the evolution of standup comedy, or for making a stand when one may not be warranted.

I’ll leave it to you to draw your own conclusions on who’s to blame for Hart not hosting, but I can tell you who’s to blame for there the absence of a host, period: Critics. Not since Billy Crystal hosted the Oscars for a 73rd consecutive time has any host be universally lauded. The host isn’t funny, the host is too mean, the host is too sophomoric, the host disappears for extended periods of time, etc. It’s been a thankless job for years now, and that was before a dissection of your extended comedy catalog became a prerequisite. Personally, I’d love to see the hosting job go to an up-and-coming comic and let them roast Hollywood for a bit. It would be a way to take the self-reverential mask off of Hollywood for a couple hours, and provide a massive opportunity for an up-and-comer. But ratings dictate that stars and stars alone must host, so I’m not holding my breath.

Ok. That sound you just heard is me jumping off my soap box. Back to movies.

“The field is wide open this year” is a great way to build up buzz for an awards show, but when it comes to Best Picture, it’s also a euphemism sugarcoating the fact that there were truly no great movies this year. Personally, I think nearly every contender has at least one seriously fatal flaw, and that, coupled with the rare lack of a huge late PR push for one movie above the others (a la The King’s Speech, The Artist, Argo, Birdman, etc.) mean that “wide-open field” isn’t just lip service, it’s true. Just not for the best reasons. Still, it makes for an exciting awards show, if you’re into that sort of thing, and probably means that the Academy won’t be on the hook for buying into one film’s hype and looking terrible for it down the line (Shakespeare In Love over Saving Private Ryan, The King’s Speech over The Social Network, Birdman over Boyhood, etc.). But these things aren’t always predictable, and maybe in ten years we’ll be talking about what an underappreciated movie Vice was in 2018.

Now on to the awards, where I’ll give my two cents on each nominee for Best Picture, then a brief thought on each subsequent category declaring my best guess for the actual winner and my personal favorite. In the interest of full disclosure, I’ve watched the Golden Globes and the SAG Awards, and usually pay a lot of attention to movie/Oscars buzz, but I’ve generally tried to avoid Oscar prediction articles for the sake of this post. Again, I don’t claim to be a film critic, but I do have lots of opinions on movies, so take everything with a grain of salt. To further highlight any conscious or subconscious biases I have, I’ve put the films I have seen in bold in each set of nominees.

THE OSCAR GOES TO

Best Picture

Nominees:

Black Panther – A wildly entertaining and legitimately good movie, but it’s not even the best Marvel movie ever. This feels more like an acknowledgment from the Academy that it respects superhero movies, than a legitimate contender for best picture.

BlacKkKlansman – Given the wild true story the movie is based on, it probably didn’t even need Spike Lee’s direction to shine, and yet I left somewhat underwhelmed. Everything was solid, but very little really stood out, aside from costume design and a few warranted but ham-handed references to our current political climate. Spike is one of the most provocative filmmakers of the last quarter-century, but with a story that I expected he’d be able to knock out of the park, I didn’t fell like I gained an interesting perspective or was shocked by anything; a rarity for one of his films. Maybe that’s more reflective of the times we live in, or maybe I just set unfair expectations for Spike, given the subject matter. Either way, despite enormous potential, this had all the trappings of a good-but-not-great movie.

Bohemian Rhapsody – Rami Malek’s performance and the final Live Aid scene alone catapult Bohemian Rhapsody into this year’s contenders. Unfortunately, that was all that was Oscar-worthy about this movie. The rest was a by-the-numbers music biopic that tried to pack way too much into 133 minutes. It’s no wonder this movie took so long to get made and so many writers/producers/directors/actors were involved and uninvolved at one point or another (Sacha Baron Cohen was originally slated to play Freddie Mercury), because there’s a lot to untangle between the rise and “fall” of the band, Mercury’s sexual awakening, and his HIV diagnosis, all while the real-life remaining members of the band did their best to ensure that we got a PG-13 version of Queen history devoid of any real dirty laundry. The final result was a watered down, factually dubious mishmash that doesn’t go deep enough in any direction to have a true lasting impact. Those music scenes though, still make it one of the best music biopics ever filmed.

The Favourite – Of all the Best Picture nominees, the Favourite and Roma were easily the least digestable for mass market audiences. Period pieces aren’t for everyone, especially ones that have little in the way of plot, and take place exclusively on the grounds of an 18th century British palace. But the Favourite managed to be thoroughly entertaining thanks to top-notch set design, Oscar-worthy performances by Olivia Coleman, Rachel Weisz and Emma Stone, sexual intrigue and two hours of steady, if a bit slow, mischievousness.

Green Book – I have not seen it. Obviously the reviews are positive, but no one has yet convinced me that this movie isn’t entirely formulaic. I haven’t seen this movie, but I’ve seen this movie, and I’m pretty sure it’s fine.

Roma – A beautiful movie about an underrepresented social class in an underrepresented era in an underrepresented country. It’s shot well and acted well, and the camerawork makes up for a meandering plotline. It probably is the class of this category, but I can’t help but think that it might be 15% worse if it wasn’t shot in black and white. That was clearly a conscious choice by writer and director Alfonso Cuaron, who, between Gravity and Children of Men, among others, has more than proven he knows how to make a film beautiful, regardless of subject matter. But the Artist won Best Picture for its two-part gimmick of being black and white and silent, and I’m not entirely sure that Roma’s colorless palette shouldn’t be considered gimmicky as well.

A Star Is Born – The most classic Best Picture fodder on this list, by leaps and bounds, and not just because previous versions of this movie have been nominated for Best Picture, among a host of other awards. But Hollywood loves a movie about the entertainment business, not to mention a story about underdogs and redemption. This was a really well done movie across the board, and while I thought the Grammys scene was a little over the top, I now realize that was an integral scene to the previous three versions of the movie, so its inclusion is a lot easier to justify here. Aside from the acting, which was exceptional across the board (Andrew Dice Clay!), I think the most impressive part about this movie was that it was a big-budget film about superstardom, yet managed to feel very intimate, and resisted using tired crutches of story narration/plot forwarding by way of TV/radio news reports or newspaper headlines – something Bohemian Rhapsody was unable to pull off.

Vice – I have not seen it, which is odd, because of every movie nominated, it’s probably the most up my proverbial alley. The initial mixed reviews were a part of my missing it, though I imagine my love for Adam Mckay’s masterful balance between humor and the depression of irresponsibly-wielded power in the Big Short and Succession (to say nothing of his comedy genius displayed in Anchorman, Talladega Nights, Step Brothers et al.) would make me a more likely candidate than most to appreciate Vice. Alas, that’s all I’m able to really opine on.

Will Be: If there wasn’t a strong anti-Netflix bias in the Academy, as has been reported, I would go with Roma, but I fear that the safest choice here is Green Book, and in the absence of anything truly groundbreaking, that’s going to be the pick.

Should Be: I’m on the fence between Roma and A Star is Born. To me, Roma’s lack of plot and failure to explore its main character in depth separate it from A Star is Born, which really has no obvious flaws.

Actor in a Leading Role

Christian Bale – Vice

Bradley Cooper – A Star Is Born

Willem Dafoe – At Eternity’s Gate

Rami Malek – Bohemian Rhapsody

Viggo Mortensen – Green Book

Will Be: Having only seen two of these movies, it’s hard for me to make a real educated guess, but it’s also hard to imagine that Rami Malek won’t be rewarded for flawlessly playing one of the most eccentric entertainers in music history. All I know for sure is that Willem Dafoe will not be winning.

Should Be: Malek. Malek’s apparent real-life persona is shy and understated –essentially the exact opposite of Freddie Mercury’s – making his transformative performance that much more jaw-dropping.

Actress in a Leading Role

Yalitza Aparicio – Roma

Glenn Close – The Wife

Olivia Colman – The Favourite

Lady Gaga – A Star Is Born

Melissa McCarthy – Can You Ever Forgive Me?

Will Be: Glenn Close. When an actress from a movie you’ve never heard of keeps racking up awards, it’s a pretty safe bet the Academy will follow suit.

Should Be: I’m going to stick with Close, given how much consensus this pick seems to have. Of the movies I saw, I think Colman and Gaga are both very worthy. I can’t quite figure out Aparicio’s nomination. Given that she had never acted before, she was incredible, but the lack of dialogue and depth that the script afforded her puts her performance in stark comparison to the other women on this list. Close is the biggest lock in any of the acting categories.

Actress in a Supporting Role

Amy Adams – Vice

Marina de Tavira – Roma

Regina King – If Beale Street Could Talk

Emma Stone – The Favourite

Rachel Weisz – The Favourite

Will Be: Amy Adams. This is a really tight race that could legitimately go to anyone. With five very deserving nominees, the biggest differentiator is the fact that Adams has been nominated for an Oscar five times before, with no hardware to show for it. In situations like this, the Academy has shown it’s not above the unofficial lifetime achievement award.

Should Be: I’m a huge fan of every actress in this category, though my two favorites – Adams and King – are nominated for movies I haven’t seen. Given that, my pick would be Emma Stone, who portrayed innocence, quirkiness, resourcefulness, wittiness, ruthlessness and helplessness in one winkingly dry performance. Weisz was just as game from an acting perspective, but the script gave Stone a lot more to work with, making her performance more memorable.

Actor in a Supporting Role

Mahershala Ali – Green Book

Adam Driver – BlacKkKlansman

Sam Elliott – A Star Is Born

Richard E. Grant – Can You Ever Forgive Me?

Sam Rockwell – Vice

Will Be: Mahershala Ali. The Academy loves him, and with good reason. In a tight race, the fact that Rockwell deservedly won this award last year for Three Billboards probably disqualifies him. Elliott was exceptional in A Star Is Born, but had a considerably smaller role than the other actors on this list. I thought Driver was good, but not Oscars-good, and obviously I haven’t seen Grant’s performance, but the buzz is very positive, despite being in a movie that not a ton of people saw. There’s definitely a cynical side of me that thinks Ali is the most justifiable selection among all the minority Oscar acting nominees, and its hard to imagine there aren’t at least some voters who are still trying to erase the scars of #oscarssowhite (to say nothing of minority representation over the course of film history) by essentially casting a vote for inclusion. But ultimately he may just be the best choice in a tight category.

Should Be: Ali. I’ll be rooting hard for Elliott, both because he tends to be my favorite part of any movie or show he’s in, and because it’s nice to see the older guys finally win one. Since Ali and Rockwell already have a statue, there may be some sentimentality votes going his way, and his career in mainstream American cinema spans much longer than fellow elder statesman Grant. Again, I haven’t seen Green Book, but I know Ali is as game as any of the actors in this category, and had the biggest role of anyone in the category. That’s good enough for me.

Directing

Spike Lee – BlacKkKlansman

Pawel Pawlikowski – The Cold War

Yorgos Lanthimos – The Favourite

Alfonso Cuaron - Roma

Adam McKay – Vice

Will Be: Alfonso Cuaron. There’s talk of this going to Spike as a “my bad” award from the Academy for never having even nominated him for best director (not giving him even a nomination for Do the Right Thing borders on criminal). But he did receive an honorary Oscar from the Academy in 2015, and that, coupled with BlacKkKlansman being just a good movie make me feel like this isn’t Spike’s year. Vice is a very hype-typical movie that isn’t getting much hype, and Cold War is the only movie on this list not nominated for Best Picture. That leaves Roma and the Favourite, and the Academy has proven it loves Cuaron’s work, not to mention Roma is the most unique, visually stunning film on this list, which are usually two of the major criteria for this award.

Should Be: Cuaron, for all of the reasons listed above, but I wouldn’t be upset with Lanthimos taking it.

Adapted Screenplay

The Ballad of Buster Scruggs

BlacKkKlansman

Can You Ever Forgive Me?

If Beale Street Could Talk

A Star Is Born

Will Be: I really have no clue on this one, but I’m confident that The Ballad of Buster Scruggs and If Beale Street Could Talk are the first two out. The remaining three are all unlikely to win in the other major categories so voters might simply choose their favorite of those three to ensure they win something. If that’s the case, my guess is the most popular among them is A Star Is Born.

Should Be: I won’t rehash my thoughts on BlacKkKlansman again, and I haven’t seen Beale Street or CYEFM, but when considering adapted screenplays, I like to vote based on degree of difficulty jumping from the source material to the screen. That’s why A Star Is Born falls short for me, given that it was adapted from three previous versions of ultimately the same movie. To me, that makes the writer’s job easier, not harder. I definitely have a Coen Brothers bias, so my vote goes to The Ballad of Buster Scruggs, which managed to take a collection of short stories written over the course of 25 years and transform them into a series of visually stunning, dialogue-rich (aside from Tom Waits’ story) vignettes that somehow formed a (great) movie.

Original Screenplay

The Favourite

First Reformed

Green Book

Roma

Vice

Will Be: First Reformed is getting buzz for this award, and it might be a way for voters to give some gold to a movie than many felt was snubbed in other categories. My take is that if voters loved the screenplay so much, it would have been nominated for those other categories. So the most likely pick here is Roma, a movie about an upper-middle-class family in Mexico City with a relative dearth of dialogue or plot lines that somehow ends up being as captivating as any other movie this year.

Should Be: I thought The Big Short’s screenplay was incredible, so if Vice is comparable in both style and quality, I’m sure I’d love it. But critics are saying otherwise, so I’m going to go with The Favourite, whose screenplay managed to make a thoroughly beguiling and darkly humorous film out of what could easily have been just another dry period piece.

Foreign Language Film

Capernaum – Lebanon

Cold War – Poland

Never Look Away – Germany

Roma – Mexico

Shoplifters – Japan

Will Be: We can pretend Cold War has a chance, but the award has all but been handed to Roma already. If it’s the only movie on this list that managed to be worthy of a Best Picture nominee, logic would dictate that it’s the only movie worthy of winning Best Foreign Language Film

Should Be: Having only seen Roma, I don’t have any great insights to add here, but I’m still confident in saying it deserves this one.

Best Animated Feature

Incredibles 2

Isle of Dogs

Mirai

Ralph Breaks the Internet

Spider-Man: Into the Spider-Verse

Will Be: Despite winning two of the last three years, Pixar doesn’t have the stranglehold over this category that it once did. In most years, Incredibles 2, Isle of Dogs or Ralph Breaks the Internet would have a great shot to win, but this is simply Spider-Man’s year.

Should Be: I liked Isle of Dogs, but Spider-Man was probably my favorite movie of the year, and quite possibly the best. Sorry Pixar.

Cinematography

Cold War

The Favourite

Never Look Away

Roma

A Star Is Born

Will Be: Roma. Sweeping cityscapes, countryscapes and beachscapes (are those things?) + historical time period + black and white = Oscar.

Should Be: Roma. Sweeping cityscapes, countryscapes and beachscapes (are those things?) + historical time period + black and white = Oscar.

QUICK HITTERS

Production Design

Black Panther

The Favourite

First Man

Mary Poppins Returns

Roma

Will Be: Roma

Should Be: The Favourite

Costume Design

The Ballad of Buster Scruggs

Black Panther

The Favourite

Mary Poppins Returns

Mary Queen of Scots

Will Be: The Favourite

Should Be: The Favourite

Death, taxes, and a Victorian(ish)-era drama winning Best Costume Design are the only certainties in life.

Visual Effects

Avengers: Infinity War

Christopher Robin

First Man

Ready Player One

Solo: A Star Wars Story

Will Be: Avengers: Infinity War

Should Be: Ready Player One

This pick is based entirely on the trailer and my 1980s and 90s nostalgia.

Original Song

All the Stars – Black Panther

I’ll Fight – RBG

The Place Where Lost Things Go – Mary Poppins Returns

Shallow – A Star Is Born

When a Cowboy Trades His Spurs for Wings – The Ballad of Buster Scruggs

Will Be: Shallow

Should Be: Shallow

Along with Roma winning for best Foreign Film, this is easily the biggest lock of the night. It’s also a really good song.

I don’t really have anything of substance to add for the rest of the categories, and if you’re somehow still reading, you’re probably not anxiously awaiting my take on all the documentary shorts I haven’t watched.

Happy Oscars Night, everyone! Looking forward to seeing you again next year, when we’ll get to predict the winners of the Academy’s new categories:

Worst Performance By A Best Actor/Actress Loser At Time of Award Announcement

Most Terrifying-Looking Live-Action Genie

Best Performance By People Trying to Bring Matt Damon Home

The Wes Anderson Lifetime Achievement Award for Contributions to Whimsy

Worst Acting Performance by a Musician Who Now Thinks He/She Can Act Because of Lady Gaga

Worst Singing Performance by an Actor Who Now Thinks He/She Can Sing Because of Bradley Cooper

Best Use of “That Guy” (Andrew Dice Clay!)

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pessimisticpleasure · 8 years ago

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Drag Race: ‘She Done Already Done Brought It On’ Review

I was going to review every episode of Drag Race Season 9 and then decided that last week was pointless because no-one got eliminated. On the one hand, I appreciate having a week more to get to know the queens before anyone goes home, on the other the decision that would have been made last week was pretty much just carried over. I wasn’t gagged by Gaga either like gurl you were meant to be judging not boasting about how many designers have made dresses for you, smh.

Can we all just take a moment before I go any further to ask what in the ever loving hell was that appearance by Lisa Kudrow? I thought she was going to be a judge or at the very least a mentor, not just casually come by for thirty seconds, drop some catch phrases and go. Like what was the point? Am I missing something there?

For me this challenge wasn’t particularly inspiring; I’m English and cheerleading isn’t really a thing here so it was a bit lost on me whether they were good or not. It did seem like the kind of challenge which could be edited to make anyone seem top or bottom, I really thought Alexis was going to be bottom instead of Charlie because I thought she did a good job and had one of my favourite runways.

The runway theme of White Party was good and inspired some amazing looks from the queens mostly because it was so simple - apart from Kimora who was serving some kind of season three-esque eight looks in one outfit and none of them on theme. I’m big on themes so I can’t cope when someone doesn’t stick to one -especially one so easy! I couldn’t pick a favourite runway between Charlie and Valentina who are both quickly becoming my favourites of the season. I hope Charlie does better than the 7th or 8th place I’m sadly expecting her to come in but she’s not being set up as much more than a middle of the pack queen. I really hopes she makes Snatch Game because her impressions on YouTube are to die for, especially Lana Del Ray.

I also wasn’t that impressed with Cynthia/ Cucu returning who speaks almost entirely in hashtags I’m not going to use and whose Cucu shtick continues to annoy me rather than entertain. I know she left early last season but she won Miss Congeniality and I feel like that kind of completed her story. She didn’t seem like the unfinished business kind of queen that it makes sense to have return (like Shangela). This was a good group without her and I kind of hope she goes out early so she doesn’t take the spot of a more deserving queen.

Valentina was a great winner for the week, her outfit was good and the fact she actually drew my attention through the challenge while everyone else went a bit over my head was definitely a good sign. I love when the girl who gets picked last shows everyone else up - not to mention she’s only been doing drag for ten months! Her style is so refined, she puts some queens to shame for their lack of polish. I hope she doesn’t fall victim to the curse of the Latina queens and get sent home for a poor snatch game. I haven’t decided who I’m rooting for to win quite yet, I think I need another week, but she’s a very strong contender.

It felt like they tried to edit the lip-sync to look exciting this week even though it wasn’t - I’m pretty sure if that had happened on a week that wasn’t the first elimination they both would have been gone. I was rooting for Kimora at the beginning of the season because I liked her look a lot but she’s fallen rapidly in my estimation and I actually think she was slightly worse at the lip-sync and definitely had the worst runway so she probably should have gone. It’s sad that Jaymes was set up as the first gone, she seemed like a really good person and she obviosuly genuinely cared about her craft and seeing her improve and grow in confidence week by week would have been interesting whereas Kimora seems to care about her ass and not much else and is likely going to go within the next couple of weeks anyway because the judges don’t seem to be on her wavelength at all. I know she does care about drag but she has the attitude I hate of ‘too good to listen to the judges’ which is going to get her kicked off. I hope Jaymes does really well in her post-drag race career, even my icy heart got all emotional with her being unsure of herself on Untucked. Maybe she’ll get to come back next season when she’s worked on live audience performing and her confidence? I’d really like to see her succeed.

#drag race #RuPaul's Drag Race #season 9 #rupaul's drag race season 9 #valentina #jaymes mansfield #charlie hides #kimora blac #rupaul #michelle visage #she done already done brought it on

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vrheadsets · 8 years ago

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VR vs. 10 Franchises SEGA Would Be Crazy Not To Bring To VR – Part 2

Hello everyone I’m back to talk virtual reality (VR) and the House of Hedgehog for another week. As you may recall last week on VR vs. I started a list of ten franchises (and one honourable mention) that would – in my opinion anyway – be great for the leap to VR. SEGA is of course no stranger to VR down the years, there was the SEGA VR for instance. A headset which was initially designed with the idea that it could provide support for not just the SEGA Mega Drive/Genesis and the SEGA Saturn but the arcades as well. A project that would have seen a 1994 release date after being revealed at 1993’s Consumer Electronics Show (CES) event. This in itself is not to be confused with the SEGA Master System’s 3D Glasses that allowed you to play a number of titles in quote-unquote “3D”. Yes such things existed.

But enough of the hardware of the past let’s get back into those games franchises, eh? What else, via way of a lick of virtual paint, could hypothetically make its way to modern VR? Well when it comes to SEGA sometimes you’ve got to make some tough choices (as any long time SEGA fan can probably tell you) and when it comes to this list there’s one or two games that could easily occupy the same space. Such a dilemma can be found with our next title, it was a tough decision in the end but let me explain my reasoning.

Virtua Cop: OVERKILL

Admittedly having a game with “cop” and “kill” in it isn’t going to win much in the way of good publicity, but this combination name should tell you everything you need to know about where I’m going with this. For you see when it comes to VR genres we have the ever popular (and increasingly railed against) wave shooter, and it just so happens that for SEGA two franchises – Virtua Cop and THE HOUSE OF THE DEAD*. I could give you very good reasons for both being on this list but I’ve gone with Virtua Cop. Why? Because put simply we’ve not had a Virtua Cop game for nearly fourteen years.

FOURTEEN FREAKING YEARS.

Yet people still think of the series fondly. HOTD on the other hand has had quite a few iterations, is a staple of SEGA’s All-Stars franchise and has proven itself to be an arcade mainstay. In other words, if you’re going to use VR to help elevate some old properties why not help the one that needs it more. Increase your viable library of characters. Increase the interest and hence their and your value. At the very least you’d raise some interest in getting some ports of the older titles going.

For VR the idea is simple. We have wave shooters, and the idea of having such a game where hiding behind some oh so handy barrel or outcrop of rocks isn’t 100% infallible makes it a far more frantic experience.

But what about the suffix? Well people familiar with HOTD will like as not recall the Wii game THE HOUSE OF THE DEAD: OVERKILL. UK studio Headstrong’s entry into the series took the franchise, supposedly back to the very beginning before all the nonsense at Curien Mansion and into the shoes of rookie cop and series protagonist Agent G. Except things weren’t quite as people were used to with the game. OVERKILL took the franchise to 18/R-Rated territory by spoofing the grindhouse genre. Partnering the straight-laced G with foul-mouthed Detective Isaac Washington a man incapable of finishing a sentence without a s***, f*** or m***********. (Except, ironically, at times when it would technically be accurate. Long story.) In fact there were so many swears it actually held the world record for number of swears in a single game for some time. Eventually only taken out by Grand Theft Auto 4 I believe.

The video below features some… examples of this. You have been warned.

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OVERKILL might not have set the world alight with sales but it, along with another SEGA title, Platinum Games’ MADWORLD, certainly held up the ‘adult’ end of the Wii gaming spectrum. It was later ported to PS3 and given extra levels, ported to mobile and eventually PC where it was converted yet AGAIN this time adding old SEGA favourite THE TYPING OF THE DEAD into the mix. Four games from one game. Not bad going, huh?

The point is OVERKILL was very tongue in cheek about the franchise’s own foibles, and that’s in a series that was already very self-aware. It was so fresh and different why not do a similar trick with Virtua Cop? Turn it into a self-aware parody of all those 80’s cop shows. Or even the 90’s, you meta humour all over the place then about old VR tech. Make it these two ridiculously out of touch cops dealing with endless suited gunmen in shades, ninjas and all the other lightgun game staples who for some reason think this is perfectly normal. Make it Miami Vice on acid with smart mouth and a stick up its ass. Make Virtua Cop but HOTD: OVERKILL.

In VR.

Then let me know so I can buy it.

Thanks muchly.

NiGHTS

NiGHTS is a pretty deep franchise, if you did but know it and one I have all the time in the world for. Not only do they have the most friendly fanbase I’ve ever met (no really, they’re all lovely) the game is fun, scary and promotes an array of ideas that would be very interesting to explore in VR. For a start there’s the obvious connotations of dreams and nightmares, and Sonic Team had no problem going dark. This shouldn’t be a massive surprise since in one of their games they once showed the moment a little girl gets shot for goodness sake**.

But NiGHTS isn’t just about dreams it is about the psyche itself. The original idea is based on the works of noted psychoanalysts Carl Jung and Sigmund Freud. The ideya you collect are aspects of the Id – your personality traits. hope, growth, intelligence, purity (white) and lastly courage (red). Even their colours weren’t chosen randomly. The game deals with the topics of freedom, confidence, growing up, parental issues, loneliness, friendship, the idea of two people sharing the same experience and trust. NiGHTS is after all actually a Nightmaren – the bad guys. Trusting the person based on their actions and not on the preconception of where they were born is also something NiGHTS (particularly Journey of Dreams which has more of an outright story) touches on.

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It is also about freedom and flight. So I want you to now imagine a first person NiGHTS game, one where you actually get to feel the simulation of flying, where you travel through a colourful level doing tricks and collecting… balls. And things. Now take that landscape with its SEGA blue skies and popping colours and what if we added a touch of Nevermind to it? What if the game reacted to your character’s welfare and became more dark and twisted the closer you came to running out of time or whenever you take a hit? It’s not that far fetched. The various levels in NiGHTS, the world of Nightopia is shaped by the Visitor (your character). The levels are given subtitles such as “The IDEAL”, “The POSSIBILITY”, “The CONFUSION” and are all based on relationships and aspects of their lives.

The feeling of flight and a bit of psychology. Sounds interesting?

OutRun

We all know that driving games can be translated over to VR, some of which can be done very well indeed. But what about SEGA? It has a number of driving franchises that you could port. But All-Stars Racing was never going to be on this list. SEGA Rally was a distinct possibility but no, I turned down that too. Initial-D was a strong contender considering its arcade longevity and popularity specifically in Japan. But ultimately the choice to fill this spot can only be OutRun.

So why OutRun over SEGA Rally let’s say? Because SEGA Rally is a game and OutRun is both a game and wish fulfillment. OutRun has, for decades, been not just about the game but about going as fast as possible in a sweet looking ride to impress the girl. About owning a Ferrari and being the personification of cool. It sells you a fantasy, one that gives tremendous satisfaction. A ‘long-medium right’ done well is one thing, but it doesn’t match slamming the steering wheel to full lock as you drift around a car and through a narrow gap between two buses in your Testarossa (or a British racing green Ferrari F40 if you’re me). It just doesn’t.

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Taking a first person viewpoint and actually living the ride would be quite something. But there’s another reason VR would be an interesting mechanic for OutRun. Do you not remember you have a passenger in your car? A passenger who is very… needy in her desire for you to GO FAST! KEEP PASSING CARS! ETC! As she either falls in love with you or, you know, violently berates you because you clipped a barrier. If you’re actually in the car with her it gives the game an extra dimension as you’ve got to check how your would be lady (or gentleman – I think some choice on who your passenger and driver is should definitely be included at this point) friend is reacting to the ride. They also in doing such act as a distraction, and OutRun is always a balancing act – particularly in Heart Attack Mode – of balancing speed and safety.

For me it’d be a very interesting mechanic to explore.

That’s all for this week. Next week we round off the list some more games including one I suspect none of you will have guessed is on my list. Until then!

* Old SEGA employee note: For some reason THE HOUSE OF THE DEAD is always supposed to be shown in capital letters. It’s part of the branding guidelines. If you see any SEGA official messaging with the game not in upper case it has actually been done wrong. #TheMoreYouKnow

** In Shadow The Hedgehog the moment young Maria Robotnik is fatally shot by government soldiers sent to wipe out the ARK facility is actually shown in the light of Shadow’s eyes at the end of a flashback. That’s messed up, Sonic Team.

from VRFocus http://ift.tt/2kL6imI

#VRFocus #vr #virtual reality #canada

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drink-n-watch · 5 years ago

Text

Genre : Action, drama, supernatural

Episodes: 13

Studio: GoHands

We have always had to contend with forces beyond our reach or perception. There are things in the world that just “are” and ordinary people can’t do much more than learn the rules and play by them. But Kings are not ordinary people. For a long time now these very extraordinary people have been bending these laws to their will and given a touch of their power to those that choose to follow them. And they’ve both caused turmoil and kept the balance in the world. These kings fight ancient wars that need not worry the common mortal. So how did a very average if overly carefree kid like Shiro somehow become enemy number one of all these powerful people? When did his life become constantly running for survival and dodging naked cat girls? There must be a reason but Shiro himself doesn’t remember.

I thought it was kind of cool to leave the post title as a single letter. Sort of a reverse light novel title. But I now realize that’s probably SEO suicide. I’m not going to change it though cause I still like the idea of a single letter title. Let’s just say it’s a very good thing I’m not running a business here cause I would be in trouble….

I’ve been meaning to watch K for a long time….cause Mel told me to. Actually, she told me to read the manga but I’m lazy. So when I scrolled past the title in Netflix it triggered a faint pang of recognition. Cause it’s just one letter and I find that really cool for some reason. And at this point, that’s really all I need to start a series.

best day ever

I rarely watch anime on Netflix but I want to do so more. The stream itself is smooth and the skip intro and auto skip to the next episode features are more enticing than you might think for an avid hunter such as me. I’m only telling you this though because I’m not sure if the series itself or Netflix is to blame for the dull colour filters over this whole show. There’s like a blue/purple (going into pink in some scenes) filter pretty much present in every scene which if on purpose may have been a way to make the show look more gritty and serious but to me made it look drab.

Moreover, the animation was… let’s call it janky. It’s what my notes say. It may not be a real word. To be fair there was a whole lot of it. However, Frequent stills were snuck in, in lieu of actual animation and more than one action sequence seems to suffer from a low number of frames creating jerky and unrefined movement. I will say that design integrity and details remained surprisingly consistent, however, which is pretty unusual.

I’m making it sound bad. It’s not. In fact, K is often really pretty to look at. With intricate character designs that all differ from one another and plentiful backgrounds. The show obviously had some budget and quite a bit of talent at its disposal. It’s just that the production choices seem to actively undermine the nature of the series which was just so baffling to me.

to be fair, a lot of things are baffling to me

For instance, like I said the designs are quite detailed (probably though to animate) and have a more angular look and almost realistic proportions usually associated with dramas or more mature works. Not to mention those awful filters that just make everything a touch more depressing. But the show is most often an action-comedy. There are some moments of tension but it’s on average a pretty funny show with a lot of silly slapstick humour that completely clashes with the look.

By itself, that’s not a big deal. It could even be a fun subversion if it was just a bit more overt about it. But when you see that the designs were favoured over the animation, you have to wonder why they would pick a narrative where everything is almost in continuous and explosive movement. K is a very action-packed series.

When I say baffling I don’t mean bad though. For instance, I really appreciated the smorgasbord of equal opportunity fanservice. There are plenty of boys all very beautiful, often brooding, sensitive good at cooking, good-humoured and they blush a lot at each other for some reason. As for the ladies, they come in every hair colour and very well endowed shape, often scantily if clad at all and more than once the camera would settle on upskirt shots for their dialogue instead of their faces. If you have any sort of stereotypical fanservice preference, K has got you covered. I loved me equal opportunity fanservice!

The narrative itself is a bit messy. Most characters are only developed as far as they need to be for you to follow the plot. The plot itself high is full of complex magic, murder mystery and political intrigue stays pretty superficial as well. You don’t actually get any explanation for a lot of the outlandish elements. Both of these drawbacks makes it hard to form any deep attachment to either the story or the people in it (which is probably why I was told to read the manga). This isn’t great for an anime’s staying power. Like I don’t think I will be looking back on this series in great detail a few years from now.

But the thing is, it really didn’t hurt it in the moment! Sure the characters aren’t that deep but they’re pretty and fun to watch even if there’s no profound connection for me. And I might not know them well but what I know makes me want to learn more. (I will be looking into the sequel). And the plot is a little spongy here and there (cause sponges have holes. It’s sad how happy I am about this) but that doesn’t mean I didn’t have fun breezing through the episodes.

To me the narrative construction of K as a series was very well done. It started out as a fast-paced murder mystery with comedic beats. That’s a great way to hook the audience early with a simple premise to follow and a puzzle to solve. By the time it moved into the more complex and convoluted SciFi fantasy drama, I was already familiar with the settings and characters enough to easily accept the shift and keep my interest.

I am a bad reviewer. I made K sound like a bad show. It’s really not. It’s a very flawed series but for me it was also an enjoyable experience. I would definitely recommend it to fans of urban fantasy.

uniform Yata is the best

Favourite character: Yata (I’m not sure why either – I just like the kid)

What this anime taught me: Be kind to animals – it could save your life!

“Alcohol doesn’t make you fat, it makes you lean… against tables, chairs and walls”

Suggested drink: A Crimson King

Every time Shiro blushes – take a sip!

Every time anyone mentions a colour – get some water

Every time anyone gets picked up by their head – take a sip

Every time Kuro cooks – get a snack

Every time we see HOMRA – take a sip

Every time anyone mentions the Black Lizard Planet – salute

Every time Neko steals food – check on your snack

Every time Kuro brings out the tape recorder – take a sip

Every time Shiro calls Kuro creepy – disagree

Every time Neko is naked – take a deep breath

Every time the action is set on a rooftop – take a sip

Every time we see a mask – take a sip

I don’t know the studio but like I said, the art style is rather pretty. I have a bunch of screencaps on Pinterest.

K Genre : Action, drama, supernatural Episodes: 13 Studio: GoHands We have always had to contend with forces beyond our reach or perception.

#action #anime #drama #K anime #Mystery #supernatural

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