#watch me pull out the book the script and the script for the tv series to proof a point.
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acatwithstockings · 1 month ago
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[movie script stuffs!] I have questions!! not many because it's 1am right now but I'm formulating more, did they do anything with the four horsemen of the apocalypse? anything at all? or did they just look Death in the eyes, sigh and tell him they didn't have the time or budget or care about him? I need to know!! (also just any random snippets you obsess over or think about would be so so lovely, hope you have the most wonderful day/night!! :] ❤)
Nope, they made an appearance at Satan's side, said their hello, Death got to spin a little globe around and were promptly vanished by Adam after saving Aziraphale and Crowley while giving his "I am not doing it and you are not my dad" speech. However one interesting note, and a bit of speculation on my part is; Pollution is described as "A white thing dripping with ooze" which does not contradict the book description or anything BUT seeing how in the book Pollution uses he/him pronouns, being described as unmemorable while implying ambiguousness and how in the script gender specific language is used for the other horseman, I believe this could already have been the appearance of explicit nonbinary Pollution. But again that's just speculation and over analysis of language on my part.
As for snippets, got a good selection of them tbh. Every part of that atrocity either triggers my pattern recognition for how it tries to fit pieces of the source into new ways that don't quite fit or because, and again I can't stress enough how much the greater fandom will probably hate me for saying this, there are glimpses of things that will carry over in to the TV show and you can't unsee them once you realize it. If those stem from the script that had been written before and that we don't have access to, if it even still exists, or are just because of the author's subconscious, remains an open question.
However if I had to choose for the heck of it, the price for living rent free in my head would go to Crowley pretend flirting in the mirror, because it's just such a strange thing to pack in there and absolutely 100% absurd while also beautifully dorky.
Followed second by Anathema trying to hide her dagger from Adam behind her back, contemplating her life's choice and to bring herself to do what needs to be done (in her mind). It's beautifully dramatic and would have been a good scene under different circumstances. But also just the thought that she was absolutely ready to murk a child and only got qualms bc it turned out to be a child she liked.
And finally third, the one where Aziraphale just feels something is off with Crowley (got summoned into hell) and starts to run. It's so absurd and out of left field. And the imagery is just funny idk.
Honorable mention goes definitely to Aziraphale and Crowley having a walk on the beach, with Aziraphale taking to paddling on the water's edge. While it rains. And they have black and white umbrellas. Got ruined by Crowley idly kicking in Aziraphale's sand projection tho.
Hope you are having a wonderful day as well ♥️ and tank you for supporting my insanity pfff
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thelostconsultant · 4 months ago
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Sounds like a plan
pairing: Lando Norris x reader
note: Lando loves you. Now that it seems like he has a fantastic year, there's only one thing that can make it even better.
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You were minding your own business as you sat on the couch with your laptop resting on your thighs, going through the script of the first episode of the second season. It was based on the book series you had written, your baby, so you only gave them permission to make the series if you had a say in how they adapted the story. So far there had been no arguments; you all sat down to make the outline of the season, discussing certain details, then the script writers got to work. Then the revision was up to you, the chance to give them your feedback and make changes if you felt like something just wasn’t right.
But this time you could barely focus because in the last ten minutes you could feel your boyfriend’s eyes on you. It’s not that he was busy scrolling his phone or watching the TV while looking up at you every now and then. No. He was staring at you without a break. “Lando, what is it? Why are you staring at me like that?” you asked when you had enough.
He looked taken aback. “I can’t look at my girlfriend?” You shot him a serious look which made him yield. “Okay, okay, I was just admiring the view… and thinking about something,” he added mysteriously.
“What would that be?” you wondered as you closed the lid of your laptop.
For long seconds he was watching you without an explanation, the only sound leaving his lips being a thoughtful hum. But then he took the laptop from you to place it safely on the coffee table, then patted his lap to make you sit there, straddling him the way he always loved to have you. With a small laugh, you crawled over to him and took your place, sneaking your arms around his neck before placing a soft kiss on his forehead. Lando’s hands were resting on your hips, fingertips digging into your flesh as he held onto you.
Instead of spitting out what he’d been thinking about, he captured your lips in a kiss, smiling to himself when you returned it with the kind of passion he’d been missing so much while he was away. Spending so much time apart, either because he had a race weekend, or because you had to be in L.A. to work on the scripts, surely made him feel lonely sometimes. Yes, you did have video calls, you did send messages together all the time, but having you like this was always entirely different.
Now, he didn’t want you to drop the script supervision project, he knew that was important to you. But it would be nice if you could come to more races, maybe working remotely like you did now. And who knew, maybe he could go with you when you had to show up in the States. He just wanted to spend more time with you, and this need was growing with every single day that passed. So, as he thought about what to do or say, he came to the logical conclusion that maybe it was time to make you see just how serious he was about this relationship.
“I need to ask you something,” he began as he pulled away, one of his hands moving to cup your face. Even though you let out a questioning hum as if you were interested in what he wanted to say, you were still trying your damn best to lean closer and kiss him again. He could see the lust in your eyes, but as flattering as it was, he had something important to tell you. “Babe, pay attention to me, okay? Just a few minutes, I swear, then I’m all yours.”
With a defeated sigh, you nodded and rested your forehead against his. “I’m all ears,” you said quietly.
Lando took a deep breath, trying to put his thoughts in order. “I love you. I could give you an hour-long speech about how much, but I hope you already know that. This year has been so amazing, you moved in, our car began to work, and I won races and had several podium finishes, and… I don’t know, even if I don’t win the championship, there’s one thing that could surely make this year almost perfect,” he said. He couldn’t help but smile when your eyes widened, giving away that you could sense where he was going with this. “Ending the year with the thought that you will marry me would be the cherry on top. What do you say?”
At first, you were just watching him in silence, your beautiful eyes still wide open, lips slightly parted from the surprise. He was beginning to worry, but then your lips curled into a smile, and you pressed your lips to his, kissing him so fiercely like your life depended on it. Though Lando truly enjoyed it, he knew this gesture wasn’t enough to make him loosen up, so he pulled away and gently grabbed your chin to make you focus on what he had to say.
“Use words, baby, I need to hear you say it,” he told you, his voice desperate from the need for the confirmation.
“This sounds like a plan. Let’s just elope and get married in peace, somewhere away from the crowds,” you told him.
Lando took a second to think about it. “I want a big wedding. I want to show you off, I want our friends to celebrate with us. But,” he added the second he noticed you were about to object, “I hear you, I know you’re right, so let’s elope first, and then we can start to organize a big wedding where we celebrate with our families and friends. How does that sound?”
“Perfect. I love you.”
“I love you, future Mrs. Norris,” he replied with a short laugh before kissing you again.
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blueberrypancakesworld · 7 months ago
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Omg, we need a emma d'arcy x fem reader! Pleaseee!!!
Let me help you here
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Emma D'arcy x fem!reader
warning : fluff, flirting, comfort, nicknames, no use of Y/n, i really hope emma is not too ooc, i hope all pronouns are right
Summary : The latest season of House of the Dragon is about to start and final filming is underway. Emma as the Queen Rhaenyra finds themself in a quiet scene with a fellow actor and the two need some help from each other getting dressed…professionally of course.
info : normally i don't write for actors but i feel comfortable with it so i hope you like it anon and emma looks like the queen herself too. have fun reading ;)
ps : I love the gif not only a queen but Ewan in the background so sweet
masterlist
~~~~~~~~~~~~~
The acting group needed for the scene had already gathered at the slightly unfinished set. The lights over there were sometimes bright, sometimes dark, with a wide variety of flares and lanterns, some lit with real flames, of course, and some with no real light.
The sets, as you all knew, served mainly as backgrounds for the actors and for the special effects specialists as the big screen which, in addition to the scenery and the actors and props, brought them all to life, giving them that fantasy look.
The large set the hall of Dragonstone went almost to the ceiling thick walls some with steel thickness some finely crafted with foam served as a set. It was really impressive to see how they did it all thought the young actress and let her gaze wander only briefly knowing that the camera was still on her co-worker Matt who was discussing the war plans as Daemon as he had learned.
Especially in the final edit when they had all watched the greasy series together, it was really nice to be back. The camera on the table moved around it again from Matt to her as Daemon looked at the Nachirhct's delivery. ,,Be assured the sea route is supported by Lord Manderly. This also goes out to your ships Lord Corlys your safety is our concern" she said her sentence as scripted letting her eyes wander over the sea route and nodded to Matt and Steve in their roles as Daemond and Corlys who also gave her a nod and thanks before the camera panned back.
It was a few lines she had played a newsbringer a high lady from the lake house as she had done a little research on the internet and even read a little blood and fire. A really good book.
But then she knew her cue when it became quiet at the table and the guards could be heard announcing in loud voices on the set that a queen was arriving. Instead of the short hair, Emma's head was adorned with a long, light-colored wig, which made their face slightly pale, but the expression Simply incredible she thought and looked at the older one who Matt then placed next to her around the table.
There was silence as everyone looked at the Queen, who looked at the card with a broken look of hatred and after another shaky breath gave a determined ,,I will…Aemond Targaryen" everyone lingered like that for a moment before there was a loud ,,Cut!" and a clap was heard and everyone fell out of their roles. Immediately there was talk and laughter, and everyone was curious to see what the scene would look like, ,,What a cute curtsy my lady," she heard Emma say as they came over to her and mimicked the movement, making them both smile.
,,So much training," the younger one mumbled, pretending to strain before D'arcy took the younger one's arm and pulled her along, ,,Nice to see you having fun and everyone going so well," the taller one began, giving her an assuring look.
It was only a small role and she had been in a few smaller TV series here and there, but it was still something completely different, it was really exciting to be around movie legends and such good actors.
A possibility she really appreciated…and maybe she appreciated Emma even more. The English actor was really impressive, even though they only played a few roles, but the expression, the voice and just everything about D'arcy was engaging and so captivating.
,,Everyone take a break, later we might do a post-production but until then you can get out of your costumes!" they heard the head of the costume department say and most of the actors went straight to the dressing rooms and Emma to the caravans.
This time, however, the younger one, who was only a supporting role, was about to say goodbye when the older one took her hand again and pulled her along. ,,I promised you I'd have a Negroni Sbagliato with you, come on, sweetie," they said and before she knew it they were actually in the actor's cozy caravan. Yes, they had made that promise after they realized on the first day they had met that they had not only gone back to the same acting school but had also run into each other more often than they wanted to.
From auditions, to plays and in real life it was almost romance ripe. ,,So with Orange without?" they asked, still standing at the small bar in their full outfits, which made the younger ones smile, ,,As the Queen takes him, so do I," she demanded with a look that went over the actor's body. The dress and the coat and the hair it was so impressive to see how versatile Emma could be.
But she had noticed the younger girl's stare, not just the little smirk on her lips, but when she turned to her and put the drink in her hand, their fingers deliberately touched and Emma let them touch. There seemed to be something between the two of them.
She had often invited Emma to her small but pleasant apartment and they had spent the evenings doing all sorts of things. In return, Emma sometimes invited her to extraordinary restaurants or something, it was like a friendship, even if some of the looks went deeper.
The two of them talked for a while about the costumes and the stunts with the "dragons", how exhausting and yet beautiful it was. She had watched D'acry do some of the flying toes and it looked incredible. ,,I'm glad to see you're enjoying it so much…you see I knew it would do you good not to give up now that we're here together," Emma winked and stood up after taking a sip of the alcoholic beverage before turning around and standing with their back to the younger one.
,,I can get the wig off by myself, but would you mind taking off the dress?" the actor asked and the younger girl jumped at the sight of a slightly rapid heartbeat, slightly sweaty palms and suddenly the alcohol was pounding much harder than usual. ,,Gladly for you-I mean, of course I'll help," she mumbled, stammering, and slowly began to help the taller girl out of her jacket, the smell of Chinoto Dark's citrusy, smoky scent enveloping her now that it had settled on her skin.
She liked the scent strong and yet slightly sweet because of the hint of lemon it was really something nice. ,,All good sweetie?" came the voice of the older one who turned slightly and looked at the younger one who was still holding the jacket in her hand ,,Yes-yes all good" she shrugged and felt the warmth on her cheeks.
Pull yourself together, you're not a schoolgirl anymore, she admonished herself and put the coat away before tying the dress, but she heard the slight smirk and Emma's words, ,,Don't be nervous, you're just undressing the queen," Emma joked, giving her a wink. A wink that only made the younger girl's heart beat faster.
Maybe it was Emma's intention, maybe it was the actor's style, or maybe it was just for fun. Who knew, but as her fingers tightened on the laces, the taller actress held still and let her friend do her thing, stepping out of the dress before reaching for a robe.
The back was nicely defined by the light muscles, not just for acting, the underwear a quick glance and her cheeks almost got hotter. ,,You were a grateful help, sweetie," Emma said, standing in front of the younger girl, they towered over her with their height in addition to the boots.
Her wispy dark blonde hair was slightly tousled and she had to resist tousling it and greenish eyes were looking at her. But then suddenly D'acry reached for her hand and brought it to her lips, placed a grateful kiss on it and seemed about to continue. The moment deepened and the younger girl clung to the fabric of the robe, fearful of falling over in devotion, when a ringing from her cell phone threw her off balance.
,,Fuck," she muttered with a determined look and Emma just smiled again. She picked it up, ,,I'm um what-yes of course-yes I'm on my way," she mumbled as the voice of the debriefing leader at the other end called for her to go over the script again when a few changes were made.
Sighing, she gathered her things and had forgotten all about the actor when Emma held her lightly again, ,,I'll wait here honey," Emma winked and gave one last kiss on the hand before she let the younger actor out of the caravan with an embarrassed look, knowing that something was finally going to happen, just a dance of the actors.
~~~~~~~~~~~~~~~
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adamsmasher · 1 year ago
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Okay it's after 1am and I've had a lot of wine so obviously it's time for a late night wall-of-text post, but this time it's less likely to piss off your weird uncle or whatever because once again, I gotta talk about the best $4.99 a month I've ever spent.
Please, if you haven't yet, I'm begging you to look into all of the incredible content available on the Dropout.tv streaming service (formerly known as College Humor) . Not only did Whose Line Is It Anyway's Wayne Brady say that the Dropout crew are the only ones doing improv comedy on the same level as Whose Line, but they were also one of the only studios/streaming services allowed to work during the writers' strike because their contracts went above and beyond industry standards. (And, from my own observations, Dropout LOVES hiring queer, trans/nonbinary, and BIPOC performers + crew. Obviously I don't know much about the industry, but they seem like one of the most inclusive companies in Hollywood.)
"Alex, thanks for the recommendation! What shows do they have that you think I'll like?" Oh, you're asking me to gush about my favorite tv shows? Don't mind if I do!!!
Are you D&D curious, but took one look at actual play shows like Critical Role and thought "6 hours an episode? and there's like 750 episodes or whatever? oh baby not my adhd ass..." Don't worry, me too (sorry CR I love you I promise). But Dropout has a show called "Dimension 20" where comedians play Dungeons and Dragons with emotional, immersive storytelling, gut-busting laughs, and spectacular set design that makes you forget it's a fully improvised series controlled by the roll of the dice. They even did a miniseries perfect for D&D beginners called "Dungeons and Drag Queens" where absolute novices and Drag Race royalty Jujubee, Monet X Change, Alaska Thunderfuck, and Bob the Drag Queen embark on an adventure full of mystery, intrigue, and stupidity. I mean, Alaska plays a muscle-bound, axe-wielding, caveman-grunting Orc named Princess, what more could you want? Plus, the primary game master Brennan Lee Mulligan is so easy on the eyes. Oh, you're not into dorky ginger dudes? How about Aabria Iyengar, a 6 foot tall goddess who's equally as nerdy as Brennan but loves basketball. that's right, if nothing else, there's eye candy for every person in every season.
"Oh, why aren't there any good game shows on TV?" you wonder, wishing that the Game Show Network could come up with something that isn't a lame remake of a free-to-play phone game. Well how about Game Changer, "the only game show where the game changes every show (except for [...] Game of Games, Taskmaster, and a few others that have come to light AFTER [Game Changer first aired]. That's right, [the] players have no idea what game it is they're about to play. The only way to learn is by playing, the only way to win is by learning, and the only way to begin is by beginning." And yes, I did sit there and watch the beginning of an episode to make sure I was accurately quoting Game Changer host (and Dropout CEO) Sam Reich's description of his flaghship game show that has THREE separate spin-offs. (for context, he only mentions the other shows that copied his in the one episode I pulled up to get an accurate quote. could you imagine how uncomfortable it would be if he said that every episode? hah!)
Are you more of a traditional Whose Line fan? Look no further than Game Changer spin-off Make Some Noise, where contestants act out "improvisational prompts that [they have] never seen before, isn't that right contestants?" ("We won't know if we've seen them before or not until we see them!" Brennan insists every time he's on...)
You like musicals but wish they were less... ya know, scripted? Check out "Play It By Ear", a fully improvised musical! (you may be familiar with its primary cast members Jess McKenna and Zach Reino from the podcast that inspired it all, "Off Book: the Improvised Musical Podcast with Zach and Jess")
Or maybe you're more into trivia, cuz you're a total nerd like me (and every single performer that's ever appeared on dropout.tv). How about "Umm, Actually" where contestants are given an incorrect statement and have to buzz in to correct it - but you have to say "Umm, Actually" first!
Straight up, you can't go wrong on Dropout. Please, check it out. They're nearly doubling the amount of original shows they have in 2024, and no other streaming service is doing it like them. If I haven't convinced you yet, get the 7 day trial and give em a chance. There's no referral code I can give you that gives me some sort of kickback or whatever, I genuinely wrote what looks like a thousand word essay about Dropout at 1am just because I love them so much.
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marlinspirkhall · 1 year ago
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I watched the unaired Selection pilots so you don't have to
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But, if you want to, you can do so here, and here (password: “selection”), credit to Media Garage on YouTube
Edit: links no longer active
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The Selection (2012)
Strong Hunger Games vibes throughout, the plain-text opening screen isn't helping
Stock-footage of rolling hills gets replayed way too much
ETHAN PECK?
Unlike in the books, America only finds out she's been entered into The Selection after she gets selected, so the plot point about the photoshoot & her radiant smile being the thing which gets her selected no longer applies, I guess
Everyone in the YouTube comments was saying that Aspen and Maxon were miscast & the actors' roles should have been swapped (... No comment. I believe in you, Mr Peck)
This castle is looks too small to fit 24 TV show contestants in it
Fiona, unprompted: “Can you keep a secret, America?”
America: “I have been known to”
Fiona: “I play the violin”
Okay? (This is actually a very sweet moment and, again, Fiona may be the best actress in this)
This episode covered a significant portion of the first book, out of order, which makes me wonder if the intention was to cover all 3 books in one series.
This almost feels like half of a film, making me wonder if someone adapted a film spec script into a tv show spec script
Apparently, Fiona has a secret child and Celeste knows about it, causing Fiona to drop out on day one and tearfully warn America to “trust no one, there's no such thing as friends here”- which is a fucking wild thing to say when she's probably the only contestant who's been nice to America so far & Celeste didn't even need to get to know her to know her secrets because she has spies anyway 😭
It's worth reminding you that they have been at the palace for one entire day total
You think Queen Amberly is being fleshed out in this version but... Hmm
Amberly appears to be the one pulling the strings from behind the scenes (she confronts Celeste about extorting Fiona, tells her "she would have gone home in due time" and to "leave America to me. Anything we do to try and separate them [her and Maxom] will only make him want her more")
Again: IT HAS BEEN A DAY
America sees her servant gathering all her dresses (none of which she has used yet, bar the yellow and green ones) including the iconic blue one from the book cover. America asks what's happening and the servant replies: “Prince Maxom's orders”
Cut to America's family. They open a box with a glittering pair of high heels inside. I guess this is supposed to mirror the part of the book where Maxom cuts off the stipend for 2's and 3's who are in the selection?
If you think this version feels unfaithful to the book, just wait until you see The CW's pilot
IT HAS BEEN ONE DAY
Runtime: one day 45 minutes
Final rating: 5/10, kinda long and stiff in places and the set design was all over the place. Felt like a Hallmark movie (the set design didn't help). Probably would watch another episode of this if it was a full series or a limited series of 3-6 episodes. A little script-doctoring and a better set would work wonders.
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The Selection (2013)
I cannot stress enough: this version begins with a sex scene between Maxom and a servant
Okay, I got ahead of myself; it actually begins with another hunger-games-esque black screen with text on it, text which reads “Someday, in the future”, which is read aloud by a woman's voice.
We zoom in on a much roomier-looking castle on a hill, as a random whip sound effect plays (leading into the sex scene, in which no whips are present)
All the female servants in the palace are dressed in sexy maid costumes and I wish I was kidding
The world map explaining the history of Illea is CONFUSING AS HELL, but maybe they hadn't nailed down all the details yet. I'm genuinely not sure
ANTONY HEAD?
Aspen is introduced tied to a St Andrew's cross and being watched over by a guard. America asks the guard to free him, he chases her through the streets, she circles back and cuts Aspen down
America's selection is similar to the 2012 pilot, except Aspen is present. America asks her mom why she'd enter her into the selection when “You know I'm with Aspen”, so uh, I guess they're not keeping it a secret here.
There's also no mention of Aspen being of a lower caste than her, nor of America having a job other than the vague title of "laboring class" which hangs over them all, vaguely
This is a masterclass in editing and pacing. The dialogue is okay, but the added geopolitics make no sense. Any issues with this are smoothed over by the fact that the plot keeps moving forwards at a breakneck pace to keep you distracted.
The lack of breathing room would probably be too confusing for an audience who wasn't already familiar with The Selection
The set here is absolutely beautiful but unfortunately it gives me Merlin vibes, and casting Antony Head as the king does not help with this.
Maxon attempts to pull a Mr Darcy. He then tells America that if she runs away with Aspen, the guards will beat him to a pulp and they'll both spend the rest of their lives in prison. America suggests that she make the monarchy look good so the working class don't side with the rebels. Looks like we're going full Hunger Games.
Celeste's handmaiden seems way too devoted to her; they turn out to be lovers
Just when you think Maxon might start redeeming himself, we see the palace guards swarm Aspen and kicking him. Maxom stands nearby on his horse overseeing this so there's no question of whether he did it or not
Final rating: 6/10, I would absolutely watch another episode of this. It was an absolute mess, but I've seen teen wolf, so I'm not gonna pretend I'm above it.
This feels like the kind of pilot which would get greenlit just to attract hateviewers.
Summary:
Neither protagonist had red hair and neither adaptation was trying particularly hard to give it to her (2012: dark red box dye. 2013: blonde!)
These actors are doing their best and some of them even seem to be having fun (good for them)
In the 2013 pilot, the writers lampshade America running around “like an action hero”, but she promptly forgets how to do that by the midpoint of the episode, so w/e
It feels like the 2013 pilot was a reworking of the 2012 pilot, because there were too many similarities carried over from one script to another which weren't present in the original book, like Fiona having a secret relationship.
I forgot to mention that Aspen has a brother in the 2013 pilot. He seems to be adapted from the palace guard who has a relationship with one of the contestants in a later book.
I can't get over how fucking weird of a decision it is to make the kind and likeable love interest into a power-corrupt despot, but it does feel more true to an actual monarchy. I assume they were trying to give Maxon a bad-boy vibe, which doesn't make much sense because that's supposed to be Aspen's whole deal.
There was a whole subplot in both pilots where an advisor character is revealed to be working with the rebels at the end of the episode
Extremely funny to me that the 2012 pilot makes a point of mentioning that sex before marriage is illegal and the 2013 pilot opens with premarital sex with the prince regent
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storytime-reviews · 1 year ago
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Romantic Comedy Book Review
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With a series of heartbreaks under her belt, Sally Milz - successful script writer for a legendary late-night TV comedy show - has long abandoned the search for love.
But when her friend and fellow writer begins to date a glamorous actress, he joins the growing club of interesting but average-looking men who get romantically involved with accomplished, beautiful women. Sally channels her annoyance into a sketch, poking fun at this 'social rule'. The reverse never happens for a woman.
Then Sally meets Noah, a pop idol with a reputation for dating models. But this isn't a romantic comedy - it's real life. Would someone like him ever date someone like her?
Rating: ★★★ 1/2
So my main problem is that there were some aspects of this book that I loved and some that I really didn't like, although I will admit that the narrative gets better along the way. Most of my issues with Romantic Comedy occurred in the first third or so, so it's surprising that I actually continued with it. I guess you could say that I saw some promise in it, and I am glad that I kept going.
Something that stood out to me with the first third or so of the book, much of which occurs at the studio in which Sally works as a comedy writer (clearly inspired by Saturday Night Live) is that for a book about a comedy writer, Romantic Comedy is just not funny. That's not to say it has to be, the problem is that this book is definitely trying to be, and it just isn't. Especially when it focuses so heavily on the comedy sketches at the beginning. I also didn't like how Noah spoke in that first pitch meeting, it sounded so fake, like when you can tell a character is written because it just doesn't feel realistic.
Sally is incredibly preoccupied with the appearance of other women to the point it's incredibly noticeable and felt uncomfortable for me to read. In using her point of view here I understand it's meant to get the point across that she's different, and really emphasise she's not someone that a musical star would typically fall for, but it felt like too much. Something else that just didn't work for me in this book is how some of the 'issues' mentioned feel very performative, especially with the two white main characters discussing racism and BLM protests.
However, once Romantic Comedy switched to the emails format, I found myself enjoying this book immensely. It was fun to be a little bit different, and a great way to showcase the perspectives of both Sally and Noah and get them interacting a little more directly. I loved this approach because it allowed them to develop their banter and chemistry and kept it interesting as they dealt with constant miscommunication, defensiveness and jealousy issues.
Their interactions feel realistic, especially the ways in which they respond negatively and then have to work on their communication to address their feelings. Of course they make plenty of mistakes and assumptions about each other, but I loved watching it play out as they struggled to stop letting their own issues impact on the other person. There is plenty of chemistry between them, especially in those emails. In fact, I think Sittenfeld did her best writing with these emails than in any of the other scenes.
Sally in particular gets combative and aggressive when things get real and become emotional, and I love it so much because it makes her real to me. Because this is exactly what I do. So as much as some aspects of her characterisation drive me nuts, there are other parts like this that make me so glad I read this book until the end. The characterisations of both Sally and Noah are deepened throughout the narrative and pulled apart and put back together. What I also enjoy about their relationship is that they call each other out on their shit.
Warnings: sexism & misogyny, references to racism, references to drug use and addiction, references to eating disorders and suicide, sex scenes
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glassvines · 1 year ago
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Thoughts On 2023 Favorites
TV Shows 1. Good Omens season 2: Oops, I'm obsessed again. You can make the argument that a second (and PHEW eventual third) season was unnecessary, but I disagree. It was nice to get a season that wasn't so breakneck in it's pacing. Everything slowed down a bit and focused in on Aziraphale and Crowley's shenanigans. Which, let's be honest, is what the audience wants. That being said, I liked everything else about it too. A cute/silly plot, fun new characters, and a devastatingly sad finale that left me distraught. I could not have asked for more really. (Except more kissing. Please tell me there will be more kissing.) 2. Lockwood and Co: A spooky premise that probably took a lot of effort to appear even semi-believable [as a tv show]. Yet, it was pulled off with flying colors. It was also perfectly atmospheric and charming, so of course netflix canceled it. I plan on reading the books.
Animation (TV & Films) 1. Murder Drones: 2023 was a good year for indie animation overall, and out of all of them Murder Drones was the show to win my entire heart. Perfect setup for horror and YA spoofing, but also well written enough that I enjoyed the character focus and progression as well. I'm psyched for the final two episodes set to release in the spring. 2. Spider-Man: Across the Spider-Verse: If any movie of recent memory deserved a decent sequel it was this one, so I'm very happy it turned out as great as it did. One of the few comic-book films I bothered with in 2023. 3. Hilda season 3: Easily one of my all-time favorites from Netflix, so I'm beyond happy it has a great ending now. Gorgeous animation, a lovable main and support cast, and perfect chill vibes. Deserves a bluray release. 4. Elemental: Listen. Pixar's still got it this was so cute. You're forgiven for The Good Dinosaur Peter Sohn. 5. Teenage Mutant Ninja Turtles: Mutant Mayhem: So much fun tho. Love the current creative trend in cg films happening thanks to Into the Spider-verse. Also, the No Diggity scene was incredible. The movie has an A+ soundtrack. Anime (TV & Films) 1. Trigun Stampede: So relieved this turned out to be great, considering the original is a favorite of mine. Not a easy feat in the age awful, cash-grab reboots. 2. The Boy And The Heron: Honestly? My favorite Miyazaki film since Howl's Moving Castle. Genuinely moving and left me misty-eyed. 3. Demon Slayer: Swordsmith Village Arc: This show is so pretty. Still surprised how well the series portrays it’s simple, compelling cast. Like it’s an effortless sort of thing (it’s not). 4. Suzume: Makoto Shinkai's last three movies just make me happy okay. Happy and hopeful. The best comfort movies ever. Video Games I have a steam deck now so you'd think I played a bunch of video games last year but, no. I didn't get heavily into much last year. Played some Hades though? Live Films || Note: I watched so many great classic horror movies this year that I had never given a proper watch. I would like to continue that this year!! 1. Talk to Me: Please make more horror movies Danny and Michael Philippou. This one was wild. 2. Dark City: The fact that The Matrix got four movies and this didn't get any sequels is a fucking tragedy. 3. Coherence: Love me a simple, creepy sci-fi movie with an interesting premise. Apparently, quite a lot of the film is improvised as well? That blew my mind. 4. Greener Grass: More films that just feel like one big Adult Swim skit please. This style of script is hysterical to me. 5. Caveat: This goes on my fave list simply for scaring the shit out of me lmao. Movies walk a fine line, when the intention is to make you uncomfortable for long periods of time. They risk being irritating instead of entertaining. Caveat had me shrieking at my tv (in a delighted sort of way).
Honorable Mentions 1. Lore Olympus 2. Nier Automata anime 3. Asteroid City + Wes Anderson's new short films 4. OPLA
Things I'm Looking Forward to in 2024 1. Dune 2 2. Second season of Severance hopefully! 3. Madoka Magica Movie 4: Walpurgisnacht: Rising?? Is it finally happening or what? 4. New Magnus Archives
Some Creative & General Goals for 2024 I feel like I was drawing a lot more in 2023! Still nothing worth posting online, but I'm making some progress I think (slowly but surely). Goals: make more art for my siblings when they request it, finish some digital art that I started, and finish the diorama piece I planned out. On the general goals I'd like to travel more! Particularly, I'd like to visit some national parks.
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sambinnie · 2 years ago
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1. Solstice again. Creeping from the still house into cool air, then a run to smooth waters where even the dogs and their walkers haven’t yet rambled. We swim in almost-silence for a while, like steady kayaks, with a chiffchaff serenading us and the last of the willow fluff dusting the surface of the water, fish occasionally glopping upwards to grab a passing insect.
Home to pick a posy for the table. I must not fall asleep as soon as I sit down. I fall asleep instantly.
2. This spring has been wonderful. Besides the puffs from the willows along the river, the chestnut trees drip sap onto the pavements so our shoes click with every pace, and the ducklings, goslings and cygnets gather around their beady-eyed parents. Dragonflies and damselflies drone over the river. Huge poppies have grown in the chaos of the garden, I assume where I threw the seeds from pavement poppies last summer, and bees roll around among the stamens like playing puppies. I drive past the supermarket and see several people tending to a horse in the neighbouring scrubland.  
3. Have you finished Succession yet? This final series has been my favourite yet, for possibly obvious reasons — my stress levels were lower than my enjoyment levels for the very first time, so I could fully savour exactly how brilliant every single aspect is. Cast, crew, production, script — everything is perfect, and yet how hard to communicate why a programme about the world’s worst people is not just watchable but probably the best TV this year. This Vanity Fair clip with the director of the scene on Connor’s wedding boat is excellent and describes so well how TV like this is a kind of alchemy.
4. A brief sojourn to a foreign city, where the cathedral left me chilled but a record store was so exactly like the ones from my teens that I welled up and had to be pulled away. How do smells cut through all barriers and transform us so completely to our previous selves? I wanted to stay for hours and flick through every single album, and end up buying four, two I’d love immediately and two I’d hate, but would stick with because albums are never cheap, and the two that were harder work would become my favourites and stick deep in my brain forever. I thought myself too cool to be a Feeder fan at the time, but watching this video now I want to weep at how normal we all looked then, how clunky and average and awkward, how anyone who grew up in the 90s would recognise those bedrooms, that wallpaper, those lampshades, and how humans are so dumb to grieve things we didn’t even want at the time. 
But sometimes, for brief moments, like when you are standing at the stove making lemon and courgette risotto and listening to Head Like a Hole at full volume, your teen self and the adult self you thought you might be meld perfectly and all is well with the world. 
5. We read this book in bookclub recently, and I was struck at how we all struggled to verbalise our feelings about it. Was it good? Bad? Confusing? Funny? Unsettling? It was all and none, the live example of imagining a colour you’d never seen before. I was reminded of these two videos the algorithms had fed me, on Outsider Music and how audiences misunderstood the film of American Psycho when it first came out. Weirdness is so challenging, so aching and unsettling and new to brains which generally thrive on conformity and predictability. In the latter video, the film’s director Mary Herron says, ‘I have to always remind myself, sometimes I don’t get it, you know, when I first see something… particularly if it’s unfamiliar, it can be quite… there’s something uncomfortable or disturbing or it seems boring or like it does’t work, and it’s also because you’re just not attuned to it yet and it’s just sometimes you take time.’ Like those albums as a teen, the best, weirdest, most brain-engaging stuff often takes much longer to chew, but it’s almost always worth it.
6. (We also watched Mustang, which I recommend to literally everyone, although it does nothing to disprove my theory that all good woman- and girl-based films are secretly also horror films. But it’s brilliant, so please watch it if you haven’t already.)
7. I intend to make this tonight for the Solstice feast’s dessert. Happy summer, pals.
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starringkarter · 2 years ago
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excuse me did you see rainer dawn hanging around palmwood studios? oh no, that was karter kinecaid, the twenty-one year old who plays joshua gilly on the vampire books. yeah, you know rumour has it they’re manipulative and vindictive , but their fans all say they’re selfless and charitable. the soundtrack to their life would probably be conceited by sza, and when i think of them, i think of plaid buttonups, polaroid film, designer sunglasses . ( male, he/him ) ( sunset, he/him, 21, cst)
under the cut is a full breakdown and introduction into the self-proclaimed heartthrob of the vampire books, karter kinecaid. i am open for plots and interactions as well. if you want to plot, don’t be afraid to message me.��
full name: karter kinecaid
nicknames: kart, cade, the x factor
age: twenty-one
gender & pronouns: cismale. he/him
face claim: rainer dawn
sexuality: homosexual
eye color: blue
hair color: dishwater blonde
height: 6′0″
date of birth: june 26th, 2001
zodiac sign: cancer
occupation: actor
relationship status: single
notable exes: none
hometown: los angeles, california
"yo, it’s karter here, you might already know who i am since i’m on your tv every week as joshua gilly. you know, the vampire books, the only show worth watching. you’re a fan, i know. anyway, since you’re here and you obviously want to know a little more about me . . . let’s talk about the most important person on this planet  — me. if you didn’t know, i was born and raised right here in los angeles. i had a pretty dope upbringing, man. my mom and current manager was this kick-ass lawyer and we had this house on the beach that had a beautiful view of the ocean. i’d wake up to the smell of seasalt and eggs. my mom is an amazing cook, you should try some of her sushi  — it’s out of this world. anyway, i didn’t always want to be an actor but after i got this standing ovation during an elementary school play, she insisted that i didn’t waste my talent. i started doing bit roles and commercials while attending high school. as you can imagine, people started treating me like shit cause i was quite popular. so, i got into my fair share of fights and won a good bulk of them but i’d be lying if i said i didn’t get my ass handed to me a few times. after a while, my mom pulled me out and homeschooled me so that i could focus on my career.
i ended up landing this reoccurring role on this small teen drama as the boyfriend of this one male character and that was how i found out i was gay. i dated my co-star for a few months before we ended things due to me leaving the series. i guess you could say he was my first experience in dating in the industry. it was fun but he was the star of the show so you can imagine all the tabloids and media attention. he was a sweet guy but i didn’t want to well-known for being someone’s boyfriend. i needed my own spotlight. after that, i did a few more bit roles until i graduated high school. it was shortly after that my mom managed to get the script for the pilot for the vampire books and the rest is history. working at palmwood is definitely interesting . . . it’s not for the faint of heart. if you don’t have a passion to be the best of the best, you will not last. oh . . . the rumors, you want to talk about the rumors. well, i can confirm anything or my mom will have my head but i am a wild child. i do whatever i feel like and fuck the consequences. it’s put a bit of a target on my back but you only live once, right? anyway, it looks like our time is up. thanks for stopping by for this exclusive interview. make sure you watch the vampire books exclusively on the palmwood studios app.”
- He is somewhat stable but does have moments were his temperamental and will lash out at anyone.
- He likes to think that he’s the topic of every conversation and doesn’t like to be told otherwise.
- Has a habit of staring at others while dating and has a hard time being faithful, though very good at hiding his indiscretion.
- He has a bit of a strained relationship with his mother due to him wanting to expand his resume and her preventing him from doing so.
- He can be very friendly and sociable, but he has a very dark, calculating, and dark side to him.
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portablecity · 2 years ago
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recent watches and listens and reads
Movies: The Pale Blue Eye - not bad, but by halfway through i had a strong “i bet the book is real good” feeling despite not knowing at that point that there was a book. Extreme problem of Charming Young Men In Uniform who all looked identical.
Point Break - a cultural moment I am glad to have caught up on. Incredible steady escalation of the tone and stakes. Bodie was a terrifyingly accurate depiction of the self-absorbed new age older dudes that hung around art school student scenes. Has anyone adapted this movie into a Descended From the Queen hack yet?
Woman King - hey i waited way too long to watch this, i super recommend it, it did not pull any punches on the action, the script, the themes, the emotional arc, the everything. It turned out that watching the trailer had told me almost nothing about it. Still a bit stunned. And despite the uniforms every character was easy to id and learn about and love.
The Hexer - the polish tv movie adaptations of The Witcher from like 20 years ago. It’s on youtube for free. No budget but all the enthusiasm. Pretty sure Henry Cavill based his geralt on this one, down to quite a few of the gestures and poses.
Audiobooks:
I’m working my way through the discworld books for the nth time, this time via my library’s audiobook collection. I have unconditional love for the series, but if you are coming from outside and want a place to start, I think I’d recommend Going Postal as your intro.
Most recently I just finished The Monstrous Regiment, and it is everything i remember and more. Some authors move the goalposts, or the finish line; Pratchett keeps moving the punchline, building on the joke until it’s non longer a joke and instead a core theme with big beautiful emotional payoff. I cried A Normal Amount.
Favourite character moments so far:
Sybil: in The Fifth Elephant, climbing out the window.
Vimes: any of his conversations with Willikins in Snuff.
Willikins: every time he is on screen, as it were.
Carrot: honest to god the addition of age and experience has really changed how i see Carrot and frankly I find him pretty terrifying. By the end of Men at Arms he is Legit Scary, and the shit he pulls in The Fifth Elephant is not cool. The only Carrot I particularly like is the one you hear in his letters home.
The Wizards: everything in Unseen Academicals.
The Librarian: how could i choose, honestly
Moist: the shit he pulls at the end of Going Postal; it’s such a bastard move for a good cause, which is i think the core of his appeal.
Death: dancing with Miss Flitworth
Vetinari: every conversation with Moist. Especially the one with the signet ring.
Gaspode: never not a fav but especially love his cameo in The Truth.
Angua: again, i feel like i read her very differently now; I don’t know if I really get her anymore. Further rereading needed.
I have been on the holds list for the witches books for a While, and the library doesn’t even HAVE Lord & Ladies, but I will update as I get to them. I do appreciate every moment Magrat gets her own out of a scene. But how to pick a fav moment with any of the others?
The only books I haven’t reread MANY times before this reread are Unseen Academicals, and Raising Steam; relistening to Unseen Academicals was a delight and left me very sad Pratchett didn’t get to continue those thoughts and themes further. Maybe the sweetest romances in the whole series. And somehow I just didn’t register Pepe and Madame on my first readthrough? Anyways I’m excited for Raising Steam, but not sure where to find an audobook version at this time.
Listening:
I discovered accordion players performing music like Vivaldi sonatas and Bach fugues and that certainly lives rent free in my brain now:
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Otherwise I think I’ve listened to Devin Townsend’s Terria album at least twice a week sonce november. It’s harder to track down nowadays but remains a favourite.
Also we watched Andor slowly and carefully and I am still extremely immersed; can’t believe they got me back into the s’wars after boba and kenobi, honestly, but i am real glad I watched it.
Also, I read Ducks by Kate Beaton in a single sitting. Recommended.
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valandhirwriter · 5 months ago
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I am not a real AsioF fan, but I watched HotD and to give you a few answers here:
Yes, travel times are an issue, same as it was with GoT. Sometimes you, as the person watching must assume that in between going from A to B some time has passed.
Characters and their dragons: you are actually expected to use your brain, remember who is who in the game, and which dragon is with whom. You can read "Fire and Blood" if you need a written guide so to speak, but actually this is something I cannot absolve viewers of: USE YOUR FUCKING BRAINS AND PAY ATTENTION. The only case where it is seriously impossible to tell them apart is the Cargyll Twins, and we - as much as everyone in universe - were not supposed to be able to tell them apart, right up to their final duel. Kudos to the twin actors who pulled that off. (Have you ever watched The Expanse? The first two seasons demand you pay attention and don't cater to some people's short attention spans. Something I found very refreshing.)
Time since Viserys death - look at the armies marching, and how they progress and you get a sense of the weeks that passed.
The kiss between Rhaenyra and Mysaria was improv. It was a dynamic that developed as the two actresses did the scene and they did it spontaneously. Hence no further mention, the other scripts couldn't forsee what would happen. Which is also why so little critism: it felt natural in that moment, coming out of the dynamic of the two women, it wasn't put in by any exec's wish.
The talking: this is a plot full of politics, intrigue, and unfortunately on both sides two characters being like Hamlet, unable to come to a decision. (Have you ever watched Hamlet, I'd recommend the movie version with Sir Laurence Olivier, though it made be antsy every time because the guy doesn't man up and decide what to do.) The second season got some impressive action pieces, especially the battle of Rook's Rest.
Targaryens and Fire: Not true. Targaryens are not immune to fire. The fact that Aegon II got burned at Rook's Rest, is straight from the book. (Again: refer to GRRM's Fire and Blood). Targs can burn, what Dany did in GoT was a miracle (GRRM said himself that Dany's dragon birthing was an unprecedented miracle). Secondly: Aegon's main fire damage came from his armor heating up and melting into his flesh, not from the flame directly. Rhaenys for example wore no metal armour while riding Meleys into battle. So the whole thing is not cut as clear lorewise. At least one Targ in history died after drinking wildfire (surprise surprise). There are some good lore video guys out there, the Three Eyed Raven and Crusader Chris have whole series dedicated to Asoiaf lore, and there were also some good episode breakdowns, who take time to explain such stuff.
Music: I cannot really speak to that, because neither Witcher nor HotD left any memorable music in my ear.
Humour: HotD would not work if they added a lighter side to it. This story isn't light. This is the war of the roses Westeros style. This won't end well, and when it is over, a young traumatized King who saw his own mother burned in dragonfire (Again: GRRM lore) will sit the iron throne. Under his rule the last dragons die, and the Targs become the dynasty we later encounter in GoT. Not quite the same as what we meet at the beginning of the show. Imagine Daemon on Caraxes against the Night King, and you know what we missed.
Let me add that I find it generally complicated to compare series, but I think Witcher could have profited heavily, if they had leaned more into the complexities/politics of the continent, and been less funny.
Fandom these days is toxic. I really have to say it, I see it in many fandoms, no matter what is made TV wise, fans will always complain. HoTD gets it's fair share of flag on Youtube and other channels. The problem is the fans most often. If they do not get what they exactly envisioned, it is bad. Creators can't really get it right any more, and I think that's why they tend to cater to audiences unfamiliar with the material, because they are their best bet of long term viewership.
About people saying that HotD S2 is better than Witcher S3. I understand them. I could not watch Witcher S3 without constantly cringing (I broke it off after half a season, it was too bad). HotD boring or convoluted or no, you can at least take serious and don't have to cringe all the time, when the next weird scene arrives.
In the end each of us can only decide what they like or don't like. I for one enjoyed the Acolyte, even as the series gets widely bashed by fans. I also enjoyed Mando S3, which had many fans complain.
Why is House of the Dragon allegedly so much better than The Witcher?
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Just watched House of the Dragon S2 and I must say - I found it pretty boring in many parts?
Sorry, but the whole thing mostly and disappointingly feels like a very long and repetitive prologue to what might come in S3. And they do many things that are loudly criticised in The Witcher, some even a lot worse, but with HotD people seem to not mind? Honestly, this really puzzles me. Yes, the costumes and make-up might be better, but:
It's all over the place on the whole continent of Westeros and even outside of Westeros with people traveling from place to place in no time at all. OK, on dragon back, you can do that, but they also do it on foot and by boat. I remember some of the geography of the continent because I was very much into Game of Thrones some years back when it aired and also read all the Song of Ice and Fire books that were available (not the ones HotD is based on though), but the constant jumps from one place to the next are really confusing imo and you'd need to have a map by your side all the time to remember where is what. When the Witcher does that, it is criticised heavily.
Same with people, there are so many main and minor characters, some even with similar or the same names, how the fuck are you supposed to remember who's who and who is related to who and how, who belongs to which house, and who's allied to who and who's feuding who without looking it up again all the time somewhere on the internet? With all the incest and extramarital activities resulting in a host of illegitimate progeny, I found this extremely confusing, a lot more so than in The Witcher.
And does anybody have a shimmer of an idea of how much time has passed since the old king's death? Must be at least months but you hardly ever get any hints about it. And this poor girl, how long is she wandering around the desolate highlands alone trying to find the wild dragon? Must have been weeks judging by the other things that happened in the meantime ...
Maybe it's just me, but I did not find any of the characters really compelling. Not that they are not well acted, the acting is good enough, but emotionally they did not really leave any impression on me. Maybe the only character I find a bit interesting is Queen Helaena and this very young Lord Tully who shows unexpected spine and stands up to Daemon in front of the Riverlords. There are so many seemingly random new side characters popping up all over the place, too, miraculously gaining importance that one is supposed to keep track of, but also none of them that was in any way inspiring it me. And the poor cute Bracken knight only drew his sword and was already dead in the mud on a battlefield with hundreds of men hardly a second later ...
Rhaenyra suddenly and out of the blue kisses this lowborn woman (was her name even mentioned? I cannot for the life of me remember it). I don't have anything against women kissing, not at all, but why? There is no mention of anything going on between those two at all afterwards. Are they in a secret relationship now or not? I haven't read the book and don't know if it's in there, but how is that kiss, as it seems to have no relevance to the plot at all, not 'woke' catering to the LGBTQ community? But everything the Witcher does is?
Then there are the dragons you have to keep track of in addition to the many people and places. How many dragons are there? And who rides which one? And why the heck would a dragon in its right mind choose this dubious Ulf character who accidentally stumbles into its cave as a rider???
And the plot? Honestly, was there, beside the one fight between the three dragons, anything that was really exciting? I remember nothing, no battles, no good sword fights, nothing but TALK. At lest 90% of the plot is repetitive talking about politics and plotting and scheming. I have nothing against a nice political intrigue and of course that's what happens at courts and it can be interesting too. It was in Game of Thrones where you had really interesting characters, too. But here I found it mostly boring and uninspired. And The Witcher is criticised for having too much politics and too many side characters although it has a LOT less so than this season of HotD.
They also seem to have conveniently forgotten that in GoT they established that Targaryans would not burn from fire. In the books this happens only once because some kind of blood magic was performed, but in the show it happened several times, so it seemed to be the rule, not the exception. HotD thus kind of refutes their own made-up lore, which I found confusing and had to look it up online. (They could easily have made Aegon suffer from bad injuries due to the fall instead.)
The music was rather uninspiring, too, imo, except for the intro which is the well-known one taken from GoT and the music at the end of E8 which was partly based on the Rains of Castamere, otherwise there was not a single piece of the soundtack that would make me want to buy and listen to it. The Witcher has quite a few that I listen to again and again (including, of course, Jaskier's songs, but many more).
What I also like a lot better about The Witcher: It does not take itself that seriously and there is quite a bit of humour in it. In HofD S2, the imo funniest piece of dialogue was: "I want you to fuck my wives." - "How many wives do you have?" (that was between this pirate commander, don't remember his/her? name, and Lord Tyland, was that his name?) . And maybe the truest sentence in the show by this random braggart in the tavern who miraculously turns into a dragon rider Ulf: "A sense of humour would do you all good."
All in all, the only thing that I have found to be really good and outstanding about HotD S2 are the dragons. Without them, it would be less than mediocre. I don't think I would want to rewatch it and feel no desire to look up any of the characters and their relationships etc to find out more about them. I cannot say in how far it is or isn't faithful to the source material as I have not read the book(s?) HotD is based on, but even if it's more faithful to the source material, this has failed to make it a great watch like GoT (minus the ending, that was worse than the poorest fanfic could have thought it up). With the dragons it is alright to watch once, hoping for a more exciting S3, but there is absolutely no way it deserves higher critic/audience scores/ratings than The Witcher S3, the contrary.
Update: To clarify, I don't really mind many things that I mentioned about HotD, I can totally live with an unclear timeline and many characters, even if it's not easy to remember every name, relationship etc. If I really like a show or character, I simply look it up, no problem. But these are all things I have seen people criticise The Witcher for on social media, and then they say HotD is so much better. That's what really puzzles me. What I definitely liked about HotD is the diverse cast and that there are many female characters with a lot of screen time and importance. It's not a bad show, only I like The Witcher much better despite its flaws. This is not meant as an anti HotD post but a pro Witcher post.
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rings-of-power-realm · 2 years ago
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Some 5 star Rings Of Power Reviews (I chose some ones to share that sounded like they were skeptical beforehand to really prove how this show does not deserve the bombardment of hate it is subjected to by trolls)
I have read most of the objections about creative decisions taken with this series. I agree with some of them in principle. But a thing must be judged by what it is, by what the creators have shaped. So I sat down to watch the first episode of The Rings of Power with grave doubts, but as open a mind as I was capable of. Bear in mind I love Tolkien's books. I also admire Peter Jackson's movies I was able to embrace the changes his production team made to translate the stories to a filmic medium. Could I do so again? Yes, as it happens. I could. I was thoroughly immersed and enjoyed the first episode enormously. I can't wait to watch episode 2 this evening. If you have been doubting, like I was, set your doubts aside and just allow yourself to enjoy. There are some stunning visuals. Through it all, the sweeping grandeur of Tolkien's mythic themes are present. The characters and storylines that have been added are essential to this episodic visual medium. Storytelling is an art, and books and films are different media with different needs to carry a tale. No adaptation is ever going to tick all your personal boxes. No creative decisions are ever going to be the same as the ones you would have made. But you have the books for those things. Just allow yourself to unwind and enjoy what the creators have done with the decisions they made, because they have turned them into gold. I hadn't expected myself to say this, but this a masterpiece. It possesses a real majesty, and I can't wait to see how the series unfolds.7 people found this helpful
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Like many, I love the hobbit and the lord of the rings films and hoped that this series would capture some of the feeling from those cherished movies. However I was concerned as there appeared to be many people  who appear to have written this series off as being a complete waste of time and money. So I approached this with lowish expectations but importantly with an open mind. So having watched the first two episodes my thoughts are as follows. Firstly the scale of this series is epic, you can clearly see where the money has been spent as it feels as if you are watching a high budget movie rather than a made for tv series. The music is excellent and really captures the feel of the original movies. The story is sympathetic with the history of the films / books. The acting is on point, the script / dialogue is good and the cast all seem committed in making this project as good as it can be. I know some people are saying the pace is a little slow and yes I get that but the story is unfolding over a number of episodes (each over 60 mins long) so they can afford to take their time and we can really enjoy the story lines. Is this going to be as good as any of the films……I really don’t know but it could be and I just don’t understand why anyone who claims to enjoy the original movies would want to dismiss this series without giving it a fair chance. On IMDB it has a current rating of 6.3 which is incredibly low for such a quality production. I for one will be eagerly awaiting the next episode and I can only applaud Amazon for taking on a task of this scale and (in my opinion) pulling it off. Bravo 👏. For me it’s currently a 9 out of 10 👏
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Breathtakingly beautiful, well acted an cast. Feels like Peter Jackson’s take on Tolkien’s work The show is grand, detailed, beautiful and well acted. It amazes me how movie like the production quality is (better than most movies even). It has the same atmosphere and tone as the Movies which is great and very important. All these rights and license agreements made me worry about how different it would be however one can place this series in the same continuity as the movies that Peter Jackson crafted. Talking of which i hope he is enjoying this as he talked of robbing himself of the joy of seeing these movies because he made them, now he can enjoy this like the rest of us. The length of the episodes are also very generous and the show is well paced for a TV show. Slower than the movies, which is just right as there is more time but also it means we get to see the details of Tolkiens work. The series is like an “extended edition” but with “super” added to the front.
.                                                              .                                               .
The first two episodes of this new series blew me away. These early episodes are always challenging in a complex story spanning continents, decades, and centuries. I thought the first two episodes set out some of the key traits and characteristics of the different societies and geographies involved. Several key and long-running characters have been introduced well, and the original works' interpretations are just excellent storytelling. Just as important, the visual rendering of the world is simply astounding - this is much closer to a cinema experience than a TV series. From the start in Valinor to Khazad-Dum and everything else is brilliant, and whilst it is different from how I might have imagined these places in my mind's eye, they really do justice to the fantasy world of JRR Tolkien. I know there are detractors - but I have not seen any of them that are actually complaining about the story, the visuals, the acting, or anything actually relevant to reviewing the programme. From what I understand this is due to them not wanting non-white actors in roles in the series. Well - time to grow up people. We are the human race, and we have people of lots of colours, shapes, and sizes. Why would that be any different in any other fantasy race? It is very simple - if you do not like the fact that there is variety in life, then how about you just don't bother watching the programme rather than moan and complain all the time.
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rainbow-shine · 4 years ago
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the odyssey of labels, pins and acceptance
@spnprideweek's day 1: coming out/flags
Here’s the thing.
Dean didn’t exactly come out to anyone. And that wasn’t his fault, not entirely at least. After all, he spent much of his life denying the existence of that part of himself, that by the time he could finally begin to accept that what he felt wasn’t as bad as his father always wanted him to believe, well, it no longer seemed necessary to go through an experience that was aimed mainly at teenagers.
Also, Dean didn't need a label to know that he was totally and utterly in love with a man. Dean had accepted his feelings for Cas, at least on a subconscious level, long before he even began to come to terms with his sexuality.
Besides, all the people he cared about knew to some degree that he wasn’t straight (being married to an angel in a man's body hardly left any room for doubt) and he finally felt comfortable in his own skin, without having to prove anything to anyone and without having a script to follow. He had finally gotten off the hamster wheel and something as insignificant as having to label himself wasn’t going to ruin his much-deserved happiness, thank you very much.
Or so he thought until he saw those stupid pins.
Cas had texted him in the middle of his shift at the workshop complaining that he needed more seeds from a flower that grew specifically during this time of year and Dean who since their relationship began after a very epic interdimensional rescue was simply unable to deny his angel anything, ended up making a quick stop at the store after work.
And that's when he saw them.
In any other circumstance Dean probably wouldn’t have noticed them, but considering that it was june and apparently this month was important for the LGTB community, next to the checkout there were a series of pins representing the flags of the different sexual orientations. Dean watched them for a second, wondering which flag would be the one for him before forcing himself out of stupor, paying for the seeds that Cas needed and practically running towards the store's exit.
What did it matter which flag would be the one for him? It's not like at some point he has even bothered to think of a label that he feels comfortable with. Furthermore, he was no longer a teenager discovering the world for the first time and taking pride in sharing with the world who he really was. His chance for that had already passed.
But had he really pass it? Dean remembers a vague conversation he overheard of Claire and Jody about how there wasn't an age to try to figure out who you are and that it was okay to even spend years trying.
Dean had always known that he was attracted to women, with their soft curves and charming smiles. But he also had to admit that on more than one occasion he had been curious about men with strong arms, a stubble brushing against his face and a deep voice.
(Though now that he thought about it, his current thoughts regarding his attraction to men may have been biased because of Cas.)
By the time Dean arrived at the small house he shared with Cas and occasionally with Jack (the fact that your son was god is more or less as if he was studying abroad and only came home for the holidays), the subject had completely ruined his good mood and he knew he had to do something about it before Cas looked at him with his bright blue eyes full of concern and started asking questions that Dean still had no answers for.
"Here are the seeds," was the first thing Dean said when he entered the house and found Cas sitting on the couch, fully focused on a book. With an involuntary smile curving his lips, Dean approached his husband and gave him a gentle kiss on the forehead in greeting, his previous thoughts almost completely forgotten.
“Did you have a good day?” Cas asked, giving him a soft smile and tilting his head slightly in a clear invitation that Dean didn't even bother to resist, connecting their lips in a brief kiss.
"Yeah" Dean replied, kissing his husband a second time to erase the frown of concern that had taken over Cas' expression at his unconvincing response before heading up to the bathroom to take a shower and start making dinner.
Following his routine helped Dean ignore his little crisis in the store and by the time he was playfully hitting Cas with the spoon to stop his husband from stealing more pieces of cheese that were meant to melt above the pasta, the subject had been all but forgotten.
But see, Cas wasn’t only his husband, he was also his best friend and probably the person who knew him best in the whole wide world, so when they were both laying in bed, preparing to sleep until their respective alarms woke them up, Dean must have expected that the subject would resurface.
"Are you okay, Dean?" Cas asked, sounding so genuinely concerned that Dean couldn't help but lean in to capture his lips in a soft kiss. When the kiss ended, Dean spent a few seconds trying to organize his thoughts so that he could answer honestly.
"It's stupid," he decided to say, if he couldn't pretend he was okay, he would at least try to get them to ignore the subject.
"Nothing you can say is stupid," Cas murmured, placing a series of quick kisses on his face. Then, with an amused smile taking over his lips, he added: “Well, except when you say that western movies are actually good”.
“They are!”
"Whatever you say, dear".
Knowing that he probably wouldn't be able to look at Cas in the face as he made this stupid confession, Dean pulled his husband's body more firmly against him before hiding his face in the curve of Cas’ neck, breathing in the soothing scent of cotton and sunshine that was just Cas to calm down.
"I think…" Dean began, clearing his throat to force his voice to formulate the words. He had absolutely no idea why this was so difficult for him. “I think I’m bisexual".
Now, Dean had expected many reactions from Cas: from the typical "duh" as it was obvious that Dean had to be something other than straight to be in a relationship with a man, to an overwhelming and emotional reaction like the ones that he had seen on TV, or even an indifferent or confused reaction.
Dean hadn't expected this.
Cas held him tighter for a few seconds before slightly pulling away from him, cradling his face in his hands and gazing at him with the deepest adoration anyone could ever feel. Cas gave him a soft smile before leaning in to capture his lips in a tender kiss with which he seemed to want to convey all his love for him.
"Thank you," Cas said, surprising Dean even more. “Thank you for trusting me with this part of you”.
And that was it.
Dean felt like a weight that he didn’t even know he was carrying was lifted from his back and, although he would deny it to the grave, he felt his eyes water at the sudden wave of love he felt for the man in his arms.
The next time he was in the store, Dean didn't even hesitate before buying the pin of the pink, purple and blue striped flag.
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kelmcdonald · 2 years ago
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Getting Shit Done!
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Hey hey folks!
November was mostly work focused and December will be too. This month in my discord we’re gonna watch an indie werewolf movie called Wolf of Snow Hollow. I was told it had a dry sense of humor but I haven’t seen it yet. If it interests you, pop into my discord on December 7th at 5pm PST.
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Last month I finished Murky Water. It’s all done! I’m getting the whole thing proofread now. Then I’ll repost all the old pages with the typos fixed. There is still a paper shortage so I don’t know if I’m gonna print it right away. Like it would be nice to have a new book for conventions but Cautionary Fables South America will be out next year. So it might be better to hold off with it’s crowdfund until next year.
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Another thing I finished is my Failure to Launch comic. Patreon backers have been seeing the pencils posted on Fridays, but I finished coloring and lettering it last weekend. It’s written by Ryan North and will appear in the anthology Failure to Launch: a Tour of Ill-Fated Futures. I’m the editor on the book and it’s gonna be a great book. It’s a light-hearted education collection of inventions and world plans that didn’t get to become reality. Some are because they were based on bad science (like my story is about a man who didn’t account for friction or physics in general) but others fell apart because of corporate greed or government interference. I especially like a story written by Harry “Hbomberguy” Brewis about the first attempt at making a union. That’s gonna crowdfund in February. I’ll make sure to let you all know when it’s up.
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While doing all this work I watched a lot of TV. So much it’s a little hard to remember it all. The big stand out is probably Interview with the Vampire. While different from the books, the changes the show made really improved the source material. I especially think the show aging Claudia up a little was a good decision. Her being turned so young in the book and movie does some interesting stuff, it doesn’t quite fit with the series as a whole. Her being older lets her run off of a bit on her own and grow into someone away from Louis and Lestate in a way that she couldn’t in the source material. It makes her interesting and nuanced as a character for the show.
And the actress playing her knocks it out of the park. All the actors in the show do. I also like the reporter being older while interviewing Louis and pushing back on him in the interview more. The whole show is just really well put together. I highly recommend it. 
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Since I wrapped up a lot last month, this month I’m jumping back into You are the Chosen One. So that will be back as my patreon exclusive comic next month. I’ll post pfds of the previous chapters before I start things up again. I’m sure some folks have forgotten what’s happened since the couple of month break. 
I’m also getting ready to jump into the next The City Between story. It’s titled Shards of Reflection. I’m gonna try to experiment a little with the storytelling because the main character is an unreliable narrator. It will be interesting to see how things go and I hope I can pull it off. 
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And I’m really living up to the cartoon of me spinning plates on the Iron Circus Geekshow. Because this month I also need to try and finish up the graphic novel I’ve been writing, Blue Moon. That’s the werewolf YA book I’m doing with Meredith McClaren. The script is due at the end of December. Or at least the first draft is. But it’s kinda fallen to the side while working on everything else.
I’ll be doing my usual streaming this month on Twitch. With so much going on, sometimes it’s hard to focus. So those two hour streams Tues, Wed, and Thurs really help me get at least my drawing done. One streaming thing that Spike and I are planning is on Christmas day we are gonna stream rimworld. During it we’ll be raising money for charity (but haven’t picked one yet). But it will be on both the Iron Circus Youtube as well as my twitch. We are gonna start at Noon Central and 10am PST. So join us if you don’t have Christmas plans.  Also, since twitter is exploding I figured I should list all my social medias. You can follow me at these places.
https://twitter.com/kellhound
https://facebook.com/kelmcdonaldart
https://instagram.com/keldrawscomicsoninsta…
https://cohost.org/Kelmcdonald
https://pillowfort.social/kelmcdonald
https://mastodon.social/@kelmcdonald
https://kelmcdonald.tumblr.com
https://twitch.tv/kelmcdonald
Have a good one! Thanks for your support!
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nerdzzone · 3 years ago
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Only For A Moment: October + November [part one]
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Summary: A series of shorter one shots from Chris and Whitney’s life together throughout the pandemic. Some happy times, some harder times, some fluff and some things a little more sexy - they work through it all as they try to get settled in their new and blossoming relationship.
Chris Evans x OFC
18+
Part of the Once Bitten/More Hearts series
Only For A Moment: September
Note: I was originally going to post this as one longer one shot, but I’ve split it into two. I haven’t finished writing the last part of the series yet and I’ve had a really bad and busy week so I haven’t had much time to work on it. It’s planned out, I just need to write it, but posting November as two parts gives me more time to finish it.
Thank you to everyone who has read and commented on this story. The support has been amazing!
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October 2020
"Hey," I greeted Chris as I poked my head around the door of his office. "Are you busy? Can I talk to you for a sec?"
He put down the script he was reading - something for a project he'd be starting as soon as the pandemic allowed - and nodded his head.
"Sure, what's up?"
I moved into the room, feeling strangely nervous about what I was about to ask.
"How would you feel," I started. "About me going to New York for a weekend for work?"
He raised his eyebrows, seemingly surprised by my inquiry and I rushed to assure him a bit more.
"They sent all the protocols that would be followed along with the job offer and it seems like it would be as safe as it possibly could be these days and I would drive up, not fly, so that would cut down on the chance of exposure a bit too," I assured him. "But I know that there's always a risk at the moment and it affects you and Gray too so I won't go if you're at all concerned."
Chris was smiling by the time I finished my long explanation and I felt a glimmer of hope that he wouldn't shoot down the idea immediately. I missed working and while Chris at least had 'A Starting Point' to focus on and various scripts to read through, I'd been completely out of work for months and I was ready to get back into it.
"Whitney, you don't need to convince me," he assured me. "I trust you. If you think it's safe and you want to do it then go for it."
"Okay, thank you," I let out a breath of relief. "I really do want to do it. I miss working."
"I know what you mean," he agreed. "What's the project?"
I couldn't hold back my grin as I answered that question.
"I get to go hang out with your friends," I informed him. "It's a promo shoot for Sebastian and Mackie's new show."
"Aw, man! That's great," Chris laughed. "Would you mind if I tagged along? I won't get in the way, I'll stay out of the photo shoot, but it would be nice to have a change of scenery."
"You wouldn't be allowed to come to the photo shoot at all," I warned him. "That was part of the protocol - no guests - and I don't know how many places are open there right now, there might not be much for you to do."
"I can keep myself entertained," he shrugged before flashing me a smirk. "We can leave Grayson with my mom, it'll be nice to have an adults only weekend."
"That would be nice," I agreed, matching his smirk as I followed his train of thought. We did fairly well making sure we got some quality time together, but we had to be quiet and quick and we always had the threat of Grayson interrupting in the back of our minds. "It's just a one day shoot so we'd have the Sunday together too."
"That's great," Chris grinned. "It'll be nice to get away."
"It will," I agreed, walking around his desk to lean down and capture his lips in a kiss. "Our first romantic getaway."
He slid his arm around my hips to keep me close as he smiled up at me.
"I can't wait."
-
November 2020
Leaving Grayson was harder than I anticipated. Considering I used to leave him with Chris every other week, I thought leaving him for a weekend would be easy, but I was a weepy mess. I held it together in front of Grayson so that he didn't get upset too - even though he was completely unbothered as he skipped off into Lisa's house - but once we got in the car, I let a few tears slip.
Of course, Chris teased me about it, but there was something in the way that he slipped his hand in mine and squeezed it reassuringly that told me he was feeling it too. We’d all adjusted to our new normal and Chris and I had really embraced having Gray by our side all the time so while two days was not a ridiculous amount of time to be apart, it felt like a momentous occasion. However, after giving ourselves a few minutes to wallow in the sadness, we agreed to do our best to push those feelings aside. We deserved a weekend away. No matter how much we loved him, parenting twenty-four/seven for almost ten months was hard work especially while trying to build our new relationship.
By the time we arrived in Manhattan in the early evening, our melancholy mood had shifted. The drive, spent playing silly little car games like ‘I Spy’ and singing cheesy duets, had put us in a wonderful mood and kicked off our weekend nicely. It was a fairly long drive though so I let Chris check in while I scampered off to use the restroom in the lobby. He had the keys by the time I found him again and when we got up the room, I was shocked. It was a fancy hotel - Marvel did tend to be quite generous when it came to accommodations - but it wasn't until we walked into the room that I realized we had the penthouse suite.
"Holy shit," I gasped, looking around at the luxurious space and amazing view out over Central Park. "This has to be a mistake, there's no way Marvel would pay for this!"
"No, they wouldn't," Chris smirked as he dropped our bags and moved over to the bottle of champagne that was already chilling in an ice bucket. "But I would."
"What?" I giggled. "What are you talking about? We already had a reservation booked in my name."
"Yeah, and I upgraded it," he grinned. "I just paid the difference between the room Marvel booked and this one."
He popped the champagne and poured it for us before coming to join me at the window and handing me a glass.
"You didn't have to do that, Chris. This is a pretty nice hotel, I'm sure whatever room they booked would have been fine."
"Oh yeah, it would have been fine," he shrugged. "But fine isn't what I'm aiming for this weekend and since we can't do much outside of this hotel anyway, the least I can do is make sure we have a good room."
I was looking forward to getting back to work, but suddenly I wished that I didn't have to as the idea of a romantic weekend hidden away in our gorgeous suite seemed like the best thing in the world. But, I knew we wouldn't have come without an excuse, so I tried to focus on being grateful for the time that we did have together.
Slipping my arm around his waist and stretching up on my toes, I pulled him in for a kiss, trying to convey my gratitude and excitement for the weekend.
"Well, I can think of several things we can do in this room that will keep us very busy," I teased once our lips parted again. "We better get started now or we might run out of time..."
Chris chuckled as he took a sip of his champagne, but shook his head.
"Not yet, Winnie," he denied me, despite his raspy voice. "Why don't you take that champagne and run yourself a nice bath while I order us some room service?"
I felt a frown slide onto my face and I would have been embarrassed at my childish pout had I not been so confused about him turning me down.
"Why?" I asked. "I would have thought you'd be raring to go now that we can finally enjoy ourselves with no interruptions..."
"I am but I want to enjoy it,” Chris informed me, leaning down to nip at my neck before letting his lips hover next to my ear. "I want you relaxed and well-fed so I can take my time while I make you scream my name over and over and over."
His low voice sent shivers down my spine as his plan for the night sent a wave of arousal through me. My mouth suddenly felt dry and my brain forgot how to make words as I choked out an 'okay' and took myself off to the bathroom to do as he'd instructed.
-
When I wandered out into the living room area of our suite almost forty-five minutes later, I was thoroughly relaxed. Wrapped in a very fluffy white bathrobe that was at least two sizes too big for me, I announced my entrance with a contented sigh. Chris looked up at the sound and let out a laugh.
"What?" I giggled, striking a pose as I had a good idea what he found amusing. "They only had one size."
"You look adorable," he grinned at me. "C'mere, let me top up your drink."
I did as he asked, walking over to where he was sitting and noticed the cart full of food that was next to him. He'd ordered my favourite - mac 'n' cheese - and I felt a rush of love for him when I saw it. A lot of people had teased me over the years, insisting that it was more of a child's dish - something not refined enough for an adult’s palate - but it had always been one of my top choices and I was touched that he'd remembered.
He'd ordered a steak for himself and we both eagerly tucked into our meals, eating until we were almost painfully full and just barely saving enough room for the peanut butter cheesecake that he'd ordered for dessert. That was another favourite of mine and I got a stern warning from Chris - as I moaned through every mouthful - that I needed to control myself until we'd had a chance to digest our large meal. I bit back a smirk, almost tempted to continue my noises of pleasure just to antagonize him, but I reluctantly decided to behave.
After we ate, we curled up on the couch with something meaningless on the TV as we recovered from the large meal. We were half-watching it, half just basking in the contentment of our full stomachs until Chris eventually decided that we'd waited long enough.
My feet were draped over his lap as we lounged and I felt his hands slowly move from lazy stroking the tops of my feet to higher up my ankle. At first, I didn't pay much attention as I mindlessly scrolled through my phone, but as his hand trailed higher up my leg, his intentions became more clear. I fought to keep a straight face as I continued to ignore him even as his hand slid up to my knee. He kept it there for a few moments, rubbing his thumb against my skin, but he quickly lost his patience as I continued playing it cool. Letting out a soft growl, he returned his hands to my feet and with a swift tug, he moved me down the couch.
"Chris!" I giggled as my head slipped from the arm of the couch onto the cushion where my bum had been moments before. "What are you doing?"
"You were ignoring me," he smirked. "So, I took matters into my own hands."
"Maybe I was reading something important," I teased. "You're so rude."
He pulled again, moving my hips up onto his lap.
"I'm rude? We're on a romantic getaway and you're starin’ at your phone."
"Well, maybe you weren't being very interesting."
He chuckled at that, but shook his head.
"You're such a brat," he scolded. "Maybe I should just flip you over and teach you a lesson."
He moved a hand down and pinched my bum to emphasize his point and I gasped as a wave of intrigue flooded through me. Using the back of the couch for leverage, I pulled myself up until I was sitting on his lap, but the positioning was a bit awkward so I shifted and straddled him instead.
"I'm not sure if a spanking from you would be much of a punishment..."
My words made his eyes darken as his hands rubbed up and down my thighs.
"Oh, really?" He questioned and I nodded with a smile. "Well, that is very interesting information to have."
"I'm surprised you haven't brought it up before," I teased. "Since you're such an ass man."
"Shut up," Chris chuckled before forcing me to do so by pressing my lips against his.
It started off as a sweet, playful kiss, but the mood of anticipation between us quickly transitioned it into something more.
His hands moved from my thighs up to my hips as I let mine slide behind him - one rubbing the soft hairs on his neck as the other held the back of his head, keeping it firmly against my own. Our lips parted, letting our tongues bump and glide against each other and I felt a fire started to burn inside of me already.
Our position and the fact that I was wearing nothing, but a bathrobe meant that there was nothing between us other than Chris' jeans. I was pressed bare against him which became apparent when he used his firm grip to pull me even closer towards him. A gasp fell from my lips at the friction the denim caused and Chris pulled back to grin at me.
"Does that feel good?" He pressed my hips forward again as he asked the question and my eyes fluttered shut as I nodded. "Then keep going."
He titled his chin to capture my lips in another kiss as he loosened his grip on me, but his instructions had been clear. Taking matters into my own hands, I started rocking my hips slowly against his enjoying the sparks I felt every time I rubbed against him. I could feel him harden, the bulge underneath me growing bigger with every pass of my hips, and the feeling had me moaning into his mouth. I almost stood up - I almost pulled myself off of his lap and dragged him to the bedroom as my body craved him and wanted him inside me - but I remembered what he'd said. He wanted to wait, to take it slow and savour the experience so, with a smirk to myself, I continued my actions with the knowledge of his growing arousal only adding to my pleasure.
As if Chris could read my mind or feel my misguided sense of control, he tightened his grip again and pressed me even harder against him. I moaned at the sensation, pulling my mouth from his as my head fell backwards. I tried to find something to focus on, something to help me regain a morsel of self-control, but nothing in the room could distract from the pressure that was building quickly as the rough material dragged against my clit. A part of me was embarrassed to be rubbing myself against him like this, but with each thrust of my hips, a much bigger part of me grew too desperate to care.
Taking advantage of my exposed neck, Chris latched his lips onto the skin, nipping and sucking gently before tracing kisses up until his mouth was beside my ear.
"You're almost there, aren't you?" His voice was low and the way my fingers dug into the back of his neck was all the answer I could muster as his hands forced my body to keep up the steady rhythm. "I bet you're almost soakin’ right through my pants. You're so needy. Go on, Winnie, take what you want."
A whimper fell from my lips as his words sent shivers down my spine. My movements, supported by his hands, became even more frantic as I felt my release building to a peak and after a few more shifts against him, I let out a strangled moan as I crashed over the edge.
Chris continued his mumbled words of encouragement as his hands continued to force me to move until I melted against him and let my head flop onto his shoulder. My breath against his neck drew goosebumps up on his skin and I placed a soft kiss on them as I fought to control my breathing.
"How're you feeling?"
I sighed softly in response to Chris' question, fighting to make my brain function enough to form words.
"Wonderful," I purred into his ear after taking a moment to compose myself. "But I'm really dying to have you inside me..."
Without another word, Chris used his grip on my hips to lift me off his lap and onto my feet. My legs felt shaky from the strength of my recent orgasm, but they held me up as I stared down at Chris, a bit stunned by the fast movement. He looked up at me for a brief moment before raising an eyebrow and nodding his head towards our bedroom.
"Do you need me to carry you?" He questioned, his tone laced with sarcasm as he clearly noticed the quiver in my legs. "Or can you walk?"
I giggled and playfully rolled my eyes, but turned towards the bedroom. Trying to regain some semblance of power in the situation, I undid the robe that was still tied around my waist and let it fall to the floor. The action left me completely naked as I walked away and I heard a growl of approval from Chris followed by the sound of him jumping to his feet behind me. I scampered off with him hot on my heels, but he caught me in his grasp when I was a few feet past our bedroom door.
He easily lifted me off the ground and I let out a squeal as he tossed me onto the bed.
"Wow," I giggled as I flopped onto my back, leaning up on my elbows to look at him. "That was a graceful landing, real sexy."
Chris smirked as he pulled his shirt over his head.
"You're always sexy," he insisted, moving to the bed and crawling over me. "I can't get enough of you."
Before I could respond, his mouth was back on mine. I smiled against his lips and took a moment to run my hands over his toned muscles, but quickly moved them down to the belt on his jeans as I was eager to get things moving. Almost immediately, he pulled away with that damn smirk still on his face.
"Not so fast," he warned. "I said we were going to take our time."
"We already did," I whined. "Please, Chris, I want you so bad."
He dipped his head and kissed along my jaw until his lips hovered by my ear.
"And you'll have me," he assured me. "Eventually."
I let out a groan of frustration, but as he trailed his kisses lower until they reached my chest, the groan became one of pleasure. A hand slid up my side until it was level with his head and while his mouth captured one nipple, his fingers pinched the other. I gasped and arched my back up towards him, desperate to be as close to him as possible.
His actions started off soft. His fingers and lips worked in a gentle, almost teasing way that had me almost ready to whine for more, but just when I thought I couldn’t take it anymore, he increased the pressure. His fingers pinched and tweaked one as he nipped the other and the sensation had my hips pressing up against him almost of their own volition. He chuckled as I lifted a leg to hook it over his hip, pulling him down in an attempt to find any friction as he moved to rest his chin between my breasts.
"You're so impatient," he teased. "I'm not gonna fuck you yet."
His voice was thick and rough from his own aroused state and it only made me more desperate.
"Please, Chris..." I whined. "Why not?"
Chris let his teeth graze against my skin briefly before moving further down my body, my question apparently going unanswered. He kissed his way over my stomach, an affectionate smile appearing on his face as he watched the muscles under his mouth quiver and twitch from his actions. It appeared he was intent on taking his sweet time and I really was about to start begging again when he finally settled between my thighs, pulling my legs to rest over his shoulders.
A snarky comment about him taking so long was on the tip of my tongue, but any attitude I was feeling disappeared as he pressed his tongue against me, licking upwards until he settled against my clit. I couldn't hold back the moans and gasps that poured from my lips from the sensation and for a moment, I worried I was being too loud. However, from the way Chris' fingers dug into my ass to lift me higher against his mouth, he seemed to find it encouraging.
He was focused and determined, his lazy mood from moments earlier seemingly gone and I wasn't complaining as I was already practically dripping on to the bed with need. He knew my body almost better than I did and the way his lips were locked on just the right spot, sucking with just the right pressure was driving me wild.
In a few mere minutes, I was already teetering on the edge, but when I gasped out a warning to Chris, he instantly pulled away.
I lifted my head as I let out a growl and scowled down at him - the cocky smirk on his face only adding to my annoyance.
"What the hell, Chris," I huffed. "Keep going!"
He kissed my thigh as I felt an almost painful ache between my legs.
"Patience, Winnie," he warned me. "You need a lesson in patience."
The overwhelming feeling I felt in response to that comment was frustration, but there was a hint of intrigue as well. I was at his mercy, being teased and toyed with until he decided otherwise and I'd be lying if that knowledge didn't turn me on even more.
"Do you-" I gasped as he blew against the wet place his mouth had been moments before. "Do you want me to beg?"
"It wouldn't hurt," he grinned. "But there is something appealing about the thought of seeing how long I can keep you like this..."
That idea filled me with dread. As enticing as my helplessness in this scenario was, the thought of it lasting more than a few minutes seemed painfully cruel.
"No, please don't," I pleaded. "Please touch me, Chris. Please, please. I need it so bad."
He groaned, letting his forehead rest against my thigh for a moment before looking up to meet my eyes.
"The way you say my name when you're like this drives me crazy."
He moved his hand to flick his thumb over my clit and his name fell from my lips again as a desperate whimper. That seemed to be all he needed to hear as he quickly attached his mouth back to that sweet spot.
Instantly, my hands shot to grip his head as mine fell back against the pillows. He held down my hips that were pushing up towards him, desperate to increase the friction, but it didn't matter. I was so close already, so worked up from his previous actions, that it took no time at all for the pressure he'd built up inside me to boil over as I finally found my release.
As always, he coaxed me through it, only moving back when he was sure my orgasm had faded. By the time it was done, my chest was heaving and Chris dragged himself off the bed, giving me a moment to catch my breath as he rid himself of his jeans and boxers. I smiled at the sight, but I was in a daze. My whole body felt like jelly from the two amazing orgasms I'd just received, but that didn't stop me from the moment of clarity that hit just as he was climbing back over me.
"Wait! Condom."
Chris cursed under his breath before hopping off the bed and quickly rifling through his bag. He found one - which I knew he would as I'd reminded him several times to pack them so we wouldn’t be caught without them in a moment like this - and returned to the bed.
"Hurry," I panted. "I need you."
A quiet growl rumbled from Chris' chest as he quickly tore open the condom wrapper and put it on. I was still sensitive from our previous activities, but as soon as he was on top of me again, I was pressing up towards him. He filled me with an almost insatiable need and it seemed his patience was also thin after being so hard for so long as he slid inside me with impressive speed.
I groaned from the sensation of him filling me so quickly, but any discomfort quickly shifted into pleasure as he rocked his hips against mine. My fingers dug into his shoulders as my legs wrapped around his waist pulling him closer as he quickly established a steady rhythm. As much as he wanted to take his time, his restraint was clearly waning as he kept up a vigorous pace. My over sensitive state and his purposefully angled thrusts, hitting all the right nerves with just the right pressure, had me writing beneath him as I basked in the sensation.
Chris was always rather vocal, but as his moans, grunts and whispers of filthy commentary grew louder and more unrestrained it became clear that he was also edging closer and closer to his peak. His hips snapped with more ferocity and all I could do was hold onto him tightly, giving him all the control and riding the waves of pleasure he was causing.
“I’m close,” he groaned, his voice strained as his breath hit my neck.
Unable to form words, I made a noise that I hoped would convey my agreement and his movements seemed to become even more pointed and more deliberate. With every thrust, he made sure to rub against every sensitive spot inside me and moments later, I felt my release hit me. It felt like every muscle in my body tensed as I quivered and clenched around him, a sound leaving my mouth that was so lustful and unrestrained that I could hardly believe it was coming from me. He gasped out a moan of his own from the sensation of me coming around him and quickened his pace through my orgasm until eventually he stilled, the sound of his pleasure echoing through my ears.
Once we had both recovered, Chris rolled off of me, pulling the condom off and disposing of it in the garbage can next to the bed before he settled on his back, chest heaving from exertion.
I let out a happy sigh as I curled into his side and his arm wrapped around me, pulling me close.
"That was amazing," I smiled, placing a kiss against his chest.
He chuckled, squeezing me even tighter as he answered.
"See? Patience. It makes everything better."
I nipped at the skin underneath my mouth.
"Shut up."
He leaned down to place a kiss on the top of my head and I smiled.
"I love you," he practically whispered in the darkness. "I'm so glad we get this weekend together."
"Me too," I agreed. "I love you too."
He squeezed me closer again as we laid there curled up in each other, basking in our post-orgasmic glow.
No one had ever made me feel the way that Chris did. I’d never felt as safe with anyone, I’d never felt so able to let my guard down, and the physical aspect of our relationship clearly benefited greatly from the closeness that we shared. It was an amazing feeling to know that we were so in tune with each other and that there was so much room to explore the things that made us feel good and, despite being fully satisfied for the time being, I couldn't help but let my mind wander to other things I would be interested in delving into as I drifted off to sleep.
-
November [part two]
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lokiondisneyplus · 3 years ago
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Holy crap. Look at Kate Herron's shirt. When the Loki director pops up on Zoom, she's donning the most glorious image anyone will see since we laid eyes on Alligator Loki: A Teletubby wearing the Loki horns. Are the Teletubbies Loki variants? Sure, why not!
"I got it on Instagram," Herron says. "There's an amazing comic book artist and he designed it. He made it into a T-shirt for me because I saw it and was like, 'That's incredible. Can I get it for the press junket?'"
Herron, no big deal, just pulled off an MCU miracle. Entering a mammoth franchise with, notably, some of Sex Education's best episodes under her belt, the director deftly brought a plot involving multiverses and Richard E. Grant in a cape and superhero mumbo-jumbo to brilliant, beautiful life. Following Loki's tear-jerking, mind-bending finale, the series has been dubbed by critics and fan's alike as one of Marvel's best efforts—which is no small feat. Of course, we needed to ask Herron how she stuck the landing. Following the most epic finale you, me, or any Teletubby can remember, Herron talked to Esquire about the Miss Minutes jump scare, filming the finale's introduction of He Who Remains, and why she won't return for Season Two of Loki.
ESQ: How are you doing?
KH: I'm good. I think I feel very relieved that I don't have to sit on the secret of He Who Remains anymore, It was a very big secret to hold, but for an important reason, right? Because it's such a good character to be launching. So yeah, I feel good.
ESQ: Loking back at your old interviews, you have such a good poker face when you're avoiding spoilers, but you're also incredible at giving aggregator crumbs.
KH: I play a lot of board games, so you need to be quite good at strategy and poker faces so people can't always read your hand. So I think weirdly board games have prepared me more for working with Marvel than anything else.
ESQ: I have to start with the Miss Minutes jump scare. What went into the decision to make her a memeable, creepy apparition in that moment?
KH: I love horror, and my executive, Kevin Wright, knew that. Me and him were talking about Episode Six and I remember that he was like, "Oh, maybe you could do something creepy of Miss Minutes." And I immediately was like, "We have to do a jump scare!" Because I haven't got to do a good jump scare in anything yet and I really wanted to, because a lot of my friends are horror directors. I was like, "I can't let them down." So I was really excited to have a shot at doing a jump scare. And Miss Minutes, it was really fun testing it because we'd kind of bring different people into the edit, me and Emma McCleave, the editor, and we'd just play it for them, watch them, and check that they were jumping when we cut it.
ESQ: One thing that I think is getting missed in all the craziness is that we see a peak moment of the love story between Loki and Sylvie. Where does the finale leave the companionship that they found in each other?
KH: When I started the show, that was always in the DNA of it—that Loki was going to meet a version of himself and they were going to fall in love. And that's honestly what drew me into the story, because I directed Sex Education. I love stories about self-love and finding your identity and your people. Loki is such a broken character when we join him, and seeing him go on this amazing journey with all this growth and finding the good points of himself in seeing her—I think that was very beautiful. It's also paying respect to the fact that Sylvie's in a very different place to him. She hasn't had the Mobius therapy session. She even says, in Episode Five, "I don't know how to do this. I don't have friends." You really feel for her because she has been on the run and her whole life has been this mission.
It's almost funny because these characters are thousands of years old, but it's almost teenage the way they both talk about their feelings for each other. I think everyone can relate to that, right? In any new relationship, there's always that kind of awkwardness and like, "Oh God, am I too keen? The important thing was the hope—like when Sylvie and him kiss, I think it is genuine and it is coming from a place of these feelings they have for each other. Obviously she does push them through that door, but for me it was a goodbye and it was with heart. But it's kind of a goodbye in the sense of like, I care about you, but I'm going to do my mission because that's where I'm at.
ESQ: I would pay for you to direct the Sex Education episode where Otis falls through a portal into the multiverse, into the main MCU.
KH: He really looks like a Loki as well, which is so funny. I always thought that. I was like Asa does look like a Loki. It didn't come to pass or anything, but it would be interesting to do a Sex Ed-Marvel crossover. I wonder who all the different characters would be within the MCU, but it would be quite funny.
ESQ: You're right, he could pull off a teenage Loki.
KH: Yeah, like a teen or a very young ’20s, maybe. But it was just funny because I was like, "Oh yeah, he looks a bit like Tom." I wonder how they could do it. I'm sure they'll find a way to do a crossover anyway.
ESQ: Can you just take me back to filming with Jonathan Majors? And you capturing him in such a compelling, quirky, scary way—I'm sure your direction was such a big part of that.
KH: I was just so excited because Jonathan is an actor that everyone was so excited about. He's like a chameleon in everything he does and he's so talented. I just feel as a director so lucky to have worked on this because I feel like I've got to work with some of the best actors out there. And when you're with Jonathan, you know you're in the presence of just someone really magnificent. For me as a director, it's giving him the space to play and feel safe. Because we filmed it all in a week, but it was a lot to film in a week. So I think it was really about creating a space where he could have fun and find this character because he's going to be playing him for a long time.
ESQ: What went into the decision to introduce us to the good guy first?
KH: I remember in the script, he comes up the elevator and it was so casual. I was like, "Oh man, that's so fun." And then Jonathan, when he plays it, he's relaxed. And I the thing he used to talk about a lot was that this is a character who's been on his own for a long time. Because at the beginning, we introduced him in a space in the universe that feels like this very busy, loud place, but actually, when we see the Citadel, he's surrounded by the Timeline and he's very isolated. Even in his costume with [designer] Christine Wada, for the idea of his outfit, he's a character who's existed for multiple millennia. So it's like, OK, let's pull from lots of different places so you can't necessarily pin down which time or which place he might be from. Also the fact that his clothes look comfy. They were like pajamas because he's living at home. He loved the idea of the office [being] the only finished part of the citadel and that the rest of the citadel was like this Sunset Boulevard kind of dusty, dilapidated space. And just again showed that he probably just keeps himself to his office. All those elements definitely fed into Jonathan's performance in terms of balancing the extrovert, but also the introvert of someone that would be living by themselves and only talking to a cartoon clock.
ESQ: It really is incredible how you pull a nail-biting finale with this battle of wits and dialogue.
KH: It was really exciting because I feel like Episode Five was a lot of fun because we got to play into all the joy of the different versions of Loki, but also just the fact that it was our big usual Marvel third act, right? Like it was where our big spectacle was as they were fighting this big monster. But I love that our finale bookends, right? We began with a conversation and we ended with one.
ESQ: I also loved that there was no end-credits scene—I think it makes the ending that much more impactful. Was there ever an end credit scene on the table, or any kind of a stinger?
KH: I think no, because weirdly, we never went after the kind of mid-credit sequences. I think we always just were thinking just of the story and where we knew we wanted it to end. For example, Episode Four, originally Loki was deleted and then we went straight to him waking up. And it was only in the edit I was like, “I think it'd be really cool actually. We should move that scene to mid-credits because then we'll really feel like Loki has died." Because if I watched that moment and then it went to the credits, I'd be like, "What?!" And then when we were talking about the best way to talk about Season Two, we were like, "Okay, well, let's do that like a little mid-credits at the end because that is exciting to confirm it in that way." I'd say we found both of those in the edit just because we wanted to kind of do it right and have a fun nod to something that Marvel does so well.
ESQ: Is there anything you can tell about the future of the story you've told here—or even where you personally would like to go with the studio or otherwise going forward?
KH: Yeah, so I'm just on for Season One. So I'm so proud of the story we told. I mean, it was amazing getting to set up the TVA and take Loki on this whole new journey. And I mean, I think we've left so much groundwork for his character, and as people see in the comics, there's so much more to be delved into. And I just am excited honestly to just see where all the characters go. Like, who is B-15? What did she see in those memories and where did Ravonna go and where is Loki? I think for me, we've set up these questions and I look forward to seeing them being answered as a fan in the next season.
ESQ: Absolutely. Well, can we please work on the Asa Butterfield Loki?
KH: I will call him and I'll be like, "You want to do some crazy Marvel crossover?"
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