#was thinking about that scene where john says 'im not taking a bath with you rodney'
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#stargate atlantis#sga#john sheppard#fanart#mcshep#rodney mckay#was thinking about that scene where john says 'im not taking a bath with you rodney'
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Underwater (2020): A deep sea horror that tugs at the feet of your greatest aquatic fears
Much has been said about our inherent human fear of the oceans dark depths. It seems that, from the moment we were first able to set sail on the ocean, we began telling tales of the horrifying creatures that dwelled below us, awaiting the perfect moment to breach the surface and drag us under. What better way to set the scene for William Eubankâs Underwater.
Written by Brian Duffield and Adam Cozad, this film was a pleasant surprise! Eubankâs two previous efforts Love (2011) and The Signal (2014) were a sci-fi drama and sci-fi thriller, so it was only a matter of time before he dipped his toes into some sci-fi horror. The film centers around a team aboard a deep sea drilling rig trying to make it back to the surface after a series of tremors leaves the rig in dire conditions. Theyâre forced to race against time, and a depleting oxygen supply, in order to make it out of the rig only to be forced to walk the ocean floor itself. As they soon find though, those are the least of their worries!
Over the films opening credits, we see reports of deep sea drilling, research on the effects of prolonged isolation and reports of odd sightings during the construction of the rig. Itâs a great way to get some exposition out of the way and let us get right into things. We are first introduced to Norah (Kristen Stewart), as she surveys the long halls of the rig. A panning POV shot shows her following flickering lights and strange creaking noises as we can tell shes beginning to feel more and more concerned. In a stunning opening set piece, we see the walls of the rig rip open as they succumb to the pressure of the ocean floor! Itâs certainly an exciting way to open a film and letâs us known what kind of stakes they film is setting up for us. Our team of survivors is rounded out by Captain Lucien (Vincent Cassel), Paul (T.J. Miller, who starred in 2008âs Cloverfield) Emily (Jessica Henwick), Smith (John Gallagher Jr, who, hey would ya look at that, starred in 10 Cloverfield Ln) and Rodrigo (Mamoudou Athie).
Cinematographer Bojan Bazelli gives the film a wonderfully mechanical look inside each deep sea station and the mech suits the team uses, and scenes that take place out in the water itself look incredibly murky and menacing. Instead of bathing the ocean floor in deep blues and letting us see everything nice and clear, the debris and darkness help to make the vastness of the ocean floor terribly claustrophobic. In addition, many shots are from inside our survivors helmets, so we feel just as trapped as they do. Composers Marco Beltrami and Brandon Roberts give us a score that takes on the feel of a ticking clock at times, reminding us just how little time this crew has if they hope to make it out of this situation. Their pieces are integral in ramping up the tension when it needs to be.
I quite enjoyed the dynamic between most of the crew. T.J. Miller is wonderful as the comic relief of the film, though not all of his lines land. This may have a bit more to do with the script than Millerâs delivery itself. Stewart and Cassel have a great dynamic together, with Casselâs charm helping to balance out Stewartâs expected dryness. Screen time be damned, Athie made a real impact with his performance and is integral to the message of the film. The dynamic that works the least for me is between Henwick and Gallagher Jr. I pin this again more on the script than the actors portrayals, but their relationship seems more like puppy love than the grand romance the film would have you think it is; a real shame considering how important it winds up being to the story. I have a feeling the film makers realized this too, as they dedicate a few scenes to prove to us just how in love Emily and Smith are.
I have to be honest, my hat goes off to Kristen Stewart in this role. As Norah, Stewart finds a way to use her style of acting to her advantage. Rather than coming off as mechanical, Norah seems calculating, a realist who will not sugar coat the dire situation, not even for herself. Rather than feeling dry, her delivery is that or someone who wants to come off as reassuring and whose past traumas have made them somewhat cold. It doesnât work 100% of the time, I could have done without her voiceovers, but when she really hits the mark itâs on target and effective every time. I was extremely impressed.
âNow there was going to be mention of the deep sea monsters in your deep, uh, deep sea monster movie review, right Jon?â Alright there Doctor Malcolm, Iâm getting to it. Though fully CGI, the decision to keep the monsters hidden by way of deep sea debris and darkness made them all the more terrifying to me. A set of eyes staring back at us from the darkness just sends a tingle down my spine! We donât see too much of them and we donât see them often, so just like in Jaws, when we do get spooked by them itâs incredibly effective! The movie did have one big surprise in store which worked well for me and helped to satisfy that corner of my brain that loves a good Lovecraftian beast. The movie also had a good deal of gore that I really wasnât expecting to see, but which was much appreciated. In my eyes, where thereâs a diving helmet involved, there should be some amount of blood filling said helmet! Also, I will have to consider this movie my own personal Cloverfield film for 2020, as there are enough connections to Tagruatoâs deep sea drilling from the original filmâs ARG to connect the two in my head. Just let me have this guys, please!
The movie did leave a few questions unanswered for me which, though Iâd love a solid answer and further exploration, I donât think it would warrant another film, prequel or otherwise. I like that we get just enough to formulate our own ideas about certain characters and how that colors our view of them come the end credits. Honestly, Iâd say where the film suffers most is in its pacing. The film does lull a bit between big set pieces and, though I wasnât bored, I did feel myself getting impatient with some of the dialogue. Where it was felt most was in the films need to get us to really buy into Emily and Smithâs relationship.
I remember seeing the previews for Underwater and being really excited. As it had a January release, I didnât want to get my hopes up too high. In spite of some dragging between set pieces, a somewhat forced love story, and a few jokes that didnât really land well, the movie really made for a fun experience! Im sure there will be comparisons to a certain space aged thriller, but donât let this sway you one way or the other and do your best to go in fresh. We get some real dread when itâs needed, scares that are set up well, and a performance from Kristen Stewart I was not expecting to work as well as it did! If a sinking cinematic affair is what you fear, rest assured matey! Underwater is sure to keep your interests in deep sea monsters and sci-fi thrills afloat!
Rating: 3.5 Full Moons out of 5 đđđđ
#underwater#underwater movie#kristen stewart#vincent cassel#deep sea horror#aquatic horror#william eubank#horror movies#horror movie reviews#film reviews#horror reviews#moonlight madness#moonlight madness reviews
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More Hamlet Thoughts because i leave everything to the 11th hour . production continues to be the 2018 globe w/ Michelle Terry
Hamlet and Opheliaâs uhhhhh fightÂ
Hamâs personality twists into cruel mockery of her at the line âWhereâs your fatherâ and OHO the facial expressions
Ophelia kept trying to hold onto Hamletâs hand and body and curl her fingers around hamletâs hand and it was very heartbreaking . Hamlet was a ball of chaotic energy who scrabbled her hands off himself. rlly interesting to watch
this turned around with hamlet scrubbing over her face as he presents her to the audienceâs 4th wall for the make up lines. and shoves her down to the floor at the end
the physical manipulation hamlet takes out on ophelia is a super interesting segue to the players scene
2 b / x 2 b
ham sat in the middle of the front of the stage and held the hand of an audience member who he talked he speech to. very intimate and closed and really interesting interpretation
im a nerd so i really like the juxtaposition of such a grand and philosophical speech being told on such an intimate and small scale
Hamletâs still got his smudged clown makeup on
hamlet and horatio come across Very gay in the âsomething too much of thisâ line. i vibeÂ
hamlet decimated his friendship with R&G and i LOVED how Horatio held him and then forced him away to give him just a touch more character. this Ht loved R&G as well and i appreciate the bit of character we all try to give horatio
Horatioâs Emotions over R&Gâs impending death is a++ give this man some emotional range
OH the âif your mind dislike anything, obey itâ can we PLEASE listen to horatio the lone voice of reason within elsinorâs halls
thatâs not me being gay, thatâs a legit analysis of Hamlet in that everyone in Elsinor has a twisted sense of reality and morality and Horatio as an outsider is immune and must watch in horror
the argument is flawed with R&G but hey itâs not my theory.
THE TRUMPETS . thereâs live trumpetsÂ
the music they played to signal the half time of the play was wonderfully dissonant and i VIBE WITH THAT that is the ENERGY of Elsinor right there
honestly im annoying and i donât particularly care for the play scene as an audience member. like academically the play within a play is rife with analysis but like. to just sit and watch it feels like such a halt in the energy
plus i really dislike it when they use gross physical comedy in the dumb-show because again. im annoying
anyway they only do the dumb-show (more tollerable than a lot) and they use drum beats and purcussion in place of lines, and have hamlet explain whatâs going on with his lines. itâs certainly different and its a lot quicker than the text is
This Claudius is Prime Smarmy Politicians and is very indignant as he tries to pray and i REALLY LIKE HIM
The scene transitions are .. non existent in this play and i LIKE ITÂ
the lines follow on immediately between scenes as the other characters are leaving the stageÂ
i love how it supports the theme of acting this play has and how it breaks down the barrier for the audience of personal vs privateÂ
thats not quite what i want to say uhhhhh. in other productions some of the scenes are really discreet from each other- like how pearl necklaces have stoppers between the pearls- and thatâs especially evident in films, but here itâs the opposite and the scenes bleed into each other to create a really fast paced and chaotic energy and i REALLY LIKE IT
âpersonal vs privateâ is on god my favourite theme in hamlet and the way it works with the audience creating it here is GREAT
Closet scene... OH BOY
this hamlet is CRUEL omlÂ
the ghost enters after hamlet spends 3 minutes berating his mother and sheâs crying on the floor by the audience and hamlet immediately stops and starts weepingÂ
âoh save meâ sounds so small and childlike and it really showcases the love between them
not that kind of love, sigmund fucking freud. get your mind out the gutter
the disdain hamlet has for gertrude absolutely breaks my heart but thatâs a me thing because i havenât been able to see my mother in person for coming up on a month due to quarantine :(
added an extra hug before ham leaves .. v sweet
Claudius comes barreling in and picks up hamâs dropped sword. :eye emoji: doesnât put it down until Hamletâs brought in for questioning. but heâs still holding a book (english dictionary presumably?) and this act of holding a sword for 2 scenes WILL be reiterated time and time again in ever hamlet essay i write forever to whatever end i so desire because itâs easy to manipulate to my own purposes. bless this moment
Thereâs a seagull that keeps interrupting claudius at perhaps the funniest possible moments in his soliloquies and honestly WHERE is itâs Olivier
Opheliaâs madness isnât as explicit as it is in other versions, but watching her tumble into emotions and lack of restraint is so, so heartbreaking.
this is one of the productions of hamlet that makes a really convincing case for âmadnessâ in elsinor being synonymous to speaking oneâs mind and being truthful about oneâs heightened emotions and like. i Love that interpretation
lets be real i love 99% of hamlet interpretations
the 1% is freud. fuck that guy
Iâm Digging the parallel of Opheliaâs emotional outburts of grief (in madness) to Laertes incensed outburst of grief . ohoho
Laertes gets rosemary and pansies, Claudius gets fennel and columbines, Gertrude gets the rue, Audience member gets the daisy and the thought of violets
unfortunately i once wrote a shite poem about gertrude and weather she know of the poison in the cup at the end and unfortunately thatâs all i can think about for the last 40 mins of the play hfdhgjgghjhgj
im annoying so i read along with the play and the duets Claudius and Laertes make of the meter and the word formatting on the page comes across really different on stage, which is super interesting.Â
not to be really fucking dramatic but i read in the info packet of this play that the pillars on the stage are actually tree trunks carved and painted to look like marble and considering how many times i had to hear the words âappearance vs realityâ in my english class, i think im allowed to use the smirk emoji about how the setting of the globe is Integral to Hamlet as a play
i am itching to write an entire 4000 word tirade about the use of the physical body in hamlet because between the actual acting on stage, polonius, âone auspicious and one dropping eyeâ and all whole host of references made to physical body parts i am going feralÂ
PLUS this one incorporates sign languageÂ
i actually hate the word incorporates but needs must Â
The Opheliaâs death speech is of course wonderful, but i canât stop thinking about how John Everett Millais made his model (whoâs name escapes me in a terrible irony because i got this information from an exhibition about the female pre-raphalites) sit in a cold bath for hours on end whilst he sketched and it made her very ill because the fire went out and she was sat nude in a bath of cold water for hours.
Gravedigger only has the songs and the hamlet interaction, and he wears a high vis jacket. heâs also played by the ghostâs actor, which whilst understandable in such a small cast, amuses me greatly
Hamletâs got his hair tied back and in a military style jacket, and marches around with Horatio whoâs in a hoodie and a black duffle coat (absolutely a student) and the same tight plait. Hamâs definitely meant to be sane now, he speaks very brusquely and all but marches around the stage
Not To Make An Edelgard Reference But edelgardâs cause in 3H was also cemented by a timeskip and a military outfit and a brusque personality heheheÂ
Hamlet gets into the âgraveâ to chat to Yorick which, again, i will use in every relevant essay i will write and manipulate this scene to whatever end i desire and on god i thank this production for thisÂ
a level me would have gone feral
current me is also going feral
Grave Scene: a terrible one for your family to walk in and ask what the fuck youâre watching
Poloniusâ actor plays the priest. yes, capsule wardrobe of a cast, i know but iâm an english student itâs my duty to wring every irrational inch of analysis out of this thing
i wonât trail on about unsubstaniated interpretations of Poloniusâ parenting skills and fate in Hamlet but on god i will find an essay about it
i always enjoy it when someone leaps in the grave .. the melodrama... the meaning... the liminal spaces...
the DRAMA of seperating feral laertes and the really calm and imposing hamlet is excellent and a bit hilarious and the camera is going nuts
iâm very aware that everyone is now traipsing about over the grave in the middle of the stage and THATâS a fun dynamic you donât get from film or text
ok Iâve just noticed the video has the âtop chat replayâ going and the very first line i saw is âwhat if hamlet had tiktokâ and i am CRYINGÂ
Opheliaâs actor also plays Osric and is a) absolutely hilarious and b) again, capsule wardrobe of a cast will not stop me from analysing everything and anything this play may or may not offer me.Â
im not saying hamlet is a play about inheritance and the burden of it, but also... isnât it :eye emoji:
if bloody fire emblem fates can do it so can i, step off
Fencing scene: oh thank god itâs nearly over
The hearts on their fencing get ups parallel Hamletâs clown outfit with a heart on the sleeve Very Nicely
Gertrude isnât wearing her headpiece anymore .. ohoho dispelling the trappings and suits of dishonesty, if you will
The duel is a) bloody terrifying because sword fighting and b) judged by Osric (Ophelia) and the poetry of having ham & laeâs duel waged over and judged by Ophelia is absolutely excellent
Claudiusâs aside (or to laertes? camera didnât follow) had no right to be as humorous as it was jdfsghfkd
Gertrude figured out it was poison in this one. Nice
I like the call and response effect of âTreachery! Seek it out! / It is here Hamletâ they made with Hamlet running around they stage to find little propped up Laertes
The dramatic eye contact of Hamlet and Claudius as he forces him to drink the poison.... OH HECK YESÂ
the way they sink to the floor in a pair, with hamlet crawling over his body to make sure he dies... oh LORDÂ
the swing hamlet does with his arm to the audience to cast them as âthe unsatisfiedâ was EXCELLENT and i would like that in every production of hamlet pleaseÂ
the tussle of horatio and hamlet over the cup..... iconic.... and i enjoy the parallel of that to hamlet with claudius as theyâre stood in the same cornerÂ
The harsh projection of Hamletâs voice and the blunt manner of his words about Fortinbrasâ inheritance of denmark against the soft way Horatio rocks Hamlet back and forth ... i want to CRY
Horatio got to have emotional range in this production .. wonderful
i always enjoy the way the play tails off with politics in a room of dead bodies.. the layers the absolute onions
how none of the drama within the castle has any meaning to anyone outside of it is ExcellentÂ
and then the way the prison and enclosure of elsinor is finally broken with military force in parallel to the tumultuous interpersonal relationships within it... i vibe yet more
they actually ended with âgo bid the soldiers shootâ which i enjoy a lot!!!! and the music is wonderful
then they all start doing this dance which i think is meant to be about the themes of the play and to be perfectly honest itâs a bit crunchy for me but the music absolutely slaps!!!
final thoughts:
that sure was a hamlet production and i thought it had a lot of heart and did some new things very very well!!!
and i loved the emphasis they put on the costuming!!!!Â
overall: a solid hamlet. very nice. i greatly enjoyed it!!!!Â
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14x13 (300th) Commentary
Special episode where a bunch of tired and caffeinated Europeans ( plus a sleepy American) scream together, and then die and try to get on with their day ( lol AS IF)
Hello and welcome:
@purpleskiesandcherrypies  (Nat)
@dean-winchesters-bacon  (Kat)
@waywardbaby  (Zee)
@ain-t-bovvered  (Giu)
1 2 Â 3 Â 4 Â 5 Â 6 Â 7 Â 8 Â 9 Â 10 Â 11Â 12
âDadâs on a hunting trip-Â
[shuts laptop]
Giu: Itâs already a no from me
uuugh ok [opens laptop]
â-and he hasnât been home in a few days â
Zee: Thatâs when I fell in love
Kat : I fell in love at âeasy tigerâ
Nat: He looks like a demon
Giu: he does
sign under the register: your baby daddy sitting in jail? Sell your gold and get bail.Â
wow.
S: we are looking for the good stuff.
me searching for men
Kat : I need that wad of money, And the man attached to it
Giu: SAM
Zee : So done
Nat: Dean's done
Kat : That was so Jared lol
D.âNo you didnâtâ
Kat: Oh shit Dean. All sexy business
Giu: They not happy
Kat : FIRE
Giu: NOT THE HAIR NOT THE HAIR
[pauses video] TUMMY! [presses play again]
Giu: HEâS A BIG BOY
Zee : Turn his back to dean?
Nat&Kat: They always talk too much
Nat: he stole my line
Nat: PLAGIARISM
Nat: don't put that in
Giu: Iâm gonna put that in
Nat: no
The smoke coming out the gun tho. I love that gun.
Zee : Put that down dean
Giu: Dean donât touch things
In what goddamn dystopian fantasy a theater in 2019 show Beetlejuice? because I wanna live there.
Giu: I want that jacket. Doesnât it look like the family business jacket?
Zee : I want that car,with everything in it
Giu: ...AND ON IT
Nat: I want that man
Giu: lol itâs like the Winchesters are some sort of the mean girls of town.Â
The Campbell brothers are scary. They have two shotguns and a strange silver blade.Â
I hear the tall one hair's insured for $.Â
I hear the other one has a tinder account. His favorite music can be heard from miles before coming into town.
One time, they met god. And he stayed at their house. One time, they killed Hitler. It was awesome.
Kat : I WANT THE MEN
-â The Campbell brothers â [sobs]
D:âMake it doubleâ
Oh look the Family Business stuff again
S:â John Wayne Gacy cigar boxâÂ
uh thatâs not good.Â
âJack and Cass are out with Jules and her crew. When theyâre back they can help us cataloging â [already excited]Â
D:â aWeSoMEâ
- âWhere did they even came from? them or their weird sidekick with the trench coatâÂ
I love how before the boy Eliot talked about hearing stuff from the trunk of the car and I did not even bat an eye, because.....yeah...probably happened more than once.
Giu&Kat: Dumb bambi look
- Max:â It doesnât mean they kidnapped bigfoot or whatever â
that could have happened too .
How did I miss all this gay vibes between the girls before?
Giu: anyway that is unrealistic, those girls would be drooling after those two.
Nat: Nah, they're too old for them
me at myself editing the commentary: they lesbian, bitch .
Nat: Max is trouble, isn't she
Kat: Donât touch my babyâs car teen bitch
Zee : Why is sam so hot here?
Nat: BABY
- D;â No,no, no, noâ
Zee : Oh the bitch did
Giu: THEY DED
Giu: DON T MOVE YESSIR
-S *thinks of the kids*
D:Â âSwear to God if anything happens to that car-â *thinks murder*
Giu: Meanwhile dean is having panic attacks
Nat&Giu&Kat: I don't wanna die. lol
Giu: TRIPLE PLAGIARISM
Kat: Stop Omg
Nat: We should stop
Zee : Look at those puppy eyes
- âSo you want me to give you an underage girlâs address?âÂ
Nat: hahahahahahhahahahahaha i like that woman
D:âMarta, howâs that grandson of yours?â
âif you could help us out I would, I would really appreciate itâ
âPleaseâ
Zee : Iâd melt
Kat: THAT TAP
Nat: I mean...helloooooo
Giu: There goes her values
Nat: I would tell him everything and more
Zee : Giuls the hand gif. Please and thank you
- you want my address too?
Kat: Heâs putting the moves
Kat: Their lips are extra pink
-Yeah but like...I would have melt with Sam too honestly.
SKIP DAY! aaaah the memories, we had skip days once a month.
Giu: OH NO
Zee : They dumb
Giu: i wouldnât touch that creepy fuck teddy bears
Giu: can I slap some sense in those bitches
Giu: GACY FUCK NO
Nat: Baby, please tell me you're not hurt
Kat: BABY BABY
D: â FBI everybody outâÂ
me : ....arrest me.
Giu: Sam: no fuck clown
Kat: Serial killer clown
Nat: Sammy, I think you need to get away
Kat: Best and worst thing ever
- D:â âCause you love serial killers but you hate clownsâÂ
eh same .
Zee : look how happy he is
D:â Sam....todayâ
Kat: HURRRY UP SAMMEH
D: â....Hey! â
Nat: Dean Bean
Kat: Adorable bean
Zee: Weâre damn good at why we do
Nat: They're going all dad on them
Kat: Itâs hot
- S:â You sure donât wanna call Mom here? or Cass?â
 D:â No because if it works , great, if not, why get their hopes up?â
Zee : Hello
Nat: JOHN
Kat: SHIT SHIT. SHIT Kicking their asses lol
Giu: My eyes are sweating
Nat: I got Negan vibes lol
? : âDonât you moveâÂ
[chills]
Zee : Thatâs another Daddy
Giu: HE LOOKS GOOD
J:Â âWhat in the hellâ
J:Â âSammy, arenât you supposed to be in Palo Alto?â
Nat: Palo Alto. Oh god.
Giu: Good god [sobs]
J: âWhat happened to you?â when did you stretch like that
Nat: It's 2003
Kat: Itâs very difficult
J:âYou saved the world?â
Zee : More than once
Giu: We died....more than once
Zee : Look at that precious face
D:âI think heâd be real happy to know you are finally hereâ
- Glad they mentioned Henry, I miss him.
S:â We are legacies because of youâ
J.â I just wish that I had been there to see itâ
Nat: Awww the look on Sammy
Nat: It fucking breaks my heart alright
D:âNon of this would have happened without youâ
J:â Itâs good, itâs fine. I went out taking out yellow eyes. That was the point. Get the thing that killed Momâ
Giu: im not ready for what.âs coming
Zee : Me neither
Kat: So much sobbing
Nat: What are you talking about. I'm not ready for the whole damn episode
Giu: STOP WITH THE MUSIC
Zee : Brace yourselves
- J [desperately softly]:â ...Mary?â
Giu: OH NO FUCKING JDM
Nat: Oh god NO
Zee : Oh fuck you
Giu: FUCK MY LIFE. FREAKING ACTING SKILLS.
Nat: FUCK OFF
Zee : IM SCREAMING HERE
Nat: THE BOYS...lol
D:â Iâm freaking outâ
No Dean, Iâm freaking out. And I already know, looking at Sam face, whatâs coming.
Nat: "I wanted this man"
D:â I wanted this since I was 4 years oldâ
I CAN T
Zee: One family dinner
Nat: NO DEAN BEAN PLEASE Sammy is right
Kat: He is but it hurts. So much
Nat: TAKE A KNIFE AND STAB ME
oH....Sammy and Daddy time. Can I skip?
Look at John fucking face!! heâs already so proud.
S:â Dean and I tried to make that onceâ [nervous laughter]
[Johnâs face falls]Â
Zee : Here come regrets
J:âi...I remember â
Samâs like...âyou do?â
J:Â â I screwed up with you a lot, didnât I?â
The noise and expression and breathing Jared choose to made here is worth more than any words
Nat: GOD, SAM YOU PRECIOUS BEAN
S:â no, thatâs okayâ
J:âNo, itâs notâ
[me bathing into the holy light of jesus] yeeeees thank youÂ
Sam looks so uncomfortable.
J: âYou didnât have a problem talking about it before you leftâÂ
ooooh John is trying so hard tho.
S:Â â..Dad...â [pauses like he canât believe he can say that again]
me hitting myself : stop doing this to yourself bitch.
S:Â â yeah...you know what? you did some messed up thingsâ
S:Â âWhen I think about you....and I think about you a lot..[voice cracks]â
S:âI think about you on the floor of that hospital. And I think about how I never got to say goodbyeâ
Giu: fuck NOPE IâM OUT
Kat: *drags you back*
Giu: *fights it*
Zee: Iâll tie you down bitch just watch
Kat: I canât i canât I canât
Giu: JARED STOP
Nat: FUCK JARED WHY ARE YOU SO GOOD
Nat: JARED STAHP
Kat: JARED IS INCREDIBLE
J:Â âSam....[touches him]â
S: [gets almost scared when John touches him]
and now a change of camera so you can see more hurt
Nat: FUCK THIS I'M GOING OUT WITH YOU GIULS
Kat: Iâll tie you down
Zee: Can this fucking music just stop
Giu: CAN SOMEONE JUST GIVE ME MERCY? itâs 8:40am itâs too early for this
Kat: FUCK YOU JARED PADALECKI
Giu: STOP CRYIG
Giu: ahahahaahahhahahahaahah imma have a heart attack
Nat: SHIT NO FUCK THIS
Giu: Im forgetting english and spelling
J: âSon...I am so sorryâ
Zee: Thatâs enough
Nat: YOU FOUGHT FOR US THAT'S ENOUGH
Giu: CLOSURE
Nat: what's english i'll start to groan in german soon
Zee: Iâll swear in Greek
Giu: Iâm already gesturing in italian anyway
S:âWant some company?â
Nat: I get the booze you get the food, I want that bumper sticker
Nat: Why doesn't he remember?What the fuck is happening
Giu: The surnaaaame
Kat: YOUâLL SEE THE SHIT IT HAPPENING
Giu: THE FUCK
Zee : Blue steel
Nat: BWAHAHHAHAHAHAHAHAHA
Giu: WHAT THE FUCK IS THAT
Never forget
Nat: WANNA BE TED TALK
Nat: PROFESSOR JARED
Giu: GOD BLESS KALE (Misha wrote that)
Kat: THE TURTLENECK
hot take: thatâs Mishaâs turtle neck
Nat: THE GLASSES
D:âNo, no , it gets worseâ
TEDTalk!Sam is an empty shell. I hate it.
Kat: THE SLICKED BACK HAIR
Giu: Lotta beheadings
Zee : Can Jared stop being hotter in this ep?
D:âWell, Iâm cool but you are ughâ
Giu: I saw enough doctor who to know what is Sam talking about.
S:â If all is different, then what else changedâ
Giu: OH.
Zee : Oh no
Nat: Zach is also ugh
Giu: NO GO AWAY
Giu: HEY BABE
- GUESS WHO NEVER FOUGHT IN HELL AND RAISED SOME SALTY ASS FROM PERDITION???
Z:âEarth ...where you are always stepping in somethingâ
I mean, heâs not wrong
Zee: Constantine
Nat&Zee: I don't understand that reference
Giu: SDEFAFANSBAKWBLENDP
Zee : Control yourself woman
D:âHow are we gonna tell Dad?â
S:Â âHow are we gonna tell Momâ
Nat: Why are the teens everywhere are they running out of extras? I can be an extra.... for love scenes
Zee : I can be a fly in the wall
Z:âI need to know whoâs been messing with time?â like...I mess with time, thatâs my thing, whoâs stealing my job
Giu: SQUINTY BOY
Z:âThis town is always been a little muddy for usâ
Z:â he...murders you allâ
Kat: Ugh I want to stab Zach in the face
oh jfc Cass is a fucking murder machine,kinda like the apocalypse world NOÂ
Nat: Zach, just shut the fuck up, will ya
Zee: Iâm an angel of the lord AAAAAAHHHHHH
Zee : GIULS IM DEAD
Giu: IS IT BAD THAT IM AROUSED
Kat: WINGS
Giu: FUCK
Zee: THE ONLY LOGICAL OUTCOME. Babe how dare you ?
D:âCass? â
C: whoâs this bright soul , oh no heâs hot.
D:âCass, you know usâ
C: I WISH.
C:Â âI donât know youâ
Kat: I DONT KNOW YOU
Nat: Ow...a stab in the heart
Giu: NO
Kat : Breaking my heart
- Oh look you can pin point the exact moment HIS heart breaks.
D:â Cass, donâtâ
Giu: LAGO DI GARDA!!
Nat: THE GARDA LAKE? IS THAT AN EXPRESSION?
Giu: No , itâs where i live.
- The satisfaction of seeing Sam kill Zach. Sam enjoying it.
Kat: YAS SAMMEH
Nat: Cas, come on!
- I love that Sam is holding the blade to cut and not stab.
ok ok...honestly Iâm enjoying this ok? in the sense that I missed seeing Castiel so strong and powerful , and this is as it should be. Heâs an angel , a soldier, with eons of wars behind, he was a captain ffs, the Winchester, they can be as strong as you want but they are human. Even Zach was stronger than them, he was just stupid to fall for Sam trick.
Giu: PLEASE DONâT KILL THEM
Giu: please donât kill Cass, please donât kill Cass.
Kat: Dudes the bloopers from this scene will be epic
Nat: I SWEAR IF THEY DON'T SHOW IT
Giu: IM HAVING A HEART ATTACK
D:âCass, Cass, stop itâ
....bitch HE HESITATED , Cass hesitated , he just kept Dean there when he could have just snaps his neck with a bit of pressure.
Zee : Sammy to the rescue
Giu: OH THANK GOD
Us: We want Bamf Castiel back!
Writers: OK
Us: NOT LIKE THIS
Zee: Who needs a heart?
oh look, those plates have the same decorations as the cups we saw in older eps. WHY DO I KNOW THAT.Â
D:âEggheadâ
Nat: me vs. your mom that's not even a choice
Giu: JOHN
Zee : Mary is showing emotion
Nat: I know who i would chose
yeah ok...I would choose this John tho, not the one we started in 2005 .
Zee : Me too
Kat: I almost donât hate her. Sheâs hurting so bad. But everything else would be fucked
M:â Sam I canâtâ
me too Mary, me too.
Nat: that's the thing. she's hurting more about her husband than her boys
Kat: I said almost
-J:â I never meant for thisâ
Kat: No son
J:Â âMy fight. It was supposed to end with me. With Yellow eyesâ
Giu: AGAIN
J:â But now you- you are a grown man and Iâm incredibly proud of youâ
Zee : Look how proud
Nat&Giu: JOHN, STAY
Kat: Heâs waited so long to hear hat
Nat: LET SAM BE INTERNET FAMOUS
J:â I guess that I hoped, eventually,you would...get yourself a normal life, a peaceful life, a family.â
Zee&Giu : I have a family
Nat&Kat: WE EAT
Nat: A man after my taste
Giu: AND MY POOR HEART
Zee : Too much silence
Kat: #awkward
Nat: #sad
Giu: #The last supper
Zee : Stahp
Kat: SHUT UP BITCH
J:â We can be grateful for this time we have together.â
Kat: Â #AMEN
Nat: sounds like AYE MEN
Giu: ALWAYS THOUGHT THAT
Kat: Fucking Bob Seger
Giu: THEY DESERVE ALL OF THIS,ALL OF IT . MY BABIES
Kat: I WANNA KNOW THE CONVO
Nat: #DOMESTIC LIFE
S:Â âIt doesnât feel right to have all of this and have to throw it away and I know we have to.â S:â He just goes back to...to..being Dadâ
-Oh honeyÂ
Giu: Sam is panicking
Nat: Who would save the world tho
S:â I think it would be niceâ
D:â yeah? I used to think that too.â
D:âFor the longest time I blamed Dad. I mean I blamed Mom too,you know. I was angryâ
D:Â âWhy donât send him further back , and let some other poor sons of bitches save the world?
oh...OH Dean is woke
D:â But thereâs the problem. Who does that makes us? Would we be better off? Maybe. But Iâve got to be honest. I donât know who that Dean Winchester is.â
D:âIâm good with who I am,and Iâm good with who you areâ
Zee : Does anybody else experiencing chest pain??
Nat: What's a chest. I can't feel anything below my mouth
Giu: what s a mouth
Kat: #too old for this shit
D:âCause our life, they are oursâ
Kat: BAWLING
Kat: THIS FUCKING MUSIC
M:Â âI hate thisâ
Giu: WE HATE THIS
Zee&Kat: My girl
-NOOOOOO
J:âI miss you so damn muchâ
Nat: #make it stop
Nat: fuck this
Kat: NONONONONONONONONONONO I
Giu: STOP IT STOOOOP
Nat: JARED CONTROL YOUR FACE
Kat: THEY BOTH NEED TO
Zee : Fuck this flips table
-What a soft hug omg I canât. Why is John so soft , whyyyyyy.
Giu: I WANNA DIE
Nat: FUCK THIS
-Deanâs eyes are dead , heâs trying to be emotionless and I canât deal with it.
Also Sam keeps throwing glances at Dean and it breaks me.
John looking at his sons is PAAAAIN.
J:â You two. You take care of each otherâ
S:Â âWe always doâ
Can I say that I expected some âYes Sirâ here and there and Iâm so glad that there were none? Like...yes they grow up and they are their own men and Iâm so damn glad. I would have hated if I heard them saying that.
Kat: GOOD TO SEE YOU DAD
Dean said that so softly I canât
Nat: OMG
Giu: JARED FUCK
Zee : Iâm gonna faint
Nat&Kat: I AM SO PROUD OF YOU BOYS
Giu: JDM FUCK U TOO
Nat: FUCK YOU ALL OF YOU
This ....Jared you fucking broke me here, you just ...canât go and act like this and expect me to still be breathing .
Giu: JAY DONâT
Goddammit Dean still looks like he doesnât wanât to break but ...I can see it, your lips are shaking damn you Jensen.
Oh no here comes the hug of pain.
J:âI love you both so muchâ
why is Sam crying so much this season , JARED !
-oH NO DEAN SAID IT....DEAN SAID I LOVE YOU , I CANâT , 911 HELP I CANâT BREATHE
Nat: HEY, FUCK THIS SHIT I'M GONE
Iâm so sick of seeing tears ok? And seeing John so emotional??? NAAAAAH FUCK THAT, I saw those tears falling . FUCK U
NOT THE WINKÂ
Zee : Can they all fuck the fuck off???
J:âSammy...â
Kat: JENSEN FUCK YOU JARED FUCK YOU JDM FUCK YOU
Nat: TAKE MARY WITH YOU
Giu: dean your face
Kat: JENSEN BROKE ME
Dean looked like a little scared kid there and he just broke me once again.
Nat: THIS IS NOT RIGHT AND THEY KNOW IT THE WRITERS KNOW IT Â I HATE THIS SO MUCH
Kat: Yeah but that one look. Fuck
ok Now....I wanted to make this gif so badly because it haunted me. This....This is when Sam break the pearl. The sound looks like it hit Dean like a bullet or something and I just ....look at him it looks like he wants to scream, his lips seems like they are spelling a soundless âNOâ or he just let go, because he wasnât breathing until the sound ....I need a minute, Iâm gonna throw up my breakfast.Â
Bye John , Iâll miss you fiercely
aaaaand Dean looks like heâs dead again.
Nat: HEY GIULS Lebanon walk.
Nat Iâm dead what do you want me to do? Call me if there is a ghost walk of Lebanon-
Also YAAAAAAS THOSE TWO ARE THE CUTEST
Nat&Kat&Giu: CAS
Sam looks relieved
Kat: OF FUCK THIS
Nat: Look at that phone
Giu: OMG NO
Nat&Zee&Kat: One hell of a dream
Kat: So much plagiarism
Zee : This music NEEDS to stop
Nat: NO WHAT THE FUCK WAS THIS
Giu: THE FUCK
Zee : Can we have a âfuckâ count ?
Nat: aWWWW...jACK
Nat: WTF JACK
Giu: Jack honey dont
Kat: WHAT ARE THE DOING TO BABY BEAN
Zee: March 7???
Nat: Yeah no
Writers: heya! we are gonna give you some sweet stuff for the 300th, yâall gonna hate it so much.
after credits brainstorm
Nat: SO GET THIS Did John remember? Did John know that the boys are happy and he spends the last of his days thinking about how he could get rid of Michael? Giu: What what . Oh fuck I sure hope so Nat: He saw that the boys were happy, that Mary came back. That's all he wanted . That's why it wasn't hard for him to let go and make the deal. Zee: I soooooo donât need this rn Giu: im on board. Because he said that he had the strangest dream right? So since their life are fucked up anyway , what hurt could it make to look that shit up? Nat: He will remember but it's more like a vivid dream and he will do anything to fight for them so that's why it wasn't hard for him at all to save Dean, even though he can't defeat YED. Because he knows that his boys will save the world.  And still live. with an angel and lucifer's child.
.
.I have no word , and no answer of how Iâm feeling right now.
.
.
If you want to get tagged in the future ones send an ask HERE or to @waywardbaby or a smoke signal, idk whatever Iâm tired af.
TAGS: @supernatural-teamfreewillpage  @destiel-honeypie  @mariekoukie6661  @dragontamerm   @closetspngirl @rainflowermoon  @mattiecat   @bunnybaby121115 @aliaitee2 @jacks-word-of-the-day  @4evamc  @dammitsammy  @legendary-destiel @winchesterprincessbride @destielhoneybee @castiellover20Â
#14x13#spn season 14#supernatural season 14#season 14 spoilers#14x13 spoilers#300th#supernatural 300#spn 300 promo pic#300 supernatural gifs#lebanon spoiler#lebanon
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Say No To This (Eliza Version/Role-Reverse)
Disclaimers: LONG FANFIC!!!
Theodosia POV
Another warm summer night engulfed the city NYC where I began yawning and realizing it was already past ten o'clock. Deciding to wrap things up by going through one last files one last time before going home. Knowing Aaron would be worry sick that I stay longer at work than Iâve intentionally. Oh well, at least I can have my handsome holding me in his strong arms. Just thinking about me make me blush and giddy all shyly, which I know itâs stupid for a grown woman to be acting like a teenage girl again. Hey, thatâs love for you especially being married to the man or women youâve been for more than a decade. Itâs a magical experience when you created the wondrous memories as a married couple. Thereâs going to be ups and downs and which is part of life and you just have to accept it. Even when youâre in complete denial. Which I could say for a certain I know that writing completely non-stop at the office next door.
You see, my old friend my dearest Elizabeth Schuyler Hamilton is working her ass off to the brink of exhaustion. I worry about her but knowingly how stubborn and hard headed she can be sometimes. I often worry about her physical and mental state. I hope she doesnât scare me like last month when she was buried alive under all those paperworks. That woman is seriously gonna give me a heart attack one these days. Anyway, as a good friend basically the mother friend of our group. I always tend to check up on her before leaving the office. Knowing that her answer will be that sheâll be spending another night here at the orphanage. I wasnât going to argue with her about it but still at least take one day off. Then again it has taken her husband almost a decade to finally take a break from work. Well, like wife, like husband as some may say.
I see her with papers scatter around the desk with multiple profile of some the new orphanages we receive from other states. Lightly knocking on the door which caught Eliza attention which she given me her usual soft smile. Â
âYes, Mrs. Burr. Is there anything you need?â she asks
âNo, Iâm letting you know that Iâm heading home now. Itâs already past ten oâclock so Aaron is probably worry sick about meâ
Eliza chuckle lightly before understanding that Aaron is a bit overprotective of me but in a cute way. Deep inside her heart she was longing for the company of Alexander but he and their children were at Upstate. Apparently, visiting her father until catching up with Lafayette mid-way through the journey to South Carolina. They wanted surprise John with a visit of their own unannounced. I can understand her loneliness but she made the choice to stay behind for the orphanage and for me. We share our goodbyes before taking my leave as I left the door to be locked. Since I didnât want any strangers or psycho manic having the intention to murder my innocent friend. Anyway, during my walk on the way I notice a tall male with a noticeable black eye. I whine on the inside feeling that he either got it from a bar fight or from his wife.
Domestic abuse isnât uncommon sadly and seeing the abuse victim walking toward to our orphanage is heartbreaking but brave as well. What weird about him is that heâs wearing a large black hat with a long black coat. Perhaps to cover the bruises and the scars he received from his spouse. But that one thing stood out from his outfit was a tight red shirt that would grasp on his muscular chest. Ignoring my appearance despite me waving at him to be polite but I didnât care. He continue to walk toward the direction of the orphanage before looking at the window in which located Eliza office. It made my heart skip a beat just for a moment but there wasnât I couldnât do since Iâm off work.
Walking away from the scene as I pray deeply that this doesnât become that I think would lead to. I hope that Eliza doesnât do something stupid that would cost her marriage. Then again, our Lord works in mysterious ways than beyond our imagination. I simply shrug and ignore the tangles of knot that bewling with one gut to another.
Theodosia Sr
Thereâs nothing like summer in the city.
Someone under stress meets someone looking sexy
Thereâs trouble in the air, you can smell it
And Eliza is by herself....
Iâll let her tell it
Eliza POV
I was left alone in this semi-huge orphanage just by myself working on each of the children files. Just the ones that Iâm assign to but that wasnât enough. By that, I mean the only ones here are the servants on night shift. They look after the kids making theyâre sleeping peacefully. Or looking after the ones that were deeply sicks and so they manage their medication from here and there. Sighing to myself out of despair as I thought about my darling Alexander and my friendly Lafayette. They decided to go Upstate in order to visit my father since the children dearly misses him. Along with the midsummer is when theyâre going to visit Laurens in South Carolina since it been so long since they last met. Mulligan is going to meet on the middle part of the journey since it would be nice to create a surprise visit for John. Itâs nice to know that they all have each others but Angelica and I are separated from miles apart. Not to mention...I lost Peggy from the war after she was shot..from a signal gunshot wound. Sacrificing her life for an innocent child that had nothing to do with it. Except being a daughter of a sl....I canât bring myself to say it. But yes, that event change me and Angelica a lot especially toward my father who clearly cherish her since she is one of his beloved daughters.
Leaving behind her husband and beautiful son behind but we still visit them but enough of the depress thing. I harshly rubbed my eyes as I been here at my office for a week. Brushing my fingers into my semi greasy hair and thought I should go home as well. Packing my things up as I thought about Alexander just holding in his arms. As we share the bed we slept in together. Or having Lafayette just escorting me around the city while trying to make me laugh. His corny jokes somehow manage to make me laugh from here and there. Just wouldâve been nice to have one of them here by my side. Until I heard a knock from downstairs.
Eliza
I havenât slept in a week
I was weak, I awake
When Iâm alone in my room, sometimes I stare at the wall
Longing for Lafayette, Missing my Alexander
I heard a knock on the door, I knew it wasn't my husband Thatâs when Mister James Reynolds walked into my life He said:
Walking downstairs before opening the door to see a tall man with a large black hat and long black coat. Quite an odd outfit but I brush it off. I notice the black eye on his face which aches my heart. Knowing that this black eye mustâve come from his abusive spouse. I offer him some tea as we discuss in the living room before introducing himself to be Mr. James Reynolds. Which he announce his reasonings of why coming to the orphanage so late at night.
James Reynolds
I know you are a woman of honor
Iâm so sorry to bother you at home
But I donât know where to go
And I came here all alone...
Eliza:
He said...
James Reynolds
My wife been doing me wrong
Beating me...
Cheating me...
Mistreating me...
Suddenly, she up and gone
And, I donât have the means to go on
I felt extremely upset to know about this poor going through an abusive marriage. Not to mention that he has a young daughter only about five years old. Wondering how could I help this man and his daughter as well. Giving me the facts that she comes and goes from three days to weeks, lead to months from on end. Decided to give him some extra crash that Iâve stock away in her desk drawer. Pulling out approximately about thirty bucks which is quite a lot back then. Thirty bucks couldâve equivalent to like a hundreds. Then again itâs the 1700s, so it wasnât an issue trying to store a few extra cash. Giving, Mr. Reynolds the money to see that heâs very grateful that anyone would loan him such a large amount of money. Wiping the tears of joy away before leaning his arm to hold onto. Well, I didnât see a problem for a woman to escort a find young man home.
Eliza:
So I offered him a loan, I offered to walk him home, he said
James Reynolds:
Youâre too kind mam
Eliza
I gave him thirty bucks that I have stock away
He lived a block away, he said:
James Reynolds:
This oneâs mine, mam
Surprisingly the the orphanage isnât that too far off from where Reynolds live at. Then again, he live only a block away so it was only a short ten minutes. I would stand outside just letting the kind man to enter inside his house safe and sound. Hopefully, his wife is either asleep or isnât home at the moment which brought a tight knot in my stomach.Then, i could go home and take a long hot bath and probably take the day off tomorrow. Since I havenât slept nor bathe in a week. So, I probably smell very sticky which isnât very ladylike of me. Turning away as I started to walk in the direction of where my home was. About to take my leave I felt James hand grabbing my own with a light blush on his face. Veryly confuse, as I didnât prepare myself of what was about to happen next.
Eliza:
Then I said, âwell, I should head back home,â He turned red, He led me to his bed Place me between his legs and said:
James Reynolds:
Stay?
Eliza:
H...Hey...
James Reynolds:
Hey...
Not even knowing what just till the last second is when Iâm between Reynolds legs. With his arms around my waist as I lay on top of his bare. Apparently, I mustâve believe that he unbutton his red shirt during the time I went blank. Feeling my entire body heating up and my face turning into cherry red. Wasnât sure how I magically escape from the grasp of his arms but that wasnât the case. As a married woman and Reynolds being a married man shouldnât doing something so sinful. Not to mention, I have Alexander and canât let myself be the one to break his heart. Reaching toward the door but before getting the grasp on the knob. Reynolds held me from behind just my heart accelerating and my body hitting once again.
Feeling his lips just leaving butterflies kissing across my neck to the my bare shoulders. Barely knowledge that this man has strip my dress off my body. Leaving me in my closet and others underclothing just leaving me to shiver. Turning me around as I face this man in the eyes but adirmating his bare chest. Lightly breathing heavily but soon I mentally slap myself. Telling myself that I have a husband and children nevertheless. This devilish man has this sinfully smirk as he place his chest just feeling his heart beating.
Eliza: Thatâs when I began to pray:
Lord, show me how to
Say no to this
I donât know how to
Say no to this
But my god, he looks so helpless
And his bodyâs saying âhell yesâ
James Reynolds:
Whoa...
Eliza:
Lord, show me how to
Eliza/ Ensemble (Aka the fandom): Say no to this
Trying to put my dress back on and get the heck out there but Reynolds has other plans. Holding me closer to him as our lips were just meter aparts just barely brushing each others. The grids in my mind were grinding wildly just telling me âGet the hell out of thereâ. But I couldnât feel my body, didnât have the courage to pull away. That wasnât the case...I didnât want to push myself away from this find man. Turning my face away for a moment. Until, I felt him lifting my chin up just meeting my gaze to his before leaning. His lips against my own just made everything I have thought just few out the window. Before he lead me to the once again.
Eliza: I donât know how to Eliza/ The fandom Say no to this Eliza: In my mind, Iâm tryinâ to go The Fandom: Go! Go! Go!
Eliza: Then his mouth is on mine, and I donât sayâŠ
Throughout the entire time I spent with this stranger of man just letting him pleasure. Just forgetting Alexander, Lafayette, Angelica, the kids. Basically just everyone Iâve ever knew as he and I done it in his bed. At his house, where his wife couldâve walk in on us but I didnât care. I was alone and longing for companion. But my mind is screaming me with rage literally scolding for doing a cruel act. Letting myself get involved in adultery that Iâll soon regretted later on.
The Fandom:
No! No! Say no to this!
No! No! Say no to this!
No! No! Say no to this!
No! No! Say no to this!
Third POV
Unaware by his wife adultery with another married man, Alexander Hamilton a proud father and helpless husband. Smiling happily while looking at the pendant that his late younger sister- in law, Peggy gave to him. It was originally a birthday gift but the widely woman decided to give this little gremlin as a wedding. Chucking by the memories of the late Peggy but blush while smiling a little. It was a picture of him and Eliza on their wedding day which brought warm memories to him. That day brought heartbreaks to both Lafayette and Laurens. As the French general has fallen deeply in love with Elizabeth Schuyler but given her up for his brother. While John is in love with his best friend but was already marriage and have a daughter of his own. Still, they wanted to see this Caribbean immigrant keeping a beautiful smile while basketing his love for Eliza.
The Hamilsquad has finally reunited after being seperated from the war for far too long. Which has been nearly a decade or more since the four men last saw each others. Apparently, Burr is suppose to meet up with the others at Lauren house but wasnât able to at the last minute. As his daughter has gotten ill which is terrible for a child to be sick during the summer. Anyway, nearly getting side tracked as the four males were playing around with the children. Dancing with them, playing with them, and etc. As the children run around Alexander pull his pendant. Staring at the picture at his beautiful as he felt helpless once again after all these years during their marriage.
Alexander / The Fandom:
Helpless!!
(Hey, Hey, Hey, Hey)
Looking into your eyes
And the skyâs the limit
(Hey, Hey, Hey, Hey)
Iâm helpless
(Hey, Hey, Hey, Hey)
Lafayette saw his brother smile weakly while spinning around like the lovesick puppy that Hamilton is. Walking away from the immigrant as the French male heart tighten a bit knowing fully well that Eliza will never be his. He has come to terms with it but still heartbroken after all these years. Now, married with another woman in France with children of their own. Yet, Lafayette still loves Eliza and that would never change. Even that meant marrying someone else. As one brother is smiling happily with hearts flying around him as the other brother was staring out the window. A single tear rolled down his caramel skin before brushing it away in order not to let others know.
Alexander/Lafayette
Will she ever be satisfied?
(Down for the count,
And Iâm
Drowningâ in them)
She will never be satisfied
Back at New York is where both men were unaware that Eliza is sleeping with another married man. But also growing mutual feelings for him as well. As Eliza woken up from his bed in shock and disgusted with herself for letting this happen. Trying to break it off and made sure this was a one time only moment. Well ainât that fantasy that Eliza suddenly ask for too much. As the guilt and regrets will arrive years later and she wonât even how the affair being leak out. Though she didnât care and immediately left the house luckily, no one was around to started ridiculous gossip. Heading straight home to take a bath and sleep hopefully this is the final counter sheâll have with Reynolds. Or so she thought.
Eliza: I wish I could say that was the last time I said that last time. It became a pastime A month into this endeavor I received a letter From a Mrs. Maria Reynolds, even better, it said: Maria: Dear Madam, I hope this letter finds you in good health And in a prosperous enough position to put wealth In the pockets of people like me: down on their luck You see, that was my husband who you decided to Eliza: Shhhhâ
A month past by and her affair with Reynolds continue and escalated to him spending multiple night at her house. As they slept on the same bed that she with her darling Alexander. No matter how many time she wanted to call this affair off. Reynolds always seduce her back into his arms by that charming and charismatic attitude of his. Those methods always make her legs jelly and wobbling. It lead them to exchanging tiny little love letters from here and there. Until one day, at her office Theodosia brought her letter which was sent from Mrs. Maria Reynolds. Feeling her blood run before locking the door. Reading the telegrams which is promptly by none other than Reynolds wife. Claiming that she knows about the affair and herself as well. A large lump began to form in his throat as she continue reading the paper. Feeling that dark presented behind Eliza back just feeling Maria mocking her for sleeping with her own husband.
Yet, that not even the worst part.
Maria: Uh-oh! You made the wrong sucker a cuckold So time to pay the piper for the dress you stripped And hey, you can keep seeingâ that piece of shit If the price is right: if not Iâm telling your man
Straight up blackmailing the young wife that if she doesnât pay in the correct. This other wife would spill the details to her Alexander. In pure anger, she races out of her office but not without leaving confuse looks on her coworkers faceâs. Nearly running toward Reynolds house as she proudly let herself to slam the door shut harshly. Racing toward upstairs as I saw James right before myself as I proceeded to slap him hard across the face. Shock but also hurt by this reaction as Eliza shove the letter in front of the manâs face.
Eliza: I hid the letter and I raced to his place Screamed
âHow could you?!â
in his face He said: James No, Mam!!
Eliza:
Half dressed, apologetic. A mess, he looked
Pathetic, he cried:
James:
Please donât go, mam!
Not caring if this man was even half naked or half dress in front of her. This affair is officially over but Reynolds grabbed Elizaâs hand. Not wanting to lose of what they have during the entire period of summer. Pulling herself away from this man with a look of anger spreading on her expression. Whimpering on the inside as Reynolds never saw this side of Eliza before. She was so kind and thoughtful toward him. Never forgetting her generosity to donated a large sum of money just for his daughter Susan. Holding Eliza in his arms once again but this married woman firmly pushes herself out of his reach. Tears were streaming down his face before on his knees. Betting this kind hearted woman to not leave him alone with his wife. Despite not knowing either he was serious or was all of this an act.
Eliza:
So was your whole story a setup?
James:
I donât know about any letter!
Eliza:
Stop crying
God damnit, get up!
James:
I didnât know any better
Eliza:
I am ruined...
Frantically pulling her hair while her own tears flooded her face. Realizing that consequences of what this affair leading to. This could ruin an entire innocent happy marriage and another marriage leading to a divorce in court. Both of them panicking as Maria has full control of them especially Eliza. Since she did indeed fallen trip into their spider webs of lies. The married man tries to persuade to stay with in his arms. Work before and show work again. Doesnât need any other woman but her at the time being. Even it may cost him his life. Holding her into his arms once again while wiping her tears away with a soft touch.
Eliza / James:
Please donât leave me with her, Iâm helpless
(I am helplessâhow could I do this?)
Just give her what he wants and you can have me
Eliza:
I donât want you
James:
What?
Eliza:
I donât want you
James/Eliza
Whatever you want (I donât...)
If you pay,
You can
Stay!!!!
Eliza wanted to pull away but didnât have the strength nor the energy to do so. Letting Reynolds cherish her one last time. Clinging onto him before letting the small kisses into full on make out. Which them on the bed once again. Just like how the first night when they first met. Eliza feeling regretful but yet a bit satisfied about this affair. Not sure why...she didnât even know her self. They just want the pleasurable moment for one last time.
Eliza
Lord, show me how to
Say no to this
I donât know how to
Say no to this
Cause the situation is helpless
And his body screaming âhell yesâ
Lord, show me how to
Say no to this
Eliza/James
How can I say not to this?!
Eliza:
There is nowhere I can go?!
When his body on mine I do not say
Sharing a kisses from here and there from the lips, neck, and other sort etc. James notice a matching pendant around Eliza neck. Open by itself to see the man that Eliza is currently married to in made him freeze for a moment. Just staring at the picture on the day on this woman married her husband. Shaking lightly before shutting it quickly just wanting to get this over this. That picture suddenly began mocking him. Feeling this affair might put a tired on Eliza marriage with Alexander. Which he praise that doesn't happen. Which it's rare to have this emotions that he never had before.
Still both Reynolds and Eliza mind were screaming at them.Telling these two adults that âNO! This isnât rightâ basic stuff. That both of them knew but decided to ignore it.
Eliza/James/The Fandom
Yes (Yes!)
Say no to this!
No!
Yes (Yes!)
Say no to this!
No!
Yes (Yes!)
Say no to this!
No!
Yes (Yes!)
Say no to this!
After this finally orderal, Eliza slowly and shamefully getting dressed as Reynolds lay in bed. Not looking at each others seem to be the best choice at the moment. Eliza wiped a few tears feeling so dirty and disgusted with herself. Her actions. Hopefully that she can put this in the past. And forget that it ever happen in the first place. Pulling out two envelope from the pocket of her dress. Both fill with crash.
Eliza:
Say no to this...
I donât
Eliza/James:
Say no to this
Eliza:
There is nowhere I can go
The fandom:
Go, Go, Go
Right before her stood Maria Reynolds at the doorway with a little girl by her side. Apparently, this is their daughter that James mention before. Wearing a beautiful red dress that seem to share the same color and color of her husband shirt. Having a smug look on her face full aware of what just happened since this bedroom. But she could care less since its the money she need for a lawyer during a divorce court. But sweet little Eliza doesnât need to know about that.
Maria:
So?
The other married woman sigh in defeat as she place the two full envelope on Maria hands. About thousands dollars in total. Looking down as the child stare at in confusion and curious of what was happening. But her innocent must be protected and so for that. The deed has been done and all of this affair is just hush hush. Racing out of the house in a rush with tears threatening to leave her eyes. Returning back to the orphanage in an hour as Theodosia, Martha, Dolley didnât notice her return. Until hearing you close the door to her office and locking it. Her back was press against the wood before sliding down as she held her knee tightly. Tears spring down to the fabric of her dress before quietly whisper to herself.
âNobody needs to knowâ
Nearly given up writing this fanfic but I made myself to finish. But yeah.. hope y'all enjoy
#hamilton#hamiltrash#Hamilton fanfic#Say no to this#elizabeth hamilton#Alexander Hamilton#John Laurens#Lafayette#Hercules Mulligan#romance#affair#drama#guilty#regrets#james reynolds#Maria Reynolds#Role-Reverse
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David Cameron is walking down a hall in his big house. This hall - painted slate grey with a plum accent wall - leads from his bedroom to the guest bedroom and, because of ruddy corona, what a true shiter that has been, I mean, Christ almighty, a man canât even go into a branch of Budgens and pick up a four pack of Red Stripes, a mint aero, some of those jalapeño pretzels, a Dr Pepper, one of those 500ml bottles, maybe some chewits, what else?, canât even do that without having to put a bloody mask on, because of this effing corona, because of that the guest bedroom has been basically out of action for, gosh, getting on for a year now with this business, and David Cameron has quietly claimed the space for himself, creating a type of rec room, a type of, dare he say it, rumpus room, dad shack, den - and donât say âof iniquityâ, donât say, âuhh, yeah, of iniquityâ, in that sardonic tone, you donât need to fill in jokes or telegraph jokes like youâre John fucking Virgo on Big Break, remember that?, âcommentatorâs eyeâ they would say when he correctly telegraphed a ballâs trajectory, thereâs no need to provide your own jokes - man cave, dude ranch, for himself, even though heâs already got his games room, his office upstairs, his shed-cum-home-office out the back, and the second drawing room is basically his, and he has begun to move a few of his things - a couple of beanie babies (Schweetheart, Bananas, Kicks the bear), a life-size gorilla plush named Dazzle, a few Boofle bears and a couple of Boofle dogs, some Garfields and a big Snoopy he got in America - and has arranged them in such a way that the space utterly screams âDavid Cameronâ.
But David Cameron wonât reach that rumpus-cum-man-cave in this story because check this out: about three quarters of the way down the hall (itâs a long hall), David Cameron encounters the ghost of his father. The ghost is dressed in fishing waders and both David Cameron and the ghost are wearing identical camel coloured bucket hats. âDaddy,â David Cameron says, in a high, wheedling voice (alright, look, âa high wheedling voiceâ youâre like, âerrrâŠâ, youâre like, âuhhhhhh⊠isnât his voice already⊠I mean, come on⊠doesnât his voice already sound⊠I mean⊠yâknow⊠come onâŠ. isnât his voice already prettyâŠâ thatâs what youâre doing, but look, for this scene to have a moment of high pathos - like Balzac - itâs imperative that one is able to imagine, while reading it, that David Cameronsâ voice is even higher and more wheedling than usual, that he is speaking as he spoke when he was a child, if you can take your Saturday Nigh Live-addled mind out of brothel of Twitter quips - âooh, eleven hundred people have made the feral hog joke, so hereâs my go at a feral hog jokeâ; not everything is a fucking joke, okay? Not everything has to be a fucking bit, you know? Itâs impossible in this dog of a year, this crapper of a year, this toilet of a year, to write about David Cameron speaking in a high, wheedling voice without some quote unquote left Twitter Medium centrist dad Gawker Clickhole Deadspin quote unquote comedian seeing it, going haha, tapping their phone back to the Twitter app and posting something like, âwhat about if the feral hog said im babyâ - then maybe youâll be able to see this as a genuine emotional moment of David Cameron confronting the one true demon that we all have: the past) âSusie was mean to me again today, she said⊠she said I smelled of wee, Daddy,â just as he had said some decades ago, stood in the kitchen of his family abode in front of his father. Back then, his father, who was still alive at the time, had basically just told David Cameron not to worry about it and, anyway, little Susieâs mum was a complete bitch, doesnât even say hello when you see her in the M&S queue, which youâd think she would after we had her whole hideous family at the garden party last year. Now though, in the present, the ghost of David Cameronâs father, whose face, in fact, though now wanly, yellowly ectoplasmic, translucent, resembles very strongly a particular Boofle dog, crouches down into, letâs say, warrior pose from yoga, the one where you bend your knee at the front and⊠just Google image search it if you canât picture it, places his hand, his forehand⊠the hand that he has at the front⊠he places a hand on David Cameronâs shoulder, and it has a forlorn, yellowish coldness to it, a depthless cold, a fractal cold, spinning off out of itself like the fronds of a Romanescu cauliflower. âSon,â he intoned (said), âI have a sorry tale to tell you. Son,â he went on, sadly, a depthless sadness, a fractal sadness, like thinking about which came first: the chicken or the egg (itâs the egg, because that hatched into the chicken. But hang on, who laid that egg? Alright it was a chicken then. But where did that chicken come from? It came from an egg, so it must be the egg thatâs first. Ah butâŠ) âMany years ago your ancestor and mine, old Bobby âFat Bobâ Cameron was the first man in the world to operate a flushing toilet. In those days, almost as ignorant as our own, nothing was known of the so-called âtoilet plumeâ, the efflorescence of urine that is thrust into the world by the toilet in the same manner that your wifeâs Chanel Number Five is forced from its crystal vial, hangs in the air and drapes all over her⊠Anyway, son, as I was saying, little was known of the toilet plume in those days, and, being the very first - as we Camerons often are - old Bobby Cameron was enveloped in a rich fug of his own feculence, a real - as they said in those days - pea souper. Pee souper. Haha. Ahaha. Sorry son, whenever I tell this story I have to pause to laugh at that moment, even though what I am about to tell you is truly no laughing matter. At that moment the Cameron family, in everything they are and everything they do, was forevermore - because of the hubris of man in creating a device which effortlessly concealed his privations and unmentionables - cursed to faintly hum of piss, irregardless of whatever bathing or other self care routines they may take part in. I canât believe I was laughing just now because as you can see, son, itâs a really bad curse. I must leave you now, son, youâre on youâre own. See you. Bye.â David Cameron, his eyes wet, looks upon the visage (face) of his ghostly father, its yellow hue now browning, as the leaves do in October or as piss does if youâre dehydrated, and, as it browned (like a pork chop does in the pan), it began to fade, eventually disappearing, gone, leaving the astonished David Cameron alone.
And was there - almost imperceptibly - the faintest tang of urea in the hallway? Was this ghost truly his father? Was this curse, this awful curse, real? Could what David Cameron just witnessed be merely the result, the excrescence, even, of the late night feast of three quarters of a jar of black olives, two pepperami wideboys and a Bombay badboy pot noodle that still roiled inside him? Was his own father fated to appear only as a vaporous yellow cloud, a fine mist of the type that you would give a treasured fern, but piss? Was he, David Cameron, and everything he had ever done and everything he would ever do, fated to stink of piss? Were those moments when, after a hefty one at the ballot box during PMQs he would sit down next to George, and George would give him a particular look, was that not just resting bitch face - which, by the way, he totally does have, whatever he and his Evening Standard cronies might protest - but his querulous nostrils registering that unwanted tang and recoiling, however much Comme des Garcons Wonderwood David Cameron had spritzed all over himself? David Cameron stands in his empty hallway (slate grey with a plum accent wall), and ruminates about the past and the future, thinks about piss, toilets, stinks, stands there for eleven or twelve minutes until his wife comes bounding up the stairs. âAh, darling, she says, Iâve been looking for you, I just wondered ifâŠâ she stops right in front of David Cameron and also stops what she was saying and her eyes dart around, her nose twitches, and a look of revulsion and concern crumples her otherwise Hellenic (David Cameron has always thought) visage, âOh no,â she says, âOh dear, has the dog gotten up here again?â
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Production Journal - Being John Malkovich
210220
Being John Malkovich (1999) is a haunting film that asks viewers to surrender to a fantastically absurd premise. It was Spike Jonzeâs directorial debut and he received an Academy Award nomination for such a bold undertaking. The plot follows Craig Schwarz, a struggling street puppeteer, his affectionate wife Lotte and his office infatuation Maxine. Relations between them cycle between attraction and repulsion when they discover a portal into the brain of John Malkovich. Its intrepid moments of comedy were met with praise and fascination from critics. âPut simply, Being John Malkovich just has to be one of funniest, cleverest films of the year, a FabergĂ© egg of comic delight,â were Peter Bradshawâs closing remarks in his review. (Bradshaw, 2000)
Director of Photography Lance Acord (Born 1964) is Jonzeâs long term collaborator. Between them they have the hipster credentials to deliver trendy music videos, independent films and Hollywood blockbusters. With Being John Malkovich (1999) they developed a visual language which was darker derived from traditional set ups and framing. âWe shot most of the scenes very simply. We didnât have that much time to do them, and instead of breaking down each scene into ten setups, I wanted to spend my time getting performances from the actors,â Jonze explained in interview. He continued, âThat was a conscious decision, but I thought it worked for the movie - not to make it big, flashy and overly into technique. Lance can confidently and quickly work with little equipment. And, also, he doesnât care so much what his peers are going to think.â Given that the film explores such abstract concepts, it is largely due to Accordâs efforts that the viewer is able to suspend disbelief and lose themselves in the cinematography. (Macaulay, 2019)
Being John Malkovich (1999) has philosophical appeal for its portrayal of same-soul theory - a model of Cartesian dualism that suggests individuals identify with a consciousness unique to them. In essence, a person may be themselves within the vessel of someone else. The functionality of the portal may be likened to a cerebroscope - a fictitious device capable of relaying the contents of someoneâs brain to another individual. The film addresses this phenomenon by switching to an occluded camera view analogous to peering through a periscope. The feeling of voyeurism is elevated by drawing attention to Malkovichâs bodily processes akin to the auditory effect of an isolation chamber. In a comically pedestrian scene, he orders a bath mat and scours his kitchen for Chinese food; however, the cinematography makes the act seem supernatural. Several levels of this interaction are explored when Maxine has a date with Lotte as Malkovich and Malkovich enters the portal to witness his own conscious mind in a perverse paradox loop. The filmmakers breech the fourth wall and meander either side of it to the point that it is accepted these characters are familiar with the real actor John Malkovich and his friend Charlie Sheen. (Koch, 2011) (Shaw, 2006) (Weinstein, 2008)
Summary
Jonzeâs classic film takes time to develop layers of reality that act as a platform for facets of philosophy and science. In comparison, my film will be minutes long and undertaking anything of the same magnitude would be ambitious. I would like there to be a change in the rhythm of the footage that I will create with my own production technique. During an email conversation with lecturer Teemu Hupli, we discussed this issue and the potential avenues that I may partake.
âSomething has been ringing in my head since we spoke last Friday, and I want to voice it. You said a sentence in our chat to the effect that âthe toilâ behind finished pieces of dramatic art (by which I understand films, plays, TV performances of various kinds) is âoften not seenâ and your proposed project would expose that side of things. I am not saying it is often seen, but I would suggest you research the basis of this assertion. We do have films / representations of the work that goes into making pieces of dramatic art - cinema by now has a lot of them e.g. Synecdoche, New York, Being John Malkovich, Mulholland Drive, Inland Empire, and theatre has messed around with the fourth wall at least since the modernist times. In general, the idea of exposing the structures âbehindâ finished products of art falls under the broader rubric of self-reflexivity, which has become a relatively widely used strategy for slightly more experimental dramatic art. I did mention structuralist film in our chat, which was based exactly on that idea, although it was not always about exposing the toil of actors alone, but often focused on the materials and editing structures of film e.g. Michael Snowâs Wavelength, which is essentially one very long inward zoom with marginal - literally in the margins of the frame - events occurring in the room.
I believe it would be important for you to acknowledge that your project might be operating in the context of such experiments in film / theatre. This is not to say that you should not follow your idea, but that you need to ensure that you are as fully cognisant as possible about the art / film historical context in which you work, in order to develop a clear sense of where you might be doing things similarly and / or differently from the context.â
Production Notes
An original musical score by György Englert provides some clue that Natalie might be an actor playing an actor. Lady Gagaâs Shallow (2018) and Joseph Arthurâs In the Sun (2003) were the inspiratory prompts that I gave him. I like the way both songs become more upbeat as they progress; however, melancholic accents are apparent throughout. Englertâs gypsy jazz roots contribute a playful quality that is also implicit of these shifting intentions.
After the title fades the film begins with a conventional shot seen in television interviews - framing tight to the subject and emphasising facial gestures. There is a second shot positioned further away to add some variation and then photographs from Natalieâs career roll across the screen. Momentum is broken for the first time when she slips and I encourage her to recuperate her thoughts. In the last scene of the interview there is an inaudible background comment from me, although this might be too elusive for the viewer to notice. These remarks were left in the final edit to break the fourth wall - the actor and the director are aware that they are part of a fictional narrative. In the scenes that follow, I added extracts from the scratch audio that are revealing of the filmmaking process. A focusing error while Natalie drinks tea was also left in. An early commercial cut of the film had these parts removed. It had a more mainstream tone and the intentions of the piece were lost. My peers encouraged me to be bolder with my post-production choices and this was the right direction for the project.
Being John Malkovichâs (1999) cerebroscope is recreated in the line reading sequence. The audience has a first-person view of Natalieâs performance as if they are me. There is a familiar fluidity to the play that she exudes. She waits in anticipation of her opening gambit and then launches into the role. Glances down to the paper script and then back to camera were the exact nuances that I wanted to capture. Scratch audio of me monotonously rattling off lines is heard at the start and then there is a fade away to a voice over. I selected the passages about her acknowledging nerves prior to a performance and method acting to superimpose over the visuals. Both give insight into the feelings that she may be experiencing in real time. Various edits exist where the scratch audio was omitted or faded out at a later frame. Feedback from these versions led me to believe that my speech was needed to frame the situation. Finally, I am pleased with the way that Natalieâs staring eye dominates the closing shot before the next scene.
Bibliography
Bradshaw, P. (2000). Bonkers but Brilliant. The Guardian. Available from www.theguardian.com/film/2000/mar/17/1 [Accessed 10/04/2020]
Koch, C. (2020). Consciousness Redux - Being John Malkovich. Scientific American, 22 (1), 18-19
Macaulay, S. (2019). Iâm In You - Director Spike Jonze and Screenwriter Charlie Kaufman Talk Being John Malkovich. Filmmaker. Available from www.filmmakermagazine.com/107755-im-in-you-director-spike-jonze-and-screenwriter-charlie-kaufman-talk-being-john-malkovich [Accessed 10/04/2020]
Shaw, D. (2006). On Being Philosophical and Being John Malkovich. Journal of Aesthetics and Art Criticism, 64 (1), 111-118
Weinstein, L. (2008). The Perverse Cosmos of Being John Malkovich - Forms and Transformations of Narcissism in a Celebrity Culture. Projections, 2 (1), 27-44
Final Cut, Manual Mode, 25 fps, WB Natural Light
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