#wanted to add a little scene influence to their designs tbh

[doobledabbadoo]

SADIE & KATIE REDESIGNS RAAAAAAAAAAAAAAAGH

DISCLAIMER: these redesigns are made for fun. constructive criticism, feedback, and suggestions are appreciated, but please be respectful about it.

batch 1 (duncan, gwen, courtney, owen, leshawna, heather, geoff, bridgette, trent, & harold)

batch 2 (lindsay, tyler, izzy, eva, noah, cody, justin, ezekiel, dj, & beth)

world tour batch (alejandro, sierra, & blainely)

roti batch 1 (dawn, dakota, sam, lightning, scott, b, & staci)

roti batch 2 (brick, jo, zoey, mike, cameron, & anne maria)

chris mclean

[kamikui]

Onmyoji Movie

HI so I watched the Onmyoji Movie based off of the game last night and . . . . that sure was something!

In all honesty despite the weird path they decided to take, I actually enjoyed the movie. The music and detail in the scenery was amazing, I LOVED the costuming for a lot of the background characters esp in the Demon Realm, and a lot of the easter eggs that were hidden were nice. 

BUT. but. As someone heavily invested in the lore of the game (especially concerning Ibaraki) how they decided to deal with the movie was like. really confusing. It genuinely felt as if NE gave the directors a cast of characters and let them do what they wanted from there w/o any prior knowledge of the game.

(spoilers down below)

Before I really pry into that though, I’ll kinda note some of the characters.

Seimei/Qingming was actually my favorite. I think this is sort of an unpopular opinion right now, but his characterization was so nice even if it sorta leans into the basic drama hero type personality. In the game Seimei is supposed to be you/the player, and not everyone is going to have the same interpretation of him-- and that’s what the movie felt like, a different interpretation. I will say I didn’t really like them making him related to their version of Orochi. I believe the snakes name was Xiangliu? I can’t remember, but I didn’t see the reason in that. 

If anything, keeping him a fox and having a version of Tamamo no Mae popping up to offer advice to help with the situation would’ve been nicer, and that’d keep more of Seimei’s backstory kept in tact-- because asides from him becoming an Onmyoji apprentice at a young age we literally do not know shit about him. And legit I wouldn’t necessarily mind bc it’s a movie, you’re not going to get everyone’s backstory within 2 hrs, but we can’t really get attached to him.

Yao Bikuni/Baini was. Hm. I like her as a character in the movie, but I don’t like where she’s placed as a character in the movie. She’s a Seer? in the game and tbh it should’ve stayed that way, like I honestly can’t see her willingly working for one clan. “But how would she--” In game she is also influenced by Seimei pretty heavily, as in the in game chapters she believed he would be able to kill her. Up until she got manipulated by Orochi, she stuck to his side. With the Stone plot in the movie, if it put him in danger she would be there in order to try and help him, OR, try and pull him to join Orochi if they went that route. And they KINDA tried to hint at it when Seimei “died” with Orochi using her image, but like. come on man. Let Yao be evil for a little bit.

That being said I didn’t like the Master & Shikigami bit with those two, or the implied romance they tried to pull with them. Canonically Seimei legit brushes her off and when shes like “ohhh you’ll kill me right” hes like “lol sure” and thats IT. Literally any form of romance that’s tried at Seimei he brushes it off. he’s not into it he’s an amnesiac.

The “Oh if you become my shikigami you won’t become evil” thing was :/ to me as well because again, canonically, even though Seimei is being taunted he can contain the Kitsune part pretty well even when he wasn’t aware he was kitsune. Like I think the part as a kid was a good bit to add since it’s when he’s first being exposed to Onmyoji type stuff, but like. idk idk I couldn’t vibe with that power dynamic while they were trying to hint romance.

Continuing on with Hiromasa/Yuan Boya and Kagura/Shenle, again considering this is a movie, I’m somewhat content with their characters.

I really liked how energetic this Kagura was, and given they weren’t able to do her actual backstory, I liked the one she was given. Her introduction in the movie was really great too-- and compared to Hiromasa I felt they gave her a little more attention? Which like fine, but not so good for Hiro.

They didn’t even. Discuss his archery skills at any point which was disappointing. The most plot relevance he (and honestly Kagura too) had was finding Seimei while trying to arrest him but that’s it. And yes they showed some of his skill while he was fighting Kamaitachi, but that’s the extent of it. AGAIN i’ll consider the fact this was a movie and they didn’t have enough time to fit EVERYTHING in, but since they gave Yao and Seimei so much attention you would think they’d be able to spare some for the other two protagonists in the game. 

Before I leave those two tho I’m still trying to figure out what the fuck happened in the end. Like did hiromasa get promoted in some form? was he given credit for what happened between the demon realm? Why did he separate from Kagura since they got close during the movie? I guess like bc work duties but still. I have no idea tho like i was sitting there not processing a single thing. Regardless I did like Hiro and Kags acting like siblings despite in this canon them not being related (at least it’s never clarified).

Ok so before I dive into the whole mess that is the Cimu/”Ibaraki” character, stuff on side characters.

While I didn’t like the outfits for Sakura(? Momo? Both of them?) or Chocho, I liked the roles that they held as sort of trainers for the rest of Seimeis shikigami. In fact I liked the whole courtyard ordeal in general. I have my own worldbuilding thing that has a similar theme so seeing it being used canonically was pretty nice. I do wish we could’ve seen more SSRs or even SRs though. Like, why couldn’t Aoandon be hanging out in the courtyard to give gossip to Hiro & Kagura? Yamakaze or Shishio hanging out in the forest, or like. bruh even Jikikaeru as the boss in the Showdown considering he runs that in game. 

I did like the fish man! I really did, but literally everything about him could’ve been Jikikaeru, I don’t think it’s that hard to make a frog man. 

Also as mentioned previously it would’ve been nice to see Tamamo make an appearance considering he makes random ones every now and then. The Mujou Brothers could’ve helped the shikigami when they were escaping Seimeis courtyard, Shiranui could’ve been an entertainer while they were traveling through the demon realm, HAKU??? couldve been one of Seimeis shiki?? literally anyone. They have all these misc characters in the background but barely any of them resemble in game characters.

GOD EVEN KOSODENOTE COULDVE BEEN THERE . . . . at the scene where Kagura was messing with jewelry and clothing . . . Koso couldve been the seller. Aobozu could’ve worked at the shrine . . . . I just. Man.

ANYWAYS . . . pulling from that and going into whatever the hell Cimu is. god.

So according to casting, Cimu is supposed to be Ibaraki. But the thing is. There’s only like. 3-4 Elements about Ibaraki that goes into him. Everything else is Shuten which i honestly find pretty funny?? Take away the homophobic jokes and combine the gay coded character into his love interest. Which I mean that’s better than making them brothers but at what cost.

anyways. Cimu previously being an onmyoji but turning evil -> shuten previously being a monk and turning evil. The design of the hand that Cimu uses as transportation -> SP Shutens design where he sits on two hands. Red hair -> shuten. The horns, eye color (minus scleras), arm getting chopped off, and his ambition to grow stronger are really the only parts of Ibaraki that’s in the character-- and even then you could say Shuten has a similar ambition of growing stronger. It’s just so scuffed. 

ALSO IT DOESN’T MAKE SENSE. literally it doesn’t make sense when you look at the characters.

Why couldn’t they just stick with Kuro Seimei considering the fact that this Ibaraki works with Ootengus and Yuki Onna/The Snow Queen? They could’ve given Seimei a twin brother to work off of this. But like if they really wanted to keep Ibaraki and Shuten, they could’ve made it that Shuten was being manipulated by Orochi and Ibaraki was serving him, because there’s a LOT of shit you could do just with Shuten by himself. Legit no reason to combine the two since they’re BOTH heavily marketed characters. 

Legit like, Shuten being controlled, given Ibaraki’s loyalty to Shuten he would most likely follow him no matter what, and even like. Have a form of Momiji to kind of help out-- probably at a heavy expense of Shuten doing something for her, but still. like i LOVED the snow queen, I loved this interpretation of yuki so I wouldn’t want to get rid of her, but they shouldve went with Seimei 2 instead of “ibaraki”. It’s just so much and it doesn’t make sense. 

Now orochi himself and how that was handled was like. Okay I guess. If anyone was being talked to through their head at the time it should’ve been Yao Bikuni considering she allies with him in canon at one point. but like whatever. I did think the end was neat where Seimei forced him into becoming his shikigami, like I liked that whole process. Otherwise all antagonists were pretty underwhelming.

I also was not fond of the ending where like Seimei just turns away at the broken bridge. Like does this mean the Demon realm is completely cut off now? just fix the bridge. Also does Seimei just fuck off?? I know theres a scene where he’s standing on the roof but. i dont know. 

Regardless the movie was great, I had fun watching it. When ibaraki came in I accidentally paused the movie a couple of times while spamming screenshots. Even tho hes like kinda ugly but that’s ok. There WERE some angles where he was hot as hell but otherwise they did his actor so dirty. The horns were just. God I won’t delve into that bc this post is long as hell BUT. BUT. THE MOVIE WAS GOOD. just not if ure into the lore for the game LMAO.

Ok that’s it for now bye

[sillyfudgemonkeys]

Persona Q2 Problems: Lore-Summoning Discrepancy

Ok, so this is something that’s been bothering me for a VERY long time, it was something that caught my attention back when they were just advertising the game (if anyone is wondering, it was how the cognition worked in this game…and that questioned snowballed to say the least into what this was), but I wanted to wait till the game came out to talk about it (took really long cause I wasn’t sure how to approach it, I mean this thing came up as about 7ish pages in GoogleDocs so like....yeah 8U lotta writing). 

Before I begin, yes I know there are different ways to summon persona. Yes they can coexist in the same series, that isn’t the issue. The issue is how P5 and onward’s lore has been handled. I also wanted to do a complete replay of Arena, Ultimax (esp this one cause it’s a bit funky with the DH and red fog), and PQ1 buuuuuuuuuuuuuut due to events (aka me working despite Corona happening), I didn’t get around to it yet. So consider this a “version 1″ post, with the possibility of there being a “revised version” later. I also won’t really touch on P1/2 much (I’ll bring them up a few times), not because they aren’t important, but because this mostly pertains to PQ2 and the games associated with it.... as well as my sparse knowledge on P1/2 (so I’m sorry in advance if I mess something up while talking about those two games ;w;). We also aren’t talking about P3D, P5D, Royal or Scramble (maybe I’ll include Royal/Scramble in the possible revised/add on/sequel post to this but not now….cause spoilers….and PQ2 came before those so I’d rather focus on what built up to it rather than what comes after).

Also yeah some of this will contain a theory (the theory parts is me trying to reconcile canon and it’s at the end of the post, the rest is me pointing at a hole in the canon/lore tho.... so no this isn’t a glorified theory post, I’ll point out when I’mma enter my minor theory). Anyway, under the cut cause length! 8U:

So first we’re gonna start off with a question. At one point my bf asked me “What dictates why the characters summon the way they do in their games?” To which I replied, after thinking about it for a decent minute, “Setting......maybe with some god interference but it’s usually cause they created that setting, so really it’s just the setting.” If we look at all the games, they all summon things a bit differently (P1/2 being the closest in similarity, with P4 being the closest to them among the newer titles), but what also is different in each game is the setting. 

P1 does a Jojo summon cause of a Parallel world, P2 does Jojo poses thanks to the rumors, P3 uses evokers (but otherwise they can just make it appear if they concentrate hard enough, or if you are a VR attendant then you use cards) thanks to the Dark Hour (DH), P4 uses cards (but like P3, can sometimes just summon without manifesting a card similar to P3’s evoker-less summons and P1/2 summons) thanks to the TV World (TVW), and P5 uses their masks thanks to the Metaverse. 

So next (2) question(s).....What would happen if you take one team and put them in another teams’ world? How would they summon their persona’s then? Well.....it depends on the setting, but spoiler for the rest of the post....they would either use cards/no cards (ala P4 style, from here on I’mma just say “card style” but keep in mind cards may or may not be utilized), or have a PT outfit/mask summon (aka P5 style). OR, if they are struggling and have an evoker on hand, then they’d use an evoker (but not if it’s in the Metaverse). So to use an evoker, they’d have to struggle with summoning in a P3ish type area (which keep in mind is similar to a P4 type area), and if they aren’t struggling then the default would be P4 type summoning (I mean they could still use the evoker if you want, but the card style is the default tbh). Oh yeah there’s a lot to unpack there. You see, P3/4 can exist together without issues, P5.....can’t.....with either of them…..At least not without certain rules being established in a setting, and then ALL THREE having to follow those rules. (Tbh it feels like the P5 era/PQ2 specifically, they seem to prioritize iconography over logic. Aka “Well P3 used evokers because they are P3!” rather than looking at the implications of the world they are utilizing and instead prioritizing something the audience will recognize rather than following the rules they have built.)

Ok so I know I just threw a ton of facts at you, so let’s backtrack and explain how I know these are facts by going through the games (cause I know you can’t just take my word for it)!

Now, how do P3/4 work well together? It’s simple.....the DH and TVW are similar (TVW is a more...”potent” DH and makes it easier to summon things), well similar in feel as Arena states:

Ok so they are similar in feel, and tbh the means of being able to summon a Persona is similar too! P3 kids don’t NEED evokers, it’s proven that characters can summon a Persona without a need of an evoker in both the DH and Real World (ex: Labby in Arena when escaping the lab, Mitsuru in The Answer flashback, Fuuka in Arena iirc, Takaya all the time in P3, Chidori when her Persona tried to kill her, and possibly Tatsuya/other P2 characters prior to the rumors going rampant during the P2 game), HOWEVER it’s very hard to do so. It usually requires intense concentration, or a rush of emotion or a life/death situation (which all examples fall under one or both). The evoker is designed to help facilitate this life/death feeling (*cough* tho it takes the shape of a gun cause Mitsuru thought it’d catch Akihiko’s attention*cough* I mean Koro doesn’t need it being a gun so the shape could be whatever they just chose a gun so they could seduce Akihiko 8U). But regardless, the evoker is a man made tool that helps one summon a Persona (aka creates an artificial focal point), but it’s not a natural focal point made by the user (ie, card, clutching your head/no card/possibly P1&P2 style, or P5′s mask), so really anyone can use an evoker. (one more side tangent since we’re on focal points, as for how P4 can have two different ways of summoning, ie card/no card, it could just be that the TVW allows different forms of a natural focal point to form, either via thinking of summoning the Persona, or having your mind form a physical card in front of you, so the setting of the TVW gives a choice to the user)

Now remember when I said that the TVW is a DH that’s easier to summon Personas? Or that if a user isn’t struggling then the default is the card/P4 style summoning and not the evoker? Well Arena showcases how easy it is to summon in the TVW:

So there we go, it’s easier to summon in the TVW than the DH. Can’t argue with that! The reason is probably because DH is a layer on top of the Real World, so it’s closer to reality, while the TVW is closer to the Collective Unconscious/aka CU (aka the TVW is an alternate world, rather than a camera filter like the DH is), so that could explain why it’s easier. 

So what have we established so far?:

DH and TVW are very similar, but TVW is probably more is closer to the CU than the DH (while the DH is closer to reality), which makes it easier to summon in the TVW. 

Evokers can be used by anyone because they are a man-made tool, but they aren’t natural ways of summoning like show cased in P1/2/4/5. 

P3 cast can summon Personas like P4 cast, and theoretically vice versa is probably possible if they ever gave the P4 cast evokers.

Now from Arena, we will go to PQ1, then Ultimax, then briefly on P4D before we get to P5. (I’m doing PQ1 before Ultimax because I’m doing the it in the order of the JPN release not the US release, and no I’m not counting the arcade Ultimax release 8U)

So let’s look at PQ1. Now from my memory....I don’t recall them really talking about the P3 cast specifically not being able to summon their personas without their evoker in the PQ1 world. Like they talk about their differences in summoning, but I don’t think the P3 kids tried to summon without their evokers. And the reason I bring this up, because we could probably say this is a discrepancy too, is because the P4 kids still use their card style, which means the PQ1 world is similar to the TV world, where it’s easier to summon via using the cards. And since the P3 kids can use the card style, in a setting that allows card styles…..that means they could summon the same way the P4 kids can in PQ1! But the P3 kids don’t have the same thought process as they did in Arena, where “oh we summoned our personas without our evokers! Only just thinking about it!” And like....that’s a red flag....BUT, as I said before, evokers and cards can exist at the same time. In Arena/ Ultimax the human P3 users (minus maaaybe Junpei) use their evokers when doing a finisher. So we could just chalk it up to them being used to it out of habit. It also helps that Arena was released not long before PQ1, so we know they can both exist at the same time thanks to prior knowledge. So like yeah there’s a tiny issue here, but nothing glaring or a very big deal, it’s just them avoiding addressing something rather than creating a contradiction. Maybe in a remake they’ll add a line saying “huh that’s weird, still gonna use my evoker cause we’re used to it.” XU And it’d be all good.

Now Ultimax is a little.....more concerning. Technically there’s a dark hour....but you can summon without your evoker (and also they call the Fake!Dark Hour F!DH taking place in the “real world”):

Now I can’t remember the rest of Ultimax to that specific of a detail, so I dunno if they 100% explain why/how the F!DH it’s easier to summon than the DH, but they really seemed to hint at the red fog in these early scenes (where I rewatched to get the screen grabs), with it having some influence and possibly being the culprit behind the anomaly (I’d say the same thing for the TVW, but Teddie says Shadows have been there since forever, and Izanami only found the TVW not created it, she did bring the fog, so it’s possible the fog isn’t what dictates summoning in the TVW just TVW as a place, but in Ultimax the combination of the red fog and the F!DH makes the setting more palpable like the TVW rather than the original DH. So yeah F!DH needs special fog to work, but TVW doesn’t really need for summoning to exist it seems). There’s also the fact...Kagutsuchi is also there and his power might also have something to do with this cause, remember at the beginning I said sometimes there’s a god messing with the place to make that setting viable for summoning Personas? Yeah that’s probably what’s going on. Red Fog+Special DH+Kagu’s influence=TVW levels of card/natural summoning. Not the cleanest, but hey they at least tried giving us a reason! I’m at least happy for that! ;w;

So after briefing on the small issues (or just plot questions with PQ1/Ultimax), now for P4D. P4D it’s possible to summon your persona like in the TVW, but you can’t fight. So you instead dance to defeat your enemies.... So the area is similar to the TVW, BUT it has special rules (implemented by the god, so yeah a little god influence on the setting, but still the setting nonetheless is what dictates the summoning). Yeah that’s it, but it just strengthens the setting dictates stuff. 

So again, to reiterate what we know:

If a place is like the TVW, then card summoning is the default. 

DH and TVW are similar, but DH is a….”less palpable” TVW (probably cause it’s farther from the CU), so while card summoning is possible, it’s better to use the tool/evoker to help you. 

The F!DH, PQ1 world, and Midnight Stage are all similar to the TVW so card summon is the default. 

Evokers can be used in card summon settings, but they aren’t needed. 

Anyone can use an evoker

So....let’s get to P5. P5 has the Metaverse, which has A LOT of distortion and cognition. I mean it’s possible that P1-4 have some cognition, but the Metavers is just…..there’s an abundance! Anyway, we know that P5 has outfits because it protects the user against the world (kinda like the TVW glasses, but unlike those, they aren’t a tool anyone can just.....use. Teddie makes the TVW glasses, PT outfits come with the summons). But they only get their cool outfit once they obtain their personas (either via fully or partially awakening their Persona, the persona has to at least be awakened). Thus the Persona is connected to the outfit, and the outfit is connected to the environment/setting. I should note that unlike the above screenshots, which are explicitly stated in the lore, this is implicitly stated instead. Something that isn’t outright said, but it’s backed up via consistency and repeating it (also this is the first consistent thing I found in P5! Yay! ;w;)

Anyway, it makes sense right? And without the need for an evoker (which...causes issues thanks to that world’s rules on guns), it seems that the natural way for summoning in a Metaverse-like setting, is a mask summon.

Ok. Now what’s the issue with PQ2?! 4-5ish pages in and still no answer I know. Well the answer is all three can’t exist at the same time. P5 can’t compliment either P3/4. Either P5/4 has to adapt to P3’s way of summoning, P5/3 have to adapt to P4′s way of summoning (aka everyone needs an evoker or everyone card summons), or P3/4 have to adapt to P5 (aka everyone gets an outfit and mask summons).  And here’s why:

We know P3/4 characters in a TVW like place can summon their personas like P4 kids. So it doesn’t matter what game you are from, if you are in the TVW you summon like the P4 kids. P5, if one has a persona in a Metaverse they should have an outfit, because P5 vanilla establishes that (again it’s implicit but nonetheless it’s established). So P3/4 kids should get an outfit if they were in the Metaverse because it’s the only logical thing that makes sense (aka this isn’t confirmed by Atlus, but by following the logic of their lore, the explicit content, and the implicit content, it leads to this conclusion). 

The issue is…. PQ2 tries to apply DH’s, TVW’s, and the Metaverse’ rules all at the same time.....that doesn’t work. While DH and TVW complement each other, TVW becomes the default if the two are combined. “But Silly you said that P3 cast can use Evokers in the TVW” Yes! But you see PQ2 doesn’t understand that....Because..... Minato couldn’t summon his Persona when he lost his evoker and had to rely on Aigis the entire time:

From what I can find, he’s never shown summoning his persona (even in a life/death situation, which is also odd in and of itself and a whole other issue) during this time. I don’t think it’s ever mentioned it’s because he’s tired, just because he lost his evoker. Except this shouldn’t be the case, because P4/5 can summon just fine WITHOUT an evoker, so an evokerless summon should be possible. And that’s the issue with PQ2 that PQ1 avoided, PQ1 didn’t call attention to this, while PQ2 made this a plot point and...well...made a really big plot hole (and a side plot hole with the whole life/death thing).

 Then there’s the DH and the Metaverse. Now Atlus was trying to fix the gun and evoker issue that well…..was created because of….(what is what got this post rolling) “Cognition.” Cause the Metaverse is like “If the gun looks real then it’s perceived as real! Even if it’s a fake gun.” And well….evokers are real guns who have been hollowed out (in english releases they changed it to fakes tho, but they are actually real guns). And well evokers and the Metaverse don’t mix well, and we’d have a lot of headless SEES. So Atlus tried to be like “Oh it just doesn’t work here!” But…….that reasoning doesn’t work, because the PT still have their outfits, and Mona is still in mascot form, which exists because of….you guessed it…”cognition”. And because of all that it leads to these questions:

Does this mean there’s a specific quantity of Cognition that needs to be met for there to be outfits but for fake guns not to work?

So how can there be enough cognition to dictate that they can have outfits but NOT guns?

How can Mona still be in his cognitive cat form at the lobby, but the rest of the team reverts back to their normal clothes despite both being connected to? He’s only ever in that form when the other teams are in their PT form (only time he isn’t is in PQ2’s lobby, and the early PVs of P5 which never appeared in the game)

Why doesn’t the P3/4 cast have PT outfits, despite the fact having a persona in a cognitive world indicates a PT outfit (at least implicitly via P5 vanilla)? 

Basically how is it that the P5 Kids are the only ones that seem to be affected by the Cinema’s World Cognition but no other groups are? Answer, there is no answer, it just doesn’t make any sense! And that’s just P3 and P5!

Now we have Metaverse vs the TV World. While they are both natural means of summoning, they can’t coexist at the same time. They are like night and day, they can’t exist at the same time in the same place. If there is that much cognition in the Cinema world, then everyone should get an outfit! Otherwise they’d just use cards! You have to choose one!

“But Silly! What if it’s how they obtained their personas? Like maybe the way P5 got theirs is why they are special?” And…...that’s the thing dear reader….that’s not the case. Because let me introduce my Smoking Futaba Cannon! You know what Futaba has in common with the P4 group? THE SAME KIND OF AWAKENING! Her awakening is different from EVERY OTHER P5 CHARACTER! Her awakening is the same as the P4 kids! She accepts her shadow, and gets her persona! But do you know two things are different between Futaba and the P4 kids? 1) The setting, and 2) She gets an outfit! :0 Oh dear, she gets an outfit….and…..the only thing different from the P4 kids is the setting? Wow it’s almost as if….the setting dictates how you summon a persona! :D So because Futaba, who’s awakening is a P4 awakening, gets an outfit. Then ALL P4 kids, who have a P4 awakening, now get an outfit when they are in the Metaverse! But wait! Remember how P3 was able to easily change to the P4 style of summoning? Well since P3 is similar to P4 in this sense, and P4 is similar to Futaba, who has a PT outfit…..then P3 would get an outfit as well! You get an outfit! You get an outfit! EVERY PERSONA USER GETS AN OUTFIT! 8D 

So what do we know now?

DH and TVW are similar, but if combined then the TVW rules overrule the DH rules

The DH seems to be closer to reality, while TVW and Metaverse seem to be closer to the UC which is why it’s easier to summon in the latter two.

The F!DH, PQ1 world, and Midnight Stage are all similar to the TVW so card summon is the default. 

TVW and Metaverse can’t coexist at the same time (one has to overrule the other)

Evokers most likely can’t work in the Metaverse the same way they can in DH or TVW. 

Evokers can be used in card summon settings (aka TVW) tho, but they aren’t needed. 

Anyone can use an evoker (or have Teddie glasses 8U)

Only Persona users (either fully awakened or partially) can obtain a Metaverse/PT outfit.

Awakening doesn’t define how you summon Persona, the setting does (see Futaba vs P5 and compared to P4).

Because of Futaba, P4 kids should get outfits in the Metaverse.

And because of Arena and how the P3 kids have the same summoning in the P4 setting, it goes to say they’d also get outfits in the Metaverse too.

If reverse engineer this, then that’d mean P5 kids would get cards in a TVW-type setting (or would have to use evokers in a DH type setting).

I spent way too much time on this

It all comes together! Nice and neat! Arena establishes that you get a card summon when you are in a setting like the TVW, and P5 establishes that Persona users get PT outfits in the Metaverse (with Futaba showcasing  it doesn’t matter how the awakening goes down you still get an outfit, which applies to P3/4). So, if the setting is like the Metaverse, they get outfits. If the setting ISN’T like the Metaverse, BUT INSTEAD, like the TV world, they do card summons. There the lore is nice and neat and clear cut!

…..EXCEPT! PQ2 …...just….makes no sense. ;w; It messes with all that is good and neat. ;w; And why? I don’t know! I can only think that, again, they chose the iconic looks of each game over the lore’s logic. Even if they were to say Enil made it so that the three types of settings could exist at the same time, it’s just…..too messy and wishy washy, and still doesn’t logically make sense (because of everything explained above). You can’t just mix water and oil! It’s just easier to choose a Metaverse or TVW type setting. 

Now how do we fix PQ2? This is something Atlus can fix in a re-release on like the Switch, and it shouldn’t be too bad depending on how they approach it. But before I get to that I’m going to explain a theory, this theory makes it easier to break down the different settings, and thus gives Atlus a nice binary choice.

My theory is that there’s a cognition spectrum in these settings. Real life has the lowest to non existing cognition, the P1/2/3/4/4U1/4U2/4D/Q1 are all on the “low cognition” side (there’s some but there’s not a lot) while the Metaverse is “high cognition” (aka there’s a lot). Like here’s a rough (aka not 100% accurate, it’s just a general idea) depiction of what I mean:

Again it’s just a general idea on where they fall in terms of high and low cognition. P5 is obvie a new entry with us now exploring high cognition, which can lead to maybe a couple cool things. Maybe different places on the high cognition spectrum give us different ways of summoning too (give me a sec for a side tangent to explore that concept). Here’s an example, we have one high cognition plane called the “Metaverse” and another one called “Uverworld.” In the Metaverse you get a PT outfit, and summon with a mask. In the Uverworld, instead you take on your Persona’s appearance, either Digimon Frontier style or Digital Devil Saga style. We could say the Uverworld has even more cognition/distortion than the Metaverse and that’s why it’s different. And if any persona user from P1-5 were to summon their persona in the Uverworld, they’d summon it the same way as the Uverworld Persona users. And the Uverworld Persona users would summon the same way as say P4/5 depending on if they were in the TV World or Metaverse. This is how we can keep the lore consistent.

Now how does this high and low cognition apply to PQ2, and how could it have fixed it (and still could if Atlus makes these changes in a remake/re-release)? Well basically….they’d have to choose between a TV World type setting or the Metaverse, and have all three teams adjust accordingly! And they can either do what I call low asset route or a high asset route (which coordinate with low and high cognition respectively). 

A low asset route, would’ve worked better for the original release on the 3DS (but I don’t recommend this for Switch re-release tho). It’d be that the PQ2 world operates like the TV World, everyone uses cards. That’d mean no one would get PT outfits (so less assets to make for the devs, and yes this includes P5 kids). Morgana, however, would have to remain in cat form (which shouldn’t be a problem, if we can give a dog a knife we can give a cat a knife 8U you can even have his character stats reflect something similar to Koromaru for the meta too!). P3 could still use their evokers if they want too! P5 the kids would probably crush the cards doing a similar pose they’d make if they had a mask, but tbh PQ doesn’t really show the characters in battle so we wouldn’t really need to worry that much. 

Or we could go with a high asset route (which I recommend for a re-release), in which there’s high cognition, aka the Cinema world is more like the Metaverse. Everyone would get an outfit, and cause it’s the metaverse you can introduce a gun mechanic into PQ2! It’d require more assets, making outfits for all the characters (tho keep in mind Mona should transform back into a cat and out of his outfit in the lobby like everyone else!) Which we’d probably really only see in cutscenes rather than battle. While this could complicate some scenes (such as Hamuko dressing up as a police officer-wait that scene already doesn’t make sense considering P5’s lore-no no stay on topic DX), the rewrites wouldn’t be as as if you took the low asset route (which would work if thought of from the beginning but….yeah). It’d just be a few convo lines, and like a scene or two. One big thing they could add is adding the gun mechanic (they can even add a fun convo with the P3 kids saying it’s hard getting used to the new summoning method). Fans would love to see outfits for P3/4 kids, lore would make sense, you could have funny conversations, new combat system. Def a thing people would love to see added into a re-release! Plus it gives it more of a P5 flair, and considering this has P5 as the main focal point it fits! You can even say that the 3DS ver is still canon, but it was an incorrect recollection of a character’s dream, which could explain the inconsistencies I have mentioned before. 

Oh and Minato/SEES can still carry their evokers in both scenarios, but Minato just gets tired from all the fighting and can’t summon his Persona anymore cause he ran out of mana. There that fixes that scene.

So there you go, PQ2 fixed (well summoning lore wise), Persona lore intact, and even a little guideline thrown in to help keep the lore intact! I know I didn’t go into how to rewrite every scene to adjust these changes….I could but not today. 

Anyway I dunno how else to end it but…...I hope PQ1/2 can be ported to the Switch (or another console as well?) soon! I just really want a dub of PQ2 ;w; orz

[rainymeadows]

I rewatched Eternal Diva and this time I took notes as I went through

Dive under the cut if you dare to experience my mad in-the-moment ramblings (warning for spoilers for pretty much the entire prequel trilogy)

-          Don Paolo’s voice sounds like what Papyrus’s voice probably should

-          Winter Layton is precious in that giant coat

-          Janice is so pretty omg an angel

-          Layton geeking out over the Detrogan is goddamn adorable

-          I love how everything is greyed out in Janice’s flashback

-          Suuuuuuuuper subtle indication that maybe “Janice” seeing how young this little girl was is what prompted her to find a way to put an end to this whole thing

-          Whether it’s a moped or the Laytonmobile, Emmy drives like crazy XD

-          Bitch you ain’t on Top Gear

-          God her big sister relationship with Luke is adorable tho

-          Aaaaaaaaaaaah Layton smiling at their banter dad’s so happy for his son

-          They did such a good job reusing the game’s music for this movie

-          The opera house looks so cool but so precarious – my first thought upon seeing it was “when is this thing going to sink”

-          I MEAN IT’S ON A CLIFF

-          Janice’s voice is so pretty TToTT

-          I like that they kept the Japanese vocals for her singing

-          SONG OF THE SEA-SHADOWING

-          I hate that Layton and Luke were the ONLY people to honestly applaud the performance. Everyone else is a DICK

-          First time I saw this dude, I thought “that’s a puppet, no ordinary person moves like that even in animation”

-          Once again, Layton putting a polite and gentlemanly spin on “fucked if I know, my dude”

-          Lol I love that even the people who didn’t applaud and thus apparently knew what they were in for weren’t down for dying

-          Fuking cowards

-          Layton is always DTF (down to fight)

-          GROSKY OF THE YARD

-          FUCK YES

-          This dude’s manliness is infectious

-          “Gee, I wonder who’s behind this-“ *Descole’s theme starts playing* “-oh well never mind”

-          Honestly who else but Descole would be this fucking extra tho

-          Gotta admit I love the twist of the opera house being a ship, I was totally expecting it to just go plunging into the ocean at a moment’s notice

-          Aaaaah the CG in this movie is really well done

-          Layton’s angry face is kinda ridiculous but I love it

-          I love that it’s pointed out like “where tf did all these sharks come from”

-          I prefer Cartoon Saloon’s Song of the Sea, but this one’s pretty too

-          Lol as if a MAN-EATING SHARK could keep down GROSKY OF THE YARD

-          I’m surprised he can see over the top of his chest hair

-          God, the detrogan is such a cool instrument and I really wish something like it existed irl

-          Ah, it’s only like fifteen sharks, Grosky will be fine

-          I love the air of mystery surrounding Oswald Whistler

-          Layton’s hat is made of 100% pure uncut husband material

-          AAAAAAAAAAAAAH I LOVE HOW PUZZLES ARE USED IN THIS MOVIE IT’S SO GOOOOOOOD

-          I’m so glad they didn’t scrap it entirely coz I mean they’re so integral not only to the Layton games, but Layton himself

-          This music box tune kinda gives me Gravity Falls vibes tbh

-          I think the backing melody sounds pretty identical to the tune’s intro

-          I love that this movie actually lets us see inside Layton’s head and his thought process, it’s so much better than just having him put everything together seemingly offscreen

-          Tbh any puzzle where “the night sky” is the solution is bound to be a good puzzle

-          I just fucking love the implied MASSACRES in this movie

-          God Luke is so goddamn precious

-          Pffft pumpkin dude is so subtly duplicitous

-          Okay I have ot pause for a bit to rant about layton’s design because it’s SO GOOD. Warm colours make him seem welcoming and kinda comfy and the simple facial features, while a bit Ditto-esque, do combine nicely with his overall shape to scream “friend”. Professor Layton is friend shaped. And of course there’s the popped collar to show that he’s cool, the high collared shirt gives a scholarly vibe, his shoes which I stg are plimsolls show a practical side and of course the quintessential top hat shows that he’s a Gentleman first and foremost. Add the amazing voice to that and BOI I DIE

-          Although I can’t help imagining that gif with the teddy bear slapping eyebrows onto its face to look angry whenever he gets mad

-          Luke is not friend shaped. Luke is son shaped.

-          Precious bab shaped

-          Wpw a sea captain I would never have guessed other than the “sailor” accent and the fact that you’re wearing a sailor’s uniform

-          Ugh I love these quiet moments where things can sink in and characters can just talk to each other, I really wish more movieswould do this

-          I love that even if you don’t have a literal look at his thought processes, you can still see Layton THINKINg

-          Agh Amelia is SO CUTe this series is so good at designing beautiful women and cute girls while also making them look DISTINCT

-          I like that they hinted at her intelligence by having her solve the puzzles by herself

-          One advantage a film has over the games is that the visual novel format kinda limits the dialogue, coz it’s hard to convey one charafter talking over another

-          I really like the side characters. They’re simple, yes, but they don’t really need to be complex

-          I will admit that the limits of Layton’s simple facial features means it can be hard to tell who/what he’s looking at sometimes…

-          “that man” asked me to write an opera, huh

-          WHY DOES NOBODY ASK WHO

-          Fuck descole’s theme is SO GOOD

-          WHERE DOES HE GET THE FUNDING FOR ALL OF THIS THOUGH

-          And Grosky boards the ship just in time for it to blow up XD I love this dude

-          I can only imagine his gigantic pecs act as a flotation device

-          Layton preventing Luke from looking at the exploding ship THIS MAN IS SUCH A DAD HE’S SO GOOD

-          I love this scene with Emmy investigating because these parent’s appearances are just enough to make it ambiguous whether they’re Nina or Amelia’s parents

-          Seeing them all wrapped up in blankets is kinda cute tbh

-          LET. THEM. SLEEP.

-          I wonder what Layton uses to keep his hat on?

-          Lol Emmy pushing a fossil aside to look at the map

-          I can only assume, given that they set off from the White Cliffs of Dover, that this island is SOMEWHERE off the coast of mainland Europe in about the same region as Spain

-          Ugh I LOVE Emmy’s uppercrust accent, the fact that she sounds like such a refined lady is such a fun contrast to her literal arse-kicking

-          Also this is totally BBC news lol

-          I love the detail of the historian’s scrapbook being kinda hodgepodge with bits falling out

-          And I love the Ambrosia Seal being super detailed but the subtle incorporation of a sheet music design

-          Gotta admit I totally thought this little banquet was poisoned on my first watch

-          Lol I love that pumpkin guy just KEEPS POURING THE WINE

-          Ugh that beach looks SO PRETTY, I want to go there

-          Janice is totally crushing on Layton, pass it on

-          D’awwwwww luke trying to befriend ‘melina’ is SO CUTE this boy must be protected at all costs

-          Layton how did you hear what she was humming from all the way over there

-          Why do so many anime characters have inexplicable super senses

-          Those wolves’ eyeliner is on point lol

-          “I’m not built for running” lol mood

-          FUCKING HELL DESCOLE WHO IS FUNDING ALL YOUR SHIT

-          HOW MUCH DISPOSABLE INCOME DO YOU FUCKING HAVE

-          Admittedly on my first watch I wasn’t as familiar with descole’s theme, but I saw that castle and I just thought “it’s descole, only he can be that extra”

-          The twist of using the cages for personal protection rather than to trap the walls is simple, but so clever

-          I love that Mr Whistler was one of those accidentally trapped outside. Keeps suspicion off

-          And I love Layton saying “well that solved PART of our problem”

-          YOU SHUT UP LADY THE PROFESSOR IS AMAZING

-          And then he trips and falls lol that’s what you get for wearing old man shoes

-          “Even a good gentleman needs to get some exercise!” pfft

-          Oh hey, they found the starter house that Descole was using while he was building that castle. I wonder what texture pack he’s using?

-          And here Layton puts MacGuyver to shame in the most Ghibli way possible

-          I’d love to see someone try to build this thing XD someone call the Mythbusters

-          Bjut I adore how even LAYTON isn’t sure how this fucking thing works

-          Fucking NERD

-          Yeah, these filmmakers were TOTALLY influenced by Ghibli

-          This is so Castle In The Sky, it hurts

-          “Hang on tight! NOT TO THE PILOT!” – best line in the movie

-          You can’t escape it, Layton. You is a dad

-          DID YOU GUYS NOT SEE LAYTON LAPUTA-ING HIS WAY IN

-          It’s great how all those puzzles seem like they could be ripped straight out of the Layton games, complete with outside-the-box bizarre thinking required to solve em

-          I’m so proud of Luke for solving it!!!!! Such a good boy

-          RUDE

-          Yeah, just stand in the middle of the suspiciously empty room, I’m sure nothing will go wrong

-          That’s what you get for shoving Layton aside, bitches

-          Lol I guess luke could just step through the bars if his head was a bit smaller

-          DESCOLE HOLY FUCK YOU ARE THE KING OF EXTRA

-          “humble scientist” GOOD GRIEF WHAT A LOAD OF SHIT YOU DRAMA QUEEN

-          I love that Emmy can FLY A PLANE

-          Holy shit grosky there are better ways to signal for help

-          And LESS GROSS WAYS TO DRY YOURSELF OFF IN A PLANE

-          Yeah, see, you lost your knickers

-          Ugh, god. I adore this scene with Layton in Melina’s room. It’s so quiet, the soft evening lighting… aaaaaaaaaaah so peaceful, but you can still feel the tension in the air, especially after Melina comes in

-          Oh my god, Layton plays like an angel *swoon*

-          The lack of background music in this scene is what makes it so perfect, the tension is so REAL

-          Lol I love the historian just standing there like ‘welp there they go’

-          NOOOOOOOOO LUKE DON’T CRY

-          BIG SIS IS HERE

-          Oh fuck yes

-          EMMY I LOVE YOU

-          God she and grosky are so fantastic XD

-          WHERE DID YOU LEARN TO FIGHT LIKE THAT EMMY

-          Somehow emmy gives me Michelle of the Resistance vibes

-          God, I kinda love it when you can tell Layton’s already put it all together and is just biding his time

-          AAAAAAAAAAH I love the subtle resemblance between Layton and what you can see of Descole’s face

-          In hindsight, that… stole? Is that what it is? The fur thing isprobably to hide his face shape because it most likely ups his resemblance to Layton

-          But he’s totally wearing black converse like the extra hipster nerd he is

-          God, I can’t even imagine the nightmare of having your memories overridden and personality suppressed

-          Aaaaaaaaaaaand here’s the summation. I love this part in pretty much every Layton thing

-          “Assisting you was the scientist, Jean Descole!” Descole: lol hi

-          LAYTON YOU ARE SUCH A DAD I LOVE YOU

-          Him being gentle with kids is so sweet

-          Also damn this backstory is a lot. I can’t imagine the pain of losing a loved one, but I’m not surprised a father would do anything he could to keep his daughter alive

-          “When did you realise I was involved” “ur an extra bitch who lives for drama, who else could it be”

-          That brief bit of Luke without his hat just makes him look even more BABY BOI MUST PROTECC

-          Okay real talk when did Janice get hold of the key

-          I’m guessing it was in the commotion when Mr Whistler grabbed Luke

-          SUCH A GOOD TWIST I LOVE IT

-          My heeeeeeaaaaaaaaaaaart goddammit

-          In hindsight, the hint of Janice wearing Melina’s pendant was really subtle and clever

-          GODDAMMIT DESCOLE CAN YOU STOP BEING EXTRA FOR LIKE TEN SECONDS

-          It’s kinda cool that he’s an archaeologist too though. It really does run in the family.

-          The way Descole and Whistler’s schemes intertwined was really cool

-          Yeah, it just wouldn’t be Descole if there wasn’t some over-the-top machinery

-          YESSSSSSSSSSSSSSS MAGIC MUSIC THIS IS MY SHIT

-          When escaping from a crumbling castle, do be sure to grab your boy.

-          AAAAAAAAAGH THE SCENERY IN THIS MOVIE IS SO FUCKING GOOD

-          Good lord, there it is. Descole just can’t function unless he has some ridiculous Humongous Mecha at his command

-          This thing looks especially monstrous and I love it

-          I don’t think I’ve seen ANY faults in this movie’s animation, jesus Christ

-          Descole, did you learn nothing from the attempted excavation of Troy? It’s very possible that your efforts to unearth Ambrosia will be what destroys it!

-          Aaaaaaaagh this flying scene is intense as FUCK

-          Layton and Luke are SUCH A GOOD TEAM

-          WHAT IS THIS MUSIC I LOVE IT

-          Luke you are SUCH A GOOD BOY

-          Sorry but you’ll never be mob tho

-          Mob is perfection

-          JESUS CHRIST DESCOLE ARE YOU TRYING TO KILL A CHILD

-          I was about to ask where that explosion came from but then I realised it was probably a petrol-powered chainsaw

-          Layton who told you that you could look this goddamn epic

-          But I love that he’s taking on the sword-armed Descole with a PIPE

-          That footwork tho

-          Layton must be an amazing dancer

-          So cool that he’s patiently explaining why Descole was wrong

-          Sun, stars and sea. I feel like that’s a Dothraki term of endearment meant for oceanfairing

-          MORE MAGIC MUSIC I AM BLESSED

-          AAAAAAAAAAAAAAAAAAAAAAAAAAH I LOVE THIS SO MUCH THIS IS THE FUCKING COOLEST

-          I’M SUCH A SLUT FOR MAGIC MUSIC GODDAMMIT AND THIS IS DOUBLE TEAMING ME WITH SINGING AND PIANO

-          I do enjoy that despite its emergence, Ambrosia is still partially submerged. Some movies would’ve had it rise from the sea completely

-          Lol at Descole losing his shit because SOMEONE ELSE found the answer

-          Yeah, bad idea attacking someone right on top of your humongous mecha’s control panel

-          “DESCOLE!” dude he’s fine you really think he’d die

-          I was going to ask why Emmy didn’t use her plane but she probably couldn’t get to it in time

-          Yeah, this is SO Ghibli. The gigantic industrialised machine self-destructing on the ruins of an ancient civilisation lost to nature

-          Noooooooooo don’t do this to me movie, nothing kills me like sad flashbacks

-          Ow my heart

-          This hurts

-          “I’m sorry, Father. I’ve only ever brought you grief and sadness, haven’t I” as someone who’s struggled with depression this is a whole-ass mood

-          NO THIS HURTS STOP IT

-          Also the lil detail of Whistler’s waistcoat being the same shade of purple as Melina/Janice’s dress

-          NOOO DON’T MAKE LUKE SAD

-          “I’m so glad all of you were my very last memory.” Damn that line hits hard

-          GIVE THE GIRL A HUG, LAYTON

-          I said a hug, not a hand on the shoulder, she needs a HUG

-          Seeing the destroyed detrogan really hammers it home, huh

-          It’s very kind of Grosky to let Whistler play one last time in memory of his daughter

-          When I got into the Layton series, I was no expecting to be hit so hard with the FEELS

-          “Do you know that a man is not dead while his name is still spoken?”

-          GNU Ambrosia, I guess

-          Ugh it’s so PRETTY tho

-          Fucking sparkles and shit

-          D’awwwww, I love the image of Luke patching up the wolves, he’s so sweet

-          Knowing the truth about Emmy and seeing her being so happy with Layton and Luke makes it really painful :’(

-          The world needs more of Layton with a big, happy smile

-          Awww, Author Lady and Pumpkin Dude kept in touch

-          GROSKY GOT HIS UNDIES BACK

-          Ugh seeing Layton and Luke peacefully listening to that music is SO CUTE and SOFT

[kosmicdream]

hey!!! i just read to the most recent update of ffak (my favorite webcomic ive ever read tbh) and i kinda wanna try making my own. did you have the whole story planned out before you started or is it an ongoing thing? also how did you make the website for it? thank you for making such a cool comic!

Thank you so much!! And let me try to figure out a way to answer this properly. My process is a bit complicated to explain because it is very organic. Its almost like I am never done writing it, because I am always letting it grow/stretch and explore as I think about ffak every day, and every night before sleeping I’ll try to brainstorm things I havent thought of. So spending that much mental energy on something, you never really get ‘done’ with writing a story. Even when i eventually finish ffak, im sure i will be still working on it (or things I would have wanted to do.)

However!! Before i started working on ffak, when it was just called HELP! i established many things narratively that I stuck to and have not changed about the story. So I think the process of this comic, in a simple way, could have been broken down like this in.. stages?

1) I laid down the basic framework of the world, such as the functions of king worms specifically, the aiguille family, helpers, several characters (some havent even appeared in the comic yet!), king leadman, as well as antony/rome’s narrative arc/dynamic. that way their character arc was already figured out before the comic started and I knew it would be the central ‘root’ of the story. I knew how i wanted Rome to be introduced, and how he would meet canary, not knowing the connection between canary and his brother. I had a rough idea, even from here, how their character arc would come to a point (and basically what sorts of things the story would likely eventually close on) I also knew the general setting was on moons and how the humans got there, and how advanced society was, and what the red lights “really" were and what they meant..i figured out what ‘vein’ was here.. ect.. many worldbuilding things!!!It might sound intimidating, but this process happened very quickly. I basically figured this out in the.. day? before i started working. I have had a lot of experience with roleplaying so i think that helps with me making quick decisions. I knew i had enough to work with that I didn’t feel intimidated to start actually drawing it out-- especially because i had the rome/antony thing already set down. 2) Then when I actually started to work, things started to develop very quickly. I knew basically all i needed to for Hekatons before i got to introduce knife (their origins, history, involvement in present day politics) and before ch6 i also wrote all of the “supporting cast” (at the time) which included dylan, fork/spoon/knife, paper/scissor/rock. So i ws able to write Thumb and Heel, and set up the overall dynamic of what the world was like in the present day. (also Spoon/Scissor’s connection.) Cash was actually written in the first batch of characters oops, but her design really became more detailed during this stage because of scissor. 3) then things got more complicated as i dug deeper into the past, and wanted to include crimson. So!! I fleshed out the origin and true history of this world. basically as soon as crimson appeared I had everything in place and felt comfortable enough to include crimson, who borrowed many things narratively from a character i roleplayed for years. Anyway, i figured out all of the deep past of the world and decided to draw it out since it was so interesting in ch 9/10. I think this was around in the 2nd chapter when i figured this out, but my memory is fuzzy. I know by the time i did the flash forward scene in ch2 i had decided many things and so all i had to do was get to them in the comic to cement it in. 4) I forget when exactly (maybe around in chapter 5 or 6) , but i decided to bring in a very old story i wrote in 2009 for good leadman’s origin story-- as i thought it would be cool to make good leadman the protagonist for this old comic i wanted to do, and that helped make the background for heel and thumb more “believable” to me because they were already symbolizing this old story i had written the entire thing of. Oh that’s something else to mention, because that world was part of a collection of stories- i was able to develop DMTIA that way because i already had this cast and just decided to merge the stories into the FFAK setting. I think when i did this, it pretty much was the final big thing to make me understand everything i needed to know about this world. All the story arcs felt pretty realized and I could see how the ending could go at this point.

I guess to summarize, is that i let things grow but also had things planned from the start and once i commit to an idea, it doesnt change. Even if it might appear somewhat frustrating to work with, i like to use them to make my next decision. sometimes that means i dont get to do all i want to do, but i still have a lot of flexibility in this setting like i wanted to have from the beginning.

Even now when i feel like pretty confident that I’ve explored every nook and cranny, I’ll decide to revisit a older storyline or facet of the world and strengthen or build on that. That’s why i ended up with so many fucking side characters because I’ll brainstorm for them for a day or two and suddenly have a lot of material i know wont even “technically” go into the story even though its there. (like, Spot for example was not meant to be so interesting, but i wrote a huge fucking story for him that obviously wont get really any attention.)

So.. its ongoing and it is also not ongoing and hasnt been for quite a long time now? (after two years of constant work it felt.. really complete and done in a lot of ways. we are now currently on year three, moving to year four!) I think the best thing to do is to keep in mind what kinds of methods for writing make you feel comfortable and is your natural brain-pace. I like working with an aspect of fluidity and room for growth and flexibility because i don’t like being boxed in or “outgrowing” my project too fast. So keeping that in mind, i designed ffak to be a comic where it could grow with me and change. that’s pretty much why i decided worms would be a great subject and theme to work with because they are characters that naturally, evolve and change based on what they eat and absorb. plus the themes in ffak just are so fun to work with i will never be bored of it. structuring a project with these things in mind for when i run into walls or feel unmotivated have kept me engaged. I think that is part of why i cannot let it go because I still feel really excited to write and contribute ideas to it.

However, Chapter 12 really feels like I’m settling back down to my original plans and taking my time and patience to communicating all the structured planning ive put into it. I’m not letting it grow the same way anymore because it doesnt need to. I feel comfortable with understanding its voice/style and pacing and im no longer recovering from the uhh.. shock of it existing? I promise that once you actually start making a comic, its a wholly different experience than just it being in your head. and it will sound, look, and feel different than what you thought it would be-- that in itself has influenced a lot of change in ffak because honestly at first i was not expecting to draw it so explicit. that was difficult to get used to but im happy to have embraced that aspect of my work.

So HMM.. I made a strong spine or foundational backbone in the beginning before i started, then fleshed it out as i was in the process of making it, and i always continue to leave room for it to grow. just not grow in EVERY aspect anymore. i also dont chop down branches, but i try to hone in on specific things to make them more clear. i think chopping stuff down and removing things is generally not the best to do because its easier to build up and work with what you have than make big retcons after youve already started or established. also the challenge of working with limitations makes you feel that needed bit of pressure to really commit to your work in the moment of making it and i feel like its helped make me more serious and confident about what i write about. I never feel lost on what to do because if I cover and figure out something, that��s how it is. I make it work regardless! 

everything is done with careful consciousness to the overall balance and product of the story, while also not suffocating it in a box of limitations of what it could be. i treat it like a living thing in my mind and heart and that means i work to have thoughtful conversations with it and myself about what its needs are, what my needs are, what i want to do with it and what it wants to be.. ect. its almost a spiritual thing really. i feel like its important to always reflect and engage with your art and art process to feel a stronger connection and purpose behind what you are deciding to do and what it means to you. i am probably repeating myself a little here but!!!!!! its worth saying!!!!!!!!! 

I also really think it adds to the interesting and fun “layers” to the story, as there has been different stages to its development and it brings in different feelings with each layer. But then the older or more ‘’foundational’’ ones pop in and they seem to give off a different atmosphere (antony and rome) vrs some of the newer additions (like jacket) who are more for shallow, fun decoration or an interesting potential to explore in the future. Like, Jacket is not a character that has a lot of foundational plot connected to him, but he’s an interesting development in terms of the potential of a worm and symbolizes that early-ffak-mindset of growth and experimentation. so i think it makes him a really unique and fun character because he embodies a lot of new and old aspects of ffak’s narrative and my journey with working on the comic.

I could go on and on, but I hope this sort of gives some insight to my process and how I write/work. because in a lot of ways, it isn’t linear. just like how my comic is! sometimes this makes ffak very disorienting for people to read, but if you keep in mind that ffak is very organic and personally tailored to my mannerisms  and with that in mind, it makes a lot more sense why it is how it is and the patterns in it become much more apparent. Anyway! thank you for reading and good luck working on your own stories! it can be challenging but i think it is absolutely worth the effort. 

Also i did not make the website, my good friend Tegan did. :3 i do not know anything about websites.

[dachi-chan25]

IT (1986)

What is it about? The Losers Club, a group of 7 kids that in different ways are outsiders among the other children in the little town of Derry must come back 27 years after defeating their worst fears embodied in a evil alien entity that has preyed on this small Maine town and its recidents since the dawn of time. Thoughts: - I have read this book a gazillion times and it’s my favorite Stephen King book of all time (though that may change once I finish this challenge, but only time will tell) everytime I read through its pages is like reuniting with an old dear friend, because most of the characters (read: the Losers Club) are just that for me, I read this book for the first time when I was 15 after growing up with the 90’s miniseries, and I loved it, that feeling hasn’t changed with the years and well I want to elaborate a bit on what I love about this book. - Derry’s history: One of the reasons this book is so damn big is that it delves on the history of this little town called Derry, of course this is to help the reader understand just for how long and how big is IT’s influence on the town, but I just found it so fascinating, I’ve always loved history, and this book just reaaaally fullfiled my needs in that aspect, the town’s history is full of gruesome events but it’s very intresting and through all the same. -Loser’s Club: I love this kids, we are introduced to them little by little through different POV’s and god, I just really like the diversity and complexity in them: a kid with a stutter, an asthmatic that is really a kid heavily manipulated by his overprotective mother, an overweight, a jewish with OCD, a girl victim of physical/emotional parental abuse, the class clown that most likely has ADHD, the only black boy in town… And what I love the most is that they are NOT defined by that, sure,that is how the world sees them but they are so much more than that and together they find their true identities: Stuttering Bill be comes the Leader, Asthmatic Eddie becomes the Compass, Fat Ben becomes the Constructor, Jewish Stan becomes the Logic, Poor Beverly becomes the Shooter, Trashmouth Richie becomes the Weapon (his voces physically hurt IT), Black Mike becomes the Historian. As well as the belonging and friendship they had never had before, their relationship is strong and beautiful, as a reader you will most often find some of yourself in them and even if you don’t you love them all the same for their flaws and virtues. -IT: I read somewhere that a story is only as great as its villian and in IT’s case that I think is only fitting, thus my love for is evil entity, because IT is really a big represantation of violence not necessarily(The Bradley Gang Shooting was afterall motivated by the Derry townsfolk rightgeousness) but mostly evil, IT transforms into awfull gruesome monsters yet his most terrifying act is the influence it helds on the people inhabiting Derry, on taking the violent nature of some people (Derry’s White Decency League, Eddie Corcoran stepfather’s, Alvin Marsh, Butch and Henry Bowers…) and exploit it for its own gain, IT is scary for it’s power, for the fact that one can really comprehend it’s magitude, and when we finally get to get inside it’s head we find something more akin to a beast, hungry and vengeful, he had turned lazy because he already had in Derry a comfortable feeding place and now wants to kill the Loser’s Club because for the first time in its long existance IT feels fear! and how wonderful is that? a group of scared isolated kids find strenght in each other to rid their Town and follow kids of this entity, even if they are afraid themselves, and they succeed in frightening a creature that literally feeds of fear. -The portrayal of the timelines and gruesome subjects: The 1950 are not usted only for aesthetics or praised as the “good old times” King shows a very gritty reality showcasing the racism (very prominent in Mike’s storyline), sexism, homophobia, domestic violence, anti-semitism,and it goes further yet showing that 27 years later these things haven’t changed and IT uses them for it’s benefit. The book doesn’t shy away from any of these things and often it is very hard to read through them but as well I think is important to read them to gain concience,they are not presented as good or romantiziced in any from or way, nor should they ever be (dude the anti-semitism in Patricia Uris’s POV is something that will open your eyes in many ways if you are not jewish, and the Black Spot story will horrify you but also help you understand it was not only the South of USA and the KKK that spread hate and horror for PoC people) this things are meant to horrify you thus I feel it would be a disservice not to read them (though I can understand if anyone simply can’t). -The bittersweet ending: Really heart breaking that after reuniting with the people they could really be themselves with the Loser’s Club are meant to not remember each other ( SPOILERS AHEAD DO NOT READ IF YOU DON’T WANNA SPOIL PART OF THE ENDING OF THE BOOK: as a side note and I do not mean this as hate to the ship or anything but a real doubt I have can anyone explain to me why is everyone saying/asuming Ben and Beverly did end up together?, I mean going by the 90’s miniseries sure, but in the book Mike only says she is going to Nebraska with Ben and then back to Chicago with Kay and that he thinks they are/will be having sex, but also later we find that even if they are in the same Town Mike and Bill have begun to forget each other and it’s heavily implied the same will happen with them all? and that is a very Stephen King thing to do I mean most of the book couples I’ve read from him have similar bittersweet endings so… Pls someone explain) I just always about cry about the End and you know the THING that happens with two of the losers. But also I am a ho for this kind of bittersweet stuff so of course I love it. -Richie and Beverly’s friendship: Listen I LIVE for them, of course I just about adore every Loser’s friendship (Bill/Eddie, Richie/Stan, Richie/Eddie, Richie/Bill, Mike/Ben, Stan/Bev duuuude everyone is amazing) but this two just about make me crazy about them, tbh I kinda lowkey ship them in a platonic kinda way, and I was endlessly frustrated by the lack of scenes between them in the 90’s miniseries after I read the book cuz booooy, the yo-yo scene is so goddamned amazing, Richie being the first POV in which Bev is mentioned and he reminds her through the lyric of a song, his Humphrey Bogart voice he does when speaking with her, how much he respects her, also Miss Sca'lett!!!, not to mention that sweet ass scene they have in the book “22/11/63” where Bev is teaching Richie how to swing for a school talent show, ahhhh Imma stop right there cuz I am fangirling waaaay to much and probably y'all think I am wierd for liking such an unpopular thing. -There is just one thing I always felt was completely unecessary to add and was gross to read (you already know what I am talking about and if not I’m not gonna spoil you/gross you out), I have read of course why SK did it but I still think he should have looked for another way to make the Losers enter adulthood : / Movie/TV Adaptations: There are 2: The ABC’s 1990 miniseries “IT” and the 2017 movie by Andy Muschietti “IT (chapter 1)” of course it has been already confirmed there is going to be another movie for the Second part but I will not to go too much into it now. 1990: The opinions on this one are very polarized, some love it with a passion, some hate it… I actually love it, and by that I do not mean is a perfect adaptation, but it was such an integral part of my childhood and family life that it would be impossible for me to hate it, and I feel most people are terribly unfair with it, because it is not a Bad adaptation like let’s say Kubrick’s Shining (yaa I’m going there) it had a lot of limitations in budget and technology and still managed to capture some of the best parts of the book (the Loser’s friendship mainly, it was beautiful) of course it wasn’t gorey or violent but in it’s time it was scary as hell, which beings me to Tim Curry’s performance as Pennywise that became so iconic people automatically recognize the clown’s design, for fuck’s sake Pennywise became one of the most iconic monsters of that time and terrorized an entire generation of kids and adults alike, of course it has it’s faults (the adult’s part wasn’t great, tho the scene with Bev in Mrs. Kersh house was great, and the ending was bound to be confusing af to people that didn’t read the book) but overall it was a good atempt and it already has a place in pop culture and the hearts of many horror fans. 2017: Oh boy I was really looking forward to this one since they anounced it was going to be a thing (ahhh remember the time Will Poulter and Cary Fukunaga were our only hope?) and just had the chance to see it today, because a lot of awful things happened in my country (I am mexican btw) and yeah, so I left the theater with a very pleasant sensation IT 2017 is a great movie and I LOVED it, the acting was GREAT everyone did amazing, Georgie’s death scene was simply amazing and so sad, the projector scene was wow, lots of winks to book readers like the turtle and Eddie Corcoran’s missing pamphlet, Bev’s bathroom scene, the rock fight!!!,Eddie changing Loser to Lover is iconic, some of Richie’s one-liners were amazing, Pennywise dance pfffftt, Ben was adorable with his crush and love of New Kids on the Block, the Losers,“they’re Gazebos they’re bullshit!” iconic, mainly I feel it captured the general feeling of the book however that does not mean I didn’t had some issues with it as well, first thing that bothered me a LOT is the treatment to Mike Hanlon, excuse the fuck out of me but no, they took his thing (history of Derry) and gave it to Ben (also Ben not constructing things like ??? Could have been a perfect chance to have him build lego stuff but k) where is my beautiful spring loving child?? I just couldn’t find any single trait on his character apart from the wierd sheep thing and his parents, which takes me to another issue why is every adult on Derry so shitty? Like yeah there was a lot of shady awful stuff in the book but there were also ok people namely Mrs. Starret (the librarian, that is so unnecesarily creppy? Wierd? In the movie), Richie’s parents (his dad is hillarious), Mike’s parents they are the best tbh, Mr Keene (ok this one is a sarcastic asshole but he did try to help Eddie instead of letting him keep on believing he was sick to keep selling stuff, and also was never a wierd pervert), Mr. Nell (dude I would have killed to hear Richie doing the Irish Cop voice), the Tracker Brothers (boy Eddie looking longingly at the baseball diamond would have been 10/10, my boy loved sports)… thing is the Losers did love Derry and some parts of their childhood in it and that’s were the nostalgia hits on part two, Stan well I loved they delved more onto his jewishness (a thing not much touched in the book because Stan’s family is not very strictly religious) but was very side lined as well ( in my opinion that part about Richie being scared shitless and Bill punches him would have fit Stan better, also almost all of the Losers got closure (Bev rebelled against her father, Ben kissed Beverly and she got to find out he was the one who wrote the haiku, Bill got to talk with Georgie kind of?, Mike stepped up against Henry, Eddie confronted his mother,Richie let go of his fear to kill the fucking clown…) yet Stan doesn’t I just think it would have been nice to have him iniciate the pact as he did on the book and also his bird book????, the slut shaming and over sexualization of Beverly (I won’t even go into how much it broke my heart to see/hear Richie saying all that stuff about her like no, he respected her a lot thx) just why change the white trash problem to a slut shaming thing???(also while his dad did not beat her in this movie he was so much more GROSS than in the 90’s) I am however not bothered by the ‘Kiss of Life’ trope nor do I think she was reduced to a damsel in distress if anything she was the bravest of them all, also some things not really bothered me but made me wonder what will happen in Chapter 2 namely wft is gonna happen with Henry is he alive?? Same for Bev’s dad what happened there? Is he alive? Is he dead? Though of course we will get answers in chapter 2 I was just like wow how is this gonna pan out. Basically an amazing movie I was not disappointed at all and I would love to watch it again but as an adaptation I think I would still love to see a longish miniseries covering more of Derry’s history and the kid’s personalities/misadventures (of course I do not want THAT scene to be in any adaptation ever) but generally covering more book stuff. but hey all this is just my humble opinion and I admit I adore the book, though I am not closed off to changes just those things kinda made me go hmmmmmm…. Quotes: Stan: “Every- thing’s a lot tougher when it’s for real. That’s when you choke. When it’s for real.” “He wanted to tell them that those dead boys who had lurched and shambled their way down the spiral staircase had done something worse than frighten him: they had offended him.” Bill: “If fiction and politics ever really do become interchangeable, I’m going to kill myself, because I won’t know what else to do. You see, politics always change. Stories never do” “Silver flew and Stuttering Bill Denbrough flew with him; their gantry-like shadow fled behind them. They raced down Up-Mile Hill together; the playing cards roared. Bill’s feet found the pedals again and he began to pump, wanting to go even faster, wanting to reach some hypothetical speed — not of sound but of memory — and crash through the pain barrier.” Richie:“Now he had to go back to being himself, and that was hard — it got harder to do that every year. It was easier to be brave when you were someone else.” “He knew a great deal of the Bible already, and he knew the Bible believed in all sorts of weird stuff. According to the Bible, God Himself was at least one-third Ghost, and that was just the beginning. You could tell the Bible believed in demons, because Jesus threw a bunch of them out of this guy. Real chuckalicious ones, too. When Jesus asked the guy who had them what his name was, the demons answered and told Him to go join the Foreign Legion. Or something like that” (#make chuckalicious happen 2k17) Ben: “Maybe that’s why God made us kids first and built us close to the ground, because He knows you got to fall down a lot and bleed a lot before you learn that one simple lesson. You pay for what you get, you own what you pay for … and sooner or later whatever you own comes back home to you.” “A child blind from birth doesn’t even know he’s blind until someone tells him. Even then he has only the most academic idea of what blindness is; only the formerly sighted have a real grip on the thing. Ben Hanscom had no sense of being lonely because he had never been anything but. If the condition had been new, or more localized, he might have understood, but loneliness both encompassed his life and overreached it. It simply was.” Eddie: “Sometimes home is where the heart is, Eddie thought randomly, I believe that. Old Bobby Frost said home’s the place where, when you go there they have to take you in. Unfortunately, it’s also the place where, once you’re in there, they don’t ever want to let you out.” “Maybe, he thought, there aren’t any such things as good friends or bad friends - maybe there are just friends, people who stand by you when you’re hurt and who help you feel not so lonely. Maybe they’re always worth being scared for, and hoping for, and living for. Maybe worth dying for too, if that’s what has to be. No good friends. No bad friends. Only people you want, need to be with; people who build their houses in your heart.” Mike: “Haunted, haunting, haunt.Often visited by ghosts or spirits, as in the pipes under the sink; to appear or recur often, as every twenty-five, twenty-six, or twenty-seven years; a feeding place for animals, as in the cases of George Denbrough, Adrian Mellon, Betty Ripsom, the Albrecht girl, the Johnson boy.A feeding place for animals. Yes, that’s the one that haunts me.” “But Mike enjoyed most of the places in Derry his father sent or took him to, and by the time Mike was ten Will had succeeded in conveying his own interest in the layers of Derry’s history to his son. Sometimes, as when he had been trailing his fingers over the slightly pebbled surface of the stand in which the Memorial Park birdbath was set, or when he had squatted down to look more closely at the trolley tracks which grooved Mont Street in the Old Cape, he would be struck by a profound sense of time … time as something real, as something that had unseen weight” Bev: “oh shapes of men, sometimes seen as day closed down, sometimes seen across Watertower Square in the noonlight of a clear windy autumn day, shapes of men, rules of men, desires of men: or Tom, so like her father when he took off his shirt and stood slightly slumped in front of the bathroom mirror to shave. Shapes of men.” ‘Is it because I’m a girl?’[…] she exploded.‘Well, fuck you!’ She whirled around to look at the others, and they flinched from her gaze,so hot it was nearly radioactive. 'Fuck all of you if you think the same thing!’ She turned back to Bill and began to talk fast, rapping him with words. 'This is something more than some diddlyshit kid’s game like tag or guns or hide-and-go-seek, and you know it, Bill. We’re supposed to do this. That’s part of it. And you’re not going to cut me out just because I’m a girl.“ Adding this one cuz I love how stupidly cute it is and cuz that Richie is such a charmer XD (wot-wot?) ”[…]'Oh dear, am I being asked out on a date?’ For a moment Richie was uncharacteristically flustered. He actually felt a blush rising in his cheeks. He had made the offer in a perfectly natural way, just as he had made it to Ben … except hadn’t he said something to Ben about owesies? Yes. But he hadn’t said anything about owesies to Beverly. Richie suddenly felt a bit weird. He had dropped his eyes, retreating from her amused glance, and realized now that her skirt had ridden up a bit when she shifted forward to drop the ice-cream cone in the litter barrel, and he could see her knees. He raised his eyes but that was no help; now he was looking at the beginning swells of her bosoms. Richie, as he usually did in such moments of confusion, took refuge in absurdity. 'Yes! A date!’ he screamed, throwing himself on his knees before her and holding his clasped hands up. 'Please come! Please come! I shall ruddy kill meself if you say no, ay-wot? Wot-wot?’ 'Oh, Richie, you’re such a fuzzbrain,’ she said, giggling again … but weren’t her cheeks also a trifle flushed? If so, it made her look prettier than ever. 'Get up before you get arrested.’“

Next Book: “The Eyes of the Dragon”