#w/ how expensive a handmade crocheted piece would be
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i know this is very insignificant in comparison to bigger issues, but i lost my favorite cardigan today, & it was one of my favorite clothes in general...It does linger. It does suck
#i got it in a thrift store and absolutely nothing compares. nothing compares to how good it was. not even close#i didnt get to check every place i was in today so ill go tommorow. maybe it'll be somewhere. i really hope...i really do...#but nothing ive ever lost in this city that didnt have my data on it was found. despite lost&found places and some facebook groups existing#which makes me feel very pessimistic but god i hope im wrong.#the only way i could get even close to replacing it would be via ordering a custom one. which. i mean come on.#i *would* be willing to put more money than reasonable into it but i *still* have my limits and theyd probably be crossed#w/ how expensive a handmade crocheted piece would be
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Ahhhh, your self bound books just look really beautiful? All the color choices and the layout just look soooo good together. And that's such a beautiful gift? I have not read primium non nocere, as I haven't watched Charité but if it is worthy of such a tribute I am definitely giving it a shot anyway. I'd also be really interested of your creative process and choices with the binding, if you're willing to talk about that
hi omg! thank you so much <3<3 Primum Non Nocere is a very good story, and I'd say even if you haven't seen the show, give it a shot anyway, if you're interested? I mean, by all means, try the show as well, season 2 is on Netflix w english subs afaik and it's also really, really good (not perfect, but leagues better than the stuff this country usually makes abt the nazi regime). It's a retelling of canon events from a character's perspective who isn't a focal character in the show - there's probably one or two points at which it skips canon events or may seem a little jumpy, but overall, it's more of a companion piece to canon than a classic fanfic. It's very well researched and detailed; it expands on canon in beautiful ways and honestly, fits with it seamlessly; it might as well be an official novelization (although its focuses are a little different than the og)
as for the bookbinding, I'm really flattered you're interested in my process! I'm still very much a beginner, but I'm slowly figuring out something that works for me.
Also, I don't really know what information you're looking for, so I'm just gonna share some things that come to mind. This isn't really a step-by-step how-to but if you're interested in that, I can try to take some pictures next time I make a book and make a better reference post.
Typesetting
I typeset in OpenOffice because that's my office suite of choice & I'm old; I have never used google docs and I don't plan on starting. I download the fic in html, and then just copy/paste the text chapter by chapter; that's easiest for me. As for fonts, I wanted it to look vintage but I definitely didn't want it to have Nazi aesthetics. I went with Baskerville for the main text (which is such a beautiful font, it might become my go-to) (Garamond is what is most commonly used in books I think, but it almost looks too professional for me. I love that Baskerville has this very distinct, vintage feel to it.) and an Art Deco font for the title and chapter headings. Overall I think it looks more 1920's which, considering that the Nazis really hated the Weimar republic, seems fitting. I'm happy with how it turned out and I hope the author is, too :) As for the rest, it's set in 16pt, 120% line spacing and the margins could be a little larger, tbh, but it works and I'm a little stingy with the paper XD
OpenOffice also lets you draw simple graphics directly onto the document which is what I did for the title page and the little ornaments at the beginning of the chapters.
To make signatures, I use Quantum Elephant Bookbinder. It does what it's supposed to, the only thing that doesn't quite work is the flyleaf option, but I can just add that in the og pdf.
Book construction
I print on copying paper, 80gsqm. It's recycling, 55CIE which is really quite grey; I like it, because white is uncomfortable for me to look at. As for grain, I cut my sheets from A3. The grain is also wrong there, so I ended up wasting half the paper. Whatever; I think it's worth it. Having the grain in the right direction (parallel to the spine) makes it feel so much more like an actual book and not just a stack of copying paper stapled together. I honestly believe it's more important than having fancy paper.
After folding, I do not use a model and an ale for punching holes; instead I put all the signatures together in my makeshift press (2 old cutting boards and 2 bar clamps), I draw some guidelines and then I use a fine saw to cut them all at once.
I sew the signatures on tapes for stability; it makes keeping consistent tension easier. I use linen bookbinder's thread (worth it) and cotton tapes from the craft store (they do their job, and linen sewing tapes are hard to source & expensive). I do not have a sewing frame; but what I do is, I tape the tapes to the underside of my cutting mat, place the signature on top (fold aligned with the edge of the mat) and use a weight to keep it in place. It works okay.
After sewing, I round the spine with this method, which works surprisingly well. I do not trim the edges (I know myself well enough to know that it would not end well) & instead tap the short sides & spine to the table to align the signatures as perfectly as possible.
The rest is done as in pretty much any other tutorial. No backing, because I don't have equipment for that. I like to sand down the edges of the cover boards a little, so they're a bit rounded; I think it makes for nicer haptics.
Decorations
I like to make as much of the book myself as possible. There's several reasons for that; first of all, fancy handmarbled or printed paper, headbands, bookmarks etc are expensive. Second, I have a crafting addiction & what's the point of projects like this when you buy everything you could make yourself, right? But thirdly (most importantly) it's simply that my book blocks look pretty shitty (that's, untrimmed and uneven). But that's okay; you gotta embrace the "amateurishly handmade" look & just have to amateurishly handmake everything. Adding just one or two perfect, machine-produced details looks kinda jarring.
Paper decoration - mix water soluble paint and wallpaper paste and go wild (videos are in German, sorry, idk if this is a thing that's really done in the anglophone world? But I think they're pretty easy to follow even if you don't understand the instructions). I like to use this for covers, mainly, I'm also experimenting with decorating endpapers this way. The paste makes the paper really rough and horrible to the touch; as the very last step, I wax the cover (with a beeswax-based furniture polish. Floor wax works as well, it just doesn't smell very nice). Be careful not to get any on the bookcloth, it will cause stains & ruin everything at the last second.
Headbands - I found this tutorial very helpful.
Bookmarks - this gave me so much trouble. Most amateur bookbinders seem to use cotton, polyester or satin ribbons, which is fine, I guess. I don't particularly like either option. At first I thought I could weave my own; that didn't work out, because weaving tiny bands is harder than it looks (& also the resulting ribbon was much too stiff). But! Bookmarks in professionally made books aren't woven at all; they're braided. Seven-stranded braids work pretty well (tutorial is for 5 strands, but 7 strands work the same). As for the headbands, embroidery floss is best imho (silk would, of course, be traditional but come on). Mercerised cotton crochet thread works as well but isn't quite as nice.
this turned out way too long lol. Sorry. Hopefully the answer you were looking for is in there somewhere. Again, thank you and have a lovely evening!
#also feel free to ask if theres anything more youd like to know#<3#hoard of fanfiction#anonymaus#message
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