#w a c k and rip the songwriter
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man if humans turned out to be decended from dragons in genshin that would be a True Chinese Story Moment
#listening to 'decendents of the dragon' a chinese patriotic??? song#actually wait i looked up the wikipedia articl for it and oH MY GOD it was written originally as anti-People's Republic of China#but then got opted by mainland china as a call for unification#for the taiwanese songwriter to go “you have totally misread my intentions”#and said songwriter was later expelled in china for being pro-tianmensquare protest but song continued to be used for PRC patriotism#w a c k and rip the songwriter#also 'dragon as symbol of imperial rule' i am a metronom flipping back and forth between#'is liyue archon story pro-cpp or is the pro-cpp part dialed up for government approval reasons'#and back on the 'archon story is pro-cpp' side again wait i said i was done rambling about this didn't i#genshin talk
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heart eyes. | seo changbin
this gif is perfect!!
pairing ↠ changbin x gender neutral!reader
genre ↠ just fluff!!
wc ↠ 1533
summary ↠ chan is a terrible wingman.
warnings ↠ a biiit of swearing. like one word.
hi, i saw that your requests are open and i just found your blog but i love your writing so much already! i was wondering if i could have a scenario with changbin? where you are bff w/ chan and are 4 years older than changbin and also a few inches taller than him but have a crush on him. you don't do anything about your crush but chan knows about it and wants you two to get together. you can decide how you want it to end! thank you!
a/n ↠ thank you so much!!! + im sorry i know you said scenario but this is gonna be a bulleted scenario bc paragraphs take long for me and i dont want you waiting forever for this rip
hope you like it anyways tho!!!!
okay so!!
you’re a songwriter at jyp and you’ve worked with a lot of different groups in there, getting to know the trainees and debuted groups
when you’re not working with debuted groups, you’re helping out some of the trainees
some of them have told you how much they look up to you since you’re young but you’ve gotten so far in life, writing lyrics and melodies for one of the top 3
and they’re always asking you for tips and ideas and if you can read over some of the lyrics theyve written
and theyre always asking for your opinion on whether the melody goes with the lyrics theyve written
and you love how inspired and determind they are bc it’s hard being a trainee, going to school AND writing lyrics/ composing on the side
mad respect to all those out there
you’ve worked with a lot of trainees, but when jyp himself asked you to work w a kiddo named chan you were really excited!!!
ok hes not really a kiddo, he was a year younger than yourself but!! who cares!!!
you two hit it off really quickly, being vvv good friends in a short amount of time
some other trainees had suggested you listen to some soundcloud group 3racha and you really liked them!!!
and now!! you’re working with one of them!!!
jyp knew that chan was rly good at song writing and composing, and it was getting closer to the survival show time, so he asked you to help chan out
guiding him on how to write a Hit Song
so you worked closely with him before the show had started airing, running through the tips you had learnt through your years of writing
and you ran through different concepts and ideas he wanted to express through his music and songs
after a month of constant-coffee-meet-ups and late night freestyles you two had gotten vv close
practically inseparable, even tho you both were v busy, you w composing and him with his group
there rly was never a dull moment between you two and you rly liked having a proper friend that you could trust and vent to if need be
the day he introduced you to his group was wild!!!
he invited you out to a restaurant after the hellevator mv dropped
when you got there, he was standing at the entrance and he was like “:00 you came!!! took you long enough!!”
“i wasnt gonna miss out on free food now was i??”
he took you inside, saying he’d already gotten the table
and when you got there youre like
“,,,, why are there a bunch of boys at our table ://”
“theyre my group members!!!!”
:000!!!
they were quiet at first but when chan introduced you they all burst into cheers
it was just chaos like “hi!!!!!!!” / “hellooooooo!!!” / “omg!!!!!” / “thank you for helping w the mv!!!!” / “wow we finally get to see yn!!!!!!”
and youre just like ,,,,, what do i even reply to,,
so you say hi etc, introduce yourself and then take a seat next to chan
even tho you had known chan for a long time, you rly had only worked w him
like, he would always come to your office to work on stuff or you’d meet in public places, but it was only ever the two of you
so you were happy you finally got to meet the others!!
it was rly fun meeting all of them, they were so lively!!!
they were asking all sorts of questions abt you, your job, interests etc and they were rly thankful that you helped chan bc he imparted his knowledge + help onto them
and chan was like “yeah thanks for all your help!! this is all stressful so it was vv helpful that you guided me on how to do this stuff!!”
but as soon as the food came? they were silent
like seriously, there was barely any chatter
only small grumbles from jisung when seungmin stole his food
you had spoken to changbin a lot throughout the night
he was sitting next to you and you were internally Combusting bc
oh man you were sitting in between 2/3 of 3racha and you had to admit
changbin was probs your fave outta the 3 of them
man,, you really loved his tone of voice and how he could change it so easily within a song, and it would still flow so!! well!!!
you loved listening to him rapping sm and chan most definitely knew abt that
whenever he brought over lines/ ideas that he and the guys had written, you’d be like Wow i really love this part, it flows rly well w the melody
chan: “ah really? guess who wrote that!”
“,?? you?”
“changbin ;))))”
“whats with that face :/”
“ ( ͡° ͜ʖ ͡°) what ( ͡° ͜ʖ ͡°) face”
“t h a t f a c e”
“youre the one that goes all Heart Eyes when i mention changbin n yet im making a weird face??? k then”
“PPPPFT shut up lets work idk what youre talking abt”
and he dropped the subject but that stupid smirk never left his face :(((
when you finished your food, chan who obvs had already inhaled his food just started nudging you like
“( ͡° ͜ʖ ͡°) nows ur chance”
“i can finally kill u?? :D”
“:( no wtf why would u wanna do that?”
“wait i have a list-”
“BRO </3 i meant nows ur chance to woo changbin ;^))))”
“to do what now”
“to KiSs KiSs FaLl In LoVe with bInNiE!!”
“omg youre embarassing how are You the leader??”
and he just kept that up the Whole Night
honestly youre surprised none of the other guys realised what he was doing bc he just kept smirking and nudging you whenever changbin so much as sipped his water and you would straight up Elbow Him
but then he was like “hey changbin :)”
and internally you were just like Oh Great here comes the Fuckening
and the dude literally Exposed you there
and you were just like ?? i just mET youre group and youre already telling them my life story???
Chan basically told changbin abt how much you rly liked his lyrics and you were just like
:))) I :)) Hate :))))) You :)))) ByungChan
and like there was no way for you to even defend yourself bc chan was making you out to be some crazy fan like “oh man yn wouldnt sTOP talking abt this one line you wrote in IF and it was like 4am like bro i already dont sleep and they kept me up”
minho the Jerk was like !!! theyre blushing aww!!!
Cue you going even more red like Bang Chan youre a dead man :)
And changbin was just rly ? bashful ? he was surprisingly mature abt this and he just kept his reply rly simple like “ah really? thanks, that means a lot, esp coming from such an amazing writer like yourself!”
and you felt like Dying bc
were you that weird in his eyes that he couldnt even joke abt this now?? like did he just find you Super Creepy he just went all Awkward + Formal on you???
nAH HE WAS INTERNALLY SCREAMING BUt unfortunately you didnt know that bc he was holding it in so. well.
the major TBH is that chan was so trying to set you up
like,,, look at the seating arrangement man, he HAD to put you two together bc
you wouldnt stop talking abt how much you loved changbin’s skills
and omg changbin was even worse
as soon as he found out chan was working with you he was Begging to join too!!
he was like!!!! i need help!! so much help pLS LET ME WORK WITH THEM P L S
and chan just to tease the both of you prolonged this out for so. long. bc Hes the Devil
honestly he was so close to bursting into laughter when changbin gave you such a formal reply bc hE KNEW he was going crazy inside like
he always talked abt how cool you were with all the songs you wrote, he loved how you were so emotive and creative with your words, you really inspired him
and his bEST FRIEND was woRKING WITH YOU and NOT giving him your phONE NUMBER chan is the ult snake
chan basically confirmed everything when he asked you who your fave in 3racha was and you said that chan was
bc like lmfao s u r e it was
and then when chan told changbin your fave was jisung he looked the tiniest bit Sad which basically just confirmed everything in chan’s mind
and he felT BAD THAT he straight up lied to changbin bUT
he did that like the day before he was gonna introduce you two
so he had already planned to expose you and see changbin blush like Crazy
Unfortunately only you were blushing but,,, he Knew
and when he saw you and changbin trailing behind the group after dessert, phones out to exchange details, he Knew ;^)))
i rly didnt know where i was going with this and then i just button smashed this lmfao also sorry i didnt mention the height thing?? i didnt know if you wanted that to be an important plot point but i like the openness of this lmao sorry i’ll make up for it one day hopefully. i hope u like it anyway ++ im so so sry its so late!!!
#stray kids#straykidznet#sk-writersnet#skzinc#straykidsdirectory#stray kids scenarios#seo changbin#stray kids seo changbin#stray kids changbin#changbin#stray kids imagines#changbin scenarios#changbin imagines#stray kids fluff#stray kids writing#changbin fluff#kpop scenarios#kpop fluff#kpop imagines#kpop writing#cnb
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a(n unhelpful) guide to day6 by chels
this honestly came from a convo with one of my friends it’s a real mess please enjoy lmao. also shoutout to @cigarettes-and-plastic-hearts for the encouragement + for letting me talk to her about me getting distracted while trying to link videos rip.
park sungjin:
leader, guitarist + vocals
actual dad of 4 children
the only serious one about 99% of the time
sometimes brian joins the serious train
p sure having a guitar in his hands all of the time keeps it this way
only normal one throughout this acoustic version
and this one too where he basically just laughs at their foolishness
underrated voice
honestly such a good singer but doesn’t get half of the attention he deserves for it imo
has this rlly crazy raspy undertone to his voice that makes me cry
rlly impressive range tbfh
pls support the taLENT
*points to this*
also this
cries at his voice in this performance*
done 110% of the time
honestly the faces he makes sometimes are priceless
exhibit a:
idk how many times i’ve died laughing @ the way he looks when the members do dumb shit sometimes
(mainly happens @ wonpil poor guy)
exhibit b
exhibit c
park jaehyung:
aka jae
eldest member, guitarist + vocals
asc host
asc’s flower child
tries to roast jimin with kevin 25/8 but end up getting roasted themselves
a meme tbh but what can you do
looks like chicken little way too much + honestly everyone knows it
day6′s jae or chicken little?? the world may never know:
proud american
loves “the motherland”
speaks in english even when specifically told not to lmao
evidence
has a rlly unique style of singing
like idk how to describe it there’s a certain tone he has when he sings (which is especially noticeable when he’s singing in english but) that’s
a, super attractive idk why
and b, rlly unique imo bc i haven't rlly heard anyone else do anything like it
exhibit a (right in the first line he does it on ‘birds’ and it has me shook)
exhibit b (also does it in the first line of his verse here when he sings)
king of twitter
literally has no chill whatsoever
the funniest twitter account i follow tbh
iconic tweets part 1
part 2:
kang younghyun:
aka young k
aka brian
bassist + vocal
just wants to be called young k
honestly poor guy
literally no one calls him young k tbh
jae tried to pretend for a sec he would call him young k but at the toronto stop of their north american tour was calling him brian all night
what is the truth
honestly has rlly good reasons for wanting to be called young k
made me tear up @ my show on their tour talking about it bc of how he sees it + his reasons behind it
i should rlly start calling him young k
king of songwriting
is a phenomenal songwriter
despite the fact a lot of his songs are sad
tbh who hurt brian + why isn't he over it yet poor guy
rlly seems to know music so well + is so passionate about it
i adore watching his write up day6′s bc he puts so much thought into his lyrics it’s rlly so crazy
i need somebody write up day6 aka my fave one idk why
the way he describes the song + the emotions behind it is rlly rlly incredible to me
VOCALS
a phenomenal singer tbfh
flawlessly hit high notes?? not a problem for brian
A WHOLE SINGER TBH
his harmonies are consistently perfect bye
dyes his hair a lot tbh
highkey looks good with every colour
exhibit a:
exhibit b:
exhibit c:
kim wonpil:
keyboardist/synth + vocals
way too soft for his own good
like it’s not fair how soft he is i just wanna cuddle him 25/8
evidence
has such a nice smile
like could honestly cure me of any sickness with just his smile
it rlly makes my day
the sun in the sky
i’m crying real tears rn
a whole cutie
dancing king
honestly why is he not in an idol group??
sign him up
all boy groups known for their choreography are shaking™️
(they’re actually fine)
vocal king tbfh
i cry
his range is incredible
high notes!wonpil??? sign me tf up
his voice is honestly flawless
wonpil pls
i literally already linked that but for different reasons asdjsa (it’s okay wonpil’s vocals are stunning)
has a habit of forgetting lyrics
keeps the lyrics to their songs in front of him on his phone during acoustic lives
honestly i don't even know the lyrics to half the songs i sing along to so i relate
once his keyboard dropped and brian didn't notice
he literally just had to continue playing
the moment brian notices is my fave sdjk he just starts laughing
poor wonpil
yoon dowoon:
maknae + drummer
shyest bby tbh
his ears go red when he’s embarrassed
it’s rlly the cutest thing
admitted once he has trouble talking to girls i’m p sure
i don't remember where i saw it tho rip
he likes dogs (and pets in general) a whole lot
on day6′s break got ditched by his friend + so he spent time with his dog + cat instead why is that relatable
here is the where he talked about it lol
also poor babe got ditched by his pals :(
look @ him with this dog in the i’m serious mv i cry
drummer extraordinaire
can turn anything into a drum
evidence: the acoustic lives every month
what can i do
i loved you (when he accidentally brOKE A GLASS doing it asdjksa his facial expression is me doing anything wrong)
a good drummer in general
exhibit a
exhibit b
prefers songs with the bpm under 100 bc its easier for him a whole cutie
also here is my fave dowoon + drums moment idk why
has hair that falls into a heart shape
brb while i cry
way too cute tbh
i am never prepared for the attack™️
tries so hard to speak english
i appreciate the effort so much
jae is so done w it
honestly idk what he’s even trying to say
also tries so hard to sing
is taking vocal lessons rn to get better
a whole adorable bean
pretty much sings every time day6 is on asc
sings w the boys every once in a while
bby harmonizing with brian
wore a choker in the hi hello mv and i cried
#THIS TOOK ME WAY TOO LONG#I STARTED AT LIKE 8:30 AND JUST FINISHED#anyways enjoy#also this helps in no ways#so i guess the unhelpful bit was correct#day6#rock kings#chels chatters
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Alternatives to Getting Sample Clearance - IP Lawyer
Here are some alternative ways to get sample clearance.
Recreate the Sml
Firtl, you n u different intrumnt r a imilr sequence r n w to try t mk it diffrnt. Sm rtit vid ing part f th sample lrn f b r-rrding th sampled section, instead f uing th pre-recorded mtr. Thi means tht th rtit tull l and records the music t und xtl lik th original n they want t ml. Hwvr, you till need permission from th mui publisher, but not frm the wnr f the mtr recording. Thi i a nt trik lt me explain: Let's say u wnt t u a ix-nd ml frm rtin ng. Arding to right lw, infringement only occurs when th riginl mtr rrding i ud, but nt whn th und i mimikd nd re-recorded. S instead f mling the riginl rrding, u play th parts urlf nd r-rrd th mui t sound xtl lik th original. In tht case u have nt infringed th mtr recording. Du t a uirk in right lw, you can nl infring a mtr rrding if you actually copy it nt if u imitate it. S u wn't nd permission frm th mtr wnr. Thi i a grt lutin if u nnt obtain ml clearance frm th owner f th master rrding. Yu still nd rmiin frm th mui ublihr, bu th ng itself is copyrighted. However, u d nt need clearance frm the wnr of th mtr recording. Yu uld l employ th services of a Sample Rrtin Company t wrk around the problem. Cmni lik Rin Prdutin nd Rl Hvn offer t r-rrd th sample, and n d t such a high standard tht th riginl vrin and the new n r rtill inditinguihbl. High ulit r-rrding hv th ll the hllmrk f th riginl, but r quicker and easier t lr theres nl th ublihr t nidr, nd n rt f stalemate over competing intrt with the record lbl.
Mk it Unrgnizbl
Whil thi i not mltl suggested, u can l mk th ml unrgnizbl b distorting it nd uing a lot f fft t mk th sample unrgnizbl. K in mind that thi is nt full-rf so nl use this tactic ringl nd as your last rrt.
Buring it in th Mix
You n also bur th ml into th mix tht it bm l rvlnt nd less rgnizbl. A lt of l uggt nt using th sample as the grv r hk.
Not Using th Titl f th Source Mui in th Titl f ur ng
Of ur, u huldnt nd dnt want to use th title f th source mui in th titl f th ng. Whil gin, thi isnt a full-rf w t rtt urlf, it n minr way u can avoid gtting in legal trouble for uing ml.
Cntt th Artist or Songwriter Directly
If you run int rblm with a mui ublihr r wnr f a mtr, you may hv better luck contacting th rtit dirtl. This works if th artist till h m r ntrl in what gets lrd.
Seek Sample-friendly Copyright Ownr
Sm copyright wnr are h t clear ml so muh t encourage th process. Sk th out. Fr xml, m music rtit r-tivl k to rmt thir music fr mling. Th rtit r out there nd m time t k around nd search fr th rtit wh r gr t lt you sample their wrk. Evn if you bliv you can r, edit, or otherwise digui a ml in th mix, u till nd rmiin t ml. Obtining permission fr mui mling can b a lng nd tdiu r. Hwvr, lgl claims of right infringement uld mn that you r unable t u the music ml nd u may vn hv t mn dmg. T vid thi lgl trouble, b sure t get sample clearance.
Wht Yu Can Get Whn Smn Samples Yur Song
Whn mn steals your ng r u a samples frm ur song, th hv infringed your right mning thv used it withut your permission. Some f what you n get is peculiar to th right wrld. Hr hw it wrk:
You gt the fair mrkt vlu of the use they md. For xml, if th rip ff ur ng in a commercial, and tht use of th song is wrth $10,000 in a mrktl dl, u can gt $10,000.
Yu n recover the infringers rfit. This i nt a common rmd and is extremely vlubl It mn tht if the rn who infringd n ur work md a rfit uing ur wrk, u n recover hi profits, which may b mr than th fir mrkt vlu f the usage.
You n gt n injunction which mn the court rhibit th infringer from uing th infringing wrk. If they ntinu to u it nw, thr ubjt t big fin, nd mtim even jil.
Yu n recover statutory dmg, whih is a rl copyright riginl. This i where u nt rv tul damages -- for xml, ur infringr w not only a thif, but also an unsuccessful buinmn, and h lost mn with ur ri-ff. Or maybe hi rfit are so wll hiddn that u nt find thm. In thi , th court n giv u nwhr frm $750 to $30,000 fr a ingl infringmnt.
Altrntivl, u n gt a ingl munt r t f infringmnt nd not the number of copies tull made. For xml, putting ut 20,000 CD with ur ng i till nl one t of infringmnt Th judg n even raise thi to $150,000 if its intntinl infringmnt, and can lwr it t $200 fr n innocent infringmnt.
Yu can also get ur urt t, and, t a limited extent, recover ur ttrn f. Attorneys f i usually rare because u normally dont get ttrn f whn u win a lawsuit.
Cvr Songs: How to Ask Prmiin t Cover a Sng
Cover ng rvid n w to trgt a nw mrkting b when placed lngid ur wn original wrk. In the digitl g, vr songs can t effective rh ngin optimizers fr mui (ill whn you're vring artists who dn't urrntl appear n iTunes, Amzn, etc.). As a professional ngwritr, you may lrd b wr tht nn wh wnt to record a vrin of ur song nd a mechanical lin frm the copyright owner, uull u or your ublihr. Similrl, if u h t record ur wn version f mn l' rviul rrdd and ditributd mui, you wuld nd t secure a mechanical lin. A mechanical lin is tull a "mulr" lin grntd to ur undr Unitd States right lw. Uull, mui users obtain these lin through a mui publisher r gnt. Thr r vrl rvi that n hl in clearing mhnil lin nd ensuring songwriters gt paid. Limlight i n f th rvi u n u t clear n vr ng in order t ditribut b mn of digitl dwnld, hil albums, nd trming. You n finliz ur mechanical lining and royalty accounting needs fr a rvi f f $15 r lin plus ruird ttutr ublihing rlti set b lw. Artists, bnd nd other musical gru n clear any ng and ensure 100% f royalties r id to th rrit publishers nd ngwritr.
Publiit Rl: What Yu Nd if Yur Sng i Prt of n Advrtimnt
There's an xtr wrinkl if you u a sample for ur f lling or ndring a product (fr xml in a Tt d), and th sampled rtit i idntifibl. In lik this, you also nd to get th ur rtit' nnt. Tht' bu th ad rt th imrin f an ndrmnt. Withut th nnt, the ur rtit uld sue fr wht is knwn as th viltin f th "right f ubliit." The m would b tru if u imittd th ur rtit' vi without mling it. S whn u u a sample fr an dvrtiing gn or other mmril client, b aware that a third t of lrn r "rl" may b nr.
Sml Pk & Pre-Cleared Sample Di: Can Yu Use thm Samples?
Sml Pk nd Sml CDs, recordings tht contain sounds and riffs ifill ld t be ud in mlr, n b a gd ltrntiv fr bdrm rdur nd mll lbl. Mt sample k nd sample discs r "r-lrd," whih means tht b buing the di, you're automatically grntd permission fr mui usage withut th payment f n further f. Hwvr, th rmittd use f r-lrd samples m vr frm n disc t nthr. Dn't um u can u th sample in whtvr way you lik. Review th dumnttin tht m with the CD fr any lin infrmtin. Most sample di mkr grant th user a "nnxluiv license" t u th ml --whih mn u, and everyone l, hv rmiin t u th mui. However, with a ml CD you dn't bu th right t redistribute th ml, nl the right to u them in muil works. If you find tht ur urh of th di doesn't grnt the rights u nd, contact th mnufturr t if you're eligible for a rfund.
Wr-u!
Music is a rtin tht rrnt th rtit nd blng t vrn ears, but whn it m to ing th bill, vrn i willing t g th xtr mile t protect their wrk. If you're mling r rmixing another rtit' wrk, some f th mld artist may fl ntitld t compensation; m m nt. My rmmndtin i t gt permission before you invest a lt of time in ur own wrk. Lt rviw some of the int w md in th ur: Wv diud wh ml lrn i nr? And th rn i tht if u dnt gt rmiin to u ml, thi uld lead t tl lwuit or th inbilit t ditribut ur music to th public. Th min point I wnt u to lrn about mui lw is tht you need 2 clearances: n frm th copyright owner f ng (whih i till the music ublihr) and n frm th right owner f th sound rrding, whih is typically th rrd company. The w you find nd k th mui publisher is t lk them n ll n ll f th performing right organization websites, inluding bmi.m, .m, sesac.com, nd hrrfx.m. Thn u also nd t find nd k th owner f th master recording. Th bt w t find th wnr of th mtr rrding i t k the ublihr or you n use a lrn xrt if u nt really find it thrwi. Th t f ml lrn rll varies so make sure u review th ti n th t of ml clearance t know wht t xt when ur negotiating with bth the mui publisher nd th rrd lbl. We l talked but wht t do if u cant gt a ml clearance. Yu n tr recreating th sample, mking th ml unrgnizbl, buing it in th mix, nt uing th title f th ur mui in th title of th ng, ntting th rtit or ngwritr directly, r king sample-friendly right owners. A we lrd discussed, u'll be on fr legal grund if u gt permission, ill if u hv a rrd ntrt tht ut th burdn of sample clearance on ur huldr. Evn if u dont have a rrd ntrt, u should still k fr permission every tim u ml a ng, ill if the song means a lt t u. Mt lbl, ublihr nd artists r happy to give thir rmiin t rtit looking t rwrk their music fr a f. Th world of vr songs, ml clearances, mechanical lin, nd mui lw h complex rules nd rgultin fr the ul mui rtr.
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Alternatives to Getting Sample Clearance - IP Lawyer
Here are some alternative ways to get sample clearance.
Recreate the Sml
Firtl, you n u different intrumnt r a imilr sequence r n w to try t mk it diffrnt. Sm rtit vid ing part f th sample lrn f b r-rrding th sampled section, instead f uing th pre-recorded mtr. Thi means tht th rtit tull l and records the music t und xtl lik th original n they want t ml. Hwvr, you till need permission from th mui publisher, but not frm the wnr f the mtr recording. Thi i a nt trik lt me explain: Let's say u wnt t u a ix-nd ml frm rtin ng. Arding to right lw, infringement only occurs when th riginl mtr rrding i ud, but nt whn th und i mimikd nd re-recorded. S instead f mling the riginl rrding, u play th parts urlf nd r-rrd th mui t sound xtl lik th original. In tht case u have nt infringed th mtr recording. Du t a uirk in right lw, you can nl infring a mtr rrding if you actually copy it nt if u imitate it. S u wn't nd permission frm th mtr wnr. Thi i a grt lutin if u nnt obtain ml clearance frm th owner f th master rrding. Yu still nd rmiin frm th mui ublihr, bu th ng itself is copyrighted. However, u d nt need clearance frm the wnr of th mtr recording. Yu uld l employ th services of a Sample Rrtin Company t wrk around the problem. Cmni lik Rin Prdutin nd Rl Hvn offer t r-rrd th sample, and n d t such a high standard tht th riginl vrin and the new n r rtill inditinguihbl. High ulit r-rrding hv th ll the hllmrk f th riginl, but r quicker and easier t lr theres nl th ublihr t nidr, nd n rt f stalemate over competing intrt with the record lbl.
Mk it Unrgnizbl
Whil thi i not mltl suggested, u can l mk th ml unrgnizbl b distorting it nd uing a lot f fft t mk th sample unrgnizbl. K in mind that thi is nt full-rf so nl use this tactic ringl nd as your last rrt.
Buring it in th Mix
You n also bur th ml into th mix tht it bm l rvlnt nd less rgnizbl. A lt of l uggt nt using th sample as the grv r hk.
Not Using th Titl f th Source Mui in th Titl f ur ng
Of ur, u huldnt nd dnt want to use th title f th source mui in th titl f th ng. Whil gin, thi isnt a full-rf w t rtt urlf, it n minr way u can avoid gtting in legal trouble for uing ml.
Cntt th Artist or Songwriter Directly
If you run int rblm with a mui ublihr r wnr f a mtr, you may hv better luck contacting th rtit dirtl. This works if th artist till h m r ntrl in what gets lrd.
Seek Sample-friendly Copyright Ownr
Sm copyright wnr are h t clear ml so muh t encourage th process. Sk th out. Fr xml, m music rtit r-tivl k to rmt thir music fr mling. Th rtit r out there nd m time t k around nd search fr th rtit wh r gr t lt you sample their wrk. Evn if you bliv you can r, edit, or otherwise digui a ml in th mix, u till nd rmiin t ml. Obtining permission fr mui mling can b a lng nd tdiu r. Hwvr, lgl claims of right infringement uld mn that you r unable t u the music ml nd u may vn hv t mn dmg. T vid thi lgl trouble, b sure t get sample clearance.
Wht Yu Can Get Whn Smn Samples Yur Song
Whn mn steals your ng r u a samples frm ur song, th hv infringed your right mning thv used it withut your permission. Some f what you n get is peculiar to th right wrld. Hr hw it wrk:
You gt the fair mrkt vlu of the use they md. For xml, if th rip ff ur ng in a commercial, and tht use of th song is wrth $10,000 in a mrktl dl, u can gt $10,000.
Yu n recover the infringers rfit. This i nt a common rmd and is extremely vlubl It mn tht if the rn who infringd n ur work md a rfit uing ur wrk, u n recover hi profits, which may b mr than th fir mrkt vlu f the usage.
You n gt n injunction which mn the court rhibit th infringer from uing th infringing wrk. If they ntinu to u it nw, thr ubjt t big fin, nd mtim even jil.
Yu n recover statutory dmg, whih is a rl copyright riginl. This i where u nt rv tul damages -- for xml, ur infringr w not only a thif, but also an unsuccessful buinmn, and h lost mn with ur ri-ff. Or maybe hi rfit are so wll hiddn that u nt find thm. In thi , th court n giv u nwhr frm $750 to $30,000 fr a ingl infringmnt.
Altrntivl, u n gt a ingl munt r t f infringmnt nd not the number of copies tull made. For xml, putting ut 20,000 CD with ur ng i till nl one t of infringmnt Th judg n even raise thi to $150,000 if its intntinl infringmnt, and can lwr it t $200 fr n innocent infringmnt.
Yu can also get ur urt t, and, t a limited extent, recover ur ttrn f. Attorneys f i usually rare because u normally dont get ttrn f whn u win a lawsuit.
Cvr Songs: How to Ask Prmiin t Cover a Sng
Cover ng rvid n w to trgt a nw mrkting b when placed lngid ur wn original wrk. In the digitl g, vr songs can t effective rh ngin optimizers fr mui (ill whn you're vring artists who dn't urrntl appear n iTunes, Amzn, etc.). As a professional ngwritr, you may lrd b wr tht nn wh wnt to record a vrin of ur song nd a mechanical lin frm the copyright owner, uull u or your ublihr. Similrl, if u h t record ur wn version f mn l' rviul rrdd and ditributd mui, you wuld nd t secure a mechanical lin. A mechanical lin is tull a "mulr" lin grntd to ur undr Unitd States right lw. Uull, mui users obtain these lin through a mui publisher r gnt. Thr r vrl rvi that n hl in clearing mhnil lin nd ensuring songwriters gt paid. Limlight i n f th rvi u n u t clear n vr ng in order t ditribut b mn of digitl dwnld, hil albums, nd trming. You n finliz ur mechanical lining and royalty accounting needs fr a rvi f f $15 r lin plus ruird ttutr ublihing rlti set b lw. Artists, bnd nd other musical gru n clear any ng and ensure 100% f royalties r id to th rrit publishers nd ngwritr.
Publiit Rl: What Yu Nd if Yur Sng i Prt of n Advrtimnt
There's an xtr wrinkl if you u a sample for ur f lling or ndring a product (fr xml in a Tt d), and th sampled rtit i idntifibl. In lik this, you also nd to get th ur rtit' nnt. Tht' bu th ad rt th imrin f an ndrmnt. Withut th nnt, the ur rtit uld sue fr wht is knwn as th viltin f th "right f ubliit." The m would b tru if u imittd th ur rtit' vi without mling it. S whn u u a sample fr an dvrtiing gn or other mmril client, b aware that a third t of lrn r "rl" may b nr.
Sml Pk & Pre-Cleared Sample Di: Can Yu Use thm Samples?
Sml Pk nd Sml CDs, recordings tht contain sounds and riffs ifill ld t be ud in mlr, n b a gd ltrntiv fr bdrm rdur nd mll lbl. Mt sample k nd sample discs r "r-lrd," whih means tht b buing the di, you're automatically grntd permission fr mui usage withut th payment f n further f. Hwvr, th rmittd use f r-lrd samples m vr frm n disc t nthr. Dn't um u can u th sample in whtvr way you lik. Review th dumnttin tht m with the CD fr any lin infrmtin. Most sample di mkr grant th user a "nnxluiv license" t u th ml --whih mn u, and everyone l, hv rmiin t u th mui. However, with a ml CD you dn't bu th right t redistribute th ml, nl the right to u them in muil works. If you find tht ur urh of th di doesn't grnt the rights u nd, contact th mnufturr t if you're eligible for a rfund.
Wr-u!
Music is a rtin tht rrnt th rtit nd blng t vrn ears, but whn it m to ing th bill, vrn i willing t g th xtr mile t protect their wrk. If you're mling r rmixing another rtit' wrk, some f th mld artist may fl ntitld t compensation; m m nt. My rmmndtin i t gt permission before you invest a lt of time in ur own wrk. Lt rviw some of the int w md in th ur: Wv diud wh ml lrn i nr? And th rn i tht if u dnt gt rmiin to u ml, thi uld lead t tl lwuit or th inbilit t ditribut ur music to th public. Th min point I wnt u to lrn about mui lw is tht you need 2 clearances: n frm th copyright owner f ng (whih i till the music ublihr) and n frm th right owner f th sound rrding, whih is typically th rrd company. The w you find nd k th mui publisher is t lk them n ll n ll f th performing right organization websites, inluding bmi.m, .m, sesac.com, nd hrrfx.m. Thn u also nd t find nd k th owner f th master recording. Th bt w t find th wnr of th mtr rrding i t k the ublihr or you n use a lrn xrt if u nt really find it thrwi. Th t f ml lrn rll varies so make sure u review th ti n th t of ml clearance t know wht t xt when ur negotiating with bth the mui publisher nd th rrd lbl. We l talked but wht t do if u cant gt a ml clearance. Yu n tr recreating th sample, mking th ml unrgnizbl, buing it in th mix, nt uing th title f th ur mui in th title of th ng, ntting th rtit or ngwritr directly, r king sample-friendly right owners. A we lrd discussed, u'll be on fr legal grund if u gt permission, ill if u hv a rrd ntrt tht ut th burdn of sample clearance on ur huldr. Evn if u dont have a rrd ntrt, u should still k fr permission every tim u ml a ng, ill if the song means a lt t u. Mt lbl, ublihr nd artists r happy to give thir rmiin t rtit looking t rwrk their music fr a f. Th world of vr songs, ml clearances, mechanical lin, nd mui lw h complex rules nd rgultin fr the ul mui rtr.
Free Consultation with a Utah Copyright Lawyer
If you are here, you probably have a trademark or copyright issue you need help with, call Ascent Law for your free intellectual property law consultation (801) 676-5506. We want to help you.
Ascent Law LLC 8833 S. Redwood Road, Suite C West Jordan, Utah 84088 United States Telephone: (801) 676-5506
Ascent Law LLC
4.7 stars - based on 45 reviews
Helpful Intellectual Property Articles
Trademark Lawyer in Utah Intellectual Property Lawyer Utah Commercial Attorney Business Lawyers Business Law Services Copyright Lawyer Utah MLM Lawyer What is Music Copyright Source:http://www.ascentlawfirm.com/alternatives-to-getting-sample-clearance/
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Text
Alternatives to Getting Sample Clearance - IP Lawyer
Here are some alternative ways to get sample clearance.
Recreate the Sml
Firtl, you n u different intrumnt r a imilr sequence r n w to try t mk it diffrnt. Sm rtit vid ing part f th sample lrn f b r-rrding th sampled section, instead f uing th pre-recorded mtr. Thi means tht th rtit tull l and records the music t und xtl lik th original n they want t ml. Hwvr, you till need permission from th mui publisher, but not frm the wnr f the mtr recording. Thi i a nt trik lt me explain: Let's say u wnt t u a ix-nd ml frm rtin ng. Arding to right lw, infringement only occurs when th riginl mtr rrding i ud, but nt whn th und i mimikd nd re-recorded. S instead f mling the riginl rrding, u play th parts urlf nd r-rrd th mui t sound xtl lik th original. In tht case u have nt infringed th mtr recording. Du t a uirk in right lw, you can nl infring a mtr rrding if you actually copy it nt if u imitate it. S u wn't nd permission frm th mtr wnr. Thi i a grt lutin if u nnt obtain ml clearance frm th owner f th master rrding. Yu still nd rmiin frm th mui ublihr, bu th ng itself is copyrighted. However, u d nt need clearance frm the wnr of th mtr recording. Yu uld l employ th services of a Sample Rrtin Company t wrk around the problem. Cmni lik Rin Prdutin nd Rl Hvn offer t r-rrd th sample, and n d t such a high standard tht th riginl vrin and the new n r rtill inditinguihbl. High ulit r-rrding hv th ll the hllmrk f th riginl, but r quicker and easier t lr theres nl th ublihr t nidr, nd n rt f stalemate over competing intrt with the record lbl.
Mk it Unrgnizbl
Whil thi i not mltl suggested, u can l mk th ml unrgnizbl b distorting it nd uing a lot f fft t mk th sample unrgnizbl. K in mind that thi is nt full-rf so nl use this tactic ringl nd as your last rrt.
Buring it in th Mix
You n also bur th ml into th mix tht it bm l rvlnt nd less rgnizbl. A lt of l uggt nt using th sample as the grv r hk.
Not Using th Titl f th Source Mui in th Titl f ur ng
Of ur, u huldnt nd dnt want to use th title f th source mui in th titl f th ng. Whil gin, thi isnt a full-rf w t rtt urlf, it n minr way u can avoid gtting in legal trouble for uing ml.
Cntt th Artist or Songwriter Directly
If you run int rblm with a mui ublihr r wnr f a mtr, you may hv better luck contacting th rtit dirtl. This works if th artist till h m r ntrl in what gets lrd.
Seek Sample-friendly Copyright Ownr
Sm copyright wnr are h t clear ml so muh t encourage th process. Sk th out. Fr xml, m music rtit r-tivl k to rmt thir music fr mling. Th rtit r out there nd m time t k around nd search fr th rtit wh r gr t lt you sample their wrk. Evn if you bliv you can r, edit, or otherwise digui a ml in th mix, u till nd rmiin t ml. Obtining permission fr mui mling can b a lng nd tdiu r. Hwvr, lgl claims of right infringement uld mn that you r unable t u the music ml nd u may vn hv t mn dmg. T vid thi lgl trouble, b sure t get sample clearance.
Wht Yu Can Get Whn Smn Samples Yur Song
Whn mn steals your ng r u a samples frm ur song, th hv infringed your right mning thv used it withut your permission. Some f what you n get is peculiar to th right wrld. Hr hw it wrk:
You gt the fair mrkt vlu of the use they md. For xml, if th rip ff ur ng in a commercial, and tht use of th song is wrth $10,000 in a mrktl dl, u can gt $10,000.
Yu n recover the infringers rfit. This i nt a common rmd and is extremely vlubl It mn tht if the rn who infringd n ur work md a rfit uing ur wrk, u n recover hi profits, which may b mr than th fir mrkt vlu f the usage.
You n gt n injunction which mn the court rhibit th infringer from uing th infringing wrk. If they ntinu to u it nw, thr ubjt t big fin, nd mtim even jil.
Yu n recover statutory dmg, whih is a rl copyright riginl. This i where u nt rv tul damages -- for xml, ur infringr w not only a thif, but also an unsuccessful buinmn, and h lost mn with ur ri-ff. Or maybe hi rfit are so wll hiddn that u nt find thm. In thi , th court n giv u nwhr frm $750 to $30,000 fr a ingl infringmnt.
Altrntivl, u n gt a ingl munt r t f infringmnt nd not the number of copies tull made. For xml, putting ut 20,000 CD with ur ng i till nl one t of infringmnt Th judg n even raise thi to $150,000 if its intntinl infringmnt, and can lwr it t $200 fr n innocent infringmnt.
Yu can also get ur urt t, and, t a limited extent, recover ur ttrn f. Attorneys f i usually rare because u normally dont get ttrn f whn u win a lawsuit.
Cvr Songs: How to Ask Prmiin t Cover a Sng
Cover ng rvid n w to trgt a nw mrkting b when placed lngid ur wn original wrk. In the digitl g, vr songs can t effective rh ngin optimizers fr mui (ill whn you're vring artists who dn't urrntl appear n iTunes, Amzn, etc.). As a professional ngwritr, you may lrd b wr tht nn wh wnt to record a vrin of ur song nd a mechanical lin frm the copyright owner, uull u or your ublihr. Similrl, if u h t record ur wn version f mn l' rviul rrdd and ditributd mui, you wuld nd t secure a mechanical lin. A mechanical lin is tull a "mulr" lin grntd to ur undr Unitd States right lw. Uull, mui users obtain these lin through a mui publisher r gnt. Thr r vrl rvi that n hl in clearing mhnil lin nd ensuring songwriters gt paid. Limlight i n f th rvi u n u t clear n vr ng in order t ditribut b mn of digitl dwnld, hil albums, nd trming. You n finliz ur mechanical lining and royalty accounting needs fr a rvi f f $15 r lin plus ruird ttutr ublihing rlti set b lw. Artists, bnd nd other musical gru n clear any ng and ensure 100% f royalties r id to th rrit publishers nd ngwritr.
Publiit Rl: What Yu Nd if Yur Sng i Prt of n Advrtimnt
There's an xtr wrinkl if you u a sample for ur f lling or ndring a product (fr xml in a Tt d), and th sampled rtit i idntifibl. In lik this, you also nd to get th ur rtit' nnt. Tht' bu th ad rt th imrin f an ndrmnt. Withut th nnt, the ur rtit uld sue fr wht is knwn as th viltin f th "right f ubliit." The m would b tru if u imittd th ur rtit' vi without mling it. S whn u u a sample fr an dvrtiing gn or other mmril client, b aware that a third t of lrn r "rl" may b nr.
Sml Pk & Pre-Cleared Sample Di: Can Yu Use thm Samples?
Sml Pk nd Sml CDs, recordings tht contain sounds and riffs ifill ld t be ud in mlr, n b a gd ltrntiv fr bdrm rdur nd mll lbl. Mt sample k nd sample discs r "r-lrd," whih means tht b buing the di, you're automatically grntd permission fr mui usage withut th payment f n further f. Hwvr, th rmittd use f r-lrd samples m vr frm n disc t nthr. Dn't um u can u th sample in whtvr way you lik. Review th dumnttin tht m with the CD fr any lin infrmtin. Most sample di mkr grant th user a "nnxluiv license" t u th ml --whih mn u, and everyone l, hv rmiin t u th mui. However, with a ml CD you dn't bu th right t redistribute th ml, nl the right to u them in muil works. If you find tht ur urh of th di doesn't grnt the rights u nd, contact th mnufturr t if you're eligible for a rfund.
Wr-u!
Music is a rtin tht rrnt th rtit nd blng t vrn ears, but whn it m to ing th bill, vrn i willing t g th xtr mile t protect their wrk. If you're mling r rmixing another rtit' wrk, some f th mld artist may fl ntitld t compensation; m m nt. My rmmndtin i t gt permission before you invest a lt of time in ur own wrk. Lt rviw some of the int w md in th ur: Wv diud wh ml lrn i nr? And th rn i tht if u dnt gt rmiin to u ml, thi uld lead t tl lwuit or th inbilit t ditribut ur music to th public. Th min point I wnt u to lrn about mui lw is tht you need 2 clearances: n frm th copyright owner f ng (whih i till the music ublihr) and n frm th right owner f th sound rrding, whih is typically th rrd company. The w you find nd k th mui publisher is t lk them n ll n ll f th performing right organization websites, inluding bmi.m, .m, sesac.com, nd hrrfx.m. Thn u also nd t find nd k th owner f th master recording. Th bt w t find th wnr of th mtr rrding i t k the ublihr or you n use a lrn xrt if u nt really find it thrwi. Th t f ml lrn rll varies so make sure u review th ti n th t of ml clearance t know wht t xt when ur negotiating with bth the mui publisher nd th rrd lbl. We l talked but wht t do if u cant gt a ml clearance. Yu n tr recreating th sample, mking th ml unrgnizbl, buing it in th mix, nt uing th title f th ur mui in th title of th ng, ntting th rtit or ngwritr directly, r king sample-friendly right owners. A we lrd discussed, u'll be on fr legal grund if u gt permission, ill if u hv a rrd ntrt tht ut th burdn of sample clearance on ur huldr. Evn if u dont have a rrd ntrt, u should still k fr permission every tim u ml a ng, ill if the song means a lt t u. Mt lbl, ublihr nd artists r happy to give thir rmiin t rtit looking t rwrk their music fr a f. Th world of vr songs, ml clearances, mechanical lin, nd mui lw h complex rules nd rgultin fr the ul mui rtr.
Free Consultation with a Utah Copyright Lawyer
If you are here, you probably have a trademark or copyright issue you need help with, call Ascent Law for your free intellectual property law consultation (801) 676-5506. We want to help you.
Ascent Law LLC 8833 S. Redwood Road, Suite C West Jordan, Utah 84088 United States Telephone: (801) 676-5506
Ascent Law LLC
4.7 stars - based on 45 reviews
Helpful Intellectual Property Articles
Trademark Lawyer in Utah Intellectual Property Lawyer Utah Commercial Attorney Business Lawyers Business Law Services Copyright Lawyer Utah MLM Lawyer What is Music Copyright Source:http://www.ascentlawfirm.com/alternatives-to-getting-sample-clearance/
0 notes
Text
Alternatives to Getting Sample Clearance - IP Lawyer
Here are some alternative ways to get sample clearance.
Recreate the Sml
Firtl, you n u different intrumnt r a imilr sequence r n w to try t mk it diffrnt. Sm rtit vid ing part f th sample lrn f b r-rrding th sampled section, instead f uing th pre-recorded mtr. Thi means tht th rtit tull l and records the music t und xtl lik th original n they want t ml. Hwvr, you till need permission from th mui publisher, but not frm the wnr f the mtr recording. Thi i a nt trik lt me explain: Let's say u wnt t u a ix-nd ml frm rtin ng. Arding to right lw, infringement only occurs when th riginl mtr rrding i ud, but nt whn th und i mimikd nd re-recorded. S instead f mling the riginl rrding, u play th parts urlf nd r-rrd th mui t sound xtl lik th original. In tht case u have nt infringed th mtr recording. Du t a uirk in right lw, you can nl infring a mtr rrding if you actually copy it nt if u imitate it. S u wn't nd permission frm th mtr wnr. Thi i a grt lutin if u nnt obtain ml clearance frm th owner f th master rrding. Yu still nd rmiin frm th mui ublihr, bu th ng itself is copyrighted. However, u d nt need clearance frm the wnr of th mtr recording. Yu uld l employ th services of a Sample Rrtin Company t wrk around the problem. Cmni lik Rin Prdutin nd Rl Hvn offer t r-rrd th sample, and n d t such a high standard tht th riginl vrin and the new n r rtill inditinguihbl. High ulit r-rrding hv th ll the hllmrk f th riginl, but r quicker and easier t lr theres nl th ublihr t nidr, nd n rt f stalemate over competing intrt with the record lbl.
Mk it Unrgnizbl
Whil thi i not mltl suggested, u can l mk th ml unrgnizbl b distorting it nd uing a lot f fft t mk th sample unrgnizbl. K in mind that thi is nt full-rf so nl use this tactic ringl nd as your last rrt.
Buring it in th Mix
You n also bur th ml into th mix tht it bm l rvlnt nd less rgnizbl. A lt of l uggt nt using th sample as the grv r hk.
Not Using th Titl f th Source Mui in th Titl f ur ng
Of ur, u huldnt nd dnt want to use th title f th source mui in th titl f th ng. Whil gin, thi isnt a full-rf w t rtt urlf, it n minr way u can avoid gtting in legal trouble for uing ml.
Cntt th Artist or Songwriter Directly
If you run int rblm with a mui ublihr r wnr f a mtr, you may hv better luck contacting th rtit dirtl. This works if th artist till h m r ntrl in what gets lrd.
Seek Sample-friendly Copyright Ownr
Sm copyright wnr are h t clear ml so muh t encourage th process. Sk th out. Fr xml, m music rtit r-tivl k to rmt thir music fr mling. Th rtit r out there nd m time t k around nd search fr th rtit wh r gr t lt you sample their wrk. Evn if you bliv you can r, edit, or otherwise digui a ml in th mix, u till nd rmiin t ml. Obtining permission fr mui mling can b a lng nd tdiu r. Hwvr, lgl claims of right infringement uld mn that you r unable t u the music ml nd u may vn hv t mn dmg. T vid thi lgl trouble, b sure t get sample clearance.
Wht Yu Can Get Whn Smn Samples Yur Song
Whn mn steals your ng r u a samples frm ur song, th hv infringed your right mning thv used it withut your permission. Some f what you n get is peculiar to th right wrld. Hr hw it wrk:
You gt the fair mrkt vlu of the use they md. For xml, if th rip ff ur ng in a commercial, and tht use of th song is wrth $10,000 in a mrktl dl, u can gt $10,000.
Yu n recover the infringers rfit. This i nt a common rmd and is extremely vlubl It mn tht if the rn who infringd n ur work md a rfit uing ur wrk, u n recover hi profits, which may b mr than th fir mrkt vlu f the usage.
You n gt n injunction which mn the court rhibit th infringer from uing th infringing wrk. If they ntinu to u it nw, thr ubjt t big fin, nd mtim even jil.
Yu n recover statutory dmg, whih is a rl copyright riginl. This i where u nt rv tul damages -- for xml, ur infringr w not only a thif, but also an unsuccessful buinmn, and h lost mn with ur ri-ff. Or maybe hi rfit are so wll hiddn that u nt find thm. In thi , th court n giv u nwhr frm $750 to $30,000 fr a ingl infringmnt.
Altrntivl, u n gt a ingl munt r t f infringmnt nd not the number of copies tull made. For xml, putting ut 20,000 CD with ur ng i till nl one t of infringmnt Th judg n even raise thi to $150,000 if its intntinl infringmnt, and can lwr it t $200 fr n innocent infringmnt.
Yu can also get ur urt t, and, t a limited extent, recover ur ttrn f. Attorneys f i usually rare because u normally dont get ttrn f whn u win a lawsuit.
Cvr Songs: How to Ask Prmiin t Cover a Sng
Cover ng rvid n w to trgt a nw mrkting b when placed lngid ur wn original wrk. In the digitl g, vr songs can t effective rh ngin optimizers fr mui (ill whn you're vring artists who dn't urrntl appear n iTunes, Amzn, etc.). As a professional ngwritr, you may lrd b wr tht nn wh wnt to record a vrin of ur song nd a mechanical lin frm the copyright owner, uull u or your ublihr. Similrl, if u h t record ur wn version f mn l' rviul rrdd and ditributd mui, you wuld nd t secure a mechanical lin. A mechanical lin is tull a "mulr" lin grntd to ur undr Unitd States right lw. Uull, mui users obtain these lin through a mui publisher r gnt. Thr r vrl rvi that n hl in clearing mhnil lin nd ensuring songwriters gt paid. Limlight i n f th rvi u n u t clear n vr ng in order t ditribut b mn of digitl dwnld, hil albums, nd trming. You n finliz ur mechanical lining and royalty accounting needs fr a rvi f f $15 r lin plus ruird ttutr ublihing rlti set b lw. Artists, bnd nd other musical gru n clear any ng and ensure 100% f royalties r id to th rrit publishers nd ngwritr.
Publiit Rl: What Yu Nd if Yur Sng i Prt of n Advrtimnt
There's an xtr wrinkl if you u a sample for ur f lling or ndring a product (fr xml in a Tt d), and th sampled rtit i idntifibl. In lik this, you also nd to get th ur rtit' nnt. Tht' bu th ad rt th imrin f an ndrmnt. Withut th nnt, the ur rtit uld sue fr wht is knwn as th viltin f th "right f ubliit." The m would b tru if u imittd th ur rtit' vi without mling it. S whn u u a sample fr an dvrtiing gn or other mmril client, b aware that a third t of lrn r "rl" may b nr.
Sml Pk & Pre-Cleared Sample Di: Can Yu Use thm Samples?
Sml Pk nd Sml CDs, recordings tht contain sounds and riffs ifill ld t be ud in mlr, n b a gd ltrntiv fr bdrm rdur nd mll lbl. Mt sample k nd sample discs r "r-lrd," whih means tht b buing the di, you're automatically grntd permission fr mui usage withut th payment f n further f. Hwvr, th rmittd use f r-lrd samples m vr frm n disc t nthr. Dn't um u can u th sample in whtvr way you lik. Review th dumnttin tht m with the CD fr any lin infrmtin. Most sample di mkr grant th user a "nnxluiv license" t u th ml --whih mn u, and everyone l, hv rmiin t u th mui. However, with a ml CD you dn't bu th right t redistribute th ml, nl the right to u them in muil works. If you find tht ur urh of th di doesn't grnt the rights u nd, contact th mnufturr t if you're eligible for a rfund.
Wr-u!
Music is a rtin tht rrnt th rtit nd blng t vrn ears, but whn it m to ing th bill, vrn i willing t g th xtr mile t protect their wrk. If you're mling r rmixing another rtit' wrk, some f th mld artist may fl ntitld t compensation; m m nt. My rmmndtin i t gt permission before you invest a lt of time in ur own wrk. Lt rviw some of the int w md in th ur: Wv diud wh ml lrn i nr? And th rn i tht if u dnt gt rmiin to u ml, thi uld lead t tl lwuit or th inbilit t ditribut ur music to th public. Th min point I wnt u to lrn about mui lw is tht you need 2 clearances: n frm th copyright owner f ng (whih i till the music ublihr) and n frm th right owner f th sound rrding, whih is typically th rrd company. The w you find nd k th mui publisher is t lk them n ll n ll f th performing right organization websites, inluding bmi.m, .m, sesac.com, nd hrrfx.m. Thn u also nd t find nd k th owner f th master recording. Th bt w t find th wnr of th mtr rrding i t k the ublihr or you n use a lrn xrt if u nt really find it thrwi. Th t f ml lrn rll varies so make sure u review th ti n th t of ml clearance t know wht t xt when ur negotiating with bth the mui publisher nd th rrd lbl. We l talked but wht t do if u cant gt a ml clearance. Yu n tr recreating th sample, mking th ml unrgnizbl, buing it in th mix, nt uing th title f th ur mui in th title of th ng, ntting th rtit or ngwritr directly, r king sample-friendly right owners. A we lrd discussed, u'll be on fr legal grund if u gt permission, ill if u hv a rrd ntrt tht ut th burdn of sample clearance on ur huldr. Evn if u dont have a rrd ntrt, u should still k fr permission every tim u ml a ng, ill if the song means a lt t u. Mt lbl, ublihr nd artists r happy to give thir rmiin t rtit looking t rwrk their music fr a f. Th world of vr songs, ml clearances, mechanical lin, nd mui lw h complex rules nd rgultin fr the ul mui rtr.
Free Consultation with a Utah Copyright Lawyer
If you are here, you probably have a trademark or copyright issue you need help with, call Ascent Law for your free intellectual property law consultation (801) 676-5506. We want to help you.
Ascent Law LLC 8833 S. Redwood Road, Suite C West Jordan, Utah 84088 United States Telephone: (801) 676-5506
Ascent Law LLC
4.7 stars - based on 45 reviews
Helpful Intellectual Property Articles
Trademark Lawyer in Utah Intellectual Property Lawyer Utah Commercial Attorney Business Lawyers Business Law Services Copyright Lawyer Utah MLM Lawyer What is Music Copyright Source:http://www.ascentlawfirm.com/alternatives-to-getting-sample-clearance/
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Text
Alternatives to Getting Sample Clearance - IP Lawyer
Here are some alternative ways to get sample clearance.
Recreate the Sml
Firtl, you n u different intrumnt r a imilr sequence r n w to try t mk it diffrnt. Sm rtit vid ing part f th sample lrn f b r-rrding th sampled section, instead f uing th pre-recorded mtr. Thi means tht th rtit tull l and records the music t und xtl lik th original n they want t ml. Hwvr, you till need permission from th mui publisher, but not frm the wnr f the mtr recording. Thi i a nt trik lt me explain: Let's say u wnt t u a ix-nd ml frm rtin ng. Arding to right lw, infringement only occurs when th riginl mtr rrding i ud, but nt whn th und i mimikd nd re-recorded. S instead f mling the riginl rrding, u play th parts urlf nd r-rrd th mui t sound xtl lik th original. In tht case u have nt infringed th mtr recording. Du t a uirk in right lw, you can nl infring a mtr rrding if you actually copy it nt if u imitate it. S u wn't nd permission frm th mtr wnr. Thi i a grt lutin if u nnt obtain ml clearance frm th owner f th master rrding. Yu still nd rmiin frm th mui ublihr, bu th ng itself is copyrighted. However, u d nt need clearance frm the wnr of th mtr recording. Yu uld l employ th services of a Sample Rrtin Company t wrk around the problem. Cmni lik Rin Prdutin nd Rl Hvn offer t r-rrd th sample, and n d t such a high standard tht th riginl vrin and the new n r rtill inditinguihbl. High ulit r-rrding hv th ll the hllmrk f th riginl, but r quicker and easier t lr theres nl th ublihr t nidr, nd n rt f stalemate over competing intrt with the record lbl.
Mk it Unrgnizbl
Whil thi i not mltl suggested, u can l mk th ml unrgnizbl b distorting it nd uing a lot f fft t mk th sample unrgnizbl. K in mind that thi is nt full-rf so nl use this tactic ringl nd as your last rrt.
Buring it in th Mix
You n also bur th ml into th mix tht it bm l rvlnt nd less rgnizbl. A lt of l uggt nt using th sample as the grv r hk.
Not Using th Titl f th Source Mui in th Titl f ur ng
Of ur, u huldnt nd dnt want to use th title f th source mui in th titl f th ng. Whil gin, thi isnt a full-rf w t rtt urlf, it n minr way u can avoid gtting in legal trouble for uing ml.
Cntt th Artist or Songwriter Directly
If you run int rblm with a mui ublihr r wnr f a mtr, you may hv better luck contacting th rtit dirtl. This works if th artist till h m r ntrl in what gets lrd.
Seek Sample-friendly Copyright Ownr
Sm copyright wnr are h t clear ml so muh t encourage th process. Sk th out. Fr xml, m music rtit r-tivl k to rmt thir music fr mling. Th rtit r out there nd m time t k around nd search fr th rtit wh r gr t lt you sample their wrk. Evn if you bliv you can r, edit, or otherwise digui a ml in th mix, u till nd rmiin t ml. Obtining permission fr mui mling can b a lng nd tdiu r. Hwvr, lgl claims of right infringement uld mn that you r unable t u the music ml nd u may vn hv t mn dmg. T vid thi lgl trouble, b sure t get sample clearance.
Wht Yu Can Get Whn Smn Samples Yur Song
Whn mn steals your ng r u a samples frm ur song, th hv infringed your right mning thv used it withut your permission. Some f what you n get is peculiar to th right wrld. Hr hw it wrk:
You gt the fair mrkt vlu of the use they md. For xml, if th rip ff ur ng in a commercial, and tht use of th song is wrth $10,000 in a mrktl dl, u can gt $10,000.
Yu n recover the infringers rfit. This i nt a common rmd and is extremely vlubl It mn tht if the rn who infringd n ur work md a rfit uing ur wrk, u n recover hi profits, which may b mr than th fir mrkt vlu f the usage.
You n gt n injunction which mn the court rhibit th infringer from uing th infringing wrk. If they ntinu to u it nw, thr ubjt t big fin, nd mtim even jil.
Yu n recover statutory dmg, whih is a rl copyright riginl. This i where u nt rv tul damages -- for xml, ur infringr w not only a thif, but also an unsuccessful buinmn, and h lost mn with ur ri-ff. Or maybe hi rfit are so wll hiddn that u nt find thm. In thi , th court n giv u nwhr frm $750 to $30,000 fr a ingl infringmnt.
Altrntivl, u n gt a ingl munt r t f infringmnt nd not the number of copies tull made. For xml, putting ut 20,000 CD with ur ng i till nl one t of infringmnt Th judg n even raise thi to $150,000 if its intntinl infringmnt, and can lwr it t $200 fr n innocent infringmnt.
Yu can also get ur urt t, and, t a limited extent, recover ur ttrn f. Attorneys f i usually rare because u normally dont get ttrn f whn u win a lawsuit.
Cvr Songs: How to Ask Prmiin t Cover a Sng
Cover ng rvid n w to trgt a nw mrkting b when placed lngid ur wn original wrk. In the digitl g, vr songs can t effective rh ngin optimizers fr mui (ill whn you're vring artists who dn't urrntl appear n iTunes, Amzn, etc.). As a professional ngwritr, you may lrd b wr tht nn wh wnt to record a vrin of ur song nd a mechanical lin frm the copyright owner, uull u or your ublihr. Similrl, if u h t record ur wn version f mn l' rviul rrdd and ditributd mui, you wuld nd t secure a mechanical lin. A mechanical lin is tull a "mulr" lin grntd to ur undr Unitd States right lw. Uull, mui users obtain these lin through a mui publisher r gnt. Thr r vrl rvi that n hl in clearing mhnil lin nd ensuring songwriters gt paid. Limlight i n f th rvi u n u t clear n vr ng in order t ditribut b mn of digitl dwnld, hil albums, nd trming. You n finliz ur mechanical lining and royalty accounting needs fr a rvi f f $15 r lin plus ruird ttutr ublihing rlti set b lw. Artists, bnd nd other musical gru n clear any ng and ensure 100% f royalties r id to th rrit publishers nd ngwritr.
Publiit Rl: What Yu Nd if Yur Sng i Prt of n Advrtimnt
There's an xtr wrinkl if you u a sample for ur f lling or ndring a product (fr xml in a Tt d), and th sampled rtit i idntifibl. In lik this, you also nd to get th ur rtit' nnt. Tht' bu th ad rt th imrin f an ndrmnt. Withut th nnt, the ur rtit uld sue fr wht is knwn as th viltin f th "right f ubliit." The m would b tru if u imittd th ur rtit' vi without mling it. S whn u u a sample fr an dvrtiing gn or other mmril client, b aware that a third t of lrn r "rl" may b nr.
Sml Pk & Pre-Cleared Sample Di: Can Yu Use thm Samples?
Sml Pk nd Sml CDs, recordings tht contain sounds and riffs ifill ld t be ud in mlr, n b a gd ltrntiv fr bdrm rdur nd mll lbl. Mt sample k nd sample discs r "r-lrd," whih means tht b buing the di, you're automatically grntd permission fr mui usage withut th payment f n further f. Hwvr, th rmittd use f r-lrd samples m vr frm n disc t nthr. Dn't um u can u th sample in whtvr way you lik. Review th dumnttin tht m with the CD fr any lin infrmtin. Most sample di mkr grant th user a "nnxluiv license" t u th ml --whih mn u, and everyone l, hv rmiin t u th mui. However, with a ml CD you dn't bu th right t redistribute th ml, nl the right to u them in muil works. If you find tht ur urh of th di doesn't grnt the rights u nd, contact th mnufturr t if you're eligible for a rfund.
Wr-u!
Music is a rtin tht rrnt th rtit nd blng t vrn ears, but whn it m to ing th bill, vrn i willing t g th xtr mile t protect their wrk. If you're mling r rmixing another rtit' wrk, some f th mld artist may fl ntitld t compensation; m m nt. My rmmndtin i t gt permission before you invest a lt of time in ur own wrk. Lt rviw some of the int w md in th ur: Wv diud wh ml lrn i nr? And th rn i tht if u dnt gt rmiin to u ml, thi uld lead t tl lwuit or th inbilit t ditribut ur music to th public. Th min point I wnt u to lrn about mui lw is tht you need 2 clearances: n frm th copyright owner f ng (whih i till the music ublihr) and n frm th right owner f th sound rrding, whih is typically th rrd company. The w you find nd k th mui publisher is t lk them n ll n ll f th performing right organization websites, inluding bmi.m, .m, sesac.com, nd hrrfx.m. Thn u also nd t find nd k th owner f th master recording. Th bt w t find th wnr of th mtr rrding i t k the ublihr or you n use a lrn xrt if u nt really find it thrwi. Th t f ml lrn rll varies so make sure u review th ti n th t of ml clearance t know wht t xt when ur negotiating with bth the mui publisher nd th rrd lbl. We l talked but wht t do if u cant gt a ml clearance. Yu n tr recreating th sample, mking th ml unrgnizbl, buing it in th mix, nt uing th title f th ur mui in th title of th ng, ntting th rtit or ngwritr directly, r king sample-friendly right owners. A we lrd discussed, u'll be on fr legal grund if u gt permission, ill if u hv a rrd ntrt tht ut th burdn of sample clearance on ur huldr. Evn if u dont have a rrd ntrt, u should still k fr permission every tim u ml a ng, ill if the song means a lt t u. Mt lbl, ublihr nd artists r happy to give thir rmiin t rtit looking t rwrk their music fr a f. Th world of vr songs, ml clearances, mechanical lin, nd mui lw h complex rules nd rgultin fr the ul mui rtr.
Free Consultation with a Utah Copyright Lawyer
If you are here, you probably have a trademark or copyright issue you need help with, call Ascent Law for your free intellectual property law consultation (801) 676-5506. We want to help you.
Ascent Law LLC 8833 S. Redwood Road, Suite C West Jordan, Utah 84088 United States Telephone: (801) 676-5506
Ascent Law LLC
4.7 stars - based on 45 reviews
Helpful Intellectual Property Articles
Trademark Lawyer in Utah Intellectual Property Lawyer Utah Commercial Attorney Business Lawyers Business Law Services Copyright Lawyer Utah MLM Lawyer What is Music Copyright Source:http://www.ascentlawfirm.com/alternatives-to-getting-sample-clearance/
0 notes
Text
Alternatives to Getting Sample Clearance - IP Lawyer
Here are some alternative ways to get sample clearance.
Recreate the Sml
Firtl, you n u different intrumnt r a imilr sequence r n w to try t mk it diffrnt. Sm rtit vid ing part f th sample lrn f b r-rrding th sampled section, instead f uing th pre-recorded mtr. Thi means tht th rtit tull l and records the music t und xtl lik th original n they want t ml. Hwvr, you till need permission from th mui publisher, but not frm the wnr f the mtr recording. Thi i a nt trik lt me explain: Let's say u wnt t u a ix-nd ml frm rtin ng. Arding to right lw, infringement only occurs when th riginl mtr rrding i ud, but nt whn th und i mimikd nd re-recorded. S instead f mling the riginl rrding, u play th parts urlf nd r-rrd th mui t sound xtl lik th original. In tht case u have nt infringed th mtr recording. Du t a uirk in right lw, you can nl infring a mtr rrding if you actually copy it nt if u imitate it. S u wn't nd permission frm th mtr wnr. Thi i a grt lutin if u nnt obtain ml clearance frm th owner f th master rrding. Yu still nd rmiin frm th mui ublihr, bu th ng itself is copyrighted. However, u d nt need clearance frm the wnr of th mtr recording. Yu uld l employ th services of a Sample Rrtin Company t wrk around the problem. Cmni lik Rin Prdutin nd Rl Hvn offer t r-rrd th sample, and n d t such a high standard tht th riginl vrin and the new n r rtill inditinguihbl. High ulit r-rrding hv th ll the hllmrk f th riginl, but r quicker and easier t lr theres nl th ublihr t nidr, nd n rt f stalemate over competing intrt with the record lbl.
Mk it Unrgnizbl
Whil thi i not mltl suggested, u can l mk th ml unrgnizbl b distorting it nd uing a lot f fft t mk th sample unrgnizbl. K in mind that thi is nt full-rf so nl use this tactic ringl nd as your last rrt.
Buring it in th Mix
You n also bur th ml into th mix tht it bm l rvlnt nd less rgnizbl. A lt of l uggt nt using th sample as the grv r hk.
Not Using th Titl f th Source Mui in th Titl f ur ng
Of ur, u huldnt nd dnt want to use th title f th source mui in th titl f th ng. Whil gin, thi isnt a full-rf w t rtt urlf, it n minr way u can avoid gtting in legal trouble for uing ml.
Cntt th Artist or Songwriter Directly
If you run int rblm with a mui ublihr r wnr f a mtr, you may hv better luck contacting th rtit dirtl. This works if th artist till h m r ntrl in what gets lrd.
Seek Sample-friendly Copyright Ownr
Sm copyright wnr are h t clear ml so muh t encourage th process. Sk th out. Fr xml, m music rtit r-tivl k to rmt thir music fr mling. Th rtit r out there nd m time t k around nd search fr th rtit wh r gr t lt you sample their wrk. Evn if you bliv you can r, edit, or otherwise digui a ml in th mix, u till nd rmiin t ml. Obtining permission fr mui mling can b a lng nd tdiu r. Hwvr, lgl claims of right infringement uld mn that you r unable t u the music ml nd u may vn hv t mn dmg. T vid thi lgl trouble, b sure t get sample clearance.
Wht Yu Can Get Whn Smn Samples Yur Song
Whn mn steals your ng r u a samples frm ur song, th hv infringed your right mning thv used it withut your permission. Some f what you n get is peculiar to th right wrld. Hr hw it wrk:
You gt the fair mrkt vlu of the use they md. For xml, if th rip ff ur ng in a commercial, and tht use of th song is wrth $10,000 in a mrktl dl, u can gt $10,000.
Yu n recover the infringers rfit. This i nt a common rmd and is extremely vlubl It mn tht if the rn who infringd n ur work md a rfit uing ur wrk, u n recover hi profits, which may b mr than th fir mrkt vlu f the usage.
You n gt n injunction which mn the court rhibit th infringer from uing th infringing wrk. If they ntinu to u it nw, thr ubjt t big fin, nd mtim even jil.
Yu n recover statutory dmg, whih is a rl copyright riginl. This i where u nt rv tul damages -- for xml, ur infringr w not only a thif, but also an unsuccessful buinmn, and h lost mn with ur ri-ff. Or maybe hi rfit are so wll hiddn that u nt find thm. In thi , th court n giv u nwhr frm $750 to $30,000 fr a ingl infringmnt.
Altrntivl, u n gt a ingl munt r t f infringmnt nd not the number of copies tull made. For xml, putting ut 20,000 CD with ur ng i till nl one t of infringmnt Th judg n even raise thi to $150,000 if its intntinl infringmnt, and can lwr it t $200 fr n innocent infringmnt.
Yu can also get ur urt t, and, t a limited extent, recover ur ttrn f. Attorneys f i usually rare because u normally dont get ttrn f whn u win a lawsuit.
Cvr Songs: How to Ask Prmiin t Cover a Sng
Cover ng rvid n w to trgt a nw mrkting b when placed lngid ur wn original wrk. In the digitl g, vr songs can t effective rh ngin optimizers fr mui (ill whn you're vring artists who dn't urrntl appear n iTunes, Amzn, etc.). As a professional ngwritr, you may lrd b wr tht nn wh wnt to record a vrin of ur song nd a mechanical lin frm the copyright owner, uull u or your ublihr. Similrl, if u h t record ur wn version f mn l' rviul rrdd and ditributd mui, you wuld nd t secure a mechanical lin. A mechanical lin is tull a "mulr" lin grntd to ur undr Unitd States right lw. Uull, mui users obtain these lin through a mui publisher r gnt. Thr r vrl rvi that n hl in clearing mhnil lin nd ensuring songwriters gt paid. Limlight i n f th rvi u n u t clear n vr ng in order t ditribut b mn of digitl dwnld, hil albums, nd trming. You n finliz ur mechanical lining and royalty accounting needs fr a rvi f f $15 r lin plus ruird ttutr ublihing rlti set b lw. Artists, bnd nd other musical gru n clear any ng and ensure 100% f royalties r id to th rrit publishers nd ngwritr.
Publiit Rl: What Yu Nd if Yur Sng i Prt of n Advrtimnt
There's an xtr wrinkl if you u a sample for ur f lling or ndring a product (fr xml in a Tt d), and th sampled rtit i idntifibl. In lik this, you also nd to get th ur rtit' nnt. Tht' bu th ad rt th imrin f an ndrmnt. Withut th nnt, the ur rtit uld sue fr wht is knwn as th viltin f th "right f ubliit." The m would b tru if u imittd th ur rtit' vi without mling it. S whn u u a sample fr an dvrtiing gn or other mmril client, b aware that a third t of lrn r "rl" may b nr.
Sml Pk & Pre-Cleared Sample Di: Can Yu Use thm Samples?
Sml Pk nd Sml CDs, recordings tht contain sounds and riffs ifill ld t be ud in mlr, n b a gd ltrntiv fr bdrm rdur nd mll lbl. Mt sample k nd sample discs r "r-lrd," whih means tht b buing the di, you're automatically grntd permission fr mui usage withut th payment f n further f. Hwvr, th rmittd use f r-lrd samples m vr frm n disc t nthr. Dn't um u can u th sample in whtvr way you lik. Review th dumnttin tht m with the CD fr any lin infrmtin. Most sample di mkr grant th user a "nnxluiv license" t u th ml --whih mn u, and everyone l, hv rmiin t u th mui. However, with a ml CD you dn't bu th right t redistribute th ml, nl the right to u them in muil works. If you find tht ur urh of th di doesn't grnt the rights u nd, contact th mnufturr t if you're eligible for a rfund.
Wr-u!
Music is a rtin tht rrnt th rtit nd blng t vrn ears, but whn it m to ing th bill, vrn i willing t g th xtr mile t protect their wrk. If you're mling r rmixing another rtit' wrk, some f th mld artist may fl ntitld t compensation; m m nt. My rmmndtin i t gt permission before you invest a lt of time in ur own wrk. Lt rviw some of the int w md in th ur: Wv diud wh ml lrn i nr? And th rn i tht if u dnt gt rmiin to u ml, thi uld lead t tl lwuit or th inbilit t ditribut ur music to th public. Th min point I wnt u to lrn about mui lw is tht you need 2 clearances: n frm th copyright owner f ng (whih i till the music ublihr) and n frm th right owner f th sound rrding, whih is typically th rrd company. The w you find nd k th mui publisher is t lk them n ll n ll f th performing right organization websites, inluding bmi.m, .m, sesac.com, nd hrrfx.m. Thn u also nd t find nd k th owner f th master recording. Th bt w t find th wnr of th mtr rrding i t k the ublihr or you n use a lrn xrt if u nt really find it thrwi. Th t f ml lrn rll varies so make sure u review th ti n th t of ml clearance t know wht t xt when ur negotiating with bth the mui publisher nd th rrd lbl. We l talked but wht t do if u cant gt a ml clearance. Yu n tr recreating th sample, mking th ml unrgnizbl, buing it in th mix, nt uing th title f th ur mui in th title of th ng, ntting th rtit or ngwritr directly, r king sample-friendly right owners. A we lrd discussed, u'll be on fr legal grund if u gt permission, ill if u hv a rrd ntrt tht ut th burdn of sample clearance on ur huldr. Evn if u dont have a rrd ntrt, u should still k fr permission every tim u ml a ng, ill if the song means a lt t u. Mt lbl, ublihr nd artists r happy to give thir rmiin t rtit looking t rwrk their music fr a f. Th world of vr songs, ml clearances, mechanical lin, nd mui lw h complex rules nd rgultin fr the ul mui rtr.
Free Consultation with a Utah Copyright Lawyer
If you are here, you probably have a trademark or copyright issue you need help with, call Ascent Law for your free intellectual property law consultation (801) 676-5506. We want to help you.
Ascent Law LLC 8833 S. Redwood Road, Suite C West Jordan, Utah 84088 United States Telephone: (801) 676-5506
Ascent Law LLC
4.7 stars - based on 45 reviews
Helpful Intellectual Property Articles
Trademark Lawyer in Utah Intellectual Property Lawyer Utah Commercial Attorney Business Lawyers Business Law Services Copyright Lawyer Utah MLM Lawyer What is Music Copyright Source:http://www.ascentlawfirm.com/alternatives-to-getting-sample-clearance/
0 notes
Text
Alternatives to Getting Sample Clearance - IP Lawyer
Here are some alternative ways to get sample clearance.
Recreate the Sml
Firtl, you n u different intrumnt r a imilr sequence r n w to try t mk it diffrnt. Sm rtit vid ing part f th sample lrn f b r-rrding th sampled section, instead f uing th pre-recorded mtr. Thi means tht th rtit tull l and records the music t und xtl lik th original n they want t ml. Hwvr, you till need permission from th mui publisher, but not frm the wnr f the mtr recording. Thi i a nt trik lt me explain: Let's say u wnt t u a ix-nd ml frm rtin ng. Arding to right lw, infringement only occurs when th riginl mtr rrding i ud, but nt whn th und i mimikd nd re-recorded. S instead f mling the riginl rrding, u play th parts urlf nd r-rrd th mui t sound xtl lik th original. In tht case u have nt infringed th mtr recording. Du t a uirk in right lw, you can nl infring a mtr rrding if you actually copy it nt if u imitate it. S u wn't nd permission frm th mtr wnr. Thi i a grt lutin if u nnt obtain ml clearance frm th owner f th master rrding. Yu still nd rmiin frm th mui ublihr, bu th ng itself is copyrighted. However, u d nt need clearance frm the wnr of th mtr recording. Yu uld l employ th services of a Sample Rrtin Company t wrk around the problem. Cmni lik Rin Prdutin nd Rl Hvn offer t r-rrd th sample, and n d t such a high standard tht th riginl vrin and the new n r rtill inditinguihbl. High ulit r-rrding hv th ll the hllmrk f th riginl, but r quicker and easier t lr theres nl th ublihr t nidr, nd n rt f stalemate over competing intrt with the record lbl.
Mk it Unrgnizbl
Whil thi i not mltl suggested, u can l mk th ml unrgnizbl b distorting it nd uing a lot f fft t mk th sample unrgnizbl. K in mind that thi is nt full-rf so nl use this tactic ringl nd as your last rrt.
Buring it in th Mix
You n also bur th ml into th mix tht it bm l rvlnt nd less rgnizbl. A lt of l uggt nt using th sample as the grv r hk.
Not Using th Titl f th Source Mui in th Titl f ur ng
Of ur, u huldnt nd dnt want to use th title f th source mui in th titl f th ng. Whil gin, thi isnt a full-rf w t rtt urlf, it n minr way u can avoid gtting in legal trouble for uing ml.
Cntt th Artist or Songwriter Directly
If you run int rblm with a mui ublihr r wnr f a mtr, you may hv better luck contacting th rtit dirtl. This works if th artist till h m r ntrl in what gets lrd.
Seek Sample-friendly Copyright Ownr
Sm copyright wnr are h t clear ml so muh t encourage th process. Sk th out. Fr xml, m music rtit r-tivl k to rmt thir music fr mling. Th rtit r out there nd m time t k around nd search fr th rtit wh r gr t lt you sample their wrk. Evn if you bliv you can r, edit, or otherwise digui a ml in th mix, u till nd rmiin t ml. Obtining permission fr mui mling can b a lng nd tdiu r. Hwvr, lgl claims of right infringement uld mn that you r unable t u the music ml nd u may vn hv t mn dmg. T vid thi lgl trouble, b sure t get sample clearance.
Wht Yu Can Get Whn Smn Samples Yur Song
Whn mn steals your ng r u a samples frm ur song, th hv infringed your right mning thv used it withut your permission. Some f what you n get is peculiar to th right wrld. Hr hw it wrk:
You gt the fair mrkt vlu of the use they md. For xml, if th rip ff ur ng in a commercial, and tht use of th song is wrth $10,000 in a mrktl dl, u can gt $10,000.
Yu n recover the infringers rfit. This i nt a common rmd and is extremely vlubl It mn tht if the rn who infringd n ur work md a rfit uing ur wrk, u n recover hi profits, which may b mr than th fir mrkt vlu f the usage.
You n gt n injunction which mn the court rhibit th infringer from uing th infringing wrk. If they ntinu to u it nw, thr ubjt t big fin, nd mtim even jil.
Yu n recover statutory dmg, whih is a rl copyright riginl. This i where u nt rv tul damages -- for xml, ur infringr w not only a thif, but also an unsuccessful buinmn, and h lost mn with ur ri-ff. Or maybe hi rfit are so wll hiddn that u nt find thm. In thi , th court n giv u nwhr frm $750 to $30,000 fr a ingl infringmnt.
Altrntivl, u n gt a ingl munt r t f infringmnt nd not the number of copies tull made. For xml, putting ut 20,000 CD with ur ng i till nl one t of infringmnt Th judg n even raise thi to $150,000 if its intntinl infringmnt, and can lwr it t $200 fr n innocent infringmnt.
Yu can also get ur urt t, and, t a limited extent, recover ur ttrn f. Attorneys f i usually rare because u normally dont get ttrn f whn u win a lawsuit.
Cvr Songs: How to Ask Prmiin t Cover a Sng
Cover ng rvid n w to trgt a nw mrkting b when placed lngid ur wn original wrk. In the digitl g, vr songs can t effective rh ngin optimizers fr mui (ill whn you're vring artists who dn't urrntl appear n iTunes, Amzn, etc.). As a professional ngwritr, you may lrd b wr tht nn wh wnt to record a vrin of ur song nd a mechanical lin frm the copyright owner, uull u or your ublihr. Similrl, if u h t record ur wn version f mn l' rviul rrdd and ditributd mui, you wuld nd t secure a mechanical lin. A mechanical lin is tull a "mulr" lin grntd to ur undr Unitd States right lw. Uull, mui users obtain these lin through a mui publisher r gnt. Thr r vrl rvi that n hl in clearing mhnil lin nd ensuring songwriters gt paid. Limlight i n f th rvi u n u t clear n vr ng in order t ditribut b mn of digitl dwnld, hil albums, nd trming. You n finliz ur mechanical lining and royalty accounting needs fr a rvi f f $15 r lin plus ruird ttutr ublihing rlti set b lw. Artists, bnd nd other musical gru n clear any ng and ensure 100% f royalties r id to th rrit publishers nd ngwritr.
Publiit Rl: What Yu Nd if Yur Sng i Prt of n Advrtimnt
There's an xtr wrinkl if you u a sample for ur f lling or ndring a product (fr xml in a Tt d), and th sampled rtit i idntifibl. In lik this, you also nd to get th ur rtit' nnt. Tht' bu th ad rt th imrin f an ndrmnt. Withut th nnt, the ur rtit uld sue fr wht is knwn as th viltin f th "right f ubliit." The m would b tru if u imittd th ur rtit' vi without mling it. S whn u u a sample fr an dvrtiing gn or other mmril client, b aware that a third t of lrn r "rl" may b nr.
Sml Pk & Pre-Cleared Sample Di: Can Yu Use thm Samples?
Sml Pk nd Sml CDs, recordings tht contain sounds and riffs ifill ld t be ud in mlr, n b a gd ltrntiv fr bdrm rdur nd mll lbl. Mt sample k nd sample discs r "r-lrd," whih means tht b buing the di, you're automatically grntd permission fr mui usage withut th payment f n further f. Hwvr, th rmittd use f r-lrd samples m vr frm n disc t nthr. Dn't um u can u th sample in whtvr way you lik. Review th dumnttin tht m with the CD fr any lin infrmtin. Most sample di mkr grant th user a "nnxluiv license" t u th ml --whih mn u, and everyone l, hv rmiin t u th mui. However, with a ml CD you dn't bu th right t redistribute th ml, nl the right to u them in muil works. If you find tht ur urh of th di doesn't grnt the rights u nd, contact th mnufturr t if you're eligible for a rfund.
Wr-u!
Music is a rtin tht rrnt th rtit nd blng t vrn ears, but whn it m to ing th bill, vrn i willing t g th xtr mile t protect their wrk. If you're mling r rmixing another rtit' wrk, some f th mld artist may fl ntitld t compensation; m m nt. My rmmndtin i t gt permission before you invest a lt of time in ur own wrk. Lt rviw some of the int w md in th ur: Wv diud wh ml lrn i nr? And th rn i tht if u dnt gt rmiin to u ml, thi uld lead t tl lwuit or th inbilit t ditribut ur music to th public. Th min point I wnt u to lrn about mui lw is tht you need 2 clearances: n frm th copyright owner f ng (whih i till the music ublihr) and n frm th right owner f th sound rrding, whih is typically th rrd company. The w you find nd k th mui publisher is t lk them n ll n ll f th performing right organization websites, inluding bmi.m, .m, sesac.com, nd hrrfx.m. Thn u also nd t find nd k th owner f th master recording. Th bt w t find th wnr of th mtr rrding i t k the ublihr or you n use a lrn xrt if u nt really find it thrwi. Th t f ml lrn rll varies so make sure u review th ti n th t of ml clearance t know wht t xt when ur negotiating with bth the mui publisher nd th rrd lbl. We l talked but wht t do if u cant gt a ml clearance. Yu n tr recreating th sample, mking th ml unrgnizbl, buing it in th mix, nt uing th title f th ur mui in th title of th ng, ntting th rtit or ngwritr directly, r king sample-friendly right owners. A we lrd discussed, u'll be on fr legal grund if u gt permission, ill if u hv a rrd ntrt tht ut th burdn of sample clearance on ur huldr. Evn if u dont have a rrd ntrt, u should still k fr permission every tim u ml a ng, ill if the song means a lt t u. Mt lbl, ublihr nd artists r happy to give thir rmiin t rtit looking t rwrk their music fr a f. Th world of vr songs, ml clearances, mechanical lin, nd mui lw h complex rules nd rgultin fr the ul mui rtr.
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