#vsevolod ivanov

[thatsgoodweb]

Vsevolod Ivanov, Visions of Atlantis, 2006-2012

[visions-of-our-past]

Trypillia by Vsevolod Ivanov

[alightinthelantern]

Vsevolod Ivanov. Guarding the North. 2006

[alienssapiens]

Vsevolod Ivanov

[cthxs]

by Vsevolod Ivanov

[mila2010]

Art by Vsevolod Ivanov

[venustapolis]

The Two Faces of Peryn (Vsevolod Borisovich Ivanov, 2006)

[talonabraxas]

The high-priests and priestesses of Atlantis had discovered many of the deepest secrets of the universe. They had come to understand all about reincarnation, karma, and the innermost workings of the Enlightenment Cycle. --Frederick Lenz

Magical Invocation Vsevolod Borisovich Ivanov

[pwlanier]

Ivanov V.B. "Mirror of Time" Oil on canvas. Size 60x45 cm.

Ivanov Vsevolod Borisovich was born on August 14, 1950 in the city of Belomorsk. He started as an amateur painter. In 1978 he graduated from the Tver Art School named after A.G. Venetsianova, having received the specialty of artist-designer. Later he worked by profession and was engaged in graphics. Participant of domestic and foreign exhibitions. In his work, he turns to the topic of original Russia.

In his modest workshop, converted from a simple apartment in the center of Tver, famous series of paintings have been created: "Atlantis", "Baltic Russia", "Great TARTARIA", "Hyperborea", "Wooden Russia", "Ancient Russia", "Thoughts about Russia", "Slovenian Keys", "Tripoli Many works are in private and corporate meetings in Russia, France, Germany, Finland.

Artmolotok

[polymorphousculturevulture]

Vsevolod Ivanov

[infinitymythos]

Flight of the Phoenixes/Zhar-Ptitsa🐦‍🔥🌅

By:

Vsevolod Ivanov

[gallerix-the-world]

Vsevolod Borisovich Ivanov

A street in Posad, 2004

[byneddiedingo]

Valéry Inkijinoff in Storm Over Asia (Vsevolod Pudovkin, 1928)

Cast: Valéry Inkijinoff, I. Didintseff, Aleksandr Chistyakov, Victor Tsoppi, Fyodor Ivanov, V. Pro, Boris Barnet, Karl Gurniak, I. Inkizhinov, V. Belinskaya, Anel Sudakevich. Screenplay: Osip Brik, Ivan Novokshenov. Cinematography: Anatoli Golovnya. Art direction: M. Aronson, Sergei Kozlovsky.

The great silent Russian propaganda films depended heavily on two things the nascent Soviet Union had in abundance: faces and landscapes. This reliance on closeups and sweeping views of fields and plains sometimes resulted in a loss of narrative coherence, but put the emphasis on the people and resources that the Bolsheviks needed to exercise control over. Storm Over Asia is no exception, beginning with the windswept land and Asiatic faces of the Mongol peoples of eastern Russia, which at the time depicted in the film was still a vast battleground for the Bolsheviks and European forces. After establishing the location, the film focuses on Bair (Valéry Inkijinoff), a young hunter whose father sends him off to the bazaar to sell a silver fox pelt. In the vividly filmed bazaar, Bair is cheated by an unscrupulous European fur trader (Viktor Tsoppi), who might as well be wearing a label: bourgeois capitalist. Beaten by the henchmen for the trader, Bair escapes and joins a group of Soviet partisans fighting the occupiers. The occupation forces seem to be British, who were never a significant presence in this part of the Soviet Union, but the film is vague about such details. They manage to capture Bair, who is sent out with a soldier to be shot, but when they examine Bair's belongings they discover an ancient document indicating that he's a direct descendant of Genghis Khan. (The original title of the film, in Russian, was The Heir to Genghis Khan.) They find the wounded Bair, restore him to health, and set him up as the puppet ruler of a Mongolian state. In the end, Bair turns against the imperialists and the film concludes with a literal storm sweeping them away. It's a film full of great set-pieces, including a montage mockng the imperialists and their wives as they put on their finery and then are driven on a muddy road to meet the new Grand Lama. After an elaborate ceremony (actually filmed at a Tibetan Buddhist celebration) the lama turns out to be a small boy, not at all impressed with his visitors.   

[karagin22]

vsevolod-ivanov-the-grandchildren-of-perun-exodus-of-the-hyperboreans-2006

[alienssapiens]

Vsevolod Ivanov

[damage-cloud]

Fantasy Art & Propaganda

A surprising amount of fantasy artwork is Nazi propaganda. Not most, but way more than you would expect. As an enjoyer of fantasy artwork, you (and I) have to actively consider whether or not what you're seeing is a mythologized white utopia or not.

I see his art shared all the time, but Ivanov Vsevolod's paintings, while visibly beautiful, are covered in swastikas, ss bolts, and other more context dependent Neo-Nazi symbols, such as life & Othala runes.

I am BEGGINGGG other fantasy art enjoyers to think critically about what you are seeing