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tothemeadow · 4 years ago

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LMAOOO THAT LAST ONE GOT ME FEELING SOME TYPE OF WAY 🥵🥵 If you don’t mind continuing that, Mario kart with pillars and fem reader boys vs girls except it’s fucking battle mode:R e n a g a d e R o u n d u p and the girls are on the dodge the law side, we were WAY too confident in winning and as for punishment for losing...we gotta strip all the way down (just into undergarments I’m not that thirsty I swear-)

‘to claim victory pt. 2′ / Pillars x Reader

hehehe give into your thirst

warnings: spicy

words: 1,211

(a/n): Muichiro is 18+ in this!

“Will you just- fucking stop,” Sanemi growls.

All three of you girls giggle in delight as you successfully maneuver around Dry Bowser. Even Kyojuro voices his complaint, saying how unfair it is that you guys are too good at this. After all the shit you went through with regular races, there’s no doubt in anyone’s mind that you girls are out for blood.

This game of cat and mouse only stirs the excitement dwindling in your belly. The stakes are even higher this time, and if you win, then the guys get to be the ones punished. You – nor Shinobu and Mitsuri – were not going to let this opportunity pass.

“Oh, crap!” Mitsuri suddenly exclaims. “Help a girl out here, ladies!”

It doesn’t take long for either you or Shinobu to spring into action. Drifting into a turn, you spin your character around and immediately head for where Mitsuri is being held captive. You shriek in delight as Shy Guy and Donkey Kong narrowly miss you. Thankfully, Shinobu keeps the others distracted as you free Mitsuri from her prison.

“Looks like I did it again,” you taunt, a smirk playing on your face. “You boys should really step up your game if you want to win.”

“Says the girl with hickeys covering her neck,” Obanai huffs.

Tengen hums. “Our victory will be flamboyant, I assure you!”

“Kiss my ass,” Shinobu tells the two. “Time’s going to run out before you even get the chance.”

Off to the side, you hear Muichiro snicker. Cocky little bastard. Even though it’s clear he’s on the losing side, he still manages to act like that. “I wouldn’t be too sure of that if I were you.”

“Don’t get ahead of yourself, Mui,” you mockingly purr. “Defeat isn’t as bad as it seems. You should try it sometime.”

Looking up from his screen, Muichiro quickly sends you a mischievous grin. You catch his eye briefly; for some reason, seeing his smile makes you frown. You knew that little smile all too well. He has something up his sleeve, you’re sure of it.

It’s because of this that you get captured.

“Don’t mind me,” Tengen casually says.

You huff and bite back a curse. “Girls, if you will-“

“Already on it!” Mitsuri chirps.

You watch as Tanuki Mario gets closer to your character; holding your breath, you wait for the perfect moment to take off.

But it never comes.

Dry Bowser seemingly comes out of nowhere and manages to capture Tanuki Mario. Mitsuri yelps as she’s suddenly put into the cage, her eyes going wide. You grit your teeth. Shit. That only means Shinobu is left.

“Son of a bitch! Stay away, Giyuu!” Shinobu hisses. She gets so worked over this game.

“No,” he simply says. His character captures hers and she’s now joining you and Mitsuri.

Your heart drops to your stomach. No… No, this can’t be. It just can’t. You girls were so close to winning, fingertips reaching out for victory, but only for it to be ripped away.

Again, Muichiro snickers. “What was that about defeat? Can’t say I’m familiar with it.”

“Oh, no,” Mitsuri breathes. She gazes at you with bewildered eyes. “We’re going to get punished.”

Shinobu clicks her tongue. “Fine. More hickeys, right?”

The guys all cast knowing glances amongst each other. Each of them sets of their device, getting comfy in their spot. Tengen’s face cracks into a smile.

“It’s your lucky days, ladies! No more hickeys!”

You exhale a sigh of relief. Then you pause, your body tensing up. If hickeys aren’t the punishment, then what is? You really don’t wish to find out.

As if sensing your inner turmoil, Tengen spreads his hands in a warm gesture. “Don’t worry too much, (y/n). It’s simple. Strip.” The way he says it makes it seem like he’s getting a piece of his favorite candy.

Shinobu scoffs while Mitsuri squeaks in embarrassment.

Kyojuro shifts in his seat, seemingly already excited about what was to come. Even Giyuu fidgets around a bit.

“Does it have to be the whole way?” Mitsuri whines, her face now a bright red.

Tengen merely shakes his head. “Just to the undies.” Damn him and that smile.

The three of you girls exchange looks. It’s not going to be simple to get yourselves out of this situation. Plus, you already agreed to do the punishment if you lost. The only thing left to do now is comply.

Surprisingly, Mitsuri is the one to make the first move. In timid movements, her slender fingers grab onto the hem of her sweater and she begins to lift it up. The expanse of her creamy skin comes into view; you swear you can hear Obanai cursing under his breath. As more of Mitsuri’s skin comes into view, you can feel yourself growing warm.

Mitsuri’s always been a pretty girl with an amazing physique. Sure, you’ve seen her without proper clothing, but in a situation like this? It’s like seeing her for the very first time. Your throat goes dry as she lifts her sweater up and over her head. Your eyes latch onto her luscious breasts; they’re only covered by a pink sheer fabric with cute little cherries stitched onto it. Her bra is actually really pretty, but now’s not the time to ogle over it.

Shinobu, on the other hand, only wants to get it done and over with. She nearly tears her shirt as she whips it off. She’s not as well-endowed as Mitsuri, but her physique is equally nice. Her top piece consists of a simple black bralette, its entirety covered by a thin layer of lace. Although she says nothing, her face is also flushed.

You gulp when you realize that it’s your turn. Muichiro and Giyuu already saw your bra earlier, so you don’t play shy as you pull off your own shirt. You’re actually thankful you chose a matching set today; covered in a satiny baby blue piece, goosebumps prickle across your skin.

None of the guys say anything as the three of you simultaneously remove your pants. Tengen bites back his smirk, leaning back in his seat. Sanemi chuckles lightly to himself.

“How lovely!” Kyojuro booms. The blush on his face rivals the hue of the tips of his hair.

“It really is,” Muichiro drawls, his eyes latched onto the hickey he bestowed upon your breast earlier.

Giyuu merely agrees as he gazes at the mark he left above the hem of your panties.

“Is this good enough?” Mitsuri squeaks. She crosses her arms over herself.

“Spin around,” Obanai barks.

With a jolt, you quickly do as you’re told. Shinobu mutters something under her breath. With your asses turned to the guys, you suck in a breath as someone audibly groans.

“I wanna sink my teeth into them,” Kyojuro murmurs.

“Same,” Tengen replies.

Glancing over your shoulder, you notice Giyuu’s eyes lingering on your behind. His cheeks are a faint pink.

“Why don’t we play the next match like this,” Muichiro offers offhandedly. The guys hastily voice their agreement in unison.

With a sigh, you move to sit back in your spot, but Tengen abruptly pulls you into his lap. “It’s comfier this way, isn’t it?” he whispers into your ear.

You shudder.

#kny #kimetsu no yaiba #demon slayer #kny x reader #kimetsu no yaiba x reader #demon slayer x reader #kny pillars #kny pillars x reader #kny hashira #kny hashira x reader #request

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aceofthegreenajah · 3 years ago

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Because I’ve been on Nirvana in Fire brain, and also to distract myself from constantly checking the news while I was stuck on train, I started to collect tags from @hunxi-after-hours LYB/Nirvana in Fire rewatch liveblog. Here are some non-spoilery ones in completely randomized order for extra non-spoileryness.

(compromising situation being: murder)

I mean is it even a party in ancient China if you haven't fought with the cutlery

I once had a DM emotionally hamstring me during a session by playing the LYB soundtrack

this show is Saying Things about revenge and justice and the lines in between and that's very sexy of it

women supporting women but at what emotional cost

the way this show balances stress and comedy; truly legendary

I think there's a lot to be unpacked in this show about moral purity and righteousness; methods vs. intentions

please stick my hand into a brazier it would be less painful

it is a beautiful day in the capital and you are a conniving conniving tactician

how are all the actors for this show so damn good: we get drunk princes in these episodes and it's fascinating how inebriation sits on their physicality differently; the sheer TALENT of this cast

I came here to have a good time and now I'm ride or die for every secondary character in the cast

I'm realizing that when I first watched LYB; it was before I got into my major before I studied film; and before I did lighting design; so of course on this rewatch I am constantly losing my mind about all of the above

I recommend 8 hours of sleep in order to prepare yourself to receive information that may hurt you

how dare this show be beautiful as well as well-written

everyone in Su Manor continues to be A Mood

I still think all the time about that one article that called LYB1 Hamlet and LYB2 Othello

we haven't seen him for a few episodes and I've honestly been worried about him; has he been getting enough hugs?? is someone making sure he sleeps and takes care of himself???; has he been getting enough hugs??????

this show delivers such competence porn for secondary characters and that is my jam

anyway where's my Fei Liu spin-off series where he fights people for forty consecutive episodes

there is so much. HOPE. in his eyes; I need to take a lap around the room AAAHHHHHHH

because here is someone who will understand the depth of what that means; the unspoken horrors and the aching wrongness

I forgot how funny this show is and I am delighted

where's my spin-off sitcom series about Su Manor Shenanigans

the virtue in sticking to your morals come hell or high water or imperial persecution; and the virtue in being able to change with the times and emerge unscathed

Nanchu spin-off series when

he's just like 'this is not how an interrogation is supposed to go'

it comes from the back muscles built by carrying the comedy of all 54 episodes

we love stealthily plot-relevant aesthetic shots of teapots

I have a TYPE; and the type is MURDER

it's me I need a drink for the emotional damage this show is causing me

we stan the best mother hen of this dynasty and all that come after

sure sure it's melodramatic but goddamn if it doesn't give me CHILLS

you know how the CQL fandom collectively loses their mind over that one (1) shot of sunlight illuminating Xiao Zhan's eyes?; yeah that's this show but like; Constantly; and I Suffer

singlehandedly restoring months to my lifespan right there

still waiting for an entire spin-off series about Xiao Jingrui if we're being honest

this music still has its claws in my hindbrain; I hear the xiao I start holding back the tears that's just how it works

#nirvana in fire #nirvana in fire: a summary #I apparently had that tag already so I had to use it #lang ya bang

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thecreaturecodex · 4 years ago

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Sahkil, Vlogar

Image © Green Ronin Publishing

[Commissioned by @thetygre. The vlogar was a creature in the Book of Fiends, originally a daemon of lust. And in a book that features multiple evil sperm monsters (seriously), it’s one of the more subtle lust-themed creatures in the book. It was the commissioner’s idea to make it a sahkil related to scopophobia, which I thought was a brilliant choice. And because the art is disturbing without being puerile (see previous statement about sperm monsters), I wanted to be sure to use the original piece.

Incidentally, do you think it’s a coincidence or an intentional joke that a voyeur monster has a name close to “vlogger”? The word vlog was coined in 2002, and the Book of Fiends came out in 2003, so it could go either way.]

Sahkil, Vlogar CR 3 NE Outsider (extraplanar) This humanoid creature has pebbly skin that shifts in hue as you watch it. Its hands and feet are clawed, and it clambers around on all fours. Its face is contorted into a ghoulish rictus, and a long tongue lashes from its oval mouth obscenely.

A vlogar is a sahkil representing scopophobia, the fear of being stared at. They embody this fear in both directions—a vlogar is rarely seen unless it wishes to be, but it is a voyeur par excellence and stares at others constantly. Most vlogars delight in revealing their hideous gaze only for a moment, just long enough to let a victim know that they are being watched, before disappearing back into the shadows. They also encourage wicked mortals to become voyeurs themselves, and may stoke this obsession towards more serious crimes given enough time.

A vlogar prefers to leave direct violence to more powerful sahkils, instead watching from the sidelines to strike at the unaware or vulnerable. Creatures they grab are magically silenced, and vlogars are responsible for at least some mysterious disappearances. They only fight for a few rounds at a time before retreating, scampering up sheer walls to find a hiding spot. On the rare occasions they fight an entire group at once, they break up formations with their spell-like abilities, rendering parties fighting amongst themselves so the vlogar can pinpoint their weakest member.

Vlogar CR 3 XP 800 NE Medium outsider (evil, extraplanar, sahkil) Init +3; Senses darkvision 60 ft., Perception +7 Defense AC 16, touch 13, flat-footed 13 (+3 Dex, +3 natural) hp 22 (4d10) Fort +1, Ref +7, Will +4 DR 5/good; Immune death effects, disease, fear, poison; Resist cold 10, electricity 10, sonic 10; SR 14 Defensive Abilities evasion Offense Speed 30 ft., climb 30 ft. Melee 2 claws +6 (1d6+2), tongue +4 (grab and pull) Space 5 ft.; Reach 5 ft. (15 ft. with tongue) Special Attacks constrict (tongue, 1d6+3), look of fear, pull (10 ft.), silencing constriction Spell-like Abilities CL 4th, concentration +6 At will—bane (DC 15), command (DC 13), fog cloud 3/day—paranoia (DC 14), see invisibility 1/day—blur, scare (DC 16), suggestion (DC 15) Statistics Str 14, Dex 17, Con 10, Int 13, Wis 10, Cha 15 Base Atk +4; CMB +6 (+10 grappling); CMD 19 (23 vs. trip) Feats Multiattack, Stealthy Skills Acrobatics +10, Bluff +9, Climb +25, Escape Artist +12, Intimidate +9, Knowledge (planes) +8, Linguistics +5, Perception +7, Sense Motive +7, Stealth +16; Racial Modifiers +16 Climb, +4 Stealth Languages Abyssal, Celestial, Common, Halfling, Infernal, Orc, Sylvan SQ camouflage, easy to call, emotional focus, expert climber, lesser skip between Ecology Environment any land and underground (Ethereal Plane) Organization solitary, pair or audience (3-6) Treasure standard Special Abilities Camouflage (Ex) A vlogar can change its skin color at will, allowing it to make Stealth checks without cover or concealment. It gains a +4 racial bonus on Stealth checks. Expert Climber (Ex) A vlogar can climb on smooth surfaces and even upside down, as per a non-magical version of the spider climb spell. It gains a +16 racial bonus on Climb checks, which replaces the usual +8 bonus for having a climb speed. Lesser Skip Between (Su) A vlogar can use the skip between ability of a sahkil only once per day. Look of Fear (Su) 30 ft., Will DC 16, shaken 1d4 rounds. This cannot increase a creature’s fear levels beyond shaken. This is a mind-influencing fear effect, and the save DC is Charisma based and includes a +2 racial bonus from the vlogar’s emotional focus. Silencing Constriction (Su) A creature grappled by a vlogar’s tongue is silenced, as per the spell, for as long as it remains grappled.

#vlogar #sahkil #pathfinder 1e #the book of fiends #commissions

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makeste · 4 years ago

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not a cavalcade of Katsuki panels

damn, anon. you stone cold came for me with that last part. and just fyi to all onlookers, this was before I had posted the headcanons ask proving this exact point lmao.

but a challenge has been issued now! so I will do my best to pick a variety of impartial panels featuring a veritable medley of characters. not sure I can really provide much in the way of insightful analysis of symbolism and metaphors and stuff, but I can certainly type a lot of words about the pretty pictures, and about how cool people look when they’re standing around all serious surrounded by clouds of billowing smoke.

why I like it: I figured we’d start off strong. no point in holding back. can the other panels possibly even hope to compete. maybe. we’ll see.

why I like it: because, you see, he punched a giant robot, and it exploded. you see that, there? and the text was all “SMAASH” in humongous comic book letters, and it was pretty cool. also Deku is very tiny and the robot is very big. and just to clarify, most of the time if a tiny fifteen-year-old child tries to punch an 80-foot robot, it’s not actually going to go all that well, and the robot probably will not explode. but in this case it did! and so this is a very novel and unexpected outcome, which makes it all the more visually striking, which is a very good thing to be when you are trying to show off the brand new superpower which your protagonist just inherited, and letting people see it in action for the very first time.

why I like it: so you may have noticed we just skipped a whoooole bunch of chapters lol. this is because there are almost 300 of them, and so I’m going to have to use a bit of discretion. anyway so this is a gorgeous panel. just, everything about it. the lighting; the expressions; Shouto’s hesitation; and his mom facing away, not looking back yet, and us not yet knowing how she’ll react. and the fact that they’re visually separated by as much distance as possible -- at opposite ends of a two-page spread -- and yet they’re so close, closer than they’ve been in years. mm. anyway it’s pretty.

why I like it: first of all because there’s nothing like seeing a deserving character get punched in the fucking face, and few characters IMO have been as deserving as Stain. and second because this is Deku, showing up to save the day out of nowhere at the last minute, because excuse you, but he’s a motherfuckin’ hero. sorry to interrupt your evening plans of stabbing a kid while lecturing him about why, philosophically, he deserves to die. but I’ve got a package here for a Mister Stain. it’s from Mister Smaassh, with two A’s and three S’s.

why I like it: fyi, anon said nothing about a cavalcade of BakuDeku panels. you didn’t think I’d let that loophole go to waste, did you? but nonetheless I will try to restrain myself until we get to the second ground beta fight. anyway, I like this panel because All Might’s canonically 7′2″ self looks about twelve feet tall here, and he is just TOWERING over these two boys, who’ve been tasked with somehow outwitting him during this curiously sadistic final exam. and it’s just an interesting perspective, because we know they both look up to him, and here they are physically looking way, way up, up, up at him.

why I like it: now this is how you do a villain entrance. I love absolutely everything about this. the sheer scale of destruction, and the way he’s just sort of casually hanging out there in the middle of the panel almost dwarfed by all this dust and smoke and carnage, and yet is unquestionably the focus of the page. the way that you can’t actually see his face, not yet. not until the end of the chapter. the way the clouds are drifting so calmly and peacefully in the night sky in stark contrast to the horrific events that are about to take place on the ground. this panel gives me literal chills, especially when I think about All for One’s creepy theme music playing in the background.

why I like it: this panel is so iconic to me that it’s one of the first ones I immediately knew I had to go and find when I got this ask. this entire fight is perfection from start to finish, and there are other panels that are more artistically striking if I’m being honest (in particular, the ones where he’s half-transformed with his face perfectly split down the middle between Muscle Might and Skinny Steve). but there’s just something about his determination in this panel, though. something about the fire in his eyes, and the way he clenches his fist. “my heart is still the heart of the Symbol of Peace.” I remember being sooooo fucking anxious when his true form was revealed, wondering if this was it, if the people watching were going to turn on him, if he was going to lose both the fight and their faith. turns out I was wrong on both accounts. basically what I am trying to tell you guys is that this panel was and is still the most badass thing I’ve ever seen.

why I like it: because he’s just a frail old man doing what he can to protect the last flickering embers of the thing that enables him to fight on. there’s something so fucking desperate and yet so determined about this image. he knows it’s futile, but still he persists.

why I like it: damn it was hard to find a “you’re next” panel with just the right angle I like best. this is probably as close as it gets, but I kind of wish Deku was somehow visible in this image as well. but at any rate this is an amazing moment, and All Might is dramatic af for basically no reason but IT’S BADASS. “no I’m not going to actually look where I’m pointing. it’s cooler this way.” or was it because he wasn’t sure if he could keep the emotion off of his face if he actually turned and looked? in this moment of knowing that it was finally over for him, that he would never be the Symbol again, and knowing that he had no choice but to move on and entrust that burden to the next generation? damn.

why I like it: I... fucking... okay, here’s a fun fact. did you know that I still get emotional over this panel almost a full two years after reading it?? obviously a good 84% of it is the context -- All Might losing his power; Deku being forced to take up the mantle before he feels ready; All Might feeling responsible for him; and both of them being so desperately grateful to have each other in that moment. but don’t underestimate that remaining 16% either though! this is just an extremely well-drawn hug, on top of everything else. All Might pressing Deku’s head to his shoulder with his fingers laced in his hair is some mighty fine fiercely protective hug tropes there, you guys. and the way Deku is clinging to his shirt so tightly his knuckles have probably gone white?? while he cries?? while both of them cry? ON THE BEACH? WITH THE WAVES LAPPING SOFTLY AT THE SHORE IN THE PEACEFUL NIGHT AIR?? jesus fucking christ. this hug contains more emotions than I am capable of carrying inside me at once. I just sort of have to let them flow in and out little by little until they finally subside.

why I like it: you bet I skipped right from Kamino straight to Deku VS Kacchan Part 2. no regrets. anyway, so these two panels are an absolutely gorgeous one-two punch. so much has changed from the days when they were innocent little kids marching off into the woods to have adventures. they’ve changed. their relationship has changed. and yet, at the end of the day, Izuku is still willing to follow Katsuki even without being given any kind of explanation. and Katsuki still seeks out Izuku when he’s on the verge of having a spectacular emotional breakdown. because he doesn’t know who else to turn to. and because despite everything, there is trust there still, on some deep, fundamental level neither of them fully understands or knows how to acknowledge. anyway, so these two panels just give me a ton of feels all about the passage of time and how everything changes and how you can’t get back what’s lost, but also sometimes if you look deep enough you find that parts of it were never fully gone.

why I like it: because in a striking display of dramatic main character energy, these boys decided to stage their life-changing destiny-affirming rival fight on the coolest possible stage in the middle of the goddamn night. and then Katsuki made it even better by producing WAY MORE SMOKE than his attack by all rights should have produced! and then they went and crouched down all symmetrically so as to more poetically make intense eye contact at each other. I really like panels with smoke and/or dust clearing dramatically. there are like four more of them coming up on this list. what can I say. it’s cinematic.

why I like it: I actually had this one as my icon for a while. it’s rare imo to see an action panel that’s so balanced and has so much going on and is so clean and easy to read. both of their poses are so dynamic. I like the way the arc of Izuku’s kick is drawn, and I love the way you can clearly see that Katsuki propelled himself backwards with his quirk in order to dodge it. it’s just a really cool little panel that for me perfectly sums up the general feel of this fight, and its awesome choreography.

why I like it: actually you know what, before I go any further, let me skip ahead a bit and add three more panels with this same energy.

I just really, really love these rare moments when all differences between them are momentarily forgotten and they’re just two teenage boys caught up in the intense pressure of an awkward social situation. the one enemy neither of them is the least bit equipped to handle. anyways Horikoshi clearly enjoys it too because he seems to delight in drawing it over and over and over.

why I like it: because it’s more billowing smoke and dust. because it’s Endeavor, the guy we all swore we would never ever root for, and then 160 chapters later Horikoshi pulls this shit without an ounce of shame. because it’s All Might’s pose, but tweaked juuuuuust enough so that Enji can avoid copyright claims. because he knew that pose well enough to know which arm not to use. because Endeavor is a profoundly flawed human being, wholly incapable of filling the void All Might left behind. and yet he still tries. because it’s better than nothing, and because it’s all he can do. it’s the one thing he can do, his sole redeeming virtue. he tries. he doesn’t give up. anyway so yeah, Horikoshi didn’t have to take the single most unlikable person in the entire manga and give him the world’s most controversial and openly scorned redemption arc. but he did! and I think it’s one of the best things about this entire manga.

why I like it: because nothing in BnHA is just black and white!! it’s messy and layered and complex, just like in the real world. Shouto despised his dad for almost his entire life. with good reason! Enji was abusive and selfish and treated his son more like a prized possession than a person. we as readers are fully aware of all of this, and we sympathize with Shouto 100%, and that’s completely by design. Horikoshi is well aware of this. so for him to still give us this little moment, where Shouto is so relieved that Enji survived that he drops to the floor and presses his face against his hands in this little prayer gesture -- whatever you think it might mean -- is just so fucking powerful, and again speaks to his commitment to refusing to let anything in this series be completely clear-cut and unambiguous. I love that the characterization of Shouto and Natsu hating their dad exists side by side with the equally authentic characterization of them being terrified that they’re about to watch him die. because those two things aren’t contradictory! sometimes that’s just how it is. anyway so this is a beautiful moment of nuance that instantly adds so much to this relationship with just a single panel.

why I like it: for once the symbolism is so obvious that even I can’t fail to miss it! Izuku’s face half in light and half in shadow as he thinks about the power bestowed on him. “All for One’s power.” anyway so in my mind Izuku having AFO could not be any more fucking foreshadowed if he was wearing a freaking t-shirt with the Musketeers saying on it and the background was peppered with little Sistine Chapel-esque images of AFO giving his quirk to his brother lmao. but regardless of how it does end up playing out, this is nicely done.

why I like it: I wasn’t sure whether I should include this image, given that I just made a whole separate post about it a few days ago. but I just really like it, okay. this is one of the all-time great entrances in the series. Bakugou being perched on that pole for absolutely no reason other than to add visual interest. Todoroki’s hair blowing dramatically in the wind. Katsuki’s frayed pant hems and characteristically asymmetrical facial expression. the fact that you just know both of them spent the ride home with their faces pressed to the windows of their taxi cab hoping desperately for an opportunity to break in their brand new licenses, and then lo and behold. that’s amazing you guys. it’s almost like you’re main characters or something.

why I like it: they did great.

why I like it: because I lost my fucking shit at this fucking reveal and can you even blame me?? we knew coming in how much trouble Endeavor and Hawks had dealing with just one of these Noumus, and then Horikoshi goes and divulges that the villains have at least A DOZEN MORE waiting on standby. including Hood right there in the foreground, which is a fantastic touch! this panel, for me, almost instantaneously established the League as a legitimate threat once again, and gave me the kind of spine-tingly evil vibes I hadn’t felt since the Kamino arc. and while the payoff might not quite have lived up to my expectations, the Mirko fight at least was more than worth it.

why I like it: BILLOWING SMOKE AND DUST CLOUDS. you just see this vast landscape of destruction that Tomura has oh-so-casually wrought, and this once-powerful enemy utterly defeated on his hands and knees bowing before him. and it’s just like, oh. Tomura just became a fucking king, didn’t he. he finally stepped up and became the main villain. really the main villain, not just an awkward fumbling NEET whose adopted dad is not-so-secretly pulling all the strings. he did this himself. he went out and conquered and Awakened and won himself a fucking army. and he’s just standing there so cool and casual in the aftermath of it all. and then he goes “oh wait, you guys have money right, that means you can buy us the good sushi.” yes, Tomura. yes.

why I like it: um because this panel is fucking amazing?? hello?? do I really need to explain this one. the detail is jaw-dropping. he’s got the little scars which are either from the head wound that caused his death, or from his Noumufication. his expression is fucking heartbreaking, and the transition from Kumo to Kuro is so subtle and seamless, and yet it distinctly is both of them. this panel is gorgeous and fucking haunting and almost made me gasp when I first saw it.

why I like it: the decision to have the night sky take up so much of the space in the panel was [chef kiss]. nothing says existential like the night sky on a cold winter’s night.

why I like it: this is the best panel in the entire fucking series.

why I like it: dude. showing his actual family holding onto him with their hands in the same spot as the severed fashion!hands was a stroke of genius in and of itself. but combining that with the emotional tension of them desperately trying to hold him back and protect him from AFO?? that’s just so fucking smooth it’s almost inhuman. just how much meaning can you cram into a single image?? sometimes I wonder just how far in advance Horikoshi plans these things.

why I like it: guess I’m just a big fat sucker for panels of Tomura calmly standing around in the ruins of his own senseless destruction. the sense of scale on this one is really great, too. and yet again, those dust clouds. gotta love it.

why I like it: because Tomura literally appears out of nowhere, like he’s ripping a hole through the fabric of time and space. it’s so fucking sudden and he looks evil as FUCK, and Deku and Kacchan are totally caught off-guard, and it is scary. this is one of those panels that made me say “holy shit” out loud. in fact I practically screamed it. and the angles are all funky and weird, and the sky is all BLACK FOR NO REASON, and it really just feels like Tomura could reach right over and just MURDER THEM like it was nothing. just like that. this panel is so incredibly effective at conveying how hopelessly outclassed the boys are. they’re not even in his league, and it’s honestly terrifying.

and on that happy note, we have come to the end of my list of favorite panels! and I gotta say, it’s really gratifying that a good deal of them are from this year alone. I said it in another post a few days ago, but imo the overall quality of the series has been insanely high as of late, and it honestly just blows my mind whenever I stop to think about it. the art is still this good six years into the game. the story is still this good. we are spoiled goddammit.

#bnha #boku no hero academia #midoriya izuku #bakugou katsuki #all might #endeavor #todoroki shouto #shigaraki tomura #horikoshi kouhei #bnha spoilers #mha spoilers #makeste reads bnha #asks #anon asks

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recentanimenews · 3 years ago

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FEATURE: "WE ARE ONE" Refreshes One Piece's Most Historic Moments

In Detective Comics #33, Batman's origin story lasts less than two pages. Fourteen comic panels, to be exact. Included among these, we see Bruce Wayne's parents for a grand total of four (only three of which has them alive), two are devoted to Bruce's decades-long quest to master his body and mind, three are spent with him brooding in his living room over what his costume should look like and the last one sees him as a full-fledged Caped Crusader. Since then, this iconic piece of comic book history has been partially or fully recreated in flashbacks (1989's Batman, 1995's Batman Forever, 2016's Batman vs Superman, The Dark Knight Returns,) grand narratives (Batman: Year One, 2005's Batman Begins,) and every manner in between.

But why?

At a certain point, to its devotees, fiction becomes mythology. The most powerful of these stories are inevitably retold or remixed because their relevance or their sheer emotional impact is far broader than just extending through the moment of their initial delivery. They don't just become great stories — they influence how we create stories. And we return to them with the knowledge that their imagery and arc is so familiar and yet so potent that it's connective in a way. There is indeed something comfortable in the familiar (and there's always a risk of tired repetition,) but there is also shared experience. A shared admittance of the power of storytelling.

I think that's what makes the One Piece "WE ARE ONE" series so satisfying. Created to celebrate the release of manga volume 100 (in hilarious Eiichiro Oda fashion, his statement about the accomplishment was kicked off with worrying about your book shelf space,) each of the shorts is centered around a drama, one mirrored by certain scenes or themes in the One Piece storyline. For the characters in the live-action segments, the One Piece manga becomes a source of strength and motivation, allowing them to overcome workplace disputes, relationship troubles, childhood anxieties, etc. Capably directed by Mika Ninagawa, they are at their core, ultimate displays of sentimentality.

Their centerpieces, however, are the reanimated One Piece sequences. This is nothing new for the series. Whether it's the Episode of Chopper Plus: Bloom in Winter, Miracle Sakura, Episode of Alabasta: The Desert Princess and the Pirates or Episode of East Blue, the franchise often returns to its most hallowed of material. Whether it's to provide a sort of refresher course for new fans or to produce the equivalent of an anime Greatest Hits Collection ranges from project to project. What they all share, though, is that admittance I talked about: The acknowledgment of a story or a moment worth reliving.

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That, in "WE ARE ONE," all of these reanimated segments — including Zoro and Sanji's team-up at the Davy Back Fight, Vivi's Straw Hat farewell, and Corazon's final, uplifting message to Trafalgar Law — are tied to a live-action human drama is doubling down on this message. One of the most delightful aspects of One Piece that I've found through being a fan of it is hearing how other fans became involved with it. You ask about it, and rarely do you get an "Oh, it just popped up and I watched it." Rather, the narrative is so lengthy and so emotionally involving that each, well, One Piece origin story, becomes a testament to how beloved the series is as a whole. Even the most simple tale of discovery becomes, again, one worth repeating.

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It's something I don't really tire of, just as I don't tire of seeing something like a montage of Luffy inviting all of his crew members, even if I've read it in the manga, watched it in the anime, and seen it abbreviated numerous times in openings or flashbacks. You have Zoro's realization that he can finally become the world's greatest swordsman rather than an aimless bounty hunter or Nami's hidden feeling that she's found someone she can trust or Usopp's joy at the idea that perhaps all of his lies about becoming a great warrior of the sea can become true and many many others. I mentioned Batman's origin at the beginning of this feature because of how recognizable it is — it floats in the pop culture ether. For One Piece fans, these scenes are the same way.

Reaching one hundred volumes of a story in an industry that requires such consistent work as manga is undoubtedly a feat. More noteworthy, however, is what "WE ARE ONE" celebrates: The fact that, over the last twenty-plus years, One Piece has amassed copious bits and moments that are distinct enough to remember, powerful enough to retell, and relatable enough to pair with drama featuring actual human actors without it feeling hokey or strained. The accomplishment lies not in the shelf space taken up but in the pages themselves, the declarations of hope, victory, and love. And in the idea of the Romance Dawn, not for One Piece's characters but for us, the readers and viewers who've joined in on the journey.

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Daniel Dockery is a Senior Staff Writer for Crunchyroll. Follow him on Twitter!

Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features!

By: Daniel Dockery

#Anime #News #Latest in Anime News by Crunchyroll!

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tainbocuailnge · 4 years ago

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How would you rank the fights so far? Personally I’m 2=3, 4, 1. The fifth fight is to be determined for me until it finishes.

hmmm all of them got my blood boiling in their own way really. the fights thematically follow each other too so I feel like every new fight is better than the previous by virtue of building upon the foundations laid by the earlier ones. shuumatsu no valkyrie is a series of fights to decide humanity’s worth, and each fight therefore exposes another aspect of humanity’s worth.

thor vs lu bu was a very straightforward duel all things considered and served to set a bar for what kind of power to expect from both sides but there is an undeniable beauty in two people showing each other the ultimate respect of beating the shit out of each other. even though they were the vanguard for both sides they didn’t actually care much about the outcome of the tournament, because they’re only here to test their own limits and indulge in the delight of finally finding someone who can match them. it’s the ultimate spirit of the tournament arc. thor starts out bored with the whole affair but ends with sending lu bu’s forces off with respect, for both their lord and their loyalty to him. this is a fight about the joy of being alive and getting to feel your body pushed to its absolute limit.

zeus vs adam then serves to set the scope for the kind of convictions to expect, with adam winning in dignity even if he doesn’t win the actual fight. the gods operate on a disdain for humanity, and so they assume adam operates on a similar disdain for the gods. the real reason adam fights however is because all of humanity are his descendants and he needs no reason to protect his children other than that he is their father. adam stands for humanity’s desire to prosper no matter what. he doesn’t win the match, but even so he forces zeus and by extension the other gods to stop looking down on humanity as weak and start taking them seriously. this is a fight about boldly facing hardship, about the sheer gall to say “alright, I will find my happiness elsewere then.”

adam’s dignity in defeat then carries over into sasaki’s victory over poseidon. this imo is where the themes of the manga really start to pick up. poseidon trusts entirely in his own superiority, believing himself to already be the pinnacle and thus never considering others. sasaki meanwhile has never won in his life, because his entire philosophy lies in being defeated and learning from the ones that beat him, not to establish superiority over them but simply to improve himself. sasaki is a man that stands on the shoulders of all those that came before him while poseidon stands alone, unaware that sasaki is towering over him. it is the cheers of all of humanity rooting for him that bring sasaki to the pinnacle, it is the work done by the countless people before him that lets him do what has never been done before and kill a god in single combat. this is a fight about understanding, learning from, and respecting others.

heracles vs jack the ripper then reverses the showcase of humanity’s virtues by having the god be the more virtuous human. heracles is a true hero of the people, an ally of justice, loved by all and loving all, while jack has been feared and reviled his entire life and death as the pinnacle of humanity’s malice. unlike the previous fights this isn’t a matter of combat so much as heracles marching through jack’s endless cascade of tricks and traps. because the difference in martial skill is so extreme this is at its core a clash of emotions and willpower, made blatant by the reveal of jack’s mystic eyes of emotion perception. it’s a battle of one who is universally beloved versus one who never knew love. jack follows from sasaki in that he, too, never won, but in jack’s case it’s that he never escaped the unfortunate circumstances of his birth and the path they set him on - until he wins this fight. his final choice and weapon was to take his own life in his hands. jack, despite being the face of humanity’s ugliness, spent a lifetime looking for its beauty and he at last finds it in heracles unconditionally accepting even humanity’s most infamous murderer as a human worth loving. jack wins the physical fight. he loses the emotional fight. but humanity greatly advanced in the war here, because this is a fight about saving others, and jack was saved.

yeah you could say 4 is my favourite. I’d put the order at 4>3>2=1 and I’m very excited for how shiva vs raiden will turn out because the fights really do get better every time and shiva’s 4 arms are a 100% guarantee for some absolutely bonkers to the fucking yonkers hand to hand combat. with the fortune gods picking a fight with buddha it looks like we’ll be getting some battles outside the tournament too which combined with sasaki’s return has my blood boiling at never before seen temperatures

#king of asks #cristiano is here

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enigma-absolute · 3 years ago

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the girl who drove away, simple as that, and run away with me?

the girl who drove away: describe a turning point event in your life

Let’s go with a dramatic and vivid one.

Standing up to my dad in mid-September 2010 at the age of 10 years old.

It was probably the most explosive anger I’d felt at him for all the verbal and mental abuse he put me through (not that he’d ever admit it was abuse, i think), and though I didn’t do it in a more mature way (i was TEN, to be fair), it was the point where I couldn’t deny that I had enough. Told him (nearly) everything on how i felt about staying with him, and anger I harboured just before going to sleep (my brother and I were about to go to bed) was so dark, furious and so grim I can’t forget that it felt like so. Not even the colour ‘black’ could explain how angry I was.

If i could put music to how I felt back then, in the moment of standing up, it would have to be the choruses, bridge and final lyrics to ‘I Say No’ from the West End version of ‘Heathers.’

Long story short, I think my confrontation helped the custody court case rules last till my 13th birthday, and I’ve rarely seen him in person since. I genuinely hope he’s become a better person.

(Damn, I still have a fair bit to work through with it, I still cried a little thinking about it, but if I can’t deal with it between me and God, it’ll never be dealt with.)

simple as that: how do you enjoy bonding with people?

My social skills are still kinda rough from years of not learning as I went (being on the spectrum with trauma does that to ya, babyyyyyy), but I notice I just… can’t shut up if I start talking. If there’s something we can meet and talk on, talking about it is just a sheer joy. Sometimes the conversation might bounce around from topic to topic indiscriminately, but I can handle that. Otherwise, I just share memes and occasionally recipes I’ve (also occasionally) done.

My biggest delight of social interaction from irl people in recent memory was my essay partner for one of my subjects last trimester. Most of the time we’d organised discord calls to write the sucker together, but sometimes I’d share a video, a meme or something funny relating to the essay at hand and we’d go down a bit of a rabbit hole together. We both laughed and chuckled our heads off at Australian animation dunking on Disney (essay subject, essentially) and his reaction to my McGyvered box brownie recipe (any old box gf stuff will do, add marshmallow fluff, caramilk chocolate chips, mini marshmallows, maple syrup and vanilla essence to it, with more flour to balance the wet ingredients) was worth it.

run away with me: if you could live anywhere, where would you want to live?

That’s a very good question! Honestly? No clue. I have so many ideas for living spaces and countries I just can’t pick.

However, I can split this into ‘permanent home’ residence vs ‘travelling home’ residence.

So for more permanent home kinda stuff, I’d love to live somewhere with a lot of green, fresh air and clean skies to stare out into the stars at night. I could imagine a treehouse kinda cabin in the woods, with enough childhood whimsy and playground-level clambering to make the place more fun. Maybe some academia stuff to mix is up.

Plus, heights aren’t that scary to me. I’ve once had a controlled freefall drop of 21 metres from platform to ground (i had safety measures such as a harness and ropes n stuff), and I stepped off the edge without a countdown. I’d imagine someplace like New Zealand’s South Island or a Romanian forest would do the trick for this kinda place.

If I were to have more of a travelling home residence, I’d LOVE to convert a van into a cozy cabin on the inside. Actually, it’d be more idealised to have more of a mini-sci-fi-spaceship to fly around earth in, with the same van life conversion on the inside. Same kind of cozy cabin interior living, just more space and extra coolness. I wouldn’t mind becoming a conspiracy theory/cryptid while I made neighbours from the US, NZ and Aus double-take at what was there before, but isn’t anymore.

Plus, the potential meeting online friends IRL! If only this were real!

#enni answers #chris rambles #the second and third questions are way more light-hearted but the first is so heavy so my bad guys #lemme know if you want me to tag for any tw or cw

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harborpointeblvd · 4 years ago

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another rec list no one asked for

I read more good stuff, so I’m doing this again. Here’s my first rec list if you’re interested. I’m going in order from most lighthearted to most likely to have you writhing in pain, so here goes.

Cool Doji Danshi - ongoing

Or, Play It Cool, Guys

This one is not a romance, just a comedy, but it is still cute as hell.

Four guys with very different personalities have one thing in common. They're all total space cases. You know when you do something embarrassing like realizing you’re walking the wrong way and have to do an awkward 180 on the sidewalk? I try to unlock my house with my car remote on a fairly regular basis. Well that’s these guys’ entire lives. They all handle their clumsiness in different ways, and as they start to encounter each other by chance, they learn from each other’s actions, and it’s just fucking delightful.

Zettai BL ni Naru Sekai Vs Zettai BL ni Naritakunai Otoko - ongoing

Or, A World Where Everything Definitely Becomes BL vs. The Man Who Definitely Doesn't Want To Be In A BL

This is not a BL (yet?), but it’s definitely for people who’ve read BL. A plain-looking man knows he lives in a BL universe, but believes himself to be a background character. Until his plain-looking younger brother gets a confession from his best friend, and our main character learns that nobody is safe. He spends his days avoiding BL tropes so he doesn’t get caught up in a BL romance.

If you like parody and meta humor, you should check this one out.

Karasugaoka Don’t Be Shy!! - complete

Izuhara Sou and Shinba Tetsuji are the leaders of two rival crime prevention groups (good guy gangs!). Izuhara admires Shinba, who came to his rescue once when he was a kid and inspired him to help others. However, anytime he comes face to face with Shinba, Izuhara gets nervous and acts like an asshole.

This is a short one, so I can’t say much more about it, but it’s hella cute and you should go check it out.

Three Men, One Chinchilla - ongoing

It’s complete in Korean (54 chapters), but only 13 chapters have been translated so far. I actually bought the raws. I paid actual money to read a comic in a language I don’t know. It was too weird for me to even guess what was going on, but it was worth it just for the facial expressions.

Ham Un comes home to find a chinchilla in front of his door, and it gets weirder from there. After finding the chinchilla, he meets the adorable Seung and the sketchy Namhae, and hilarity ensues. I don't want to spoil the experience of reading the first few chapters so I'm not gonna say anymore, but it does have supernatural elements.

Seung calls Un “Onion”, so their ship name is Seunion. No one else is talking about this comic here, so I get to make that call. This webcomic has everything you could want in a BL. Cute nicknames. Comedy. A chinchilla.

But.

It hasn’t updated in over a month. *update - This manhwa has been picked up by another group (and I’m in the group, not that that makes a difference)

March Third - ongoing

I think this one is complete in Chinese, like 150+ chapters, but it’s only translated up to chapter 97, and hasn’t updated in a while. I still have hope that another translator will pick it up.*

A historical comedy that follows military officer Mr. Buddha as he tries to woo the stage actor Mr. Red.

This is one of the funniest comics I’ve read, for serious. Someone suggested this one when I asked for recs similar to 19 Days, and this one is it. Don’t ask me how a historical comic set during a war is like 19 Days, it just is.

*Update: It’s been picked up! It’s translated up to 107.

A Strange Joke - *complete

Or, Just Kidding. I started reading under the title A Strange Joke, but I’m now reading the official English translation, and they call it Just Kidding.

Min is an unremarkable college student who is firmly in the closet. Jun is a heartthrob who, for some reason, has taken an interest in Min. Sehun is Jun’s friend who is also on all of the cover art. I’m sure he plays a major role later on. It’s only translated up to chapter 18 right now. But it’s so funny, I had to give it a mention. Min and his friends are a bunch of drunken dumbass college students in the best way, and Min is the dumbest of them all.

The official translation is on Pocket Comics, and you get a bunch of free points just for creating an account and daily gifts for logging on.

Fools - complete

After overhearing a fight that new student Jeongwoo had with his boyfriend, college senior Eungi finds himself becoming increasingly confused about his feelings toward Jeongwoo. Jeongwoo, meanwhile, fresh out of a long and rocky relationship, isn’t ready to act on his feelings toward Eungi. Commence awkward not-dates.

This is the most relatable depiction of the uncomfortable early stages of a romance that I’ve ever seen. It also shows how trauma from past toxic relationships can affect new, healthy ones. But it’s never too heavy-handed about it. It’s really funny at times, but also has its fair share of angst. It’s also my favorite on this list, and I adore all of these comics.

In the official English translation, their names are Edward and Justin, but I think it's weird when they do that.

Update: Fools is being remastered in full color with an updated art style, but I still recommend the original.

Unintentional Love Story - *complete

I’m pretty sure this one is complete in Korean, and has something like 55 chapters.

Wonyoung is fired from his job after being falsely incriminated in a corruption scandal. By sheer luck, he happens to run into the company chairman’s favorite ceramic artist, Yoon Taejun, who has been living under an alias. He’s told he will likely get his job back if he could get Taejun to partner with the company, so he tries to get close to Taejun without revealing that he knows his true identity. What he doesn’t plan on, though, is falling in love with Taejun.

This one is where the DRAMA is at. The story doesn’t ignore the fact that the relationship was built on a lie. It addresses it, and then addresses it, and as of chapter 35, is still addressing it. It hurts so good.

How to Hate Mate - complete

Or, Hate Mate

Two years ago, Subin drunkenly confessed his feelings to his straight roommate, Hyunwoo. After that, Hyunwoo left for his mandatory military service, and Subin hasn’t heard from him since. Just when Subin is finally ready to move on, Hyunwoo reappears and things get complicated.

Listen. Hate Mate hurt me in a big way. Don’t read this if you’re looking for the warm fuzzies, because you will not find them here. I loved this story for its realism. All the characters are seriously flawed, and even though it ended the way I hoped it would, nothing feels fully resolved. This comic will hurt you and skip the aftercare. Anyways, have fun.

A Shoulder to Cry On - complete

Or, Cheer Up Boy. Or, Comfort the Boy. There are too many alternate titles, but I like A Shoulder to Cry On best.

When Dayeol is framed for assault by Taehyun, he nearly loses his archery scholarship. But instead of feeling the least bit remorseful for nearly ruining Dayeol’s life, Taehyun starts to torment Dayeol even further.

So a LOT of fiction will do this thing where a character will just be truly horrible, but when their tragic backstory is revealed, they’re supposed to be absolved of all guilt. I HATE that. I hate it to the point where just introducing a tragic backstory actually makes me hate the character more, because I anticipate that happening.

That being said, Taehyun is one of the biggest assholes I’ve ever seen as a main love interest, and his backstory got to me. It made me like him, and I’m ashamed for not standing by my principals. It helps that he’s not immediately forgiven for bullying Dayeol just because he had a bad childhood, but still.

What I’m saying is that this is fucking sad and you should read it. But I’m recommending this with a big fat trigger warning for self harm.

#cool doji danshi #zettai bl ni naru sekai vs zettai bl ni naritakunai otoko #karasugaoka don't be shy!!#a strange joke webcomic #just kidding webcomic #three men one chinchilla #march third #fools webcomic #unintentional love story #hate mate #how to hate mate #a shoulder to cry on #comic recs

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meta-squash · 5 years ago

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A ramble on Dallas Theater Center Les Miserables

So, 5 years late, I jumped back on the bandwagon and finally watched a bootleg of Dallas Theater Center’s 2014 production of Les Miserables.

And wow. I can’t believe I waited 5 damn years to watch it. So here’s a long rambling write up on it based on the live-tweeting I was doing as I watched (and a little bit on me skipping through the bootleg video right now). It’s partly just me summarizing scenes so I can nerd out about the little details I loved and towards the end me talking about the show as a whole and why it was so fucking important.

First of all I wanna say that I'm surprised it took this long for a professional theater company to do a "modern day" Les Mis. I know all the fans fucking love their Modern AUs fics, I've been reading them since like 2012 and I love them. But also I'm SO glad someone finally did it because Les Miserables' themes are universal and they are amazing but they're also really relevant to what's going on today, or 5 years ago (since it's only gotten fucking worse tbh).

My first big impression was how great the costuming was. You can tell the socioeconomic class of the characters just from what they’re wearing, from how they posture and interact with others. Which is easy when it’s period costuming, you just make everyone look dirty and ripped up vs not dirty, but this (aside from the Thenardiers) is a little more subtle.

Also re: the costuming, I absolutely LOVE that they modernized Javert’s costume into a cop’s uniform but managed to retain the classic Javert Silhouette by giving him that trenchcoat, so we still get the expected Inspector Javert Silhouette despite the fact that he’s a modern day cop. Also all of the other cops/soldiers being straight up SWAT was an excellent decision, not only because it shows the sheer violence of a police that isn’t supposed to necessarily be SWAT, but also because the helmets completely cover their heads, so when the soldiers sing lines, they don’t even sound human. Yet another layer.

Nehal Joshi as Valjean was great. Honestly the moment I keep thinking about is actually from the very beginning, just after Valjean is released. Joshi looks so happy, delighted, like his heart is light again. He smiles as he sings “ Drink from the pool / How clean the taste” while looking up into the sky like he’s amazed at being in the open air. Then suddenly his posture changes completely, becomes guarded and hard, his expression gets closed off, and he sings “Never forget the years, the waste” before thumbing at his nose in that tough way and grabbing his bag off the ground. It was an emphasis on a pair of lines that I’ve never seen properly emphasized before. Usually the emphasis is on the next lines, when Valjean is saying “Now let’s see / what this new world has in store for me”. But here they emphasize that despite being free, he has traumas he has to deal with, and experiences that mean he’s wary of the world. It makes his theft of the silver make a lot more sense; it’s not just opportunistic, it’s also that he straight up doesn’t trust anybody.

(Another note on costumes: Valjean’s post-prison costume is his orange jumpsuit with this weird ratty, torn up sweater thing over it. I do very much wish they’d given him a hoodie that was equally as ratty instead of a sweater because I feel like that would’ve been another interesting layer of commentary.)

Two notes I made specifically about this production’s Soliloquy: This production had Valjean rip his prison papers accidentally, while he’s in the middle of an emotional gesture, then he stares at the rip in disbelief, and comes to the realization that he could just rip it up, and so he does. I thought that was a very cool mechanic. The audience literally watches him get the idea of changing who he is. Also, when he sings “I am reaching, but I fall / And the night is closing in” he actually wraps the rope of his bag around his own neck, like he’s considering death, like he doesn’t know what to do with himself. I thought it was really interesting considering those are the lines that directly mirror/parallel Javert’s Suicide.

This production also has all the Bad People roles played by white people, which is just fantastic. The foreman, Javert, all the cops, etc etc. I thought it was an excellent decision, since all of the main characters (minus the revolutionaries) are POC.

Fantine was amazing, has an incredible voice, and her I Dreamed A Dream sounded genuinely miserable, almost frantic with the fact that not only is she a single mother struggling to pay for her child who’s living with some other family, she now has nowhere to turn for money at all, and she’s completely alone. I think she’s my favorite Fantine of any of the ones I saw.

And Lovely Ladies absolutely blew me away. This was the first Lovely Ladies I’ve ever seen that felt Real. Not just that there was sex going on (because there was, there’s people fucking and getting blowjobs etc in the background the entire time), but it doesn’t feel like something silly or shallow. The entire thing feels desperate and exploitative and miserable and painful. Most of the other characters are dressed in provocative, revealing clothes. But there are a few in just jeans and t-shirts, looking desperate and kind of bedraggled. And then you have Fantine, who is literally just in a slip and long socks, looking out of place and terrified.

The usual Lovely Ladies shenanigans do ensue, but there’s a tinge of horribleness to it that is sharper than in the traditional show. In the traditional show, the moment where the music suddenly slows, and all the women sing “Lovely ladies / Going for a song / Got a lot of callers / But they never stay for long”, it usually feels like kind of a weird and unprompted moment of introspection after so much ruckus, but in this version the reason everyone slows down is because the pimp plucks their cash out of each of their hands one by one. And then the horribleness is increased tenfold because all of the women are in a line with men behind them simulating sex, and Fantine is in the center, bent double, the Captain behind her, staring down the audience. With each thrust she grits her words out like she’s in pain in every way imaginable. And the Captain ‘finishes’ just as she hits the line “dead!” Which is just. A lot. But so good. It packs so much more of a punch than Fantine leading the Captain offstage, or to one side of the stage.

The way that Confrontation was staged was also so cool to me. In the shows I’ve seen the first part of Confrontation is Javert and Valjean facing off with Javert stage left and Valjean kind of up beside Fantine’s bed, but they’re on the same “level,” in that Valjean walks a few paces forward a few lines later and they grapple. In this version, they stood quite literally on either side of Fantine’s hospital bed, so that they’re arguing across her dead body.

Madame Thenardier made me think of a bizarre cross between Miss Hannigan, the mom from Matilda, and Patsy Stone from Absolutely Fabulous. She did a great job. M Thenardier is a douchey hipster pirate type guy with white guy dreads. Also they made him an ex-con as well, but he displays the numbers tattooed on his chest with pride compared to Valjean who hides them, which was yet another interesting decision.

This version of Les Mis has taught me that “My mom doesn’t let me drink” is the absolute BEST piece of spoken dialogue you could throw in before Master Of The House kicks the fuck off.

Also this version has Eponine participating in the scams during Master Of The House: she takes peoples’ orders, carries plates, dances, etc. She’s cleaner and more pampered than Cosette, but she’s still being used.

Look Down was really interesting to me. Now, I think what I’m about to say is partly informed by costuming. That is, I think with period costuming an audience has a harder time distinguishing more subtle roles between (non-main) characters. What I mean is, in traditional Look Down, it just seems like three characters having an argument with each other, but with a modernized version the costuming makes it clear that it’s an old beggar woman, a prostitute, and her pimp. While that’s obvious from the actual dialogue, the period costuming makes it a little harder to glean the separate character types other than “beggar type”. Anyway, the roles being clearer via costuming makes all the interactions seem a lot more Real. It’s not just people all dressed alike singing lines at each other, it’s actual separate people having actual conflicts.

Also, I really really liked Mark Hancock as Gavroche. He’s older, or at least bigger, than most kids who end up playing Gavroche, and he’s not the most beautiful singer, but I think that works all the better for a production like this one. He’s not a cutesy Oliver Twist-type character. He’s a kid living rough on the streets, and he’s got a sense of humor but he is a badass.

This version also had a LOT more flirtatious behavior between Marius and Cosette. Like it’s not just one glance on the street. During The Robbery, Marius and Cosette are giving little glances and flirty waves the whole time, all shy and cute, little hand signals like “I want to talk to you oh my god” etc. Also this Cosette has glasses! She’s so cute!

Stars as a song feels very weird when it’s a Modern Day Cop singing about such a philosophical topic, and at first I was kinda ??? about it. Because you know, in a period piece, you kind of expect more elaborate language, you expect certain types of morality, etc. It sounds weird coming out of someone dressed like a pig you’d see on the street in real life. But then at the end of the song Javert takes a rosary out of his breast pocket to sing “Lord let me find him...” etc, and suddenly it actually made a lot of sense. It finally connected the religious references and morality displayed in the lyrics. Because a lot of shitty cops in real life are masquerading as Christians, so again, a good decision.

Ah, the ABC Cafe. Always lovely to hear those horns. John Campione was AMAZING as Enjolras. At first I was a little disappointed they made him a white guy, but then I thought about it and it actually makes a lot of sense. Despite his passion about justice etc, Brick Enjolras is a wealthy student; what better way to show his privilege in a modern setting than to have him be white? Anyway, I think Campione did a great job of portraying a leader who is so passionate, and so dedicated, and so intent on his cause but also kind of stressed out as the day draws nearer. (More on that later.)

Similarly, this Grantaire is a little shit. He does this hilarious like “call on me!” hand raise before “I am agog, I am aghast” which I thought was quite funny and cute. Also after “It’s better than an opera,” the Amis all laugh and clap, and Enjolras does this extremely sarcastic slow clapping before admonishing Marius with “It is time for us all to decide who we are” etc. Also Grantaire and Enjolras are actually standing beside each other for Marius lines, so that when he says “struck to the bone in a moment of breathless delight,” Grantaire looks directly at Enjolras and stays staring at him, so that when he moves downstage to stand across from Marius and sing “Red!” and “Black!” at him, it feels more like solidarity than mocking.

But then Enjolras pulls Marius further downstage for his “Marius you are no longer a child” etc lines. His body language is great here. When he sings “Who cares about your lonely soul,” he doesn’t just look like some charismatic leader man. He looks like someone who’s stressed out and a little annoyed/exasperated that this person is causing a distraction right when things are started to get important. He runs his hands through his hair, his gestures are clipped and fast, like he’s got too much energy and isn’t quite sure where to put it. It’s so good. He sings “Our little lives don’t count at all.” And then there’s a long, long moment of silence. A long one, where Marius looks around at his friends and realization that what they’re undertaking is much bigger than his emotional outburst, that Enjolras is right and he has to be with them instead of off in the clouds. And he raises his hand tentatively and then more surely towards Enjolras and sings that next “Red! The blood of angry men!” all on his own before the rest of the Amis join in. GREAT decisions there. SO COOL. (Also this is the moment when an Amis Hand Sign is established, which is important later on.)

This show uses silence in a way that I’ve never really seen another version do it. After Gavroche yells “General Lamarque is dead!” there’s usually a beat of silence before Enjolras begins to sing. In this version there is a long, long moment of silence when everyone looks around at each other, a moment where Joly tosses his pamphlet angrily onto the table and sits down with his head in his hands, a moment where Marius and Grantaire are the only two who turn away and face upstage at the news, a moment where they all process that this is fucking Real, and everything that they’ve been planning is suddenly Actually Happening. And then Enjolras begins, and his voice is so soft, and so sad, and it’s like he’s delivering a eulogy, but it’s only when he gets to “Is the sign we await!” and we get those trumpets that it changes into Enjolras The Leader, and it’s go time, and everything is Intense. Campione is fantastic as Enjolras because I think often people play Enjolras as this solid, charismatic leader who is stoney-faced and sure of himself etc. Which works for the period style (and is fairly Brick-accurate), but I think would seem a little odd in a modern day setting. This Enjolras is in it, he’s into it, he’s fucking intense and ablaze with energy. He sings Do You Hear The People Sing like he’s giving a speech, like he’s trying to convince (And “the real glory is to convince” so y’know).

And Do You Hear The People Sing as a campaigning song is brilliant. It starts out not with march, but with handing out fliers made of red paper, passing them out and getting out the word. Only then do they pull out signs and put on red caps and start marching.

In My Life/A Heart Full Of Love was so fucking hilariously cute. Marius and Cosette are both excellent levels of awkward, and there’s a lot of nonverbal flirting going on, and I just thought it was really well done.

I was told while I was live-tweeting that during One Day More the sort of dancing march they do (because it’s like a dance, instead of the in-place marching of the traditional version) is actually the Toyi-Toyi, a South African dance that was used as a form of protest during Apartheid and during other times as well. So that was a very cool addition. I’m sure there are other callbacks in this show to other protests or protest traditions like that that I didn’t even catch. The dance also reminded me of the body percussion used in A Quoi Tu Danses from 1789: Les Amants De La Bastille, so that was cool as well. We also get face paint and signs and red berets and button pins and a lot of stuff that has been seen in a lot of modern protests/movements lately.

Side note: Javert’s disguise is amazing because he retains his cop boots and trousers and crisp white shirt; he just puts a brown jacket and a red scarf over it and wears a red beret.

OKay SO. This is possibly the BEST On My Own I’ve ever seen. Now, I’m highly partial to Briana Carlson-Goodman as Eponine because the emotion in her voice is just mind-blowing. But this On My Own was so amazing. First of all, I’m amazed I’ve never seen any other production do this: when Eponine sings “pretending he’s beside me”, she puts out her hand like she’s holding some imaginary lover’s hand, like she’s genuinely imagining him walking with her, and it made her self-deception that much sadder. And this version was so good, I think because it was this perfect combination of angry and disappointed and yearning and self-deceiving. You can tell this Eponine KNOWS she’s deluding herself that Marius will ever love her, that she’s hugely disappointed and almost angry at that fact, but she still loves him and wants him and wants that love, and it just makes that self-deception all the stronger.

This version of Les Mis brings the barricade in as a flown set piece, which I think is an interesting decision. I definitely prefer the US Tour version, where the downstage scrim is backlit/lifted and both the audience and Eponine are suddenly confronted with the fully-built barricade. However, the barricade being flown in does give the Barricade Boys a moment to stand and admire their handiwork, so that’s kind of also cool.

(Somewhat unrelated, but throughout the show this Grantaire is a lot more still than other actors’ versions of R, but also more still than the other Amis in this show, so it’s clearly a choice. Other version of R are slumped over a table or slumped on the ground a lot, or they’re wobbly, or just generally restless and upset. This R is so still and just standing unmoved and blank it’s definitely a choice. Very much taking the “he seemed to be waiting there for a bullet which should spare him the trouble of waking” quote from the Brick and translating it to the stage version, in that he does move to shoot his gun but aside from that he’s so stock still it’s like he’s given up. Anyway. Back to the actual show instead of me just waxing lyrical about my favorite character.

When Eponine climbs over the barricade, Marius waves down all the guns just as Joly yells “There’s a boy climbing the barricade!” This kind of happens in other versions, but it seems like most of the traditional Les Mis versions all the Barricade Boys just kind of accept someone’s climbing the barricade and let Eponine over? In this one Marius like actually is waving down their guns, blatantly being like “don’t shoot, I know this person.”

And when Eponine is revealed to be shot, they don’t just let her die in Marius’ arms. The first half of A Little Fall Of Rain is sung with Eponine in Marius’ arms, but there’s also Feuilly there as a medic, pressing handkerchiefs to her wound, his hand on her with Marius’ hand on top of his and Eponine’s on top of them both. When Marius is saying “and you will live ‘Ponine,” medic/Feuilly shakes his head at him as if to say, ‘don’t tell her that, she’s not going to make it, I’m so sorry,’ but he still has his hand on her wound. It’s only when she sings “Just hold me now, and let it be” that Eponine pushes the medic/Feuilly away so she can die just with Marius. I really, really, really loved that because it seems so Right. Like, they’re fighting for a better world, they’re not just going to let an injured person die, they’re going to try their best to help her even if she’s dying and there’s nothing they can do. And I really liked that there was a medic there, but he was faced upstage, away from the audience, as if he was trying to help but also not intrude on this private moment. But when Eponine does push him away, he goes fairly easily, like he’s realized that she’s realized that she’s going to die. Also, instead of carrying Eponine offstage like a ragdoll, Grantaire and Feuilly bring over a stretcher and she’s carried off in it by Marius and Feuilly while Grantaire collects the handkerchiefs that were bloodied by her wound.

Valjean’s soldier disguise is the SWAT gear, even the helmet, although he mostly carries it in his hand rather than wearing it. It’s interesting because the difference between the SWAT gear and the suits he wears as Fauchelevent are a hugely stark difference, whereas the difference between his nice period clothes and the soldier’s period uniform isn’t quite so intense.

I noticed that during Drink With Me, Joly put his hand on Grantaire’s shoulder during “Let the wine of friendship never run dry,” which is sweet. I also noticed that aside from the moments where he was shooting his gun and the few moments he was being helpful re: Eponine’s death, Grantaire spends most of his time very very still, staring down at the floor with his shoulders slumped. He judges moments with just a shake of the head and turning away while others watch. His part in Drink With Me is sung with a bitterness that is more final than it is angry, like he can’t understand why they’ve all chosen to sacrifice themselves like this and he hates it and he’s bitter that all his friends are going to die but he’s realized there’s nothing he can do about it.

Bring Him Home is SUCH a hard song to sing and it’s actually really interesting in this version, I think. Because in traditional shows I think Valjean is played as a fairly calm person who is just always calm. Joshi plays his Valjean like he has taught himself to be calm, but inside he’s still kind of angry and traumatized and still has those instincts and still doesn’t quite know whether to believe in god or not, or something like that. So Bring Him Home is a moment where it seems like at first he’s just hoping, and then by the end of the song he’s genuinely imploring god to save Marius. Like it’s the first time he’s ever really begged a higher power to do something instead of just acting of his own power to make the good happen. I have no idea if I’m articulating myself well.

Again, Campione is a FANTASTIC Enjolras who plays him like a stressed out passionate leader who is constantly stuck between This Is Finally Real Hooray and Holy Shit This Is Too Fucking Real Oh God. In The Second Attack he portrays it really well, looking around at all the people he suddenly feels responsible for, body language like he’s trying to make too many split-second decisions. It’s just really good.

Death Of Gavroche is also great because even though this Gavroche is not the best singer, he gets shot once and keeps reaching for the bullets, and only stops when they riddle him with bullets. Also, I didn’t realize this until skipping around in the video to write this, but I think they kind of tried to retain some of the Gavroche-Grantaire relationship that the US Tour established? Grantaire goes from being kinda listless stage left to bolting over to the barricade once Gavroche starts climbing, reaching for him desperately; he gets shot in the leg and goes down and spends the rest of Gavroche’s lines up to his death with his head in his hands. Once Gavroche dies, Enjolras actually checks on Grantaire and wraps a tourniquet around his leg while Feuilly and Marius tend to Gavroche’s body.

Marius gets a thigh injury during The Final Battle (we know this because this production shows Actual Blood! Gavroche is actually bleeding! Eponine, too! And Marius! And Enjolras! Like there’s actual red and it makes it so much more intense! Anyway, Marius gets a bullet to the thigh, which frankly I think makes a lot more sense than the shoulder injury he gets in canon at least in terms of him being unconscious for so long (although I guess in canon he also has at least one head injury so meh). Anyway, Valjean sees it and immediately tourniquets him as one by one all the revolutionaries are picked off by bullets.

This Enjolras death is my favorite I’ve ever seen. We don’t get a permets-tu scene, but that’s okay because this is fantastic in another way. Enjolras doesn’t die on the barricade.

Enjolras is standing center stage, the bodies of his friends around him. He’s shot once, in the stomach, and goes down on all fours. As he’s on the floor, SWAT cops surround him, pointing machine guns straight at him. Enjolras struggles up, standing, and faces the cops and the audience. He raises his hand in a defiant fist to the air and is shot in the head.

Then there is a long, long stretch of silence. Quite literally an entire minute (I just counted) of silence, where there is no music, no speaking, nothing. Just the sounds of SWAT walking around, checking the bodies on the floor, and the indistinct sound of walky-talky chatter. Only after a whole minute of silence has passed and the SWAT leave the stage do the little plucked notes and the clarinet playing the Bring Him Home instrumental begin as Valjean stands up.

Valjean actually goes over and checks Enjolras’ pulse to see if he could possibly be alive, which I think hurts A Lot. And then there’s a moment where he looks around at all the bodies on the floor and kind of doubles over in shock, but only for a moment, and then he’s bolting back over to Marius to make sure he’s still breathing and then heaving him up into his arms.

(By the way, the bodies of the revolutionaries remain onstage through all of the proceeding songs.)

Dog Eat Dog is a boring, crap song in every production, and this one is no exception. The guy playing Thenardier is quite good but there’s really no way to redeem how boring a song Dog Eat Dog is. Also, this version cuts out the long instrumental part of Valjean walking with Marius through the sewer due to the fact that they don’t have that crazy projection thing. Instead it’s just a few seconds of him dragging Marius before encountering Thenardier and then also a few seconds before encountering Javert. Also, Valjean straight up puts his chest against Javert’s gun while he’s asking to save Marius’ life. Brave as fuck.

Okay this Javert’s Suicide was mostly really really good. Edward Watts gives Javert this sort of frantic emotion that Valjean spared him on the barricade and then is only asking to save this stranger. He looks genuinely freaked out and distressed. It’s not just confusion, it’s like actual Freaking Out. The only part I didn’t like was the actual throwing himself off the bridge part, but honestly I feel like there really is no way to do that part in a way that isn’t a little ridiculous-seeming. It’s hard to have a show where they never had any sort of fly rigs or any special types of practical effects at all and then suddenly there’s a guy flying through the air? and take that seriously. I dunno. But in any case, the rest of it is really good because the frantic confusion and questioning and anger and sadness and everything is so well done. Also, he takes his cross out of his pocket and drops it on the ground before he jumps, like he believes even god has failed him.

And then the lights return and the bodies of the revolutionaries are still onstage, with police tape cordoning them off. Turning begins with women in black mourning clothes coming onstage: at first they stand behind the tape with candles and flowers and teddy bears, then someone breaks the tape and they move to sit beside the bodies and set flowers down beside them. As Turning is going on, as the women move to sit beside the bodies, Marius also enters and sits in a chair upstage.

So Empty Chairs At Empty Tables happens with the bodies of the revolutionaries lying on the floor right in front of Marius, and women in black kneeling beside the bodies, facing upstage. But as Marius sings “Phantom faces at the window, phantom shadows on the floor,” the revolutionaries rise and move downstage, looking at him. They all make their little group hand sign before exiting, until it’s just Enjolras looking at him, then he makes the sign as well and exits and Marius is left alone with the mourning women in front of him and his hand raised in farewell. It’s just SO GOOD because I think it makes it all the more real. It feels like he’s actually singing to the bodies of his friends as well as their memories, like he’s full of survivor’s guilt and he’s watching them walk away from him and doesn’t know what to do. Combining the Turning Women’s mourning with Marius’ mourning is really cool, because it shows it’s really not just Marius that’s affected by this, and essentially he’s singing Empty Chairs for himself as well as the women in mourning kneeling on the stage before him.

Side note: Dorcas Leung, who plays Cosette, is a True Fucking Soprano. Her voice is SO high. It’s wild. Like, really wild. Like, glass-breaking high but in a good way. Also she’s really cute.

Anyway, the next thing I took note of was Valjean telling Marius why he was leaving without telling Cosette goodbye. He sings “Promise me, Monsieur, Cosette will never know” and puts his hand out in a way that’s partially imploring, and partially asking for a handshake on the promise. Marius says “For the sake of Cosette, it must be so,” but pointedly does not shake his hand. He’s going to honor the promise but he’s not gonna fucking like it.

Wedding Chorale/Beggars At The Feast is mostly unremarkable except that Mme Thenardier is dressed like Cruella de Ville. Oh, and Thenardier gets a kick in the balls instead of a punch to the face from Marius. Also the actor who played Combeferre and the actor who played Bossuet are dancing together so during Beggars At The Feast when Thenardier sings “This one’s a queer, but what can you do?”, the Combeferre actor does a little wave.

I’ve always hated in the musical that Valjean goes from being perfectly healthy to straight up dying in a matter of minutes but I also understand that montages of like a year are hard to do in musical format, so I forgive it but it’s still annoying.

Anyway, this Epilogue is FUCKING FANTASTIC. Valjean does this beautiful laugh of relief and amazement when Fantine tells him “And you will be with god” like he’s still amazed after all these years that he’s a Good Person Who Deserves Heaven.

Also, Fantine sits down on the bench beside Valjean, and then when Marius and Cosette enters, Cosette runs and sits down between Valjean and Fantine, facing Valjean, and there’s a moment where Fantine smiles in disbelief and strokes Cosette’s hair like “oh my god this is my daughter!”

Finally, the fucking kicker for me: “Take my hand, I’ll lead you to salvation / Take my love, for love is everlasting.” That’s always the moment in the show when I start actually crying and this one made it even sadder: Eponine is not the only one to enter in that moment. Eponine enters singing the duet with Fantine like usual, but Enjolras and Gavroche also enter, standing behind her, not singing.

This was such a great, fascinating, unique decision, and I fucking loved it. Because with that group, you have all the types of love and belief that are Important in the Brick: Fantine, the love of a mother. Valjean, the love of a father and the faith and belief that comes from someone else suddenly believing in you and the goodness that is a result of that. Marius and Cosette, romantic love, but also love of children and chosen family. Eponine, unrequited love and sacrifice. Gavroche, not necessarily love but an innocent death, a death from the goodness that comes from wanting to help. And Enjolras, the love of the people, the belief in the people, love of patria and the belief in justice. Just all of these important symbols standing together.

Then Do You Hear The People Sing reprise starts up, and the rest of the cast enter and stand at the edges of the stage around the group at center before everyone scatters out and spreads across the stage.

So basically that was an incredible fucking show. Like, okay. Since joining the Les Mis fandom in late 2011-ish or something I've read A LOT of Les Mis fanfics, I've read the entire book, seen the show live half a dozen times plus a ton of filmed boots and movie adaptations and last year's BBC miniseries. I've got a Les Mis tattoo and I'm vaguely thinking of getting another one. I've read fanfic taking place in canon era, modern day, Mai 1968, the 90s, the 40s, and on and on. All of them are important because all of them interpret the themes differently. Basically what I'm saying is I've consumed A Lot of Les Miserables.

But this version of Les Mis is So Important. Like, it's important enough I'm really surprised they didn't give in to the call for a DVD recording back in 2014.

Because the difference between like, the traditional version of the show, and reading a modern day AU fanfiction, and this Dallas show is that this Dallas show is In Front Of You. It's important because you're used to seeing this show with 19th century clothes and 19th century mannerisms so you don't necessarily connect it to today, or you do on a surface level only.

And in fanfics you can imagine it, but it's not the same.

But this show takes the music we all know and the characters we all know and places it in front of us NOW. We get Valjean in an orange jumpsuit, posturing like we've seen people posture in real life. We get Enjolras in a denim vest and button pins. We get Fantine, a woman of color, being fired for having a child out of wedlock and being accused of prostitution, and having to actually turn to prostitution. And we get a depiction that shows so viscerally how horrible that is. We get white people as cops (SWAT, no less) while POC are abused.

Suddenly this is a show that connects on every level.

And not only that but the visuals of the actual rebellion can be connected to so many movements and protests and things that have happened in recent years. Like with the Toyi-Toyi. And all the signs and pins and face paint and weapons and clothes and even to some extent the barricade.

And the cops going from soldiers with bayonets (which, to be fair, back in the day were pretty daunting weapons with their triangular blades, but we don't see them that way) to SWAT with helmets that black out their faces and semi-automatics is a a hard-hitting message.

And I've always thought it was funny that people who see the show casually think it's about Marius & Cosette's romance. Because that’s not all it’s about, of course. But this version made me really, really realize how little that romance matters in the musical. How much the musical is about Valjean, and then in tandem about the rebellion. Because place the whole "I've known you a day and I'm in love" thing in a modern setting and you realize how ridiculous it is, and how much more important Valjean's growth is, and how much more important the movement and the rebellion is. I mean the entire book is just about the Power Of Love And Belief In All Its Forms etc etc. But I think this version pointed out better than any other how many other forms of love exist in this story, besides the romance of Marius and Cosette.

But truly I think the most important thing that this show did is what I mentioned earlier: it placed the story, its themes, its characters, its rebellion, it's Love and Belief, in the Here And Now, and made it really, truly connect with its audience and the present world. This is a show that people always say is so relevant, so important, and it is. It really is. But sometimes, for a casual viewer, it’s hard to see past the period costumes and sets. And then you transplant the show into modern dress and modern sets and suddenly it’s a story that is just as believable and hard-hitting and important now as it was then. Suddenly you can connect with these characters and you can see these things happening in real life, in present day, and you can believe that it would happen.

It just blows my mind that we have all these Modern AU fanfiction pieces, that we have multiple groups of people doing Modern Les Mis Youtube interpretations, that there’s a Spanish musical out there that’s purely about Grantaire (which, god I wish there was more info on!), that there’s a ton of music and TV adaptations and yet this is the first time I’ve seen a professional company do any sort of modern interpretation of the show. And it works SO incredibly well and is SO hard-hitting and just took my breath away.

Uh so yeah such massive praise to the Dallas Theater Center for having the courage and imagination and awesomeness to finally do a modern version of this story because they knocked it out of the damn park and made an already important story even more important.

#les miserables #les mis #dallas les mis #dallas les miserables #dallas theater center #dallas theater center les miserables #les mis dallas #les miserables meta #les mis meta

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wonderfulworldofmichaelford · 5 years ago

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2010s Art: Music, Games, and TV

So I love all forms of art. It may not seem like it since I tend to stick mainly to movies, with the odd cartoon or video game thrown in, but that’s really because movies are more my thing due to not being massive time investments. Like, don’t get me wrong, I gamed, I watched TV, I listened to music, but it was a lot more casual than my deep dive into becoming a major cinephile.

With games and TV, it was mostly issues of money and time respectively. I have a few consoles, mostly Nintendo and Sony ones, and my wife helped me experience Xbox games, but I just don’t have the money needed to experience every good game that comes out. With TV, the time investment is the biggest roadblock, especially when all the best shows have hour-long episodes these days. With movies, I just have to spend 90 minutes to two hours on average; for TV, it’s countless hours I could be watching movies. As for music… well, I listened to a lot, I just don’t feel totally qualified to properly rank and list songs and albums.

So instead of the big decade-spanning list for movies that I’m doing, I’m going to go over some things I enjoyed from the past decade and maybe a few things I didn’t in music, TV, and video games. Here’s a little guide so you know what stuff is something I consider one of my absolute favorites in any given medium - if it’s from this decade, it will be in bold, and if it’s from a previous decade but I experienced it this decade, it will be underlined.

Television

I figured I’d get this out of the way first since it’s the medium I have the least experience with. Let me put it this way: I have seen only one season of Game of Thrones, the first one (and by all accounts I dodged a bullet by dropping that show). I also had the misfortune of jumping in to The Walking Dead right as it was gearing up for its abysmal second season, which turned me off that and led to me only watching an episode here or there.

I had better luck watching live action shows on streaming. I managed to get through almost all of Pretty Little Liars on Netflix, which was a chore in and of itself; it’s a good show, but boy could it ever get arbitrary and frustrating. Speaking of Netflix, I think it goes without saying that Stranger Things is their best effort; from the likable cast of kids to the awesome soundtrack, even though it never really surpasses season one the show always has something cool going on in one of its plots. My other favorite from Netflix would probably be their take on A Series if Unfortunate Events, which is how you do adaptation expansion right; everything they add feels like it’s in service of fleshing out Lemony Snicket’s dismal world, as well as giving Patrick Warburton an incredible dramatic role as the Lemony narrator himself.

Amazon managed to score two hits in my book. The first is the unbelievably fun and charming Good Omens, a miniseries that somehow got me to love David Tennant and Michael Sheen more than I already did. The second was the gory joyride that is The Boys which while not the smartest or most original superhero satire is definitely the most fun.

While I didn’t watch the whole show and would not consider it one of my favorites, I do want to give props to Hannibal for introducing me to Mads Mikkelsen. As far as I’m concerned, he’s the only person aside from Hopkins worthy of playing everyone’s favorite cannibal. Another show I DO consider a favorite despite slacking on keeping up with it is Ash vs. Evil Dead; I only needed to see a single season of Bruce back with the boomstick to know this show was a masterpiece.

On the animated side I have much more to talk about. Not since the 90s have we been spoiled with so many genuinely great and varied cartoons. We got Adventure Time, Regular Show, Steven Universe… really, Cartoon Network raised the bar this decade and made up for an awful 2000s. They even finally gave Samurai Jack a conclusion, which despite the mixed results, was still a real exciting phenomenon to experience.

Of course, my favorite CN show came from Adult Swim. I am of course referring to Rick & Morty, a fun sci-fi adventure comedy that attracted the most obnoxious fanbase possible in record time. While certainly not a show you need a high IQ to understand and having an atrocious third season, it still manages to be funny and thought provoking in equal amounts. Seriously though. Fuck season 3.

My Little Pony: Friendship is Magic is another great show that I sadly fell off the wagon of around the fifth or sixth season. It never got bad of course but it never really engaged me like the older episodes, though what I’ve heard of the last season makes me wish I’d kept up with it. It was a great show with a lot of heart and character, and I’m not sure we’ll ever see a show like it again.

Netflix did not slack in the animation department; I didn’t catch their most famous show (it’s the one about a certain Horseman) but I did catch their fantastic take on Castlevania, which as a huge fan of the series was a real treat. Where the fuck is Grant though?

My two favorite shows of the decade, however, are what I see as the pinnacle of East and West: Jojo’s Bizarre Adventure and Gravity Falls.

JJBA is a series I had vague passing knowledge of, only knowing its existence due to seeing Stone Ocean referenced on the Wikipedia page for air rods when I was younger and, of course, the memes that spawned from Heritage for the Future, which were inescapable back in the day. As soon as I got into the series, it became one of my biggest inspirations, teaching me you can be deep, complex, and filled with great character interactions while also being so batshit insane that every new and absurd power is incredibly easy to buy (looking forward to the rainbows that turn people into snails, animators). They managed to get through the first four parts and start up the fifth over the decade; so far my favorite part is four, mainly due to the magnificent bastard that is Yoshikage Kira (played time perfection by D.C. Douglas) and in spite of serial creep Vic Mangina playing the otherwise lovable asshole Rohan Kishibe.

Gravity Falls on the other hand is just a fun and engaging mystery show that manages to excel at being episodic and story-driven all at once. There’s only one or two “bad” episodes across two seasons, and it lasted just as long as it needed to, wrapping things up with a satisfactory ending that still gave fans a few mysteries to chew on. It also gave us Grunkle Stan, perhaps the greatest character in all of animation, the pinnacle of “jerk with a heart of gold” characters who is hilarious, badass, and complex all at once. This is my favorite western animated show…

...but then the last year of the decade threw a curveball and, if I’m being honest, is on par with Gravity Falls: Green Eggs and Ham. Netflix really wanted us to know 2D animation is back in 2019; between this show and Klaus, the future is looking bright for the medium. It’s a fun, funny roadtrip comedy that knows when to be emotional and when to be funny, and it’s all filtered through the wubbulous world of Dr. Seuss. It’s just a wonderfully delightful show.

And on the subject of JoJo, I had a kind of love-hate relationship with anime this decade. The attitudes of anime fans turned me off from anime for a long while. Sure, I checked out stuff like Attack on Titan and Sword Art Online, but neither series really clicked with me. The main anime I loved this decade were ones that started in the 2000s and ended in the 2010s, like Dragon Ball Z Kai and Fullmetal Alchemist: Brotherhood. I suppose I did enjoy My Hero Academia, which is a really fun show with an awesome and varied cast and great voice acting. Love Froppy, best girl for sure.

One of the most unfortunate things about this decade was how many great shows got screwed over by their networks. Sym-Bionic Titan, Thundercats, and The Legend of Korra were all great shows in their own right but were treated like shit by their respective networks. It really makes me upset that stuff like that not only happened, but continues to happen to this day.

But let’s not end on a bad note; let’s talk about the astounding returns old shows got. Invader Zim got a movie as did Hey Arnold, with the latter in particular finally wrapping up the dangling plot threads, but those are actual TV movies so they don’t really fit here; what DOES fit is Static Cling, the triumphant return of Rocko’s Modern Life. A forty minute special, it follows Rocko and his friends as they navigate the modern age, trying to bring back Rocko’s favorite cartoon. Rachel Bighead’s arc in this in particular is pretty groundbreaking and awesome.

Also awesome was the first few episodes of Samurai Jack’s return, though it did end up petering out halfway through the season and ended on an anticlimactic note. Still, Tom Kenny’s Scaramouche, the sheer amount of continuity, and the awesome final curbstomp battle against Aku are worth giving this a watch. And if nothing else, stuff like this gives me hope for future revivals. What will we see next? Gargoyles comeback? Batman Beyond continuation? KENNY AND THE CHIMP REVIVAL?! Chimpers rise up!

Music

Much like everyone, I listened to a lot of music this decade. There was a lot of shit, and I definitely used to be one of those “wow no one makes good music anymore” morons, but I grew out of that and learned to look in the right places.

Let’s start with the albums I loved the most. Continuing her meteoric rise from the 2000s, Lady Gaga drooped her magnum opus, Born This Way, an album that successfully showcases her skills as she takes on numerous pop styles. No two songs sound the same, and with a couple of exceptions every song slaps. While we’re on the subject of pop stars, Gaga’s contemporary and lesser Katy Perry managed to hit a home run with the fun bit of pop fluff that was Teenage Dream.

Weird Al was sorely missed for most of the decade, but what albums he did drop featured some of his best work. While Alpocalypse doesn’t hold up quite so well, it’s still solid, but even then it is blown out of the water by Mandatory Fun, an album that just refuses to stop being funny from start to finish. And that’s not the only funny albums this decade; aside from artists I’ll get more into later, George Miller AKA Filthy Frank released Pink Season as one of his last great acts as his character of Pink Guy. The album is as raunchy and filthy as you’d expect. And then for unintentional comedy, Corey Feldman dropped Angelic 2 The Core, an album so musically inept that it ends up becoming endearing; it’s The Room of music.

As I gamed a lot this decade I got to experience a lot of great video game soundtracks, but the two I found to be the absolute best were Undertale and Metal Gear Rising’s. I couldn’t tell you which soundtrack is better, and I’ve actually made a playlist on my iPod containing my favorite tracks from both games. Pokemon had solid soundtracks all decade, but they definitely were better in single tracks such as Ultra Necrozma’s theme from USUM and Zinnia’s theme from ORAS.

And speaking of individual songs, there were a lot I really loved. The disco revival in the easel ide half of the decade lead to gems like “Get Lucky,” “Uptown Funk,” and… uh, “Blurred Lines.” The controversy to that one might be overblown, but it sure isn’t anything I really want to revisit.

Corey Feldman may be the king of unintentional comedy, but this decade was seriously ripe with so bad it’s good music. The crown jewel is without a doubt the giddy, goofy “Friday,” but I think the equally stupid but also endlessly more relatable Ark Music production “Chinese Food” is worth some ironic enjoyment as well.

Meme songs in general were pretty enjoyable, though it came at a price. Remember when everyone tried to be funny by ripping off “Gangnam Style?” Remember when people took that Ylvis song at face value? Irony and satire were lost on the masses. I think the best mene song of the decade, though, is “Crab Rave,” a bouncy instrumental dance track with a fun music video and an absurd yet hilarious meme tacked to it. And then we have “The Internet is for Music,” a gargantuan 30 minute mashup featuring every YTMND, 4chan, Newgrounds, and YouTube meme you could think of (at the time of its release anyway),

Then we get into artists. Comedy music was great this decade, with Steel Panther and The Lonely Island putting out great work all decade, but by far my favorite funny band is Ninja Sex Party. Dan “Danny Sexbang” Avidan and Brian “Ninja Brian” Wecht are pretty much my favorite entertainers at this point, with them easily being able to go from doing goofy yet epic songs where they fuck or party to doing serious and awesome cover albums where Dan flexes his impressive vocals. A big plus is how all of their albums are easily some of my favorites ever, with not a single bad CD, and that’s not even getting into their side project Starbomb. These guys are a treasure.

Then we have Ghost, a Swedish metal band who play up the Satanic panic for all it’s worth. These guys captured my interest when I heard the beautiful “Cirice” on the radio, and despite that song rocking the fuck out, Imagine my surprise when it ended up being only middle of the road awesome for this band! With killer original songs like “Rats,” “Mary in the Cross,” and “Square Hammer” to a awesome covers like “Missionary Man” and “I’m a Marionette,” it’s almost enough to get a guy to hail Satan. I think they appeal to me mainly because they have a style very in line with the 80s, most evident on tracks like “Rats.”

While I’d hesitate to call him one of my favorite musicians yet (he is really good so far though), one of my favorite people in entertainment is Lil Nas X. From his short but sweet songs that crush genre boundaries to his hilarious Twitter feed, this guy is going places and I can’t wait to see what those places are.

And finally, the guy I think may be one of the greatest creative geniuses alive and who has nearly singlehandedly shaped Internet culture with everything he does… Neil Cicierega. While it’s not like I only discovered him in the 2010s - the guy has been an omnipresent force in my life since Potter Pupper Pals debuted - he definitely became the guy I would unflinchingly call the greatest artist of our time over that period. Whether he’s releasing the songs under his own name or as Lemon Demon, you can always be sure that the songs are going to burrow into your brain. His Lemon Demon album Spirit Phone, which features songs about urban legends and the horrors of capitalism, is easily my pick for album of the decade. And then under his own name he released three mashup mixtapes: Mouth Sounds, Mouth Silence, and Mouth Moods. All three are stellar albums, but only Mouth Moods has “Wow Wow,” the bouncing track about homoerotic bee-loving Will Smith and outtakes so good they deserve to be on the next album.

Video Games

Having a PC this decade was great because it let me experience a lot of games I probably wouldn’t have otherwise, like Half-Life, BioShock, Earthnound, Mother 3, and Final Fantasy VI and VII. All of these and more are among my favorite games of all time now, but we’re here to talk about the stuff from this decade I consider great.

It’s hard to talk about this decade in gaming without mentioning Skyrim. Yes, it has flaws and the main storyline is a bit undercooked, but there’s so much fun to be had dicking about in the wilderness it’s hard to be too mad. And if you have mods, there are endless opportunities to expand the game. The same is true for the other game I have sunk countless hours into, The Binding of Isaac: Rebirth. Not only is there a thriving modding community, but it has been supported and encouraged by the creators and some mods have even made the leap into becoming fully canon! It’s always a blast to revisit and see how far I can break the game with item combos.

Surprisingly, Batman managed to get not one, not two, but THREE awesome licensed games this decade! Arkham Asylum, Arkham City, and the unfairly maligned Arkham Origins all kick as much ass as the Dark Knight himself. The former two reunite Mark Hamill and Kevin McConroy as Joker and Batman while the latter features numerous stellar boss battles. The combat in these games is so graceful and fluid, you WILL feel like Batman at some point, be it after flawlessly clobbering two dozen mooks or silently eliminating a room of thugs before they even realize you’re there.

Pokémon had a bit of a rocky decade; it started out strong with the fifth generation, the best games in the series with a great story, region, and sidequests and then just went downhill from there. Not incredibly so, of course - the games were always fun at least - but gens VI through VIII were not the most graceful steps into 3D. Still, every gen managed to produce some of my all-time favorite Pokémon. Gen V had Volcarona, Chandelure, and Meloetta; Gen VI gave us Hoopa, Klefki, the Fairy type in general, and a gorgeous mega evolution for my favorite Pokémon, Absol; Gen VII had the Ultra Beasts and Ultra Necrozma, some of the coolest concepts in the series, as well as Pyukumuku; and Gen VIII gave us Cinderace, Dracovish, Dracozolt, Polteageist, Hatterene, Snom, and Zacian. And those are just samplings mind you, these gens are full of hits.

Bringing back old franchises yielded amazing results. Look no further than the triumphant return of Doom in 2016, which had you ripping and tearing through the forces of Hell with guns, chainsaws, and your bear fucking hands. This game is HARDCORE. Less bloody and gory but no less awesome was the return of not just Crash Bandicoot, but Spyro as well in remakes that are easily the definitive ways to experience the games. And don’t even get me started on the remastered DuckTales!

Platinum games did not fuck around this decade, delivering Bayonetta 2 and Metal Gear Rising. The former is a balls-to-the-wall sequel to the amazing original Bayonetta that, while lacking in bosses quite as impressive as the first game’s, is more polished and has a fun story and a better haircut for Bayonetta; the latter is an action game so insane it makes the rest of the Metal Gear franchise look tame in comparison. The latter in particular is in my top ten games ever, with every boss battle feeling epic, all the music kicking ass, and Raiden truly coming into his own as a badass.

Speaking of Metal Gear, the divisive The Phantom Pain easily earns its place here. While much fuss has been made about the game being “unfinished,” it still has a complete and satisfying ending even if it doesn’t totally wrap up the dangling plot threads the young Liquid Snake leaves behind. The overarching themes as well as Venom and his relationship with characters like Kaz, Paz, and ESPECIALLY Quiet make this game, with his and Quiet’s being particularly beautiful and tragic. The Paz quest, Quiet’s exit, and the mission where Snake has to put down his men after they get infested with parasites are all some of the most heartbreaking moments in the franchise. But it’s not all tears; there’s plenty of fun to be had harassing Russians in Afghanistan while blaring 80s synth pop from your Walkman. Oh yeah, and fuck Huey.

The Ace Attorney series also thrived, with both Spirit of Justice and Dual Destinies transitioning the series into 3D a lot more graceful than some other franchises while still maintaining the with and charm the series is known for. And if that wasn’t enough for my point-and-cluck adventure needs, Telltale had me covered with The Wolf Among Us and the first season of The Walking Dead. The stories and characters of those games are so good, it’s enough to make you sad they never got a timely sequel or sequels that weren’t shit respectively.

This decade is when I really got into fighting game, though I’m not particularly good. I supported Skullgirls (and am even in the credits!), and got into Ultimate Marvel vs. Capcom 3 and JoJo’s Bizarre Adventure: All-Star Battle (and I also got into its spiritual predecessor, Heritage for the Future). But by and large my favorite fighting game of the decade and the one I’m actually pretty good at is Super Smash Bros. Ultimate, the most ridiculously ambitious crossover in video game history. The fact that the game is STILL getting more characters added is a testament of how insanely great the game is because instead of being mad that there’s so much DLC, people are going rabid waiting for news of more. It’s such an awesome, complete game out the door that the DLC feels earned rather than half a game being held hostage. Other devs, take note!

A lot of franchises put their best foot forward for sequels. God of War III was an awesomely bloody finale to the original journey of Kratos, with more epic bosses than ever; now he’s off fighting Norse gods, and I hear that game is even better! Portal 2 is just an absolute blast, and easily surpasses the first game on the merit of having Cave Johnson alone; the fact we get Wheatley and the malfunctioning personality cores honestly feels like overkill. Then we have BioShock… 2. While it’s certainly not as good as the first game, I think it was a lot of fun, and it got way too much flak.

I think it definitely aged better than Infinite which, while still a good game in its own right (it’s hard to hate a game with a character as endearing as Elizabeth), definitely was not warranting the levels of acclaim it got with such a muddled narrative. “Overrated” and “overhyped” are not words I keep in my vocabulary and I certainly would not describe Infinite as such, but I do feel like people got swept up in the gorgeous visuals and the story bits and characters that are effective and so weren’t nearly as critical of its flaws. It’s still a good, fun game with an interesting world, but it pales in comparison to the other two BioShocks. I feel like The Last of Us is in a similar boat. That being said, I couldn’t tell you why; it has a great story, good characters, plenty of replayability, and fascinating enemy design. But despite all that, I appreciate this game more than love it. It’s the Citizen Kane of video game sin that regard at least.

I’d be remiss to not mention the big indie successes of the decade. Shovel Knight is easily one is the greatest platform era ever made, taking everything great about the platformers on the NES and SNES, removing the bullshit, and delivering numerous bonus campaigns with unique playstyles. Then there was Abobo’s Big Adventure, a marvelous mashup of all sorts of games starring the beloved Double Dragon mook as he goes on a bloody quest to save his son. It’s a blast and there is tons of variety but some sections are definitely as hair-pullingly difficult as the games that inspired them. And then there is Doki Doki Literature Club, the free visual novel that brutally subverts your expectations. Sadly, I do feel the game loses some impact on subsequent playthroughs, but it’s still a great, effective story that skillfully utilizes meta elements.

Still, the greatest indie success of them all is Toby Fox’s masterpiece, Undertale. Charming, funny, emotional, and populated by a cast of some of the most fun and lovable characters ever conceived, this game was an instant smash and is still talked about to this day. Sure, things like Sans have been memed to death, but it’s hard to not just love and cherish the beautiful world Toby Fox managed to create. This game may not be the greatest game of all time, but for what it is I wouldn’t hesitate to name it the game of the decade.

There was a lot of great art in the 2010s, and while I couldn’t get around to all of it, I’m so happy with what I got to experience. Here’s hoping that the 2020s can be just as amazing!

#Music #video games #TV

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qqueenofhades · 5 years ago

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Hi, I love your blog (and by extension, you) and I was wondering please if you had any recommendations for how to get into Shakespeare if one only knows the basics from school? (R&J, Midsummer, Macbeth, Othello, and that's it.)

Ahaha, excellent. I LOVE Shakespeare for many reasons, but I appreciate that it can be daunting to get into the original. Probably all of us have seen some kind of adaptation or reworking or modern version of his plays, we have all used some turn of phrase or name or other staple that he invented, and his influence on the English language and dramatic conventions cannot be overstated. So yes, I think it’s worthwhile to know his stuff, but I also think you shouldn’t read it (or anything) just because Old White Men Classic (TM). But if you want to approach it and learn more, you’re in for a treat.

First, I really don’t think Shakespeare is meant to be read by yourself. You can, but... you lose a lot from seeing it performed, and the complexities and richness and ornate nature of the language can be somewhat dense or inaccessible when you read it, vs. hearing it spoken. It was really written to be performed, and if you see a good production of it, you can understand how the language is supposed to sound and the emotions that go with it. I have watched Shakespeare for many years and I’m still delighted by his turns of phrase and the relatable humanity of his characters and the sheer brilliance of the Things He Makes You Feel. Also, the only valid Shakespeare is queer Shakespeare, lbr. He was a bisexual glovemaker’s son with only a grammar school education, he wrote some of the greatest literature in the English language and classist snobs have spent years trying to “prove” that he didn’t, and understanding this about him makes you appreciate him more, imho. The plays weren’t written for the fancy amusement of the upper classes, although Shakespeare acquired more royal patronage as his career went on. These were all freely available for the common people who thronged the Rose, the Globe, the Swan, and other Elizabethan-era theatres, and they would have watched all of these and enjoyed it just as much. It was how they talked and how they lived, and they would have appreciated both the high drama and pathos and all the dirty jokes. Shakespeare loves a good dirty joke. There’s nothing inherently inaccessible or fancy about him. He has been made elite and a sign of Refined Taste or whatever, but really, these plays were always for the people.

If you are currently down the Good Omens rabbit hole as most of us are, or even if you’re not, I can absolutely recommend David Tennant’s Much Ado About Nothing, Hamlet, and Richard II, because they are all absolutely fantastic and made me feel Many Things (seriously, I am gonna be over here shouting at everyone to watch Richard II, I loved it SO MUCH). The Royal Shakespeare Company is usually pretty good for having quality productions with great stage actors, so you can’t go too far wrong with them (I saw Julius Caesar at Stratford in 2008 and it was great). Because I am a dramatic angsty ho, I also love The Tempest and King Lear, though I can’t think offhand of particular productions/versions of those that I would especially recommend. The classics that you have already named (Macbeth, Midsummer Night’s Dream, etc) are all worth a watch even if you have already read them a while ago. As You Like It, Twelfth Night, and The Merry Wives of Windsor are good for Ladies Doing Things (especially As You Like It), and The Winter’s Tale gives us that Truly Immortal Stage Direction, “Exit, pursued by a bear.” (And is good for both drama and a eventually happy ending, rather than being just a tragedy or a comedy.)

Anyway. There is not really a “right” way to do Shakespeare, and you don’t need to be an expert on Elizabethan literature or early modern English or anything like that to enjoy him. You will definitely get more out of it as you go along, when you get more familiar with the language and the structure and the setup of the jokes, but really, start anywhere you like and work from there. You will be like “oh, THAT’S where that saying comes from” at least once a play, and some of his soliloquies and monologues and so forth are just... heart-shakingly brilliant and they will stick in your head forever. It’s also delightful, at least for me, to see these characters all acting in such human and recognizable ways, as a reminder that people in the sixteenth century really were not different from people today in many ways. We say a lot that people have always been people, but when you’re watching something written that long ago and you can still recognize the fact that they’re exactly how we would understand them to be, it’s just really wonderful.

Anyway. I love Shakespeare. So yes. (Ask me about my feelings on Elizabethan theatre/Shakespeare as a normatively queer space. Ahem.)

#shakespeare #anonymous #ask

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thecartoonuniverse · 6 years ago

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Currently Airing Cartoons to Watch: 2019 Edition Part 1

You may remember my list of upcoming cartoons to look out for last year, but this time around I would like to do something different! I am personally recommending cartoons that are currently airing (or are confirmed to get more seasons) and give my opinions on each of them. There may be other good cartoons out there, but if they are not on the list, it means I was not a huge fan of it, it’s a super popular show like Steven Universe or Star vs. the Forces of Evil, or I have yet to watch it. If you are looking for something to watch, this is the list!

Currently Airing:

The Dragon Prince

Summary: The Dragon Prince is an epic fantasy series by the head writer and director of Avatar: the Last Airbender. In the magical land of Xadia, magic comes from six primal sources. But when human mages create a seventh kind of magic, Dark Magic — they begin capturing and harvesting the unique magical creatures they need as ingredients. This sparks a catastrophic war between Xadia and the Human Kingdoms. Three kids from opposite sides of the conflict — two human princes, and the elven assassin who was sent to kill them — discover a secret that could change everything. They decide to join forces and go on an epic journey that may be their only hope of ending the war, and restoring peace to both their worlds.

Opinion: This is probably my favorite currently airing show right now, mostly since I am a huge fan of fantasy shows. Dragons, extremely hot elves, and magic- what more could you ask for? Every one of the characters is complex and likable (well most, depending on who you ask). But even the antagonists are compelling at there are always shades of gray present. Season 2 truly blew me away with how much the stakes were raised and the number of surprises that occurred. There is even going to be a AAA cross-platform video game coming soon set in the same world! The company that creates The Dragon Prince, is doing a fantastic job on their social media (it’s hilarious, trust me), and I cannot wait to see what else they create. A quick warning, the animation from season 1 will take a little while to get used to, but for the most part, it has been improved for Season 2.

Also, there a lot of memes, so get ready for that.

gen:LOCK

Summary: In gen:LOCK, Earth’s last free society is on the losing side of a global war, and recruits a diverse team of young pilots to control the next generation of mecha—giant, weaponized robot bodies. These daring recruits will find, however, that their newfound abilities come at no small cost. As Julian Chase leaves behind his life as a fighter pilot to become the first candidate for the program, he finds his endurance, as well as his very identity, will be tested beyond anything he ever imagined.

Opinion: For any current/past fans of Voltron: Legendary Defender- WATCH THIS SHOW! If you are a fan of mechas, you will surely enjoy this. But if you were more a fan of the character interactions from VLD, this show also has you covered. It has an amazingly diverse cast and even has a canon genderfluid character. It is a show made for adults, so the stakes are real and dark subjects are treated seriously. Even the romance is done very well with the characters acting like adults instead of arguing over each other like teenagers. Even from the first episode, you can tell that the show is willing to take risks and is sure to become one of the greatest shows of the decade. The animation is also beautiful, and is definitely the best looking show Rooster Teeth has created. The fan base is super small right now since the first season just aired and is RT First exclusive. But trust me, it is worth a watch.

Carmen Sandiego

Summary: Carmen is a modern day Robin Hood traveling the globe and stealing from V.I.L.E. and giving back to its victims. Carmen is publicly perceived as a criminal by most law enforcement agencies – correction, make that a master criminal due to the sheer scale and theatricality of her heists. We will follow her escapades and get to determine not only where but WHO in the world is Carmen Sandiego?

Opinion: This show really caught me by surprise- I was fully expecting a kiddy edutainment show, but what I got was something much more complex and intriguing. Carmen this time around, as the summary suggests, is an anti-hero, and not an antagonist or villain like she was in the past. While some may not want to watch it due to this, I think this take on her is done very well, and once you get past the two-episode backstory, you will find the show is fun with a diverse cast of characters from all over the world. This GIF doesn’t quite do it justice but trust me when I say this show has some one of the best looking art styles I have ever seen. Surprisingly the weakest aspect of the show is the educational factor, which is puzzling as it was very much promoted as a show to teach children geography. In some cases, I have seen posts/tweets pointing out factual errors the show made! Normally it wouldn’t be the biggest deal, but this is a show that prides itself for its educational value. Also, some of the characters have pretty flat personalities or are just straight up incompetent, but hopefully that will change as the show progresses further. The finale was amazing, and I am patiently waiting for the next season!

Tangled: The Series/ Rapunzel’s Tangled Adventure

Summary: Set between the events of the feature film and the start of the 2012 CGI short film, Tangled Ever After, the animated series unfolds as Rapunzel acquaints herself with her parents, her kingdom and the people of Corona. Her irrepressible spirit and natural curiosity about the world drives her to the realization that there is so much more she needs to learn before she can truly accept her royal destiny. She boldly puts her crown and impending marriage on hold to seek out epic adventures, much to the dismay of the King who, after missing out on Rapunzel's childhood, must accept that his daughter is now an independent young woman. Accompanying Rapunzel on her journey will be Eugene Fitzherbert; the plucky chameleon sidekick, Pascal; the no-nonsense horse, Maximus; most of The Snuggly Duckling's pub thugs; and newcomer Cassandra, a tough-as-nails handmaiden, who becomes Rapunzel's confidant.

Opinion: This series is truly a delight, and definitely exceeded my expectations for a television series based off a Disney show (I did not expect much as most of those types of shows from my childhood weren’t the best). But I was truly wowed, and this is a must see for any Disney fan.The series does not ignore anything that happened in the movie, far from it. Events that occurred in the movie still impact Rapunzel and are treated seriously. The cartoon mixes comedy, adventure, lore, and mystery quite well. It is also very beautiful, much like Carmen Sandiego (both have similar styles but I like CS’s lighting a bit more). The show can even get quite dark, as is evident with the season 1 finale. This show deserves a much biggest fanbase, so give it a watch!

Hilda

Summary: Hilda follows the journey of a fearless blue-haired girl as she travels from her home in a vast magical wilderness full of elves and giants to the bustling city of Trolberg, where she makes new friends and discovers mysterious creatures who are stranger –and sometimes more dangerous– than she ever expected. Based on graphic novels by Luke Pearson, who storyboarded for Adventure Time.

Opinion: Hilda is definitely a comfort show, and if you liked Gravity Falls there is a good chance you will also like this show! The art style is simply adorable, and Hilda is a delight to get to know. I love the way that the show not only has magical creatures, but it goes in depth into how these creatures live and survive in a modern world. Having read all the comics, I personally enjoyed the addition of Hilda getting some human friends. I know some people did not like this, but she seemed quite lonely once she moved to the city, and I liked seeing her interact with children her age. Season 2 is coming out next year, so there is plenty of time to watch the first season! If you love a feel-good show with mystery and magic, this is the show for you!

Star Wars Resistance

Summary: The series is set between the events of Star Wars: Episode VI Return of the Jedi and Star Wars: Episode VII The Force Awakens, in a time when the Resistance is still learning about the growing threat of the First Order. It centers on the character of Kazuda Xiono, a young pilot in General Leia Organa's Resistance who is tasked with spying on the growing threat of the First Order.

Opinion: This show was one I was not expecting anything from at all, but as the show has progressed throughout the first season I have begun to enjoy it more and more. This show, like many on this list, features a very diverse cast (including some aliens, of course). Probably the thing that surprised me the most was the fact that the main character, Kaz, is 20 years old! I feel like that is not something you see with action shows these days, as they usually make the protagonist 16 or 17 years old. I really like the animation style, as I always felt that without the big budget, the Clone Wars style just didn’t look that good in Rebels. Resistance is so... shiny! As for the plot itself, it is sad that most of my favorite aspects of Star Wars are missing, namely the Force, Jedi, and Light Sabers. But since it may eventually tie in more with the sequels, there is hope to see more of that eventually! It’s definitely not at Clone Wars level of good, but I am finding it more enjoyable than Rebels (excluding a few episodes and the season finales). It may never end up being as serious as Rebels, but I am sure it will get darker as time goes on and the stakes get higher.

Young Justice: Outsiders

Summary: Young Justice: Outsiders is the third season of Young Justice. The backdrop for the season is one that will touch on “all corners of the DC universe,” and this time the team is tasked with stopping a metahuman trafficking ring, as well as dealing with the “intergalactic arms race for control of these super-powered youths.” You can also count on new heroes Arrowette, Spoiler, Thirteen, Halo, and many more joining in the fight.

(^I can’t recall if this is the exact line from the show but this whole episode is the best)

Opinion: If you loved the first two seasons of Young Justice, it is easy to say that you should give this one a watch. But now that it is on DC’s streaming platform, DC Universe, IT IS DARK. Seriously, this is no longer a show for children. And that’s pretty great. I truly love that the show can now explore darker themes and have some adult jokes from time to time. However, unlike the first two seasons, I feel constantly confused about new characters or things that have happened to returning characters offscreen. Unless you are very knowledgable about DC characters, there is a good chance you will feel this way. So, it is sadly a bit more unwelcoming to those unfamiliar with the comics. I still love the show’s characters and superhero stuff, in general, is always a lot of fun. There’s also LGBT characters apparently already in the show (and some that were LGBT in the comics have appeared, but nothing in-show is confirmed), so hopefully, there is also that to look forward to in the second half of the season when it airs in June.

Big Hero 6 The Series

Summary: The series continues the adventures of 14-year-old tech genius Hiro and his robot pal Baymax. Joining the pair on their journey is control freak Wasabi, scientist Honey Lemon, fanboy Fred, and no-nonsense Go Go Tomago, whom together form the Big Hero 6 superhero team. As the new prodigy at San Fransokyo Institute of Technology, Hiro faces daunting academic challenges, not to mention the social trials of being the little man on campus. The stakes are also raised for the high-tech heroes when they must protect their city from an array of scientifically enhanced villains.

Opinion: Another very well made series based off a Disney movie. Once again, this show stays faithful to the source material. The art style is very interesting, and while not my favorite gives the show a very cool feel. Once the main villain is introduced, I was glad to report that he became a major threat very fast. And the season 1 finale was pretty great as well. My biggest issue concerning this series so far is that is still really hasn’t developed the side characters at all, despite them being in almost every episode. These are college students, so their families should still be quite important to them. But besides Fred, we have yet to really learn about them, and with that, a potentially important part of who they are as a person is missing. After a movie and a whole season, these characters should not seem as flat as they are, so I hope we learn more about them too. But we also get flashbacks of Tadashi, so for that alone the show may be worth a watch.

Rise of the Teenage Mutant Ninja Turtles

Summary: Deep in the sewers of New York City, four mutant turtle brothers lurk. Leonardo, Raphael, Donatello, and Michaelangelo are in their early teen years, and the brothers go on new and exciting adventures. They tap into their mystic ninja powers to learn to work together as a cohesive unit and become a team of heroes as they navigate the modern world and other hidden realms. The brothers get a whole new look, new weapons, and new powers as they discover the hidden city beneath New York and find time for a slice of their favorite pizza.

Opinion: Okay I will admit this is one I haven’t actually seen all of yet. But the art style is just so cool I had to include it and will likely update this entry when I catch up. This show may be a worthy successor to the 2012 series, which I know a lot of people loved.

So that’s the end of my list. If I remember any other good shows airing, I may update it. But, if I got you to watch any, let me know and tell me your thoughts!

Shows to Look Foward to: Glitch Techs, Amphibia, Owl House, Twelve Forever, Hazbin Hotel, Villainous, Infinity Train, 101 Dalmatian Street

Shows Omitted due to being super popular already: Steven Universe, Star vs. the Forces of Evil, RWBY, Bojack Horseman, OK KO, She-Ra and the Princesses of Power, Duck Tales

Join my Cartoon Themed Discord: https://discord.gg/cartoonuv

And give us a follow if you enjoyed the post! We talk about cartoon related stuff a lot! I will probably do a part 2 later in the year when more of the cartoons to look forward to have aired. And I might even add some shows omitted or other shows I may have forgotten!

#tdp #the dragon prince #gen:lock #tangled #hilda #carmen sandiego #tmnt #bh6 #young justice #star wars resistance #rwby #she-ra

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the-desolated-quill · 6 years ago

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Quill’s Swill - The Worst Of 2018

Congratulations dear reader. You survived 2018. And you know what that means. It’s time for another best of/worst of list. Welcome to Quill’s Swill 2018. A giant septic tank for the various shit the entertainment industry produced over the course of the year. The films, games, TV shows and various other media that got on my bad side. As always please bear in mind that this is only my subjective opinion (if you happen to like any of the things on this list, good for you. I’m glad someone did) and that obviously I haven’t seen everything 2018 has to offer for one reason or another. In other words, sorry that Fantastic Beasts: The Crimes Of Grindelwald isn’t on here. I’m sure it is as terrible as some have been suggesting. I just never got around to watching it.

Okay everyone. Grab your breathing masks and put on your rubber gloves. Let’s dive into this shit pile.

Hold The Sunset

The news that John Cleese would be returning to the world of BBC sitcoms was incredibly exciting, being a massive Fawlty Towers fan and all. Unfortunately Hold The Sunset was not quite what I had in mind. It’s one of those rare breed of situation comedies that chooses to offer no actual comedy. It’s not a sitcom. It’s a sit. Like Scrubs or The Big Bang Theory.

An elderly couple plan to elope abroad only for Alison Steadman’s son to barge in, having left his wife, and forcing them to put their plans on hold. Hence the title ‘Hold The Sunset.’ It’s like a cross between As Time Goes By and Sorry, but if all the humour and relatability were surgically removed by a deadpan mortician. The characters are weak, the plots are thin on the ground and the humour (hat little of it there is) feel incredibly dated. The middle aged mummy’s boy is something that hasn’t been funny since the 90s. It’s an utter waste of great talent and what hurts even more is that this tripe is actually getting a second series. I can only assume the people watching this are comatose. Either that or there’s an epidemic of people in Britain who have lost the remote.

Avengers: Infinity War

Yes this is one of the worst movies of 2018 and no I don’t regret saying that one little bit. Avengers: Infinity War was fucking terrible. Period. There were too many plots and characters going on, which made the film hard to follow (and what staggers me is that the so called ‘professional’ critics have condemned movies for having too many characters and plots before. Spider-Man 3, The Amazing Spider-Man 2, Batman vs Superman: Dawn Of Justice and even Deadpool 2. But because this is an MCU movie, it gets a free pass. Fuck off). The characterisation was weak due to sheer number of characters they try to juggle, resulting in characters coming off as one dimensional caricatures of themselves and scenes where characters such as Iron Man, Doctor Strange and Star-Lord sound completely interchangeable. The villain, Thanos, is a stupidly and poorly written villain, but that’s hardly surprising considering what a shit job Marvel have done building him up over the course of these 20+ movies. And let’s not forget that pisstake ending. A bunch of prominent Marvel characters die and it’s all very, very sad... except all these characters just so happen to have sequels planned, which makes this ending fucking pointless and have less impact than a feather on a bouncy castle.

I don’t know which is more shocking. That Marvel and Disney think their audience are that stupid and gullible, or that their audience are actually validating their view. Fuck you Disney.

Harry Potter: Hogwarts Mystery

I’ve always wanted a Harry Potter RPG, where you could customise your character, choose your house and actually live a full school life at Hogwarts. This year, Warner Bros and Jam City gave us just that.

That was a mistake.

Harry Potter: Hogwarts Mystery is the epitome of everything that’s wrong with the mobile gaming market right now. The gameplay is boring and involving where you just tap images on a screen until a progress bar fills up. Wizard duels are little more than rock-paper-scissors challenges that require no kind of skill. Bonding with friends and caring for magical creatures just consist of pathetically simple pop quizzes and yet more boring tapping. Oh and of course you only get a certain amount of energy to complete these tedious tasks. If you run out of energy, you wait for it to fill up... or pay up for the privilege. So determined are they to extract your hard earned cash from your wallet, there’s actually a bit where Devil’s Snare strangles your eleven year old avatar and the game effectively tries to guilt trip you into paying micro-transactions to save them. It’s sleazy, gross and manipulative. Honestly, you’re better off just playing Candy Crush.

Agony

When the developers of this game said they wanted to give the player a trip through Hell, they had no idea how true that statement really was. Agony is dreadful on a number of levels. The design for Hell itself, while visually interesting at times, is often not very practical and gets quite dull and repetitive after a while. The stealth mechanics are a joke and the AI of your demonic enemies are pitiful. All of this alone would have been enough to put this game on the list, but then we also have the casual misogyny. Agony is a gorefest trying desperately to shock the player. We see men and woman get tortured, but it’s the women that often get the extreme end. The violence inflicted on them is often sexual in nature and the game seems to go out of its way to degrade and dehumanise women at every turn. The orgasmic cries of ‘pull it out’ quickly become a staple of the game’s experience as we see naked women raped, tortured and murdered, all for the purposes of ‘entertainment.’

I would call Agony sexist, but honestly that would be giving it too much credit. Agony is like a little child trying desperately to be all dark and edgy in a pathetic attempt to impress everyone around him, and we should treat it as such. Go to your room Agony. No ice cream for you.

Peter Rabbit

If you listen closely, you can hear the sound of Beatrix Potter rotating in her grave.

Yes we have yet another live action/CGI hybrid, but instead of something innocuous like the Smurfs or Alvin and the Chipmunks, Sony instead decides to adapt Peter Rabbit, with James Corden in the title role.

It’s about as bad as you’d expect.

Their attempts to modernise the story are painful to say the least with pop culture references, inappropriate adult humour and twerking rabbits. Plus rather than the gentle, but slightly mischievous character we got in the source material, here Peter is a sociopathic delinquent who seems to revel in making the farmer’s life a living hell. He’s unlikable and unwatchable as far as I’m concerned and the film doesn’t in anyway earn the emotional moments it tries so desperately to sell to the audience. And the worst part is it’s getting a sequel.

Wait. Do you hear that sound? That’s the sound of Beatrix Potter tearing out of the ground, ready to kill whatever idiot came up with this shit.

Fallout 76

I was excited for Fallout 76. A MMORPG where players band together to rebuild society after a nuclear apocalypse. Could have been great. Pity it wasn’t.

Fallout 76 is a dreadful game. Not only is it a buggy, glitchy mess that requires a constant online connection to play, which could result in you losing hours of progress if your WiFi went down, it’s also unbelievably tedious, and that’s because there’s nothing to do in the game. There’s no other characters to interact with, the various robots and computers you come across are really little more than quest givers, there’s no actual plot so to speak, and because of the sheer size of the world and the number of players allowed on a server, the chances of you actually meeting any actual players is remote. And let’s not forget all the behind the scenes drama. Bethesda falsely advertising Fallout themed canvas bags and players getting shitty nylon ones. Bethesda accidentally releasing the account information of various players trying to get a refund for said bag. Bethesda failing to program the year 2019 into the game code, meaning that the game’s nukes don’t work.

Maybe there’s a chance that Bethesda could pull a No Man’s Sky and fix everything over the coming years with various patches and DLCs, but the damage has already been done. It’s incredibly disappointing. The Elder Scrolls 6 is going to have be fucking incredible to win everyone back.

Mama Mia!: Here We Go Again

I can’t stand jukebox musicals anyway, but Mamma Mia was always one of the worst. Its boring, meandering story with its one note, obnoxious cast of characters screeching out ABBA songs like they’re at some drunken karaoke session at some poor sod’s hen party has always grated on my nerves. So imagine my delight when they announced we were getting a sequel. Ever wondered how Meryl Streep met her three lovers and founded her hotel? No? Well tough shit, we’re going to tell you anyway.

Mamma Mia: Here We Go Again is basically just Mamma Mia again. The actors still can’t sing, the characters are still annoying and story is still boring and meandering, completely at the mercy of the chosen songs rather than the filmmakers using the songs to compliment the story (you know? Like proper musicals do?).

How can I resist you? Very easily as it turns out. Gimme, gimme, gimme a fucking gun so I can end my misery.

The Cloverfield Paradox

A lot of people were unhappy about the direction Cloverfield was going. They wanted a continuation of the found footage, kaiju movie from 2008, not an anthology series. I was personally all in favour. Partially because I thought the first Cloverfield was a tad overrated, but mostly because I thought it would be a great opportunity for more experimental film projects and could be a great launchpad for new writers and filmmakers. 10 Cloverfield Lane was a great start. Then The Cloverfield Paradox happened.

The Cloverfield Paradox is basically JJ Abrams trying to have his cake and eat it too. Maintaining the anthology format whilst connecting everything together in a ‘shared universe’ (yes, yet another shared universe). The result was a cliched, poorly edited and idiotic mess of a film that actually took away from the previous two films rather than added to them. Everyone hated it and, as a result, 2018′s Overlord, which was totes going to be part of the Cloververse, was made its own standalone film and Abrams double pinky promised to make a true sequel to the original Cloverfield. A complete and total disaster. No wonder it was a straight-to-Netflix film.

The Handmaid’s Tale - Season 2

This is probably going to be the most controversial entry on the list, but please hear me out because I’m not the only one who has a problem with this season.

I was reluctant to watch The Handmaid’s Tale simply because of how gruesome the original book was, but I forced myself to watch the first season and I thought it was pretty good. It remained faithful to the source material for the most part and included some nice additions that helped to expand the story and mythos. If it was just a one off mini-series, everything would have been fine. But then they made the same mistake as The Man In The High Castle and Under The Dome did where they commissioned another season and attempted to tell a story that goes beyond the book.

There’s a reason why the original story ended where it did. The Handmaid’s Tale isn’t meant to be an empowering story about women sticking it to the patriarchy. It’s a cautionary tale about how fragile our civil rights truly are and how easily they can be taken away from us. It’s designed to shock, not to satisfy. So seeing a handmaid blow herself up in a suicide bombing feels very incongruous and just a little bit silly. It would be like doing a TV adaptation of George Orwell’s 1984 where the first season followed the source material and then the second season turned Winston Smith into this heroic freedom fighter trying to overthrow Big Brother. It would represent a fundamental misunderstanding of what the book was about in the first place.

And then of course there’s the increased level of violence in Season 2, which many have complained about. In Season 1 and the original source material, the violence was justified. In Season 2, the motivation behind the violence has gone from ‘how can we effectively demonstrate how easily a fascist patriarchy can happen in the West?’ to ‘what brutal act can we inflict upon Ofglen to shock the audience this week?’ It’s purely for shock and nothing more. And with the showrunner (who I feel I should mention is a man) announcing that he has planned ten seasons of this, it seems that The Handmaid’s Tale is going to go even further with this depravity until it effectively becomes the equivalent of a Saw film.

The Handmaid’s Tale exists as a way of shining light on and critiquing misogyny in its most extreme form. Season 2 however demonstrates that there is a serious risk of it becoming the very thing it’s criticising in the first place.

The Predator

I love the Predator franchise, but The Predator is the worst.

People thought that this would be good because director Shane Black had actually starred in the first Predator movie back in 1987. Instead we got this bloated, confusing, obnoxious and insulting mess of a film that seems to go out of its way to ruin everything that makes Predator so good. There’s no tension. No suspense. No intrigue. Just a bunch of gore, explosions and shitty one liners from annoying and lifeless characters. They essentially took this big alien game hunter from outer space and turned him into a generic monster from a bad summer blockbuster. It no longer hunts for sport. It wants to take over the world and splice our DNA with theirs. But don’t worry, a rogue Predator doesn’t want to kill humans (even though he himself kills a bunch of humans), so he gives us a Predator Iron Man suit to set up a sequel that will probably never happen because this movie was a box office bomb and it fucking SUUUUUUUUUUUUCCCCCCKKKKKKKEEEEEDDDD!!!

This film also has a very nasty streak towards those with disabilities. There’s a lot of jokes at the expense of a character with Tourette’s and it has an extremely ignorant and patronising view of autism, portraying the main character’s kid as being a super genius who can decipher the Predator language and even going so far as to say that he represents ‘the next stage of human evolution.’ Presumably the Predators want social communication difficulties because apparently it helps them hunt somehow.

What with Disney acquiring 20th Century Fox, the future of both the Alien and Predator franchises were very much in question. This film needed to be a success in order to make a case for Disney to keep making more of them. It wasn’t. Congratulations Shane Black. You might have just killed off this franchise for good. Thanks arsehole! :D

So those were my least favourite stories from 2018. Join me on Wednesday where we shall discuss something more positive. Yes, it’s awards season. Who shall win the coveted Quill Seal Of Approval? Watch this space...

Or don’t. It’s up to you. I don’t want to force you or anything. It’s a free country.

#quill's swill #quill's swill 2018 #worst of the year #review #opinion

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namixart · 6 years ago

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To start off 2019 with some positivity, I'm going to make a list of things that I absolutely love and make me happy in my favourite shows, movies, books, games etc. Small things, big things, no particular rhyme or reason. It was surprisingly therapeutic. Feel free to reblog and add your own!

Link being left-handed now let him use sign language Nintendo please

The entire Sector 6 Market section in Final Fantasy VII and the Honeybee Inn in particular

Zuko's character arc

The Pirates of the Caribbean soundtrack

Final Fantasy X's worldbuilding

Everything about Disney's Mary Poppins it put me in a good mood for three days straight

How Percy absolutely adores his mum and is supportive of her relationship with Paul (after a while)

Edward Elric

(Yes. Just Edward Elric as a character, person, concept, actions...)

Major character design kink: boys with long (ish) blonde hair (see Edward, Link, Zidane, Howl)

Final Fantasy IX's soundtrack

Aerith and Tifa being close friends despite both being in love with Cloud

The Gentleman Bastard Sequence's worldbuilding

The fact that one of the characters in Zootopia speaks with my city's accent in the Italian dub (you never see it in any movie)

Final Fantasy IV's world being just vague enough that it tickles my creative bone to expand on it

Kingdom Hearts I using original storylines for the Disney Worlds

How Yato's eyes are very a very clear indication that he's a supernatural being in Noragami, being unnaturally light and bright

That one panel in the Kingdom Hearts II manga where an almost-naked Pete carries Maleficent bridal style out of the collapsing tower

Sleeping Beauty's art style and instrumental soundtrack

The fact that two super popular shonen manga/anime have leads who are super smart instead of being dumb muscle or the stock happy-go-lucky-not-very-bright protagonist (Fullmetal Alchemist and My Hero Academia)

How some of the Olympians like Hermes and Poseidon are so casual when interacting with mortals

The scene where the Spaceport is revealed in Treasure Planet and the look of the film in general

The first few chapters of the Yu-Gi-Oh! manga before card games took over the plot

People in the Gentleman Bastard Sequence being emotionally honest despite being literal con artists

The theatre motif in The Republic of Thieves

Cloud, Aerith and Tifa threatening Don Corneo, but especially Aerith saying that "she'll rip it off" if he doesn't cooperate

Locke and Jean becoming pirates in Red Seas Under Red Skies

The Hunger Games movies being the most accurate film adaptations I have seen in my life

The Kingdom Hearts soundtrack, especially the vocal tracks, Dearly Beloved and The Other Promise

Final Fantasy VI shoving you in what usually is the backstory of a videogame and literally destroying the world

Edward defending Mustang when he had his sight taken from him despite them having spent 90% of their screentime together bickering

Tony Stark and Peter Parker's relationship in the MCU

Sophie throwing a tantrum after she realises she's in love with Howl and creating deadly weedkiller to express those feelings

Darcy being a goddamn social Disaster in every incarnation of Pride and Prejudice

The relationship between Roy Mustang and Riza Hawkeye

The Once Upon a December sequence from Anastasia

The mere existence of Zamira Drakasha and Ezri Delmastro and everything they represent

Sokka's role as both the strategist and the goofball in the Gaang

Peter Parker sharing a hot dog with Loki when he could have asked for anything because Loki owed him a favour

How the plot of Kingdom Hearts is so ridiculous we don't even question it anymore

Enormous muscly men I can still categorise as "super adorable and sweet" (Major Armstrong, All Might)

Howl being the biggest drama queen in the book

My Hero Academia's fantasy AU ending

Spider-Man (PS4) nailing the Friendly Neighbourhood Spidey aspect of the character and letting him interact with civilians

That moment when I was sure Bakugou was going to join the League of Villains but then he didn't and I've never been happier about being wrong my entire life

Zuko practising before asking the Gaang to join them

SNAP SNAP SPARK SPARK

Harry's wonder at every new thing in the Wizarding World

The fact that Spider-Man's backstory could just as easily be that of a villain but instead he's a hero and he has the biggest heart

Jake and Amy being in an Adult and Communicative relationship while still being themselves and each other's best friend

Winry being just as much of a prodigy as Ed and Al and building Ed's automail at 11 years old

Percy Jackson starting out as a standard straight white kids' series and Riordan adding ALL THE DIVERSITY as soon as it got popular enough that Disney couldn't say no

Charlie Weasley just outright trespassing into Hogwarts to smuggle an illegal dragon out

The soul and essence of Pride and Prejudice being passive-aggressiveness and sarcasm

Apollo's haikus in Trials of Apollo

Every scene using Deep Canvas in Tarzan

Winry and Edward's diametrically opposed reactions to the realisation they're in love ("Oh I guess I've fallen for him alright moving on" vs "Fuckfuckfuckfuck oh shit no why oh god aaaaaaaaaaaaaahhhh")

Lilo & Stitch's watercolour backgrounds

The fact that Roy Mustang's womanising persona is a facade to hide the fact that he's a) a huge nerd, b) going to overthrow the government and c) in love with his lieutenant

The "makings of greatness" speech in Treasure Planet

Spider-Man (PS4)'s swelling score as you start web swinging

The Battle of 1000 Heartless in Kingdom Hearts II

Sophie proudly describing Howl to Abdullah, him assuming she was listing flaws and her getting angry about it

Edward and Alphonse being atheists despite having literally met their version of God

The fact that Amajiki is one of the top three hero students despite his crippling anxiety

Rubicante recognising Edge as a warrior and apologising for Lugae's horribleness

Edge unlocking new powers out of sheer rage

Sora throwing a tea party at the end of Dream Drop Distance while his best friend was still asleep

The backstory in Skyward Sword about Hylia and the first Link

The "immoral manga" omake in Fullmetal Alchemist

The School Festival arc in My Hero Academia, Eri finally smiling and Deku and Mirio being the best big brothers I've ever seen

Kingdom Hearts III finally coming out this month

McGonagall's cat form resembling her human form

Edward finally breaking down at the end of Fullmetal Alchemist god I love this boy so much he has such a big heart

The Enlarged Suit Scene from Howl's Moving Castle

Most of Howl’s Moving Castle is a delight to be honest

Kairi's reaction at the news that she would be training with Axel in A Fragmentary Passage

The bonfire scene in Cosmo Canyon from Final Fantasy VII

Uraraka deciding not to focus on her crush on Deku in order to grow as a hero

Rydia summoning Titan and raising a mountain at the ripe age of seven in Final Fantasy IV

The friendship between Percy, Annabeth and Grover

Kairi and Lea looking like they're going to be a team in Kingdom Hearts III

Greed (at least the second one) claiming that his goal in life is to have everything when in fact he only ever really wanted friends

The Main Theme of Final Fantasy playing during the scene where the characters not in the final battle pray for the party in Final Fantasy IV

The Overture from Phantom of the Opera

Locke Lamora from the Gentleman Bastard Sequence being named after Locke Cole from Final Fantasy VI

Luna Lovegood never having to change who she is and remaining weird and happy

Terra Branford becoming more human by feeling not romantic love but maternal love for a bunch of orphaned children

The "You're not alone" scene from Final Fantasy IX

Darcy respecting Elizabeth's refusal of his first proposal and working to become a better person after she points out his many flaws

Neku learning to open up to people in The World Ends With You and literally saving Shibuya through character development

Bakugou's slow development into a better person

The sketchy animation during Disney's Dark Age

The official character artwork for Skyward Sword

Harry and Sirius's relationship

Spider-Man being a street-level hero and being super humble even though he can literally lift Thor's hammer

That little high-five between Sora and Remy in the 30 seconds trailer for Kingdom Hearts III

Rosa and Rydia immediately ignoring the boys' order to not come to the Moon and stowing away on the Lunar Whale

Plus Edge's adorable "Y-you're here too!?" in the DS remake

Cloud not being allergic to smiling and joking around in the original Final Fantasy VII ("Let's mosey!")

Thor and Loki starting to mend their relationship in Ragnarok

Into The Spider Verse has a scene where Miles uses Spider-Man comic books to figure out how to use his powers and it's the best and I love it

You know what, Into The Spider Verse as a whole because I saw it a while back and I'm still gushing

#i feel so good about the world #long post

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