#vo: 001

[bazaba]

𝐢𝐧𝐬𝐚𝐭𝐢𝐚𝐛𝐥𝐞 | 𝐡𝐰𝐚𝐧𝐠 𝐢𝐧-𝐡𝐨

chapter 001

| in-ho’s pov |

calling it a regular day might have been a lie, but saying it was totally special was false as well. let’s just say i was too deep into it to care like a few years back.

the day before the beginning of the games became nothing, for me at least. no anxiety, no excitement, no pleasure. just watching, keeping the vips entertained and giving the winners their prize.

becoming too used to this made me feel nothing at all. like forty hundred people weren’t dying right in front of my eyes, like i wasn’t responsible for their deaths, claiming instead that i gave them a choice, so it was their own endgame.

opposing to the games was too difficult, it was way easier to admit their fairness and arranging them again the next year without complaining.

i was the host, after all. the frontman. the vips were my guests and it was my job to make them happy. and to make them happy i had to put on the games. but explaining it like this may make the system look easy.

actually, it wasn’t as easy as it sounded, and it’s too difficult to explain.

the future players were asleep on their beds and we were all waiting just for them to wake up and realize where they were.

it was always the same story. it almost made me bored.

but i knew this year would be funny. for the first time in years, watching the games would have been finally pleasant.

seong gi-hun was back after three years. what was his goal? what did he accomplish by joining the games again? i’ll figure it out very soon.

my office was always the same. all black, the chandelier emanating a golden light. my armchair perfectly positioned in front of a huge screen. next to me, a small table. on it a bottle of vodka and a glass, when i was watching the games my own black mask would be joining them too. right now, it was right there.

then, a desk where a computer and an old fashioned telephone were placed. that computer was essential, it held all the files of the players that i didn’t even bother reading anymore.

but this year, i red gi-hun’s one.

the usual sound of the elevator reaching my office made me stop sipping on my drink. i waited patiently for my right arm to tell me whatever he had to say.

i could hear his hurriedly steps, until he reached my side.

i turned my head towards him, his square mask always on, his black suit distinguished him from the rest of the guards. «sir.» he spoke. «we have an anomaly.»

i took a deep breath, not expecting anything like that. we never had anomalies, the only one after all this years was gi-hun’s return to the games.

however, this was different. i could feel it.

«what do you mean?» i asked, only to encourage him to continue, and he did. «a player that wasn’t invited is here.»

my gaze lifted up to him. now that really got my complete attention. «the one who was supposed to be player 017 seems to have decided not to participate.» he continued, «but another player 017 is here, and she’s not who it was supposed to be.»

i listened to his every word and waited a few seconds before answering. i needed time to elaborate, to decide what to do with this impostor.

«open player 017’s file.» i said. it was an order, loud and clear. he lost no time in hesitation and sit on the chair to search her file on the computer. i stood up from the armchair and made my way closer to him, to see myself what was written in that paper.

once he found it, he clicked on it, and player 017’s face and name popped up on the screen.

shin seo-han

a normal looking woman was exactly what i saw, but would that appearance match who she really was, or was it just a distraction?

what was she doing here if she hadn’t been invited? how did she find the card? but most importantly, why did shin seo-han join the games?

on the file there was written that she wasn’t in debt, she had a totally regular financial situation, she had a job and a nice looking house.

i was still reading her file, when my right arm’s voice remembered me that he was still there. waiting. «what do we do with her, sir?» he asked. i didn’t show a single sign of disturbance, like the situation wasn’t affecting me at all.

i thought a lot, maybe too much. what to do with her?

shin seo-han shouldn’t be here, she was not invited to play. i kept looking straight at her face, like it would help me with my decision.

player 017 was given a choice: to participate to the games or not. he decided not to play, which was really unusual.

i wondered, was it his own decision or did someone else order him to refuse the offer?

in any case, the current player 017, shin seo-han, decided to take part in these games of her own free will, even though she probably didn’t know where she was setting her foot in.

«keep her in the games.» i gave my final judgement. i could see my right arm shift in his place, he didn’t agree with me. «i want to understand why she is here.» i explained myself better, even though there was no need.

«do you think she might be someone—» i cut him off, «who knows.» i relaxed my shoulders, moving towards the small table, reaching again for my drink. «we just have to wait and see.»

it was her own choice to join the games, and i was going to respect it.

unbelievable, the games this year were becoming more and more entertaining.

two players to keep my eyes on: seong gi-hun and shin seo-han. i couldn’t wait.

| seo-han’s pov |

classical music was the first thing that reached my ears when i woke up from what i thought had been a long dream. my body felt different, that clearly wasn’t my bed and that was not my alarm.

i opened my eyes slowly, and still half asleep i tried to make out where i was. i sat, yawned and stretched a little. i wasn’t alone, i could feel it by hearing other people’s voices, unknown people and unknown voices.

after i gained more consciousness, i examined myself. i wasn’t wearing my pajamas but a green and white tracksuit, printed on it there was a number.

017.

i looked around the big room, the others were numbered too. each one of us was a number.

i got up from bed and went down the stairs. all around that room were placed lots of beds, mine was neither too high nor too low.

the others were gathering at the center of the room, confused as much as me. the music wouldn’t even stop and it fucking started to piss me off.

not understanding what was going on both excited me and annoyed me.

a huge closed door made it impossible for us for escape, just like the absence of windows. were we trapped?

then i noticed it: a screen. a number was shown, 456. would it mean we were 456 people in here?

suddenly, the doors opened. some pink-dressed guards made their way into the room. their masks were eye catching, black with different shapes designed on them: some of them a triangle, some others a circle, and only one guard a square.

i bit my lower lip, this was going to be fun, i could feel it.

«i would like to extend a hearty welcome to all of you.» the square guard said, his voice muffled due to his mask. «everyone here will participate in six different games over six days.»

the room was silent, but i could hear my own heartbeat pounding into my chest. have i found it? what will have my full attention from beginning to end.

was this it?

«those who win all six games will receive a handsome cash prize.»

i wasn’t sure i was even listening to the guard’s words, and i totally wasn’t participating in the argument who followed them soon after, started by one of the peoples.

i lowered my head, which felt too heavy to hold. i couldn’t stop the smile that appeared on my lips from growing bigger. i was sweating from head to toe, shivering too.

for the first time ever, i felt the adrenaline rush in my body, making it real, hot and alive. i burned inside, the blood was boiling, but not from anger, it was something else.

it was danger, i knew this place was dangerous and i didn’t care.

the sense of danger made me feel alive, full, warm.

i didn’t feel anymore that emptiness, coldness, like i was a walking dead, kept alive only by my body, not by the consciousness of being present.

now i felt it all.

that day was the day shin seo-han started living for the first time.

and nobody was going to take away that feeling from me.

i would have made sure of it.

[nyupreservation]

Surveying Spain: Working with Spanish Civil War Posters at NYU Libraries

Hi, my name is Mia Lindenburg. I am a graduate student undergoing NYU’s Dual Degree program, where I will get an MA in literature and an MLIS. This semester, I have been working with NYU’s Barbara Goldsmith Preservation & Conservation Department, mentored by Lindsey Tyne (Conservation Librarian), Laura McCann (Director of Preservation), Weatherly Stephan (Head of Archival Collections Management), and Felix Esquivel (Collections Manager, Special Collections), to survey the Spanish Civil War Poster Collection (ALBA.GRAPHICS.001). This internship has helped me to prepare for a future career in special collections libraries, where I will be required to work with delicate material similar to what I see in this collection. I am very thankful for this opportunity and how it has allowed me to delve deeper into archival work with a hands-on approach.

In addition to working with the Preservation department, I have been lucky enough to work with the Archival Collections Management (ACM) and Special Collections departments, allowing me to see the different perspectives of handling a large and often complicated collection. This blog post will demonstrate the different ways in which these departments added to my learning experience and show some of the special facets of working with this collection in particular.

BUILDING THE DATABASE

Before I began surveying this collection, I had to create an infrastructure that would allow me to compile the data I would be collecting. I used the software AirTable to build this database. First, I had to move the data that had already been collected into my table. This came from Archives Space (AS), an archives information management software used by NYU Libraries. This had much of the preliminary data I would need to fact-check against in the survey, such as poster locations. After I had brought the AS data into the table, I created fields that would duplicate the AS fields but with the descriptor (survey) to show any differences. Additionally, I made new fields for things we might want to consider, such as condition and size. 

UNIQUE POSTER FORMATS

“I tu? Que fas per la victoria?”

ALBA-ES 46, copy 4 “i tu?” (Photo by: M. Lindenburg)

The first set of posters that I want to discuss is ALBA-ES 45 and 46, also known as the two sides of “I tu? Que fas per la victoria?” a Catalan poster depicting a bloody soldier advocating for his audience to participate in the war, to support the cause. This collection has many copies, encapsulated (meaning this poster is inside a protective mylar sleeve) and unencapsulated, of this poster. The copies pictured below interest me because they were particularly delicate. You can tell from the photos that they were split into pieces, making flipping the posters to inspect the back difficult. These will need a lot of conservation work, although they may not be an immediate priority since so many copies are in fine condition.

ALBA-ES 45, copy 4 “i tu?” (Photos by: M. Lindenburg)

“Allisteu-vos a les milicies antifeixistes”

The poster “Allisteu-vos a les milicies antifeixistes,” belongs to a series of posters collected at The Franklin Institute in Philadelphia as part of a circulating exhibit.

ALBA-ES 116, recto, “Allisteu-vos a les milicies antifeixistes” (Photo by: M. Lindenburg)

These interest me because of how they were mounted for the exhibition. Rather than encapsulating the posters or leaving them untouched, this exhibitor chose to attach muslin across the back and use cardboard and grommets to hang them.

ALBA-ES 116, verso, “Allisteu-vos a les milicies antifeixistes” (Photo by: M. Lindenburg)

Annual Xmas Eve Ball

Poster ALBA-US-15, uses a mounting technique commonly used with posters associated with the Veterans of the Abraham Lincoln Brigade (VALB).

ALBA-US-15 (Photo by: M. Lindenburg)

It is mounted on a paperboard, which makes it somewhat heavy and unwieldy when grouped in folders. Take note of the headline of Zero Mostel, which shows the support the VALB received, even from celebrities.

THE INSCRIBED NAMES & WHO THEY WERE

Archie Brown is a signature I’ve encountered a lot in this collection.

ALBA-ES-8 (Photo by: M. Lindenburg)

Brown was born in 1911 in Sioux City, Iowa. He was brought into the world of labor activism at an early age. 1934, he was arrested at a Young Communist League (YCL) event in San Pedro. But he continued with his activism despite this. In 1937, Brown got tuned into the struggles in Spain, particularly after his brother was recruited to the International Brigade. In San Francisco, Brown was denied a passport because of his radical reputation. So, he went to New York City and stowed away on a ship to France, where he would travel to Spain. He joined the forces of the Abraham Lincoln Brigade and, even after the war, continued to fight as a soldier and an activist.

Archie Brown, 1982 (Photo by: R. Bermack). Image Source.

Harry Hakam is an interesting character, partially because of his frequent correspondence with other members of the Abraham Lincoln Brigade.

ALBA-ES-77 (Photo by: M. Lindenburg)

Hakam was born in Brooklyn in 1913. In February 1937, he sailed to France, arriving in Spain in March of the same year. He served primarily as a battalion runner, returning to the US in 1938. However, it’s his correspondence that makes him shine. His collection marker (Hakam) is found on many posters that share others’ names, meaning he likely sent these posters back and forth between fellow members.

Harry Hakam. Image Source.

We don’t have as much information on Al Erdberg, but we do know from the Harry Hakam Papers (ALBA.046) and the fact that Erdberg shows up in the Hakam posters that they had correspondence. Erdberg was likely part of the Abraham Lincoln Brigade or a state-side supporter. This would be an interesting figure to research further.

ALBA-ES-30 (Photo by: M. Lindenburg)

REHOUSING

A big problem I encountered when surveying these posters was with the housing rather than the posters themselves. Often, I encountered groups of ten or more posters in a folder, making the folder heavy and difficult to move. Further, if these posters are in mylar encapsulation, they become even heavier. To remedy this, the posters need to be rehoused into sturdier folders. I began some of this work with Laura McCann this semester, and the rehousing of the posters will continue through the summer. 

VELCRO STICKERS

Some of the posters I found had velcro stickers left on the mylar encapsulation. These are likely from previous exhibition techniques, where the posters were attached to a wall using velcro. However, this technique is now deemed problematic, so Lindsey Tyne and I used a process to remove these stickers. We used a hot iron to heat small metal spatulas, which we then used to melt the adhesive of the sticker and lift the velcro off. This is a delicate process, but we got into a rhythm and moved fairly quickly.

Mia removing velcro (Photo by: L. Tyne)

This collection has taught me many things. I have learned to be patient, think carefully, and always be on the lookout for new observations, among many other smaller skills. If I were asked to advise someone starting a similar project, I encourage them to take note of their natural rhythm so that they can figure out which order of surveying works best for them to maximize efficiency. I would also tell them not to be afraid of asking questions, even if it’s clarifying something they think you already know. This has been an incredible experience, and I feel so lucky to have been a part of this collection. Thank you for taking the time to read my post!

[kozy-ogawa]

2024.4.19 Spincoaster presents aimi “I’m OK” Release Party @ BLUE NOTE PLACE

R&Bシンガーaimiの新曲“I’m OK”のリリースパーティを観に恵比寿ブルーノートプレイスに行ってきました。

R&Bシンガーaimiとしてのステージを観るのは今回が初めて。特にブルーノートプレイスは食事もおいしく、雰囲気も良く、お値段もかなりリーズナブルなので大好きなライブ会場の一つです。還暦前のこの年になってくるとスタンディングのステージは結構疲れてしまうので、着席して聞けるライブレストランは大変ありがたいです。

今回の新曲“I’m OK”はジェネイ・アイコを手掛けたLEJKEYSのプロデュースとのこと。

今回aimiのもとにはLEJKEYSから直接メールがきたというが、アイコやユナ、旧知のアンダーソン・パークやダムファウンデッドも含めてアジアにルーツを持つアーティストとの仕事が多いアジア系の彼が、アイコの『Chilombo』を聴いて改めてR&Bに開眼したaimiと結びついたのは、偶然だったのかもしれないが必然だったとも言いたくなる。 R&Bシンガー aimi、LEJKEYSとの必然とも言えるタッグ　「I'm OK」に満ちた癒しのエネルギー - Real Sound｜リアルサウンド

制作までの過程に関してはライブでも説明があったが、詳細は本人のリールにて

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バンドセットのステージはとても素敵だった。 aimi(Vo.) with 竹田麻里絵(Key.) Zak Croxall(Ba.) Willie(Ds.) 竹田麻里絵さんの演奏は初めて聞けたし、Nao Yoshiokaのステージも務めるZakも一緒だった。

ステージ後オリジナルZINEにサインをもらいました。

当日のライブレポに関しては、こちらのファンのブログで詳しく紹介されています。

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aimiのR&Bの原点について考えると、こちらの楽曲“Lady Boy”ではないかと自分は考えている。

以前からカバー動画を専門としているYouTubeチャンネルHomesessionsの作品で知っていたのだが、この動画を見たのをきっかけに、2015年12月にaimiの地元で開催されたイベントに会いに行ったのが最初の出会いだった。

その後、タワーレコードのインストアライブやワンマンライブなど様々なステージを見てきたが、個人的にはR&Bをやって欲しいとずっと思っていた。

そうした中、R&Bシンガーaimiとしての新たな音楽活動が始まったわけだが、自身のアーティスト活動だけではなく、今やJ-R&Bのオーガナイザーの役割も担う存在となった。

「日本のR&Bは連帯が必要」 aimiが語る、R&Bと〈STAY READY〉への強い想い｜日刊サイゾー

Nao YoshiokaやSincere、MALIYA、XinUのファンである自分にとては最近のJ-R&Bの動向に対してのワクワク感が止まらない。

Nao Yoshiokaライブレポ

Sincereライブレポ

MALIYAライブレポ

XinUライブレポ

近年の国内シーンはなかなか〈R&B〉というカテゴリー自体では注目されにくかったものの、アーティスト単位では非常にバラエティ豊かな才能を揃えてきたからだ。オーセンティックなジャンル性を継承しながら王道のR&Bの豊かさを確かな歌唱で伝えるシンガーたち――中堅のNao Yoshiokaから、昨年傑作『Chosen One』を作り上げたaimi、VivaOlaとも繋がるSincereまで――は良質な作品��リリースし続けているし、対してポップス畑に近いところでもXinU、CELINA、大比良瑞希、NEMNEといったニューカマーが続々現れ、ストリーミングのプレイリストを沸かせている。 もちろん、同様の領域ではJASMINEからiri、RIRI、MALIYAといった一～二世代前の実力者たちがいまだにリリースペースを落とすことなくエッジの立った曲を出し続けている状況もある。 「w.a.u以降」のR&B―露出に頼らぬ自律性で真価を示す歌い手たち｜日刊サイゾー

ライブのアンコールでは2つの大きな紹介があった。

1つ目はaimiがインタビューを受けている『オルタナティヴR&Bディスクガイド』について。早速Amazonで購入してみた。

こちらの本の詳細についてはアジカン後藤がホストを務める ポッドキャスト番組APPLE VINEGARにてaimiが話をしている。

余談だが番組中ゴッチはマレーシアの国民的R&BシンガーYUNAを何度も紹介しており、YUNAファンの自分としてはとても親近感を持てた。

YUNAライブレポ

2つ目は新たなポッドキャスト番組Detox Lounge(デトックスラウンジ)の告知。

R&Bシンガーaimiとダンサー／DJのYacheemiがナビゲートする、R&B Loversのための憩いの場。さまざまな表情を持つR&Bの中でも、特に癒し効果にあふれた楽曲・アーティストに焦点を当て、Let'sリラックス＆デトックス。あなたの音楽ライフをゆるやかに彩ります。

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番組中R&Bがもたらすヒーリング効果についての話があったが、個人的にはR&Bはライブで分泌されるドーパミン効果だけではなく、リラックスするためのセロトニン効果を期待しているため、デトックスラウンジというコンセプトは自分にとても合っているなと思えた。

K-POP全体のテーマが、BLACKPINKのガールクラッシュからNewJeansのイージーリスニングに変わってきているのと同様に、J-R&B全体のテーマがエンパワーメントからセルフラブに変わってきているなと昨今とても感じる。

[ilstar]

𝐋𝐀𝐃𝐈𝐄𝐒, 𝐆𝐄𝐍𝐓𝐋𝐄𝐌𝐄𝐍 𝐀𝐍𝐃 𝐅𝐑𝐈𝐄𝐍𝐃𝐒 𝐅𝐑𝐎𝐌 𝐀𝐋𝐋 𝐎𝐕𝐄𝐑 𝐓𝐇𝐄 𝐂𝐎𝐒𝐌𝐎𝐒 … ☄︎ presenting # ILSTAR, a private and independent multi featuring canon and original hyv characters, primarily from honkai: star rail, as written by vos. rebooted in june 2024 and previously @ windforced. 21+ mutuals only and low - fluctuating activity. please read the rules on 𝐜𝐚𝐫𝐫𝐝 before following or interacting ! permanent interaction + plotting call here.

☆ 𝐛𝐥𝐨𝐠𝐫𝐨𝐥𝐥 albedo @kridprinze , inspo @duskoath & @mskfool & @palamatum .

please note ! if you are a genshin impact solo muse, i kindly ask that you do not follow or interact with me first unless we are already friends / mutuals on any of my other blogs. you will be blocked if you neglect to follow this rule.

☆ 𝐢𝐧 𝐚𝐟𝐟𝐢𝐥𝐢𝐚𝐭𝐢𝐨𝐧 𝐰𝐢𝐭𝐡 @dainsleit. @kosodate + lucian blogs. @deathsmaidens. @m4nuscript / @iustos. @raikuro.

✦ pinned layout inspired by @/girlfox. featured art.

001. interaction is mutuals only, and i'll only follow those who i can actually see myself writing with. this might also take a day or two, given that i want to read through your information properly first. my activity is not consistent, but i try to keep everyone updated and i'm almost always good to talk ooc.

002. i have condensed all except one of my muses onto this multi. you still find albedo at @kridprinze. i'm going to allow myself to focus in on whichever characters spark the most joy at any given time — this can mean my roster is changed often or i write replies etc for one / two muses more than others. for the sake of not losing steam, it's going to happen, so if this doesn't mesh well with you we might not be the best match.

✦ current primary muses: robin , delorean , caelus !!

also featuring: aventurine, kazuha, fioravante (original) , cipher, anaxa, chiori, tartaglia + others upon request.

003. this blog isn't spoiler free. i'm up to date with hsr and try my best to tag spoilers for up to two weeks following a new update — however this is my disclaimer to you if something slips. leaks discussion is always tagged. i haven't played a genpact aq since before 5.0 so if you're plotting with my genpact muses, don't expect me to have any clue of the current state of that game.

004. i love shipping!! but i'm being selective in partners and will only do so with those i feel i have a good ooc communication with. i'm sorry, but i'm over the pushiness and i won't pander to forced dynamics. it's just here for clarity. ships are exclusive, meaning i won't write romantic relationships between my muses and duplicates of others. this is open to discussion on a case by case basis, but i would appreciate reciprocation on that front.

✱ this is just here for ease of reading and to establish some basics, it's not my comprehensive rules. please find them on carrd when you have the time :)

[frostbittenfemme]

From: Flatline

To: Level 5 clearance staff

Subject: Classified

Following the attack on the South Iacon laboratory and the destruction of research by Subject 001 , I have made the decision to relocate to an off world laboratory immediately.

All subjects contained in Vos imperative to my research will be transported via the spacebridge on site in preparation for processing. Those who are marked are to be executed immediately and sent to be smelted and cold constructed into new frames at the Kaon location.

As you have seen Subject 001 is not to be messed with; she is incredibly important to Project Eugenesis and should not be engaged by anyone other than myself. I repeat DO NOT engage.

The next testing phase will be initiated shortly.

[doglok]

家猫職人 くろすけ Vo.001 #shorts #cat #猫 #黒猫 #情熱大陸 via YouTube https://www.youtube.com/watch?v=dWDdjgcnLfs

[officek-paper]

2020-01 南青山マンダラ

01. jan. 2020 program 凡几】 目 MINA 2020年もよろしくお願いいたします。 (fri) (sat) 松ヶ下 宏之（Vo,Pf,G） BAND STYLE ONEMAN 山木康世トリビュート G&Bコンサート 鈴木"パゴン”英俊（G） 開場：15:00 正月お年玉価格 ＜お正松だよ全員集合＞ 江口夫（Drs）今西 真也（B） ���豪華ミュージシャン ? 山木 康世（Vo.Ag） Live Library 2020＜祝・和新年ライブ＞ ●＜にゅーいやーにゅーいや一♥＞ 津村友華／みのり Black symphony ＜birth＞ 法師山 真珠（Vo.Pf／江里口彩子（Vo,Pf／真引（Vo） ＜フランス特売?シリーズ> Warin Warails Seea esson 2020 vo.1 オーボエによる宮廷音楽 ＜birth＞ 宏菜（Vo,G）／岡村国紘（Vo.G）／槌谷知佳（Vo,Pr） くさと新の今た歌ツ＞平田クミ／藤原聡子©A）なるみか ?新春のうた歌詩? (fri) 大木彩乃（Vo,Pf）＜山羊の夜2020＞山本拓夫（Sax、Fl）芳垣安洋（Drs） Closed for special event Closed for special event くはあとのおと vol.12＞ 太田 光宏（G） 鶴田もこ（Pf） 中西 紘平（B） 木村 真己（Drs） SAK.(Vo) 久里きなこ（Vo） ＜birth＞高満洋子（Vo,Pf／phoka（Vo.G）／阿部薫（P） (wed) (thu) 〈南青山映画祭〉 責任編集者：渡辺喜子 映画のEsquisse「ビル・カニンガム&ニューヨーク』 上映会＆ワークショップ 渡辺喜子新作映画「あした、浅草橋で」製作準備企画 「オペレッタを語るvol.31 佐々木 淳（HEADZ企画） ＜?故きを温ねて新しきを前る？?＞ 里中 トヨコ（Sop） 野間 美希（Pf） 角 岳史（指揮者，演出家） (Gri) 羽仁（Vo,G,Pf LIVE ＜羽岡仁ニューイヤーライブ2020＞美野春（Pf） ?4,500 開場：16:00 ※：17:004ドリンク8） 前売店頭・e+ ?4,500 開場：12:30 開演：13:00 （1ドリンク別） 前苑 店頭-e+ Y3,000 開場：18:00 開演：19:00 （Iドリンク別） 結売店頭 開場：19:00 ¥2,500 開演：19.30ドリンク） 希売店頭 ¥4,000 開場：18:30 調※：19:30 イドリンク付 前売 店頭 開場：19:00 ?2,500 開演：19:301ドリンクタ） ?班店頭 Y3,000 開場：18:30 開演：19:001ドリンク3） 売店頭 Y3,500 開場：18:30 開液：19:30 Iドリンク別） Y3,000 開場：12:30 開演：13.30Iドリンク別） 希売店頭 開場：19:00 ?2,500 開演：19:30（Iドリンク別） 葡光 店頭 ¥1,700 開場：17:30ドリンク付 上演：18:00 葡売 店頭 Y4.000| 開場：18:00 0：19:00ドリンク付 備茄 店頭 ¥4,500 開場：18:00 開演：19:00 イドリンク付 02/feb < MITSUDOMOE I! vol.4> 94-18:30 1905-19-21 21 ガレージシャンソンショー 11920 ＜外苑前の客人（まろうど）?其の＋?＞ 伊藤志宏（Pf） ¥4.000 口 杉本恭一／ 宮田 和弥 (drinkS) 通 券） ¥11000 ロリポンすけ ROLLY (G.Vo) ポンすけ 18 宮田和弥／水戸華之介 BE IdrinkEN 2020 (PfKey Vo,ete)1 V6 O0O 海ポンプ（rs.Voetc」 今後のライブ情報を 一日券） 先行してお知らせ！ Ticket info, TEL. 03(5474)0411 1 水戸華之介／杉本恭ー ¥4 000 www.mandala.gr.ip adrink別 四 ソフラニスタ木村優ー Y4,500 (drink#D 東北・関東大震災におきましては、被災者の方々に謹んでお見舞い申し上げます。当店では皆様の安全を最優先して営業致します。また、収益の一部を義援金として被災地へ寄付させて頂きます。 下山武徳的夜会in 東京 開場：18:30 ¥4,000 開演：19:30 （Iドリンク別） Closed for special event 20日 ZABADAK／原マスミ (tue) ＜MITSUDOMOE！！ vol.3＞21日原マスミ／栗コーダーカルテット 22日 栗コーダーカルテット／ZABADAK 通し券 ¥9,000 各日＋1ドリンク別 ：18:30 演：19:30 1日券 ?3,500 （Iドリンク別 税売店頭 山口 美央子 〈FLOMA New Year Live 2020〉 松武 秀樹（Syn） 四家 卯大（Vc） 開場：18:30 ¥4,400 開演：19:30（Iドリンク） 真城 めぐみ（Vo）とシルバニア・ファミリーズ 新春ライブ 佐々木亜紀子（Sax） ＜シルバーアファミリーズ） 力石 理江（Pf） YUKIE（G） 青山へ行く！ 岩崎 なおみ（B） 臼井かつみ（Drs） day ライブリーディング 原田 大二郎 川端槇二（劇団NLT）和泉妃夏 演奏：諸藤 佳子 フレンチドラマ「結婚幻想曲」演田・出崎香英（花天月地プロジェクト） Y3,300 開場：18:30 開演：19:30 （＋Iドリンク別） 前売）店頭 (sat) c0ポセイドン・石川／ジェイコブ・コーラー＜輝く無数のライト Vol.1＞ 福尾野歩＜福を呼ぶ福尾野歩 新春ライブ＞下畑（G） ?3,700 開場：12:00 開演：13:00 ドリンク付 翁売店頭 開場：19:00¥4,000 開演：19:3041ドリンク別） ????????????? ¥4,500 開場：11:00 開演：12:00 moni やまねみわこ（Vo.Pf） Birthdayワンマンライブ 北山 昌（Drs） 稲塚 仁（G） 内田晴元（B）越川歩（Vn） 〜こどものつづき〜 仲井戸”CHABO”麗市＜CHABOのKing Biscuit Time #21） 開場：19.00¥3,000 ?：19:30Iドリンク別） 柏売 店頭 開場：18:30 ¥4,000 開演：19:30クッキー付） ¥4,500 前売 e+ （ブレート付¥5,000 Closed for special event (wed) So In Love 工藤隆（PA山川英毅（Vo,Sound）＜?愛が流れに生まれる?＞ みどりこ（Vo） <MIDORIKO NEW YEAR LIVE＞ 田辺トシノ（B）鈴木 達也（Drs） 嘉多山倍（G）宮中 文子（Key） (fri) 齊藤 さっこ（Vo.Pf） 齊藤さっこデビューアルバム 「何のための音楽、間違いなくきみのための音楽」 発売記念ライブ ＊当店での出演・企画については、お気軽にスタッフへご相談ください。 ＊当店では、随時、各種スタッフを募集しています。職種は、音響・照明・キッチン・受付・ホール・制作スタッフです。ご興味がある方は、スタッフまでご連絡ください。 開場：18:00 開演：19:00Iドリンク別） 葡売店頭 開場：19:00 開演：19:30 前茶 店頭 開場：18:00 ¥3,000 開演：19:00（1ドリンク別 前売びお・ローソン・キャピタルビレッジ 南青山MANDALA 東京都港区南青山3-2-2 MRビルB1 〒107-0062 TEL:03（5474）0411 www.mandala.gr.jp 南壽あさ子 マリリース情報） 積水ハウスのテレビCM、東京ガスのラジオCMや、企業CMのナレーションなど数々のCMに起用されているシンガー・ソング・ライターの南あさ子。 2ND ALBUM [FORGET ME NOTI NOW ON SALE! www.nasuasaco.com 千駄少谷? 南寺山3丁目 青山通り フランフラン国 リビエラ■ MR?D丸L丸 not iOs 小5 東京メトロ 外苑前駅 「TAED 外苑西通り 西麻布！

[nfavocats]

Avocat Paris - Aspects fiscaux droits, plus values, exonérations

📞 Besoin d’aide ? Contactez-nous au : 01.76.54.16.42 ☎️

Vous prévoyez de vendre ou acheter un fonds de commerce en France ? Cette vidéo vous explique en 1 minute les règles fiscales essentielles à connaître, pour éviter les pièges et optimiser votre transaction ! 🔍

👇 Les points clés détaillés :

🧾 1. Droits d’enregistrement (frais de mutation)

➠ Qui paie ? L’acquéreur, sauf accord contraire dans l’acte de vente. ➠ Calcul progressif : ▸ 0% sur la première tranche (jusqu’à 23 000 €), ▸ 3% de 23 001 € à 200 000 €, ▸ 5% au-delà de 200 000 €. ➠ Exemple : Pour une vente à 300 000 €, comptez ~10 310 € de droits. ➠ Astuce : Le stock vendu à part est souvent exonéré ! 📦

📈 2. Plus-value pour le vendeur

➠ Entreprise individuelle : ▸ Court terme ➔ Barème IR (jusqu’à 45%) + 17,2% de prélèvements sociaux, ▸ Long terme ➔ Forfait fiscal à 30% (12,8% IR + 17,2% sociaux). ➠ Société (IS) : Taxée à 25% (taux standard en 2025). ➠ Bon à savoir : Les exonérations peuvent annuler l’impôt ! 🎉

🎁 3. Exonérations à ne pas manquer !

✅ Vente inferieur à 500 000 € après 5 ans d’activité ➔ Plus-value exonérée d’impôt (IR ou IS). ✅ Départ à la retraite ➔ Exonération totale (sans plafond de prix !). ✅ TPE avec CA modéré ➔ Pas d’impôt si seuils respectés (ex. : 250k€ HT pour un commerce). ➠ Attention : Ces dispositifs ne se cumulent pas ➔ Choisissez le plus avantageux ! 🧠

💡 4. Conseils stratégiques

➠ Cession de fonds vs parts sociales : Comparez les droits (3% pour les parts vs 5% pour les gros montants de fonds). ➠ TVA : Généralement non due sur la cession ➔ Économisez jusqu’à 20% de trésorerie ! 💸 ➠ Étape cruciale : Consultez un avocat fiscaliste pour optimiser le montage. 👨💼 📌 Ressources utiles

➡️ 📘 Guide complet 2025 à consulter : Tout sur les calculs, cas pratiques et pièges à éviter ➡️

➡️ 📞 Besoin d’aide ? Contactez nos experts au 01 76 54 16 42 pour un accompagnement sur mesure ! ✨

🚀 Pourquoi regarder cette vidéo ?

➜ Évitez les mauvaises surprises fiscales, ➜ Découvrez comment réduire vos impôts légalement, ➜ Gagnez du temps avec des explications claires et visuelles !

[theyrepushing]

Ray Ban Sunglasses Official Charity Event!

@shydreamcoloroperator​ @ione4ever​ @helloblackcherry​ @julenotjewelyo​ @tentando-ser-fria​ @puresouls234-blog​ @nekowikisper​ @pamycasttro​ @annalauwi-blog​ @myhandmadejewelry​ @murderouslovedesire​ @nerdlandiaworld-blog​ @shgs043418​ @the14thbaker​ @tenderlycleverkoala-blog​ @mwenk23-blog​ @mahajf6​ @jauregui109​ @umlitrodelagrimasorange​ @recaozada​ @promiscuous-lover​ @yrbnyc​ @dontdohard​ @ferguapillop-blog​ @marikastella-blog-blog​ @marinapellizza​ @zzowski​ @bebravetoovercome​ @rayanne109​ @letsmariafernandaworld​ @onika0098​ @suga5th​ @0sugarydreams-blog​ @404destiny​ @koi-exe​ @colum-hoodies​ @dead-optimistic-thinking​ @nayeonsmylove​ @jeanpierrekidneyhausen-blog​ @pinkgirl4097​ @vegetariantree​ @keepinsidee​ @5hgivesmelife​ @dragonfly-perspectives​ @chloemullinsmoran​ @polar-bear17​ @thejoker-corygm​ @soph-001​ @felizzzzzzzzzzzzzz​ @delicated-emotions25​ @darkk-sstar​ @kkeep-calmm-blog​ @pandaofmentalitys-blog​ @arieasnegado5h-blog​ @sobre-saltar​ @whyfifthdirection​ @5h-dreamer​ @mcfhbia5​ @worthitobsessed​ @lultimascleta​ @24-7-daydreaming​ @burbujita0311​ @paatricijaaa​ @zouisdown-blog​ @myworldatthemoment​ @fithmiih-blog​ @fifithlylasmiih​ @forninhos5h​ @awesome-imadirectioner​ @herdragonperfection-blog​ @letzzbe-bad​ @dxnaecast​ @harmonizerbitches-blog1​ @owlofnight​ @blvxkmvrket​ @captaainswaan​ @omghello-world​ @aylinyheaa​ @biapotterlover​ @gabypl​ @shineeumbreonxx​ @iamnotyourniggaz-blog​ @any0917-blog​ @biaavares​ @tiamomatelotengonascosto-blog​ @harm0niab3lle​ @mariakrystel​ @seventeen-blvck​ @mrsfletcherjudd​ @katsweirdo​ @erikapllf​ @playingtricksonmymind​ @marinawhet​ @captainbutterboo-blog​ @twooclose​ @dark-nnight​ @fille-de-hecate​ @bxdlanderxx​ @drunken-daydreeaams​ @vos-me-haces-feliz​ @alejaisapenguin​ @meuladopositivo-blog​ @maybemelove​ @paige-pleavinxx-blog-blog​ @bxzzlxnx​ @dont-want-no-vibes​ @leavemyheart123​ @5hmahoneflop-blog​ @l-jane​ @wanderer--mind​ @karategirl2015​ @nane-up04​ @crldems​ @that-timeofnight​ @trippinyo14​ @sayaing​

The official charity event of Ray-Ban sunglasses, all styles of glasses are only $24.99! We will donate 50% of the profits to the COVID-19 epidemic prevention department. Every purchase is your support for charity, thank you!

Click to buy>>>Enter the online store

[libertylovefr]

EXPERT ASSISTANT PRO est bien plus qu’une plateforme de services : c’est un partenaire stratégique pour les professionnels des 20 secteurs d’activités les plus populaires. En combinant expertise, innovation et visibilité, elle permet aux entreprises de toutes tailles de relever leurs défis, d’optimiser leurs performances et de se démarquer dans un marché concurrentiel. Que vous soyez dans la technologie, l’art, la restauration ou tout autre domaine, EXPERT ASSISTANT PRO vous offre les outils et l’accompagnement nécessaires pour atteindre vos objectifs.

[christophe76460]

O2Vie 001-2025/09: La fin d’une chose vaut mieux que son commencement (fin)

Jérémie 29.11 : “En effet, moi, je connais les projets que je forme pour vous, déclare l'Éternel, projets de paix et non de malheur, afin de vous donner un avenir et de l'espérance.”

Laissez-moi commencer par vous dire que Dieu vous connaît personnellement, avec vos envies, vos projets, vos rêves, vos peurs et vos impossibilités. Il connaît le nombre de cheveux que vous avez sur votre tête, et il chérit chacun de vos jours et vous aime parfaitement, au cœur même de chacune de vos imperfections. Le monde nous déforme, mais Dieu nous transforme. Aujourd’hui, il vient vous rejoindre là où vous en êtes, et transformer vos inquiétudes en confiance et vos blessures en force ! Les plans que Dieu a pour vous sont des plans de bonheur, d’épanouissement, d’abondance. Mais parfois, les épreuves de la vie nous entraînent vers des évènements douloureux. Parfois, nous perdons pied face à la maladie, aux injustices, à un mariage qui bat de l’aile ou à l’absence d’un être aimé.

Parfois, vous demandez peut-être : “Mais Dieu, où es-tu ?”

J’aimerais vous encourager aujourd’hui à ne pas mettre de point là où Dieu ne met qu’une virgule. Il est celui qui vous délivre, il est capable de voir au-delà de votre blessure et de créer pour vous une porte de sortie. Votre destinée ne s’arrête pas au malheur, parfois même Dieu peut l’utiliser pour vous faire entrer dans ses plans.

Il a mis une virgule, un “et puis”, à votre vie. Continuez d’avancer. Il y a un Dieu qui vous console et qui croit en vous !

Les projets de Dieu pour votre vie sont extraordinaires et ils sont loin d’être à leur aboutissement. Mais soyez rassurés que celui qui a fait ses glorieux projets ira jusqu’au bout !

Que le Bonheur et la grâce vous accompagnent !

Bonne & Heureuse année 2025 ! Que Dieu vous donne de prospérer à tous égards !

Pasteur Joël LOTSU & L'Equipe Eau de Vie

[basilepessoart]

Ouvriérisation

"Qu'est-ce que j'ai de moins que Balasko ?? Vas-y salaud, prends-moi comme une ouvrière !"

Pour poursuivre sur le texte précédent (Quelque Larbin de Racaille (Fb)), on écrit "des rôles-culte". 2 fautes en 2 mots, TOUT est comme ça, t'as un média, tu fais même pas gaffe, c'est partout, BFM, Figaro, presse régionale, Actu.fr, etc, comme si la bourgeoisie s'était fait enculer par des ouvriers entre "deux sandwiches à l'homme laid". Basile Pesso, 18 octobre 2 024 (Fb) Avec remarquable extrait de Grosse Fatigue de Michel Blanc (1 994), extrait avec Blanc et Carole Bouquet, une des plus magnifiques actrices du cinéma au moins français.

Et pour ceusses qui croient que "le rap français est un truc de racailles", le remarquable Obsolète (2 001). J'en reparlerai possiblement. Maîtrise de la langue rare.

MC Solaar, Obsolète (Désolé pour le nouveau bug Tumblr qui enlève des lettres grasses sur mon Tumblr, pas sur vos boards)

[amantysjoaillerie]

La Maison Amantys met son expertise joaillière à votre service pour créer le bijou en diamants de vos rêves entièrement sur-mesure.

• Paris | 5 rue de l’Échelle 75 001 • Bordeaux | 4-6 Cours de l’Intendance 33 000

[objecteiespai]

POP-UP 

 25 / 04 / 2024 - 16 / 06 / 2024

Pure Gold. Reutilitzar! Revalorar! és una exposició de l’ifa - Institut für Auslandsbeziehungen d'Alemanya-, amb la col·laboració del Goethe-Institut i el suport del Disseny Hub Barcelona, que aborda la reutilització de residus i la seva transformació en objectes de disseny a través de propostes artístiques. L'exposició es complementa amb una plataforma virtual i amb tallers locals. Els pilars d'aquest projecte són l'ètica, la responsabilitat, la internacionalització i la cocreació.

El Disseny Hub Barcelona presenta una selecció d’obres feta pel seu comissari, Volker Albus, i l'amplia amb obres de reconegudes figures del disseny local amb peces de les col·leccions del Museu del Disseny-DHub. 

L’exposició ha comptat amb aportacions comissarials de diferents regions del món, des d’Europa fins Asia, passant per Àfrica o el Pròxim Orient, el que permet oferir un ampli ventall d’exemples de com la reutilització és un sistema d’aportació de valor en la creació de nous objectes.

A més, del 7 al 10 de maig, el DHub acollirà un taller adreçat a la comunitat local del disseny i la creació que vulgui mostrar el seu coneixement sobre la reutilització i la transformació de residus en objectes de disseny a través de la creació de vídeos en stop-motion. Els resultats d'aquest taller es mostraran a la plataforma virtual de Pure gold en forma de tutorials. Dirigiran els tallers Axel Kufus, Annika Unger i Anja Lapatsch.

COMISSARI/A

Volker Albus

Dates

25 / 04 / 2024 - 16 / 06 / 2024

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Del 7 al 10 de maig, i en el marc de l'exposició temporal PURE GOLD. Reutilitzar! Revalorar!, tindrà lloc un taller adreçat a la comunitat local del disseny i la creació que vulgui mostrar els seus coneixements sobre la reutilització i transformació de residus en objectes de disseny mitjançant la creació de vídeos stop-motion.

Els resultats d'aquest taller es mostraran a la plataforma virtual PURE GOLD en forma de tutorials. Els tallers estaran dirigits per Axel Kufus, Annika Unger i Anja Lapatsch.

Per a inscriure-vos en el taller, si us plau, llegiu abans els següents documents:

PURE GOLD_Info

Lloc: 

Disseny Hub Barcelona

Preus: 

Registre gratuït. Les persones interessades envieu un e-mail amb una carta de motivació i informació sobre les vostres creacions a: comunicacion-barcelona@goethe.de

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[cassandrahaswell]

#voiceactor #voicereel Non binary non union Actor based in Essex and London available for work internationally. Animation,Audio drama,Video-game,Charecter showreel contact info social media and credits below the cut.

Contact Email : Cassandrahaswell@gmail.com Website : https://www.cassandrahaswell.co.uk/ IMDB : https://www.imdb.com/name/nm8720265/ Casting call club: https://www.castingcall.club/cassandrahaswell Backstage : https://www.backstage.com/vo/CassandraHaswell Socials Instagram : https://www.instagram.com/cassandrahaswell/ Tiktok: https://www.tiktok.com/@cassandrahaswell Twitter : https://twitter.com/Thescarletblaze

 @scpunredacted  Un[REDACTED] SCP-001 - ROUNDERHOUSE's Gold Proposal: AMONI-RAM Part One SCP UNREDACTED by nobody : https://www.youtube.com/@scpunredacted/videos https://open.spotify.com/show/5pclusbHm5bPh6y9ufRJA6  @2114TheSeriesOfficial  https://www.youtube.com/watch?v=jMkjH4bbQ9c  @scpunredacted  Un[REDACTED] SCP-6573 - It’s the Thought that Counts https://open.spotify.com/episode/0bLTN6AroutcgubzxiLtFg?si=417449479fb143d2 https://www.youtube.com/watch?v=rcBFyUukxf8&t=176s  @scpunredacted  Un[REDACTED] SCP-001 - ROUNDERHOUSE's Gold Proposal: AMONI-RAM Part One SCP UNREDACTED by nobody : https://www.youtube.com/@scpunredacted/videos https://open.spotify.com/show/5pclusbHm5bPh6y9ufRJA6 Dominion Audio Drama Episode 3 https://twitter.com/DominionNemo https://podcasts.apple.com/us/podcast/dominion/id1696460664  @scpeeps  The Offshoot https://www.youtube.com/watch?v=bqWK6rjw6ac

[themultiverseheroines]

"I see...then extermination it is," said V-001 as she pressed a button causing her, her counterpart, and the Wookie Sith to be teleported off the planet. The starfighters begin to fall back as the Cube Borg ship is shot down.

However, a large fleet of enemy ships began to appear and begins setting its cannons towards the planet surface. Ahsoka knew this is bad and they needed to get out.

"Hurry! We need to get to the ship!" Ahsoka replied as she motions for to get to the ship before they get shot down.

The cannons fired towards the ships are deflected by the shield generators' of each ship. While the Orions have shells that can produce electromagnetic acceleration, the shields used by the enemy seem to be unfazed.

The enemy ships soon begin taking aim and begin orbital bombardment over the planet. Targeting the areas where their military and ships are located, before going for the cities.

Quinlan Vos managed to get as many people to the ships outside the city, including their own as he sees Ahsoka coming towards them. "We need to get going now before they set their sights where we're at."

@mazamba

Closed RP w/@mazamba

Ahsoka Tano was dead. Or at the very least, that's what the galaxy assumes after finding her lightsabers where her ship crashed. Killing all her men onboard, including herself. However, this was not completely true.

Ahsoka survived Order 66, an order from the Sith Lord, who was the chancellor of the once Galactic Republic. The order caused the Clone army to turn on their Jedi commanders and kill them all. Ahsoka, despite not being a Jedi anymore, was still considered one by the soldiers. Thankfully, she not only survived, but saved one of her Clone friends, Captain Rex.

The two faked their deaths and went their separate ways. To avoid the other from getting hurt.

Ahsoka left onboard a ship and found herself traveling beyond the Outer Rim, before finding herself being transported through a portal. One that caused her to find herself adrift on her ship. In a new galaxy that she was unfamiliar with and was in need of some help.

@mazamba