#vivaciou

[zoirohs]

Ginger Rogers and James Stewart in VIVACIOUS LADY (1938)

[weepingwidar]

Amy Casey (American, 1976) - Vivacious (2023)

[thewanderingmask]

watch out he got the zoomies!!

[jellycatsdaily]

Jellycat of the Day | 9th September 2024

↳ Vivacious Vegetable Sweetcorn

[rikdrawsthings]

[rosalie-starfall]

Happy Birthday Ginger

July 16 1911

[hudbannonarchive]

jimmy stewart <3 you agree

[gmzriver]

Ginger Rogers as Mary Marshall in "I'll Be Seeing You" (1944) icons

like if you save or use

[unproduciblesmackdown]

drawing of this lsoh rehearsal pic

[ihopesocomic]

will any of the 3 new Golden Grove cubs have manes?

Yes. - Cat

[rabbithide]

peter and francie, played by james stewart and ginger rogers in vivacious lady, 1938 ⋆౨ৎ˚⟡˖ ࣪

[jellycatsdaily]

Jellycat of the Day | 24th September 2024

↳ Vivacious Red Toastie Aubergine

[stuckinapril]

.

[t4yce]

VICKI VIVACIOUS • drag race uk 5.03 night of a thousand pop icons ↳ for @chronicallybubbly

[v-arbellanaris]

talking abt polycules. initially, i was very clearly like. yeah. maimunah/merrill makes perfect sense of course. but now. okay hear me out. i've been playing muna as a complete support mage. she has NO offensive spells AT ALL. she is entirely 100% a support mage and support spells ONLY. coupled with her being a blue/diplomatic hawke, parentification bc she's the eldest amell daughter, raised by a fairly devout andrastian circle mage raised father, muna really reads like someone who has always had to stamp her emotions down for fear of appearing aggressive, who has only ever learned support spells so she does not come off aggressive, etc etc and she is just completely and utterly defanged. which is what always made her romance with merrill so interesting to me, because merrill is so animated, merrill is so passionate and of course merrill's entire spellset is full offense, she does not have access to ANY creation spells at all.

because muna's the support mage, something that did not really occur to me but i'm so fascinated by now is that i can fully spec anders for DPS. i only set his tactics so he heals himself, since muna is already focused on healing and buffing the party. all of this other spells are aggressive, offensive, and i fully fleshed out his vengeance tree, and it's genuinely such a fun playstyle for him that i don't get with most of my other playthroughs. but i am also realising that this kind of playstyle is really great for emphasising anders' own character - he is not toothless or harmless, he will show you why mages are feared. he is a grey warden, he is an abomination, and he does rip through enemies like they're made of butter with very little effort. justice makes an appearance on the battlefield often.

i think there's really something to be said here abt muna being taught her whole life to tamp down her emotions to not appear aggressive, to appear meek and docile, and all the ways she can never express her rage or anger or upset or excitement because, as a mage, the very expression of her emotions can be a threat (that very real lesson from malcolm that mages must appear in control, calm, logical, reasonable at all times, that the expression of emotions is a threat because it makes other people think you are seconds from possession and may act accordingly violently) and muna being drawn to the most blatant violations of the very rules she was taught for her survival, falling for the very cautionary tales she grew up with, drawn to the kind of monster people would so easily accuse her of becoming.

just really fascinated by the idea of muna being drawn to the mages who exist in such defiance of everything she was taught to believe about herself, about her kind, and her deep, abiding admiration for the both of them - abomination and maleficar, by the chantry's law, but to her, the deepest, richest, most passionate expressions of being alive.

[witchofthesouls]

No cause wait, thinking about it.

It adds a whole new layer as to her not wanting the kids involved in this cybertronian mess. She was a child who was involved in things greater then her when she was too young for that. Sure they are good guardians but like her she was always at the risk of death when dealing with them.

And if this is following the idea of June pursuing the neutral path as a child it would carry so many added layers. Her having to hurt king asgore and living with that guilt, her choice of whether or not she let flowey live, how she both misses them but knows it's safer to be buried in the past. AND JUST. When it all comes rearing back she tries so hard to keep Jack safe but he's too much like her.

I need you to expand on this idea PLEASE cause the possibilities is so insane.

Yep.

My mind was reeling because imagine all the paths it could have been?

Imagine if all the paths were true?!

Yes, there's the Neutral path where it's just a single run where June manages to escape that life and buries it with regrets following her.

But since Determination has a time loop ability, save, and restart, what if Frisk went through other timelines? I'm thinking that this Frisk hasn't reached the SOULLESS routes from either Sans killing them or their own decisions to constantly restart. How many aborted Genocide or Pacifist Routes?

The only reason why June came to be was because "the man who speaks in hands" had shown her a different Route. A never explored one...

A new world where monsters were just stories or humans that Frisk was unfortunately experienced with.

Sometimes, Frisk had wondered if it was an unending nightmare from childhood, but the bone deep sharpness when they see a specific shade of blue or the homesickness for gingerbread and spaghetti is too visceral.

(Or how a skeleton's features tended to warp out of the corner of their eyes, dripping with new shadows.)

If Frisk left it behind with no way back, then they might as well lay their old identity to rest.

June would have a unique insight into Optimus in a way. Particularly on how he wants to save a Megatron that doesn't want to be saved. (A small part of that old child still wants to go back to save Flowey.) And how she isn't too worried about things that should be troublesome for others...

In return, Optimus is concerned about June as they start gravitating to each other as June begins to hang around the Autobot base. He has a strange sense of dissonance with how Jack was reared by someone with a somewhat nihilistic yet hopeful worldview: "Nothing truly matters in life. Not really. Just how many routes had happened without our awareness. How many decisions can alter us, and yet some things are just set in stone. The only tipping point is how determined you are to continue."

June raised Jack to have a better sense of himself and to be more conscious about the weight of his actions. After all, in some Routes, she chose her curiosity over morals and balked at all the destruction she nearly wrought at the end. LOVE and sins can not be washed away so easily. The memory still lingers in her soul.