#viswaroopam

[shridharblog]

Suwarna 🙏 #subhodhayam With #goddess #seetha #lakshman Samaetha #sri Kodhanda #ramar And #viswaroopam Adhivyadhihara #bhakta #anjaneya #temple #nanganallur #chennai #tamilnadu #gopuradarshanam 🙏🙏🍎🕉️🕉️ #shrisaivastu . . #lordbalaji #jaishreeram #harerama #hanuman #anjaneyasana #marghazhi #ekadashi #hanumantemple #hanumanji #ramram #omnamonarayana #jaishriram #chennaitemples #chennaiphotographer #instagod (at Chennai, India) https://www.instagram.com/p/Cm8JcW8Pm1Y/?igshid=NGJjMDIxMWI=

[common-man]

Great VC.

'V.C. Ganesan' என்ற பெயருக்கு தான் எத்தனை அழகான விளக்கங்கள்.!!! ~~~~~

நீர் தான் V.C.Ganesan என்பவரோ?

திரை ��லகில் அதிக Variety Characterகளில் நடித்ததால் உமது பெயர் V.C.Ganesan-oo.

உன் நடிப்பு சாயலில் இன்றும் பலர் நடிக்க முயற்ச்சிப்பதால் அவர்களிடமும் V(we) C(see) Ganesan. !!

உனது அதிக படங்கள் வெற்றி(Victory) விழா கொண்டாடியதால் (Celebrate) உன் பெயர் V.C. Ganesan ஆனதோ. !!!

நடிப்பு என்று வந்து விட்டால் Very Confident நடிகர் V.C.Ganesane. !!!

Voice ஆல் மக்களை Captivate செய்ததால் வந்த பெயர் தான் V.C.Ganesan என்பதோ. ?

சொந்த வாழ்க்கையில் Very Clean ஆக இருந்து V.C.Ganesan ஆனாயோ. !

Viewers யை சீரிய நடிப்பால் Capture செய்வதால் தான் நீ V.C.Ganesano. !!

Village Character,o அல்லது Villain Character,o உனக்கு நீயே நிகர் என்று V.C.Ganesan,o. !!

Versatile Contributor to Tamizh cinema என்பதால் உங்களுக்கு V.C.Ganesan பெயரோ. !!!

நடிப்பு உலகத்தின் Visionary, Clinical actor என்பதால் V.C.Ganesan ஆனீரோ. !!!

தமிழ் பட உலகில் Viswaroopam எடுத்த Chiranjeevi என்பதால் V.C.Ganesan பெயரோ. !!!

உன்னை, நாங்கள் சிவாஜி, நடிகர் திலகம், கலை கடவுள், சிம்ம குரலோன், கலைகுரிசில், Chevalier (of the Ordre des Arts et des Lettres) என்று எந்த பெயர் வைத்து அழைத்தாலும் உன் புகழ் மேலும் ஓங்கும். !!!

வாழ்க நடிகர் திலகம் புகழ். ஜெய் ஹிந்த்.

Thanks to Santhanam.🙏 ( இது ஒரு மீள் பதிவு )

[lichrelly]

stills from Viswaroopam (2013)

[indianspiritualseeker]

Good morning. Wishing all a blessed Thursday. Viswaroopa - a Hindu concept of the Universal Form of God. #godstagram🙏🙏 #viswaroopam (at Tiruvalla) https://www.instagram.com/p/CJutuAyD5-C/?igshid=1p9dyarw1x086

[kingmabry]

Sri Parthasarathy Perumaal Temple

Schedule

ஶ்ரீ பார்த்தசாரதி பெருமாள் கோயில் அட்டை வினை,

Sri Narasimhar Brahomotsavam

Day 1,

ஶ்ரீ நரசிம்மர் பிரஹ்மோட்சவம்,

20/3/22 Sunday ஞாயிறு,

Natchathiram: நட்சத்திரம்,

Chithirai சித்திரை,

Madhura Kavigal

மதுர கவிகள்

3.30am Viswaroopam ,

3.30 am விஸ்வரூபம்

5.15am Purapaadu to Vahanamandapam

from Narasimhar Gopuram

5.15 am நரசிம்மர் கோபுர வழி

to வாகன மண்டபம்

6.00am Veethi purapaadu in Dharamathipeedam

6.00am மாட வீதி புறப்பாட

தர்மாதிபீடம்

8.30 to 9.15 Dwajarohanam

in Mesha Lagnam

8.30 to 9.15 துவஜாரோகனம்

மேஷ லக்னம

்11am Thirumanjanam

11am திருமஞ்சனம்

Evening

4pm Temple opens

4pm கோயில் நடை திறப்பு

5.30pm Pathiulathal

5.30pm பத்தி உலாத்தல்

6.30pm Uyaalee

6.30 pm உயாலீ

7.45 Purapaadu in

Punai Mara Vahanam

7.45pm புறப்பாடு

புன்னை மரவாகனம்

10pm Thirunadai kaapu

10pm திருநடை காப்பு

[digiramesh-blog]

#NTR #Viswaroopam2 #Trailer #Release

[khourpride]

#Ulaganayagan #KamalHaasan as Wasim A Kashmiri from #Viswaroopam / #Vishwaroop Picture of the day! December 1st, 2017 #Throwback #PictureOfTheDay Waiting for #vishwaroopam2 / #vishwaroop2

[shridharblog]

#subhodhayam with #viswaroopam #anjaneya #hanuman #narasimhaswamy #narasimha #dharshan #worshipped #utsavam #namakkal #tamilnadu #famoustemple #gopuradarshanam #shrisaivastu (at Chennai, India) https://www.instagram.com/p/CHMZP9mgo7G/?igshid=ex2bi6l1hnpp

[artistnahas]

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[pristine24]

I don't want to be too harsh in giving my opinions on 'Ponniyin Selvan' since some of the people are familiar. Probably, they might be watching my page? I'm not sure.

But still, I want to give it in very few lines. In the name of taking the novel into a film, the preparation to draw a thorough screenplay for a movie, is seen lacking as it's too novelistic. It sparkles in bits and pieces like Vanthiyathevan's adventurous, stealthy ingresses to every palace, Vikram's war scene and Jayam Ravi's introduction. The main plot of the movie should have been a plan of action to achieve "who wants to do what?" and 'Why?". If Arunmozhi varman had refused the throne, then why do the Pandyas want to kill him? Who will be the heir to the throne in place of Arunmozhi varman? It raises these unnecessary questions. And the fighting and combat scenes in war doesn't evoke curiosity due to lack of fighting techniques. This is where Kamal and MGR have always scored higher. Audiences who are illiterate and semi-literate will easily catch up on interesting fight sequences. 'Vikram' and 'Viswaroopam' had very detailed fight sequences as to how the group of men approaches Kamal and how he attacks them back. It shows these essential, exact details as to how a proper combat should be. Nowadays, we're seeing very intriguing plots in Malayalam films. Most of the movies I've watched in the recent two or three years carries very alluring plots which make you sit throughout the end of the film. And we Tamilians cannot linger behind. On the other hand, there's no one in Indian cinema who can be a match to this elitist and artistic portrayal of "Ponniyin Selvan". That's all I have to say.

[deshamukalamu]

Maduranthagam erikatta ramar karunagara perumal koil srirama navami utsavam 5th day mrng Viswaroopam Dharshanam (at Eri-Katha Ramar Temple) https://www.instagram.com/p/CcBDJT3P8ip/?utm_medium=tumblr

[thevar-priya-arts]

Vishnu Viswaroopam painting. For more art collections visit www.thevarartgallery.com. For orders DM

[salmankhanholics]

★ 'Salman Khan is the Darling of Movie Business, But if Theatres are Shut, What Can you Do?'!

May 8, 2021

In post-pandemic era, Radhe: Your Most Wanted Bhai is the first big budget extravaganza to have adopted the hybrid model of release. It will be released in theatres worldwide, adhering to the COVID protocol issued by the government, and on ZEE5 with ZEE’s pay per view service ZEEPlex, and also on all leading DTH operators, giving the audience multiple options to watch the film. When Kamal Haasan had attempted to release Viswaroopam on DTH a day before its theatrical release in 2013, exhibitors went up in arms threatening to boycott his film. So, why isn’t there a similar uproar in case of Radhe?

Announcing the hybrid release decision, a spokesperson from Salman Khan Films had said, “It’s imperative that we all come together and think of out-of-the-box solutions for cinema as an industry during the current pandemic situation. We will support the theatre owners by releasing the film in as many theatres as we can, keeping in line with the rules and protocols laid down by the government. But considering the guidelines and safety measures, we also need to devise ways to ensure that the film reaches all of our audience.

Hybrid Release was the Only Way Out

Industry insiders say that exhibitors realize that not every film can wait for theatres to reopen. Film trade analyst Taran Adarsh explains, “Salman has always brought his films on Eid every year. This year, the only way out was a hybrid release. One can say that Salman Khan is financially secure enough to delay the release, but every film has its own budget and this one has already overshot it. Looking at it from the exhibitor’s point of view, Salman Khan is the darling of the market. But if most multiplexes and theatres are shut, what do you do? The theatres could not ask him to hold on for a long time. Both parties are right, you cannot blame one or the other.”

Trade analyst Atul Mohan says, “Radhe, ’83 and Sooryavanshi are three major films that theatres had high hopes from. But exhibitors also understand that producers who have invested more than Rs 125 crores on a film, they also need to think about their profit. They waited for one year, and this was the only way out, given the current circumstances. Although the multiplexes had said that they are not going to screen the film, many single screen theatres were open when they made the announcement. Then suddenly the severity of the second wave caused more theatres to shut again and spoiled the whole plan. The hybrid model was the only way for them to make some money, and they got a good deal.”

More Films Might Adopt Hybrid Model

What adds to the anxiety of exhibitors is the fact that the success of Radhe could encourage other films to adopt a similar route. “When the hybrid model was announced, exhibitors were disappointed for sure, because this could pave the way for a lot of other films,” says Taran Adarsh, adding that we haven’t had other films announce hybrid models of release yet, because they are waiting to see the reaction to Radhe, as well as for theatres to reopen. “A production house like Yash Raj Films is waiting for cinemas to reopen. Whether more films adopt the hybrid model of release will depend on the producer’s holding capacity.”

Atul Mohan adds that this hybrid model can only work in case of a big budget film. “This is something new for India, and can only work for a big release like Salman Khan’s. The audience won’t care if a smaller film takes the hybrid route, they will watch it at home. Also, many are waiting to see the audience’s response to Radhe, on the pay-per-view platform and the buzz on social media, before deciding to follow suit,” Atul says.

ZEE5, the platform facilitating the pay-per-view model, is confident that the hybrid model benefits all stakeholders. “With the ongoing pandemic making many theatres across the country temporarily non-operational, a traditional theatrical release was not going to cut it. The multiformat strategy was devised to ensure that both the stakeholders as well as the audience benefit from this proposition. It has become increasingly difficult to predict the future with this pandemic so it is hard for me to say whether this will become an industry norm. There is a line-up of 50+ theatricals and 40+ Originals this year on ZEE5. Few of them will be multiformat simultaneous releases depending on how this situation evolves,” says Manish Kalra, Chief Business Officer, ZEE5 India.

We are all Disappointed that Radhe is not Releasing in Cinemas

While the unpredictable nature of this pandemic might lead to more films considering this option, exhibitors are hoping for a light at the end of the tunnel soon. “A Salman Khan film releasing at a time when hardly any cinemas across the country are functional is totally a body blow to the exhibition sector, but these are exceptional times, and everyone is fighting for survival. We are all disappointed that Radhe is not releasing in cinemas across the country. We hope that after Radhe, too many films do not decide to take this route and films wait for theatres to reopen. There is going to be a lot of pent-up demand once this pandemic has passed. Of course, theatres won’t be fully functional at one go, it will be a gradual opening. So these kinds of innovative formats will be there for a temporary period,” says film exhibitor Akshaye Rathi.

A huge chunk of Salman’s followers are the Tier 2 and 3 city audiences that love to whistle and dance in the theatres. Exhibitors regret that there will be no such spectacle in movie halls this Eid. Pranav Garg, owner of Maya Multiplex in Muzaffarnagar, says, “It’s a major loss for cinemas as well as die-hard fans of Salman. They are releasing the film at a time when most state governments have asked for theatres to be shut. Fans have been calling us to ask whether we are going to screen the film, and we don’t have an answer unless the authorities take a decision. We understand the producers have invested a lot of money and need to recover costs. But we’ve also been suffering losses for over a year. All we can hope for is that situation gets better soon and we can go back to screening films again.”

[dailyanjal]

அதிமுகவில் முதல்வர் வேட்பாளர் பிரச்னை விஸ்வரூபம் 12 மூத்த அமைச்சர்கள் சமரச முயற்சி: எடப்பாடி, ஓபிஎஸ்சை தனித்தனியாக சந்தித்து 4 மணி நேரம் ஆலோசனை | AIADMK chief ministerial candidate issue Viswaroopam 12 senior ministers try to reconcile: Edappadi meets OBS separately and consults for 4 hours * முதல்வர் எடப்பாடி மற்றும் துணை முதல்வரிடம் பேசியபோது என்ன கருத்துக்களை கூறினார்கள், முதல்வர் வேட்பாளர் விஷயத்தில் என்ன முடிவு  எடுக்கப்பட்டுள்ளது என்பது குறித்து ஒரு அமைச்சர் கூடவாய் திறந்து பேசமறுத்து விட்டனர்.

[khourpride]

#KamalHaasan All my films are statements, especially when I write them. With the films I’ve written – Mahanadhi, Anbe Sivam, Hey Ram or even Viswaroopam – there is a point of view. They ask me if I’m becoming political. I’d like to reconfirm that I have always been political