#virtual exhibition in India

[sandiptrivedi11]

Virtual Exhibition Platform for Events in India

Best virtual exhibition platform in India aimed to host all events, product launches, exhibitions, showcases and conferences. Know more about this digital exhibition platform by visiting their website

[mybeingthere]

Derek Boshier (British, 1937-2024)

'There’s a funny sort of feeling you get, as if change is a sin. But now I see that’s what I’m about, I’m an artist that does change.’

Born in Portsmouth in 1937 Derek Boshier first came to prominence with his paintings as a student at the Royal College of Art in London where he studied alongside David Hockney, Allen Jones, R.B. Kitaj, and others. Embracing the iconography of British and American mass culture, his paintings earned him recognition as one of the pioneers of British Pop Art. In 1962, he was featured with Peter Blake, Pauline Boty and Peter Phillips in Ken Russell's BBC documentary 'Pop Goes The Easel'. Subsequently he has used other media:drawing, printmaking, film, books, three dimensional objects, installations and photography among them. His graphic work with popular music groups such as The Clash and with David Bowie have brought his work to a wider audience.

Works by Derek Boshier can be found in major museum collections including Tate, The British Museum and the V&A. He lives and works in Los Angeles.

'Derek Boshier brought to British Pop a strong satirical edge which distinguished his work from that of his fellow students at the Royal College of Art. His paintings of 1961-62 made frequent reference to current events, especially those with a political dimension such as the space race between the United States and the Soviet Union. Consumer products such as Pepsi-Cola appeared not in celebration of modern popular culture but as evidence of the insidious inroads of international businesses and Americanisation. SA group of paintings in 1962 prompted by the campaign for a new striped toothpaste examined manipulative forces of advertising and the loss of individual identity that this brought in it’s wake. Boshier’s caustic views about the mass media, and his characteristic ‘custom-built men’ – figures that appear to be cut out, pieced together as in jig-saw puzzle or in the process of disintegration – arose directly from his reading of commentators such as Marshall McLuhan, Vance Packard and John Kenneth Galbraith. Boshier’s Pop phase was short lived. The paintings that he produced in India during 1962-63, virtually all of which were accidentally destroyed near the end of his stay there, adapted similar narrative devices to Hindu symbolism. On his return to England he painted briefly in a formal abstract idiom before turning to Minimalist sculpture and later photography, film and collage. Always curious to experiment different media, he nevertheless maintained a strong involvement through the seventies with political and social themes. In 1979 he returned to painting as his prime activity, at first basing the pictures on images from advertising and the mass media, as he had done in his early Pop pictures and in his more recent collages. In 1980 he moved to Huston, Texas, where he at once found a rich fund of new imagery in his immediate environment. A series of paintings depicting naked cowboys were amongst his most amusing and memorable responses to his new home. During the whole of that decade, prior to his return to England, he elaborated his new iconography with humour and affection but also with the distance and wry observations of a foreigner. The American themes of Boshier’s first phase as a Pop artist thus reappeared 2 decades later in a new guise, coloured by personal experience. In the late nineties Boshier again resettled in the US, this time in Los Angeles, where he made paintings that took up themes and images from his formative Pop works.'

Marco Livingstone 2004 Pop Art UK:British Pop Art 1956-1972 exhibition catalogue Galleria Civica, Modena, 2004

[tagbin]

How Museum Design Firms Enhance Visitor Interaction Experience

Museum design firms play a crucial role in enhancing the visitor interaction experience, breathing new life into the way people engage with art, history, and cultural exhibits. Armed with visionary ideas and cutting-edge technologies, these companies are transforming traditional museum experiences into awe-inspiring journeys of discovery.

Harnessing the power of interactive displays and installations, museum exhibit design companies have shattered the barriers of passive observation. Through touchscreens, gesture recognition, and augmented reality (AR), visitors now actively engage with exhibits, unraveling hidden layers and unlocking a world of knowledge at their fingertips.

No longer confined to static artifacts, they can delve deeper, zooming in on intricate details, accessing additional information, and even stimulating virtual objects, making personal connections with the subject matter like never before.

Implementing Advanced Techniques to Enhance Visitor Experience

Furthermore, the best museum design companies, such as Tagbin, focus on creating dynamic and multisensory environments. They employ techniques such as lighting, sound design, and spatial arrangements to evoke emotional responses and heighten the overall visitor experience. From carefully designed lighting that accentuates artworks to immersive audiovisual installations that transport visitors to different eras, these elements contribute to a more engaging and memorable visit.

In their quest for inclusivity, museum design firms leverage technology to break down barriers. They integrate features such as audio guides, sign language interpretation, and tactile exhibits to cater to diverse audiences, including those with visual or hearing impairments. By providing multiple entry points and accommodating different learning styles, these companies ensure that all visitors can actively participate and connect with the exhibits.

How is Pradhanmantri Sangrahalaya a Perfect Example of a Visitor-centric Museum?

The Pradhanmantri Sangrahalaya, designed and executed by Tagbin, one of the best museum design companies in Delhi, stands as a shining example of a visitor-centric museum, redefining the way visitors engage with exhibits and creating a truly immersive experience. This museum has employed a range of techniques and technologies that place visitors at the heart of the museum, allowing them to actively participate, play, and learn.

By integrating cutting-edge technologies like Augmented Reality (AR), Virtual Reality (VR), and Robotics, the museum's ‘Anubhuti Engagement Zone’ has revolutionized visitor interaction.

Through AR-integrated exhibits such as "Stroll with PM" and "Selfie with PM," visitors can walk alongside their favorite Prime Ministers or capture cherished moments with them, making personal connections with history. The VR-integrated "Helicopter Ride" offers a simulated aerial experience, allowing visitors to explore India's visionary projects firsthand, igniting their imagination and sense of wonder.

In addition, the Pradhanmantri Sangrahalaya fosters visitor engagement through interactive exhibits that invite active participation. The "India 2047" exhibit encourages visitors to share their visions and suggestions for India's future, empowering them to shape the narrative.

"Sketch and Bring a Mission to Life" unleashes the creativity of children, enabling them to draw and complete missions, merging education with artistic expression. Furthermore, the museum emphasizes unity and togetherness through exhibits like the "Unity Chain," digitally forming the longest human chain to symbolize solidarity among visitors.

Emphasizing the AT Psychological Theory - A Powerful Framework to Design AI-based Smart Museum

The AT (Affective-Transactional) Psychological Theory holds quite a lot of relevance in the context of creating meaningful and impactful museum experiences. By understanding the intricate interplay between emotions, cognition, and behavior, museum design firms can harness the power of this theory to craft exhibits and environments that elicit strong emotional responses, engage visitors on a deeper level, and leave a lasting impression.

Applying the AT Psychological Theory in museum design involves considering the emotional impact of exhibits and the overall museum environment. By strategically incorporating elements that evoke specific emotions, designers can create immersive and memorable experiences. Whether it's the use of lighting, sound, visual displays, or interactive elements, the goal is to elicit emotional responses that resonate with visitors, triggering curiosity, awe, empathy, or joy.

Final Words

Well, there is certainly no denying that museum exhibit design companies are the catalysts behind a revolution in visitor interaction. With their unwavering commitment to pushing boundaries and their relentless pursuit of innovation, they have paved the way for unforgettable museum experiences that inspire, educate, and leave an indelible mark on the hearts and minds of all who enter their transformative realms.

[panicinthestudio]

Exhibition Tour—Tree & Serpent: Early Buddhist Art in India, 200 BCE–400 CE

Join John Guy, Florence and Herbert Irving Curator of the Arts of South and Southeast Asia in The Met’s Department of Asian Art, and Donald S. Lopez, Arthur E. Link Distinguished University Professor of Buddhist and Tibetan Studies, University of Michigan, for a virtual tour of Tree & Serpent: Early Buddhist Art in India, 200 BCE–400 CE. Featuring more than 140 objects dating from 200 BCE to 400 CE, the exhibition presents a series of evocative and interlocking themes to reveal both the pre-Buddhist origins of figurative sculpture in India and the early narrative traditions that were central to this formative moment in early Indian art. With major loans from a dozen lenders across India, as well as from the United Kingdom, Europe, a4thnd the United States, it transports visitors into the world of early Buddhist imagery that gave expression to this new religion as it grew from a core set of ethical teachings into one of the world’s great religions. Objects associated with Indo-Roman exchange reveal India’s place in early global trade. The exhibition showcases objects in various media, including limestone sculptures, gold, silver, bronze, rock crystal, and ivory. Highlights include spectacular sculptures from southern India—newly discovered and never before publicly exhibited masterpieces—that add to the world canon of early Buddhist art. On view: July 21st–November 13th, 2023 Learn more about the exhibition: https://www.metmuseum.org/exhibitions/tree-and-serpent The Metropolitan Museum of Art

[creativinn]

Braille puzzles to tactile paintings: this Chennai art exhibition has an inclusive display - The Hindu

Tactile tigers, sculptures that sign, and a Braille puzzle on a canvas. 

At Apparao Gallery today, accessibility leads the conversation, for artworks - some interactive - by 10 artists with disabilities that occupy the otherwise conventional gallery space that Chennai’s collectors frequent. An abstract, panelled work and realistic portraits of the national animal of India, complemented by an experimental series of acrylic flora that spills over canvas frames, kickstart the display that do not follow a narrative per se. Mediums are aplenty - from acrylics and clay to paper and cloth make an appearance through canvases that hope to catch the collector’s eye. Dubbed a sensory art exhibit, the display hopes to cater to senses other than just sight and in essence advocates inclusivity even from a viewer’s perspective. 

The artists who mostly hail from Chennai and Tamil Nadu are part of Kai Rassi, a not-for-profit organisation that leads vocational art programmes and creates inclusive spaces for artists with disabilities. And this marks their fourth formal exhibition. As the display opens, each of them stands guard next to their respective artworks, eager to fill the audience in on their idea behind each concept, while busy interacting with fellow artists who they share space with. For founders Divya Rao, Kadambari Narendran and Indira Reddy, the display is meant to be more than just ‘disability-driven’. Divya says, “Then, the buyer who comes in is not looking for anything more than just donating money. We wanted to change that. We wanted to make them aware that they are also getting something beautiful in return.” The idea is to make galleries want to collaborate with each of the artists in an individual capacity.      

Midway, a series of 11 clay sculptures fashioned by students from the Mary Clubwala Jadhav School for the hearing impaired, makes for an interesting break in the narrative. They make one pause, and pay attention. Each sculpture is a hand mould with the imprint of each students’ hand. They depict letters from the American and Indian sign language, paired with pictures of students signing them, and read “We are Hear”: a witty take on the very disability that ostracises them. Visual artist Shreya Chajjed who led this particular project says, “They were really excited about the medium, and went about it very smartly. We rehearsed with them before making the final models.”   

The showstopper perhaps is the work by UK-based, partially-blind artist Clarke Reynold, accompanied by leaflets with patterns that denote each alphabet. The viewer can use this leaflet as reference to interpret the words on the canvas. The takeaway is the message. The collaborative work is put together through a virtual workshop with students from Lady Andal IB, Yein Udaan and girls from Prem Vihar.  

One of the works on display | Photo Credit: Special Arrangement

Aishwarya is elated. The hearing and speech-impaired artist, who specialises in many mediums of painting, has worked with fine paper-cutting this time. The delicate, concentric circles which are sometimes embellished with gilded paper, takes her nothing less than a week of work. As for Lokesh whose penchant for animal forms has been established through his acrylic works, made signs to the interpreter who translates, “The national animal of India has always fascinated me. Sometimes, I see photographs of these big cats and try to trace them onto canvas.” He points to a black-and-white series of canvases with bulls in motion and says, “But when I think of Tamil Nadu, bulls come to mind.” He is hearing-impaired.

For Anthony, who has been a carpentry and art teacher for the past 34 years with a special school in the city, art equals functionality. The unusual canvas frames on which acrylic paintings of flora spill out, came out of the need to be unique. “I wanted to do something that is a little different, which will look good in a home,” he says.  He had polio as a three-month old baby. An independent artist, he strives to remove the stigma around people with physical and intellectual disabilities. 

Betsy’s acrylic works speak of minute skill. Serpentine shadows fall on a path laden with trees. A tactile version of the work, by Access for All, accompanies the frame. Pavithra’s abstract series is a study on gradation of colours, blue being her muse. Siva’s line drawings on the other hand have already gained him a good following and recognition, says Divya. 

The display will be on till April 2 at Apparao Gallery, Nungambakkam

This content was originally published here.

[viragfold]

“ESCRIBAS – 1st International Exhibition of Asémic Writing”

The exhibition “ESCRIBAS – 1st International Exhibition of Asemic Writing” is part of the program of the V National Festival of Contemporary Art Beagá Psiu Poético. In a production by the Instituto Imersão Latina in partnership with The Virtual Museum of Visual Poetry, the exhibition will present 26 works by artists from 18 countries, constituting the first international group exhibition of its kind held in Brazil.

            Curated by Tchello d’Barros, the exhibition opens on March 14 at 9 am and at 2 pm there will be a lecture by the curator at the exhibition venue, the UFMG Cultural Center. Visitation takes place until 21.Mar.2023, with free admission.

Participating Artistas:  

ADRIAN DORADO (ARGENTINA) | AYIS KELPEKIS (GREECE) | CHEN LI (CHINA /ITALIA) | CHERYL PENN (SOUTH AFRICA) | DAVE READ (CANADA) | DENIS SMITH (AUSTRALIA) |  DONA MAYOORA (INDIA / USA) |  ENZO PATTI (ITALIA) |  FELICIANO DE MIRA (PORTUGAL) | FERRAN DESTEMPLE (ESPAÑA) | JAIME RGUEZ (ESPAÑA) | JOHN R. MCCONNOCHIE (AUSTRALIA) | KEIGO HARA (JAPAN) | MARCO GIOVENALE (ITALIA) | MIRIAM MIDLEY (ARGENTINA) | MUHAMMAD SHEHZAD MAJEED (PAKISTAN) | NICO VASSILAKIS (USA) | PÉTER ABAJKOVICS (HUNGARY) | ROSAIRE APPEL (USA) | SAMI LIUHTO (FINLAND) | SATU KAIKKONEN (FINLAND) | SERSE LUIGETTI (ITALIA) | STEPHEN NELSON (SCOTLAND) | SVEN STAELENS (BELGIUM)  | TCHELLO D'BARROS (BRASIL) | VOLODYMYR BILYK (UKRAINE)

........................................................................................................................

Curatorial Text:

CALIGRAPHIC POETICS OF ASÉMIC WRITING

                                                         por Tchello d’Barros*

                                           “Asemic writing seems to be a gigantic, unexplored territory.”

                                                                                                                                                    Tim Gaze

The exhibition “ESCRIBAS – 1st International Exhibition of Asémic Writing” presents a collection of works in images with abstract spellings, in the language that is becoming known as Asémic Writing. The set, made up of creations from different parts of the planet, also reveals the plurality of techniques and resources for the realization of these works, transiting between calligraphy, abstraction, engraving and even Visual Poetry.

This show promoted by Instituto Imersão Latina in partnership with The Virtual Museum of Visual Poetry, features 26 works by artists from 18 countries in the V Beagá Psiu Poético program, setting up the first international collective exhibition of this modality held in Brazil.

Spontaneously arising in different cultures throughout history, consolidated as an artistic language at the end of the 20th century, the Asémic Writing still very rare, has been gaining visibility, whether with exhibitions, publications, epistemological studies or placement on the Internet. This hybrid art, which transits between word and image, survived the typographic tsunami of the digital age, privileging handwriting (mainly), albeit abstract, as an expressive manifestation.

The works are made up of often invented letters, words that keep calligraphic remnants, sentence fragments that form thought-provoking abstract figures, configuring every movement that has thickened its network of supporters on all continents. It is an art free of academic labels, institutional immobilization and shallow public cultural policies for the promotion, collection and dissemination of experimental languages. Drawing, painting, infogravure, collages, digital art, interventions and photographs are just some of the resources present in this type of creations, presented here from a perspective of diversity of styles.

It is said of the works of Asémic Writing, which are purposely emptied of meaning – because they are absent of enunciation or message – which does not prevent them from making sense, from the perception of those who observe, since there is a silent dialogue between such contents and the entire lexical and imagery framework of those who immerse themselves in viewing these images.

Theorists of Art in Expanded Field or Expanded Poetry, usually place Asémic Writing in the broad scope of Experimental Poetry. So, provoking reflections on the poetic phenomenon in aspects that strain the limits of language, questioning aesthetic aspects of the hybridity characteristic of contemporary art and provoke the debate about where the compass of poetic making points in our time, are some of the premises that guided the curatorial process for this show.         

*Tchello d’Barros is writer, visual artist and curador.

Master’s student and researcher about Expanded Art on University UFRJ                                                                                           Rio de Janeiro (RJ), Brasil – March 2023

........................................................................................................................

Service:

Opening: 09h - 14.Mar.2023

Lecture with curator and production team: 14h

Visits: Terça à sexta-feira: 9h às 20h e

                   sáb. e dom. das 9h às 17h - Até dia 21.Mar.2023

Place: Centro Cultural da UFMG

           Av. Santos Dumont, 174. Centro, Belo Horizonte – Brazil

Coordenation: Grupo Transa Poética | Psiu Poético Beagá

Production and Setup: Instituto Imersão Latina - IMEL

Realization: The Virtual Museum of Visual Poetry

Curator: Tchello d'Barros

Free Admission

Links:

Exhibition “Escribas” at Facebook

Instituto Cultural Imersão Latina

Centro Cultural da UFMG

The Virtual Museum of Visual Poetry

E S C R I B A S I Mostra Internacional de Escrita Assêmica 1st International Exhibition of Asémic Writing

[vrashwa]

Top AR VR Rentals

” Leader in VR/AR/MR solutions – Events, Corporate Conferences, Music Festivals and Sports Festivals”

VR Ashwa is India’s first, Virtual Reality / Augmented Reality and Mixed Reality Event specialists and pioneer in introducing VR hire sets. We at VR Ashwa, provide you complete VR, AR and MR solutions. We also provide Rifts & Game Consoles on rent for events, exhibition, gaming and corporate industries.

[maxprodisplays0]

Revolutionizing Advertising: The Rise of Digital Standees

Introduction:

Briefly introduce what a digital standee is.

Highlight its growing popularity in advertising, retail, and events.

State how it differs from traditional standees.

What is a Digital Standee?

Define a digital standee and explain its key features.

Mention the types of digital standees available (e.g., LCD, LED, interactive touchscreens).

Advantages of Using Digital Standees:

Dynamic Content:

Ability to display video, animations, slideshows, and interactive content.

Discuss how this versatility grabs customer attention and keeps them engaged.

Remote Management:

Content can be easily updated or changed remotely using software or apps.

Ideal for businesses with multiple locations.

Cost-Effectiveness:

Though the initial investment may be higher than traditional standees, digital standees save costs in the long run through reduced printing and reprinting.

Interactivity:

Touchscreen-enabled standees can provide a personalized experience, gathering customer data and feedback.

Space-Efficient:

Can serve multiple advertising purposes on a single screen, reducing the need for physical promotional materials.

Applications of Digital Standees:

Retail Stores: Promotion of products, sales, and new arrivals.

Events and Exhibitions: Information kiosks, directions, and schedules.

Restaurants: Digital menu boards and promotions.

Healthcare: Information stands in hospitals and clinics.

Real Estate: Virtual tours of properties.

Features to Look for When Choosing a Digital Standee:

Screen size and resolution.

Touchscreen capabilities.

Content management system compatibility.

Connectivity options (Wi-Fi, Bluetooth, etc.).

Durability and portability.

Future Trends in Digital Standees:

Integration of AI and IoT for personalized advertising.

Use of augmented reality (AR) for interactive experiences.

Enhanced analytics for customer engagement tracking.

Conclusion:

Summarize the key benefits of digital standees.

Emphasize how they are shaping the future of advertising and customer interaction.

For more info:-

Digital standee

Digital standee in india

[harishblogger]

The Role of Digital Media in India's Travel Exhibitions

In recent years, digital media has revolutionized how businesses, consumers, and travelers interact, and this transformation has been particularly evident in the realm of travel exhibitions. In India, events like the India International Travel Mart Ahmedabad (IITM) have been at the forefront of integrating digital media into their platforms, redefining how these exhibitions operate and how they engage with audiences.

The Rise of Digital Media in Travel Exhibitions

Digital media encompasses a wide range of tools, including social media, online advertising, websites, mobile applications, and virtual reality experiences. For travel exhibitions in India, these tools have opened up new avenues for marketing, networking, and enhancing the overall visitor experience.

Historically, travel exhibitions relied heavily on physical brochures, face-to-face interactions, and traditional advertising methods. While these elements still play a role, the integration of digital media has expanded the reach and impact of these events. With India being one of the largest and fastest-growing markets for travel, the role of digital media in exhibitions like IITM has become more crucial than ever.

Enhancing Visibility and Engagement

One of the most significant contributions of digital media to travel exhibitions is the enhancement of visibility and engagement. Platforms such as Facebook, Instagram, and Twitter allow event organizers to reach a broader audience by creating and sharing content that resonates with potential visitors. In the case of IITM, digital campaigns can promote the event months in advance, generating excitement and anticipation among travelers, industry professionals, and tourism boards.

Social media platforms also facilitate real-time engagement during the exhibitions. Live streaming of events, behind-the-scenes content, and interactive polls can keep the audience engaged, even if they are not physically present. This engagement not only boosts the event’s popularity but also creates a sense of community among attendees.

Moreover, the use of digital media extends beyond the event itself. Post-event content, such as highlights, interviews, and testimonials, can be shared online to maintain the momentum and keep the audience engaged until the next exhibition. This continuous engagement is essential for building a loyal following and establishing the exhibition as a must-attend event in the industry.

Personalization and Targeted Marketing

Another critical advantage of digital media is the ability to personalize and target marketing efforts. With tools like Google Analytics and social media insights, travel exhibitions can gather data on user behavior, preferences, and demographics. This data allows event organizers to create targeted campaigns that speak directly to the needs and interests of different audience segments.

For instance, IITM can tailor its digital marketing strategies to attract specific groups, such as adventure travelers, luxury tourists, or cultural enthusiasts. By delivering personalized content, the exhibition can increase its relevance to potential visitors, ultimately driving higher attendance and participation.

Targeted marketing also helps exhibitors connect with the right audience. Travel companies, hotels, and tourism boards participating in IITM can leverage digital media to promote their offerings to specific market segments, increasing the chances of meaningful connections and business opportunities.

Virtual Reality and Immersive Experiences

One of the most exciting developments in the intersection of digital media and travel expo's is the use of virtual reality (VR) and augmented reality (AR). These technologies offer immersive experiences that can transport visitors to different destinations without leaving the exhibition hall.

At IITM, for example, exhibitors can use VR to give potential travelers a virtual tour of their destinations. Whether it’s a walk through the bustling streets of Tokyo or a serene beach in the Maldives, these immersive experiences can inspire visitors and give them a taste of what they can expect.

Additionally, VR and AR can be used to create interactive exhibits that engage visitors in new and innovative ways. These technologies not only enhance the visitor experience but also provide a unique selling point for exhibitors, making their booths stand out in a crowded exhibition space.

Facilitating Networking and Business Opportunities

Digital media has also transformed how networking and business opportunities are facilitated at travel exhibitions. Platforms like LinkedIn and event-specific apps enable exhibitors and attendees to connect before, during, and after the event. These platforms provide opportunities for networking, setting up meetings, and sharing contact information, making it easier for industry professionals to establish and maintain relationships.

In the context of IITM, digital tools can help streamline the matchmaking process between buyers and sellers. Exhibitors can use these platforms to showcase their products and services, while buyers can browse offerings and set up appointments with exhibitors who meet their needs. This level of connectivity enhances the efficiency of the exhibition and increases the chances of successful business deals.

Challenges and Future Directions

While digital media offers numerous benefits to travel exhibitions, it also presents challenges. The rapid pace of technological change means that event organizers must continually adapt to new tools and platforms. Additionally, the reliance on digital media requires a robust infrastructure, including reliable internet connectivity and digital literacy among participants.

Looking ahead, the role of digital media in travel exhibitions is likely to grow even further. The continued evolution of VR and AR, the increasing importance of data analytics, and the rise of new social media platforms will all shape the future of events like IITM. As these technologies develop, they will provide even more opportunities for engagement, personalization, and innovation in the travel exhibition space.

Conclusion

In conclusion, digital media has become an integral part of India’s travel exhibition's, particularly at events like IITM. By enhancing visibility, engagement, personalization, and networking opportunities, digital media has transformed how these exhibitions operate and interact with their audiences. As technology continues to evolve, the role of digital media in travel exhibitions will only become more significant, offering exciting possibilities for the future of the industry.

[sandiptrivedi11]

Campaign promoting the "Study in France program"- PragatiE

PragatiE, an online exhibition platform in India announces the unequivocal success of their campaign to promote the "Study in France program" that drove over a million views and thousands of registrations

[colinwilson11]

Non-Invasive Neurostimulation Devices Market Will Grow At Highest Pace Owing To Rising Prevalence Of Neurological Diseases

Non-invasive neurostimulation devices are medical equipment used in the non-surgical treatment of neurological conditions such as Parkinson's disease, epilepsy and chronic pain by delivering electrical impulses to targeted areas of the brain via electrodes placed on the scalp. These devices help in improving symptoms, reducing tremors and spasticity for conditions like multiple sclerosis. Some key advantages are painless treatment procedure, minimal side effects and ability to self-administer therapy from home. The growing geriatric population suffering from neurological disorders and rising awareness about non-invasive options are driving increased demand for these devices.

The Non-Invasive Neurostimulation Devices Market is estimated to be valued at US$ 1.3 Bn in 2024 and is expected to exhibit a CAGR of 11.% over the forecast period 2024-2031.

Key Takeaways

Key players operating in the non-invasive neurostimulation devices are AcuKnee,AxioBionics,BioMedical Life Systems, HiDow,CEFALY Technology. Growing prevalence of neurological disorders like Parkinson's disease, epilepsy along with rising geriatric population globally is fueling the demand for non-invasive neurostimulation devices. Technological advancements in non-invasive neurostimulation devices like closed loop stimulation, development of wearable devices are reducing complications and enabling self-administration of therapy.

Market Trends

Miniaturization of devices - Manufacturers are focusing on developing miniature neurostimulation devices to make the wearable. Smaller size enables comfort during daily activities and therapy.

 Cloud-based data management - Devices are being integrated with remote monitoring capabilities allowing physicians to track patient data and adjust therapy using web-based or mobile interfaces. This enhances access and reduces need for frequent clinic visits.

Market Opportunities

Untapped emerging economies - Emerging markets like India, China offer huge patient pool but limited penetration of neurostimulation devices currently due to cost and awareness challenges.

New application areas - ongoing research focuses on evaluating efficacy of non-invasive neurostimulation for other neurological conditions like Alzheimer's disease, depression, stroke rehabilitation etc. Successful results will boost revenues.

Impact Of COVID-19 On Non-Invasive Neurostimulation Devices Market Growth

The COVID-19 pandemic has significantly impacted the non-invasive neurostimulation devices market growth globally. The imposition of nation-wide lockdowns led to closure of manufacturing facilities and disruptions in the supply chain. This created a shortage of devices and delay in scheduled treatments. Various hospitals and clinics suspended all elective surgeries including those requiring neurostimulation procedures to focus resources on COVID patients. This resulted in steep decline in demand during the initial year of the pandemic.

However, with the relaxation of restrictions and reopening of healthcare facilities in 2021, the market has started recovering gradually. The demand is increasing steadily as patients are coming forward to resume postponed treatments for neurological conditions like chronic pain, depression, epilepsy etc. The manufacturers are scaling up production to fulfill the growing demand. They are also focusing on expanding their geographic footprint and virtual care offerings to cater to remote areas. Various regulations have also been eased to accelerate the approval and adoption of innovative neuromodulation therapies.

The pandemic has emphasized the need for minimally invasive and non-invasive neurostimulation therapies over implantable devices due to associated risks. This is expected to boost the non-invasive neurostimulation devices market in the coming years. Faster recovery, no hospital stay and reduced infection risk make them an attractive option. The post COVID scenario looks promising for this market due to rising preference for outpatient and home-based treatments. However, the long term impacts will depend on the evolving pandemic situation and economic conditions worldwide.

North America Region Concentrates Maximum Market Value

North America dominates the Non-Invasive Neurostimulation Devices Market in terms of value. This can be attributed to factors like growing prevalence of neurological disorders, rapid adoption of advanced healthcare technologies, favorable reimbursement policies, presence of major players and rising healthcare spending in countries like US and Canada. As per estimates, the North America region accounted for over 40% of global market value in 2024.

Asia Pacific Emerges As The Fastest Growing Region

Asia Pacific region is poised to witness the fastest growth in the non-invasive neurostimulation devices market during the forecast period. This growth can be accredited to increasing awareness about neurological treatments, improving access to healthcare facilities, rising disposable incomes, growing geriatric population susceptible to conditions like chronic pain and huge patient population base especially in emerging countries like China and India. Additionally, expanding presence of foreign players and favorable government support for new medical devices is also fueling the APAC market growth. It is expected to expand at a CAGR of over 13% until 2031.

Get more insights on this topic:  https://www.trendingwebwire.com/non-invasive-neurostimulation-devices-market-primed-for-growth-due-to-rising-adoption-of-advanced-neuromodulation-technologies/

Author Bio:

Money Singh is a seasoned content writer with over four years of experience in the market research sector. Her expertise spans various industries, including food and beverages, biotechnology, chemical and materials, defense and aerospace, consumer goods, etc. (https://www.linkedin.com/in/money-singh-590844163 )

What Are The Key Data Covered In This Non-Invasive Neurostimulation Devices Market Report?

:- Market CAGR throughout the predicted period

:- Comprehensive information on the aspects that will drive the Non-Invasive Neurostimulation Devices Market's growth between 2024 and 2031.

:- Accurate calculation of the size of the Non-Invasive Neurostimulation Devices Market and its contribution to the market, with emphasis on the parent market

:- Realistic forecasts of future trends and changes in consumer behaviour

:- Non-Invasive Neurostimulation Devices Market Industry Growth in North America, APAC, Europe, South America, the Middle East, and Africa

:- A complete examination of the market's competitive landscape, as well as extensive information on vendors

:- Detailed examination of the factors that will impede the expansion of Non-Invasive Neurostimulation Devices Market vendors

FAQ’s

Q.1 What are the main factors influencing the Non-Invasive Neurostimulation Devices Market?

Q.2 Which companies are the major sources in this industry?

Q.3 What are the market’s opportunities, risks, and general structure?

Q.4 Which of the top Non-Invasive Neurostimulation Devices Market companies compare in terms of sales, revenue, and prices?

Q.5 Which businesses serve as the Non-Invasive Neurostimulation Devices Market’s distributors, traders, and dealers?

Q.6 How are market types and applications and deals, revenue, and value explored?

Q.7 What does a business area’s assessment of agreements, income, and value implicate?

*Note: 1. Source: Coherent Market Insights, Public sources, Desk research 2. We have leveraged AI tools to mine information and compile it

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Player Retention and Engagement in the Mobile Gaming Market

Mobile Gaming Market Overview:

The Mobile Gaming Market has experienced exponential growth, becoming one of the largest segments in the global gaming industry. Driven by the widespread adoption of smartphones, affordable internet access, and evolving in-game monetization strategies, the market is projected to maintain a strong growth trajectory. Key trends include the rise of free-to-play games with in-app purchases, the integration of augmented reality (AR) and virtual reality (VR), and the increasing popularity of mobile eSports. Asia-Pacific dominates the market, with significant contributions from regions like North America and Europe. Despite the market's expansion, challenges such as user retention, regulatory scrutiny, and competition from new entrants persist.

Mobile Gaming Market Size & Growth

Mobile Gaming Market Size was valued at USD 101.2 billion in 2022. The Mobile Gaming market industry is projected to grow from USD 114.96 Billion in 2023 to USD 247.07 billion by 2030, exhibiting a compound annual growth rate (CAGR) of 13.60% during the forecast period (2024-2032).

The Mobile Gaming Market has seen rapid growth, with a significant increase in revenue and user base, driven by factors such as the proliferation of smartphones, enhanced mobile internet connectivity, and innovative in-game monetization models like freemium and in-app purchases. The market is projected to continue expanding at a strong CAGR, fueled by emerging technologies such as 5G, cloud gaming, and AR/VR. Regions like Asia-Pacific, particularly China and India, are major growth hubs, while developed markets like North America and Europe continue to see steady expansion.

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Mobile Gaming Market Segmentation:

Mobile Gaming Type Outlook

Action or Adventure

Casino

Sports

Role Playing

Mobile Gaming Platform Outlook

Android

IOS

Windows

Mobile Gaming Device Outlook

Personal Digital Assistance

Key Companies in Mobile Gaming Platform Market:

Google Inc. (US), Apple Inc. (US), Activision Blizzard Inc. (US), Sony Corporation (Japan), Tencent Holdings Ltd. (China), Electronic Arts Inc. (US), Nintendo Co. Ltd. (Japan), Ubisoft Entertainment SA (France), Gameloft SE (France), Glu Mobile Inc. (US) and MocoSpace (US).

Mobile Gaming Platform Market Trends;

The Mobile Gaming Market is driven by several key trends, including the dominance of free-to-play and freemium models, where games generate revenue through in-app purchases and ads. The rise of mobile eSports and competitive gaming is expanding player engagement, while cloud gaming and 5G are enhancing game accessibility and performance. Augmented reality (AR) and virtual reality (VR) are being increasingly integrated into mobile games, with titles like "Pokémon GO" leading the way. Additionally, cross-platform play and subscription services such as Apple Arcade are transforming the gaming experience, offering new ways to engage and monetize users.

Mobile Gaming Platform Market Future Outlook:

The future outlook for the Mobile Gaming Platform Market is highly promising, with continued growth driven by advancements in 5G, cloud gaming, and the integration of technologies like AR and VR. Subscription models, such as Apple Arcade and Google Play Pass, are likely to gain traction, offering players ad-free experiences and exclusive content. The rise of mobile eSports and cross-platform gaming will further fuel engagement, while emerging markets, especially in Asia-Pacific and Latin America, are expected to lead the next wave of growth. Despite challenges like regulatory scrutiny and intense competition, the market's potential remains vast, with innovation and technological advancements shaping its future trajectory.

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3D Camera Market | Exclusive Report on the Latest Trends and Opportunities in the

Allied Market Research, titled, “3D Camera Market by Technology, Type, and Application: Global Opportunity Analysis and Industry Forecast, 2021–2030". The global 3D camera market size was valued at $8.89 billion in 2020, and is projected to reach $142.03 billion by 2030, growing at a CAGR of 31.9% from 2021 to 2030. North America is expected to be the leading contributor to the global 3D camera market, followed by Asia-Pacific and Europe.

3D camera refers to an integrated computing device or product, which helps the person or the user wearing it to enhance day-to-day activities. The dawn of mobile wireless systems, smart phones has sparked a new era for 3D camera globally. Gadgets that were deemed to be just used in industrial, commercial applications are now finding its way into normal consumers’ lives, enhancing their quality of life through various applications such as healthcare, sports and fitness, lifestyle, and others.

The prominent factors that drive the 3D camera market growth include increase in demand for 3D content from the entertainment industry, enhancement in 3D scanning technology, and rapid innovation and enhancement in emerging 3D technology. However, price-based constraints and lack of awareness are expected to hinder the growth of the 3D camera industry. Conversely, rise in home automation and virtual reality applications are projected to offer remunerative 3D camera market opportunities in the coming years.

Segment Overview

The 3D camera market analysis is segmented into technology, type, application, and region. The technology segment includes time-of-flight, stereo vision, and structured light. The type segment includes target camera and target-free camera. The application segment consists of professional cameras, smartphones, tablets, computers, and others.  Region wise, the 3D camera market is analyzed across North America (U.S., Canada, and Mexico), Europe (Germany, UK, France, Russia, and rest of Europe), Asia-Pacific (China, Japan, Australia, India, and rest of Asia-Pacific), and LAMEA (Latin America, Middle East, and Africa).

The target free camera segment was the largest contributor of revenue in 2020 and is expected to grow at a CAGR of 13.2% from 2021 to 2030, owing to growing demand in applications such as smartphones, tablets, and computers.  The camera manufacturers extensively use stereo vision technology owing to simplicity in implementation as compared to other technologies.

The market share in Asia-Pacific is expected to grow at a faster rate as compared to other regions. Factor such as increase in adoption of 3D cameras in entertainment, gaming, electronic gadgets, and surveillance applications and technological developments in the region drive the adoption of 3D camera technology in Asia-Pacific.

COVID-19 Impact Analysis

The arrival of COVID-19 significantly affected the electronic and semiconductor sector. Businesses and manufacturing units across various countries were closed, owing to increase in number of COVID-19 cases and were estimated to remain closed in 2021. Furthermore, partial or complete lockdown disrupted the global supply chain, posing challenges for manufactures to reach customers. The overall production process is being adversely affected, but owing to surge in demand from consumer sectors, the global 3D camera market trends is expected to witness significant growth during the forecast period.

Key Findings of the Study

On the basis of type, the target-free camera is anticipated to dominate the global 3D camera market, in terms of revenue.

The stereo vision technology segment dominated the global 3D camera market share in year 2020.

North America held the majority of market share in 2020 and Asia-Pacific is anticipated to exhibit the highest CAGR during the 3D camera market forecast period.

The key players profiled in the report include Canon Inc., Faro Technologies Inc., Fujifilm Holdings Corporation, GoPro Inc., Intel Corporation, LG Electronics Inc., Nikon Corporation, Panasonic Corporation, Samsung Electronics Co. Ltd., and Sony Corporation. These key players have adopted various strategies such as product launch, collaboration & partnership, joint venture, and acquisition to expand their foothold in the 3D camera market.

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Check Out The Exclusive Services Of The Best Event Planner In India.

Introduction:-

Incredible Events is more than just an event management firm. We collaborate with you to create exceptional experiences. Our dedication to sustainability, innovation, and data-driven insights makes us unique. Planning a fantastic event involves more than just a vision, it also includes thorough execution and unique solutions, which only the best in the industry can give. The dynamic Top Event Planners are the best at making ideas come true. Incredible Events is one of the Best Event Planner In India. They provide exceptional services to guarantee your event is nothing short of extraordinary, whether planning a lavish wedding, a business gala, or a small-scale private celebration. 

 What distinguishes Incredible Events from the competition?

1- Customized Event Planning and Design:-

Personalized event design and planning is a standout offering from the Best Event Planner In India that is Incredible Events and they know that each event is distinct and calls for a customized strategy. They collaborate closely with customers to fully understand their goals, preferences, and vision and ensure that every last aspect is well thought out and carried out.

2- Venue Selection and Management:-

Choosing the appropriate site is critical to the success of any event. Incredible Events is a master in this as they are considered one of the amazing Top Event Planners, they shortlist different venues and provide exclusive venue selection and management services to assist clients in finding the ideal place for their events. They can enter many locations, from high-class hotels and resorts to some hidden gems and distinctive locales.

3- Entertainment and Engagement:-

The level of entertainment and involvement frequently determines an event's success. Incredible Events are the Best Event Planner In India and are excellent at offering guests captivating and engaging entertainment. They have live bands, DJs, acts, and interactive activities among their many entertainment options.

4- Catering and Culinary Services:-

Food is an integral part of any event, and we provide excellent catering and culinary services. We collaborate with some of the top chefs and catering companies to offer visitors a pleasant and delightful experience.

5- Experiential Marketing:-

Experience-based marketing is becoming a need, not just a trendy term. It all comes down to crafting unique experiences that help companies engage with consumers more deeply. Our group of imaginative and creative thinkers specializes in developing immersive experiences that appeal to your target market. From interactive exhibits to themed environments, we turn ordinary events into remarkable excursions.

6- Virtual and Hybrid Events:-

The pandemic expedited the introduction of virtual and hybrid events. However, Incredible Events as the Top Event Planners, the goal is to create exciting experiences that smoothly integrate physical and digital aspects. We have unparalleled expertise in producing virtual events and provide end-to-end solutions, from platform selection and virtual studio setup to interactive components and post-event analytics.  

7- Sustainability and Eco-Friendly Events:--

Customers are becoming more aware of their impact on the environment. Sustainable events are an obligation, not merely a fad. Our goal is to leave as little of an ecological imprint as possible. As part of the responsible Best Event Planner In India, we take an environmentally conscious stance by managing waste, using carbon offsets, and decorating sustainably.  

8- Data-Driven Event Planning:-

Thanks to data analytics, event planning may become a science. Understanding crowd behavior and preferences enables event planners to create more compelling experiences. Incredible Events data analytics to optimize every part of your event.  

Conclusion:-

Incredible Events is the Best Event Planner In India. It provides extensive services covering all facets of organizing and carrying out events. As the Top Event Planners, they offer everything you need to create an outstanding event, from personalized planning and venue management to top-tier entertainment, food, and technological integration. Utilizing their knowledge and creative approach, they guarantee that any significant or tiny event is a great success. If you're planning an event in Gurgaon, then you need to contact Incredible Events to make your idea a reality and create an experience your guests will remember for years. 

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The Evolution of Travel Exhibitions in India

Travel exhibitions in India have undergone significant transformation over the past few decades, evolving from simple trade shows into dynamic platforms that bring together industry professionals, government agencies, and travelers. These exhibitions have become essential for promoting tourism, fostering cultural exchange, and driving economic growth. Among the most prominent of these events is the India International Travel Mart Ahmedabad (IITM), which has played a crucial role in shaping the travel exhibition landscape in the country.

The Early Days: Modest Beginnings

The concept of travel exhibitions in India began with small-scale events organized by tourism boards and trade associations. These early exhibitions were primarily focused on providing a space for travel agents, tour operators, and hoteliers to network and exchange ideas. The goal was to promote domestic tourism and create awareness about lesser-known destinations within India.

In the early stages, these exhibitions were limited in scope and reach. They were often held in major metropolitan cities like Delhi, Mumbai, and Kolkata, attracting a niche audience of industry professionals. The exhibitions were mostly confined to traditional booths and stalls where participants displayed brochures, pamphlets, and maps. The primary focus was on promoting tour packages and hotel stays.

The Rise of Globalization and Technological Advancements

The 1990s marked a turning point for travel exhibitions in India as globalization began to take hold. With the liberalization of the Indian economy, the travel and tourism industry experienced a surge in growth. This period saw the entry of international players into the Indian market, leading to an increase in outbound tourism and the need for more sophisticated marketing strategies.

Technological advancements, particularly the advent of the internet, also played a significant role in the evolution of travel exhibitions. Online booking platforms, digital marketing, and social media transformed the way people researched and planned their travels. Exhibitions began to incorporate technology into their offerings, providing interactive displays, virtual tours, and online booking options. This shift not only enhanced the visitor experience but also broadened the reach of these events, attracting a more diverse audience.

The Emergence of IITM: A Game Changer

The India International Travel Mart (IITM) was established during this transformative period, quickly becoming one of the most influential travel exhibitions in the country. IITM distinguished itself by offering a comprehensive platform that catered to both domestic and international tourism. The exhibition featured a wide range of participants, including tourism boards, airlines, hotels, travel agents, and technology providers.

One of the key factors behind IITM's success has been its ability to adapt to changing market dynamics. Unlike traditional exhibitions, IITM embraced a more experiential approach, offering visitors immersive experiences that went beyond the conventional booth setup. From live cultural performances to interactive workshops and seminars, IITM created an environment where participants could engage with potential customers in meaningful ways.

IITM also recognized the importance of promoting lesser-known destinations in India. By providing a platform for smaller states and regions to showcase their unique offerings, IITM played a crucial role in diversifying India's tourism landscape. This focus on regional diversity helped to boost tourism in areas that had previously been overlooked, contributing to the overall growth of the industry.

Sustainability and Ethical Tourism: The New Frontier

As the travel industry continues to evolve, so too do the themes and focus areas of travel exhibitions. In recent years, there has been a growing emphasis on sustainability and ethical tourism, driven by increasing awareness of the environmental and social impacts of travel. Exhibitions like IITM have been at the forefront of promoting responsible travel practices, encouraging exhibitors to showcase eco-friendly initiatives and sustainable tourism products.

This shift towards sustainability has also influenced the design and execution of travel exhibitions themselves. IITM, for example, has implemented green initiatives such as reducing waste, using eco-friendly materials, and promoting carbon offset programs. These efforts reflect a broader industry trend towards creating more sustainable and responsible tourism experiences.

The Role of Technology in the Future of Travel Exhibitions

Looking ahead, technology is set to play an even more significant role in the evolution of travel exhibitions in India. The COVID-19 pandemic accelerated the adoption of digital tools, leading to the rise of virtual and hybrid events. While physical exhibitions like IITM remain popular, there is a growing interest in leveraging technology to reach a global audience and provide more personalized experiences.

Virtual reality (VR) and augmented reality (AR) are poised to revolutionize the way exhibitions are conducted. These technologies allow visitors to explore destinations, experience local culture, and interact with exhibitors from the comfort of their homes. IITM has already begun to experiment with these innovations, offering virtual tours and interactive experiences that complement the physical exhibition.

Conclusion: A Dynamic and Evolving Industry

The evolution of travel exhibitions in India reflects the dynamic nature of the country's tourism industry. From humble beginnings as trade shows, these exhibitions have grown into influential platforms that drive economic growth, promote cultural exchange, and shape the future of travel. IITM, in particular, has played a pivotal role in this evolution, setting new standards for what travel exhibitions can achieve.

As the industry continues to evolve, travel exhibitions like IITM will need to remain adaptable, embracing new technologies and sustainable practices to stay relevant. The future of travel exhibitions in India is bright, with endless possibilities for innovation and growth.

[market-insider]

Server Products Types: Understanding Size, Share, and Growth Trajectories

The global server market size is estimated to reach USD 175.29 billion by 2030, exhibiting a CAGR of 9.8% from 2024 to 2030, according to the recent reports of Grand View Research, Inc. Continued advances in emerging technologies, such as AI, IoT, big data, cloud computing, and 5G, and the growing adoption of innovative solutions based on these technologies across various industries and industry verticals are driving the demand for edge data centers in emerging economies.

Server Market Report Highlights

The rack segment is expected to register a CAGR of 11.3% from 2024 to 2030 in the server market. The segment growth can be attributed to the growing need for scalable data centers, high-density computing, and advancements in emerging technologies, such as IoT, cloud computing, and edge computing, creating vast growth opportunities for market players.

The large enterprise segment is expected to register a CAGR of 10.4% from 2024 to 2030 in the server market. Large enterprises are shifting their focus toward hosted application servers because they can handle workloads from multiple sites, typically from the same database.

The direct segment is expected to register a CAGR of 11.0% from 2024 to 2030 in the server market. Direct distribution can shorten lead times by sending goods directly to customers when they are ready for deployment. These benefits are expected to further supplement the growth of the direct channel during the forecast period.

The IT & telecom segment expected to register a significant CAGR from 2024 to 2030 in the server market. The IT industry has seen a growing implementation of cloud-based services over on-premises ones. Subscribers now get most services through a single service provider. Furthermore, mobile phones' constantly evolving multimedia capabilities are giving rise to new issues related to after-sales service delivery and execution.

Asia Pacific is anticipated to emerge as the fastest-growing region over the forecast period at a CAGR of 10.7% in the server market. The growth of the Asia Pacific market can be attributed to significant players in the region, including Baidu, Huawei Technologies Co., Ltd., Tencent Cloud, and Alibaba.com. Moreover, the region has been witnessing high growth in digitalization, especially in countries such as India.

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As businesses move to private and public clouds, edge cloud, co-location facilities, and data centers have started utilizing software-defined networks (SDNs) and virtualization to facilitate the implementation of new data analytics models. However, having realized that the incumbent servers cannot handle the complex workloads, market players in the region are introducing new server designs with higher computational power.

The cloud computing sector attracts small enterprises by offering scalable infrastructure and services. Cloud computing also offers benefits such as on-demand self-service, broad network access, resource pooling, flexibility in terms of cost and time, transparency in the form of usage reports and timely updates regarding consumption rates, and cost updates to customers. It not only helps deploy business quickly but also considerably reduces operational costs. Since data security and recovery are critical concerns for small organizations, they prefer to deploy data on private clouds.

Furthermore, companies are utilizing big data analytics to provide the best services to their customers. Cloud services assist in optimizing business processes for small enterprises. These factors would further supplement the demand for servers in small enterprises during the forecast period.

Server platforms have evolved to incorporate features and capabilities once considered add-ons and were integrated only for advanced deployments. The architecture, product capability, and management and development tools account for a substantial share of the total ownership costs of owning the servers. The total ownership costs include the initial design, deployment, and recurring costs. The initial design and deployment costs cover the costs incurred on hardware, software, installation & setup, integration & testing, and initial deployment. On the other hand, the recurring costs include the costs incurred for technical support & consultancy, implementation, management & administration, monitoring & diagnostics, server downtime, and upgrades.

Additionally, the rise of advanced applications requiring particular settings and substantial computational power from users and providers is fueling the shift toward cloud servers for optimized performance. Businesses increasingly turn to virtual or cloud servers to improve their worldwide networking potential and reduce the expenses associated with operating and maintaining their IT systems. Furthermore, cloud service providers must allocate considerable resources to maintain cooling systems due to physical servers' higher heat output. Consequently, strategies like server leasing and virtualization have become more popular lately.

List of Major Companies in the Server Market

ASUSTeK Computer Inc.

Cisco Systems, Inc.

Dell Inc.

FUJITSU

Hewlett Packard Enterprise Development LP

Huawei Technologies Co., Ltd.

Inspur  

Intel Corporation

International Business Machines Corporation

Lenovo